The other night, as I walked to Lilette to meet my friend Laura for dinner, I walked past this house:
It made me smile, as the New Orleans dedication for decorating for the holidays (any holiday, really) always does.
I posted this picture after taking it, along with a caption along the lines of it’s almost Twelfth Night and the start of Carnival! Someone commented, a bit surprised, “already?” which once again made me realize how different living in New Orleans is from living anywhere else, really, in the country. Nobody outside of Louisiana (unless they’re Catholic) understands how Carnival actually works, which makes sense. If it doesn’t affect you, how would you know? So, I decided explaining Carnival would be an excellent blatant self-promotion post, particularly since A Streetcar Named Murder is built around (sort of) a Carnival krewe and their membership recruitment ball. So, buckle up, Constant Reader, I’m going to give you a sort of primer for New Orleans Carnival.
Carnival begins on Twelfth Night, January 6th, and the season continues until it ends at midnight on Fat Tuesday (Mardi Gras is actually the last day of Carnival, not the entire season; but over the years Mardi Gras has become synonymous with Carnival, but the locals will always correct you when you call it Mardi Gras instead of Carnival; and ‘mardi gras” literally translates from the French to Fat Tuesday), when the bells of St. Louis toll the beginning of Lent and the police clear everyone off the streets of the city (no one is supposed to be out on the streets after midnight; I used to love to stand on the balcony at the Parade watching the mounted police officers slowly making their way down Bourbon Street as the crowds disperse before them–and behind them the street is empty). I’m not going to get into the history of Carnival and how it all began as a “farewell to the flesh” before the religious solemnity and penance of Lent; but that’s the part most people don’t get if you’re not from here or Catholic. Christmas, Carnival, Lent, and Easter are all tied together. Twelfth Night is always a fixed date because Christmas is fixed for December 25th; but since Easter’s date is never the same, neither is the date for Mardi Gras/Fat Tuesday, which is always forty days before Easter.
So, first things first. If you want to know all there is to know about each year’s Carnival, you start by getting a copy of Arthur Hardy’s Mardi Gras Guide, seen below. (You can order it on-line if you’re curious about it.)
(Don’t @ me, I know it should be Carnival Guide, but Mr. Hardy is Mr. Expert on all things Carnival, so we let him get away with it every year.)
The guide is invaluable, even though now there’s a parade tracker app so you always know where the parades are. The parades are what most people associate with New Orleans and Carnival/Mardi Gras; the big ones that shut down St. Charles Avenue and Canal Street aren’t until the last two weekends before Fat Tuesday. I don’t even know how many parades pass by our corner during parade season, but it’s a lot. (I’m hearing that the parade routes are being truncated a bit because of not having enough police officers to pull parade duty, but I don’t pay a lot of attention and just look at the Guide–which I have yet to get a copy of this year.) So, parade season is the two weekends prior to Fat Tuesday. The first weekend is easy, really; there’s parades on Friday night, Saturday afternoon and evening, and Sunday afternoon. Then we get a two day respite before they start in earnest, and there’s always at least two a night beginning the Wednesday before Fat Tuesday. Muses is Thursday night, following two others; there are also three on that Friday. Saturday afternoon is my favorite, Iris, which is followed by Tucks. Endymion is the big parade on Saturday night but it has a different route; it doesn’t come down St. Charles unless rain has caused it to be postponed for a night (when Endymion rolls down St. Charles on a Sunday night it’s a nightmare out there at the corner because Endymion is HUGE). There are parades all day Sunday, culminating with Bacchus Sunday night; Orpheus is the grand finale on Monday night, and of course on Fat Tuesday Rex follows Iris and then come the truck parades. There are also other, smaller, walking parades earlier; Krewe de Vieux, for example, is enormous and is a Saturday night later this month. After Twelfth Night and before Parade Season, there are balls and parties and walking parades and all kinds of celebrations leading up to the parades. The bleachers are already going up at Liberty Circle and all along St. Charles.
So, what does A Streetcar Named Murder, which is set in October, have to do with Carnival, and how is this a blatant self-promotion post?
Because the plot of Streetcar is set around an October costume ball for one of the newer Carnival krewes, the completely fictitious Krewe of Boudicca (it was Athena in earlier drafts, until I realized that I should check to make sure such a krewe doesn’t exist anywhere and sure enough, there is one; either in Metairie or on the north shore), which is also kind of new-member rush for the krewe. Our main character, Valerie, has no interest in belonging to a krewe; as she says, she’s fine “just going to parades and catching throws.” But her neighbor/best friend Lorna wants to join Boudicca, and she is dragging an unwilling Valerie along for the ball. It’s at the ball that the murder takes place; turns out the membership chair for Boudicca is Valerie’s nemesis, and of courea Valerie is the one who finds the victim after she’s stabbed.
And of course, it’s Carnival season again in New Orleans! So more info and blatant self-promotion to come!
Ah, elusive sleep, how lovely thou art when you do finally bless me with your grace. Yes, sleep returned after a two-night absence and one Gregalicious at last got some rest last night. I didn’t want to get up this morning, to be honest, and probably could have stayed in bed for at least another hour or two. It feels a bit chilly in the kitchen this morning but the coffee is delicious and hot. Ah, fifty-one degrees. Well, that would do it. I have a lot of work to get done today and some errands to run, but right now I am going to enjoy my coffee as I gradually swim out of the misty fog that is my morning just-woke-up brain.
I was exhausted when I got home yesterday. Two consecutive nights of little to no sleep are not what my doctor (any doctor) ordered, and it had been awhile since i was that tired. (I get tired every afternoon, but that’s a function of having been awake so long already, methinks, and just normality when you’re at your office. Yesterday’s fatigue was different.) I collapsed into my easy chair and watched some history videos (the difference between Creole and Cajun–which I already knew but was curious to see if they got it right and if there was anything new I could glean, and there was not; a couple of videos about French history; a video about what happened to the minor kings of the German Federation when Prussia united them all into the empire of Germany; and of course, it’s always fun to watch the videos captured by the Tulane fans as they won the Cotton Bowl in the closing seconds of the game before Paul got home), thought about doing some reading or writing but my brain was just too tired to focus enough to accomplish much, and so thought some more about the work-in-progress. I need to get a lot of work on it done this weekend and the first two nights of next week, since I am going to New York on Wednesday and won’t be home until Sunday. I’ll have to try to get some work done while I am there, so I am hoping I won’t get struck by the insomnia monster while I am there. (It would be a first, for the record.) But there is nought to do but firmly press nose to grindstone and get motivated while staying motivated. I also need to pick out some books to read while traveling. I can probably finish A Walk on the Wild Side on the trip up; I just need to pick out one or two more to take along for the trip home.
