Miranda

Monday morning and it’s very bright this morning. The time change–I’d forgotten that it means getting up in the light and coming home from work in the dark. It’s also interesting how much that changes in one day. It was already getting dark before four yesterday, and was completely night by five. I don’t like the change, to be honest; it doesn’t help me get up in the morning and it makes me feel like the day’s been wasted by the time I get home because there’s no more daylight. It’s another one of the reasons I don’t like winter, to be honest, but at least down here in New Orleans it never gets super cold or snows, which does make it somewhat more bearable. I still don’t like coming home after dark, though.

Yesterday wasn’t a great day for me. I was very tired all day, despite sleeping really well, and never really felt like I had any energy. I tried to write for a while yesterday morning but got nowhere with it, which is causing me more than a little bit of stress today, and so I ended up watching a lot of television. We finished off the first season of Interview with the Vampire (more on that later), the first season of The Serpent Queen, watched the most recent Andor, and got caught up on American Horror Story. We also watched a movie called Nobody with Bob Odenkirk, which was interesting and a bit of a different approach to the usual “Dad gets vengeance” movie before finally toddling off to bed. I didn’t sleep especially well last night either–I kept waking up and had trouble falling back asleep, but it was a better night’s sleep than Saturday’s, so I will take it.

I think I had trouble sleeping Saturday night because I was so emotionally caught up in the LSU-Alabama game; I was a bundle of nerves and raw energy and anxiety the entirety of the game (which I still can’t believe we won; who would have ever thought we’d beat Alabama this year; everyone is very high, obviously, on Coach Kelly now). And now, of course, that we’ve actually beaten Alabama (first time in Baton Rouge since 2010) people are talking about LSU running the table this year and making it to the play-offs as the first-ever two loss team to get that far. One thing for sure is that LSU could certainly mess things up for the play-offs this year; who do they take if LSU does the improbable and hands Georgia its first loss of the season and wins the SEC? One loss Tennessee, who lost to Georgia and didn’t win their division? Georgia, defending national champion with one loss but didn’t win the SEC and lost to LSU? A two loss SEC champion LSU that lost to Tennessee? How do you decide between the three of them? And if you take two, as has been done occasionally in recent years, which two? This year is very reminiscent of the chaos of 2007–when a two-loss LSU team won the BCS title over Ohio State; the only two loss team since 1960 to be crowned national champions, and the only one of the championship game era (Georgia also only had two losses that year, and were highly ranked; they had a good argument but losing their division and not playing for the conference championship ruled them out–although both Alabama and Georgia have both won the national title without being SEC champions). It will be interesting. I am that Doubting Thomas still; certain we can win out the regular season by staying focused and disciplined, but I don’t know if LSU could match up with Georgia. I still think it likely that both Tennessee and Georgia are the most likely two to go to the play-offs, if the SEC winds up with two; but I also didn’t think LSU would beat Alabama this year, either.

Which shows how much I actually know, you know?

I wasn’t able to finish this before leaving the house for work this morning–I told you, the time change, combined with some insomnia and low energy days, have really messed with my mind; I was so tired this morning I even considered hitting the snooze button a third time–so here I am on my lunch break, trying to get it finished and posted so I don’t miss a day. (Being a completer can sometimes be a real problem, you know?) After I get off work today I have to run uptown and get the mail as well as pick up some groceries from the store–nothing much, just a couple of things, but might as well stop and get it over with, you know? I also hope to get some serious work on the book done tonight as well. I hate having lost the weekend, but low energy is low energy.

I did manage to read some of Wanda Morris’ new book this weekend (at the rate I’m going I won’t finish it until probably my trip to Kentucky), but also managed to read a new-to-me Daphne du Maurier short story, included in the collection Not After Midnight and Other Stories (it also includes, as every du Maurier collection does, “Don’t Look Now” and “Not After Midnight”). I’d gotten the book from eBay after finding out that it included “A Border-line Case”–which I enjoyed–as well as two other stories I’d not read, “The Way of the Cross” and “The Breakthrough.” This weekend during Georgia’s mauling of Tennessee I read “The Way of the Cross”, and really liked it. It’s long, as all du Maurier stories often tend to be, and it’s actually quite a nasty little story that spins out over the course of a twenty-four period with a small group of British tourists visiting Jerusalem and the Holy Land, most of them from a small village. Their vicar was supposed to be their tour guide for this visit; but he was taken ill and another available minister-type, who doesn’t know any of them and isn’t really completely comfortable taking over, has been asked to fill in. It’s one of du Maurier’s nastier little stories, but the reason it is so nasty is because of its brutal, unflinching honest view of the characters, none of whom really come out of the story well. What is particularly interesting is how illustrative this story is of du Maurier’s own cynical view of humanity, but her gifts make the characters so absolutely real it feels like the reader is literally looking inside their souls. The characters all have definite opinions of who and what they are; as well as their own histories. What happens throughout the course of this story is everyone is gradually humbled and made to take off their own rose-colored glasses and inevitably are forced to look at themselves and their lives very clearly–usually by overhearing two of the other characters talking about them. It’s a terrific story, and one I will definitely be revisiting at some point. (I also like they are visiting the Holy Land but definitely are not very Christian…)

And now it’s time to head back into the spice mines. Have a lovely Monday, Constant Reader–and oh yes, for the record: the reaction to Jayden Daniels’ overtime touchdown and later, the two point conversion did, indeed, register on the seismograph on campus. So, it, like the 1988 Auburn game, qualifies not just as an “earthquake” game but a double earthquake game.

GEAUX TIGERS!

Thrown Down

I still am in shock. LSU beat Alabama. I didn’t even dare to hope or dream–sure, every once in a while I’d think my God, if we can pull this off–nah, it’s Alabama. Nobody gave the Tigers a chance, not even me. Yes, of course I wanted to win, hoped we could somehow pull it off (I am always slightly uncomfortable saying we in these instances, reminding myself I am not a part of the team or student body but merely a devoted, rabid fan), but never really wanted to get my hopes up. I’ve hoped and been excited so many times before when I thought LSU had a chance, only to be bitterly disappointed with the inevitable last second Alabama comeback. The Tigers hadn’t beaten Alabama in Baton Rouge since 2010, and had only beaten them once in total since 2011. Add in this would be Alabama’s second regular-season loss (which rarely happens), as well as the fact that Alabama hasn’t had two losses early in November since 2010, so, yeah, you can see why I had my doubts about my Tigers’ chances against the greatest football power of this century. What Coach Saban has done at Alabama is astonishing, remarkable, and may never ever be duplicated by any other team in college football. No one has won the national championship without having to beat Alabama since 2006, with the only exception being 2013–and Auburn, who lost the title game that year, had to beat Alabama to get there. And unlike some of the disappointed Alabama fans–and the haters who relish any loss by Saban and Alabama–I don’t think this is the end of the Alabama dynasty or the Saban juggernaut. It’s also kind of amazing that a two-loss season triggers that kind of talk–which goes to show what a standard Alabama has set for the college football world.

