Tag: Agatha Awards

Breakin’ Dishes

Well, it definitely is not gout, Constant Reader. The antibiotic cream prescribed by my doctor has made a remarkable difference with my toe since I started using it yesterday; this morning it isn’t even reddish anymore and bending it hardly is noticeably painful. AH, modern medicine, and sorry I doubted you, Doctor. I did get tired eventually last evening; shortly after finally finishing yesterday’s post I repaired to my easy chair where I watched a few more episodes of Netflix’ The Movies That Made Us, primarily the ones about Friday the 13th, Aliens, and Nightmare on Elm Street. It’s always somewhat lovely to revisit pop culture of the 1980’s, even though it was mostly a pretty shitty decade overall. The difference between 80’s movies and 70’s cinema was dramatic, as I learned during my Cynical 70’s Film Festival back during the early days of the pandemic when I was making hundreds of condom packs every day sitting in my living room during what I was never completely convinced weren’t the end times.

I do have some more cleaning and straightening up to do around here today around working on my book. Yes, I am definitely digging into the book today. I slept like the dead last night, and even stayed up later than usual (Paul came home before I went to bed) and slept an extra hour later this morning being a lag-a-bed until nine (the horror!). I’m feeling very well rested this morning on all three planes of existence–physical, emotional, intellectual–so it should be a great and highly productive day. It’s cold this morning–in the forties outside–and yesterday I had to turn the air on because it was stuffy in here and the clothes weren’t drying. Turn the air conditioning on and cool it down a couple of degrees and it made a significant difference. (I’m always interested in that weird range of temperature where it’s really not hot enough to need the air conditioning, but the air is thick enough so that clothes won’t dry unless it’s colder and the damp is taken out of the air; I also always sleep best on the night that I launder the bed linens) But I am going to have some coffee, do some straightening up here in the office, maybe read for an hour or so, and then get cleaned up and parked at my desk for however long I can stand it today. My coffee is tasting pretty marvelous this morning too; always a plus and always a good sign.

I also spent some time last night revisiting Vito Russo’s The Celluloid Closet in what was probably the first time in about thirty years, which is kind of terrifying when you think about it. I discovered Russo back in the day when I was discovering the rich culture and heritage of my community, when I was venturing into gay bookstores and had started reading the gay papers and magazines in search of my people and some sort of definition of what it meant to be a gay man in the United States at that time. The Russo book was the first seminal text in critiquing the entertainment industry and its participatory role in enforcing the homophobic standards of the times (if not helping to create those standards by the erasure of queer people and themes in entertainments). Russo set out to show how Hollywood’s erasure, or stereotypic rendering, of queer people served to enforce those social dynamics and mores that were suppressing our community and relegating those who identified as members of that community as outsiders, a lower caste, and separate from the dominant culture. I’d love to see a popular nonfiction version of Russo’s work that focuses on representation in crime fiction; I have neither the research skills nor the patience to write such a book myself. One of the things I enjoyed the most about the Russo book was finding out what films had queer content erased from their original source material; like the film Crossfire, about anti-Semitism in the military, was based on a book called The Brick Foxhole, which was about homophobia in the military; the murder victim wasn’t a Jewish soldier but a gay one. The alcoholic Ray Milland won an Oscar for playing in the film of The Lost Weekend drank because he had writer’s block; in the book he drank because he couldn’t handle his homosexuality in a homophobic society. The mini-series made from Dress Gray saved the reveal of the dead cadet’s sexuality for a plot twist at the end; in Lucien Truscott IV’s novel it was right there, revealed on page one and treated, really, throughout the entire book as not a particularly big deal (I’ve been meaning to reread Dress Gray; it was one of the few books I read as a teenager that didn’t treat homosexuality as a hideous moral failing, a massive sin, and/or something just revolting and disgusting, just as I’ve been meaning to reread Pat Conroy’s The Lords of Discipline–you just know there had to be a queer or two at Carolina Military Institute).

I also remember discovering queer mysteries for the first time at the gay bookstore in Tampa, and thinking you’ve always wanted to write mysteries, why don’t you write them with gay characters and themes? And thus the seed was planted–by Michael Nava, Richard Stevenson, and Steve Johnson–that grew into my becoming a gay mystery writer in every sense of the term: I’m gay, I’m a gay writer, and I write gay mysteries.

So, that’s where my mind was last night; thinking about the very limited queer rep I’d been exposed to as a reader growing up and how discovering gay fiction by gay writers about gay life and experiences–books–essentially changed my life and the trajectory of my writing. I think my writing began to improve when I started writing what I knew–the tired old trope of write what you know–because I was writing about my truths and experiences and feelings about being a gay man in a homophobic country; that was how I found authenticity and truth in my writing, and was able to extrapolate that outward into writing about other lives, other people, other experiences.

And of course, the Lefty Award banquet is tonight. I’m cheering on my friends and fellow nominees from afar. It’s a pleasure and a thrill to be nominated for Best Humorous Mystery; I never expected in a million years to ever be nominated for a Lefty and then it happened, so A Streetcar Named Murder continues on as my “first” of many things. I’m not sure which of the other four nominees will have their name called tonight, but it’s an honor to lose to any of my fellow nominees. (I also never thought I’d be nominated for an Agatha, and yet here we are; I’ve been having a hell of a twelve month period, am I not? Two Anthony nominations, a Lefty, and an Agatha; who’s a lucky Gregalicious?)

And on that note, I am going to make another cup of coffee and go curl up for a bit with a book for a little reading pleasure this morning before I go to work. Have a lovely Saturday, Constant Reader, and I will check in with you again tomorrow.