The Lost Apartment is also a mess, so something must be done about that before I leave as well–I hate coming home to a messy house, and Paul doesn’t really make any mess downstairs, so anytime I come home to a mess and get annoyed I also have to take accountability for my own self because if it’s messy I didn’t clean. But there’s no college football this weekend–I am not going to stay up Monday night to see who wins because I can check the score when I get up Tuesday morning–so there are no distractions I can blame for not writing or reading or cleaning this weekend. I do have things to do besides that, of course; I need to make groceries for Paul and get the mail and maybe even clean out and wash the car (stop that crazy talk!)–did I ever tell you I found a marvelous do-it-yourself car wash finally on Louisiana Avenue on the other side of St. Charles? I need to make a point of washing the car every other week–so much grime gets on it just sitting on the street in front of the house, it’s unbelievable–and I also need to remember to get the oil changed before I leave for Alabama at the end of the month.
Sigh.
It never ends, does it? It’s always the minutiae of life that gets to you and gradually wears you down, those minor little tasks you have to do all the time that don’t seem like much but will eventually just grind you down into the dirt because you have no choice but to do them because otherwise they wouldn’t get done and life would be ever so much worse without getting that stuff done. But there’s naught to do but do them; I do always reserve the right to complain even when something is my fault.
It does look beautiful outside. The sun is shining and there are no clouds in our cornflower blue sky. Perhaps later on today I can take my phone with me and take a walk around the neighborhood. It’s been a hot minute and I always enjoy going for walks around the neighborhood, plus it helps me feel more connected to the city, something I’ve been thinking a lot about lately. It’s silly for me to ever think that I don’t feel my usual connection to New Orleans; it’s always there, but it does change and evolve. As I said the other day, I’ve just grown so accustomed to life here that I don’t notice things as peculiar, unusual, or unique anymore; it just is New Orleans and normal now to me. I’ve finally gone completely native, and I can barely remember what it was like to live anywhere else in the country. Traveling has always felt like I was going to another country, ever since we moved here–and that’s really when the difference makes itself known. It’s a little jarring to feel like a foreign tourist when you go somewhere, but New Orleans is just so different from everywhere else in so many little ways that aren’t always apparent until you travel–like the Puritan liquor laws everywhere else. What about my freedom to drink, damn it?
Oh, and of course, tonight is Twelfth Night, so I should do a blatant self-promotional post for A Streetcar Named Murder, shouldn’t I?
And on that note I am heading into the spice mines. Have a lovely Friday, Constant Reader.
So, when Ellen Byron was preparing to interview me for our live stream event from Murder by the Book, she sent me some questions to prepare myself with. They were good questions, actually, and I thought that taking time to answer them when I can think about the responses would be an excellent BLATANT SELF-PROMOTION post.
So, without further ado, here we go!
What inspired your book? Series premise and the specific story?
That’s an interesting story, actually. I had been toying with the idea of writing a cozy for a long time–I’ve always liked them–but never was sure I could do it; there were rules, after all, and I’m terrible about following rules, always have been. Several friends have been encouraging me for years to do it, but I always hesitated. It was (I thought) outside of my comfort zone, and while I would toy with ideas here and there, none ever came to anything. My partner’s office is near a costume shop, and he’d had to go in there one day for some reason or another, and as is his wont, he struck up a conversation with an employee about the costume business, how they made money, how they stayed open all year, etc etc etc. He’s very curious. Anyway, that night I mentioned to him that someone had yet again suggested I write a cozy, and he wasn’t sure what one was, so I gave him a thumbnail overview, and he said, “Oh, you should do a costume shop” and proceeded to tell me about his conversation with the shop employee. I agreed it was an interesting idea, and stowed it away in the back of my head for future reference, and would think about it now and then, come up with characters and a community for the main character to be a part of, and so on. But at the same time I kept thinking New Orleans wasn’t the right place for a cozy series–basically looking for ways to fail instead of reasons to succeed, which is the underlying theme of my life, really–and so it went. An editor I’ve worked with before was interested in the idea of my writing a cozy series, so I wrote up a proposal and sent it off. They liked it, but couldn’t sign it, and recommended I take it somewhere else, so I did. It evolved from a costume shop to an antique shop during the process of me signing a contract with Crooked Lane; they liked everything about my idea except for the shop itself, so I had to change that. I went down to Magazine Street and walked for a block, writing down every kind of shop I saw, and sent the list in–and we all came to an agreement about the series being structured around an antiques business. As for the story, well, I wanted to talk about and explore the gentrification of New Orleans that has been ongoing almost this entire century, and how real estate has just exploded around here. (It still staggers me that our rent was $450 when we first moved here; the lowest rent I’ve seen advertised in our neighborhood is around $1500 for less than thousand square feet. Our original apartment now rents for $2500 per month now, which is insane.) What happens to Valerie–the fear of a new tax assessment pricing her out of her house–actually happened to a friend of mine; and the prices just seem to keep going up all the time. You can’t even buy a condo in my neighborhood for less than $350, 000 now–the asking prices for houses in the neighborhood are completely insane. Every time I see a new listing in the neighborhood for half a million dollars or more I think, we really should have bought when we moved here–but home-ownership is New Orleans isn’t something Paul or I have ever been terribly interested in. Termites, tornados, hurricanes, floods, black mold–no thanks! But man, what a return on our investment had we bought in 1996!
We both write series set in New Orleans. Why do you find it so inspiring? Especially when you’ve lived in so many other places?
I’ve lived all over the country–we’re from Alabama, and I’ve lived in Chicago on the south side, the suburbs, Kansas, Fresno, Houston, Tampa, Minneapolis and then New Orleans. New Orleans is the only place I’ve ever been to where I felt like I belonged, where I fit in; where I didn’t seem like the eccentric one. New Orleans embraces its eccentrics and doesn’t judge them, and I like that. I knew that first time I came here on my birthday in 1994 that if I moved here all my dreams would come true. And they have, which has been kind of lovely. And no writer could ever exhaust the inspiration New Orleans provides. I’ve written fifteen books set here and countless short stories at this point, and haven’t even scratched the surface. I’ve never written about the music scene here, for one glaring example, or restaurants or the food industry or…you see what I mean? There’s not enough time in my life to write everything I want to about New Orleans.
Tell us about your protagonist. Where did the inspiration for her come from?
My sister never had any interest in going to college or having any kind of career other than being a wife and mother. She was a straight A student and had numerous scholarship offers, but had little to no interest. I used to always think she had wasted her potential, but gradually came to the realization that she has the life she always wanted when she was growing up, and has never missed having a career outside of the home–so rather than feeling bad about her lost potential, I should have been happy that her dreams came true. I started thinking about that more, and thought that would make a great starting place–a woman like my sister who wasn’t really very interested in college but went because it was expected of her…only to fall in love, get married, and drop out when she had twins. I really like the idea of a woman who’s not yet thirty, who wasn’t really sure what she wanted from life and then sidetracked to wife-and-mother, but with her kids now off to college and her husband having died…what do you do for the rest of your life when you’re a widow at thirty-eight and your kids have left for college? And the more I thought about her, the more I liked her and wanted to write about her.
Why did you choose the Irish Channel as the neighborhood?