And now Brian Kelly owns the state of Louisiana. Any haters or doubters have been forever silenced. He beat Alabama with a team that had already lost twice, came within a whisker of losing to Auburn, and had only thirty-nine scholarship players left for our bowl game loss after last season. Jayden Daniels, our transfer quarterback, has now done something that not even Joey Burrow could accomplish with his first season at LSU: beating both Auburn and Florida on the road, and beating Alabama. I still am having trouble wrapping my mind around this, I hope you know that, Constant Reader. I fully expected to wake up this morning and find that it had all been a fever dream, that I dreamt it and the game was actually tonight. But no, LSU did beat Alabama with a two-point conversion in overtime that was the gutsiest thing I have seen this season from LSU. And they played their asses off all night.

What a fucking game, seriously.

LSU went three-and-out on their first possession. Alabama marched down the field with ease on their first possession…before Bryce Young threw an interception in the end zone to kill the drive. Alabama made it into the red zone four times in the first half, but only had six points at half-time. LSU had managed to take advantage of a short field to score the first half’s lone touchdown to lead 7-6 at the half. I couldn’t believe it as I watched from my easy chair. The defense was astonishing, making play after play and even after a big play by the Tide, would stiffen and hold. The Tigers fell behind 9-7 in the third quarter, only to score another touchdown to take a 14-9 lead into the fourth quarter. And all through the fourth quarter, as Alabama kept coming back and coming back, LSU kept fighting, clawing their way back into the game. When we got the ball back with the score tied 24-24 with twenty-one seconds left, I questioned Coach Kelly’s decision to take a knee and not try to move the ball into field goal range. Alabama got the ball first in overtime, and after about five or so plays took a 31-24 lead. This is it, I thought to myself, this is how we lose, but hey, it was a much better game than I was expecting and I am so proud of this team! And then Jayden Daniels, on LSU’s first play, scampered twenty-five yards for a touchdown and Coach Kelly decided to go for two and the win, and again, I thought, this is where we lose but I am so proud of those boys only to watch Daniels flip the ball to Mason Taylor in the corner of the end zone and to my shock, delight, and disbelief, LSU won the damned game.

As someone tweeted, This may be unexpectedly the greatest game in the history of LSU football and Tiger Stadium.

And they weren’t wrong. Even in our worst seasons, LSU has always managed some kind of big win, even in our last two seasons of mediocrity we managed to upset Florida both years, and last season we also upset Texas A&M on the last game of the season. But beating Alabama in the same season where we lost to both Florida State and Tennessee (badly) did not seem in the cards. As the Tigers have improved and gotten better, coalescing as a team while Jayden Daniels became more and more comfortable as our quarterback, I kept thinking this year we’ll probably be 9-3 at best, but look out for next year. I still think we are going to be even better next year, but I was not expecting the Tigers to be in the driver’s seat in the West division in early November with a very strong chance at making the SEC title game; if Alabama beats Mississippi next week (and Saban rarely, if ever, loses two games in a row, let alone three in a regular season, LSU can clinch the division with a win over Arkansas. If LSU wins out–including a win over Georgia in the title game–they still won’t make the play-offs, as both Georgia and Tennessee have only one loss while LSU has two, and yes, lost to Tennessee. But Tennessee lost to Georgia…I see a lot of calls for play-off expansion if the unthinkable happens and LSU is an SEC champion who gets locked out of the play-offs. This is kind of like the 1989 season, when two loss Auburn tied with one-loss Alabama and Tennessee for the conference championship.

It’s really great to be a Tiger fan this morning. GEAUX TIGERS!

Black and White

I don’t remember how old I was the first time I saw Robert Wise’s film The Haunting; all I do remember was it was late at night–in Chicago, one (maybe more) of the local affiliates always ran films after the news at 10:30; they also ran afternoon movies at 3:30 Monday thru Friday–which is where I got most of my education in classic Hollywood movies. But The Haunting was probably the most terrifying movie I’d ever seen; it wasn’t until a rewatch later in my life that I realized that perhaps the most terrifying and unsettling thing about the movie was you never saw whatever it was that was creating the happenings at Hill House–and they were never really explained, either. I had nightmares after watching it the first time, and those nightmares became recurring. To this day I am not comfortable climbing a metal spiral staircase…

One afternoon when we were at Zayre’s for whatever reason–we went there almost weekly, although I am not sure why–I found a copy of Hell House by Richard Matheson on the paperback racks. It sounded, from reading the back, similar to the movie that had scared me so when I was younger, and I couldn’t help but wonder if the movie was taken from the book? I bought it and read it–loved it, in fact–but while it was similar to the story of The Haunting, it was also different enough for me to be certain they weren’t the same. (Hell House was filmed actually as The Legend of Hell House, which was also a terrifying film–more on that later). It wasn’t until years later, when I was in a used bookstore in Emporia, that I stumbled across this:

It was only a quarter, and looking at the back I recognized the characters–Nell, Theo, Dr. Montague, Luke–and of course, the name of the haunted house–Hill House. I bought it and a couple of others, and I started reading at the first opportunity, and was completely mesmerized. It quickly became one of my favorite novels of all time–I already knew Jackson’s story “The Lottery”, because at some point in school I’d been shown the film (why was this appropriate school viewing? Imagine trying to show it to students today!) and in a Drama class we’d actually read the stage adaptation and even put it on for the school (I think I had one line in our production?). Reading Stephen King’s Danse Macabre also told me more about both Jackson’s writing and the Robert Wise directed film, which was my first exposure to Julie Harris; I also remembered that the opening of Jackson’s novel was used by King as an epigram in ‘salem’s Lot; he also dedicated a book to her “because she never had to raise her voice,” which is a very poetic way to describe the softly macabre writing style and voice she used in her works. I lost my original copy at some point during moves over the years, and I acquired another copy after we returned to New Orleans in 2001 from our brief, preferably forgotten interlude in Washington DC–and have made a point to reread it every year since.

And no matter how many times I reread it, I never tire of its haunting, terrifying beauty.

