Monday morning and back into the office. I only have two days in the office this week and three next, thanks to the holiday next Monday–huzzah! I had an incredibly productive weekend, Constant Reader, thanks to some terrific sleep every night and no college football. I know that tonight is the national championship game but I won’t be staying up to watch it again this year–that’s three consecutive years I’ve not watched–because I have no skin in the game and can always watch highlights tomorrow. My preference would be for a TCU win; they’ve not won anything since the second world war and it would be a fun change to see a program come from nowhere to win it all this year. (LSU was 10-3 in 2018, so we knew they’d be good in 2019; we just didn’t know how good they would be.)
I slept well again last night. I think I may have finally found the right mixture of things at night to help me sleep, so hopefully the big test–New York and a hotel bed–will be passed with flying colors.
Yesterday was a good day. I spent most of it working–I wrote six thousand more words yesterday, bringing the weekend’s total to ten thousand, which is pretty damned good–and after I was done working for the day, we finished watching The Rig, which was kind of interesting and weird and way different than what we thought it might be–again, there’s no greater suspense than people being trapped and isolated somewhere and there’s some kind of threat, especially when group dynamics and politics start getting involved. I am enjoying writing again–the last book I wrote was nightmarish to try to get done for some reason, but I am back into a writing groove again and it feels terrific. I only needed to rest for a day or so, too, between different writing projects before diving back into it. I kind of let my emails pretty much go, though, over the course of the weekend so it’s going to take me some time to get that back under some kind of control today. But I feel pretty good this morning, my coffee continues to taste marvelous, and while I do have a lot to get done before leaving for New York on Wednesday, I am neither daunted nor bowed by the amount of work that needs doing; rather, I feel very empowered this morning.
I also spent some more time reading A Walk on the Wild Side, which I am sort of enjoying a bit more than I did originally. I am probably going to try to read some more when I get home from work tonight and after I get my quota for the day. I also need to make some lists about what to take on the trip with me and I need to check what the weather is going to be like up there; there’s also a weird bit of sadness associated with this trip as well, since it will be my last official trip for Mystery Writers of America. It’s hard to believe it’s been three years, but two of those years were sucked up into the pandemic and no traveling, so there’s that. That probably won’t completely sink in until I am back home from the trip this weekend, either.
I also need to make a to-do list for this week. I have errands to run after my day at the office as well. Heavy heaving sigh. I know I have some short stories I need to get written and some other things that have to be done at some point soon–and I really need to dig through my email inbox to make sure everything’s been put on the calendar so I don’t forget anything. I also want to watch The Pale Blue Eye, but that may have to wait until after I get back from this trip and get all settled in again here in my own life. I also need to decide what to take with me to read on this trip. Obviously, I am not going to finish the Algren before I leave, so that’s going with me, but what to read while there and on the trip home? I think I am going to continue immersing myself in cozy mysteries for a while before going back to a different sub-genre; on the other hand, I could also take either a Carol Goodman or a Ruth Ware with me, so I can continue working my way through their oeuvre…decisions, decisions, always decisions to be made.
And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader, and I will check in with you again later.
I’ve kind of slowed down on my blatant self-promotion for A Streetcar Named Murder, mainly because the enormous thrill and rush of Release Day/Release Week has already come and gone. It isn’t like I’ve run out of things to say about New Orleans by any means; I could be here blogging for the rest of my life about New Orleans and never do more than scratching the surface. The depth of my lack of knowledge about New Orleans is bottomless. One thing, for example, that I can never completely wrap my head around is where the train tracks and stations were in the city, back when rail was king and vitally important to the operation of our port. I know there was a station in Storyville; part of the reason it ended up being closed was because so many men went through New Orleans on their way to serve in Europe during World War II, and the Department of War looked askance at the soldiers disembarking in a red light district (can’t say as I blame them, but on the other hand, they were heading off to the miseries of the trenches and what was, at the time, the bloodiest and deadliest conflict in human history, so why not let them get laid and party it up before getting on their troop transport?
I have always considered New Orleans to be a dark city–despite its many charms and enticements–not just because of the history here (which is plenty dark) or even the crime “problem” (which goes back over three hundred years), but because it really gets dark here at night; not quite as the true dark you can get out in the country, but for an urban area? New Orleans is the darkest city where I’ve lived. I’ve never experienced an urban area that gets so dark at night once the sun has set.
It’s like all the lights from houses and street lamps and businesses just \gets somehow sucked into the darkness and vanishes. When I come home after dark and park on my street, it always catches me by surprise when the inside of my car is lit up by one of the street lights. This happens, I think, because the massive live oaks everywhere inevitably block out the lights with their enormous branches. Oddly enough, cloudy nights generally are lighter than cloudless ones–because the cloud cover reflects back the neon of the French Quarter, turning the night sky clouds reddish-pink; it’s a phenomena unique to New Orleans that I really love. And the street lamps here seem to only cast light downward rather than up and out; it’s very hard to read street signs in New Orleans after dark.
See how dark it gets at night? It’s like the light gets eaten by the night.
Then again, that could be my eyes getting worse with age. My sister can’t see hardly at all after dark now, which worries me a little, but not a lot: her eye issues were different than mine. I was horribly near-sighted while she had an astigmatism, but my mother also has trouble seeing at night, too and she never had to wear glasses (she has reading ones now) so that doesn’t bode well, does it?
Another part of the reason it gets so dark here at night also has something to do with how many of our street lights are out, too. New Orleans street lights aren’t the kind that go up and then hang out over the street, either. Ours are the old-fashioned kind, with a bulb and its cover going up in a straight line–I think they were the old gas ones, adapted for electricity; I am not sure one way or the other. But I do like the antique, old timey look to ours. Now that I think about it, we couldn’t have the ones that hang out over the street, either; because of parade clearance! The low hanging branches of the live oaks that line St. Charles are also a problem for the larger floats, too; which is why so many of them are festooned with beads riders accidentally toss into the trees instead of to the outstretched hands of eager parade-goers–it’s going to be Carnival here sooner rather than later.
New Orleans’ haphazard approach to street lights and keeping the city lit up and visible at night also plays, interestingly enough, a role in A Streetcar Named Murder, actually; that darkness has a very strong hand on the finale of the book. When I was driving back from Kentucky after Thanksgiving, I noticed that once you got over the twin spans from Slidell and are back in Orleans Parish the lights on I-10 either don’t work or weren’t on, which gave the busy highway an eerie, almost hypnotically haunted feeling as I arrived in New Orleans East and climbed the bridge over the Industrial Canal. It even feels like the headlight beams of my car also get swallowed up into the darkness.