My Scotty series is set in the French Quarter, and the Chanse series was set in the lower Garden District (where I’ve always lived and always default to it for that very reason), so I wanted to do something different this time out. Before I moved here, I had friends who lived in the Channel and I loved their house and I loved their neighborhood. I had already started writing a novella set in their old house, and I thought, why not use that same house for this series? The Channel did used to be considered a bad part of town, too, when we first moved here (so was the lower Garden District, which we didn’t know), and so I thought the gentrification issue would work better there than in my neighborhood. That part of the Channel is one I used to spend a lot of time in. As my character mentions in the book, I used to hang out at the Rue de la Course coffee shop at the corner of Magazine and Harmony–it was where I would meet friends for coffee. I’m still bitter it closed.
Similarities in our series: both widows, both have family mysteries, both live in the Irish Channel, you have jokes about potholes, I have a plot point about them. Let’s talk about NOLA’s potholes.
Oh, the potholes! Ironically, an active one ate one of my car tires a few weeks ago. Usually, if I am going someplace and have to turn around, there’s usually room for me to make a U-turn or I can turned into a driveway and turn around. This particular day the bar on the corner had reopened after being sold, closed, and renovated for a few months. So, there were cars everywhere, including blocking the driveways, and I thought, fine, I’ll just go around the block, which I hadn’t done in years. Because I hadn’t done that i years, I forgot there’s a massive pothole right when you make the turn so you have to jog left to avoid it. I hit the pothole, hard, and when I did, I thought oh that’s not good and as I continued driving I noticed the car was pulling to the left–which was the tire that hit the pothole. Sure enough, it was flat. It had a nail in it, and I happened to hit the pothole perfectly so that the nail dragged, tearing a hole in the tire. So, yes, New Orleans is a city of potholes–all different shapes, sizes, and depths. When the streets flood the water hides the potholes, and if they are really deep…the one on our street (which is reforming after being filled in and paved over for like the fiftieth time) ate a pick-up truck when that end of the street flooded a few years ago, so our street was blocked until the water went down and a tow truck could get in.
You have a Nolier than thou joke – I have OhNo!LA, an app that’s a runner in the book.
I wish I could claim credit for that joke, but I stole it from Bill Loefhelm, another New Orleans crime writer when we were on a panel together talking about writing about New Orleans and the need to get things right. He responded to a question about accuracy by saying something like “Yes, you really don’t want to set off the Nolier-Than-Thou people” and it still makes me laugh whenever I think about it because it’s so true! In all honesty, I am one of those people–nothing is more infuriating to me than reading something set in New Orleans that doesn’t get it right–but I’ve loosened up some as I’ve gotten older. I was even wondering if that was still a thing while I was writing this book…but since it’s come out I’ve seen any number of locals posting reviews and comments about “how (he) got New Orleans right” so it is still a thing. (And I’m glad and grateful people think I get ir right.)
How would you say your past experiences and jobs in life inform your writing?
I always say that life is material, as is every experience you’ve had. I’ve had so many jobs over the years and have been fired so many times I can’t keep track of them all anymore. But I also had a huge variety of jobs–fast food to retail to food service to banking to insurance to an airline to being a personal trainer to managing a health club to being a magazine editor to my present job working in an STI clinic as a sexual health counselor. Whenever I am creating a character and need a job for them, I inevitably fall back on one of my experiences. The main character in The Orion Mask worked at an airport–I’ve written a lot of characters who work for airlines–and so I try to get away from my own experiences once I catch myself doing it again. I have always had jobs that required interaction with other humans, so I’ve gotten to observe a lot of human behavior. I’ve written about high school students in Kansas (where I went to high school). I’ve written about fraternities because I was in one (hard as it is to believe now). I played football in high school, I’ve written about football players in high school. The only places I’ve lived that I’ve not written about are Chicago, Houston, and Tampa (I have written about Florida, but just the panhandle, where I spent of time as a kid).
I read a blog post where you talked about your relationship with the city. How has it morphed over the years and where does it stand now? It sounded like doing promotion and writing about the city reignited your love for it. What’s your writing process? You write in different genres. Is the process different?
As sad as it is to admit, it’s very easy when you live here to start taking New Orleans for granted. As I said before, I usually am so focused on what I am doing–work, writing, errands, chores, etc.–that I don’t pay much attention to my surroundings as I should (I think we are all guilty of this to some degree). About a year before the pandemic, my day job moved. I had worked in our office on Frenchmen Street for well over ten years–right across the street from Mona’s, in that block between Decatur and Chartres, so I was a block outside the Quarter five days a week, and we also used to do a lot of testing in the French Quarter gay bars and passing out condoms during Carnival, Southern Decadence, and Halloween. So I used to spend a lot of time in and around the Quarter. It was lovely–I could go to the Walgreens or the Rouse’s on Royal and there was a bank branch on Chartres Street, too, by the Supreme Court building. Anytime I didn’t have anything in the house to pack for lunch I could just walk into the Quarter and get something not only amazing but inexpensive. I used to walk past where Scotty lives all the time. After we moved into our new building in the 7th Ward, I don’t go into the Quarter much anymore. So I was starting to feel a bit disconnected from New Orleans already before the pandemic shut everything down. But I realized when I started doing promo for this book that I am not disconnected from New Orleans. I’ve just lived here so long that I don’t take as much note of the unusual or the weird as I used to–it’s become normalized to me. I’ve acclimated. It’s still just as weird and wild and crazy here as it always has been, it just doesn’t strike me as weird and wild and crazy the way it used to. I need to take more walks and spend more time exploring the city and checking things out. I don’t know if all the hidden places I used to take friends to eat in the Quarter are still there, either. Maybe after Mardi Gras…
And here we are, on the final day of the year 2022. Happy New Year, I guess? It doesn’t feel like the year is turning, but everything has felt so totally out of whack since the 2020 Shutdown that it’s not a surprise, really. As I sit here bleary-eyed with my coffee trying to wake up for another thrilling day of writing and cleaning, it seems very weird to look back to a year ago at this time. I was on deadline then, too–and was way behind on that book, too (A Streetcar Named Murder, for the record), but other than that I don’t remember what my mood was like or what I was thinking about going into the new year. We were still in the midst of the pandemic (that hasn’t changed–what’s changed is it isn’t news anymore and everyone seems to be pretending it’s all over), and I know I wasn’t exactly going into 2022 thinking oh this is the year I’ll get the coronavirus! That did happen, and my ten-day experience with COVID-19 was bearable for the most part. I just had intense and severe exhaustion as well as the brain fog, which hasn’t entirely lifted. I still have no short term memory, and am struggling to remember things every day–which has made writing this book more difficult because I can’t remember small details and things that are kind of important. I also think being so scattered isn’t much help in that regard; I’ve never been able to handle getting a grip on things and have felt like I’ve been behind the eight-ball for the last three years, floundering and struggling to keep my head above water, and never confident that I had a handle on everything. It’s been unpleasant, really; I prefer to be better organized and to have things under some sort of manageable control, and this constant feeling that I am behind and will never catch up on everything has been overwhelming, depressing, and damaging.