Take a Bow

Sunday morning in the Lost Apartment and I slept well–I wanted to stay in bed for another few hours, but got up anyway and am now sitting in my kitchen remembering that there was a time change and it’s actually later than I thought. Sigh. So I didn’t get up early after all, did I? I hate Daylight Savings Time and wish we could do away with it once and for all; didn’t Congress take this up last year or something, and didn’t it look like this pointless time change was going to be a thing of the past, or was that merely a fever dream brought on by the pandemic or something?

Yesterday wound up being a wasted day for me. I had some things to do yesterday morning that had to be done–some emails I’d been putting off because I knew they would be triggering, and I was right. I’m still not certain the most important one was worded correctly or the right thing to say at all, but when I finally finished it–it took me several hours to compose it and myself–I was emotionally drained and in a grief spiral, so I decided to spend some time with Scooter sleeping in my lap to make me feel better. I wound up actually drained and exhausted and fatigued, so I simply stayed there. Paul didn’t go into the office yesterday (he is going today) and we finally spent some time together last night, getting caught up on Servant (which is really phenomenal; Lauren Ambrose doesn’t get near the credit as an actress that she should; there’s a scene in the second to last episode–the series finale is this Friday–that can be Ms. Ambrose’s Emmy reel; the scene where her husband and brother finally come clean with the secret they’ve been keeping from her since the first episode is a master class in acting, and it’s all done with her facial expressions, and it’s a tour-de-force), and then the first episode of Outer Banks. We were both getting sleepy, so we put on a true crime documentary series (Two Shallow Graves, which is quite interesting; we figured if we fell asleep it would be okay because we could rewatch it if necessary without necessarily spoiling anything) and finally repaired to bed (later) than I thought it was (stupid time change), which is already throwing me off this morning.

I am still digesting Cheryl A. Head’s marvelous Time’s Undoing, which I finished yesterday morning and greatly enjoyed. I was hoping to spend some time with my next read this morning….but I’ve already lost an hour. Maybe instead of reading this morning, I’ll finish this and get cleaned up and write for a few hours before curling up with a good book later on this afternoon. Paul is going to see his trainer this morning and then to the office, so he’ll be out of my hair for most of the day so I should be able to get a lot of editing and so forth done, as well as some planning for future writing. There’s also always cleaning and filing to get done; yesterday after the depression set in was pretty much a wasted day. But I’m not going to beat myself up over the lost day; it is what it is and nothing I can do now can ever change that, so I am going to be kind to myself and recognize that, while still disappointing, there’s a significant difference between deciding to be lazy and blow off the entire day as opposed to being so overwhelmed that you can’t do anything. (This being kind to myself thing I am trying this year is such an outlook change that it’s not reflexive and I always have to process myself into it; maybe at some point it will become reflexive and…yeah, I don’t see it becoming reflexive any time soon)

Oh, yes, and the Oscars are on tonight. My interest in awards shows has declined as I’ve gotten older; sometimes I wonder if my gradual growing antipathy for awards shows I used to look forward to when I was younger has anything to do with my own eligibility for awards since getting published? Don’t get me wrong; I don’t object to awards by any means, but they also aren’t why I do what I do. It’s always nice to be recognized, especially by your peers and especially when you’ve always felt like an outsider rather than a peer. But while winning an Oscar (or even being nominated) can change a film industry member’s career for the better, do book awards make a difference to someone’s career if they aren’t the National Book Award or the Pulitzer Prize? I do think it’s important to recognize excellence in the field, but awards are just as subjective as anything else, and when an award is decided by a panel of judges..well, a different panel of judges might not come up with the exact same shortlist and winner, either. It isn’t like you can campaign to win an Edgar–but there are awards for mystery novels that you can campaign for, and the campaigning always makes me uncomfortable. In the beginning, I hated asking people for votes and wouldn’t do it. Then I started adding my eligible stuff to Gabriel Valjan’s awards-eligibility lists, which he compiles every year for every award as their nominations period open up.

Last year was the first time I actually made a little announcement on social media that hey, Bury Me in Shadows is eligible for the Anthony for Best PBO because there wasn’t a children’s/young adult category on the ballot. A second ballot was sent out at the almost last-minute because they’d inadvertently left that category off the ballot, so…figuring I didn’t have a prayer at a Best PBO nomination, I asked people to write me in on their ballot for y/a. IMAGINE my shock to wind up nominated in both categories (I lost both, PBO to Jess Lourey and Y/A to Alan Orloff; it’s lovely to lose to friends because you can be happy for them rather than disappointed at losing–losing to someone you don’t like or respect is an entirely different situation); so this year I figured I had nothing to lose by asking for votes–and wound up nominated for a Lefty for A Streetcar Named Murder and an Agatha for #shedeservedit, so go figure, you know?

Another reason I stopped caring or watching the Oscars is because they’ve become so predictable in every category in every year that there are no fun surprises, or if there are any, they are so few and far-between that watching become tedious (although one delightful surprise was Olivia Colman’s win for The Favourite a few years ago); but there doesn’t seem to be a clear cut winner in every category this year, even though I will go out on a limb and predict Oscars for Brendan Fraser (everyone loves a comeback story), Michelle Yeoh, Ke Huy Quan (another comeback story), and Jamie Lee Curtis. The two actresses will not only be rewarded for their work in the film but also for lengthy, glorious careers that have never been recognized before; while the two men are feel-good comeback stories. I’ve not seen Everything Everywhere All At Once, but I do think it’s trending to win everything. (If I had to chose, Barry Keoghan probably deserves an award for The Banshees of Inisherin; to me his was the strongest performance in a film I really disliked.)

And on that note, I am going to get another cup of coffee and head into the spice mines. Have a lovely day, Constant Reader, and I’ll check back in with you later.