Is that darkness metaphorical? Maybe.
But I can only imagine how dark it must have been here at night when there wasn’t any electricity or gas, for that matter. And of course, it was very dark here after Katrina when most of the city lay in ruins. That was such a weird time.
I read a great review of Gary Krist’s Empire of Sin yesterday, which pointed out that the book was about a thirty year battle between the city of New Orleans and its brand of lawlessness, debauchery, and sin; which really is spot-on accurate. New Orleans has always been fighting that branding almost from the day the French settled on the high land along the river here. There has never been a time in her history when New Orleans has not drawn in tourists due to the branding with debauchery and sin. Someone was telling me the other day that the primary problem with dating apps in New Orleans is they are always full of tourists looking to get laid and not wanting to pay for it–which made me laugh; it reminded me of the old gay truism about not looking for hook-ups on-line the week before Decadence, Halloween or Carnival–because the chatrooms etc. were full of people coming in for the weekend and looking to make hook-up dates in advance…which was so patently absurd because seriously, back in the day if you couldn’t get laid just by going out during those events…well, you should just hire an escort and be done with it. People come here specifically to have the kind of good time they can’t have at home.
So, yes, the city has always had that kind of reputation and branding, which is why I always roll my eyes when the whites who fled the city for the suburbs and/or the north shore clog up the comments on social media and news articles about crime in New Orleans, clutching their breasts and casting their teary eyes up to the heavens as they bemoan how New Orleans has somehow slid into the gutter and how crime has gotten completely out of control. Fuck off, racists–we know what your dog whistles are because we’ve listened to them ad nauseum, ad infinitum: crime is a stand-in for oh no the black people and don’t pretend like you left New Orleans because of “crime”; you left New Orleans because of desegregation, so fuck all the way off. (The people who were protesting the removal of Confederate monuments in New Orleans were not from New Orleans, either.)
So, yes, there is crime in New Orleans–always has been, always will be–and I don’t know what the answer to reducing it or bringing the numbers down. But you can be the victim of a crime anywhere–the Clutters were murdered in rural Kansas back in the 1950s, after all–and it just means always be aware of your surroundings–which is always good advice for anywhere, really.
Sunday morning and probably the best night’s sleep I’ve had in quite some time. I didn’t even wake up the first time until past eight, and was so relaxed and comfortable I stayed in bed for another hour like a very bad Gregalicious. I had some vague plan when I went to bed last night that I would get up early this morning since I had so much work to get done, but the pull of a comfortable bed and warm blankets was too much for me to resist. I am now enjoying a really good cup of coffee; I cleaned out my Keurig machine yesterday, which was terribly overdue, and it does make a difference. (I should probably do it far more regularly than I do.) I also ordered groceries for pick up this morning as well, which will probably be the only time I leave the house today.
Overall, yesterday was a good day. I got up in the morning, did some cleaning and ran some errands, before coming home and doing some more cleaning while i worked. I clocked in four thousand words yesterday, which was amazing–I’ve been averaging between three and four thousand since Christmas when I write, and there were a couple of days that were between six and seven (hoping for one of those today, frankly), and all the pieces of this particular one are starting to fall into place. I’m having a very good time writing, and it’s awesome to be making it a priority in my life, too–plus it helps to not really check or examine your emails quite so compulsively. After I finished writing yesterday, I started watching some documentaries on Youtube about the Great Schism and the development of the Byzantine Eastern Orthodox church; I am probably going to try to focus my history reading for the year to be on the Eastern Roman Empire and the development of Christianity (I’d really like to reread Gore Vidal’s novel Julian the Apostate again), which has always been one of those periods I find fascinating and don’t study or read about near enough. I also spent some time thinking (while football highlights played on a loop on Youtube–I never tire of watching the last minute of the Tulane win in the Cotton Bowl) about my year and my writing plans for the year and what I would like to accomplish in 2023. I am really leaning toward trying to write an actual gay romance novel at some point in this coming year or the next; I’ve always wanted to write one and why the hell shouldn’t I give it a try at some point? (Although the romance writer who faked her own death and resurrected herself this week has me again wary of Romanceland…)
We also watched The Menu last night, which was a very strange film but highly entertaining. I’ve never been much of a foodie (I even hate the word foodie), because primarily most of my life food primarily either filled a need (the abatement of hunger) or served a purpose (as fuel, during the overly-exercised period of my life), so I never viewed it as a pleasure or an art form. Sure, I loved (and dearly miss) my annual lunch at Commander’s Palace, and I can appreciate delicious food, flavors and textures and so forth, but the plating and the rest isn’t something I’ve ever been terribly interested in. I don’t care if my food looks like a work of art on a plate. Sorry, I am a peasant at heart and peasantry isn’t that easily overcome. I did make an effort to become better in the kitchen and better at cooking while I was in my forties, and after I turned fifty I started learning how to bake things–cakes, cheesecakes, brownies, etc. But I digress. The Menu , like Glass Onion, seems to be a commentary on class and snobbery; the difference between the creators and the takers. I think the film is filled with great performances and interesting twists and turns, but ultimately it doesn’t succeed in the same ways that Glass Onion did. I do recommend it be seen; I’m curious to see what other people thought of it.
We then started watching a new prime series called The Rig, with an excellent cast headed by Iain Glen (Game of Thrones), Emily Hampshire (Schitt’s Creek, Chapelwaite), and Martin Compston (Line of Duty); the cast is diverse and the tale is interesting. An off-shore oil rig, somewhere in the North Sea I think, is riding out a terrible storm when something strange and seismic happens; whether it’s an earthquake on the ocean floor or some kind of volcanic activity isn’t clear. As the rig loses its connections to the outside world–internet, telephones, etc.–a terrifying fog comes rolling in, and something supernatural or mysterious but rooted in science is going on, particularly with a crewman who suffers a terrible fall that should have killed him; there are internal injuries they can’t do anything about–but he starts getting better, which shouldn’t be possible, and he has terrifying visions of the future. We watched one, and then couldn’t resist the temptation of staying up later and watching another. It’s quite good, and I highly recommend it. I am very curious to see how it winds up playing out.