I read a lot of great books this year–I was going to try to make a “favorite reads of the year” list, but as I went back through the blog for the last year looking at all the books I talked about on here, there’s no real way for me to quantify what were my avorite reads of the year. I managed to read both of Wanda M. Morris’ marvelous novels, All Her Little Secrets and Anywhere You Run; Marco Carocari’s marvelous Blackout; John Copenhaver’s The Savage Kind; Carol Goodman’s The Night Villa, The Lake of Dead Languages, and The Disinvited Guest; Ruth Ware’s The Death of Mrs. Westaway and The Woman in Cabin Ten; Raquel V. Reyes’ Mango, Mambo and Murder; Ellen Byron’s Bayou Book Thief; Rob Osler’s debut Devil’s Chew Toy; Mia P. Manansala’s Arsenic and Adobo; Kellye Garrett’s Like a Sister; Alex Segura Jr’s Secret Identity; Laurie R. King’s Back to the Garden; Tara Laskowski’s marvelous The Mother Next Door; James Kestrel’s Five Decembers (which would be a contender for favorite read of the year, if I did such things); and of course several Donna Andrews novels as well. I am forgetting some great reads I truly enjoyed this past year, I am sure–I will kick myself later for not remembering I Play One on TV by Alan Orloff, for one example–but it was a year of great reads for me. I know 2023 will also be a great year for reading.
I also watched a lot of great television this past year as well, and again, I won’t be remembering everything and will kick myself later. If nothing else, it was a year of some amazing queer representation on television; this was, after all, the year Netflix not only gave us the wonderful, amazing, adorable Heartstopper but the equally charming and adorable Smiley (which you should watch, absolutely). It was also the year where Elité continued, but the shine is starting to go off the show a bit. I was very vested in their Patrick/Ivan romance, which they ended in this last season with Manu Rios, who plays Patrick, leaving the show at the end of the season along with his two sisters (spoiler, sorry), which was dissatisfying. I am looking forward to seeing what else Manu Rios gets up to in the future…we also enjoyed 1899, Andor, Ted Lasso, Sex Lives of College Girls, Peacemaker, The Sandman, House of the Dragon, Ozark, and so many other shows I can’t possibly begin to remember them all this morning. But I have no problem saying that without question my favorite show of the year was Heartstopper. Even just looking at clips on Youtube, or those “Ten Cutest Moments on Heartstopper” videos, always makes me feel warm and fuzzy when I view them. The soundtrack for the show was also terrific, with some songs so firmly engrained in my head with scenes from the show (one in particular, Shura’s “What’s It Gonna Be” always makes me think of that scene where Charlie comes running after Nick in the rain to give him another kiss, which is what was playing in the background). Wednesday was another highlight, a surprising delight when I was prepared to have my hopes dashed, and The Serpent Queen was also a lot of fun. We also enjoyed The Bastard Son and the Devil Himself, but it was cancelled after its first season, which was disappointing.
Professionally, it was a pretty good year in which I had three book releases: #shedeservedit in January and A Streetcar Named Murder in December, with the anthology Land of 10000 Thrills, thrown in for good measure in the fall. I sold some short stories that haven’t come out yet, as well as some that did this last year: “The Rosary of Broken Promises,” “A Whisper from the Graveyard,””The Snow Globe,” and “This Thing of Darkness” all came out in anthologies this year, with “Solace in a Dying Hour” sold and probably coming out sometime in the spring. I also sold another story to another anthology that will probably come out in the new year as well, and I still have one out on submission. In what was probably the biggest surprise of the year, last year’s Bury Me in Shadows was nominated for not one, but TWO Anthony Awards (Best Paperback Original and Best Children’s/Young Adult) which was one of the biggest shocks of maybe not just the year, but definitely one of the highlights of my career thus far. I lost both to friends and enormously talented writers Jess Lourey and Alan Orloff respectively, which was kind of lovely. I had been nominated for Anthonys before (winning Best Anthology for Blood on the Bayou and “Cold Beer No Flies” was nominated for Best Short Story), but being nominated for one of my queer novels was such a thrill–and to have it nominated in two different categories was fucking lit, as the kids would say. The response to A Streetcar Named Murder was an incredibly pleasant surprise; people seemed to genuinely love the book, which was very exciting and cool.
I traveled quite a bit this year as well–going to Murder in the Magic City/Murder on the Menu, Left Coast Crime, the Edgars, Sleuthfest, and Bouchercon. I went to Kentucky twice to see my family, which further fueled my love of audiobooks for long drives–on both trips I listened to Ruth Ware on the way up and Carol Goodman on the way back–and also did some wonderful podcasts and panels on-line, which was nice. We didn’t go to any games this season in Baton Rouge, but in all honesty I don’t know if I can hang with a game day anymore–the drive there and back, the walk to and from the stadium, the game itself–I would probably need a week’s vacation afterwards!
College football was interesting this season, too. This season saw the reemergence of Tennessee, USC, and UCLA to some kind of relevance again; the slides of the programs at Texas A&M, Florida, Oklahoma, Auburn, and Texas continued; and LSU turned out to be the biggest surprise (for me) of the year. Going into the season I had hopes, as one always does, but after two years of consistent mediocrity (with some surprise wins both years) they weren’t very high. The opening loss to Florida State was a surprise and disappointment, but at least the Tigers came back and almost made it all the way to a win. The blowout loss to Tennessee at home was unpleasant, certainly, as was the loss at Texas A&M. But LSU beat Alabama this season! We also beat Mississippi, so LSU was 2-2 against Top Ten teams this season–and I would have thought it would be 0-4. And 9-4 is not a bad record for a transitional year, with a new coach rebuilding the program. And LSU beat Alabama. The Alabama game will undoubtedly go down as one of the greatest Saturday night games in Tiger Stadium. It was incredibly exciting, and I still can’t quite wrap my mind around it or how it happened. It certainly shouldn’t have; LSU was simply not an elite-level team this past season, but what a job Brian Kelly did coaching in his first season in Baton Rouge. Did I mention that LSU beat Alabama this year? (And one really has to feel for Alabama, in a way; they lost two games by a total of four points on the last play of each game. Four. Points. That would probably be what I would call this season for Alabama: Four Points from Greatness. The LSU-Alabama game this year is definitely one of those that gets a nickname from the fan base, I am just not sure what it would be. The Double Earthquake Game? (The cheers when LSU scored in overtime and then made the two point conversion registered on the campus Richter scale) The Conversion Game? I don’t know what it will be named for all eternity, but it was an amazing game. I do think it also bodes well for the future for LSU. Will both LSU and Tennessee (which also beat Alabama for the first time in like fifteen years) be able to consistently compete with Alabama now? Has Georgia taken over as the SEC behemoth? Has the Alabama run ended? I don’t think so–they have an off year where they lose two or three games periodically (2010, 2019, 2022)–and they could bounce right back. next year and win it all again. You can never count them out, even in their off years.
As for the Saints, they swept Atlanta again this year, and that is enough for me.
I did write a lot this year, even though it didn’t seem like I actually did while the year was passing. I also worked on Chlorine and another project I am working on throughout the year, as well as the novellas, and of course, I was writing short stories and essays for much of the year. I also read a lot more New Orleans and Louisiana history, and I had tons of ideas for things to write all year long. I did make it to the gym on a fairly regular basis at the beginning of the year, but then it became more and more sporadic and after my COVID-19 experience, never again. I also injured my arm a few weeks ago–when I flex the bicep it feels like I have a Charley horse, so not good, but it doesn’t impact my day to day activities. I also had my colonoscopy at last this past year–the prep was horrific, and I am really dreading doing it again at sixty-five, should I make it that far.