It’s Only Rock and Roll (But I Like It)

I bit the bullet yesterday and decided to go ahead and attend Malice Domestic. It was expensive, but it does count as a business expense, and really, will I ever be nominated for an Agatha again? Probably not very likely, and even though it is just as likely that I will not win, it’s not like I’m not used to sitting at a banquet and hearing someone else’s name called. Plus, it’s always nice to be around writers, and I’ll get to see friends–including some I’ve not seen in quite a while (looking at you, Sara J. Henry) and the one time before that I went–like ten years ago–I had a really great time. So, I will be coming to Bethesda that last weekend in April, y’all. (Of course I just had a paranoid moment of wondering if I booked the flight and hotel for the right dates, but DUH, I went to the hotel link from their website after registering.) Now I just have to figure out how to get there from Washington National…I’ll probably spring for a Lyft or a car service rather than trying to drag my luggage around on the Metro.

Yesterday was a pretty good day, actually; I didn’t get as much done as I would have liked but I did make progress and progress is always appreciated. We watched the figure skating yesterday (Ilia Malinin got the gold; Jason Brown the silver) and then caught up on Servant and Mayfair Witches (which is getting more and more off-track from the book, but will save those conversations for when the show has finished, when I will talk about both book and television series), and then we started The Recruit on Netflix, which sort of reminds me of Killing Eve in some ways, but it’s different. The first episode is a bit much, but as the show continues it starts hitting its stride and I very reluctantly had to stop the binge so I could go to bed. I do look forward to tuning in again, too–hopefully Paul won’t be working super-late every night this week.

It’s hard to believe that I am heading up to Birmingham this Friday, and the next weekend is when the parades start. #madness. February will be over before we know it–and then it’s March and suddenly spring is over and we’re back into the brutal summer months of three hundred dollar power bills. I slept really well last night–the weather has changed again and is warm, which means it’s super-foggy at night and in the mornings, burning off a bit in the afternoons before descending upon us again as the sun goes down. I need to get the draft of the book finished this week and sent off; I am hoping to spend the rest of the week before I leave for Alabama Friday morning working on a short story that I need to get finished for the ever-patient editor.

I slept really well again last night, which seems to be becoming a recurrent theme for me in 2023, and one that I am deeply happy and grateful for. I’m feeling a lot less anxiety this year, and I think the relaxation and lower anxiety has everything to do with me doing all this writing, which has been wonderful. I am always happiest when I am writing and producing–even work as rough and raw as this manuscript currently is–and it always puts me in a better frame of mind. Writing, as much as I always have to force myself to do it and sometimes even hate it while I am doing it, is my happy place and as long as I am writing I am in a better frame of mind, which is something I really need to remember going forward with everything in my life: writing is what centers you and makes you happiest.

And on that note, I am heading into the spice mines. Have a most lovely day, Constant Reader, and I will check in with you again tomorrow.

You Can’t Always Get What You Want

Saturday morning in the Lost Apartment before I head over to the Convention Center. I had a decent day yesterday; I got all my work done and wrote quite a bit; around four thousand words. I’ll need to do quite a bit this afternoon after I get back from the ALA event; if by chance you are also going, I’ll be signing at 10:30, so stop by the Dreamscape booth (they did the audiobook for A Streetcar Named Murder) and say hello and get a signed copy of the book with a download link for the audiobook. How fun is that?

Last night we watched some of the US Figure Skating Championships, which I’d DVRed–we also watched the LSU gymnastics meet before hand–and I read some more of Abby Collette’s Body and Soul Food, which I am really enjoying. On the way home from the event today I have to stop by Office Max to get some new ink cartridges for my printer–it ran out of ink in the middle of a job yesterday (I always print out what I’m writing to edit and reread sans computer screen; I spend way too much time in front of a screen as it is). I slept really well last night, too–which was terrific; it’s amazing how much good sleep and rest I’ve been getting since my return to New York, and of course, I am also incredibly pleased with the writing I’ve been doing since before Christmas. I haven’t quite gotten my act together completely yet, but I am starting to feel like I’m getting closer to where I need to be. After I get back from Alabama the next step for me is to start taking walks when I get home from work every night–nothing major, just out with my phone around the neighborhood; there are Mardi Gras decorations that need to be documented, and it always makes me feel a little more connected to the city when I do that, and maybe start stretching every morning with my coffee, which will also help wake me up, too. I would imagine that tonight’s schedule will be watching more figure skating once Paul gets home from the office–which reminds me, I don’t have anything to make for dinner, so I should probably schedule a grocery run at some point today. Heavy sigh. Time is not on my side.

But so it goes, you know?

I have to say, I’m having a pretty good year so far. The Lefty and Agatha Award nominations were completely unexpected–then again, do people actually expect to be nominated for awards? It shouldn’t surprise me that some do, I suppose. Anyway, for me they were lovely surprises, and a lovely kind of pat on the back from the community to let me know they like and appreciate me and my work. I’ve really not had a lot of reassurance about anything throughout my life; most of my career I was just kind of over here doing my own thing while the mainstream mystery community might acknowledge my existence here and there, now and again, but for the most part I’ve kind of felt on my own, almost from the very beginning. The Anthony nominations last year, and these nominations this year, were so lovely. I may not be the first openly gay writer of openly gay work to be nominated for Anthonys and Agathas, but I am one of the few–there haven’t been many–and of course the response to my first mainstream book, A Streetcar Named Murder, has also been reassuring and lovely and nice. I know I shouldn’t still have issues with Imposter Syndrome, but the truth is I still do, but things like that help me with my confidence levels.

But after a lifetime of people telling me I couldn’t do it, I would never do it, and so on when it came to writing, it’s not surprising that I struggle with Imposter Syndrome despite being nominated for over twenty awards during the course of my career and even winning a few. I guess my mindset has never reset from when my first book came out–periodically I will look at my CV or have to count awards or publications or something and I am always taken a bit aback by how much I’ve actually done already. I guess part of it comes from just focusing on what I am doing and what I need to get done–part of that never look back thing I always do–as well as thinking about all the things I want to write but am beginning to realize I am never going to get to before I die. (And yes, I know, that’s morbid and depressing to think about but once you pass sixty your mortality starts seeming a lot more real than it did before–which is also a great topic for an essay someday.)

