Bad Boy

Masculinity is something I’ve always felt I viewed from the outside.

It’s very strange; for someone who doesn’t look back very often and has a rather healthy disdain for nostalgia, for some reason since the pandemic started, I’ve been revisiting my past a lot. I don’t know, perhaps it was triggered by having dinner with an old friend from high school a while back (which also inspired me to write a horribly dark short story); or perhaps it’s because of short stories or novel ideas I’ve been toying with, but lately, I’ve been thinking about my past much more so than I usually do, and what it was like for me growing up. I wrote a Sisters in Crime quarterly column several years ago about the first time I realized, once and for all, that I was indeed different from everyone else–it centered the first time I heard the word fairy used towards me as a pejorative, as well as the first time I was called a faggot. I’ve also been examining and turning over issues of masculinity inside my head for quite some time (most of my life). #shedeservedit was itself an examination of toxic masculinity and how it reverberates through a small community when it’s allowed to run rampant and unchecked: boys will be boys. Some short stories I’ve published have also examined the same subject.

What can I say? My not being the American masculine ideal has played a very major part in shaping my life and who I am; how could it not? I used to, when I was a kid, pray that I’d wake up the next morning and magically be turned into the kind of boy I was supposed to be, the kind that every other boy I knew–from classmates to cousins to everything I watched on television and at the movies.

Society and culture have changed in many ways since I was a little boy who didn’t fit so easily into the conformist role for little boys; roles for male and female were very narrowly defined when I was a child, and children were forced into conforming to those roles almost from birth. Boys were supposed to be rough and tumble and play sports and get dirty and like bugs and frogs and so forth; girls were supposed to be feminine and play with dolls or play house, wear dresses and mother their baby dolls. Boys weren’t supposed to read or enjoy reading (but I was also supposed to get good grades and be smart), and that was all I wanted to do when I was a kid. I used to love Saturdays, when my mother would go to the grocery store and drop me off at the library on her way. I loved looking at the books on the shelves, looking at the cover art and reading the descriptions on the back. I loved getting the Scholastic Book Club catalog and picking out a few books; the excitement of the day when the books I’d ordered arrived and I could go out on the back porch when I got home and read them cover to cover. I was constantly, endlessly, pushed to do more “boyish” things; I played Pee-wee baseball (very much against my will), and later was pushed into playing football in high school–which I hated at first but eventually came to love…which just goes to show, don’t automatically hate something without trying it. But yeah, I never loved playing baseball. I was enormously happy when we moved to Kansas and I discovered, to my great joy, that my new high school didn’t have a team.

One less traditionally masculine thing for me to participate in was always a bonus.

The things that I really wanted to do weren’t considered masculine pursuits, and as a general rule I was denied them as much as possible. My parents forbade me from reading books about girls–Nancy Drew, the Dana Girls, Trixie Belden–which, quite naturally, made me want them more (my entire life the best way to get me to do something is to tell me either not to do it or tell me I can’t do it…either always makes me want to do it). Oddly enough, when my reading tastes became more adult–when I moved from children’s books to reading fiction for adults–they didn’t seem to care that I was reading books by women about women quite so much as they did when I was younger; either that, or they gave up trying as they finally saw me as a lost cause–one or the other; I don’t know which was the actual case. Maybe my embrace of football in high school overrode everything else suspect about me. It’s possible. My family has always worshipped at the goalposts…and I kind of still do. GEAUX TIGERS!

I spent a lot of my early life trying to understand masculinity and how it worked; what it was and why it was something I should aspire to–and never could quite wrap my mind around it. The role models for men always pointed out to me–John Wayne, etc.–never resonated with me; I always thought they were kind of dicks, to be honest. The whole “boys don’t cry, men never show emotions, men make the money and the entire household revolves around their wants and needs” shtick never took with me, and of course, as I never had any real sexual interest in women…the whole “locker room talk” thing was always kind of revolting to me, because I always saw girls as people. It probably had something to do with the fact that I was more likely to be able to trust girls than boys; I had so many boys decide they couldn’t be friends with me anymore because at some point other kids calling me a fairy began having an negative impact on their own lives all through junior and senior high school (to this day, I’ve never understood this; why were we friends before, and what changed? It wasn’t me…I didn’t suddenly switch gears from butch boy to effeminate overnight) it’s little wonder I have difficulty ever trusting straight men…but in fairness, I have trouble trusting everyone. But I never quite understood the entire “boys are studs girls are sluts” thing, but I also never truly understood the dynamics of male/female attraction. Yes, I dated in high school; I dated women in college before I finally stopped entirely. And yes, I also have had sex with women, back then–but never really enjoyed it much.