Yesterday was a nice day. I was exhausted, and after my work-at-home duties were completed I did some chores–laundry, dishes–and I also spent some time both reading (A Walk on the Wild Side) and writing. I also watched the Clemson-Tennessee Orange Bowl last night before Paul got home from his dinner engagement and we watched a few more episodes of Sex Lives of College Girls. Today I am going to read a bit this morning with my coffee before getting cleaned up and diving headfirst back into the book. Paul has his trainer today and usually either goes to the gym to ride the bike or to his office to work for the rest of the afternoon, so I should be able to have some uninterrupted writing time, which will be lovely. And on that note I am heading into the spice mines. Have a happy and safe New Year’s Eve, Constant Reader, and I will check back in with you later.
I have decided, at long last, to throw away my ratty old LSU sweatshirt.
This sweatshirt, for the record, predates Paul, that’s how old it is. It’s either thirty or twenty-nine; I cannot really remember one way or the other. It was, however, my very first LSU sweatshirt–the first of many–and I bought it at the bookstore on the LSU campus. I don’t remember which drive from Houston to Tampa it was when I stopped on campus and bought it–it was either a time when I was driving my new car from Houston back to Tampa, or when I was riding with a friend who was driving from Phoenix to Tampa–I flew into Houston, he met me at the airport and we drove on to Tampa from there, but for a very long time it was my only LSU sweatshirt, and I’ve always had a deep fondness for it. It’s been worn and washed so many times that it’s incredibly thin and threadbare; the neckline is fraying and so are the sleeves at the wrist. It’s stained and ratty and messy, so much so that I won’t even wear it to run errands. I only wear it around the house and usually only when all the other sweatshirts are dirty (I live in sweats when I am at home), and the other day as I was putting it on I realized not only how old it was but how bad of shape it was in. Why are you holding on to this sweatshirt? I asked myself, and then Saturday morning as I was folding it out of the dryer I thought throw it away, why are you keeping this? Sentiment? You pride yourself on your lack of that emotion, so I decided to take a photo of it, write a farewell blog entry to it, and put it in the trash–which I should have done years ago, really.
I don’t even remember why I decided to stop on campus and buy it, to be honest. I have no memory of that at all. Even now, when we are on campus for games and go by the store, it doesn’t look familiar at all from back then. Maybe they’ve built or redesigned the campus store, I don’t know; it’s certainly possible. But I don’t remember it being right by the stadium, either; it’s possible there are two stores on campus. I couldn’t say for sure.
Despite growing up as an Auburn and Alabama fan (in that order; the rule was you always rooted for Alabama unless they were playing Auburn), I’ve always kind of been partial to LSU, even though I had no connection to either the school or the state until much later in life. I’ve tried to remember why I always liked LSU, even as a kid–I think it was two things: purple has always been a favorite color of mine, especially when paired with gold, and the live tiger on campus (which I am now on the fence about–I see the arguments both for and against keeping a live tiger on campus as a mascot, but I love that tiger). My cousin actually was on the Auburn team that lost the Earthquake Game back in 1988–my family is still bitter about that 7-6 last minute loss–and when we moved to Louisiana, I got Paul into college football and he became an LSU fan because we lived here. I still rooted for Auburn and Alabama and LSU, in that order. I was still rooting for Auburn and Alabama when they played LSU, though; even in 2003 when LSU won its first national championship since 1958. It was 2005 when everything shifted for me on the college football landscape; that horrible 2005 season after Katrina, when LSU’s football team was about the only positive thing Louisiana had going for it that season, that was when I went full-on bleed purple-and-gold LSU fan, and have never looked back since. Paul of course had already gone full tilt LSU fan, and his enthusiasm was catching. I used to only care about college football; now I pay attention to almost every sport, from basketball to gymnastics to baseball to track so I can root for the Tigers.
Even before LSU moved to the front of the list, I was writing about LSU. Chanse played scholarship football for LSU, and would have possibly played pro had he not suffered a career-ending knee injury in the Sugar Bowl his last season of eligibility. Chanse was a tight end; and I had always intended for Chanse to go back to LSU and solve a murder on the campus, at his fraternity house. That story, “Once a Tiger,” is about four thousand words in; I’ve debated turning it into both a novel or a novella rather than a short story. Scotty is an LSU fan–I wrote about Mike the Tiger in Baton Rouge Bingo–and of course, in A Streetcar Named Murder Valerie’s twin sons are in their first semester up there.
Looks pretty bad, doesn’t it? It served me well for nearly three four decades!
Paul and I went to our first LSU game in Tiger Stadium in November of 2010. It was the Mississippi game, the Magnolia Bowl; there’s not much love lost between LSU and Mississippi–their fans still can’t get over Billy Cannon’s Run back in 1959. LSU has ruined many a season for the Rebels, and vice versa, but I do think they hate us more than we hate them. The game was amazing, and we had a great time. We went to several games in 2011, and it wasn’t until the COVID year of 2020 that we went the entire season without going to a game; the only game we went to in 2021 was the first time the Tigers ever lost when we were at the game (Auburn, ironically; it was also Auburn’s first win in Baton Rouge this century). We didn’t go to any games this year, either; not sure if we will be going to any more in the future, either; but one never knows, and I would like to go to at least one more Saturday night game in Death Valley. We’ve been to some great games over the years, and I am very happy to say that we got to see that great 2019 team play twice–and we were at the Florida game, which was amazing and exciting and I couldn’t talk for at least three days afterwards.
And of course, this season was all over the place, but the team did something never done before in LSU football history: won at both Florida and Auburn…so obviously, the team has never won in Gainesville and Auburn and beat Alabama in Baton Rouge. Not even Joe Burrow could do that; in his first year as a Tiger he was 1-2 in those three games. So, if nothing else, Jayden Daniels has won a place in LSU history for that, and Brian Kelly did something in his first year in Baton Rouge that no LSU coach had ever done before–including Nick Saban (even the year Saban led LSU to a national title, that team lost to Florida in Tiger Stadium).
And so it’s goodbye to my old sweatshirt at long last. I don’t know why I didn’t throw it away sooner–it’s been ratty and stained and threadbare for years–unless it was an unconscious kind of sentimentality. I haven’t preserved much of my pre-Paul life–I’ve always viewed those years as a prologue to the rest of my life–but this was one of the few things left from that time.
But its time has passed, so farewell to you, old LSU sweatshirt. You served me well…and now I get to buy a new one to replace it. YES!
Can you believe I’ve written all these Blatant Self-Promotion* posts about New Orleans and my book A Streetcar Named Murder and haven’t yet written about the most defining thing about the city–the Mississippi River?
Why, we would not be here if not for that mighty river, the Father of Waters.