So yes, I am feeling good and content this morning. It’s a nice feeling and one I’ve not had in a long time; I am slowly but surely cleaning up all the odds and ends that I’ve had trouble getting around to and getting somewhere.

And on that note, tis time for me to head into the spice mines and start getting ready to head over to the convention center. Have a great Saturday, Constant Reader, and I will talk to you again later.

Ain’t Too Proud to Beg

And the Agatha Award nominees are:

​​2022
Best Contemporary Novel
Bayou Book Thief, Ellen Byron (Berkley Prime Crime)
Death By Bubble Tea, Jennifer J. Chow (Berkley)
Fatal Reunion, Annette Dashofy (Level Best Books)
Dead Man’s Leap, Tina de Bellegarde (Level Best Books)
A World of Curiosities, Louise Penny (Minotaur)

Best Historical Novel
The Counterfeit Wife, Mally Becker (Level Best Books)
Because I Could Not Stop for Death, Amanda Flower (Berkley)
The Lindbergh Nanny, Mariah Fredericks (Minotaur)
In Place of Fear, Catriona McPherson (Mobius)
Under a Veiled Moon, Karen Odden (Crooked Lane Books)

Best First Novel
Cheddar Off Dead, Korina Moss (St. Martin’s)
Death in the Aegean, M. A. Monnin (Level Best Books)
The Bangalore Detectives Club, Harini Nagendra (Constable)
Devil’s Chew Toy, Rob Osler (Crooked Lane Books)
The Finalist, Joan Long (Level Best Books)
The Gallery of Beauties, Nina Wachsman (Level Best Books)

Best Short Story
“Beauty and the Beyotch,” Barb Goffman (Sherlock Holmes Magazine, Feb. 2022)
“There Comes a Time,” Cynthia Kuhn, Malice Domestic Murder Most Diabolical (Wildside Press)
“Fly Me to the Morgue,” Lisa Q Mathews, Malice Domestic Mystery Most Diabolical (Wildside Press)
“The Minnesota Twins Meet Bigfoot,” Richie Narvaez, Land of 10,000 Thrills, Bouchercon Anthology (Down & Out Books)
“The Invisible Band,” Art Taylor, Edgar & Shamus Go Golden (Down & Out Books)

Best Non-Fiction
The Life of Crime: Detecting the History of Mysteries and Their Creators, Martin Edwards (HarperCollins)
The Handbook to Agatha Christie: The Bloomsbury Handbook to Agatha Christie, Mary Anna Evans and J. C. Bernthal (Bloomsbury Academic)
The Science of Murder: The Forensics of Agatha Christie, Carla Valentine (Sourcebooks)
Promophobia: Taking the Mystery Out of Promoting Crime Fiction, Diane Vallere Ed. (Sisters in Crime)
Agatha Christie: An Elusive Woman, Lucy Worsley (Pegasus Crime)

​Best Children’s/YA Mystery
Daybreak on Raven Island, Fleur Bradley (Viking Books for Young People)
In Myrtle Peril, Elizabeth C. Bunce (Algonquin Young Readers)
#shedeservedit, Greg Herren (Bold Strokes Books)
Sid Johnson and the Phantom Slave Stealer, Frances Schoonmaker (Auctus Publishers)
Enola Holmes and the Elegant Escapade, Nancy Springer (Wednesday Books)

SO many friends here! Congratulations to everyone!

Sympathy for the Devil

Well, well, well. This morning I woke up to the announcement of this year’s Malice Domestic Agatha Award finalists, and mych to my pleasant surprise, our very own Gregalicious’ #shedeservedit is a finalist for Best Children’s/Young Adult novel. It was a very pleasant surprise, as I figured the Agatha short-list wasn’t in my future for A Streetcar Named Murder (which was only eligible for Best Novel, and there is WAY too much competition for that category to even consider the possibility) and honestly, I didn’t think #shedeservedit, my only other release for 2022, had a prayer of getting enough votes (if any at all), but hey. I put up a couple of “for your consideration” posts on social media, figuring it certainly wouldn’t hurt anything to at least try, and here we are. Wow. Thanks to everyone who voted for me. It’s very exciting to start out the year with what hopefully won’t be my last Lefty and Agatha nominations. The nominations are a very lovely pat on the back, and will make even nicer additions to my author bio and CV. Added to the two Anthony nominations last year for Bury Me in Shadows, and it would appear that I am having a rather lovely period in my career, am I not? Perhaps a Gregnaissance?

Okay, yeah, I hate when people do that and make up words. Forget I ever said that.

It’s work at home Friday and I have data to enter. I also had to roll out of bed and head down to Quest Labs this morning for a blood draw for my bi-annual physical, so now I have a bruise on both arms since I had my PrEP labs drawn on Wednesday. I had a good day yesterday–I managed to get back into the book, but fell 500 words short of quota, so I need to do that today as well as today’s writing so I am back on schedule. I’ve been having some moments of doubts and imposter-syndrome lately, but that always happens at this stage in a book so I dismissed it and put it right back out of my head. I was very tired when I finished yesterday’s writing, and Paul went to the gym last evening, so I went down a Youtube wormhole of research (yes, yes, justify wasting your evening, Gregalicious) until Paul got back and we watched some of the US Figure Skating Championships, particularly the Rhythm Dance. (If someone would have told me back when I moved in with Paul in 1996 that my eventual favorite discipline in figure skating would be the ice dancing, I’d probably still be laughing…) I also was remarkably hungry yesterday, which really never happens. I was so hungry yesterday afternoon when I left the office that I actually came home and ate a piece of King cake, which kept me through the night, but it was still odd. I rarely ever get hungry–which is why I often will forget to eat, especially when I am on a trip (unless you go to New York with That Bitch Ford–I think I ate more that weekend in New York than I have on every trip I’ve taken in the last ten years combined)–so it bears noting when I actually realize that I am hungry. My weird relationship with food and my body is something I should probably write about sometime.

