As an adult, it has always amused me that historically gay men (or men who were attracted to other men) inevitably became/were artists, and just as inevitably were commissioned to sculpt and paint and create religious art to adorn Catholic cathedrals and the palaces of the church hierarchy. I loved that they used their art and their patron’s money to create images of beautiful men in various stages of undress or nudity, but since it was within the context of a religious scene, it was okay. Even the crucifix inevitably shows Jesus in nothing more than a modesty loincloth, with his lean muscular frame carved lovingly to look beautiful and sexy. The eroticism of classic religious art, that competing duality of religious fervor and sexual ecstasy (look at depictions of the Ecstasy of St. Teresa sometime, if you want to see some straight up erotic imagery; I’ve always wanted to use “The Ecstasy of St. Teresa” as a title sometime), confused me as a child–it wasn’t until much later that I realized most classic and Renaissance religious art could be easily be categorized as “Revenge of the Homosexuals on a Repressive Institution”–but it also interested me. When I was a kid hungering for erotic masculine images, I could never go wrong with religious art.
I mean, this is on the ceiling of the Sistine Chapel:
And don’t even get me started on depictions of St. Sebastian.
I love that they sculpted his pubic hair onto that last statue. Nice authenticity!
Someday I may write about St. Sebastian…or a boarding school named after him, which would be nice imagery for a queer crime/horror y/a set at such a place.
There was also a lot of homoerotic art in depictions of Greek and Roman mythology–the Laöcoön statue is one; and any depictions of Hercules/Heracles, Achilles, Apollo, etc.
And we’ll talk about Ganymede another time.
I was raised as a Christian, of the Church of Christ brand of Protestantism–and a hard, cruel, you’re-going-to-burn-in-hell-for-believing-anything-else faith it is indeed. I can’t speak to what that denomination is like outside of the South, or even Alabama for that matter–I did notice that the version in Kansas wasn’t nearly as hard or unforgiving; but still pretty unforgiving, in comparison to other sects–but I do know that where I am from, the Church of Christ is hard, rough, and sees a lot of stuff as sin. (Southern Churches of Christ are also very argumentative–which hardly seems Christian, does it? Members are always getting up in arms about something and wind up going to another congregation, sometimes having to move churches more than once.
And when I was about eight or nine, my grandmother bought me a copy of The Children’s Bible, which was filled with illustrations (amazing how all those Middle Eastern Israelites were white, and even some had blond hair and blue eyes)…and maybe (probably) it wasn’t the intent of the publisher, but there was some seriously homoerotic imagery in the book. About ten years ago I was thinking about The Children’s Bible and wondering whatever happened to my copy…and remembering some of the illustrations in it, I thought no, you can’t be remembering that correctly and so I went on eBay and bought a used copy.
And when it arrived, my memories were actually correct.
I mean, look at the muscles on Goliath. That image was burned indelibly into my brain, and it’s entirely possible my appreciation of muscles comes from….The Children’s Bible.
Perish the thought!
Grooming!
Indoctrination!
And of course, my favorite story in the book was David and Jonathan.
I mean, look at how they drew David!
I mean, it may not be Michelangelo, but damn.
(I also love that a Bronze Age Middle Eastern Jew somehow had pearly white skin, blonde hair, and blue eyes. Riiiiiiiiiiiiiight.)
Though David has awesome legs in both depictions, seriously.
When I was a kid, I’d always reread the David and Jonathan story (can’t imagine why it was my favorite…). I wanted a best friend like David–I always saw myself as Jonathan, the supporting player, the way I always did–gorgeous and charismatic and beautiful and beloved of God. I would think about the story and while I was too young and innocent to conceive of it as anything other than friendship–the same way I thought of the “friendship” between Achilles and Patroclus in tales of the Trojan War–when I got older, whenever I thought about the story I wondered about how deep that friendship between Prince Jonathan and David son of Jesse was. Why include the story at all? It really doesn’t add a whole lot to the tale of David’s life, and did it really matter for King Saul to have a son who was David’s friend and great love? Jonathan dies–not even the Bible was immune from bury your gays–and David mourned him with a great grief that seemed a bit more than “my best bro died.” I wanted to write the story myself, despite my lack of historical knowledge of the period or even when it was actually set, but I wanted to write about their love, their falling in love–and let’s face it, God didn’t really seem to have a lot of problems with their relationship, did he? He didn’t come to David and tell him to stop giving it to Jonathan; God didn’t curse the two of them or punish Israel for it; and yes, Jonathan is eventually killed…but even then God doesn’t come to David and say, did you not read Leviticus? I could hardly let you go on fucking him forever, you know.
So, I guess I am supposed to read it literally and just think they were best friends and loved each other as brothers. Yeah, no. There’s absolutely no reason for this story to be included in the David story in the Bible; none, unless of course there’s a kernal of truth in the story (don’t come for me, I’ve never bothered to find out if the Bible’s Old Testament kings of Israel were real people; I do know that real people turned up in the Old Testament that existed in history–Babylonians and Assyrians, for example, as well as Egyptians)but the mystery for me of why this story was included, why it was included if its merely legend or why was it included if they were real is the real question. There’s no moral lesson to be learned from the story of their friendship; their love and loyalty to each other was an issue for Jonathan because his friend’s greatest enemy was Jonathan’s own father, a king anointed by God–despite God capriciously turning His back on Saul for really such an insignificant reason that it really just boiled down to God just liked David better; I always felt sorry for Saul–how much would it suck to lose God’s favor for no good reason? Just because God found someone He liked better? (And considering the things God forgave David for, or just overlooked, really makes the hard turn away from Saul that much more petty and bitchy.)
God’s kind of an asshole in the Old Testament, frankly.
But yes, I’d love to write this story sometime. (Because I don’t have enough else to do, right?) I’d also want to write it from Jonathan’s perspective, although the death would be hard to do (Madeline Miller managed it with Song of Achilles quite beautifully) story-wise; but is the kind of challenge I love. Maybe someday, and maybe writing it will help me in my constant and never-ending life quest to come to terms with the religious grooming drilled into my brain as a child. I even have a great title for it, too.
I also have a novel in mind revolving around Michelangelo’s statue of David, too; maybe I could combine research and do them at the same time. THAT would be a challenge, would it not?
So, Greg, you have a book coming out from a new press in October, and the main character is a drag queen? What the actual hell?
Well, therein lies a tale.
I never thought I would write about a drag queen, in all honesty. It’s not that I’m opposed to drag or anything like that; drag has always been an important part of gay culture (I really wish someone would do a history of drag that’s not academic in tone and therefore accessible to everyone without a PhD) and I’ve always appreciated it as an art form. Yes, some queens are better at it than others, and there are some who are just really tragic…but I admire and respect every single one of them who puts on the dress and wig and heels and make-up and goes out there to perform. My own anxiety manifests itself whenever I have to perform or speak in public (although I managed to successfully control it and get through Boucheron panels swimmingly; I don’t think my stage fright is a thing of the past yet but I’m getting better); I can’t imagine the courage it takes to do drag that first time.