In all honesty, I still don’t understand masculinity, at least not as it was defined in my earlier decades of life. I’ve never understood the cavemen-like mentality of responding with violence (no matter how angry I get, I never get violent); I’ve never understood the refusal to recognize that women are human beings rather than life support systems for vaginas and wombs and breasts; I’ve never understood the mentality that a man’s desires should trump (see what I did there?) bodily autonomy for women. No man has a right to a woman’s body, nor does any man have a right to tell a woman what she can or cannot do with her body. Maybe always being an outsider looking in and observing has something to do with my mindset, maybe my difference and always having mostly female friends most of my life is what shaped me into understanding these things.

I also mostly only read women’s books, to be honest. There are some straight male writers I read and admire (Ace Atkins, Bill Loefhelm, Michael Koryta, Harlan Coben, Chris Holm, Stephen King, Jeff Abbott and Paul Tremblay, just to name a few) but I really have no desire to read straight male fantasies that reduce women to caricatures and gay men, if they do appear, as stereotypes; but after I recently read I the Jury by Mickey Spillane, a comment someone left on my post gave me a whole new perspective on how to read such books from the 40’s 50’s, and 60’s; the perspective of reading these books as examples of post-war PTSD…and that opened my eyes to all kinds of questions and potential critical analyses; that the horrors of World War II and what the veterans saw and experienced shaped the development of the culture of toxic masculinity that arose after the war (not that toxic masculinity didn’t exist before the war, of course, but the war experience certainly didn’t help any and it most definitely reshaped what “being a man” meant). I was thinking about doing a lengthier critical piece, on I the Jury, along with the first Travis McGee novel, and possibly including Ross Macdonald, Richard Stark and possibly Alistair MacLean. There’s certainly a wealth of material there to take a look at, evaluate, and deconstruct–and that’s not even getting into Ian Fleming and James Bond.

I’ve also always found it rather interesting that Mickey Spillane was Ayn Rand’s favorite writer. Make of that what you will.And on that note, I am off to bed. The last two days have been long ones, and tomorrow and Sunday will also be long days. I’m planning on driving back to New Orleans on Sunday–timing it so I get back after the parades are over so I can actually get home–regardless of what happens here. It’s not been an easy time here, and I am very tired.

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Shattered

Thursday morning, and I am about to head over to the West Bank to have my car serviced before I head to Kentucky.

Kentucky? Why are you driving to Kentucky when parades start tomorrow, Gregalicious?

I curate my life here on social media/blogs etc. I don’t talk about friends or family on here or my day job very often. I try not to be offensive, and I try to protect the privacy of my friends, family, and co-workers. Most of them never signed up for this (my writer friends did, kind of, but nevertheless I don’t talk about their personal lives or our friendships on here) and as a general rule, I try to keep my entries non-personal; I don’t write about Paul (he has specifically asked to be left off my social media other than in passing) or what’s going on with him or us on here. But while I generally like to protect everyone’s privacy–and I usually don’t like bleeding in public–I feel like I kind of have to mention this, even if it’s a violation of my family’s privacy.

My mother has been in poor health since Christmas of 2019, when she had a stroke. We almost lost her that time, and since then, she’s had several procedures and been to lots of doctors and had all kinds of things done; it’s hard to keep track because there has been so much. At one point–it’s hard to keep track–she was having chemotherapy because they’d found cancer; she also was suffering because one of her vertebrae had shattered, and eventually had to have surgery to have bone chips removed. The cancer was along her spine, and I think the shattered vertebrae had something to do with the cancer, but it’s hard to remember and hard to keep track, as it has been relatively relentless ever since, one thing after another. I’ve been watching her decline for the past few years, which has been difficult. For the rest of the family it’s been so gradual as to not be noticeable; for me, not seeing her all the day, it was always a shock to see how much she had changed since the last time I’d seen her, and I also knew, each visit, that this might be the last time I saw her.