No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

Dr. John Montague was a doctor of philosophy; he had taken his degree in anthropology, feeling obscurely that in this field he might come closest to his truest vocation, the analysis of supernatural manifestations. He was scrupulous about the use of his title because, his investigations being so utterly unscientific, he hoped to borrow an air of respectability, even scholarly authority, from his education. It had cost him a good deal, in money and pride, since he was not a begging man, to rent Hill House for three months, but he expected to be compensated for his pains by the sensation following upon the publication of his definitive work on the causes and effects of psychic disturbances in a house commonly known as “haunted.” He had been looking for an honestly haunted house all his life. When he heard of Hill House he had been at first doubtful, then hopeful, then indefatigable; he was not the man to let go of Hill House once he had found it.

Dr. Montague’s intentions with regard to Hill House derived from the methods of the intrepid nineteenth-century ghost hunters; he was going to go and live in Hill House and see what happened there. It was his intention, at first, to follow the example of the anonymous Lady who went to stay at Ballechin House and ran a summer-long house party for skeptics and believers, with croquet and ghost-watching as the outstanding attractions, but skeptics, believers, and good croquet players are harder to come by today; Dr. Montague was forced to engage assistants. Perhaps the leisurely ways of Victorian life lent themselves more agreeably to the devices of psychic investigation, or perhaps the painstaking documentation of phenomena had largely gone out as a means of determining actuality; at any rate, Dr. Montague had not only to engage assistants but to search for them.

That opening paragraph alone is a masterpiece.

I parodied it for the beginning of one of my Scotty books–it gave me great pleasure to write the words New Orleans, not sane, stood by itself within its levees–and of course, this book was a pretty heavy influence on Bury Me in Shadows. The book reads almost like a fever dream, with its rhythms and poetries of language, and the story itself is as mysterious as one could possibly hope. The genius of Jackson is knowing that the biggest fear of all is the unknown; so we never know what is actually going on at Hill House–is the house actually bad, or just unlucky? The house’s history is bad and tragic from the very beginning, as we are told in Jackson’s spellbinding voice; who precisely was Hugh Crain, who built the house for his wife and family but never knew any kind of peace within its walls? What went wrong? Jackson never lets us know anything other than that the house is bad. Her primary point of view character is perhaps the must untrustworthy and unreliable of narrators, Eleanor Vance, Nell. Dr. Montague invited Nell because of a strange occurrence that happened when she was a small child; stones rained down on their house out of clear blue sky; her mother darkly blamed it on the neighbors (this also happened to Carrie White’s house when she was a little girl in Stephen King’s Carrie–in the newspaper write-up included in the book Mrs. White also blamed it on “the neighbors”), but other than that, Nell is pretty ordinary and small. She’s wasted most of her adult life taking care of her invalid mother; she’s now in her early thirties and living with her sister’s family, sleeping on the couch. She’s meek but capable of anger–she has a lot of anger and rage buried deep inside of herself–anger at the world, at the injustice of her wasted life, at the lack of a viable future; she has no prospects, no job, no friends, no nothing. The invitation to Hill House awakens a joy in her that she’s never known–she’s wanted somewhere. Her sister and brother-in-law refuse to let her take their mutual car; she gets up early and rebelliously takes the car anyway and heads to Hill House. As she drives she daydreams and observes everything along the road, making up a lovely fantasy for herself about living in a house with stone lions at the foot of the driveway; she stops for lunch and observes a little girl who refuses to drink her milk because she doesn’t have her special cup with stars on the bottom she can she as she drinks. Mentally, Nell urges the little girl not to give in, to not surrender to the injustice of not having her proper cup–as it will be the first of many surrenders of herself she’ll end up making throughout her life until she, like Nell, becomes invisible.

And then, hopeful and happy and excited, she arrives and gets her first look at Hill House:

The house was vile. She shivered and thought, the words coming freely into her mind, Hill House is vile, it is diseased; get away from here at once.

Which then gives Jackson the opportunity, as the next chapter opens, to describe Hill House:

No human eye can isolate the unhappy coincidence of line and place which suggests evil in the face of a house, and yet somehow a maniac juxtaposition, a badly turned angle, some chance meeting of roof and sky, turned Hill House into a place of despair, more frightening because the face of Hill House seemed awake, with a watchfulness from the blank windows and a touch of glee in the eyebrow of a cornice. Almost any house, caught unexpectedly or at an odd angle, can turn a deeply humorous look on a watching person; even a mischievous little chimney, or a dormer like a dimple, can catch up a beholder with a sense of fellowship; but a house arrogant and hating, never off guard, can only be evil. This house, which seemed somehow to have formed itself, flying together into its own powerful pattern under the hands of its builders, fitting itself into its own construction of lines and angles, reared its great head back against the sky without concession to humanity. It was a house without kindness, never meant to be lived in, not a fit place for people or for love or for hope. Exorcism cannot alter the countenance of a house; Hill House would stay as it was until was destroyed.

Nell’s sanity, never the strongest, is affected deeply by the house–she both hates and loves it, separate parts of her nature begging her to flee while the other telling her she’s come home, to stay. The other three in the party–Dr. Montague, Theo the lesbian with some psychic ability, and Luke, due to inherit the house one day–become aware very quickly that the house is having an odd effect on her; they also hate and fear the house, but that welcoming feeling Nell experiences, that desire to never leave, is for her and her only. The rest of the book is quietly terrifying–the noises in the night, the realization that whatever is going on in the house has a sly intelligence of a sort–and the scene where Nell is terrified in the night and holds Theo’s hand…until Theo turns on the lights and Nell realizes she was across the room so whose hand was I holding? is one of the most horrifying moments in horror fiction. And then, the chilling, tragic end.

I also always see the house the way it was shown in the movie.

I also rewatched the movie while I was rereading the novel–not the execrable remake but the original–and it holds up just as terrifying and unsettling as it was the first time. Julie Harris is fantastic as Nell, fragile and frayed and slowly unraveling; in the movie isn’t not quite as left to the viewer as it is to the reader the notion that Nell herself is the one haunting Hill House; the house gains its power through her. (This was done beautifully in the Netflix adaptation, The Haunting of Hill House, which is loosely based on the book but updated and adapted and changed significantly; I thought the series was fucking fantastic and an excellent homage to both the book and the original film. You can’t improve on what came before, so why not reinterpret it? I know Jackson purists were outraged, but having seen the dreadful 1999 remake…yeah, this wasn’t that, for sure.)

Also, because of the movie, whenever I read the book I see it in my mind in black and white. The film wouldn’t work in color, either.

If you’ve not read the book, you really should. It’s a masterpiece on every level.