I am going to finish this, grab a second cup of coffee, and repair to my easy chair to read for about an hour or so; A Walk on the Wild Side is calling to me, and I’d prefer to finish it before my trip (I don’t think that will happen, but one never knows), before I start writing again and dive into the day’s work. Have a lovely Sunday, Constant Reader, and I will check in with you again later.
The other night, as I walked to Lilette to meet my friend Laura for dinner, I walked past this house:
It made me smile, as the New Orleans dedication for decorating for the holidays (any holiday, really) always does.
I posted this picture after taking it, along with a caption along the lines of it’s almost Twelfth Night and the start of Carnival! Someone commented, a bit surprised, “already?” which once again made me realize how different living in New Orleans is from living anywhere else, really, in the country. Nobody outside of Louisiana (unless they’re Catholic) understands how Carnival actually works, which makes sense. If it doesn’t affect you, how would you know? So, I decided explaining Carnival would be an excellent blatant self-promotion post, particularly since A Streetcar Named Murder is built around (sort of) a Carnival krewe and their membership recruitment ball. So, buckle up, Constant Reader, I’m going to give you a sort of primer for New Orleans Carnival.
Carnival begins on Twelfth Night, January 6th, and the season continues until it ends at midnight on Fat Tuesday (Mardi Gras is actually the last day of Carnival, not the entire season; but over the years Mardi Gras has become synonymous with Carnival, but the locals will always correct you when you call it Mardi Gras instead of Carnival; and ‘mardi gras” literally translates from the French to Fat Tuesday), when the bells of St. Louis toll the beginning of Lent and the police clear everyone off the streets of the city (no one is supposed to be out on the streets after midnight; I used to love to stand on the balcony at the Parade watching the mounted police officers slowly making their way down Bourbon Street as the crowds disperse before them–and behind them the street is empty). I’m not going to get into the history of Carnival and how it all began as a “farewell to the flesh” before the religious solemnity and penance of Lent; but that’s the part most people don’t get if you’re not from here or Catholic. Christmas, Carnival, Lent, and Easter are all tied together. Twelfth Night is always a fixed date because Christmas is fixed for December 25th; but since Easter’s date is never the same, neither is the date for Mardi Gras/Fat Tuesday, which is always forty days before Easter.
So, first things first. If you want to know all there is to know about each year’s Carnival, you start by getting a copy of Arthur Hardy’s Mardi Gras Guide, seen below. (You can order it on-line if you’re curious about it.)
(Don’t @ me, I know it should be Carnival Guide, but Mr. Hardy is Mr. Expert on all things Carnival, so we let him get away with it every year.)
The guide is invaluable, even though now there’s a parade tracker app so you always know where the parades are. The parades are what most people associate with New Orleans and Carnival/Mardi Gras; the big ones that shut down St. Charles Avenue and Canal Street aren’t until the last two weekends before Fat Tuesday. I don’t even know how many parades pass by our corner during parade season, but it’s a lot. (I’m hearing that the parade routes are being truncated a bit because of not having enough police officers to pull parade duty, but I don’t pay a lot of attention and just look at the Guide–which I have yet to get a copy of this year.) So, parade season is the two weekends prior to Fat Tuesday. The first weekend is easy, really; there’s parades on Friday night, Saturday afternoon and evening, and Sunday afternoon. Then we get a two day respite before they start in earnest, and there’s always at least two a night beginning the Wednesday before Fat Tuesday. Muses is Thursday night, following two others; there are also three on that Friday. Saturday afternoon is my favorite, Iris, which is followed by Tucks. Endymion is the big parade on Saturday night but it has a different route; it doesn’t come down St. Charles unless rain has caused it to be postponed for a night (when Endymion rolls down St. Charles on a Sunday night it’s a nightmare out there at the corner because Endymion is HUGE). There are parades all day Sunday, culminating with Bacchus Sunday night; Orpheus is the grand finale on Monday night, and of course on Fat Tuesday Rex follows Iris and then come the truck parades. There are also other, smaller, walking parades earlier; Krewe de Vieux, for example, is enormous and is a Saturday night later this month. After Twelfth Night and before Parade Season, there are balls and parties and walking parades and all kinds of celebrations leading up to the parades. The bleachers are already going up at Liberty Circle and all along St. Charles.
So, what does A Streetcar Named Murder, which is set in October, have to do with Carnival, and how is this a blatant self-promotion post?
Because the plot of Streetcar is set around an October costume ball for one of the newer Carnival krewes, the completely fictitious Krewe of Boudicca (it was Athena in earlier drafts, until I realized that I should check to make sure such a krewe doesn’t exist anywhere and sure enough, there is one; either in Metairie or on the north shore), which is also kind of new-member rush for the krewe. Our main character, Valerie, has no interest in belonging to a krewe; as she says, she’s fine “just going to parades and catching throws.” But her neighbor/best friend Lorna wants to join Boudicca, and she is dragging an unwilling Valerie along for the ball. It’s at the ball that the murder takes place; turns out the membership chair for Boudicca is Valerie’s nemesis, and of courea Valerie is the one who finds the victim after she’s stabbed.
And of course, it’s Carnival season again in New Orleans! So more info and blatant self-promotion to come!
Saturday morning and another lovely day in New Orleans–if a bit chilly–has dawned in the Lost Apartment. What a marvelous night’s sleep I had last night. The bed and blankets were so comfortable–not to mention the snoring kitty curled up between Paul and I–that I really didn’t want to get up, but I have far too much to do today to continue to laze in the bed simply because it felt good. So, it was out of the bed for one Gregalicious, and here I sit, swilling my morning coffee and clearing the cobwebs from my brain by trying to write a coherent blog post. (Good luck to me on that, am I right?) Yesterday was a work-at-home day, of data entry and doing quality assurance on testing logs, and yes, it is as tedious as it sounds. But after work I did some great thinking and work on the in-progress story, and am looking forward to getting some quality work done on it this morning/afternoon/however long it takes me to reach the day’s goal, and no matter if it kills me–which it just might do. I also have some errands to do today, but they shouldn’t take long.
Huzzah? Huzzah.