One of the problems I face when I think about writing personal essays (did you enjoy that segue, Constant Reader? I usually struggle with transitions) is, of course, Imposter Syndrome. Whenever I sit and think about writing a personal essay, I immediately start to doubt myself. What insights and perceptions and conclusions can you possibly draw about this that hasn’t already been said, probably better and more eloquently, by many others already? I can be pretty oblivious, too–something that is patently obvious to everyone else is something that startles me when I recognize it, mainly because I never think about it; it’s just something that already is, so I don’t think about it. Like one day when I was visiting my parents in Houston a news promo ran on the television calling Houston the “space city,” which was something I clearly was aware of since my parents lived two exits from NASA, and “Houston we have a problem.” But when I heard it that day, it connected in my head, oh, Houston the space city, that’s why the baseball team is the Astros and the basketball team is the Rockets. I said this out loud and my mother looked at me like I was insane (a look I am quite used to, so no worries on that score) and started laughing. I guess my obliviousness was amusing, but I just had literally never thought about it–they were the Rockets and the Astros, and that was that; didn’t matter why they were called that. But this is the kind of thing that makes me worried about trying to write personal essays–that, of course, and my faulty and failing memory, which is yet another reason why I don’t write a memoir…although I could write a really good one. But the problem–even if I trusted my memory–is that everyone remembers everything differently, so I could write about something the way I remember it but the other people involved could remember it completely another way. Who is right, and what is the truth? That hurdle is something I’m going to have to clear–after all, “I Haven’t Stopped Dancing Yet” is a terrific personal essay, and a piece of work of which I am particularly proud; so I know I can do it. I suppose the true fear is that I won’t strip naked and show myself to the world, and will color and/or distort things to make me not look quite as bad as I actually was in the moment. That’s one of the reasons why I love writing fiction; I can take personal experiences and twist them into something that can fit into a good story, or make them better in some ways.

And believe me, there was a lot of bad behavior in my past.

You learn to live with it.

Sigh. I do have a lot to get done over the course of this weekend–cannot forget the ALA event tomorrow morning–and of course, there’s a lot of writing to be done and the US Figure Skating Championships to watch. I’ll need to make groceries at some point, too, and I have prescriptions to pick up at CVS and of course, next weekend I am off to Alabama (yay!) for two of my favorite events of every year, Murder in the Magic City and Murder on the Menu, which will take me to Birmingham and Wetumpka. Yay!

So, I am feeling a little more confidence this morning about my writing and everything in my life. I’m enjoying my day job and my new responsibilities, my writing career is doing okay, and I can’t really complain about too much. I’m going to return to the gym in April and start working on that part of my physical self. I am getting the hearings aids process started, and at some point I am going to need to have another eye exam later this spring. I have a lead on a dentist to get my teeth fixed so I can stop looking like a hillbilly, and start getting things figured out with a plan for my writing future.

And on that note, this data ain’t gonna enter itself. Have a lovely Friday, Constant Reader.

Dandelion

I am soon to depart for the airport, where I am catching a flight to LaGuardia for a weekend in New York; I am flying back home on Sunday. It’s going to be a short but busy trip, where I will get to see all kinds of people i really like and run all over the island and do all sorts of things. I also need to carve out time to write while there as well–I have gotten really bad about writing when on trips over the years, but I really can’t go without writing the entire time. I made quota again yesterday–it was a little harder to get motivated and not quite as easy to get into a proper rhythm, but it was also a transitional chapter and my first goes at those are always stilted and awkward and people don’t really talk like that, do they? But I got through it, the transition was made, and the stage has been set. Now we move on to act 2, which is why it really cannot wait. Hopefully, if I am not too tired when I get to the hotel, I can spend a few hours working.

My flight is already delayed, I see–so I don’t have to leave quite as early for the airport as I had originally thought, which is fine. Our Internet was spotty last night, going in and out, so we ended up not finishing watching the Golden Globes and I went to bed early. It seems to be working fine this morning, so I am not going to worry about it–I’m the one who always has to deal with it, the Cox bill is in my name, etc. etc. etc. It would suck for Paul to have no Internet for the weekend, but I am going to assume that last night was an aberration. Our cable box is also so old they can’t even service it anymore, so I need to go get a new one at some point; the Cox office is near my office, so I can run by there during lunch someday when I get back. Sigh, it’s always something.

I am taking A Walk on the Wild Side with me to read on the plane and at the airport, along with a rather short book by Harry M. Benshoff, Dark Shadows, which is a kind of academic breakdown of the original show that I am kind of looking forward to reading. Dark Shadows probably had a much bigger impact on me than almost anything else–my preference for Gothics, supernatural stories, murders–and I should probably do an entire entry about Dark Shadows and its influences and impact on me creatively. I am also trying to decide what other books to take on the trip with me–I need at least one more for the flight home–and am kind of torn as to what to read next. I’ve got some great cozies stacked up in the TBR pile, but I also have some books by other favorite authors and some other books that have gotten some high praise from either reviewers or friends on social media. Maybe someday I can get the TBR pile under control but it won’t be anytime soon, I can promise you that. I am really looking forward to reading more this year than I have in past ones.