Behind the Mask

Saturday here in the Lost Apartment and Paul is coming home tonight. Huzzah! Also a big day in college football down here in the South, with Georgia-Tennessee this afternoon and LSU-Alabama tonight (and the good news for Florida and Texas A&M fans is one of them has to win the game, so one team’s losing slide will temporarily stop). I have things to do this morning, lots of things to do and many miles to walk before I sleep. Last night I was very tired when I finished my day’s work; and so repaired to my easy chair with Scooter in my lap and watched Low Country, a documentary series about the Murtaugh family crimes in South Carolina. Ironically, I started watching it because I vaguely remembered hearing about the story–wife and son murdered, father shot and wounded, etc.–but I did not know the back story to all of it, which this series provides a small window into; it really only covers the recent crimes, not the criminality of the family going back almost a hundred years–but as I watched, I started seeing similarities to the book I am writing now (powerful corrupt wealthy family that basically rules a rural area as their own duchy), and ideas and things to make my own book better started riffing through my mind. One thing that urban people never get about rural areas is how much of that sort of thing goes on, especially in the South. I am really going to have to go back and dig deeper with what I’ve already done, but I am confident I can get that all worked out this weekend and then get to work on the second half of the book next week.

I slept really well again last night. I started falling asleep in my chair once I finished watching Low Country–again, worth the watch, and yes, very shocking that rural counties in the twenty-first century are still so feudal, so undemocratic, so twisted that any one person or family can be so above the law that they essentially control the justice system in the region, to the point that they get away with murder–and so went to bed early. Scooter has started sleeping with me at night, purring and cuddling, and that also helps me sleep (Paul and I have agreed that Scooter’s super power is the ability to put anyone to sleep by cuddling and purring) and I woke up feeling very settled and relaxed and rested this morning, which is terrific since I have so much to get done today (as always). But I am going to do some cleaning this morning while I do some computer clean-up and so forth (ugh, my files are such a scattered and disgusting mess, it’s not even funny; I would be better about this, of course, if Macs didn’t have that search function) and don’t plan to go anywhere today. I’ve ordered groceries to pick up for tomorrow–I also have to air up one of my tires–and other than that, I don’t plan to leave the house tomorrow either. I need to get caught up and reorganized and all of that–the usual stuff I complain about on here every day. The week went by relatively quickly, too. I read some more of the new Wanda Morris novel, which I took to bed with me but I didn’t stay awake long enough to read more than a few pages–which were fantastic. I can’t begin to talk about how delighted and exciting it is to see new perspectives, new voices, and new stories from marginalized authors. I’m just sorry it took so long to get us to this point, but this was exactly what our genre needed.

My book’s official release date is rapidly approaching, and I am trying not to get over-anxious and/or nervous about it. I need to start pushing the book more, but I am not really certain how or what to do, to be honest. I’m excited about it, of course. The reviews have thus far been pretty favorable–other than that snarky Kirkus one, but even it didn’t bother me at all, and besides, they’re known for being snarky in their reviews and always have been; I guess that’s growth of a sort. Bad reviews don’t get under my skin the way they used to when I first started doing this, you know. I tend to stay away from Goodreads and Amazon reviews–therein lies the path to madness–but my skin has thickened a lot over the years and I know what my reactions will be and why put myself into a position of any kind that might emotionally unbalance me? God knows I don’t need any help in that direction, for sure.

I also watched another documentary about gay porn, Seed Money: The Chuck Holmes Story which was very interesting. Holmes was Falcon Studios, one of the bigger and more successful brands in gay porn for a very long time, and it did give me some ideas for future projects. I will probably, most likely, keep writing Scotty books until I die (for those of you who were wondering; the next one will probably be another Carnival mystery, French Quarter Flambeaux), but I may not write anymore young adult novels. It’s not that I don’t want to or have a lot of ideas for them, but my time is limited and I want to explore other writing options and genres within crime fiction. I really am feeling the desire to work on my queer historical noirs–beginning with Chlorine–and then moving on to cover other parts of queer history from the second half of the twentieth century. Obscenity would be about gay porn; Indecency would be built around Joey Stefano’s arrest in Tampa for public indecency…and of course there would be more but that’s the original trilogy I’d want to write. They wouldn’t be connected stories–the only commonality would be the fight against oppression and repression–but I think they would be a lot of fun. I have titles for others–Beefcake, Peplum, Physique–but don’t have stories to go with those yet (although I do introduce a Bob Mizer-like character in Chlorine who could drive one of them; Peplum would be, in some ways, a sequel to Chlorine–but it wouldn’t have to be, since I’ve not really decided on the end of that book yet, but one of the possibilities does leave the path open to a sequel.

And on that note, I am going to get to work on the chores and get cleaned up and get this party started. Have a lovely Saturday, and GEAUX TIGERS!

When the Sun Goes Down

Work-at-home Friday has rolled around again, and today I get to do data entry and quality-assurance on forms until my eyes cross. I have a couple of errands to run this afternoon–but other than that, I am looking forward to a nice, peaceful day at home doing my work-at-home duties and my chores. Later on, I hope to get some good work done on the book before I repair to my easy chair with the latest Wanda Morris novel. It was a tough choice between that and the new Donna Andrews, but I am thinking since Dashing Through The Snowbirds is a Christmas tale, I may save that for Christmas reading this year–it makes the most sense, and since I generally don’t watch any Christmas movies or specials anymore (I do sometimes watch A Charlie Brown Christmas–it’s my favorite), maybe I could read Christmas-themed books and stories this year in December; maybe call it “The Twelve Reads of Christmas” or something like that. Hmmm, it’s a thought.

It really is amazing what a good night’s sleep will do for you after a few days of insomnia and exhaustion/fatigue.

Last night I didn’t sleep as deeply or as well as I did on Wednesday night. I kept waking up, partly due to Scooter’s restlessness and sometime need to let me know his outrage about something, but was always able to fall back asleep. I had to have bloodwork done this morning; I got an email from the lab telling me I had lab orders waiting for me, so I scheduled it. I got there this morning and checked in–mind you, I needed to fast, so I didn’t eat last night or have anything to drink or eat this morning before leaving the house–only to find out they didn’t, in fact, have lab orders for me. Hilariously, I am terrible about remembering to do the labs after my doctor appointments, so this last time in July I made the appointment for Labs the same week as my doctor appointment and had them done. Once they told me I didn’t have orders in, I looked in the app and saw that I had, indeed, had them done back in August. So, no need to fast overnight, no need to not have coffee before leaving, no need to leave, in fact. Heavy sigh. But I did start reading Wanda Morris’ new book while waiting to be told I didn’t really need to be there, and it’s quite marvelous already. I knew it would be–her debut novel was superb–and it’s such a delight, as always, to see exciting new voices grow and become even stronger as their career progresses.