Last night we watched the final episode of Welcome to Chippendale’s, which really dragged on for far too long. There really wasn’t eight episodes of story here, and so it often seemed to drag and drag and drag. It’s a shame, the acting was top-notch and it was a great story, but unless you’re interested in viewing a couple of Emmy-worthy performances, watch the true crime documentary instead. It’s funny to remember how ubiquitous Chippendale’s seemed to be in the 1980’s–I certainly owned a few of their calendars, since they were the first real beefcake calendars produced–and I wished sometimes that I had a stronger memory, at least of the 1980’s, but it was such a dark and brutal decade for me I think I was happy to forget most of it. Paul is going to be gone most of the day today, so I have no excuse not to get a lot of writing and other things completed today. I do want to watch the adaptation of Louis Bayard’s The Pale Blue Eye on Netflix at some point this weekend, and of course we do need to finish watching Sherwood, too. I leave for New York on Wednesday, which is kind of fun–I am really looking forward to having some good Chinese food–and hopefully I’ll be able to get writing done on the road (which never happens, no matter how much I hope that it does).
But this time, it must.
I’m really enjoying all this writing I am doing lately, even though I am lazy and would rather not do anything at all. But it feels good to be pushing my brain and my creativity and trying to come up with fresh and new ways of saying things as well as fresh and new characters and interactions and stories. This first half of the year is going to be hectic and busy for me, but I am developing a plan that should help me get through till the spring. If I can stay motivated and stop being lazy, I should be able to get a lot accomplished before the dog days of summer are upon me. My writing goals for the year are very ambitious, of which I am well aware, but I think it’s better to try to do more and not quite get there than to plan less ambitiously and get even less done. I know I can’t get everything done that I want to get done in 2023 (I don’t think anyone could, to be honest), but I’d rather be overconfident than not, you know?
I am having my first piece of king cake for 2023 with my coffee this morning and it is sublime. It’s kind of hard to believe that Carnival season has rolled around again, and now of course the first part of the year will fly by: New York next week, Alabama the first weekend of February, then Carnival, the one-two punch of Tennessee Williams Festival/Saints and Sinners at the end of March, and then of course it’s practically summer again already, and then the next thing you know it’s football season again. This, for the record, is how your life ends up slipping through your fingers like mercury. Heavy sigh. But I am trying not to look forward to things, if that makes sense? I kind of want to just keep my head down, avoid drama for the most part, and focus on my writing for the year. It seems like writing always takes a back seat to everything else for me, which is ironic since it’s the thing I draw the most pleasure from and being a writer is such an integral part of my self-identity. I don’t see myself as a sexual health counselor, even though that’s my day job and has been for eighteen years. I don’t see myself as Mrs. Saints & Sinners/Tennessee Williams Festival, either–even though that’s been Paul’s job for the last twenty-two years. I see myself, despite all the other identities I take on in my everyday life, first and foremost as a writer; that is the core of my identity and who I am. And yet…it always seems as though my writing in always being shunted to the side or pushed back on the list of things to do because I have so many other things always going on in my life. Writing will be my priority now going forward, and while I still intend to work on volunteer stuff whenever I have time, that isn’t going to be a priority for me and it never should have been, either. I don’t know why the most important aspect of my life is always back-burnered for one reason or another, but it’s not going to be the case anymore. I am going to be even more zealous and jealous of my time and donating it only sparingly, and only when I have time.
I also need to start being realistic about everything I can and cannot do and stop thinking oh I can do everything in the world by all means ask me to do more things. I think it all comes from the fear of being disliked, that goes back to childhood–I don’t think I’ve ever gotten over those scars, truth be told–and I am very aware of the idiocy this implies: oh if I say no to this they won’t like me and won’t ask me again; I have always called this Homecoming Queen Syndrome–the desperate need for approval from other people, the need to be liked and well thought of, the fear of being made fun of, mocked, and disliked. I need to work harder on not giving a fuck, but it’s also part and parcel of being queer and trying to fit into a mainstream culture group, the crime writing community. It’s very strange and off-putting to know that people who’ve never met you, know nothing about you, and never will know you hate you in the abstract; that some people will never like you because they’re homophobic (honestly, when it comes to homophobia I prefer the Westboro Baptist Church version, where they will scream their hatred in your face; at least it’s more honest than people who will smile to your face while voting to strip you of your rights); and those same people will never, no matter what, ever read anything you write. It’s weird knowing that people will find your books on Amazon and one-star you without reading the actual book because you’re a queer and you had the audacity to write a book about queers where they are actually whole, happy people who aren’t suffering at all because of their same-sex attractions. The great irony of this is my own inconsistency; when I actually think about it, I do not give two shits what other people think of me, and haven’t for a long time. Unfortunately, I’ve been conditioned my entire life to care what other people think so I always fall back on that subconsciously; I’m always so flattered to be asked to do anything–which is the sneaky way that insecurity/need to be liked gaslights me into agreeing to do things I may not want to actually do or have the time to get done without something else, something that actually matters more to me, being pushed aside or not getting the full attention it needs and deserves.
A Gregalicious is still a work in progress, apparently–even at sixty-one.
And on that note, this work isn’t going to do itself now, is it? Off to the spice mines with me–and will talk to you later, Constant Reader. Have a fabulous Saturday.
Ah, elusive sleep, how lovely thou art when you do finally bless me with your grace. Yes, sleep returned after a two-night absence and one Gregalicious at last got some rest last night. I didn’t want to get up this morning, to be honest, and probably could have stayed in bed for at least another hour or two. It feels a bit chilly in the kitchen this morning but the coffee is delicious and hot. Ah, fifty-one degrees. Well, that would do it. I have a lot of work to get done today and some errands to run, but right now I am going to enjoy my coffee as I gradually swim out of the misty fog that is my morning just-woke-up brain.
I was exhausted when I got home yesterday. Two consecutive nights of little to no sleep are not what my doctor (any doctor) ordered, and it had been awhile since i was that tired. (I get tired every afternoon, but that’s a function of having been awake so long already, methinks, and just normality when you’re at your office. Yesterday’s fatigue was different.) I collapsed into my easy chair and watched some history videos (the difference between Creole and Cajun–which I already knew but was curious to see if they got it right and if there was anything new I could glean, and there was not; a couple of videos about French history; a video about what happened to the minor kings of the German Federation when Prussia united them all into the empire of Germany; and of course, it’s always fun to watch the videos captured by the Tulane fans as they won the Cotton Bowl in the closing seconds of the game before Paul got home), thought about doing some reading or writing but my brain was just too tired to focus enough to accomplish much, and so thought some more about the work-in-progress. I need to get a lot of work on it done this weekend and the first two nights of next week, since I am going to New York on Wednesday and won’t be home until Sunday. I’ll have to try to get some work done while I am there, so I am hoping I won’t get struck by the insomnia monster while I am there. (It would be a first, for the record.) But there is nought to do but firmly press nose to grindstone and get motivated while staying motivated. I also need to pick out some books to read while traveling. I can probably finish A Walk on the Wild Side on the trip up; I just need to pick out one or two more to take along for the trip home.
