Adios Amigo

I’ve been toying with an idea for an essay for a while. It began as a blog post, but as I worked on it I realized it might be too long for a blog entry, were I to cover the entire scope of the issue even in abstract form. I moved it from here into a Word document yesterday, which may or may not mean something bigger in store for it than simply a blog entry. I don’t know. It will probably wind up here at some point as one of those long rambling things I do from time to time when I feel passionately about something. Consider that your warning. I’ve been thinking about masculinity a lot lately–it’s been an albatross hung around my neck since I was a child (“Boys don’t play with dolls! Boys don’t read Nancy Drew!”) and after reading so many bad takes about how “men are in crisis”–which basically boil down to an inability to adapt to cultural and societal change that is so intense that they resist such adaptation violently–I started thinking about masculinity and what it means to be a man; if it means anything, really. It’s probably too important an issue for me to take on in a personal essay, but personal essays are supposed to be revealing, and no one expects me to have an encyclopedic knowledge of everything ever written about American masculinity, and to discuss it; thinking I can’t write something for whatever reason is self-sabotage of the worst kind, and something I am guilty of, over and over, throughout my life and career.

And yes, self-sabotage is 100% a by-product of my anxiety.

I also have Justin Baldoni’s book about masculinity, Man Enough, which is also an exploration of masculinity. Baldoni played the incredibly hot and sexy father of Jane the Virgin’s baby, and so as a gorgeous male actor/sex symbol, he has some gravitas to speak on the subject. I’m looking forward to cycling around to his book, once I finish my reread of a Charlemagne biography I really enjoy. I also spent some more time with Shawn’s All the Sinners Bleed, which I am liking and savoring as I go–and can’t wait to spend some more time with it today. When I finish, Lou Berney’s Dark Ride has preempted everyone and been moved to the top of the TBR pile. It’s so lovely having so many great options of what to read next. I also think once October rolls around I am going to read only horror that month, in honor of the season–so I need to finish Shawn and Lou’s books before the month turns.

It also occurs to me that many of my books–unbeknownst to me–have explored the topic of masculinity in great detail already.

I slept really well last night, and only got up once. Ironically once I did wake up, I thought wow you really slept late and then saw it was quarter past seven on my alarm. I guess how it feels matters more than how long it actually was, and what truly matters is that I woke up feeling rested and relaxed and ready for my coffee this morning. I am debating right now whether I want to take the books to the library sale and the beads to the donor bins as well s make a slight grocery run–but am leaning towards not making the trip outside the house. I don’t really need anything from the store until Monday at the earliest, and the boxes of books and beads are out of the way and not bothering anyone, let alone my need for order and open space in the living room. I also want to work on some writing today before the games, so maybe leaving the house today isn’t in the cards–or am I just being lazy? It’s definitely possible that laziness and procrastination and my tendency to self-sabotage is what is really going on here. It’s possible. I do tend to put things off I consider unpleasant (and by unpleasant, I mean have to put some effort into it)…

LSU plays Arkansas tonight in Death Valley, and tonight we’ll find out two things: basically, how good either time is. It’s hard to say this early in the season how much quality your wins and losses have; the Florida State-Clemson game today will impact how good the LSU loss to the Seminoles was, and of course we aren’t sure how good Mississippi State is, so we don’t know if that was a quality win yet or not. Arkansas lost to BYU last weekend, so there’s also no telling how good they may or may not be, either. The whole conference seems to be down this year, but a tight win for Georgia can be shaken off as meaningless this early, and Alabama may bounce back; a Nick Saban coached Alabama team has never lost more than three games in a season since 2010 and only twice overall; sure, they looked unimpressive against USF and lost badly to Texas in Tuscaloosa, but does that mean Alabama isn’t going to rebound and is destined for a bad season? No, I don’t think so. Love them or hate them, Alabama consistently wins, and an early season loss means nothing to their program. Sure, LSU could run the table, win the West and potentially even the conference title game and make it to the play-offs; but they have to run the table on a schedule filled with landmines, including both Alabama and a rebuilding Auburn as well as the always hated Florida Gators. There are some great games today, which is why I want to spend some time reading Shawn’s book this morning before the games start, and I plan on rereading and revising Jackson Square Jazz during the games today.

And of course, there’s always filing and organizing to be done. I have seriously messed up my filing system so thoroughly and completely that it’s going to require a major overhaul to begin with, but I also have to think about putting together a new and workable system that will be easier to maintain than this haphazard way I’ve been doing things–and of course the computer files are an utter disaster as well. Heavy sigh.

I’ve been doing a lot more research (or rather, falling into research black holes on the web) about New Orleans during the decade of the 1910’s. I am definitely going to write a Sherlock pastiche for the Bouchercon anthology–which of course means I will most likely be rejected. Perhaps a Sherlockian-type character, and if they turn it down I can simply turn him into Sherlock and toss the story into my short story collection? I need to finish the revisions of “Whim of the Wind” and finish a draft of “Parlor Tricks,” which will probably go into that collection as well. What particularly interests me now is “Manila Village,” a settlement of Filipinos on Barataria Bay, settled by native Filipinos who were forced to serve in the Spanish navy and escaped to Louisiana. There’s still a strong Filipino-American community here (which I actually didn’t know before falling into this wormhole of research), and I do feel that Holmes, living in New Orleans in that decade, would probably embrace them and their culture. (I also need to research the Isleños; descendants of the Canary Islanders who settled here.) New Orleans was also dramatically different geographically back then; the New Basin Canal was still there, for one thing, and I am not entirely sure when the Carondelet Canal (also called the Old Basin Canal) was filled in, but it came right up next to Congo Square; the streets in the Quarter were either dirt or cobblestone, and the lower part of the neighborhood had been almost entirely taken over by Italian immigrants.

I’ve also got strong starts of first chapters for another Jem book (sequel to Death Drop) and another Valerie (sequel to A Streetcar Named Murder); so there’s plenty of writing to be done this weekend as well. I’m not feeling overwhelmed by any or all of this writing that must be worked on and done; this morning I literally feel like all I need to do is roll up my sleeves and dive into the word documents head first, which is a great way to feel.

And on that note, it’s spice mine time this morning. Have a great Saturday and I’ll probably check in with you again later.