I also never considered doing drag because of my vanity–I wouldn’t look pretty in drag and I would want to be pretty. Shallow, party of one, your table is ready. I’ve seen many performances over the year and even have friends who do it, but my primary interest in drag has always primarily been in it as an art form and political statement critiquing gender roles, masculinity, and femininity; and it holds a very important place in queer culture. I once did drag, for a Showgirls-themed birthday party–I looked like Stockard Channing, which isn’t a bad thing–but it was more of a costume than a real attempt at doing drag. My friend Mark always wanted to make me up for Halloween or Fat Tuesday as Joan Crawford–it was the shoulders, the eyebrows, the narrow hips, and the shape of my face more than any striking resemblance to Ms. Crawford, I think–and while I was interested in being transformed into Ms. Crawford, one of the things I hated the most about doing plays in high school was the make-up. I hated having that shit all over my face, and it never did what it was supposed to in the first place (I inevitably always played old men, so they had to try to age me, and it’s not like we had make-up artists who knew what they were doing in high school.). And the padding? The wig? The dress? Not to mention the lack of pockets and the difficulty in using the bathroom– yeah, not for me. Drag does show up in my work sometimes–not very often–and the most fun thing for me about that is coming up with drag names for the characters. I know I’ve used Floretta Flynn a number of times, to the point where in my New Orleans universe she’s probably one of the bigger and most successful queens in New Orleans. Two of the biggest names in drag came from New Orleans–Varla Jean Merman and Bianca del Rio are both from here. We used to go to Drag Bingo hosted by Bianca and Blanche Debris at Oz on Sundays before she left for New York after Katrina–and Bianca was just as funny and just as big of a bitch then as she is now. She always drew crowds, and of course I met her a few times out of drag (I am quite sure Roy doesn’t remember me).
And believe me, I was very careful not to attract her attention while she was holding a microphone.
I also once wrote a short story that opened with one character saying in the Clover Grill, “You sure see a lot of tragic drag in this town at four a.m.”
Paul and I also were fans of RuPaul’s Drag Race for awhile, too–but like Project Runway, we stopped watching one season when it was obvious that it wasn’t being judged fairly (it was fucking blatantly obvious) and that was it for us. Don’t serve me competition reality when the competition is obviously rigged for a particular competitor. I do love some of the queens we did watch on there–it’s been amazing watching Jinkx Monsoon’s star take flight–and I always liked Tatianna, and just to name a few–Ben de la Creme, Adore Delano, and Manila Luzon are all fabulous. Paul follows a lot of them on Youtube, and of course I do enjoy Trixie and Katya’s We Like to Watch on Netflix.
And naturally, we love Bianca because she’s a New Orleans queen.
But it never crossed my mind to write about one as a main character. It wasn’t my milieu, so to speak (and just typing that made me want to bang my head on my desk. Take risks! I should always take risks in my work!), and so while every once in a while I’d think “maybe I should write a drag queen into this story”, I never did.
Last summer, I am not exactly sure when (2022 was pretty much a blur of misery), I got an email with a request for a ZOOM meeting with two very dear friends, along with another friend of theirs I may have met once over twenty years ago, James Conrad. He wrote Making Love to the Minor Poets of Chicago back in the days when I was a reviewer/worked for Lambda Book Report, and the purpose of the call was they wanted to talk about a possible project for me. You know me, I am always up for a new project and a new possibility…so you can imagine my surprise to find out what they wanted was for me to write a cozy with a drag queen main character. James owns and operates the Golden Notebook bookstore in Woodstock, and decided to start a publishing company through the store and wanted this to be their first venture into crime. I pointed out that I a) knew next to nothing about drag and b) I’m not really a cozy writer (the Scotty series can be classified that way except for a lot of cozy rule-breaking; and yes, I did write A Streetcar Named Murder, which wasn’t out yet and I wasn’t sure if it was even any good), they pointed out that I am a writer who can write anything (this is true, but there are some things I can’t and won’t ever write–and yes, as I typed that I was thinking there you go limiting yourself again–maybe those are the things you should be trying to take on), and then I also remembered a few things–some of my co-workers at the day job do drag, and in fact, my former supervisor had attend a “drag school” here locally, started by a queen who’d retired here from San Francisco after a lengthy and successful career in drag; Paul even knows the queen who runs it. I sent James an early electronic uncorrected proof of Streetcar, so he could get an idea of my writing style, and waited to hear back.
While waiting, I asked some of my co-workers if they’d be okay with me asking them questions–which of course they were more than happy to do–and the more I thought about it, the more it made sense for me to approach this in the same way I approached writing Streetcar–I knew nothing about antiques, so I made my character the same. So, if I am going to write about a drag queen, I needed to write her origin story first–and I decided to make her an accidental drag queen; forced to step in when a queen doesn’t show for a performance. But how would that work? I realized my character had to already know about hair and make-up, so I decided to make him a glam artist, hired to do make-up for women on special occasions and styling them. How did he wind up doing glam? His grandmother, who was from New Orleans, used to have her own Uptown beauty shop on Magazine Street that was frequented by upper class New Orleans women, who would also hire her for special occasions to style them. He spent his childhood summers in New Orleans; his grandmother was the only family member who had no problem with his sexuality, and she taught him all about hair and make-up (and classic Hollywood). He went to cosmetology school instead of college (his grandmother paid for it) and he worked in a high-end salon in Dallas until his grandmother died, leaving him the house and most of her money.
I also had a great idea for the opening, which I quickly wrote up and James liked it…and so we moved forward with the plans for it. I had a Scotty book under contract, and I knew I could juggle the two and get them both done on time.
Of course, I didn’t realize how much work it would be to turn MWA over to my successor, I didn’t know Mom was going to go into the final decline ending with her death during this time, and….well, hindsight is twenty-twenty, isn’t it?
“I don’t know, Jem,” Lauralee Dorgenois said, frowning and raising a perfectly plucked eyebrow as she looked back over her shoulder into the three-way mirror set-up in her dressing room. “You’re sure that this dress doesn’t make my butt look big?”
Okay, I’m going to take a sidebar right here to give y’all some free-of-charge advice that is more than worth its weight in gold. There is only one correct answer to be given without pause or hesitation any time a woman asks you if something she is wearing makes her butt look big: “No.”
You always, always,ALWAYSsay no.
If that is, in fact, a lie—you say “I don’t know if that cut drapes right” or “I don’t like what that color does to your skin”.
There are literally a thousand other options besides making the incredibly foolish mistake of saying ‘yes’ or the seemingly safe, non-comital ‘maybe.’ Marriages, engagements, friendships, and relationships have all ended over this question being answered incorrectly—and no, it’s not a trap question. Women are bombarded from childhood with images of what they are supposed to look like and what they are supposed to wear. They are taught to fear fat cells and fatty foods, spend millions on diets and gym memberships and personal trainers. They are gaslit into thinking that being any size larger than zero and not having big firm breasts and not having a wrinkle-free face aglow with the dewiness of youth means they are doomed to grow old alone and unloved. So, they try to fight aging—and the fear of being traded in for a younger model—by having poison injected into their faces, excess skin surgically removed, and their hair constantly colored and touched up. Centuries of societal and systemic misogyny, of telling women they don’t measure up, echo in those sad, simple words: does it make my butt look big?
My heart breaks a little every time I hear them.
However, I get paid to make them look good. My opinion must be honest, but I still need to be delicate. Why be hurtful when you don’t have to be?