The Lost Apartment is also a mess, so something must be done about that before I leave as well–I hate coming home to a messy house, and Paul doesn’t really make any mess downstairs, so anytime I come home to a mess and get annoyed I also have to take accountability for my own self because if it’s messy I didn’t clean. But there’s no college football this weekend–I am not going to stay up Monday night to see who wins because I can check the score when I get up Tuesday morning–so there are no distractions I can blame for not writing or reading or cleaning this weekend. I do have things to do besides that, of course; I need to make groceries for Paul and get the mail and maybe even clean out and wash the car (stop that crazy talk!)–did I ever tell you I found a marvelous do-it-yourself car wash finally on Louisiana Avenue on the other side of St. Charles? I need to make a point of washing the car every other week–so much grime gets on it just sitting on the street in front of the house, it’s unbelievable–and I also need to remember to get the oil changed before I leave for Alabama at the end of the month.
Sigh.
It never ends, does it? It’s always the minutiae of life that gets to you and gradually wears you down, those minor little tasks you have to do all the time that don’t seem like much but will eventually just grind you down into the dirt because you have no choice but to do them because otherwise they wouldn’t get done and life would be ever so much worse without getting that stuff done. But there’s naught to do but do them; I do always reserve the right to complain even when something is my fault.
It does look beautiful outside. The sun is shining and there are no clouds in our cornflower blue sky. Perhaps later on today I can take my phone with me and take a walk around the neighborhood. It’s been a hot minute and I always enjoy going for walks around the neighborhood, plus it helps me feel more connected to the city, something I’ve been thinking a lot about lately. It’s silly for me to ever think that I don’t feel my usual connection to New Orleans; it’s always there, but it does change and evolve. As I said the other day, I’ve just grown so accustomed to life here that I don’t notice things as peculiar, unusual, or unique anymore; it just is New Orleans and normal now to me. I’ve finally gone completely native, and I can barely remember what it was like to live anywhere else in the country. Traveling has always felt like I was going to another country, ever since we moved here–and that’s really when the difference makes itself known. It’s a little jarring to feel like a foreign tourist when you go somewhere, but New Orleans is just so different from everywhere else in so many little ways that aren’t always apparent until you travel–like the Puritan liquor laws everywhere else. What about my freedom to drink, damn it?
Oh, and of course, tonight is Twelfth Night, so I should do a blatant self-promotional post for A Streetcar Named Murder, shouldn’t I?
And on that note I am heading into the spice mines. Have a lovely Friday, Constant Reader.
So, when Ellen Byron was preparing to interview me for our live stream event from Murder by the Book, she sent me some questions to prepare myself with. They were good questions, actually, and I thought that taking time to answer them when I can think about the responses would be an excellent BLATANT SELF-PROMOTION post.
So, without further ado, here we go!
What inspired your book? Series premise and the specific story?
That’s an interesting story, actually. I had been toying with the idea of writing a cozy for a long time–I’ve always liked them–but never was sure I could do it; there were rules, after all, and I’m terrible about following rules, always have been. Several friends have been encouraging me for years to do it, but I always hesitated. It was (I thought) outside of my comfort zone, and while I would toy with ideas here and there, none ever came to anything. My partner’s office is near a costume shop, and he’d had to go in there one day for some reason or another, and as is his wont, he struck up a conversation with an employee about the costume business, how they made money, how they stayed open all year, etc etc etc. He’s very curious. Anyway, that night I mentioned to him that someone had yet again suggested I write a cozy, and he wasn’t sure what one was, so I gave him a thumbnail overview, and he said, “Oh, you should do a costume shop” and proceeded to tell me about his conversation with the shop employee. I agreed it was an interesting idea, and stowed it away in the back of my head for future reference, and would think about it now and then, come up with characters and a community for the main character to be a part of, and so on. But at the same time I kept thinking New Orleans wasn’t the right place for a cozy series–basically looking for ways to fail instead of reasons to succeed, which is the underlying theme of my life, really–and so it went. An editor I’ve worked with before was interested in the idea of my writing a cozy series, so I wrote up a proposal and sent it off. They liked it, but couldn’t sign it, and recommended I take it somewhere else, so I did. It evolved from a costume shop to an antique shop during the process of me signing a contract with Crooked Lane; they liked everything about my idea except for the shop itself, so I had to change that. I went down to Magazine Street and walked for a block, writing down every kind of shop I saw, and sent the list in–and we all came to an agreement about the series being structured around an antiques business. As for the story, well, I wanted to talk about and explore the gentrification of New Orleans that has been ongoing almost this entire century, and how real estate has just exploded around here. (It still staggers me that our rent was $450 when we first moved here; the lowest rent I’ve seen advertised in our neighborhood is around $1500 for less than thousand square feet. Our original apartment now rents for $2500 per month now, which is insane.) What happens to Valerie–the fear of a new tax assessment pricing her out of her house–actually happened to a friend of mine; and the prices just seem to keep going up all the time. You can’t even buy a condo in my neighborhood for less than $350, 000 now–the asking prices for houses in the neighborhood are completely insane. Every time I see a new listing in the neighborhood for half a million dollars or more I think, we really should have bought when we moved here–but home-ownership is New Orleans isn’t something Paul or I have ever been terribly interested in. Termites, tornados, hurricanes, floods, black mold–no thanks! But man, what a return on our investment had we bought in 1996!
We both write series set in New Orleans. Why do you find it so inspiring? Especially when you’ve lived in so many other places?
I’ve lived all over the country–we’re from Alabama, and I’ve lived in Chicago on the south side, the suburbs, Kansas, Fresno, Houston, Tampa, Minneapolis and then New Orleans. New Orleans is the only place I’ve ever been to where I felt like I belonged, where I fit in; where I didn’t seem like the eccentric one. New Orleans embraces its eccentrics and doesn’t judge them, and I like that. I knew that first time I came here on my birthday in 1994 that if I moved here all my dreams would come true. And they have, which has been kind of lovely. And no writer could ever exhaust the inspiration New Orleans provides. I’ve written fifteen books set here and countless short stories at this point, and haven’t even scratched the surface. I’ve never written about the music scene here, for one glaring example, or restaurants or the food industry or…you see what I mean? There’s not enough time in my life to write everything I want to about New Orleans.