I Don’t Want to Cry

But my God, fasting is the worst. The doctor visit went extremely well, and I am actually kind of excited about going forward with a primary care physician who, um, cares. Everything went well, we are getting ready to move ahead with my next surgery, we’re coming up with a plan to deal with the anxiety (bye bye, Xanax; but you didn’t really work for that anyway, only the symptoms), and I got my flu shot. I think I’ll probably swing by CVS to get a COVID booster and the RVS shot tomorrow. I have to go drop books off at the library sale anyway, I want to wash the car, and now that the excessive heat is over, maybe now I can properly air my tires and get the pressure in them to balance again. But I weighed only 200 pounds per their scale (with my wallet, belt, shoes and keys on me), which must be a result of the fasting? I can’t imagine how i dropped five pounds since yesterday.

I was also thinking that this soft food diet/tooth thing is really the perfect time for me to reset my eating habits and go forward with a more healthy eating plan. I need more vegetables in my life, and fresh foods. I don’t need the junk anymore except as a treat–I’ve rather broken the habit while not being able to snack these last couple of weeks, and let me tell you, last night I wanted a snack of something crunchy and salty so badly there’s no telling what I would have done to be able to have something like that. I’ve also come to realize that I actually like ramen. I generally have tried avoiding the foods that I consider “poverty indicators”–the stuff I could afford in college or during my leaner financial days–and those are things like ramen, box Mac’n’ Cheese, and tuna. But only being able to eat soft food and reverting to ramen reminded me that I do, in fact, actually like it–I always love any kind of noodles, really–and what is easier to take for lunch than that? I’ve been taking leftovers, and usually only cooking a big meal on the weekends to have something to take for lunch…,but ramen is easier, tasty, and filling (which is why it’s such a great poverty food). And you can always dress it up; one of my roommates in college had a Japanese mom and what she could do with a package of ramen, spices, and some vegetables was something I’ve tried duplicating any number of times without success. And once my arm is healed, I need to get back into working out again. Now that the weather is getting cooler I am probably going to start taking walks in the mornings on the weekends; the city is getting ready for Halloween and I have so many friends who are into Halloween that I love sharing pictures showing how overboard New Orleans goes for it.

I’ve never really done any Halloween writing about New Orleans, now that I think about it. Jackson Square Jazz was supposed to be the Halloween book, but I wound up setting it earlier in the month and only mentioned Halloween costumes in the epilogue. A Streetcar Named Murder was also set in October just before Halloween–hence the masked ball Valerie and Lorna attend–but I’ve never done Halloween itself. My story “The Snow Globe” actually began life as a Halloween story; I wrote it for a Halloween anthology and it wasn’t accepted. The original opening line was Satan had a great six-pack, and was inspired by me standing on the balcony at the Pub/Parade on Halloween and looking across the street just as someone come out of Oz dressed as sexy Satan–red body paint, red bikini, face done up, and red glitter everywhere–and I actually had that thought: “Satan has a great six-pack” and stored it away as an opening line. When I was looking through the files for a Christmas holiday story for the anthology benefiting my chapter of Sisters in Crime, I realized Santa is an anagram for Satan (which is interesting in and of itself) and I can switch the story from Halloween to Christmas, which makes more sense anyway for its outcome. Ironically, the story actually worked better as a Christmas story!

I definitely need to do a Scotty Halloween book. Halloween Season Hijinks? That actually could work….hmmm.

And on that note I am going to make myself some lunch (hello, Lipton’s double noodle soup and Ritz crackers!) and dive into the spice mines to get my work at home duties completed for the day. May the rest of your Friday be as awesome as you are, Constant Reader! I may be back later–one never knows–but if not, definitely on the morrow.

Honky Tonk Memories

Friday morning and in a little bit I’ll be off to see my new primary care physician. I am also having to fast because I am having bloodwork done this morning. I have notes from my surgeon to present to her, and I am actually hopeful that now some of these nagging issues I have might actually get taken care of. My previous doctor was okay, but I never felt like I was more than a number to him; he rarely if ever spent more than four minutes with me, and I also kind of felt like he never really listened to me; he always made me feel that every question or problem I brought to his attention weren’t taken seriously. I am, if anything, the farthest thing from a hypochondriac that possibly could exist; I avoid going to doctors or seeking medical attention more than is absolutely necessary; I’ve always been this way, but now that I am in my sixties I have to be better about things like my health. I never paid attention or cared a whole lot before–primarily because subconsciously I believed I would never live this long–and suddenly find myself in my sixties and desperately needing to change my attitude towards doctors and health care. It’s pretty sad that I am proud of myself for firing my old doctor and getting a new one; I finally got my mouth taken care of this year, and I am getting my biceps injury taken care of finally with the surgery I’ve needed since January. I also got new glasses recently after my annual eye exam (seriously, y’all, if you aren’t getting your glasses from Zenni, what are you thinking?). So yes, kind of cooking with gas as an adult now.

I was very tired yesterday when I got home from work. I was doing fine, but hit a wall around three yesterday afternoon, when I became exhausted and could barely keep my eyes open. I had slept really well–I don’t think I even woke up once during the night–but I get more tired the more the week goes on. I just shake my head sometimes, really. I spent almost my entire life trying to not have a 9 to 5 job that it’s hilarious that I managed to hold it off for most of my life until I reached my sixties. I have long since given up on the idea that we are ever going to return to the clinic hours we used to keep, which would be heavenly. I slept well last night–waking up at just before six, as my body is slowly becoming accustomed to despite my resistance–and feel well rested this morning, but I hate having to fast so no coffee or anything to eat….and of course I am hungry. (I will be taking coffee with me, though, so once the blood has been drawn I am taking a big slug of it.) I will probably run a couple of errands on my way home so as to get them over with and out of the way; and come home to chores and work-at-home duty. I also hope to get some writing done today, too; hope always springs eternal. I never really feel like myself when I am not writing something, or writing every day or working on something; my life is apparently now measured by writing books.

There are worse things.