I tilted my head to one side and brought my eyebrows together as I looked her up and down yet again. “You’re curvy, Lauralee,” I replied finally, fluffing the peacock feathers on her shoulders to spread them out further. It was true. Lauralee was about five seven, and maybe could stand to lose a pound here and there. Her hourglass figure had thickened a slight bit once she hit forty, but it was barely noticeable. I’d picked out a green silk dress for her because the color made her green eyes sparkle like emeralds. It clung perfectly to her hips and was cut low in the front to shove off the ample bosom, highlighted by an emerald pendant handing from a gold chain just above the cleavage. I’d braided her long auburn hair into a French braid that dropped about half-way down her back. I’d woven some extra pieces of auburn into the braid to make it thicker. “And there’s nothing wrong with that, you know. We’d put Marilyn Monroe on a diet today.”
Several years ago, I tried writing a third series set in New Orleans with a gay male protagonist. It was a character I had already created; he showed up in a couple of Scotty books: true crime writer Jerry Channing, who’d gotten rich on a true crime novel about a child murder case in the Garden District in the 1990’s called Garden District Gothic, (which also became a Scotty title when he and the boys got sucked into that ancient cold case) and wound up solving it. I had wanted to write a fictional story based on the very real Jeff Davis Eight murders, and thought who better to center in the story than a true crime writer researching the case for an article or perhaps even a follow-up book than Jerry Channing? But as I started developing the character out from the sketchy details provided in earlier Scotty books, I suddenly realized what I was actually doing was combining Chanse and Scotty into a single person, so I shelved the story–or at least, the new series, because if all I was going to do was just merge two previous characters into one, there was no point in bothering. I had then gone on to create a new series with a straight woman as the main character (A Streetcar Named Murder), and I was determined that, with this new potential series set in New Orleans, the last thing I needed was to just rip-off previous characters.
So meet Jem Richard, twenty-something glam artist and New Orleans home owner. Jem lives in the 7th Ward (not far from my day job office, actually; over on St. Roch Avenue between Claiborne and St. Claude), and the house flooded during Katrina–Jem remembers coming down with his family to help work on the house for his grandmother, Mee Maw of sainted memory–and I gave him a pole-dancing roommate who also works at Crescent Care. (Another Easter egg is the book opens with Jem being enormously disappointed to be ghosted by someone with whom he had several dates –a Tulane grad named Tradd. Bury Me in Shadows readers may remember Tradd as the asshole who broke up with Jake and sent him into the alcohol/drug spiral that landed him in the hospital when that story opens. I also want to use Tradd again somewhere else…but that is indeed a tale for another time.) Jem does well for himself, but has no health insurance and never is guaranteed work–but he also really doesn’t want to go back to working in a salon again, either. (He also sometimes books gigs with film, theater and television companies.) He’s kind of a lost soul, not really sure what he wants or what he wants to do with the rest of his life–but he also is lucky: he owns his own home, for one, and has several marketable skills. He kind of feels like he’s been spinning his wheels and not getting anywhere since coming to live in New Orleans. Jem has considered doing drag before–he’s very into costuming, and has won the Bourbon Street Award for Best Drag Costume on Fat Tuesday the previous two Carnivals–but he (like me) is haunted by stage fright. He did a play while in high school and the stage fright was such a horrible experience he gave up his dream of being a performer and started working as the make-up and hair person for the school productions.
So, when he’s hired to be a back-up glam artist for a fashion show at Designs by Marigny, only to find out the models were drag queens. A little taken aback, he rolls with the challenge, and when one doesn’t show, Jem gets pressed into service (he can fit into the dress). The show is being managed by the same person who runs the local drag school–a sweetheart named Ellis, whose drag name is Mary Queen of THOTS. Jem has a bad history with Marigny the fashion designer–she’d hired him todo the make-up for a previous show, and her check bounced–so the friend who recruited him to do the show makes sure he gets paid in advance. Of course, since the models are drag queens, the show attracts anti-drag protestors–there’s a suspicion that the designer, Marigny, deliberately used queens hoping to attract a protest and more publicity. Throughout the course of the evening Jem overhears Marigny arguing with several different people, and the next morning wakes up to the news she’s been murdered–and somehow Jem is not only a suspect but he’s also a target.
But why?
Jem also has a black cat named Shade.
As I said, while it had never occurred to me previously to write a drag queen character, the more I thought about it, the more I wanted to do so. Drag queens are currently under attack by the forces of bigoted evil. Part of this comes from the right-wing demonization of transwomen, spear-headed by hateful bigoted lying trash like Libs of TikTok (if you’ve ever retweeted the Axis Sally of the Proud Boys, know that’s why I blocked you and we will never, ever be friends again) and Moms for Liberty, who are both so fucking ignorant and clouded with hate that they think drag queens and transwomen are the same thing. The idea that children need to be protected from drag queens at all costs because it’s somehow sexualizing them is disgusting and ignorant and offensive on its face; merely rephrasing Anita Bryant’s vile claim that queers need to recruit children, i.e. all queers are pedophiles. They prove they’re liars on a daily basis and that it really has nothing to do with “concern” for children and everything to do with bigotry and hatred, because they never go after religious organizations, youth pastors, Boy Scout troop leaders, and Republicans–you know, the ones who are being convicted of child rape and child porn on a regular, almost daily basis –but only the queers are their primary concern. First off, not all drag queens are transwomen and not all transwomen were drag queens. Yes, some transpeople start their transition by doing drag, to get a better idea of whether or not they are more comfortable as a woman than as a man. I work with a lot of transpeople, and have for quite some time. I’ve witnessed people transition and evolve, and I’ve also seen the change in demeanor, confidence, and emotional well-being when they do.
What better way for a writer to fight back against ignorance than writing about it? And I loved the deliciousness of fighting homophobic and transphobic bigotry by writing a cozy series.
Several weekends ago, I did an on-line panel for Outwrite DC. The moderator was John Copenhaver (whom you should already be reading), and my co-panelists were the always delightful and intelligent Kelly J. Ford, Margot Douaihy, Renee James, and Robyn Gigl. The video is actually up on Youtube, if you would like to watch it. John’s questions were insightful and intelligent (as always), and the conversation was marvelous, inspiring, and fun; there’s nothing I love more than communing with other queer crime writers (or any writers, to be certain), and I always try very hard to not monopolize panels because I do have a tendency to talk too much–especially if and when I get going on a topic I am passionate about. So, I thought it might be fun to take John’s questions and turn them into a long form interview, for thoroughly selfish and totally self-promotional reasons.
The panel blurb claims that “queer characters are riveting and necessary material for crime fiction and how those stories can shape (and perhaps reshape) the landscape of contemporary crime fiction.” Do you agree with this statement—and why do the stories of queer characters have the potential to shape crime fiction?
I completely agree with this statement. Queer crime fiction has a very proud history that was never really recognized or appreciated by the mainstream crime writers, readers, organizations, and conferences. That is changing for the better.
New blood is always necessary for any genre–horror, romance, crime, literary fiction–because genres tend to stagnate after a certain period of time. The cultural shifts of the late 1960’s and 1970’s echoed in crime fiction, for example; you couldn’t write crime in those periods without addressing all the cultural and social shifts; Ross Macdonald’s later novels are a good example of this. The 1970’s saw a lot of anti-hero books being written. The private eye sub-genre had grown quite stale by this time, which was when the women really moved in and gave it a shot of adrenaline–Marcia Muller, Sara Paretsky, and Sue Grafton blazed that trail, and revitalized a sub-genre that had kind of lost its way. Queer writers and crime writers of color are currently doing the same to the entire genre. Voices and perspectives we aren’t used to seeing are now getting into print and changing how we see, not only our genre, but each other. Crime fiction has always given voice to societal outsiders and outliers; queer people and people of color are the ultimate outsiders and outliers in this country. Who better to tell stories of societal alienation?