Sometimes, just for shits and giggles, I try to imagine what it was like for the Europeans to see the Mississippi for the first time. Imagine you’re a colonizer, heading west and hacking your way through the Forest Primeval, and you suddenly come upon this enormous river. Or imagine you’re on a boat powered by the wind, following along the coastline of the Gulf of Mexico and suddenly the water becomes muddy and messy and dirty, as opposed to the sparklingly clear blues and greens you’d been seeing since sailing into the Gulf in the first place? And then to come into the delta, trying to find the primary channel, and finding yourself in the fast-moving currents of an enormous river? Spaniard Hernando de Soto was the first European (well, probably one of his men, but he was the leader so naturally took credit for it) to lay eyes on the river inland just below Natchez; a Spanish navigator had already mapped the Gulf coastline by this time. Father Marquette explored the river, as did Joliet later (Marquette and Joliet played a very big role in my learning of History as a child in Chicago; a nearby suburb of Chicago was named Joliet. So learning the history of the Chicago area taught me about the exploration of the river by the French, coming south from Quebec and along the St. Lawrence through the Great Lakes). De la Salle discovered the mouth of the river and claimed it and all the land in its valley for France; Iberville rediscovered the mouth about fifteen years later and began exploring up the river, eventually deciding to settle a port/town/colony on the shores of the river where there was high ground…and that settlement became New Orleans.
For the record, the location was actually the perfect place for a city to be built, despite the climate, the water and the swampy land. New Orleans is the southern-most point on the river that is protected from the sea enough to accommodate shallow water ships but where it’s also deep enough to handle ocean-going ships. (The river is incredibly low right now–too low for barges to make it down here.) New Orleans became a vitally important city as the continent was slowly and gradually colonized by Europeans and later their descendants; water was the easiest mode of transportation before railroads and roads, and you can get almost everywhere within the two mountain ranges of the northern American continent by water. I think you used to be able to actually sail into the St. Lawrence down through the Great Lakes and down the Chicago and Illinois rivers to connect to the Mississippi and the Gulf, but am not sure if that is still true.
Because of the river and the Gulf, New Orleans became one of the most important ports in the western hemisphere and gradually one of the largest cities in the United States, and certainly one of the wealthiest.
I love the Mississippi River. It’s fascinated me since childhood; this enormous river that divides the country in two. As a child fascinated by history–beginning with US history–the importance of the Mississippi, and how it was linked to how the country grew and developed over the centuries, and how it was vital strategically and economically to a developing nation. The early fall of New Orleans during the Civil War guaranteed the Confederacy would fail. When Thomas Jefferson offered to buy New Orleans from Napoleon, the French conquerer, recognizing that without New Orleans the rest of the Louisiana territory was essentially worthless, threw in most of the North American continent in for a few million more. The primary takeaway for me from reading Mark Twain was his love of the river that I came to share. I also loved that I moved to New Orleans, practically the furthest south you can live on the river, from Minneapolis, practically the furthest north you can live on it. I can remember on a trip to the South from Chicago that we detoured and went to where the Ohio and Mississippi meet; I actually stood on that corner of Kentucky with the Ohio to my left and the Mississippi to my right. (The Ohio used to fascinate me as well; another river pivotal to the colonization and conquest of the continent.) I remember thinking how cool it was that the Ohio was blue and the Mississippi brown; that the wall of blue ended at the wall of brown–but there was a blue streak running down the middle of the brown for a good distance.
I love living here by the river, and one of the things I miss the most about working on Frenchmen Street is I don’t get the opportunity to walk down to Jackson Square, climb the levee, and stroll along the Moon Walk beside the river. It’s so massive that sometimes we forget how truly huge the river actually is; how when you fly into New Orleans over the river you can look from the window and see massive freighters that look like toys in a bathtub. Standing on the levee looking at the big freighters coming in or going out, they do seem almost like toys. I love how the city is below the river level, so when you’re driving down Tchoupitoulas the big ships are higher than the street.
I’d love to read about folk legends about the river, too–the size of the catfish and other creatures in its depths. And I want to write more about the river, too.
*Technically, I should be doing more of them, frankly.
Wednesday Pay the Bills Day and also the last one before Christmas; the last one of the old year, in fact. I don’t get paid again until the new year, which is kind of final, isn’t it? The sands in the 2022 hourglass are running out even as I type these words; its chilly again this morning in the Lost Apartment and the week-long slide into the holiday weekend is almost completed. I just have to go into the office today and tomorrow and then a glorious four-day weekend follows, which will be quite marvelous and lovely. I am a bit more sluggish this morning than I have been recently when I arise, but who knows? It might be the weather–it’s below fifty again this morning–it could be any number of things. Hopefully the coffee will clear my head and help me get ready for the day.
One can hope, at any rate.
Well, I did pay the bills and have a surprising amount of cash left on hand; the way paychecks are falling this December/January means I get paid again the first week of January so all those early month bills will be due for that paycheck rather than this one. Obviously, I am going to hoard this surprising windfall (due to biweekly paychecks) to use against the next set of bills. I’m also expecting to get paid for some other work I’ve done between now and the next paycheck–and this is the end of a royalty period, so those will be just over the horizon as well, which is absolutely lovely. It’ll be nice going into 2023 not having financial concerns in the back of my mind. (I ordered myself some presents this morning after paying the bills, too.)
I did manage some work on the book last night, not nearly enough as per usual, but progress is being made. I remain hopeful that I can get so much done this four-day weekend that is looming that it should get me caught up on everything. I also have a short story that is due relatively soon, and another one I am supposed to be writing–I’ll have to look for the deadline in my saved emails–so I can get a better sense of where I am with everything I have to do. I also started writing another blatant self-promotional post for A Streetcar Named Murder, which I should be doing a lot more of, frankly. I did a load of laundry last night, put away a load of dishes, and soaked another sinkload overnight, so I can load the dishwasher when I get home tonight. I think there’s another load of laundry to do, if I am not mistaken. This cold weather certainly has been increasing the laundry–extra clothes being worn to help keep warm, I guess. Friday I’ll get up early, have a cappuccino as a treat, and then start working. I’ll pick up the mail that day and probably swing by Fresh Market to pick up incidentals, too; some other things I’ll need over the weekend. I think I will make pulled turkey on Christmas; I am planning on taking that day off from working and worrying about getting things done and/or cleaning, and I will probably go ahead and make shrimp Creole one other day of the weekend, probably Friday.
The great refrigerator shopping is going to go on hold until after the new year, methinks.
Sorry to be so brief today, but like I said, the coffee took a while to clear the muddle in my head and now it’s time to head into the spice mines already. Stay warm wherever you are, Constant Reader, and I’ll check in with you again tomorrow morning.
I think the thing I love the most about the cover of A Streetcar Named Murder is that the cat looking back over his shoulder with the bitch please look on his face was modeled on Scooter.
I’ve been putting my cat into books for a while now. Our Skittle was Paige’s cat, and I know I gave Taylor a cat in the Scotty books, but I don’t remember if it was Skittle or Scooter (and I need to find that out).