We watched Ahsoka last night, but it didn’t hold my attention, which was unusual; I didn’t much care for this week’s episode primarily because I don’t much care for the acolyte character whose name I can’t remember who took center stage in this episode. I also think the space whales thing is kind of stupid, too; they really started losing me with that. Space whales live in space and travel in pods and apparently are capable of hyper-jumps into another galaxy. The science of Star Wars has always been a little wonky and required a lot of blind faith and belief to begin with (and I am not a scientist!); belief I was more than willing to suspend and not think about at all..but the space whales kind of blew it for me. How do you know which galaxy they’re going to jump into? Hitching a ride on space whales about to jump into another galaxy seems kind of like a big risk to me since you have no idea where they are going, why they are going there, and if they’re coming back? Yeah, epic fail. which was a shame because I was actually enjoying the show until then. (Apparently now Jedi can somehow exist in space without equipment and can breathe despite the lack of air, too; this was first shown in The Last Jedi, and I never really bought it then, either; I am thinking much more critically about the final trilogy, which I enjoyed at the time but in retrospect, weren’t that good and depended heavily on fan nostalgia.)

And on that note, I need to start getting cleaned up so I can head to my appointment. Wish me luck, Constant Reader, and I will be back later.

Sweet Music Man

Thursday and my last day in the office for the week. Yay, I think. I have to get up early and go see my new primary care physician tomorrow morning–I fired the last one for a multitude of reasons I will probably go deeper into in a future post–but I also have to fast for that because I am having blood work done, which means no coffee, no nothing other than maybe water tomorrow morning. I think as long as I sleep well, I’ll not leave a body count behind in my wake on the way to and from the appointment. I am also going to be making a go-cup of coffee that I will be taking with me and you can best bet I’ll be slugging it down once the blood has been drawn.

I slept well last night, which was lovely because I was definitely running down my batteries by the time I got home last night. By the time I’d done a load of laundry, emptied the dishwasher and reloaded it, I was more than ready to collapse into my easy chair. I did some minor writing last night–a few hundred words or so, nothing much other than to be able to say “I wrote some fiction last night”–but that’s okay. I’m getting back into the saddle again gradually, and soon I’ll be clocking three thousand word days again. We watched this week’s The Morning Show last night, and I have to say, it’s an exceptionally well done show. The ensemble itself is incredibly star-powered, beginning with Jennifer Aniston and Reese Witherspoon as the two primary leads, and the excellent job of the casting director manages to work its way down from the stars all the way down to the bit players–Shari Belafonte Harper is actually a member of the cast, but has very few lines and is rarely on camera, but it’s always nice to see her when she pops up on screen, to be honest. It’s very smart and very well-written, as are most shows on Apple Plus–let’s not forget we wouldn’t have Ted Lasso without Apple Plus.

Ironically, I was also watching shorter and longer videos on Youtube before Paul got home and went down a “Calvin and Hobbes” wormhole of videos about the greatest comic strip of all time. I always loved Calvin and Hobbes, and have all the collections, including the massive coffee-table sized one that contains every strip ever published. I was very sad when Bill Watterson ended the strip on a high note, and I’ve always loved his artistic integrity about not selling out to film or television or merchandising (I would have definitely bought a Hobbes plushy back in the day), as well as his decision to end the strip and take it out on top. (I was also a big fan of “Doonesbury”, “Bloom County”, and of course “The Far Side”.)

Anyway, watching a few documentaries on Youtube about “Calvin and Hobbes” mentioned how much emotional depth the strip had; how it could not only make you laugh but make you think as well as tear up sometimes…and I realized that Ted Lasso, like Schitt’s Creek, was also like that. Calvin and Hobbes were both so fully realized as characters in the strip–as well as his parents, and the other occasional characters that showed up, too–that you cared about them, just as you do the characters on Ted Lasso and Schitt’s Creek, which is why character is so important when it comes to story-telling. People will only care if the characters seem like actual real people to them, and once they care…well, you’ve got them, don’t you?

Maybe I should revisit my massive Calvin and Hobbes collection, too.

There are some good games this weekend in college football, but my primary concern is, as always, the LSU game; they’re hosting Arkansas in Death Valley and we’ll get yet another chance to see how good the Tigers are–but we also don’t know how good either Mississippi State (trounced last weekend) or Arkansas yet are this year; the test will always be how the Tigers do against Auburn, Alabama, and Florida–and there’s also no telling how good Mississippi is this year, either–they play Alabama this weekend, so we’ll get an idea of how the Tide is rebounding and how good the Rebels are. Everyone is writing Alabama off, and maybe it’s simply been burned into my brain throughout the course of a long lifetime of being a college football fan,…but you can never take the Tide for granted or ever completely count them out. They have that “brand” recognition that somehow manages to get them the win in close games; the luck always seems to magically appear every time they need it, only deserting them in the one game they may lose per year. They’re in the same position that LSU is in; already one loss early and therefore cannot lose again if they want to win the conference and the national title. College football is certainly more interesting this year than it has been since 2019, at any rate.

I want to be able to drop books at the library sale this weekend, wash the car and clean out the inside, and hopefully go to the SPCA and get a new cat. I also need to clean the house more–at least try to keep up with it the way I did when Paul was out of town earlier this summer–and get some writing done. I also need to do some reading. I want to finish Shawn’s book because I also just got my copy of the new Lou Berney, Dark Ride, which I am really looking forward to; I’ve been a big Lou Berney fan since we were on a panel together all those years ago at Bouchercon in Raleigh, and his work never disappoints. (That panel in Raleigh was definitely one of the highlights of my paneling career as a crime writer; Katrina Niidas Holm was the moderator; the other panelists were Lou, Lori Roy, and Liz Milliron. Nice, right?)

So, tonight when I get home from work I am going to do some more laundry, unload the dishwasher and clean the kitchen, and then I am going to either write or curl up with Shawn’s book.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again later.

Ain’t It Funny

I was, somehow, on two humor panels at this past Bouchercon. I moderated one of those panels, which was a great time and one of the best experiences I had moderating a panel because of the amazing wit and talent of my panelists, whose work I look forward to reading. I was a last minute step-in, so I didn’t have time to read their books ahead of time or prepare anything; so the entire panel was extemporaneous–which is incredibly hard for a panelist because you literally have to think on your feet–and they rose to the challenge magnificently. However, I couldn’t use those questions as a self-interview, so instead, I will share the questions marvelous Leslie Karst came up with as the fill-in moderator for the Best Humorous Mystery Anthony panel, which I got to share with Ellen Byron, Jennifer J. Chow, Raquel V. Reyes, and Catriona McPherson…and a lovely time was had by all.