Tell us about your protagonist. Where did the inspiration for her come from?
My sister never had any interest in going to college or having any kind of career other than being a wife and mother. She was a straight A student and had numerous scholarship offers, but had little to no interest. I used to always think she had wasted her potential, but gradually came to the realization that she has the life she always wanted when she was growing up, and has never missed having a career outside of the home–so rather than feeling bad about her lost potential, I should have been happy that her dreams came true. I started thinking about that more, and thought that would make a great starting place–a woman like my sister who wasn’t really very interested in college but went because it was expected of her…only to fall in love, get married, and drop out when she had twins. I really like the idea of a woman who’s not yet thirty, who wasn’t really sure what she wanted from life and then sidetracked to wife-and-mother, but with her kids now off to college and her husband having died…what do you do for the rest of your life when you’re a widow at thirty-eight and your kids have left for college? And the more I thought about her, the more I liked her and wanted to write about her.
Why did you choose the Irish Channel as the neighborhood?
My Scotty series is set in the French Quarter, and the Chanse series was set in the lower Garden District (where I’ve always lived and always default to it for that very reason), so I wanted to do something different this time out. Before I moved here, I had friends who lived in the Channel and I loved their house and I loved their neighborhood. I had already started writing a novella set in their old house, and I thought, why not use that same house for this series? The Channel did used to be considered a bad part of town, too, when we first moved here (so was the lower Garden District, which we didn’t know), and so I thought the gentrification issue would work better there than in my neighborhood. That part of the Channel is one I used to spend a lot of time in. As my character mentions in the book, I used to hang out at the Rue de la Course coffee shop at the corner of Magazine and Harmony–it was where I would meet friends for coffee. I’m still bitter it closed.
Similarities in our series: both widows, both have family mysteries, both live in the Irish Channel, you have jokes about potholes, I have a plot point about them. Let’s talk about NOLA’s potholes.
Oh, the potholes! Ironically, an active one ate one of my car tires a few weeks ago. Usually, if I am going someplace and have to turn around, there’s usually room for me to make a U-turn or I can turned into a driveway and turn around. This particular day the bar on the corner had reopened after being sold, closed, and renovated for a few months. So, there were cars everywhere, including blocking the driveways, and I thought, fine, I’ll just go around the block, which I hadn’t done in years. Because I hadn’t done that i years, I forgot there’s a massive pothole right when you make the turn so you have to jog left to avoid it. I hit the pothole, hard, and when I did, I thought oh that’s not good and as I continued driving I noticed the car was pulling to the left–which was the tire that hit the pothole. Sure enough, it was flat. It had a nail in it, and I happened to hit the pothole perfectly so that the nail dragged, tearing a hole in the tire. So, yes, New Orleans is a city of potholes–all different shapes, sizes, and depths. When the streets flood the water hides the potholes, and if they are really deep…the one on our street (which is reforming after being filled in and paved over for like the fiftieth time) ate a pick-up truck when that end of the street flooded a few years ago, so our street was blocked until the water went down and a tow truck could get in.
You have a Nolier than thou joke – I have OhNo!LA, an app that’s a runner in the book.
I wish I could claim credit for that joke, but I stole it from Bill Loefhelm, another New Orleans crime writer when we were on a panel together talking about writing about New Orleans and the need to get things right. He responded to a question about accuracy by saying something like “Yes, you really don’t want to set off the Nolier-Than-Thou people” and it still makes me laugh whenever I think about it because it’s so true! In all honesty, I am one of those people–nothing is more infuriating to me than reading something set in New Orleans that doesn’t get it right–but I’ve loosened up some as I’ve gotten older. I was even wondering if that was still a thing while I was writing this book…but since it’s come out I’ve seen any number of locals posting reviews and comments about “how (he) got New Orleans right” so it is still a thing. (And I’m glad and grateful people think I get ir right.)
How would you say your past experiences and jobs in life inform your writing?
I always say that life is material, as is every experience you’ve had. I’ve had so many jobs over the years and have been fired so many times I can’t keep track of them all anymore. But I also had a huge variety of jobs–fast food to retail to food service to banking to insurance to an airline to being a personal trainer to managing a health club to being a magazine editor to my present job working in an STI clinic as a sexual health counselor. Whenever I am creating a character and need a job for them, I inevitably fall back on one of my experiences. The main character in The Orion Mask worked at an airport–I’ve written a lot of characters who work for airlines–and so I try to get away from my own experiences once I catch myself doing it again. I have always had jobs that required interaction with other humans, so I’ve gotten to observe a lot of human behavior. I’ve written about high school students in Kansas (where I went to high school). I’ve written about fraternities because I was in one (hard as it is to believe now). I played football in high school, I’ve written about football players in high school. The only places I’ve lived that I’ve not written about are Chicago, Houston, and Tampa (I have written about Florida, but just the panhandle, where I spent of time as a kid).
I read a blog post where you talked about your relationship with the city. How has it morphed over the years and where does it stand now? It sounded like doing promotion and writing about the city reignited your love for it. What’s your writing process? You write in different genres. Is the process different?