I never thought of myself as a cat person, to be honest. I think this was primarily because I never spent time with cats when I was a kid; I had a dog growing up and most people I knew also had dogs. If they had cats, well, the cats were aloof and uninterested for the most part, but every once in a while I’d be at a friend’s place who had a cat and their cat just fell in love with me for some reason–I’ve always attracted people’s pets, which is cool because by and large I do love animals–but it never occurred to me to get a cat. Paul also had dogs growing up, so he always kind of wanted us to get a dog. Much as I love dogs and much as they love me, though, I don’t have the time or the patience to have one, so I always nixed the idea of a pet. But that first winter we lived in the carriage house we had a mouse–and of course wanted to be rid of it. “It’s an old house in an old neighborhood,” our neighbors and landlady advised, “and the best way to get rid of a mouse is to get a cat.”
A cat?
But the mouse was freaking out Paul–I wasn’t thrilled to have one, but could manage a cold-war of tolerance with one if need be–and so we decided to go ahead and get a cat. It was Christmas Eve, I remember that, and we headed down to the SPCA in the Bywater. We looked at one, who seemed interesting–orange and big–but when the girl opened his cage he hissed at us all and clawed her hand. (I know now that he was probably terrified, hence the reaction, but what did I know about cats? All I saw was a mean one, and if it would claw the hand of a caretaker, I didn’t know how well he’d adapt to our house and our lives…) But there was a kitten in a nearby cage who kept sticking his paws out and chirping at Paul to get his attention, and once Paul started paying attention to him, he was purring and rubbing against the bars trying to get to us. The girl took him out of the cage and he started purring even louder. He was purring so loudly they couldn’t hear his heartbeat. We decided to take him, named him Nicky, paid the small fee and brought him home. I walked over to Walgreens to buy litter, food, a litter box, and a carrier, and thus we had our first cat. We never called him Nicky–the only person who ever did was our landlady–but he was amazing. Very loving, but at the same time a good hunter who could jump really high to take a bug out of the air, and of course he was beautiful, just beautiful. During the evacuation for Katrina Paul and the cat stayed at his mom’s–and his mom was the one who started calling him Skittle, because he “skittered around playing chasing things.) We had Skittle for almost seven years when he got the cancer, and it spread very quickly. The day we had to put him to rest was one of the hardest days of our lives–Paul was so depressed he barely got out of bed the entire weekend–and the apartment felt empty and lonely without our cat. The illness and the decision had been so hard on both of us to make that I kind of didn’t want to get another pet because I never wanted to go through that pain again, and Paul felt the same.
We lasted less than a week.
I went to the Cat Practice to pick up Skittle’s ashes on a Thursday after work. While I was waiting–I always have to wait whenever I am there–I always go around and look at the cats they have looking for forever homes (while I always hate having to leave without bringing them all home, it’s also kind of sad if there aren’t any there). In a cage behind the front desk was an orange boy, and according to the label on his cage his name was Texas and he was two years old. I walked over, and he was so friendly and loving–purring and rubbing against my hand–that I seriously thought I should bring you home with me, sweet boy,
That evening, we were watching something on television that wasn’t terribly involving–I was scrolling through the iPad and Paul dozed off on the couch. Suddenly Paul sat up with a gasp and said,”Oh my God!” and insisted he’d woken up and seen a mouse sitting on the lip of our garbage can. I saw nothing–and I’d looked over when Paul sat up, but not specifically at the can, so I could have missed it–but I also didn’t hear anything. (I will also confess to not hearing well–I’ve always been hard of hearing, and now that I am getting older it’s getting worse, so me not hearing anything isn’t as conclusive as it might be coming from someone else.) I just assumed he dreamed it, but he was insistent, and equally insistent we had to get another cat. I mentioned seeing Texas that afternoon, suggested Paul go see him in the morning on his way to work, and if he wanted him, to go ahead and get him, and I would swing by to pick him up after I got off work.
Needless to say, not only did I go pick him up after work, Paul went with me. We got him home, he immediately hid under the coffee table, so we decided to let him acclimate. It literally took about fifteen minutes before he came out from under the table, climbed up onto Paul’s chest and started purring. His coat was a little rough, but within two days he was soft as silk. Paul loves nothing more than to cuddle with the cat–Skittle tolerated it for a while before escaping–and we picked the absolute right cat: Scooter loves to cuddle and wants nothing more than a warm lap or body to curl up and sleep on. He will literally come and howl at me while I am working on my computer because he wants me to morph into a cat bed in my chair.
So, of course I gave Valerie a cat, named it Scooter, and made him a sweet orange boy, like ours. When they were designing the cover, I did tell them the cat was actually MY cat, and they asked me for a photo to give to the artist!
I am delighted that Scooter will live forever on the cover of my book.
It’s always amused me that Santa is an anagram for Satan.
They may even be the only anagrams possible for each word, too.
We’re in a severe weather alert, but mostly the fear is flooding and torrential rain–the massive area under tornado watch is north of here–and it’s dark outside this morning as I sip my coffee and write this. My sleep was spotty again last night–waking up occasionally before falling back asleep again–but I do feel rested, and that’s the most important thing. Progress was made on the book yesterday, which is terrific and ever-so-pleasing to me. I did my errands yesterday after work without issue, but of course once I was home and had worked on the book for awhile, was terribly tired. I cannot allow that to happen when I get home this evening, as there are dishes to be put away and another load to be put into the washer. I’d like to spend some more time with A Walk on the Wild Side this evening as well; I need to finish it if I want to read the new Donna Andrews on Christmas day.
It’s hard to believe that Christmas is next weekend already. It doesn’t seem like it, but what would be really lovely–if it’s not a downpour when I get home from work tonight–would be to take a walk around the neighborhood and through the Garden District documenting decorations. I should make a point of this every year during Christmas and Carnival, frankly. I’ve never seen a city before that loved to decorate as much as New Orleans does–or does it even remotely as well.
But the coffee is good this morning and it’s getting light outside–grayish, really–and hopefully I won’t get rained on while driving to work. (Note to self: if it isn’t raining, bring umbrella inside from the car in case it’s raining when I leave.) I think we’re going to buy our new refrigerator this weekend, which is good since the one we currently have is absolutely on its last legs. I wanted to gt one with the freezer on the bottom, but for some reason those are a lot more expensive–by an absurd amount. So, it looks like we’ll probably get the normal kind with the freezer on the top–or maybe we can spring for a bit more and get one with side by side doors, which would be almost as effective (it’s the bending down that’s starting to get to me), but we’ll see. I think we’re just going to go to Costco and see what they have.