(You can only imagine how thrilling it was to be nominated for an award with these oh-so-talented and wickedly witty women. The imposter syndrome was strong in me on that panel.)

But, with a strong and heartfelt thank you to Leslie for these questions, away we go.

Did you set out to write a humorous (whatever that means) book?

I don’t. That would trigger my anxiety, I think, and I’d second-guess myself constantly. I’m not really sure how funny I actually am–and it’s not self-deprecation for me to say that I don’t think I’m being–or trying to be– funny most of the time. But people always have laughed. It took me a long time for me to realize that they weren’t laughing at me, but with me.

I believe humor should come out of the characters and how they react to, and/or see things, around them. New Orleans is a very easy city to write funny about because the daily paper is an endless source of unintentional humor. Our city government is weird and crazy, as is our history. Something that would draw stares and a crowd anywhere else isn’t even blinked at here. I tried mightily to resist, but have to shamefully confess that I, too, have walked to the Walgreens on the corner in pajamas and house shoes. Are the Scotty books camp? I’ve been thinking about that a lot lately, as I have been watching and reading about the camp aesthetic in the queer community, and I think they are, based on all the definitions I’ve seen and heard and read about. Scotty exists in a very close to reality as I can make it world, but the situations he and the other characters find themselves in are often over-the-top and ridiculous but normalized in that world, much as they are in real life. No one bats at an eye at any of it, because it’s normal. I think that makes my Scotty series camp.

The book that was nominated, A Streetcar Named Murder, was one in which I didn’t even think about being funny. I had the over-the-top character of the neighbor/best friend, Lorna, for comic relief, but my main character was supposed to be the one who sees and recognizes the ridiculousness but accepts it as reality. Catriona McPherson tagged me on Facebook because one scene in the book made her laugh for several minutes–which I took as a great compliment, because she is one of the funniest people I know–but I didn’t even think about writing that scene as funny; it’s actually when Valerie discovers a dead body, and the dying woman–wearing a pirate wench costume–says her last words, trying to identify who killed her. I remember making the conscious choice as to what those last words would be and tying it into her costume, but that seemed to me how it had to be, if that makes sense? And of course, when you’re writing a book and revising and reediting and rewriting and copy editing and page proofing…you do get so heartily sick of a book and its characters that it just seems tedious and tired and dull to you. Any humor I may have deliberately thought up and wrote into a manuscript no longer is funny to me by the final pass…which is worrying. I am never sure the book is funny or not.

What’s the most challenging thing about writing humor?

Being funny! The thing that always gets me about humor is how quickly and easily it’s dismissed when it comes to books–books aren’t supposed to be funny, you know; they’re supposed to be serious–which always puts funny books at a disadvantage, especially when it comes to awards, particularly juried ones. How do you say one book is funnier than another? Do you judge just the humor, or is that just a factor in the overall quality of the book? The odds of five to seven judges all agreeing on the same thing being funny are exponentially greater than the odds of five to seven judges agreeing on something tragic. Humor is harder than tragedy, and it’s even harder when you’re trying to find the humor in a tragedy.

Humor is incredibly subjective, and difficult to agree on. I’m one of the few people who thought Seinfeld went on for too many seasons and had stopped being funny long before they stopped; likewise with any number of other highly popular comedies, from Friends to Modern Family; shows that remain consistently funny for a long run are very rare, and I’ve always appreciated the comedies that went out before the quality began to decline (The Mary Tyler Moore Show, All in the Family, The Bob Newhart Show).

Have you ever gotten the giggles in a highly inappropriate setting, and how did that go?

My grandmother’s funeral. In fairness, my eldest cousin is one of the funniest people I know, and I made the mistake of sitting next to her and she kept whispering to me and I couldn’t help it. It did NOT go over well, and we’ll leave it at that?

Have you ever had to change anything in a book (funny or not) because of pushback from your editor?

Nothing major or significant, really; there was never anything like “this scene! What were you thinking?”

Is writing humor difficult for you, or does it come naturally? Any tips on writing humor for those writers in the audience?

Like I said, I don’t really try, it just happens. So I guess I would have to say it’s easy, with the qualifier being if I am not trying to be. The Scotty books were my first experience with really writing humor, and for me, it was more about him and his reactions to all the crazy things happening around him–which is why I’ve been wondering if the books are camp or not lately. The original idea for the first one did strike me as funny; I just saw one of the dancers working at the Pub during Southern Decadence weekend maneuvering through the big crowd in the street to start his shift. I had a mental flash of a guy wearing only a day-glo lime-green thong being chased through the crowd with bad guys with guns also trying to fight their way through the enormous crowd of scantily clad partying gay men. Likewise, the original idea for Vieux Carre Voodoo came to me when I was walking through the Quarter and passed under a balcony just as they started watering their plants–so got wet. (It’s a regular hazard in the Quarter.) I then had an image flash into my head of the same thing happening to Scotty–only he was wearing a white bikini that became see-through when wet. Why would he be walking through the Quarter in a bikini? Because he’s going to ride in the Gay Easter Parade dressed as a sexy gay bunny–white bikini, cottontail, and bunny ears. There was one scene in Jackson Square Jazz where he finds a dead body, and sighs resignedly and says, “not again.” I wasn’t sure if that would get past my editor, but it did.

I think it’s easier when the humor comes organically out of the characters and the situations they’re in. I don’t write jokes, but I do imagine a scene that I think is amusing and then fit it into something I am working on, if that makes sense?

Humor is hard.

Is there any type of humor that you would deem inappropriate for your books?

No. I’m a sixty-two year old gay man who lived through the 1980s and has been doing HIV/AIDS work for the last twenty years, so my sense of humor is very dark. I’ve been told I have a very dry, caustic wit; but there’s a very fine line between dry wit and being bitchy and cruel. I don’t like to cross that line, but have.

A Streetcar Named Murder was nominated for both the Lefty and Anthony Awards for Best Humorous Mystery. It was a thrill, an enormous compliment, and a complete surprise in both cases. I’m sorry the ride had to end….

Here we are–the Best Humorous Mystery Anthony nominees and our moderator. (And why do I look at myself in this picture and hear Bianca del Rio saying “horizontal stripes are not a good look in your third trimester, sir.”)

Hell is for Children

Years ago, there were things you’d never write about in books for teens and pre-teens. Now, though, many more topics are fair game. BUT are there some things you’d never write about? Because of your own feelings, or because you don’t think your audience is ready for it?