Last evening as I relaxed before heading to bed I watched another documentary about the history of gay pornography–I’ll probably watch another one later today–which of course put me in mind of writing about that history. I really do need to focus on getting this Scotty book and the next thing I have to write finished so I can get back to Chlorine; my goal for the rest of this year and 2023 is to get these two books finished, finish two other in-progress projects, and wrap up some other things that are unfinished but need to be finished so I can cross them off the list. I may do another short story collection; I’m not sure but I think I have enough sold and/or published for another collection to actually be possible. This one, when it materialized, will be called This Town and Other Stories, because the strongest story I’ve done since the last collection was “This Town”, which was in Holly West’s anthology Murder-a-Go-Go’s. At least in my opinion, although The Affair of the Purloined Rentboy and Other Stories would probably sell better…

And of course, tomorrow is a big day for the Southeastern Conference, with division championships on the line. LSU can actually get a leg up in the West by accomplishing the gargantuan task of beating Alabama in Baton Rouge for the first time since 2010–but I don’t think that’s going to happen. Sure, it’s possible–anything is possible in college football on any given Saturday; I am sure no one would have thought Kansas State would shellack Oklahoma State the way they did last weekend–but despite all the hype chatter, I’m not getting my hopes up terribly high. Yes, I want the Tigers to win–but I don’t have any expectations, just as I really haven’t all season. I’m just delighted the program seems to be on the rise again after the last two horrible years. I certainly would have never thought LSU would be coming into the game with Alabama tied with them and Mississippi for first place in the division. And earlier in the day Georgia and Tennessee will play for the leg up in the East–which again, no one would have seen coming before the season started; no one really give Tennessee much thought as the program has been moribund since at least 2007, the last time they won their division (which also happened to be the year a two-loss LSU team won the national championship–see how you can see omens and portents in everything?). I am not a Tennessee fan by any means–I rooted for them during the Peyton Manning years because I thought he was a phenomenal athlete plus I despise Florida with every fiber of my being, but that was about it. I only root for them in non-conference games and bowls, but I am happy for their fans–just as I was happy for Georgia fans last year as they finally beat Alabama and won the national title; I always think back to what a glorious ride 2019 was for LSU fans, so it’s always nice to see a long-starved fan base finally get something they can be excited about. Pundits and fans are already comparing 2019 LSU and 2022 Tennessee…but it’s really not even the same. Sure, no one thought LSU would be as great as they were in 2019, but they were also coming off a 10-3 season. Tennessee was 7-6 last year, so it’s an even bigger turnaround for them on that level. I plan to get my writing and my errands and chores finished tomorrow morning well before the 2:30 Georgia-Tennessee kick-off, so I can spend the rest of the day nervously cleaning with the games on in the background. Paul also comes home tomorrow (yay!) so I am going to need groceries, too.

And my kitchen, as always, is a disaster area on a Friday morning, so it’s perhaps time for me to head into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you later or tomorrow.

Stand on the Rock

Thursday morning and I slept really well last night. About time, right? But it’s amazing what a good night’s sleep makes, especially coming after two consecutive nights of insomnia. It’s lovely not to feel tired, you know? I was so tired when I got home from work yesterday that my eyes were almost crossing. I was too tired to think, too tired to write, too tired to do much of anything, so I just collapsed into my easy chair–Scooter actually slept in my lap all evening, and when I got up, he’d curl up in the chair again waiting for me to come back, which was very sweet–and then I watched the documentary God Forbid, which focuses on the Jerry Falwell Jr. pool boy scandal that ended Falwell’s career, from the pool boy’s point of view, which made it a lot more interesting.

It also explored how Falwell’s father led the evangelicals into politics and set us on the downward path that put our entire democracy into the peril it still faces today. The original Falwell was a monster–racist, homophobic, misogynist–and perverted Christianity for money and power. He isn’t the first to do this–look up “Father Coughlin” sometime–and maybe not event the worst (anything is possible), but the damage done to the fabric of the culture and society, predicated on the evangelical desire to make this a Christofascist nation (definitely not what the Founders wanted), by this man and his son may even prove irreparable in the long run. Who knows? Falwell Jr. was important to the election of Trump and the evangelical embrace of this thrice-married ungodly and unChristian wannabe dictator, too. And it got the evangelicals what they’ve wanted since Falwell Senior realized that open racism wasn’t a winning ticket–but abortion could be: the overturn of Roe v. Wade. Would Falwell have backed Trump if Michael Cohen hadn’t known about the sick sexual games the Falwells were playing with a young, naïve young man named Giancarlo Granda? It would make an epic crime novel, truly–I loved John D. Macdonald’s examination of a Midwestern megachurch, One More Sunday, which I really enjoyed.

I have had this idea for a crime novel built around a cult-like church for quite some time. When I was living in Kansas, there was a college in Emporia that was owned and operated by just such a cult-like church. The College of Emporia, a Presbyterian school, had gone bankrupt and closed in 1973. A few years later it was purchased by The Way International and transformed into The Way College of Emporia. The Way College was strange. Their campus was closed to outsiders and patrolled at night by armed guards. There was all kinds of gossip around the county about what went on there and the kinds of things they believed and did; the students always wore name-tags and travelled in pairs–and would often try to corner other young people and proselytize. When I was working at McDonalds, for example, I observed them do this to a girl who was cleaning tables in the lobby. They essentially waited until she was in a part of the place that had only one way out, and once she was back there cleaning tables, they blocked the way out to talk to her. They always had this weird look on their faces, too–their eyes always seemed either glazed or vacant or both, and they always had a zombie-like smile that didn’t reach their eyes. One of the many iterations of the Kansas book took place over two time-lines, one in the 1970’s and the other the present day; where the quarterback’s murder in a sex scandal in the 1970’s gave rise to a megachurch in the town. I have done some research in the Way International (they sold the Way College and its campus to Emporia State University sometime after we left Kansas) and even have a book written by someone who belonged and got out.,,so I would never say never.

Oh, and thank you, Brazil, for ousting your Fascist. Well done!