I’m also looking forward to writing a lot more this year, too. I can’t believe what a roll I’ve been on since Christmas (or just before); I’ve written at least three thousand words a day on average ever since (some days I skipped, others I did from four to six thousand words), which is quite a bit, really–somewhere between forty-five and fifty thousand words, which is kind of impressive, I must say. It’s also not been wearing me out, or making me very tired. I think some of that has to do with the lessening of outside pressures and stressors–I’ve been sleeping very well (well, last night was kind of spotty) for the most part, feeling rested, and not letting things get to me the way they always seem to have been doing for the last three or four years. I really hate stress and anxiety, and I really need to make sure I continue to focus on reducing those thing. Staying off social media more has done a good job of that, too–nothing can quite raise the blood pressure the way reading something racist or homophobic or misogynist or transphobic from people who should know better, and I’ve started unfollowing and/or blocking people who are, for wont of a better word, assholes. And it actually feels good to hit unfollow or block, knowing you never have to interact with that person or read their shitty screeds ever again.

And it’s not required that I follow every crime writer on social media, either.

I went to a lot of events last year, and will be scaling back dramatically on that this year. Probably Bouchercon in San Diego is all I am going to do involving air travel, and yes, I’ve been offering my short stories and books up for Lefty and Agatha consideration, but I won’t be attending either event so even were I to score a nod, not being present doesn’t help your odds of winning. (For me, being present isn’t enough, either.) It’s weird to think that after this weekend’s trip I probably won’t be flying anywhere again until Labor Day weekend for Bouchercon, and I’m actually feeling kind of iffy about that, to be honest. I hate the thought of traveling over Labor Day weekend, but at least if I fly home on Sunday I’ll have Monday off to recalibrate and recenter and recover from the conference.

I just hope I can sleep this weekend. Let’s focus on getting through that first, shall we? LOL.

And on that note, I am going to bring this to a close and start packing. I made a list of everything I need for the trip, and I got the big black suitcase out last night so everything is in place and ready to go. I may check in with you tonight from the hotel–stranger things have happened–but one never knows. I was actually thinking the other day that I’ve gotten into a bit of a rut with this; I always write it in the morning with coffee and maybe, just maybe, sometime during the day I may write another entry, usually about a book I’ve just finished reading or something–and there’s really no reason for that other than habit. Maybe the blog entries that require a more awake brain, for logic and reasoning and making a rational argument either for or against something, can be worked on during the day or in the early evening or around my writing for the day. I have any number of entries I’ve started over the years–dealing with things like racism and homophobia and all the other, irrational bigotries and prejudices that run rampant in our modern world, and it would be nice to finish them all, get them out there into the world to be read by the two or three people who actually check in with me every day and read these meanderings of my mind.

Here Comes That Rainy Day Feeling Again

I didn’t start reading young adult fiction until I was an actual adult.

I didn’t read it when I was an actual young adult,, which I’ve tried to remedy in the years since I discovered that there is young adult fiction that is not “ABC Afterschool Special” style drama–these abounded to an extreme when I was a teen; everything was a cautionary tale. You want to have sex? Here, read Mr. and Mrs. Bo Jo Jones or My Darling My Hamburger. Drugs? You should read Go Ask Alice. And on and on it went…the 1970s were a very weird time to go through puberty and your teens, especially if you were beginning to realize your sexuality was all wrong and you needed to hide almost everything true and honest about yourself from everyone you know. There were actually good books for teens being written and published during that time, of course; I just never found them (some have been recommended to me by friends who are the same age and read them at the time; Trying Hard Not to Hear You by Sandra Scoppetone could have made a significant difference in my life had I read it back then).

But in the early 1990’s, I started reading horror/mystery novels by teens by Christopher Pike, which led me to R. L. Stine’s Fear Street books and my favorite mystery writer for teens–the forgotten and vastly under-appreciated Jay Bennett. Those books got me to start writing my own y/a horror/mystery/suspense novels for teens–which eventually became my novels Sara, Sleeping Angel, and Sorceress–and I continue to write them from time to time; my last two releases were actually young adult fiction (or marketed as such). I try to keep my hand in the field by reading horror/mystery/suspense novels for young adults that are more current; it’s hard to keep up with everything I want to read as it is, but I was really happy one of the books I took with me on my trip was Alan Orloff’s Agatha Award winning (and Anthony Award finalist) I Play One on TV.

He watched as a teen in a dark hoodie emerged from a storage closet and crept into the high school locker room. In the dum light, the shadowy figure advanced, slowly, methodically. In his left hand, a knife blade glinted.

The man’s insides constricted as he observed. He could almost smell the stale sweat left behind by the athletes after football practice, soon to be replaced by the stench of fear and the coppery odor of fresh blood.

The feelings he experienced now–rage, fear, excitement–mirrored those he had felt then, five years ago. When he had been the teen in the hoodie in that locker room. When he had been wielding the knife.

When he had been stalking his unsuspecting victim.

The premise of I Play One on TV is very original and clever: the main character is a teenager with ambitions of becoming an actor–he has an agent, goes out on auditions for commercials and local theatre productions, and works with his high school’s summer theater camp–and thus far his biggest break was starring as a teenaged killer in a true crime reenactment series. The killer he is playing, Homer Lee Varney, was a bullied outsider who murdered a jock, and has recently been released from prison due to a legal technicality. Dalton’s two best friends are also aspiring actors, and shortly after his episode of the show airs, someone starts stalking him–and he fears he is being stalked by the actual killer.

But was Homer guilty, or was he railroaded? Dalton has found some discrepancies in the police reports which indicate that the investigation might not have been as thorough or efficient as one might think…so maybe Homer isn’t a killer after all?

Dalton, despite his faults (and it’s to Orloff’s credit as a writer that he doesn’t make Dalton perfect–especially since this is a first person narrative), is easy to connect with, identify with, and root for to succeed–not just as an amateur private eye but as an actor and as a person. He’s a bit selfish and self-absorbed (as creative artists have a tendency to be), and he also has some serious professional jealousy for a schoolmate who often winds up going up for the same parts–but gets them instead of Dalton (which is a stage name). Dalton’s relationships with his parents and with his sister are also realistic and well drawn, and the story/mystery progresses at an excellent pace, and comes to a very satisfying, enjoyable conclusion.