On the panel I said I’d never write about cannibalism, but of course ever since then I can’t stop thinking about cannibalism–and that’s entirely on me. I can’t even imagine writing about that.

I’m not going to say there’s anything I won’t write about because I don’t want to limit myself. If I can think of some way to write about something that isn’t pandering or exploitative or offensive, I will. I was recently reading some of my short stories because I am pulling together another collection and one of the stories–I was like, oh yeah, you can’t publish this without a major revision.

I don’t think I would ever write from the perspective of a person of color or a trans-identified individual because while I know I have a very vivid imagination and am capable of empathy, I am also a sixty-two year white cisgender male. I think I could probably do it, with help from a sensitivity reader and my editor, sure; but we need more trans writers and writers of color, not another old white man writing from their perspective. I will include those characters in my work, but not as point of view characters, because we need to make room for those with the lived experience to write those stories. I may not live long enough to see it, but hopefully in about thirty years we’ll have reached the point where exclusion of non-white non-straight non-cisgender writers will no longer be an issue, and what a wonderful world tht will be.

No offense, but none of you is in your target demographic any longer. What challenges does that present and how do you overcome them? How do you ensure that the language your characters speak is reflective of how teens and pre-teens speak today?

How very dare you! I am still a sprightly young man of…um, sixty-two. Point taken. I try to avoid slang and current language because it becomes dated very quickly; akin to how, when I was a child, I saw books and movies and television shows that tried to appeal to the youth market by trying to use current slang and it never turned out well. I mean, once The Brady Bunch kids are saying “groovy” excitedly every other sentence…it kind of killed the word and I never heard it in real life ever again. The time between when a book is written and when it’s released is long enough for current kids’ language to change. My sister’s grandkids are always saying things I don’t understand…but the next year they are speaking a different language, so I don’t try. It’s hard enough keeping up with technology, which also gets dated very rapidly.

What percentage of your readers do you think are adults? Do you consider these crossover readers when writing?

I honestly don’t know, but I wouldn’t be surprised if mine were primarily adults. I don’t set out to write books for kids, really; I write novels where the characters are teenagers. They get marketed as young adult books, which is something I have no control over. I’d like to think both adults and younger readers can enjoy my books that are so classified. If I think about the audience I am writing for when I am writing, it makes the writing more stressful and harder. I trust my editor to make sure I don’t write anything offensive or way off-base or too adult for a young adult audience–which is where my books would be shelved in the library. No one’s complained about mine yet.

Greg, your book tackles multiple contemporary societal problems. How do you balance writing about such tough topics with ensuring that your work is compelling and hits the right mystery/suspense notes?

The objective, for me, when writing about societal problems and issues is to put a human face on them, by making it personal. Societal problems are easily dismissed or ignored when they are simply abstract principles. If my characters are fully rounded, are relatable and seem real to the reader, then the reader will see, through the characters, what it is like to experience and go through these issues; and to develop a sense of empathy, so we aren’t so quick to judge and blame and not try to understand. #shedeservedit was very important to me, because with the Steubenville/St. Marysville rape cases, it made me look back over the course of my own life and remember situations I witnessed or heard about in a completely different light. For example, one of the cheerleaders at a nearby town had an experience similar to what the girls in Steubenville and St. Marysville went through…but in the 1970s, the blame solely went on the girl. When I heard the story she was a willing participant–the story was told to me in hushed whispers by another girl–and all the elements of the modern stories were there: pretty and popular cheerleader; a party with alcohol and football players; the town football team was successful and beloved in the town; and a bitter ex-boyfriend. As the story was told to me, she got drunk and “pulled a train” (a disgusting phrase, really) with five of the football players, including her ex. I was shocked at the time– to think she’d done this willingly, at a party where it was bound to get around (as it obviously did). But now, looking back–how willing was she, really? But that was how things were back then. I’d like to think things are changing, that we are valuing young girls and women as human beings more now…but are we?

Technology changes very rapidly, and teens—and younger children—are often at the forefront of these changes. How do you handle that in your writing?

Like slang, I try to use as little of it as possible. I do realize everyone is addicted to their phones now, and spend most of their lives texting and facetiming and everything else, but while I will use some basic technology–texting, emails, DM’s–I try not to get into the entire app/social media weeds too much because it may change before the book is published and I don’t want to publish a book that’s already dated. I think that if the reader really cares about your characters and the story…they won’t care so much about the slang and tech.

How has your writing evolved since you first got published? If a reader is new to your work, which book would you recommend starting with?

I’d like to think I am a better writer than I was back then. I know I’m a different writer than I was when I started; more life experience, with the concomitant increased empathy, understanding, and sympathy that comes with it. I try to push myself with every new work; it’s the challenge of doing something new and different I really enjoy.

If we’re talking my y/a, I’d started with the first, Sleeping Angel, and go from there. If we’re talking my career in general, I’d say Bourbon Street Blues or Murder in the Rue Dauphine. It’s always good to start at the beginning. If the length of both series is daunting, try either A Streetcar Named Murder or Death Drop (drops October 31!) and then move into the stand alones.

There are a small number of popular writers who spark controversy in their “real” lives. How do you reconcile a great writer with a bad person? Do you read that writer’s work?

Ah, the old “artist vs their work” question. There are writers with enormous talent whose books I’ve loved that social media has exposed as incredibly horrific people with “values” (I have a hard time using that word in reference to such abhorrent beliefs) and I have stopped reading them. I will never have time to read all the books I want to read, and if I’m able to prune my stack by removing racists and homophobes and misogynists and transphobes? Thank you for making my choices easier. I’ve always believed one should be widely read–I used to read nonfiction books about politics and social issues by conservatives because I thought it was important to listen to and evaluate their positions. After we were lied to as a government and a nation to drive popular support for a war we didn’t need to be fighting in order to drive more profits for military suppliers and oil corporations, I no longer needed those perspectives. I don’t need to read excuses and rationalizations for bigotry and prejudice and other indefensible positions for any human being to hold.

The vast majority of my one-star reviews on-line are from conservatives deeply offended by the “politics” of my books. Yes, because a book about gay men by a gay male author is where you should go to get your bigoted world-view validated. If you want that, read Andrew Sullivan. His nonfiction diatribes about social and political issues is some of the best fantasy being published currently.