Why did you choose your sub-genre? How do you think the sub-genre has influenced the types of characters you write?
Well, I write in several different ones. Chanse MacLeod was a straight private-eye series; Scotty Bradley was more of an amateur sleuth/humorous series, but he does have a private eye license in Louisiana. A Streetcar Named Murder was a cozy, with an amateur sleuth heroine who gets caught up in a family mystery. I’ve also done young adult and “new adult,” whatever that is (it’s been described as ages 16-25), and Gothics with a touch of the supernatural. I tend to write things that I like to read, and I have a varied reading taste. I started writing the Chanse series because I wanted to do a harder-edged private eye series with a queer twist and set it in New Orleans. I didn’t know about J. M. Redmann’s Micky Knight series when I started writing Chanse; would I have done something different had I known she’d already covered the hardboiled lesbian private eye in New Orleans? We’ll never know, I suppose. Scotty was meant to be a lark; a funny caper novel and a one-off. And here we are nine books later…
As for Streetcar, I had been wanting to try a traditional mystery with a straight woman main character for a long time. When the opportunity presented itself, I jumped in with both feet. I like trying new things and pushing myself. Having to follow the “rules” of a traditional cozy was a challenge–especially because I have such a foul mouth in real life. I love noir so am working on two different gay ones at the moment.
Why do you think amateur detectives are appealing? Do you think there’s a reason queer characters often find themselves in the role of amateur detective?
I think it’s because we all think we’re smarter than the police? We enjoy seeing a character we can identify with figuring things out faster than the cops, especially without access to all the evidence, interviews, and forensics the cops do. Murder She Wrote has been off the air for about thirty years and yet the books based on the show continue coming out every year. If we start out in mysteries reading the juvenile series–Nancy Drew and the Hardy Boys and Judy Bolton and all the rest were amateurs, so we always cut our teeth in the genre with them to begin with. Scotty is basically an amateur, even though he has a private eye license he rarely uses; he and the boys never get hired (although they kind of do in the new one, coming this November.)
Let’s talk about place. Greg, your books take place in the South. Why is place important to the crime novel—why is it especially important to the queer crime novel?
Place shapes who we are–not just as queer people, but as people in general. There are similarities between growing up in a small town in the Midwest and growing up in one in the South, but the differences are very marked. I’ve lived all over the country–pretty much everywhere but New England or the Northwest–and always felt, as a Southerner (despite no accent and not growing up there) like an outsider. Couple that with being gay in a time when it was still considered a mental illness, and you have someone always on the outside looking in. But I have that Southern pull to write about the South–although many would say that writing about New Orleans and writing about the South are not the same; like me, New Orleans both is and isn’t of the South, and I feel that very strongly. I’ve written books set in California and Kansas, even one in upstate New York, but I very much consider myself a Southern writer.
Place is even more important in a queer crime novel because place shapes the queer people so much. As a writer, I think one of my strengths is setting and place, and I think that comes from being very much a fan of Gothics growing up. Gothics are known for place and mood, and I think those are two things I do well.
All of you write wonderfully flawed characters. Sometimes, as LGBTQ+ writers, we feel the burden of representation and the urge to write only positive LGBTQ+ characters as an attempt to undo history’s (the dominant culture’s) demonization of us. Unfortunately, that can be limiting—even flattening. Clearly, you’ve all struck a beautiful balance with your characters. Talk a bit about how you approached this issue.
The flaws, to me, are what make the characters seem real. Nancy Drew and the Hardy Boys always annoyed me because they were so perfect; no one is that perfect, and anyone that close to perfect in real life would be irritating and insufferable. I am am quite aware that I am flawed (one of my biggest flaws is believing I am self-aware because I most definitely am not), but I am not trying to be perfect; I just want to be the best version of myself that I can be. By showing queer people with all their facets and flaws and failures and blind spots, we’re showing the reader that we are human; despite what those who hate us say or claim, we are human beings just like everyone else, just trying to get through life and do the best that we can. The villain in my first book was a gay man–and the entire book was a commentary on how we, as queer people, tend to overlook flaws and red flags from members of our own community. Just because someone is queer doesn’t mean they are a good person–and queers with a criminal bent do exist, and often take advantage of that sense of camaraderie we feel with each other, especially when we don’t know the person well. I tend to trust a queer person more readily than I will a straight person, and that’s wrong–which is why I think we feel so much more hurt when queer people betray us.
Speaking of the demonization of LGBTQ+ folks … Ray Bradbury of Fahrenheit 451 fame said, “There is more than one way to burn a book. And the world is full of people running around with lit matches.” What do you think about the current tactics to ban queer books from schools, libraries, and even bookstores in places like Florida, Arkansas, and Texas? Why are they targeting queer books?
This is, I hope, the last gasp of the homophobes who’ve never updated their hate speech in over fifty years. What the hate group “Moms for Liberty” are doing and saying is no different than what Anita Bryant said and did in the 1970’s, what Maggie Gallagher and her evil co-horts at the National Organization for Marriage repeated, then came the One Million Moms…all too often it’s the cisgender straight white women who are the real foes of progressive politics who fight to uphold a bigoted status quo. They always claim they’re concerned moms worried about their children–but are perfectly fine with them being shot up at school; working in a meat factory on the night shift at thirteen (have fun in hell, Sarah Huckabee Sanders, when you get there and French-kiss your Lord and Master Lucifer); or shouldn’t have the right to vote…they know better than a child’s actual parents, you see, about what the child needs or wants. Maybe they should spend more time with their own children than worrying about everyone else’s? Phyllis Schlafly, queen skank of the conservative right, ignored her own family while she embarked on her crusade to strip women of their rights and autonomy–all the while shrieking like a hyena into any microphone nearby that she was fighting progress to save the American family while selling some Leave it to Beaver-like nonsense as reality. I always felt sorry for her gay son. Imagine that as your mother.
As for why, it’s about control and power. I actually respected Anita Bryant more, because she truly believed all the vile, horrible, unChristian things she said and espoused. Most of the others, including the unspeakably vile and disgusting Moms for Liberty, are working a grift for money, attention and power. Hilariously, they’ve sold their souls in the worst possible way in the guise of family, religion and God; if they’ve ever actually read their Bibles, they need to work on their reading comprehension skills as they are both apostates and blasphemers who will spend eternity doing the breast stroke in the lake of eternal fire. Hope they enjoy it.
Sorry your husbands and children don’t love you, but who can really blame them?
What are you working on next? What’s coming up?
I have a short story in an anthology called School of Hard Knox from Crippen and Landru (and somehow got a co-editor credit for the book with Donna Andrews and Art Taylor); Death Drop, the first in a new series from Golden Notebook press, drops in October; and the ninth Scotty comes out in November, Mississippi River Mischief. I am writing a gay noir, and may be writing second books for the new series I started with Crooked Lane last year as well as a sequel to Death Drop, and have a couple of short stories I want to finish to submit to anthologies I’d love to be in.