So, I am heading up there today, with plans to drive back to New Orleans on Sunday. The situation may change, of course; I may not get there in time. I had debated, after getting the text from my sister, about waiting still longer, but as more time passed yesterday I finally realized that if she goes while you’re on the road, that’s one thing–but I think not getting there in time would be easier to live with if I had tried. So, I talked with my supervisor and left the office early yesterday. I came home to straighten up the house and do laundry and other mindless chores while I decided what to take with me and what audiobooks to listen to in the car (I’m going to finish The Lying Game on the way up there, and will listen to Carol Goodman’s The Stranger Behind You on the way back). Scooter, being an empath like all cats, knew something was wrong and kept insisting that I sit down so he could lay in my lap, sleeping and purring to make me feel better. It comes and goes; that’s the thing with grief–you never know when it’s going to sucker punch you again when you aren’t expecting it–and maybe the way I deal with it isn’t the most healthy. I prefer to grieve by myself, quietly; I don’t want sympathy and I don’t want pity and I don’t want everyone to comfort me because all that does is make me sadder and cry more. Talking about it is when I start choking up and getting teary-eyed; so I’d rather not talk about it. I like to process things alone, work it all out for myself. This is one of the reasons I despise funerals and avoid them as much as I can; putting your grief on display like that has always made me nervous and uncomfortable. I’ve never been good with attention–as I kept saying this past weekend in Alabama, “Praise makes me uncomfortable”–that also holds true for this kind of attention as well. We were always raised to be stoic in public–“never bleed in public”–which convinced me that grief is something private. Unfortunately, that has also translated into making me uncomfortable around other people’s grief; I am terrible when someone I care about loses someone they love. I never know what to say or do, and I always feel helpless because my natural instinct is to do whatever I can to make things easier for the people I love–but I can’t take away their grief and pain, so I feel like anything I do or say is futile and useless.

When my final grandparent died right after Hurricane Katrina, I remember heading up to Kentucky (it was Thanksgiving week) and once there, my dad saying to my mother, “Well, I guess we’re the old generation now.” It’s hard not to think about your own mortality when you are losing a parent; especially when you’re already in your sixties when you lose your first parent. (Ironically, I am almost the age my parents were when the last of my grandparents passed.)

And no matter how prepared you are for this (I’ve been steeling myself since December 2019, and it’s always been there in the back of my mind; every time I get a text message I tense up), it’s never an easy thing.

And I have twelve hours in the car to think about it, remember things from the mundane (oh, I’ll never have my mom’s dumplings again) to the painful (Dad is going to be a wreck) and of course, the ever popular what now?

But I know I’d rather tense up and worry when I get a text message than say goodbye.

Not sure when I’ll be back here, Constant Reader. Take care of yourself and give your loved ones a hug for me, okay?

Beast of Burden

Wednesday and only two–count ’em, two–days left before the parades start rolling down St. Charles, so tonight after work I am taking the highway and swinging by Costco on my way home. Yesterday was an okay day in that I never really felt tired or drained, which is always a plus. I did manage to start working on the first stage of the revisions of the manuscript–and I started working on something cool and exciting and new, but must remain a secret for now until I get it all figured out and worked out–and that’s terrific. I am sure going to Costco after work today is going to be a draining experience–but it’s never as bad as just going to a regular grocery store or Walmart, frankly. I also have to clean up around the kitchen this morning because I am doing a ZOOM thing for the MWA-Midwest chapter tomorrow night. I also have to go in Friday morning for a staff meeting (yay) but that’s fine; I can run to the grocery store for last minute things and pick up the mail afterwards so we’re good through Monday.

Because the grocery store won’t be a zoo the first Friday morning of parades, either.

I’m a bit groggy this morning. I slept pretty much through the entire night, other than when Scooter began howling for food early in the morning. He’s such a sweetheart, though. I went to bed last night before Paul got home and fell asleep almost immediately. I woke up when Paul got home and Scooter was curled up, nestled inside my right arm with his head right next to mine. You have to love a cat that’s just a big ole cuddlebug.

While I waited for Paul last night–I am still in the final stages of the malaise, alas; my creativity at a very low ebb at the moment–I started going through the manuscript, this time getting character names and seeing which characters actually had their names changed from one thing to another over the course of the manuscript (which happens when you don’t have a character key, which I know and don’t know why I didn’t keep up with mine as the manuscript progressed…especially when you have a fashion show with how many drag queens walking the runway? But the manuscript, even with the slight glances I was giving to it as I went through pulling out character names, didn’t seem nearly as messy and sloppy as I remember it being while I was writing it–which can be either my faulty memory or my usual self-loathing of any and every thing I write. The latter is always possible, but so is the former. At some point I should probably address my failing memory on here…but not today; I shall save that for some morning when I am not awake before sunrise and can focus properly on writing about my aging mind.

I was too tired to read as well last night; I am hoping to break that tonight when I get home. I am in the midst of two really fun and well written crime novels–Abby Collette’s Body and Soul Food and Ruth Ware’s The Lying Game–and so maybe every night when Paul’s not home I should take a book to bed with me? I don’t know how that might work, to be honest; usually I am so groggy by the time I climb the stairs I’m not sure how much reading I could do–let alone retain–late in the evening. I was pretty worn out by the time I finished watching Airplane! on HBO MAX (I got tired of scrolling through Youtube videos to watch so decided to rewatch one of my favorite comedies of all time–which has some eyebrow raising moments, but still holds up for the most part) and maybe that’s what I should start doing on the evenings when Paul works late–watch an old movie, maybe even a rewatch of a particular favorite, like Rogue One or something I’ve not seen in years, like Double Indemnity.