Unfortunately, my exhaustion last night means that I have fallen another day behind on the book, which isn’t good. But it was really out of my hands, to be honest. I was so tired I don’t even really remember driving home from work last night–which is NOT a good thing at all. But I am hoping that feeling rested and not being exhausted will make a difference tonight. I am halfway done–it’s planned to be twenty chapters, and I finished Chapter Ten on Tuesday–so tonight I am going to go back and reread and edit the first half of the book. It’ll take some serious work–the kind where I have to close the Internet browsers to avoid distraction–because some of the earlier chapters need to be moved around and rearranged; the order in which the story unfolds needs to be switched up a bit–and I need to outline the first half as well as make a character list and due a timeline. I also realized that my usual Scotty thing to do–parody the opening of a famous novel–doesn’t have to be a parody of a famous novel opening–and I’ve always wanted to write something that opened the way Dark Shadows did (“My name is Victoria Winters”), so why not do that? “My name is Scotty Bradley” or something along those lines. I wonder if Victoria’s opening monologue from episode one is on-line anywhere? Better add that to the list.

And on that note, Constant Reader, I am going to head into the spice mines. Have a great Thursday, and I will talk to you again tomorrow.

Affairs of the Heart

Wednesday morning and the dark is pushing up against my windows again this morning. This weekend is when the time changes, isn’t it, or is it next? No, it’s this one, and that extra hour of sleep is going to fuck with me for awhile, I know. That’s just kind of how things work, isn’t it? I get used to doing something one way and it takes me forever to adjust to that change, so I figure I’ll get used to the time change sometime around the time it changes again. Yay for being old and cranky and crotchety! Heavy heaving sigh. But part of the fun stuff about getting older is becoming more set in your ways, I suppose.

Ever so much fun.

It is funny how things change, isn’t it? The other day I went on Twitter to just waste some time (really, that’s all it is, no matter how much you enjoy interacting with your friends, it’s still a time-wasting hellscape for the most part) and saw that young Kit Conner, who plays Nick on Heartstopper, has come back onto social media–from taking a break–to tweet the following:  Back for a minute,I’m bi. congrats for forcing an 18 year old to out himself. I think some of you missed the point of the show. Bye.

This was followed up with a wave of support and outrage–as it should have been–because what was happening was this young man, who’d previously said in interviews that he was comfortable with his sexuality and fine with it, but preferred not to talk about, was accused of queerbaiting because a picture of him holding hands with someone of the opposite sex had made the rounds. I am not entirely sure what this means, to be honest; but from what I gather it’s a celebrity who “teases” that they may be queer but never comes out and says so in order to gain fans? Other examples given on Twitter were Taylor Swift and Harry Styles. I know there’s a thing about queer roles being played by non-queer actors, and queer actors not getting opportunities because straight actors are getting those roles (and being praised and getting award recognition for their “bravery”–although no one is ever considered brave for playing a serial killer or a mass murderer or a Nazi). But the thing is we don’t know how everyone identifies–that’s just the truth–and is it really any of our business? I have long deplored the culture where fans are hungry and desperate (thirsty, is the term now, I believe) to know everything about their favorite celebrities, but I don’t really care who Taylor Swift is sleeping with, or which Kardashian is now involved with what professional athlete/actor/model. I get curiosity–and of course we queers have been guilty of speculating about the sexual preferences of celebrities, primarily out of a hunger for visibility.. But we older queers need to remember that the world has changed–partly because of all the work we did being visible and so forth–and while speculating isn’t particularly harmful, this whole queerbaiting thing just strikes me as particularly nasty–especially when it’s applied to a person. A person can’t queerbait–unless they are actually pretending to be queer, for whatever reason, for financial or career gain, when they actually are not–queerbait is a term used primarily for movies and television shows that promise queer content to get us to buy tickets or tune in to watch, but don’t deliver. Like oh look there’s a queer character in Star Wars at last! Only to have it be a same-sex kiss between two characters that aren’t even in the main cast, flashed on screen for maybe two seconds. Disney is notorious for doing this. So, going after an eighteen-year-old for queerbaiting is absurd on its face, and the entire point of the show Heartstopper was, in fact, that it’s okay to be confused and not understand everything immediately, but to figure it out for yourself in your own time.

Queerbaiting also consists of pretending to be queer to give your writing about queer people a false authenticity, but that’s a subject for another time. I think it’s great we have reached a place in our culture and society that more and more celebrities are feeling comfortable enough to come out publicly, but we really need to stop speculating about people’s private lives and give them the room to figure it out for themselves. Some may never be comfortable coming out publicly, and that’s okay too. In the early days of the queer equality movement, we urged everyone to come out–power and safety in numbers, and the more visibility we had the more people would stop seeing us a “threat” of some sort. But times change, and they have. And while I certainly hope that everyone has the courage and the ability to eventually live their authentic lives they want they want to, I also understand that some may never do so. It’s a process, and it’s different for everyone.

And shouldn’t everyone be free to come out on their own timeline of comfort?

I had insomnia again last night. I was exhausted after I wrote my chapter last night–I was exhausted when I got home from work. honestly–and eventually went to bed early, around nine. Scooter woke me by caterwauling for no apparent reason right around eleven thirty–woke me from a deep sleep, I might add–and I was never able to fall back asleep. I did get my chapter written, despite being so tired, and after I did that I collapsed into my easy chair for a while. I tried to read to no avail, tried to find something, anything, to watch, and finally as I was dozing off in the chair decided it wouldn’t hurt to go to bed early. The chapter isn’t very good, either–none of this draft is good, to be honest–and last night the stress and anxiety about everything I have to do finally built to a point where it peaked, I had a bit of a meltdown, and I snapped back into normalcy, which I hope will last through the day. It has been building for quite some time now–I found myself getting angry really quickly yesterday and over nothing, really, and that’s a sign–but unfortunately there’s no way around it other than letting it build till it boils over and I get the pressure release and I am fine again. I think last night writing the chapter and knowing it was terrible and knowing I am behind and I have so much left to do and then it’s going to take such a massive overhaul to rework it all into something decent that I just started freaking about everything I have to get done and so I had my little meltdown and hopefully, that pressure won’t start building again for a while at any rate.

And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader.

Do You Know

Tuesday and all is well again this morning–at least so far.

Yesterday was very productive. I got some day job things taken care of that needed taking care of, I worked on the book and wrote a chapter, and I managed to get some emails cleaned out of my inbox. I did start feeling a bit fatigued in the later afternoon, so decided to try to take it easy once I got home from the office but managed to plant my ass in my desk chair and get the fucking chapter written. I also managed to read three short stories by Paul Tremblay from his collection Growing Things over the weekend–he’s such a good writer, seriously, you should be reading him–which was nice, and perfect reading for Halloween times.