As sad as it is to admit, it’s very easy when you live here to start taking New Orleans for granted. As I said before, I usually am so focused on what I am doing–work, writing, errands, chores, etc.–that I don’t pay much attention to my surroundings as I should (I think we are all guilty of this to some degree). About a year before the pandemic, my day job moved. I had worked in our office on Frenchmen Street for well over ten years–right across the street from Mona’s, in that block between Decatur and Chartres, so I was a block outside the Quarter five days a week, and we also used to do a lot of testing in the French Quarter gay bars and passing out condoms during Carnival, Southern Decadence, and Halloween. So I used to spend a lot of time in and around the Quarter. It was lovely–I could go to the Walgreens or the Rouse’s on Royal and there was a bank branch on Chartres Street, too, by the Supreme Court building. Anytime I didn’t have anything in the house to pack for lunch I could just walk into the Quarter and get something not only amazing but inexpensive. I used to walk past where Scotty lives all the time. After we moved into our new building in the 7th Ward, I don’t go into the Quarter much anymore. So I was starting to feel a bit disconnected from New Orleans already before the pandemic shut everything down. But I realized when I started doing promo for this book that I am not disconnected from New Orleans. I’ve just lived here so long that I don’t take as much note of the unusual or the weird as I used to–it’s become normalized to me. I’ve acclimated. It’s still just as weird and wild and crazy here as it always has been, it just doesn’t strike me as weird and wild and crazy the way it used to. I need to take more walks and spend more time exploring the city and checking things out. I don’t know if all the hidden places I used to take friends to eat in the Quarter are still there, either. Maybe after Mardi Gras…
Very glad it’s Thursday already. I am tired again this morning–there was some insomnia last night, but not nearly as bad as that if the night before–but I am waking up and slurping coffee and getting ready to face the day. I did manage to get all the bills paid yesterday and did some writing–which wasn’t easy. I’m hoping to get some more of that done tonight and hoping that it actually will get better and easier the further I get into this new project. But in checking my emails there’s not a weather advisory today for the first time since before Christmas, what with freezes, high winds, hail, tornadoes, flash flood warnings, and dense fog advisories. Yeesh, that’s something, isn’t it? It’s like the weather has lost its mind down here–well, everywhere in the country for that matter, really–but climate change is a myth, y’all. (eye roll to infinity)
The schedule at work is picking up, too, and probably within a few weeks I won’t have time to breathe during the day anymore in the clinic. We have gone back to appointments every half hour rather than every hour–which is what we did before the pandemic–and that’s going to take some getting used to, I think. After work last night I had dinner with a very dear friend at Lilette, a lovely place on Magazine Street where they have amazing passionfruit bellinis (I limited myself to one, but easily could have slurped down three or four) and got caught up with each other. I really do have the best friends–such a blessing so late in life, you know, to make some amazing friends past forty. My life has gotten significantly better the older I get, which is probably the best way for that to occur…I just wish I had the energy I used to have so I could enjoy it more. That’s something I should have added to my goals for 2023: take time to appreciate and enjoy the good things in my life more. It’s so damned easy to only see the negative and the bad, which are always far outweighed by the good and positive. I’m going to try to get as much of my email inbox deleted before next Monday–or at least addressed in some way–and as my term with Mystery Writers of America starts to come to a close, I can also start archiving all my emails having to do with MWA business.
The sky is turning blue which means the sun is rising over the West Bank (don’t ask), and it’s only in the low fifties this morning, which probably means high sixties-low seventies during the day and when I get off work. I have to run errands when I leave the office this afternoon, and then I am going to come home and try to dive more deeply into the book I am currently writing–which is wickedly fun–and hopefully Paul will get home at a relatively decent hour so we can watch more Sherwood, and hopefully I can stay awake for a while tonight at any rate, LOL. Yesterday afternoon was when I hit the wall, which had me deeply concerned because I was having dinner with a friend I’ve not seen in nearly a year. But I came home from work, shaved and showered and got dressed, and felt fine as I drove uptown. I was early, as I always am, so I wandered around the neighborhood (a part of the city I am rarely in) and took pictures of houses with their Christmas lights or just some interesting shots of houses with their regular lights on. I need to do more of that, really–one of these football free weekends I need to take the streetcar (or walk) to the Quarter and take a look around, get more of a feel for it again. I am planning on spending the weekend of the festivals (TW, S&S) at the Monteleone this year (which means coming home periodically to feed the cat and spend some quality time with him), which will also help me explore and get to know the city a bit more, or re-familiarize myself with it. It occurs to me that probably a lot of my private places–the ones I could take friends for meals and drinks that were off the touristy beaten path–probably aren’t in business anymore. I know I recently saw the Green Goddess had closed because of the pandemic, which has me a bit concerned about the other places I used to take folks. But I am also getting to know my own neighborhood better–I can always bring people down to the Lower Garden District to eat and have cocktails; St. Vincent’s is a really nice place here in the neighborhood, and there’s that awesome Vietnamese café next to our vet, and of course Lilette and Coquette and all the other marvelous place uptown of the Quarter to eat.
I really do love living in New Orleans. It’s quite marvelous, really–sure, there are endless frustrations and irritations every day (someone needs to make everyone in the city take a remedial driving course like yesterday), but it’s so beautiful here. Last night was a lovely evening, and as I walked around taking pictures of houses with their Christmas lights (or just their normal lights) I kept thinking to myself you really are so lucky to be able to live here. It still hits me sometimes when I am driving around running errands; I’ll notice something I’ve driven past thousands of times before that never registered and I’ll smile and think god damn, I live in fucking New Orleans! and it really makes my day.
And at this time next week I’ll be waking up in a hotel in New York–hopefully having slept decently. I am kind of excited about the trip–time has really flown since I booked my flights and things–and since it will be my last hurrah…I do have mixed feelings about stepping back from my role there. Sure, I will miss it–it actually could be a lot of fun a lot of the time–but there are also things I am not going to miss. I’ve always been super-hard on myself, and rarely, if ever, give myself credit for things I’ve done and accomplished. Part of this comes from not taking myself terribly seriously–I laugh at myself ruefully all the time–and I’ve always had this mentality that if I did something, it must not be a big deal because I am no more than, if not below, average. But I don’t believe that as deeply as I used to, nor do I think it’s necessary for me to constantly be humble about things I’ve done, either. I think it’s also time for me to update my CV again, which will enable me to count all my stories and novels again for an update.
And on that note, I am heading into the spice mines. Wish me well, Constant Reader, and I will do the same for you. And I will check in with you again tomorrow.
Well, I guess it’s been a hot minute since my last bout of insomnia, so I guess I was due. Sigh.
It’s also Wednesday Pay the Bills Day, so yay? And one week from today I’ll be heading to the airport to fly into New York for the weekend. Yikes! Time certainly does fly. I feel okay this morning, despite the insomnia–we’ll see how this plays out in the long run, won’t we?–but I was very tired yesterday. I had felt really good upon finishing Mississippi River Mischief and turning it in; and felt great most of Monday, so I figured the emotional/physical exhaustion from finishing a book must have somehow been bypassed, maybe by remaining calm over that last week? I was wrong. I slept well Monday night and felt good yesterday morning, but by the afternoon was dragging and drained and tired and had trouble focusing. Paul and I continued watching Sherwood, which has really picked up and is quite good–I love that the entire mystery is focused on fallout and unresolved issues from the miners’ strike back in the 1980’s–and then I retired relatively early as I was barely able to keep my eyes open–and then of course never fell deeply asleep last night. I am having dinner with a friend in from out of town tonight, so hopefully I’ll be on my game tonight. I think another shower and clean-up after work is probably in order, and will work for the best.