Who are some of your biggest writing influences?

God, there are so many. I think my y/a is very strongly influenced by Lois Duncan, Christopher Pike, R. L. Stine, Caroline Cooney, and a long forgotten y/a crime writer named Jay Bennett. He won two Edgars for Juvenile, and was nominated a third time. His work is extraordinary; I’ve not read many other writers with that same extremely tight, terse, and taut style. Jay’s books put teenagers in terrible situations where they had to decide what is right and wrong and what to do. They read very quickly, too. I describe him as the y/a James Cain.

As for adults, everyone I read is an influence; even the books or writing styles I don’t care for, because they make me think how would I have done that differently? But definitely John D. Macdonald, James M. Cain, Charlotte Armstrong, Daphne du Maurier, Phyllis A. Whitney, and the old Alfred Hitchcock Presents anthologies, which I am revisiting. The old Three Investigators and Encyclopedia Brown series for kids, too.

Latest trends in Middle Grade and YA fiction?

Diversity, which is fantastic, and hot social issues!

The Anthony nominees panel for Best Children’s/ Young Adult panel at Bouchercon, with moderator Alan Orloff, Fleur Bradley, your humble author, and Lee Matthew Goldberg.

Don’t Throw It All Away

Well, we made it to Hump Day again, which is a lovely thing.

I think I may also be losing my mind? I could have sworn one night in the last two weeks I sat down with my journal and hand-wrote the next five or six hundred words of my story “Parlor Tricks.” Last night after running errands and getting home, I promptly sat down, opened the Word document for the story, pulled out my journal and started flipping through the pages.

Constant Reader, those two or three pages I could have sworn I wrote in my journal? Were not there. I turned page after page, growing more and more confused. How could I have not written it down? I specifically remembered words and phrases I’d used in the scene, describing how my main character’s psychic ability to read someone else’s thoughts sometimes created a psychic bridge between the two, which has just happened. The bad part of it is she read his thoughts and knows he’s planning on killing his wife later that night. I even got into the weeds with the psychic stuff, but no–I must have thought of it all, planned to write it down, and then…just never did. I’ve also somehow lost my belt and my Crescent Care hoodie, too.

Or Paul is gaslighting me. I’d prefer to believe that, of course (who wouldn’t?), but much as I want to believe that, I’d only be gaslighting myself. Heavy heaving sigh.

I was very tired as I ran my errands after work last night–needing more soft food, although I can eat stuff now that isn’t quite as soft; macaroni and ramen and soups and things. But the primary need was for things I could make for lunch at work; microwavable things. I also didn’t eat dinner last night, so this morning I am a bit on the hungry side. Yogurt and oatmeal and protein, oh my! But the end is nigh; next Friday I got get the molds for my new teeth made, and I am hoping that will only take about a week or so for the final to be ready for me to wear and use. (I’m also hoping there will be temporary ones I can use in the meantime, but I rather doubt it. But the thought of being able to swing back Five Guys on the way home next week is almost overwhelming.) I also weighed myself yesterday with shoes and keys and belt and wallet on and came in at 205, which is fine and something I can live with. I’d love to get below 200 again, but I’d rather that happen through diet coupled with exercise once I can go back to the gym.

But I did manage to get Jackson Square Jazz printed, three-hole punched, and put inside a three ring binder, meaning the editing just got real. I had gone back and forth over it, you know; should I re-edit/revise the book, or just do the basic copy edit? I didn’t have time to do any work with the Chanse book or Bourbon Street Blues before the ebooks went up, and at the time I didn’t know how I felt about redoing the books for republication; it was more along the lines of the old writer’s adage you can keep fixing it forever but sometimes you just have to say “fuck it it’s done” and it didn’t seem right. I wanted the print editions to be available as they were originally published…which seems now like a silly hill to die on. Why wouldn’t/shouldn’t I revise them? Jackson Square Jazz I think is the longest of the Scotty books, and probably has one of the most convoluted plots of the entire series; there was a lot fucking going on in that book. As I was putting the new printed-out pages into the binder, I came across the scene where Scotty is drugged and loopy in the penthouse on top of Jax Brewery when Colin scales the building to rescue him…and I started reading. I got rather caught up in the story–that scene is rather amusing and was a lot of fun to write–before stopping myself and getting back to what I was doing. I did think that was a good sign.

This week I’ve been letting the anxiety control me rather than the other way around. My supervisor is on vacation this week, which amps up the anxiety for me as I have no one to go to for decisions and/or questions; I kind of have to decide for myself and I really don’t like that. I think that was why I had trouble sleeping on Monday night, frankly. And I noticed it Monday night when I got home from work as well as last night. Granted, I was also tired last night, but I got very little done once I got home. Sure, I printed out the manuscripts (frontside and backside), and made groceries and picked up the new Lou Berney novel Dark Ride, which was very quickly moved up to the top of the TBR pile, but once the book was in the binder and the groceries all put away…I just literally did nothing else. I should have worked on “Parlor Tricks” while I still remember the continuation I didn’t write down but is only in my head; I should have read more of Shawn’s book; I should have done the dishes or folded the clothes that are still sitting in the dryer this morning. More to do this evening, I suppose. I am also seeing my new primary care physician this Friday morning, which will be nice, and then of course LSU’s game is Saturday night in Death Valley, which gives me the day free to run errands and clean and write and get things done around here because I don’t much care about the other games, although I’ll probably have them on as I clean and do things. Then again, I just looked at the games this weekend, and Florida State-Clemson, Auburn-Texas A&M, and Alabama-Mississippi are also on Saturday…so I’ll be paying more attention than I was thinking that I would.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again later.

Statues Without Hearts

Tuesday and we have survived another bleak and grim Monday. Huzzah! The Saints won last night–though it could have gone either way for most of the game, before they finally scored two touchdowns late in the game to put the Panthers away. Huzzah! They are also off to their first 2-0 start since 2013, which has been a hot minute, really. I also didn’t expect the game to end before I had to go to bed, so that was also a nice bonus.