Saturday morning and my first day of the rest of my toothless life. Ironically, you cannot tell I don’t have any bottom teeth by looking at me, even when I talk; it was more obvious when I was only missing some. I also uploaded my new prescription for glasses to Zenni and ordered three new pair–purple, black and clear. I like my red frames, so I will probably give in at some point and buy a pair of those, too–and even with the four pairs I’ll wind up with this year and the three I got from Zenni last year, I am barely paying more than I paid for one pair at the optometrist’s. Not too shabby. So I go back to the dentist to get fitted for the new dentures in three weeks, so I will have the new ones in about a month or so, which is fine. Eating will be probably a challenge, but I am sure I’ll be able to get used to it, and there’s all kinds of softer type food I can eat that doesn’t require teeth to chew.
So yesterday I just drank protein shakes, and today I may progress to yogurt and ice cream. I need to pick up the mail today, so I am going to stop at the Fresh Market on the way home to pick up some more soft food options (baking potatoes, too). I wound up not doing a whole lot yesterday, but I had oral surgery and nine teeth removed, which is traumatizing to the body. It’s little wonder I was really tired for the day, and of course pain killers also make you drowsy and tired. I did read some more of Shawn’s book–what a fucking opening!–and will spend some more time with it today, I think. I don’t feel any pain–I was pretty much pain free by the late afternoon. Whether that was me healing, or the pain killers, or some combination of the two, I cannot say–but I woke up this morning without pain and after rinsing my mouth out, I’m pretty sure the bleeding has stopped. By tomorrow I’m supposed to work my way back into more solid foods–albeit ones that don’t require biting or chewing much, which kind of belies the “solid food” aspect of it–but I’ll be okay. I need to shed a few pounds anyway, and as long as I am getting calories from somewhere, I should be fine. Today I can have fizzy drinks (aka sparkling water and soda) and I have to start rinsing out my mouth every three to four hours with salty water. My face never swelled, which was kind of a cool thing.
I didn’t really do much of anything yesterday; I mostly sat in my chair watching the US Open and did some laundry and dishes, but that was about it. I am going to read some more of Shawn’s book today–I also need to run some errands, as I need softer food options, as I previously mentioned which means going out into the heat. I also need to get gas. I wonder if it’s okay to have coffee this morning? The instructions don’t say anything about hot drinks after the first day–he did mention something about it but I don’t remember what precisely it was, but I remember thinking so no soup either?A quick check of Dr. Google doesn’t recommend anything hot like coffee for at least two days, if not up to five? Yikes. But okay, we have those frappuccino things from Starbucks that Paul likes, and so that should handle my caffeine needs. I do like iced coffee, it’s just that I don’t have any way to make it here at the house. Then again, it’s also not on the written instructions, which I think means it’s not as important as the other things on the list? Probably best not to risk it. I tend to heal and recover more quickly than most (Paul is practically a mutant, given how fast he recovers from things), so I think I should be okay by tomorrow for coffee?
The weather forecast seems to think that we aren’t going to be in the high nineties/over a hundred this week, which is a lovely break. Then again, it is September, and it starts to cool down a little bit after Labor Day. I am hoping that I’ll have the motivation today to get some work done, but I am not going to beat myself up if I don’t get things done the day after an oral surgery. Sorry, that’s just how it is.
So I think I’m going to finish this, my iced coffee, and get my ice cream before heading back into the living room and spending the rest of the morning reading. Have a lovely Saturday, Constant Reader, and I’ll check in with you again later.
Not entirely true. My dentist is very good at what he does and I neither felt or heard anything other than some pressure. Some teeth had to be wiggled out, which was weird as I felt nothing but could tell it was being wiggled. But they are out, I have some pain meds, and in three weeks I will go get fitted for my new upper denture and the new, never had before lower. So, those of you at Bouchercon? You saw me looking like a toothless hillbilly from the holler for the last time. It also wound up being a lot cheaper than I was originally quoted; I was told a ballpark figure of $3000 for everything and it was less than two thousand. I was also originally told my hearing aids would be about that same amount, but thanks to Costco I only paid half. So I went from thinking this would all cost me about six grand in total, but I got everything for slightly more than half of that total, which is amazing. Nothing is ever cheaper than you are quoted, right? I am supposed to take it easy the rest of the day, just relax and lay down and keep my head elevated. I can’t have anything other than soft food for the next three days, and even after that I need to stay away from heavily spiced and/or anything super crunchy. That’s not terrible. I can make meatballs on Sunday in the slow cooker for lunches next week, and depending on how I feel when Monday rolls around–I may just go ahead and go into the office and not use any sick time. Thank you, COVID surge; no one will think anything of my being masked the entire time until I get my replacement teeth.
So…now I am officially old, bald, out of shape and toothless. This would have been my worst nightmare when I was in my thirties and early forties; I am so glad I aged out of the pointless vanity–which, let’s be honest, stemmed absolutely from insecurity. When I look back at those pictures of me now, I just shake my head. You really thought you needed to lose more weight and tighten up your body back then, I remember ruefully, while surveying the wreckage of my currently aged and debilitated body. Had someone told me back then that by the time I’d be sixty two I’d no longer be able to wear 29-30 waist jeans, hadn’t set foot in the gym in over a year, and even worse wouldn’t care, I would still be laughing.
While I was waiting (I was early; some parts of the anxiety I will never master or control) I started reading S. A. (Shawn) Cosby’s new All The Sinners Bleed and I can already tell it’s going to be his best so far, which is really saying something. It’s immersive and the language is so smart and strong, and his gift for character is apparent from the very first page. It’s amazing that Shawn keeps getting better with every book, which is every writer’s goal–to have your best work ahead of you. This is why I never understand why some writers get jealous of other writer’s careers; success is always a crapshoot in this business. Great writers who deserve huge audiences, sales, and acclaim too often fly under the radar (Vicky Hendricks is an excellent example of this), and no one ever knows whose career is going to take off and whose is not; we cannot control any of that, so you have to write the best book you can and market and promote the best you can and hope for the best. Being jealous of someone else’s success is a fool’s game destined to leave you broken, bitter, and not much fun to be around. The only envy I have for other writers is for their talent, and even then it’s more of a call for me to push myself harder and farther and take bigger risks.
It’s always lovely when kind and generous and talented people like Shawn break out, and I always celebrate the success of others.
I can feel the novocaine beginning to fade, so I am going to take a pain killer and go over to my chair with Shawn’s bed. Enjoy your Friday, everyone.
And today I am having the oral surgery. Heavy heaving sigh. It will be horrible as these things inevitably are, but at least when I come out of it and start healing, I no longer will have to worry about mouth pain again, or for a while at any rate. Whew, so no big plans for my weekend other than soft and/or liquid foods and pain medication. It will be weird. It also makes a little sad, too, because the last time I had this procedure done I went to Kentucky to have it done so Mom could take care of me.
I always meant to go back up and have it done there…sigh. Oh, Mom.
But life is much better with the ability to hear. It’s really amazing, and I don’t think I ever heard this clearly in my life before, so clearly my hearing has always been a problem. And I have a new prescription for my glasses, so I’ll be ordering new pairs from Zenni relatively soon, which is great. So, soon enough I’ll be able to see clearly, I can already hear better, and the mouth pain will be finished. Yesterday was weird, because I knew I had this today, and so I am also taking off Monday and Tuesday, just in case. I also made a plan to make sure I get there and back; I am taking a Lyft there, then to the CVS for my pain prescription, and then another home. It makes more sense than trying to find someone who has the day free and is willing to give it up to cart me around.