I Play One on TV recently won the Agatha Award for Best Childrens/Young Adult Novel, and also received an Anthony nomination in the same category.

Definitely recommended!

People on the High Line

Several years ago–I have no concept of how long ago; time and its passing literally have no meaning to me anymore–I started what I called “the Short Story Project.” I wanted to become a better short story writer; it’s a form I’ve always struggled with, and it always seemed to my hypercritical self that whenever I was successful in writing a short story, it was more of an accident than anything I had planned when I embarked on writing the story. I’ve also become a little bit easier on myself on that score–sometimes, not every idea will work as a short story, and writing isn’t something that can ever be forced without it showing to the reader–and I did have a wonderful period of productivity with short stories after setting course for the Project–which not only entailed writing them but reading as many of them as I could. After all, what better way to improve my own short story writing skills than by reading good stories? I have, over the years, collected any number of single-author collections as well as anthologies, and yet, with few notable exceptions prior to the start of the Project, had rarely ever cracked their spines. Lately, as I have struggled with time and focus while I’ve been working on this revision of the Kansas book (aka #shedeservedit) I find myself unable to focus much on reading novels; my mind inevitably wanders, or I will set it down and not get back to it for days. So, this morning I decided, before getting in my work on the book for the day, to read some short stories over my coffee this morning, and I wound up reading four of them; all of them marvelous in their own unique, distinctive ways. The stories I read this morning were, in order: “Better Days’ by Art Taylor, from Ellery Queen’s Mystery Magazine; “Mischief in Mesopotamia” by Dana Cameron, also from Ellery Queen’s Mystery Magazine; “Hop-frog” by Edgar Allan Poe; and finally, “To Build a Fire” by Jack London.

Maybe I wasn’t the only one on our stretch of the North Carolina coast who picked up the Washington Post on a regular basis, but I doubt anyone else it like I did–scanning the bylines, measuring the thickness of the paper and the heft of it, stifling the envy.

So begins Art Taylor’s “Better Days’, which won the Macavity Award for Best Short Story and was a finalist for both the Agatha and the Anthony Awards. Art is one of crime’s best short story writers (and one of my favorite people), and it’s easy to see why he has won every award under the sun for crime short stories. Art’s stories are always tightly written, with characters so real and honest and human that you can’t help but care about them, as well as having a bit of an edge to them. He manages to capture the resigned despair someone whose career path didn’t quite go the way he wanted perfectly; the former Washington Post journalist downsized and back in coastal North Carolina, working for the local paper while still thinking about his past with an uneasy regret. The story focuses on a love triangle between the main character, the local bar owner he’s been seeing, and a newly arrived tourist on a yacht with money to burn. This story tightly plotted, flows perfectly, and the characters are people I wouldn’t mind spending some more time with. In some ways it kind of reminded me of John D. Macdonald; maybe it’s the sea and boats and so forth that put me in mind of Travis McGee. Highly recommended.

I sat across from a row of decapitated kings, gods, and heroes waiting for them to speak to me. I didn’t know a word of their language, and they’d been dead–their monuments erected, sanctified, and decaying–long before anyone speaking my language was born. Still, I waited, if not as patiently as they did.

That’s the opening paragraph of Dana Cameron’s “Mischief in Mesopotamia,” originally published in the November 2012 issue of Ellery Queen’s Mystery Magazine, and it went on to win both the Agatha and Anthony awards for Best Short Story the following year. (I initially met Dana the weekend she won the Agatha; she’s been a constant source of joy for me ever since.) The story features her series character Emma Fielding, and reading the story is my first encounter with her–and now I am going to have to go back and read the entire series of novels with Emma (you may also know her from the television films made from some of the books in the series, with Melrose Place alumnus Courtney Thorne-Smith playing Emma). Set on a tour of museums and archaeological sites in southeast Turkey, Emma and her group happen to be on-site when a museum robbery occurs–and Emma solves the crime through her keen observations of her fellow tour group members. The voice is delightful, as is Emma–there’s a hint of my fiction goddess Amelia Peabody about her–and the story is enormously satisfying.

I never knew anyone so keenly alive to a joke as the King was. He seemed to live only for joking. To tell a good story of the joke kin, and to tell it well, was the surest road to his favor. Thus it happened that his seven ministers were all noted for their accomplishments as jokers. They all took after the king, too, in being large, corpulent, oily men, as well as inimitable jokers. Whether people from fat by joking, or whether there is something in fat itself which predisposes to a joke, I have never been quite able to determine; but certain it is that a lean doer us a rare Avis in terris.

Yes, that first paragraph made me squirm a bit as I started reading Edgar Allan Poe’s “Hop-frog,” which I suppose can be held up as an example of how things don’t age well (the notion that overweight people are jolly, as evidenced here). The story itself, which is about a court jester who is also a little person (“dwarf”) and crippled at a royal court, mocked and laughed at and the butt of the jokes of the King and his advisors, along with another female who is also there for their entertainment–whom Hop-frog appears to love, eventually reaches his own breaking point when they mock him one time too many and when the female begs them to stop, the King throws wine in her face and humiliates her. There is a costume ball coming up, and Hop-frog chooses this for his revenge, convincing them all to dress up as “ourang-outangs”, which will require covering themselves with tar and pitch and fake fur….and they waltz right into his punishment, as they are set aflame and are burned alive. This is based in actual history–Barbara Tuchman’s A Distant Mirror details the “the dance of the burning fools,” where King Charles VI of France and some of his buddies costumed themselves in such a manner with the same outcome–some of them caught fire and were burned to death, although the King was not one of the victims. When I was rereading that book in the early pandemic days, I came across this true story and thought it might make for an interesting short story; doing further research, I discovered that Poe had written a story based on this actual event, and bookmarked it to read later. As with everything classic, my education in Poe is limited; but all the earmarks of a Poe’s story’s justice are here: justice is meted out to the foolish king and his cruel advisers…but it’s not one of his better efforts, which is why, undoubtedly, it’s not as well known.