I had insomnia again last night–which I can’t help but wonder wasn’t tied to the cappuccino I made yesterday morning, but that’s nonsense; I’ve had cappuccinos in the morning and slept well that night, so I don’t know. I guess I was just due for another night of it at some point, and last night just happened to be the lucky night. I don’t feel physically or mentally fatigued this morning, but then again you never know. I have to work in clinic today, face to face with people, and that is usually draining on several levels. Hopefully when I get home tonight I’ll have the energy to write more on the book. But like I said, so far so good this morning. I feel physically rested, at any rate, or no more tired and fatigued than usual when I get up, at any rate.

I can’t believe it’s November already, and there are only two months left in 2022. I am going to Kentucky for Thanksgiving, so I have a lot to get done this month before I leave–I also have to have the heater in my car looked at, because it no longer blows warm air and I cannot drive up there without a working heater in the car because cold–and who knows how much that is going to cost me? Yay. You got to love these out of nowhere extra expenses–I just got a raise so of course now instead of paying down debt I’ll have to add some more, hurray. But it’s necessary, and of course the car is now at that age–almost six–where things might start to go a little wrong here and there. I’ve already had to replace the battery, and I also need a new windshield wiper for the back window.

The good news is I started solving some issues within the book last night after I gave in to Scooter’s demands for a lap to sleep in (he never stays there for longer than half an hour, which makes it even more frustrating to give in to him; he sleeps in my lap long enough to make me lethargic and remove the desire to do anything, which can be a problem. I also did some dishes and am trying to stay on top of the kitchen; I had to stop to make groceries last night on the way home (out of bread, among other things) and will have to again tonight–the store in the CBD didn’t have everything I needed, which was extremely irritating–but I have to go uptown and get the mail after work anyway. I’m still hoping my box o’books of A Streetcar Named Murder are going to arrive soon–I know it seems early since the pub date isn’t until 12/6, but they told me they’d come before the end of the month and….yesterday was the end of the month, and I am nothing if not a completely literal person.

So, anyway, as I was saying, I started solving some issues within the book last night as Scooter purred and slept in my lap and I let my playlist of music videos run on the television, and for the first time in a while I am starting to feel like this book will not be a complete disaster and may actually turn out to be fairly decent. One never knows, does one? And no matter how many books you’ve written in your career, you always fear that somehow the ability to do this is magically going to disappear from your brain overnight, and everything is going to blow up in your face. I literally was considering that very thing this past weekend, thinking that what I really needed to do was just tear up the contract and asked to be released from it and just hibernate in the apartment for a few months. But that was probably chemical–there are so many chemical issues in my brain–and an unconscious or subconscious reaction to Paul not being home, which probably depressed me and imbalanced the delicate balance of everything in my brain, which is why I wasn’t able to get very much done over the weekend the way I had hoped and planned to. Paul won’t get home until Saturday evening, and while yes, this Saturday is the double-header of Georgia-Tennessee followed by LSU-Alabama, I should be able to get up in the morning and get things done before it’s time to start watching the games–and of course, I can always just have the game on while I clean and so forth. Heavy heaving sigh.

And on that note, I am heading into the spice mines for the morning. Have a great day, Constant Reader and I will check in with you again tomorrow morning, as always.

In the Back of My Mind

Here we are back on another Monday morning with another work week staring us in the face and not blinking. Great, right? It was a lovely weekend around the Lost Apartment, if a bit lonely; Scooter was definitely needy all weekend and it’s weird to have the bed almost entirely to myself (not including Scooter). I felt well rested both weekend mornings when I arose; yet after running my errands on Saturday and doing some cleaning I became extremely fatigued, which sent me to my chair. I did manage to get some things done once the fatigue set in–I think low blood sugar had an awful lot to do with it, to be honest–and it’s irritating, frankly. I had wanted to be a lot more productive on Saturday than I actually was; but c’est la vie and all that nonsense. I do think I am going to need to do some restructuring of the opening chapters on my book, but that’s cool; it certainly makes more sense for me to order it the way that I am going to restructure it all. And no, I didn’t get a lot done this weekend. Maybe a restful weekend of recharging my batteries was just what the doctor ordered; who knows? I am trying not to get overly stressed out about everything that is pending for me.

Stress is the mindkiller.

I’ve oddly enough been sleeping better and more restfully recently, despite the addition of cappuccino to my morning routine every morning–but maybe the caffeine crash is why I am so tired in the afternoons. Maybe, but I was also tired in the afternoons before I got the new espresso machine (which I love, if I’ve not made that clear enough already) so who knows what the new normal/Greg’s reality is anymore? I certainly don’t know.

And it’s Halloween, of course. Happy Halloween!

I was going to rewatch the original Halloween last night, but instead I rewatched Robert Wise’s 1962 adaptation of The Haunting, based on the novel by Shirley Jackson. I originally saw this movie when I was a kid, staying up late one night to catch it on the late movie, and it was absolutely terrifying. It’s exceptionally well done, and Julie Harris is so definitive as Nell–the cast is all so definitive in their roles, really–that I can’t help but see them every time I reread the book. It really is a stunning performance by Harris–she really embodies Nell–and the entire thing is so claustrophobic and terrifying, really; the concept of what you cannot see being more terrifying than what you can played up perfectly by Wise’s incredibly capable direction and camera shots–and the editing ratchets up the suspense and terror perfectly. It follows the book incredibly closely–one of the most faithful adaptations of book-to-film; up there with Rosemary’s Baby, really–and as I watched, not terrified because I’ve seen it so many times so thus able to watch for the direction and the editing, which were superb, as was the black and white cinematography, I couldn’t help but marvel at what a great job Wise did with the cast and the film. The remake was terrible, absolutely terrible–unwatchably bad; which remake a classic in the first place, especially when you’re just going to go crazy with the CGI budget, which takes away the most important suspense/terror aspect of the book and the original film: you don’t see the monsters, you don’t see whatever it is that is haunting Hill House and it is never explained. I also don’t usually like movies that have voiceovers to show a character’s thoughts, but the book itself is so intimately from Nell’s point of view that it would be hard to translate that on film and get the same feeling–and the emotive way Julie Harris does the line reading makes it work, draws the viewer in, and makes the viewing experience incredibly intimate and claustrophobic at the same time, which is exactly how Jackson wrote the book.

I also recorded Alexia Gordon’s Cozy Corner podcast yesterday, and it was a lot of fun. We talked for a very very long time–we both lost track of the time, really–and talked about a lot of things. It was seven by the time I got off the ZOOM call, and when I got up to make myself something to eat was when the fatigue hit me. Was it related to the podcast and social intercourse, which also required me to think and be smart and actually put thought into my answers? I don’t know, maybe it was but I was pretty tired by the time I made my grilled-cheese-and-bacon sandwich for dinner and repaired to the living room to watch the movie. I didn’t stay up much longer after I finished watching either; I was watching some documentary on Youtube about the Hapsburgs and started nodding off, so I decided to just go on up and go to bed early–more sleep never hurt me, after all.