I didn’t sleep great last night but I feel rested this morning. I imagine at some point this afternoon I will finally run out of steam and hit the wall, but my new glasses arrived yesterday and I can see better than I had before. I did some dishes when I got home from work, was terribly confused that my hooded Crescent Care sweatshirt (that I wear at work because they keep the building at about the temperature of a meat locker) and my only black belt have seemingly disappeared into the ether (note to self: order belts on-line today). I don’t understand how both could have disappeared from inside the apartment, but that seems to be what has happened. I don’t have any errands to run on the way home tonight, praise be, so I can come straight home and chill after work. Last night I sat down and started reading my latest short story collection, This Town and Other Stories, and I have to say, I’m pretty good at this short story thing. They have always been a sore spot for me, something I feel like I have trouble doing, primarily because of that asshole college professor who told me I’d never be a published author (shows how much he knew, right?) but seriously, some of these stories are quite good, and the voices! The language choices!

I recently realized that part of the reason I am so dismissive of my own work is because I can never turn off the “must make this better” editorial mentality with my own work, even when it’s in print. I usually only read my own work in order to critique or improve it, so subconsciously my mind becomes critical when I am reading my own work and consciously look for things that are wrong that need to be improved…despite the fact that when it’s in print it’s too late. I’m working on that, at least trying to get better with it. I don’t know if I’ll ever be able to turn off my inner critic, but I know I’m going to stop listening to that bitch and letting him under my skin.

I transcribed what I had written of the next book I am going to write in my journal, and it only turned out to be about five hundred or so words…but that’s five hundred or so words I didn’t have before. I’m going to try to get three chapters done before stopping, since the contract hasn’t been signed yet or an offer made. I know I have some more freeform writing on my story “Parlor Tricks” in there too; I am going to get that transcribed at some point this week. I like that I’m over the don’t wanna mentality when it comes to writing; all it ever takes is for me to do some and the dam bursts. So, I am writing “Parlor Tricks” for the collection; “Whim of the Wind” for something else, and “The Blues Before Dawn” for another anthology. I think with the two new stories and the loss of one unpublished one that I’ve decided to pull because I’m not comfortable with it and it may be borderline offensive, it’ll come out to around eighty thousand words, which is even closer to being finished that I had hoped. I just need to finish a few more, in addition to the ones I need to finish for submission. I think “Death and the Handmaidens”, “Parlor Tricks,” and maybe “Please Die Soon.” We’ll see, I suppose.

It feels good to be producing work again, you know? It always makes me happy.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and you never know; I may be back later.

Uncloudy Day

Monday morning and back to the office with me once I’ve woken up, cleaned up, and showered. It was a good weekend for the most part, mostly anticlimactic feeling after the visit with the surgeon on Friday morning; I’d say the best word to describe the weekend would be relief. I slept well last night, and yesterday was a nice, relaxing one. I cleaned and read my own works in progress and made some revising notes; I also started writing the opening of the next Valerie book in my journal, which was kind of fun. There’s a bit of a mess that needs to be cleared up before the book really starts going, but that’s what rewrites are for. At some point this week I’ll need to transcribe what was written into a Word file– I also need to do that with “Parlor Tricks,” a short story I freeform wrote some stuff in my journal for–and I also want to get back to writing again. I’ve been lazy lately–burnout maybe from the back-to-back writing of the most recent two–but I need to start working again.

But it’s always nice to revisit works-in-progress you’ve not progressed on or thought much about in over a year other than the occasional idle thought: oh, I should probably finish that novella or short story or whatever and then make a note or something and promptly forget about it. I’d not realized how far I’d gotten with a Chanse (!) novella until I read it yesterday, and even as i was reading it I was thinking tweak this or this would be a good place to go into this and oh you can restate that paragraph to make it a lot more powerful , which was nice. I also reread the starts of several short stories in progress, several of which I’d forgotten about, like “A Little More Jazz for the Axeman” and “Please Die Soon”–a really fun exploration of gaslighting as well as unreliable narration, and even the main character isn’t sure if she’s being gaslit or if her mind is fucking with her, which is a super-fun concept to work with. I also looked through “Festival of the Redeemer” and “A Holler Full of Kudzu” and “Spellcaster”; all of which have a lot more potential than I remembered or would have thought.

We got caught up on The Morning Show last night–it really is a strong show, kind of like The West Wing about a television network, in some ways, and the cast is simply superb–and then started watching Suspect on Britbox, which I am not sure I am sold on, to be honest. It’s a great concept and has a great cast, but…I’m so tired of “something happens to child of bad/absent father and so angry father must appease feelings of guilt by tracking down killers/rapists/kidnappers/etc. to avenge child they neglected while alive.” I fucking hate this trope because they always portray the dad as some sympathetic hero. Sorry, if you beget children, you need to be a good parent to them and present while they are alive, and “avenging” said child doesn’t make up for it. (I really think S. A. Cosby ended this trope forever with Razorblade Tears; Shawn took a very tired trope, breathed new life into it, and wrote the definitive book on the subject; no one else need bother anymore unless you do better than Shawn…and good luck with that.) Was Liam Neeson not available to play Super-dad in this? Someone needs to do a lengthy critical essay book about the trope of the super-father in fiction, the societal problems they mask, and their unrealism bordering on fantasy to the point of being inadvertent straight male camp. (Which really is what James Bond, Mission: Impossible, and The Fast and the Furious franchises are, just like the Marvel/DC comic book movies are–there’s a dissertation for a PhD in Women’s Studies for someone. You’re welcome.)

I also, in reading the stacks of paper-clipped drafts in one of my stack of inboxes, found another draft of “Whim of the Wind” I’d forgotten about–see what I mean about my shitty memory?–where I’d undertaken a thorough rewrite, and I’m not certain I don’t prefer this opening to the most recent attempt to revise the story. So I am going to compare/contrast the two of them, and see what comes out of it. I also am not certain I like the new ending I came up with, because it doesn’t really work with the tone and voice of the story (it’s also very reminiscent of how I’ve ended a couple of other stories lately, and I don’t like being repetitive, which I find in short stories a lot more frequently than I’d like, to be honest), so I am going to give it yet another old college try to see if I can’t finally whip this damned story into publication strength (after forty years, it’s the least I can do for it). Writing freeform in longhand yesterday in my journal also seemed to unlock something in my mind–the creative stall or whatever you want to call it–but I feel like writing again, and I don’t dread it or even think meh not doing anything today isn’t going to hurt anything, which is incredibly stupid (but one of those lies my brain tells itself to get out of writing).