Sigh, so, so much to do and get done, seriously.
Hilariously, the other day I got an email that someone had commented on my old Livejournal blog, the original Queen and Loathing in America, which was kind of odd, so I went and had a look. It was on my New Year’s post of goals for 2012, and I had to laugh as I scrolled through them and saw these last two:
6. Work on my motivation. I would like to be less lazy in 2012, and be better about staying on tops of things-no more putting off till tomorrow because I don’t feel like doing it today. This can certainly help with everything above, that’s for fricking sure.
7. Always stay focused on the positive. It’s very easy to get distracted as well as discouraged by on-line idiots hiding behind the security of their keyboards and saying things they would never have the courage to say to someone’s face. It’s also easy to get sidetracked by the on-line viciousness of the bitter, the jealous, and the nasty. I’ve gotten much better about this, but could be better still. I pledge that in 2012 that said people and their vitriol will continue to be viewed with contemptuous amusement by me, and I will continue to laugh at their bitter nastiness–and despite all the petty jealous attacks disguised as ‘book reviews’–I will continue to write and publish and have a career. And you know who you are. Just know that I truly pity you–because your talent is just as small as you are as a person.
The more things change, the more they stay the same. One of the goals I did see on that list that I think I’ve managed was to diversify and expand my writing to try new things and explore new styles, not only of writing but of genres. I think I’ve done a pretty good job of that–my books are all varied to a degree–which reminded me of another question I was asked, by John at Murder by the Book for my event there–you’ve written so many different styles of book, is there anything you haven’t tried yet but you want to? The answer was, of course, romance; I’ve been wanting to write an actual queer romance novel for a very long time, and even had various ideas for them over the years–but I have one idea now that I really want to try to write. I don’t know that I will write on in 2023, but it’s definitely moved up a lot higher on my “to-write” list. I have a couple of projects in progress that I do want to finish before adding something else to the list of unfinished things; I guess the point of 2023 is to make this the year of finishing things. But I need to snap out of this malaise because January is speeding past, and I need to make use of this month especially since I’ll be in New York for a long weekend next week, and I rarely, if ever, get any writing done when I am not at home. (I used to be able to do this and I am not really sure what has changed here, but there it is.)
And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I will talk to you again later.
Tuesday morning up before the sun blog in which yes, I have to go back to the office. It kind of feels like I’ve not been into the office in like forever, but it’s a new year for an old Gregalicious.
Yesterday was a wild day. I finished the book yesterday morning and turned it in (yay!) and then repaired to my easy chair to watch the LSU bowl game. The game was something, with LSU prevailing 63-7 over Purdue; LSU made Purdue look like a lower division team, and was up 35-0 at half-time, so it wasn’t terribly exciting to watch…but it was also airing at the same time as the Cotton Bowl, where Tulane was playing USC. I didn’t have very high hopes for Tulane, but I was paying attention to the score. As the LSU game wound down, USC was up 45-30 with less than five minutes left to go in the game, so I just kept watching the LSU post-game commentary and trophy presentation and finally switched over to see the end of the Tulane game, only to see there was like 20 seconds left in the game, Tulane had just moved the ball to a first down inside the ten yard line, and the score was now 45-39. They were reviewing the previous play for targeting, which was not called, and the game started again. There was a missed pass on first down, a caught pass rule incomplete on second down…which was reviewed and called a touchdown. Tulane then kicked the extra point to win, 46-45, in a massive upset for the ages and probably the biggest win in almost eighty years for their football program. ROLL WAVE! I still can’t believe Tulane beat a team that just barely missed the play-offs and could have played for the national title. And with the Saints also winning on Sunday over the Eagles, it was quite a weekend for football fans in southeastern Louisiana.
We gave up on Treason because we just weren’t all that interested in watching, and started Sherwood, a Britbox show, which seems interesting but we both kept falling asleep–tired, more than anything else–which I wasn’t entirely sure I was following, mainly because I kept dozing off. But it did look good, and it has a great cast, and so we’re going to stick with it for a while, at any rate. Today is also the day where my clinic job changes a bit; where we’re taking appointments every half hour (like pre-pandemic times) instead of every hour. I am not entirely sure how that is going to work, but today’s the day where we find out. Ah, yes, the joys of trial and error and finding the bugs and flaws in the system. I also have to catch up on my emails, which I let completely slide over the last four or five days while I finished writing the book. I have to say email, while incredibly convenient in many ways, has also sort of become the bane of my existence. I spend so much time on email, and sometimes email causes me great anxiety and stress. I’ve not had my inbox emptied in at least three years (!) and I am hoping that by the end of January that won’t be the case anymore. A goal for the new year is to keep my emails under control. We’ll see how that goes, won’t we?
I am not having any issues using “2023” as the date, but on the other hand I didn’t with “2022” until about October when all of a sudden “2022” didn’t look right.
But I am most pleased to have turned the book in. It still needs work, of course, but I need some time away from it so I can see it more clearly. I am also aware already of things that need to be done to make it better–the pacing in the first half is very off, the second half reads insanely fast–and there needs to be other tweaks and touches done for it. Taking January away from it is a good thing–by the time I start reading it again to edit the final edition in February I won’t remember most of it and that distance is sometimes absolutely necessary; it certainly helped with other manuscripts in the past few years. The deadline thing continues to be problematic and stressful for me; maybe the key is to go back to completing a first draft before asking for a contract in the future as I don’t ever want to be as stressed out as I was this past December, but right around Christmas the stress and anxiety snapped in my head and this weird calm descended on me. I didn’t even have to make myself work on the book these last few weeks, either; I just sat down and wrote three thousand words a pop (six over this last weekend) and before I knew it, there it was; finished.
And on that note I am heading into the spice mines. We’re having heavy weather today–rain, humidity, potential flooding and tornadoes–so going home this afternoon should be a really good time. Have a lovely third day of the new year, Constant Reader, and I will check back in with you tomorrow.
Queer and Loathing in America 