But today’s goal is to finish the character list and start the outline, so I can see what corrections needs to be made, what sections might need moving, and where I need to add more. I am feeling more awake now–coffee always helps, but my legs feel like they’re still not completely awake yet, which is a weird feeling that I am not describing properly to get across. It’s not like they’re asleep and tingling, or even exhausted or fatigued or anything like that–they just feel like they’re not awake, which isn’t getting the way it feels across, is it? Ah, well, it doesn’t matter because they don’t feel like they’re still sleeping in the bed, anyway.

And I still haven’t gotten an Arthur Hardy’s Mardi Gras Guide 2023 yet, either.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader.

Miss You

Tuesday morning and back into the office with me. I am awake before the sun rises yet again, and will be back in the office again for the first time since Thursday. It feels like it’s been somewhat longer than that, somehow, but the vagaries of time and how it passes seems to be ever-changing the older I get. I slept pretty well–could have slept longer quite happily–but am hoping I’ll fully awaken my brain with a strong assist from my coffee this morning.

I was tired yesterday–not the exhaustive kind, but the drained kind; public performance always drains me and wears me out. It’s why I could never be a performer of any kind who would need to perform every night. I’m sure you get used to it, but even when I was younger public appearances always drained me and left me feeling very low energy. It probably also has to do with driving over ten hours over the course of forty-eight, too, but yesterday was a real low energy day where I just couldn’t seem to get started. I did manage to get some things done. I picked up the prescription and made groceries, picked up the mail and went by the bank. I came home, wrote some panel descriptions for Paul, and did some cleaning and organizing.–and felt grateful to get that much done by the time I went to bed last night. I also watched a rather bad documentary series called The Price of Glee–about the tragedies surrounding the show. (Glee was important in many ways, but whoa boy, it has not aged well.)

Today I must pay some bills and make an updated to-do list. I keep forgetting things that I should be doing, and trying to plan my week (parades start Friday, so finesse needs to begin to become more involved in the planning processes here. I also need to be checking my calendar to make sure I am not forgetting things I’ve agreed to do–which has become a problem. I need to make a Costco run sometime this week after work as well–probably tomorrow or Wednesday would be best–and I need to get the editing process on my two manuscripts started as well as work on a short story I’ve promised. (I am going to look at some other stories I have on hand that might work just as well, as I am struggling with the one I thought would be perfect initially.)

I also was unable to resist writing the opening sentences of the 70s book I was talking about the other day, because they’ve been dancing around in my head tormenting me for quite some time now; plus it’s about time I create a file of some sort for the idea in the first place. So I guess I did do something writing-wise when it comes to productivity; even if it was nothing that should have been written or any time spent on at all. Ah, well, welcome to the wonderful world of creative ADHD. But I think the malaise combined with the hangover from the public appearances of extroversion and traveling over the weekend created a 1-2 punch that made truly doing anything other than recharging my batteries a major accomplishment, so I am going to simply go ahead and rest on my laurels, proud that something got done. (I straightened out the corner in the living room, so it doesn’t look quite as cluttered and hoarder-ish as it has for the last few years or so.) I’m going to also continue pruning the books with extreme prejudice. I need to finish the Ware and the Collette, which hopefully will not be difficult to do or to find time to do this week as I rush around madly trying to accomplish things before the parades begin. I think the weather might be nice this weekend, too–which would be lovely to take some time and go out to the corner, catch some beads while enjoying being outside, and taking lots of pictures. I should have taken a walk today, actually; it was a beautiful day in New Orleans yesterday. I had to switch the heater over to the air conditioner in the apartment this afternoon as it was in the low seventies and sunny–heaven. Today will be the same, getting into the high seventies before dipping into the lows at night. This seems to be what the weather holds for parade season as well; decent and sunny during the day, with it getting far chillier at night, which means hoodies on the parade route most likely.

The coffee is kicking in (huzzah!) as I sit here, but I also have to shave and do all kinds of things before I leave for the office later on. I need to get my daily pill regimen sorted into its daily dosages, I really should shave my face and my head, and of course, I need to take a shower and get dressed like every other morning. I’m still a little dazed, I think, from the weekend, but fortunately that will gradually fade away throughout the course of the day as I wake up further. I got a fresh king cake yesterday (cream cheese filling, of course, because it isn’t sweet enough already), and I also need to get my lunch packed. So, Constant Reader, I am going to head into the spice mines after finishing this. Have a lovely Tuesday, and I will check in with you again tomorrow morning.