And on that note I am heading into the spice mines. Have a lovely Monday, everyone, and I’ll check in with you again later.

A Song in the Night

Sunday morning after a satisfactorily relaxing Saturday, in which I watched a lot of college football while doing chores and picking things up and so forth. For those of you keeping track of the soft food diet, last night I tried mashed potatoes as a meal and it was rather filling, yet not satisfying. I was fantasizing yesterday about corn dogs and fish tacos and cheeseburgers and almost every kind of solid food imaginable at some point during the day, only to sigh and get another yogurt or protein shake in a box.

LSU played very well yesterday, winning 41-14 over Mississippi State in Starkville, which meant listening to those fucking cowbells all through the game, but I don’t know what that win means, if anything. Yes, it means LSU is now tied for first place in the West, but what does it mean for how good they are? LSU has been very dominant in its last two games, but Grambling State was very much outmatched and no one really knows how good or bad Mississippi State is, either. They always manage to play better than expected when they play LSU, and there have been some insanely close games as well as the occasional MSU upset win–and by quite a lot. I’m cautiously optimistic about the rest of the season for LSU, but my expectations aren’t high; I’ll be glad for whatever we get that is good this season. It’s nice to beat the Bulldogs in Starkville decisively. Was Florida State just a really good team and LSU played sloppy so had no chance? It’s also possible. Georgia didn’t look invincible yesterday against South Carolina, and neither did Alabama at South Florida. The Florida blowout of Tennessee annihilated any hopes they may have had of winning the East this year–I can’t see how they’ll beat Georgia, and Alabama, which is the only way it’s possible for them now. Another Tennessee loss will be fatal to their hopes for a big season–and they also have to play at Alabama….who also is looking a little shaky this year. I think the SEC is wide open this year, and Georgia is still the favorite, but maybe not as resoundingly as I had thought. Interesting.

So, as I said, the rest of the day was anti-climactic. I continued on my soft food diet, while fantasizing about solid food, and my mouth waters at the thought of what I’ll be able to eat once my mouth has healed. This may also be the last time I’m ever on a liquid/soft food diet, and certainly not for the length of time this is taking for me. That helps me get through the day, believe me–and those are the straws I am grasping at this point. It’s not really been that bad, but I think a diet that is so heavy in protein and fat can’t be that good for me so I am going to force myself to eat more of the baby food, which is dreadful. There’s a weird chemical aftertaste to it that I can’t quite figure out, but it’s nasty. At least the servings are small. I did eat mashed potatoes for dinner last night, which was just weird. Today I think I am going to make chicken noodle soup for lunch; I think I can handle the noodles somewhat, and that will be a good benchmark to see what I can and can’t have in terms of more solid food. I mean, maybe mac-and-cheese could happen at some point, you never know. I do have some things to do that I’ve been (as usual) putting off until the last minute, so there’s no other option than to do them today. It’s fine; there’s no Saints game to distract me or sideline me (they play tomorrow night) and I am conflicted about them; they are my team, but this week I found out our new quarterback is a COVID-denier and anti-vaxxer–at least as far as the COVID vaccine is concerned. I had started following him on Twitter (I refuse to call it X, fuck off, Musk), and then I saw him retweeting something questioning the WHO and the vaccines, etc. and thought, yes, because you got your degree in epidemiology and infectious diseases at Fresno State? I unfollowed and blocked him. This is tough for me, really. I never really felt the same about Drew Brees after he partnered with the homophobic American Family Association to promote “bring your Bible to school day”–which sounds sweet and innocuous….unless you aren’t a Christian. The fact that he and his team failed to do any vetting on AFA before agreeing to work with them was incredibly troubling; his reaction (“I’m not a bully! I support everyone! How dare you criticize me!”) made it worse. There was no humility there, just anger at being doubted or questioned, which belied the “humble act” he’d been playing since signing with the Saints. To me, that failing lessened him in my eyes because I’d admired and liked him as a good person for so long. No doubt, he did a lot for New Orleans and he still has charities and programs here his foundation runs–but the Brees family moved back to Texas shortly after he retired as well.

So much for his lifelong commitment to New Orleans. That also stung a bit. So, yes, while the bloom was off that rose even before he retired, I suppose I could have eventually gotten around to getting past it and excusing the AFA connection–if not for them leaving New Orleans. This city literally gave them everything they have…and once the city had finished giving them everything, they left when there was nothing left to squeeze out of the orange.

I’m petty that way. I love New Orleans, and don’t even think about disrespecting the city unless you live here. Only residents of the city have the right to complain–the rest of you don’t have to come here, and please, feel free to keep your sorry asses at home if you aren’t going to love and appreciate New Orleans for all that she is.

I was also realizing, as I watched the games yesterday (won’t lie, I always pull for upsets except for LSU early in the season; my allegiances and loyalties shift as it progresses as LSU works through its schedule and who LSU needs to win and lose changes every weekend), that I should be taking advantage of this contract-free state in which I find myself to work on other things and maybe get them ready for either submission or publication? I’d like to get my short story collection finished by the end of the year–I think some of my stories that are published might not be available for it, like “The Ditch” and “The Snow Globe,” and if I finish revising “Whim of the Wind” and the anthology I am working on it for takes it, that will also take it out of consideration for the collection. I know “Death and the Handmaidens” will never be picked up for publication outside of one of my own collections, and that’s fine with me. It’s a bit flawed and needs cleaning up, of course, but it’s a good story with a strong foundation that just needs tweaking. I finally have let go of my ridiculous notion that “Whim of the Wind” was perfect as written and only had one small flaw that needed fixing; I am still proud of it as the first story I wrote that a college professor and a writing class thought was good and publishable of mine, so it will always be that landmark story in my writing career, but revising and rewriting and changing it isn’t some incredibly unpardonable sin for me, you know. I also want to revise and finish “The Blues Before Dawn,” “Parlor Tricks,” and “Temple of the Soothsayer.” That should be my goal for this week–as well as starting the revision/re-edit of Jackson Square Jazz–and emptying my email inbox.

And there are other things, too. So much, as always, that one Gregalicious always seems to have on his plate. I also started writing up interview posts, based on panel questions from Bouchercon in San Diego, which is always fun.

And on that note, I am getting another cup of coffee before heading into the spice mines. Have a lovely Sunday, Constant Reader, and I may check in with you again later, if not tomorrow.