There was a truly marvelous thunderstorm that erupted right as I was leaving the office yesterday–and I still managed to drive home without getting irritated, annoyed and aggravated at the hapless New Orleans drivers who’ve clearly never driven in the rain before because it’s so rare here. Bitch, please–everyone learns how to drive in snow because its unavoidable in places where it snows, so why are New Orleanians such shitty drivers in the rain? That is definitely an unsolved mystery.
I finished doing the page proof corrections and sent them in yesterday, and so the two books being released this fall in back-to-back months are finally, once and for all, finished and I can move on to writing other things without guilt. (I had already started writing other things, of course, but I did have that nagging guilt about these two books not being finished and in production yet.) I”m still not entirely certain what all I am going to be doing next–I have no contracts in place, but am not letting that bother me in the least (which is an improvement; being out of contract usually puts me into a panicked frenzy in which I start pitching things everywhere–which is not the best, you know; and always gets me in trouble) and I am relatively certain I won’t be lucid for most of the weekend (then again, you never know; I have a high pain threshold and I don’t think I stayed on the pain pills the first time longer than a day or two) and my terrible memory (which used to be so pinpoint sharp it was eerie) doesn’t help.
We also watched some of the US Open last night before I went to bed–I didn’t finish watching the Madison Keys match, which she should have won in the second set–which was kind of fun. I don’t feel as excited about sports as I used to; not sure what that is about, but it’s an unfortunate reality.
And on that note, I need to start getting ready. I am not wearing the hearing aids because I don’t need to hear the procedure clearly, frankly. Hopefully I’ll be able to check in tomorrow, or even later today. Have a great Friday, Constant Reader!
Thursday and my last day in the office for the week. I slept super-great last night–the first time this week that has happened–and only woke up once. I feel rested and good this morning. Tomorrow, of course, I have to get my oral surgery done in the morning (yay? Well, the end result will be a lot of pain to end the almost constant pain I’ve been living with for years, so that’s better, right?) and then it will be a soft food/mostly liquid (not alcoholic) for I don’t know how long. I weighed myself yesterday, and with even my shoes and belt on and my keys attached to my belt and my wallet in my pocket, I’d lost three pounds since the last time I weighed myself (I would imagine all the eating I did in San Diego made me weight go up dramatically). It would be great if I could get back down to 200 at some point (I remember the days vividly when I would never admit to weighing that much publicly; then again, weighing that much would have completely freaked me out).
I managed to get the page proofing for Mississippi River Mischief done last night after work, and the book’s not bad at all. The writing is strong and the plot makes sense, which is always a plus, and it does move along nicely. I also had forgotten that I had set up the next one in the afterward; or at least had gotten the premise begun–this next one is going to take place while the boys are living in the dower house on Papa Diderot’s Garden District property, and maybe, just maybe, this next one will be the long-awaited and never-written (thanks to Katrina) Hurricane Party Hustle. Then again I am getting ahead of myself, am I not? Let me get all this other stuff done first and then I can worry about the tenth Scotty. But next year Scotty turns twenty-one at last (legal at last! legal at last!) and so I think I may spend a lot of time next year celebrating twenty-one years of Scotty. I think the ebook for Jackson Square Jazz might finally get launched, making the book available for the first time since 2010, and then I can rest easy at long last. I’m not sure how much work I am going to be able to do this weekend–will I be on painkillers the entire time? Will I be too zonked out on painkillers to get anything done this weekend? I guess we shall just have to wait and see. I also don’t know if and when I’ll be blogging again, either. But hopefully I can be lucid enough to read S. A. Cosby’s All the Sinners Bleed or if I can’t read, lucid enough to watch movies.
We watched some of the US Open last night, which was nice. I keep forgetting that it’s happening; we stream now rather than have cable, so I no longer have any idea when anything actually airs or what is actually airing, which is a significant shift in how I watch television. It was nice that so many Americans made it to the quarter-finals–it’s been a long time since the US made such a great showing at the US Open–and sadly, I have to admit that I’ve just not been as interested in tennis since Serena Williams retired. But I do love to watch tennis, as I remembered last night as I proofed, occasionally looking up to watch the action. We watched Madison Keys win, and then watched Carlos Alcazar until I went to bed (Paul of course stayed up watching).
The cover proof also landed in my inbox this morning so that’s what I’ll be doing tonight: filling out the page proof form and proofing the cover. I’m starting to feel creative again, too, which is super-great. I want to get some more writing done, and of course I need to start plotting out the next two books I am going to write while trying to finish a draft of Muscles, which is the plan for this fall (I probably will have to put Muscles aside to work on something else, but might as well get as much done as I can before the arm surgery, whenever that might wind up being).
More and more people who’d been at Bouchercon are testing positive for COVID, which believe me is the worst possible outcome I could have when I swab myself every morning. Sure, it means I’d have to reschedule the oral surgery, but there are definitely worse things that could happen to me then testing positive for it. I would definitely need to be past it when I consult with the Tulane Institute of Sports Medicine. It’s weird because everything is so up in the air until I know what’s going on with my arm, and how long the recovery process is going to be. I don’t know that I want to be doing a lot of traveling with my arm in a soft cast and a sling (and not the good kind, wink wink nudge nudge) because how would i handle the carry-on luggage? Heavy sigh. Again–not going to worry about it because that’s just borrowing trouble.
And on that note, my test is negative and I am heading into the spice mines. Have a great Thursday, Constant Reader.
I have to say, it was kind of a weird thrill to walk out of Costco yesterday afternoon with the ability to hear things I couldn’t before. When I started the car, there was a weird noise I couldn’t identify before my phone started playing through the speakers. As I sat there in the car, wondering what it could be, I slowly began to realize it was the air blowing through the vents to cool the car down. I’d never heard it before. Walking through the grocery store, I could hear all the things I never heard–the crinkling of packaging in someone’s hand; the belt moving the groceries forward; and on and on it went. When I got home I could hear the squeaking of the ceiling fans, the air conditioning coming through the vents, every squeak of the floor and the stairs, and even when Paul came home–the rustle of his backpack as he slid it off, the crinkling of the packaging of his mail, the sound of him walking upstairs–all things I couldn’t hear before. I turned off the closed captioning on the television and turned the sound down. At one point I eventually grabbed my phone and turned the volume of the hearing aids down.
It’s a whole new world.
Bouchercon is beginning to look more and more like a super-spreader event, with people I was around and having hugged several times testing positive since the weekend. I tested negative again this morning, and hope I continue to do so since I am having a major dental procedure done on Friday morning. I paid all the bills yesterday, and did a lot of catching up on emails and so forth. After I left work early, I went by the post office to get the mail before getting the hearing aids, and then made groceries. I masked all day yesterday at the office and will probably do so again today and tomorrow, just to be safe. I’m not as concerned about getting it as I am about giving it to someone; to be clear. If I have to reschedule Friday I have to reschedule Friday, and there’s no sense in wasting time or energy worrying about it. I have some proofing I need to get done by tomorrow, so hopefully tonight I will be able to get home and just plant my ass in the easy chair and tear through it so I can get it turned in no later than tomorrow night. I have some other things to get done this week, too–so I am going to need to really update the to-do list so I can make sure things get done and nothing falls through the cracks; the trick is remembering everything when I make the list. I know I have some short stories that need to be finished, revised and polished; I’m still not sure the revision of my forty year old story works, to be honest. I also want to get this other one, “The Blues Before Dawn,” finished for another call. There are some other stories I need to follow up on that have been languishing in their files, and I need to start plotting out some more stories and books, too. I also want to start reading Shawn Cosby’s new book, All the Sinners Bleed, which is a great title and an even greater story, I am sure; Shawn is ridiculously talented and one of the most genuinely kind writers I know.