Yesterday a friend posted a list of all the things she accomplished in 2022–which she compiled after feeling like she really hadn’t done much during the year, and was pleasantly surprised to see how much she had, in fact, managed to do. I was thinking about this myself the other night–not that I hadn’t done much throughout the year, but rather that I’d had a rather bad year, but once I sat down and started thinking about it, it’s actually been a good year for me; actually a very good year indeed when all is said and done. Oddly enough, when I sit and look back emotionally, without going into much more depth, it was a year in which my primary memories are tired and miserable. And yet…productivity wise it may not have been my strongest year, but it was still a good year. Bury Me in Shadows was nominated for two Anthony Awards at Bouchercon this year; it’s not the first time one person was nominated multiple times in the same year (hell, S. A. Cosby was nominated for three awards, and I think Tracy Clark was also up for two this year alone) but it’s a select group to be sure and one to which I am proud to belong. I have no way of verifying it either, but I am pretty certain it was the first time the same book was nominated in two different categories. Those were also my third and fourth Anthony nominations, which I think may also make me the most nominated queer author? It’s hard to say because they don’t have full lists of the finalists from every year anywhere, so you can’t really look it up and verify anything, so I hate to make claims that may not be true. But I think they’re true, and even if they aren’t, I am certainly one of the most nominated queer authors. The positive reception Bury Me in Shadows got on its release continued into the early part of this year as well, just as #shedeservedit came out. That one didn’t get near the attention as its predecessor, but it’s a book I am really proud of and am happy to have not only finished but published. I also finished writing A Streetcar Named Murder earlier this year, and I couldn’t be more pleased with its reception, either. I worked on other things throughout the year–short stories, some novellas, and two other novels (Chlorine and Muscles, to be precise)–and while I didn’t get a lot of stories out there and sold this year, I did sell a couple of which I am proud–one I can’t mention as it isn’t public yet, and the other being “Solace in a Dying Hour,” which I sold to an Austalian anthology and it’s a pretty damned good story. I also sold “The Rosary of Broken Promises” to an Anne Rice tribute anthology, and I still have one out on submission. “This Thing of Darkness” was in Cupid Shot Me, an anthology that was released on Valentine’s Day last year–so yeah, that’s at least four stories, and there’s another anthology that’s supposed to come out sometime this month which has my story “A Whisper from the Graveyard” in it.
I also edited the Bouchercon anthology, which took up a lot of my time between January and June. Land of 10000 Thrills is a great anthology, with some absolutely amazing contributors and great stories, and the contributors themselves were not only amazing talents but delights to work with. The anthology caused me a lot more stress than editing an anthology used to–primarily because there were so many demands on my time this past year, which I think is part of the reason I felt miserable for most of the year; my massive to-do list never seemed to get finished and always seemed to keep growing. It satisfies my OCD and need for completion to finish to-do lists, and it also subconsciously makes me think I’ve accomplished things. When tasks don’t get done because I simply don’t have the time or the energy to get to them, that makes me feel like I am failing. I also have to adjust my expectations downward, because I am older and don’t have the energy I used to have–and I really don’t want or need to start taking any kind of stimulant. I probably should cut back on the coffee, frankly.
And on that note, I am going to head into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again tomorrow.
Monday morning and back to the office with me! It was a pretty good weekend, overall; I got some work done on the book, made groceries, did all kinds of chores, finished reading my Wanda Morris book and started reading another, and somehow managed to get some rest around all of that as well. I was very pleased with the work I did on the book, and who knows? Maybe I’ll even somehow manage to get it turned in by the extended deadline. #madness
And now it’s Monday morning, and I am up earlier than I need to be. I really need to focus, as a lot of things have been slipping lately as I focus on the book and getting it finished, and there’s been a kind of malaise–the feeling that usually comes along when I’ve actually finished a book, and has never before come while I was writing one. These last few years haven’t been easy for writing, to be honest, and yet–I’ve also produced some of my best work somehow during this time. I think Bury Me in Shadows is one of my best works, and while I don’t think it’s as good, #shedeservedit was also one I was terribly pleased with. And all I’ve seen anywhere for A Streetcar Named Murder has been highly positive. Land of 10000 Thrills was also one of the better anthologies I’ve done, and some of the short stories I’ve been doing during these last few years have also been really good. I also think that some of the stuff I have in progress–“Never Kiss a Stranger,” “Festival of the Redeemer,” Chlorine, Muscles, etc.–are also really good stuff. Some of the work I did this weekend is pretty damned good. I don’t think I’ve ever felt this confident in my writing before in my entire life, to be honest, but as long as I keep confidence from bleeding over into ego, I should be okay.
We watched all four episodes of Three Pines last night, and i think it’s very well done. Alfred Molina is perfect as Inspector Gamache, and while I must confess to only have read the first Louise Penny novel, Still Life, I was very impressed with it and liked it a lot (not sure why I’ve not gone back and read more of them; I do have the first three or four, but it probably has more to do with time and the massive TBR pile than anything else). I thought the show didn’t have the same feel as the books, in some ways, but it’s also a different medium and there are always changes. When I was reading the book (and again, only the first in the series so I am hardly an expert on Penny’s writing or her series) I like the town, and enjoyed my visit there. It was a nice, quirky, small town–but translating that to the screen is an entirely different ball of wax. I think the producers and writers decided that because the show is about murder, it needed to be a little darker, and Three Pines comes across as a small town full of eccentrics in the show, more like Twin Peaks, Picket Fences, and Northern Exposure than Penny’s creation….but I think it was a smart direction to go with the show. Penny’s strength is offsetting the charm of the town against the darkness of the crimes committed there, and I don’t know how well Penny’s vision could have translated to the screen any better. We both really liked it. We also watched a true crime documentary about Charlie Cullen, the killer nurse–which was creepy as fuck.
I’m hoping against hope that this good feeling will last all week. I’m going to have to stop and make groceries on the way home from the office–heavy sigh–but no need to swing around uptown for the mail until tomorrow. I have to remember to buy a shipping envelope to mail a copy of Streetcar to the winner of the drawing from Mystery Lovers’ Kitchen–I should add that to my to-do list…which I need to make a new copy of it. The problem is I don’t remember everything I am supposed to be doing, and I need to get back into the habit of making a new list every weekend so things don’t get lost.
I also spent some more time with Nelson Algren’s (I was spelling it wrong in the last blog) bleak A Walk on the Wild Side, which I am enjoying but isn’t precisely a quick read by any chance. It reminds vaguely of another novel set in the same time period, A Garden of Sand by Earl Thompson, which I’ve started any number of times but have never managed to get very far into because it is also not an easy read. I am going to try to devote an hour to reading every night–an hour a day is far better than what I’ve been doing, which hasn’t been helping to budge the TBR pile at all–and I think tonight we are going to finally start watching Wednesday. I’ve been reluctant to jump into it, despite the great reviews, because the Christina Ricci version from the 90’s films was, at least for me, definitive. But we keep hearing good things about the show as well as Jenna Ortega’s performance in the lead, so I think tonight will be the night we take the plunge.
It rained all day yesterday–it was even raining when I went to pick up the groceries–and it seems a bit gray outside this morning as well. I have a lot of emails to write and a lot of emails to answer and all kinds of stuff to do today–one of the reasons I got up an hour earlier than I needed to this morning–so I am trying to be proactive and not laze in bed the way I usually do on the mornings when I don’t have to get up at six. I am getting used to getting up early for the first time ever in my life, and quite frankly, I don’t like it. But I also don’t see the clinic hours being changed any time soon, either; I fear my afternoon/early evening shifts are a thing of the remote past now.
And on that note, I have quite a bit to do today, so it’s perhaps best that I make another cup of coffee, some toast, and dive right in. Have a lovely Monday, Constant Reader.
Queer and Loathing in America 