I may even go to bed at nine tonight. Perish the thought!

But I think my restful weekend did the trick, and it was clearly what I needed. I do feel refreshed and alive and rested, both physically and mentally, this morning–or it could be the cappuccino. I guess we’ll find out this afternoon when the caffeine wears off.

So on that note, without further ado, I am heading into the spice mines on this lovely cool Monday morning in New Orleans. And may your day be lovely and bright, Constant Reader–I will talk to you again tomorrow morning.

Blood on the Moon

Quite a number of years passed between the time when I wrote my first vampire novella, The Nightwatchers, and the time I was asked to write another.

I also hadn’t intended to use Todd Gregory, but that was the name I was publishing under with Kensington at the time, and so they wanted me to use it for the novella–and you know me: they were paying me well so I didn’t care. The fraternity books I was writing for them under that name were doing well, and so they wanted some kind of tie into the fraternity stuff. I didn’t want to write a vampire story set in fictional Polk, California; I wanted to write about New Orleans–I’m sorry, I know it’s a cliche, but vampires and New Orleans just go together in my head. What I actually wanted to do was go back to the mythology I’d created for The Nightwatchers, and at first worried that using my “other” name precluded me doing just that…but then I reminded myself you’re both the same person, dumbass and so that’s precisely what I did. For the fraternity connection, I decided to bring four college students from the University of Mississippi to visit New Orleans for Carnival (one of them was from New Orleans), and have them all be brothers from the same fictitious fraternity I used for the fraternity stories: Beta Kappa. (I first used Beta Kappa in Murder in the Rue Dauphine; it’s the same fraternity Chanse belonged to at LSU, so whenever I need a fraternity that’s my go-to; I even used it in my story “This Town” for the anthology Murder-a-Go-Go’s), and of course, one of the boys gets turned over the course of the weekend.

After all, shouldn’t everyone be afraid of coming to big, bad, dangerous New Orleans?

“Happy Mardi Gras!”

The woman was obviously drunk as she threw her arms around Cord Logan and pulled him close and tight to her soft breasts. She pressed her mouth on his before he had time to react and push her away. His entire body stiffened and he winced. Her mouth had the nauseating taste of sour rum and stale cigarettes. He pushed her arms away from him.  Repulsed, he pulled his head backward and took a step back, almost bumping into a weaving guy in an LSU sweatshirt carrying a huge cup of beer. She stood there in the middle of Bourbon Street, grinning at him. She looked to be in her mid-thirties, and heavy strands of beads hung around her neck dipping down into her cleavage. Her lipstick was smeared, making her look kind of like a drunken clown.  Her hair was bleached blonde with about three inches of dark roots growing out of her scalp, and was disheveled and messy—her hairspray had given up on it hours ago. Her bloodshot eyes were half-shut, and she tilted her head to one side as she looked at him, her sloppy smile fading. She was wearing a low-rise denim mini-skirt over stout legs and teetering heels. Her red half-shirt with Throw me something mister written on it in gold glitter revealed a roll of flab around her middle, and a fading sunburst tattoo around her pierced navel. She tried to grab his head and kiss him again, but he deflected her arms.

She narrowed her eyes, going from ‘happy drunk’ to ‘mean bitch’ in a quarter second. “What’s a matter? Don’t you like girls?” she jeered at him, weaving a bit on her heels. She put one hand on her hip, replacing the smile with a sneer.

What? He stared at her, and froze for a moment as horror filled him.

For that instant, everything seemed to stand still. The dull roar of marching bands in the distance, the rock music blaring out into the street from the bars lining Bourbon Street, the shouting and yelling of the revelers, all faded away as he stood staring at her squinting eyes.

Don’t be stupid, Cord, no one can tell just by looking at you.

The spell was broken when a strand of purple bands flew between them, hitting the pavement with a clatter. Cord involuntarily took another step back. The woman squealed with excitement and bent over, her T-shirt falling open  at the neck to reveal a cavernous blue-veined cleavage. She stood up clutching the beads in her fist, a look of triumph on her face. She turned around, Cord forgotten, and lifted her shirt, showing her bare breasts to the crowd of men holding beads on the balcony. She shook her shoulders, making the large breasts sway from side to side, and she started yelling up at the men on the balcony. They all began whistling and cat-calling. The beads began to fly—Cord grabbed a strand of gold ones just before they hit him in the face. He slipped them over his head and moved on down the street before she remembered him and tried to kiss him again.

Something like this actually happened to me at my first ever Carnival, when I flew in from Tampa for it in 1995. I was walking with a friend up Bourbon Street to the gay bars (“running the straight gauntlet” is what we used to call it) when this woman stepped directly in front of me and went through this entire song-and-dance that I later adapted into the opening of Blood on the Moon.

I don’t remember if I’d ever written about a young gay man slowly beginning to take baby steps out of the closet before, or i Cord was the first–I think he may not have been the first; Jeff in Every Frat Boy Wants It I think was probably the first–but I really liked the idea of him coming to New Orleans for Carnival with some of his fraternity brothers, and that his best friend in the fraternity is the only other person who knows about his true sexuality–and suggests, in fact, that Cord lose the group during a parade and head to the gay end of the Quarter to explore and be free. Unfortunately for Cord, he runs into Jean-Paul, an incredibly hot older man and his group of really hot older gay men…but the next morning, Cord has some issues with the sun and other things. That evening Cord heads back down to the Quarter to see if he can find Jean-Paul, and instead runs into a Creole named Sebastian; and Sebastian is a male witch with an ulterior motive: he wants to drink from Cord’s blood–Cord is infected, but hasn’t completely succumbed to transitioning into a vampire yet, and Sebastian thinks vampiric-infected blood will make his own witchcraft powers even stronger.

I liked the character of Cord a lot, and I liked that he didn’t really transition into becoming a young gay vampire by any choice–Jean-Paul selected him as a plaything for the night, that’s all, and had no intentions of turning him, until Sebastian got involved–and while this story ended with a definite resolution–I also saw not only how the story could continue, but how I could also weave The Nightwatchers and the mythology I created for that novella into this new story. I eventually wrote another short story about Cord–“Bloodletting”, which was in Blood Sacraments, and when my editor asked me to write an actual vampire novel, I made “Bloodletting” the first chapter and continued it from there…and that became the novel Need–which is a tale for another time.