I am still digesting Laura Lippman’s Prom Mom, which is the mark of a great novel. I was thinking her work has slowly and slyly started critiquing gender roles, particularly the way men are shielded from consequences and inevitably fail upward. Rob Simpson, the main male in this book, from the outside appears to be a golden boy who has it all…but the truth is he’s a pretty face and an empty suit. His business success is all due to his uncle’s nepotism, and his wife actually makes more than he does. All the women in his life shield him from reality, when they are all smarter and stronger and more successful than he is, and he’s so privileged and entitled he never notices that he’d really be nothing without the women in his life–from his mother to Prom Mom herself to perfect wife Meredith.
I didn’t sleep great last night, despite being super-tired. I fell into bed around ten and then woke up at two, and never really fell back deeply into sleep, instead just dozing into a half-sleep before waking up again. Like yesterday, I got up at five (an hour earlier than usual) and figured might as well get a jump on the day and get up. I’ve had a cup of coffee and will undoubtedly have at least one more before leaving the house; I am tempted to make a cappuccino. Readjusting to reality has been a little harder this time than it usually is–the weird and wonky sleep patterns making the least amount of sense of anything–but I am slowly getting caught up, I think.
The weird thing about my hearing (circling back around to our original topic) is that I’ve always had trouble with it, even as a child. Mom and Dad always insisted I only hear what i want to hear, and there could be some truth in that. My hearing has always been erratic, and while I’ve always passed a hearing test (barely; I was always about this close to needing hearing aids before) there were things I couldn’t hear and if there was ambient noise, forget it: I heard nothing. This is why I stopped participating in dinner parties in restaurants of more than six people; anything bigger than that and there’s no point. I can’t hear anything in a bar, and so I smile and nodded a lot. I often joke on panels that I must agree to do things when I’m drunk in the bar at a Bouchercon, but the truth is I didn’t have to be drunk; it just had to be in a bar and I probably agreed without hearing because I would just smile and nod and say things like “sure” and “sounds great” and would never admit to being hard of hearing. This last hearing test confirmed everything: talking to someone in a one on one situation, I only hear about eighty percent of what is said. Add another person and the percentage drops, and keeps dropping with the addition of more noises and sounds. And if you need hearing aids do not get them from your doctor. Costco was about half the price I was quoted at the doctor’s office; Costco will also give you a hearing test as part of the purchase price; there’s a two year warrantee as well as a six year in total plan for servicing. It’s really nice to be able to hear again. It’s going to be strange being able to hear everything at work, too. I think part of the denial I was always in about my hearing–the not telling people–was because I didn’t have a confirmatory test result before and just not wanting to admit to a disability–which is incredibly stupid. Without my glasses I can’t see anything; how is hearing any different than seeing? The Shame Monster is a sly creature.
And on that note, I am heading into the spice mines. I’ll check in with you again later, Constant Reader, and have a great Wednesday.
Yesterday was a great test for me when it comes to fighting my anxiety.
I slept incredibly well, finished reading Laura Lippman’s Prom Mom, wrote three blog entries, and started doing laundry. I also spent a lot of time on social media, stealing pictures from the weekend because I never remember to take any myself, and just was kind of taking it easy for the day. We had a thunderstorm blow through right after Paul left for the gym, and therein came the test. I did all the laundry, and when the sheets were finished I took that basket upstairs (Paul hates putting on the fitted sheet and I hate shoving the pillows into their cases, so I put on the sheet and he does the pillow cases, if you were wondering) and only wearing socks–which I never do because the stairs were varnished and are insanely slippery and steep, and they make two ninety degree turns on the way up–when I stepped into a puddle after the first turn. What the hell? I thought as I stepped onto another puddled step, and still another–only to get hit on the head with several drops of water. I looked up and just before the second ninety degree turn is a light fixture–the primary one for lighting the stairs–and the water was coming from the fixture! Fortunately it was off–I don’t even want to think about if it had been on–and I put on the sheet, changed my socks, grabbed my slippers, and a handful of towels. I mopped up the mess with one towel before covering the rest of the steps that had been wet with towels, going down a few more steps with the towels just in case.
Immediately, I thought oh my God we have a leak from a big thunderstorm that caused street flooding, which means that water has probably been pooling somewhere inside the house somewhere; we haven’t had a downpour that caused flooding most of the summer (its usually a weekly occurrence in the summer time), which further led to oh no what about mold and will the wall have to be ripped out again to well at least we know where the problem is to great termites love wet wood before I was able to take a breath and recognize that I was spiraling and the anxiety was starting to spread to a physical and emotional reaction. I took a deep breath, and remembered that it’s out of my control. Getting worked up and emotional will not stop the leak or repair the wall. I was borrowing trouble and letting my mind start to control my narrative and I don’t want that. I sat down at my desk and thought, “Okay. When Paul gets home I’ll tell him to call the landlady. She’ll need to come see it, then call someone. So I have to get the living room picked up and make it look better. I still need to put away the dishes and I need to make a to-do list because I have things I need to get done this week. Will this be convenient with everything I have going on this fall? No, but when has life ever been convenient?
Never. And that’s what Paul and I discussed last night: getting frustrated, irritated, and upset by things you have no control over is a waste of time and energy. Dealing with the anxiety is a big part of this with me; I can’t control the physical reaction, but I can the emotional and mental, and as long as I keep that under control and don’t spiral, I will be okay. Things have to be taken care of, and that includes what I always call “odious chores,” or what other people might call “adulting” (I hate the turning nouns into verbs that don’t need to be verbs, and so I try not to ever use that word–it’s always grated on me. When you’re not adulting, are you childing? Of course not. That’s why it grates.). I don’t like conflict, and this is also a part of my anxiety–the fear of conflict creates anxiety and keeps me from doing things that might cause conflict, even though they rarely do. At one point last night as we caught up on our shows, I said, “I wish today was Saturday because I don’t want to get up in the morning” and Paul replied, “let it go”–we’d had a conversation about all of this and stopping being negative about things we can’t control and etc.–and I said, “you’re right. I have to get up early and moaning about it won’t change it, so why bother? It just is.” So I came back downstairs and watched this week’s My Adventures with Superman (it really is a. great show) and then Paul joined me for Only Murders in the Building, Ahsoka, and then we started a MAX (that is weird to me, just like saying X instead of Twitter–but fuck Elon, that I will never do) documentary called Telemarketers which is incredibly fascinating. There will be more on that later, once we’ve finished it (and I remember getting calls from these people back in the day; I always felt sorry for the callers as I always do with any kind of telemarketer–but after watching the first episode I don’t feel as sorry for them as I used to).