Day had dawned cold and gray when the man turned aside from the main Yukon trail. He climbed the high earth-bank where a little-traveled trail led east through the pine forest. It was a high ban, and he paused to breathe at the top. He excused the act to himself by looking at his watch. It was nine o’clock in the morning. There was no sun or promise of sun, although there was not a cloud in the sky. It was a clear day. However, there seemed to be an indescribable darkness over the face of things. That was because the sun was absent from the sky. This fact did not worry the man. He was not alarmed by the lack of sun. It had been days since he had seen the sun.

I originally read Jack London’s “To Build a Fire” in high school. It was assigned for us to read when we were studying short stories and fiction; it was assigned as an example of the theme “man v. nature.” I’ve never forgotten the story–I loathe the cold, as Constant Reader is aware, and London does an amazing job of getting that frigid climate across to the reader. The man is never given a name–his name doesn’t matter–and neither does the wolf-dog by his side have a name; their names don’t matter. This story is about human hubris–he isn’t worried about the cold, despite being warned about it, and he wants to get back to his camp. His job was to go upstream and see if its possible for logs to be floated downstream when the temperature is warmer and the waters of streams and rivers and creeks not frozen solid. His mission accomplished, he is heading back to his actual camp, with some food stored under his shirt next to his body and a pack of matches in case he needs to start a fire. The dread in this story builds slowly and smoothly as he begins to suspect he made an error in not respecting the cold for its ability to kill him; occasionally London goes into the perspective of the animal who is also beginning to sense the man–food and fire provider, nothing more–is out of his depth. Eventually he succumbs to the cold, after a series of misadventures that come about because he isn’t paying enough attention and is careless. Whether that is because the cold has affected his ability to think and reason clearly is never part of the story or his own consideration. Even now, after all these years, the story has the ability to make me wince and shiver and think yikes, there’s no fucking way I’d ever go outside when it was 75 degrees below zero, let alone make a trip of many miles through wilderness on foot.

And on that note, now I am finished with my morning and its back to the spice mines with me,

You Thought

One of the things I loved about Go-Go’s music was it was high energy and danceable; and it didn’t matter if you had no rhythm, didn’t know how to dance, or were clumsy and awkward. Go-Go’s music was so good that it just didn’t matter–people who would never think about getting out on the dance floor would just dash out there and start bouncing around once the deejay put one of their records on the turntable.

When I basically invited myself to be a part of this anthology, many of the songs were already taken, but editor Holly West gave me a list of three to choose from. I looked up the lyrics of each…and one thing that struck me, right between the eyes, was how dark the lyrics were. The songs, played with a bouncy, danceable beat and catchy, ear-wormy lyrics with Belinda Carlisle’s oh-so-cheery voice and the lovely harmonies, were really, if anything, kind of noir…all those years of dancing and singing along with the records, I’d never really paid attention to what the lyrics were saying.

I don’t know that I’ll ever look at the songs in quite the same way again, frankly–but that’s not a bad thing; the songs have much greater depth than I’d ever thought, which is my failing, not the Go-Go’s.

Susanna Calkins’ story is the next up in Murder-a-Go-Go’s. Serendipity brought Susie into my life in 2018; her story “Postcard for the Dead” was selected for Florida Happens (and has also made the Agatha shortlist for Best Short Story) and we also worked together on another project. We met in person at Bouchercon in St. Petersburg, and I hope that 2018 was the start of a terrific new friendship with this talent.

Her story is “You Thought.”

cover-west-murder-go-gos-front

Alison tightened her hand on her husband’s arm as they followed their real estate agent up the stone path to the 1920’s Craftsman bungalow. They’d waited so long to be shown a decent house within their limited budget. Finally, this one had come along and Sheila, clad today in an impossibly bubble-gum pink pantsuit, had reassured them it was a mustsee. “Perfect for a young couple,” she’d promised. “A steal at this price. I don’t think you’ll be disappointed.”

Now, they gazed at the house in front of them. “Oh, Charlie,” Alison said, a catch in her voice. “Look at the front porch. We could sit outside after dinner. Enjoy the sunsets.”

Overhearing, Sheila smiled over her shoulder at them. “The house is charming, isn’t it? Did I mention there’s a basement? Just look at the yard! What a lovely place for children to play.”

Alison glanced up at her husband. Children! Perhaps that could happen now since they were finally settling down. After seven apartments in as many years, she could barely stomach the thought of another impermanent home. But she didn’t want to press him on that dream, at least not yet. “The begonias are beautiful, don’t you think?” she said instead, pointing at the pinkish-orange flowers in front of the house. “We could have a garden!”

There is nothing quite as stressful as making a major purchase that’s a lengthy commitment. I bought a brand new car in 2017, and I cannot even begin to tell you, Constant Reader, the agonies of indecision that went on for the weeks before I finally decided to bite the bullet and head to the dealership. I cannot even begin to imagine the stress involved with buying a home–particularly for the first time.

That is the beating heart at the center of this tale; Alison and Charlie are buying their first-ever house after seven years of marriage and seven years of moving from apartment to apartment; Alison falls in love with this house being shown to them by their realtor, Sheila. They end up in a bidding war that ends with them paying more than they can afford for the house, and once they move in…they soon learn that their realtor wasn’t really to be trusted.

I love the way Susanna takes the American Dream of home ownership and digs into it, exploring how home ownership can also be a trap as well as an investment into the future, and how financial distress can drive people to extreme measures.