Ironically, my body clock is also all screwed up somehow. I was exhausted last night and was falling asleep in my chair by nine; so I went to bed early and am up and awake at five am this morning. It was a very good night’s sleep, too. So here I am last night whining about getting up early briefly–and this morning I voluntarily got out of bed an hour earlier than normal because I was awake and clearly wasn’t going to fall back asleep at any time. So here I am at my desk, swilling coffee and blearily thinking about all the things I need to get done before Friday. Tonight I am picking up my hearing aids after work, getting the mail, and running by the grocery store. I have to finish paying the bills. I have a million emails to respond to as well as numerous to generate.
It’s also funny that, after years of not thinking about the past or revisit it, I’ve started doing that more and more, especially since Dad is now telling me things I didn’t know before. Since I turned sixty, I started looking back over the years, which I had always seen as pointless before. You can’t do anything about the past, after all, and we also have a tendency to view the past as better and rosier than it actually was the further in the past it becomes. Sure, Mom dying earlier this year and talking to Dad about the past certainly has something to do with it all–but I had already started down that path. What is it, I wonder, about that particular milestone that resonated with me so deeply that I turned philosophical and decided to start unpacking my past? I don’t know. But I saw something on Facebook the other day about someone’s first words, and that made me remember that my parents always said I didn’t start talking until I was almost three years old (Mom would always add “and you haven’t shut up since”), but I was walking at nine months; they also always said that ruefully and with regret, because they believed the issues with my leg joints–the rolling ankles, the ease with which my hips will pop out of joint–is because I started walking too young. I never really thought anything about it, really, other than well thanks a lot for those issues…but this time I thought, “that must have really been weird and scary for them as parents barely out of their teens,” and you know every other adult and parent they knew privately judged them while offering all kinds of unsound advice and old wives’ tales from the country that made no sense and had no basis in any kind of science. Such a shame about their boy, you think he’s retarded? (Yes, that word–preferably not used anymore–was in common usage when I was a child, and yes, I heard adults talking about when they thought I was out of earshot. I think that was about the time my “selective hearing” started; being able to hear clearly for the first time in my adulthood tonight after getting the hearing aids did make me wonder do I really want to be able to hear everything?)
And yes, my primary takeaway from Bouchercon this weekend was feeling something I’ve not felt in a long time, and definitely not since the pandemic: ambitious. I told Paul last night (and someone over the weekend, probably my poor friend Teresa, aka Carsen Taite) “I kind of feel like life is happening to me, rather than me living my life, and I don’t like that feeling.” So, it’s time for me to start planning and mapping things out and deciding what I want and setting goals and figuring out how to get what I want again. I also realize I have to be very careful with what I agree to do this fall–not knowing how long some of these recoveries from procedures will take, for one thing–and I need to stop having anxiety about not having books under contract and then throwing out a bunch of proposals and getting deadlines. No, I need to plan. I need to strategize. I need to get my shit together and set some goddamned goals.
And on that note, I am going to head into the spice mines so I can make this week’s to-do list and start tackling the email inbox. Have a lovely Tuesday, Constant Reader, and I will be back later without doubt.
But my first true love was reading. I love to read; I love nothing more than to spend some time with my mind fully engaged and my imagination completely immersed in a good book. I love books, and I always wished I had friends who read as voraciously as I did and also enjoyed talking about what they read. I love when people enthusiastically talk to me about a book I should read, or mention that they love a book that I loved so we wind up discussing what we loved about the book. That’s why I like to write about books I’ve enjoyed here; while the conversation is inevitably one-sided (which far too many would say is my preference and/or default), I love talking about books, and here I have a place where I can do it whenever I want. I’m not a reviewer; I haven’t written an actual review in over twenty years. Nor am I a critic; I do not have the education or training to deconstruct fiction and how it is a reflection and exploration of some philosophical aspect of life, culture, and humanity.
No, I just like to tell you how much I liked a book and why I did.
And I absolutely loved Kelly J. Ford‘s The Hunt.
By the time Nell Holcomb pulled up for her shift at Mayflower Plastics, the KAOK news van had parked in her spot. Adding insult to injury: Maggie, the office manager, stood in front of the camera, chatting them up. Wearing her new bedazzled Hunt T-shirt that clashed with the fake tan she’d maintained since her sorority days that still showed her white skin in the underarm creases. Talking about how “causation does not equal correlation” and “accidents happen.”
Tell that to the families, Nell thought. Maggie never would, though. Not to her face or anyone else’s. But she’d go on TV and tell the world and call herself and other people like her “Eggheads,” like they were a fun little group and there weren’t any deaths associated with the Hunt every year, serial killer or not. If Nell didn’t know any better, she’d guess that Maggie worked for either the radio station or the Chamber of Commerce.
Nell walked on by Maggie and the news crew without saying a word, hoping they wouldn’t recognize her as the little sister of Garrett Holcomb: white, young, handsome, smart and dead.
The Hunt is Kelly J. Ford’s third novel, after an impressive debut with Cottonmouths and its Anthony nominated follow-up, Real Bad Things (which I’ve not gotten to yet; I always try to hold one back per author I love so I know I always have something of theirs to read yet). The premise of the story is a small community in northeast Arkansas has an annual “Hunt for the Golden Egg” sponsored by the local radio station. The station records clues that the participants have to decipher in order to find the egg, and whoever finds it gets a cash prize. Over the years the prize money has increased, and in a fairly working class/fairly impoverished area, that kind of money can be life-changing. The problem is, the annual Hunt has become haunted by tragic death, and rumors circulate that a serial killer “hunts” people hunting for the egg–and Nell’s beloved older brother was the first victim. That alone would be enough to make Nell hate the hunt, which is what everyone thinks; but Nell has her own, much darker secret: the night Garrett disappeared, she had a fight with him because they both were interested in the same girl, who chose Garrett. Nell kicked him out of the car…and that was the last time he was seen alive. The girl, Tessa, gave birth to a posthumous child, Elijah, whom she abandoned. Nell has taken over raising him as an atonement for her own guilty secret, and he is the center of her life. (She is also keeping another secret–she has been seeing and messing around with Tessa for a few months already at the start of the book.)
The other point of view character of the book is Nell’s best friend, Ada. Ada’s son Anthony was Elijah’s best friend, but they seem to have fallen out–and Ada herself has conflicted feelings about Nell. She loves her friend, wonders occasionally if they might be able to move further than that in their relationship, and she also loves Elijah. The conflicting feelings of love and aggravation at the bad choices Nell seems impossible to keep herself from making over and over again as part of her inability to forgive herself.
The hunt is coming up again, Nell’s having to deal with all the horrible memories and makes some more bad choices…and then another person disappears. Has the serial killer struck again? Is it a coincidence? Are all the deaths coincidences?
Ford has no weaknesses as a writer and a lot of strengths. As a Southerner myself, she writes in a way that reaches deep inside my soul and twangs its guitar strings. I know these people, I know these claustrophobic small towns where everyone knows everyone else and their business and has opinions. She captures the despair and misery of working class life, but her work isn’t depressing but uplifting and hopeful. Nell’s grief and guilt are the fuel that drive the engine of this story, and if I had to give a capsule elevator pitch description of her work, I would say “she writes the novels Dorothy Allison would if she wrote about crime.” The language, the poetry and musicality of the words leap from the page, and she also is capable of writing the kind of suspense scene that raises your hackles and makes the downy hair on the back of your neck stand up.
If you haven’t started reading Kelly’s work, what on earth are you waiting for?
Queer and Loathing in America 