Somebody’s Knocking

I love Carol Goodman.

Ever since reading The Sea of Lost Girls several years ago–I think after we met at Bouchercon in St. Petersburg at the Harper Collins party?–I’ve considered her one of our best current novelists in the crime genre. The more of her canon that I read, the more convinced I become (The Lake of Dead Languages, The Night Villa, The Uninvited Guest), and so naturally I was very excited to listen to The Night Visitors on my drive this past weekend. I finished listening somewhere around Satsuma, Alabama (Alabama really has the most interesting town names), and loved every minute of it.

Oren falls asleep at last on the third bus. He’s been fighting it since Newburgh, eyelids heavy as wet laundry, pried up again and again by sheer stubbornness. Finally, I think when he nods off. If I have to answer one more of his questions I might lose it.

Where are we going? he asked on the first bus.

Someplace safe, I answered.

He stared at me, even in the darkened bus his eyes shining with too much smart for his age, and then looked away as if embarrassed for me. An hour later, he’d asked, as if there hadn’t been miles of highway in between, Where’s it safe?

There are places, I’d begun as if telling him a bedtime story, but then I’d had to rack my brain for what came next. All I could picture were candy houses and chicken-legged huts that hid witches. Those weren’t the stories he liked best anyway. He preferred the book of myths from the library (it’s still in his pack, racking up fines with every niles) about heroes who wrestle lions and behead snake-haired monsters.

The Night Visitors has two point of view characters; Alice, an abused mom on the run with her son, Oren, and Mattie, a social worker in a small town in upstate New York. This is an excellent example of differentiation between voice; while the authorial voice never falters and you never doubt you’re reading a Carol Goodman novel, the two voices are clearly that of two very different people. Alice and Oren arrive in the town, where they are greeted by do-gooder Mattie, and then begins the dance of the story. Both women take the other’s measure, and both women are hiding horrific secrets that their close relationship is going to bring out over the course of less than thirty-six hours. Mattie is a social worker who lives in an enormous if crumbling house; that first night–even though it’s against all the rules–Mattie decides to bring Alice and Oren home with her, rather than leaving them at the safe house, Sanctuary. And that’s when the strange things begin to happen.

Thirty four years ago, Mattie’s entire family–early onset Alzheimer’s mother; hanging judge father; change of life baby brother Caleb–all died from carbon monoxide poisoning from their faulty furnace. Mattie found their bodies, and her life–already severely off-course and altered–runs aground against the rocks. She has thrown herself into her work–even though she sometimes thinks her social work training is bunk (which I, as a counselor, sometimes think myself in weary frustration; it’s easy to see how social workers burn out from their jobs)–and has never completely gotten over the loss of her little brother. She sees a lot of her lost brother in young Oren–which alarms and worries both women. Alice is also being chased by her abuser, and everything–the past, the present, the futures–all come crashing together one night during a blizzard and power failure at the crumbling house, as all the secrets from the past slowly start coming out, with both women forced to face not only their own truths but the other woman’s as well, as they fight for their lives in a blizzard in the dark against a killer who wants them both gone.

The book is simply extraordinary. The suspense and tension once the power goes out is almost unbearable and are impossible to turn away from; it was incredibly difficult waiting two days to finish listening to it, and it was hard to get out of the car yesterday at the Civic Center in Wetumpka and stop listening. I highly recommend it, as I do anything by Carol Goodman.

If I Was a Dancer

Monday and I have to say–as comfortable as that bed was in Birmingham, there’s nothing like my own bed. I really like being home. But being away is much more pleasant when you’ve just spent a weekend away. I slept very deeply last night–I did wake up a couple of times, but was able to get back to sleep again, which was lovely. I also slept later than I intended to this morning, but that’s also okay. I have things to get done, errands to run, cleaning to do and laundry to launder, manuscripts to edit…it’s not easy being a Gregalicious sometimes. (There’s also nothing like coffee you’ve made yourself, either.) Parades on St. Charles also begin this Friday, which means today I really need to get my life and week figured out–parade season always requires a plan. There are three parades Friday night, five Saturday, and two or three on Sunday. We haven’t gotten a Mardi Gras guide for this year, either; I’ll need to rectify that today–but I don’t think I’ve seen any anywhere this year? Maybe I’ve not been paying attention–always a possibility, really–but we really need to have one.

Although I suppose the parade tracker app can serve in its place?

Perish the thought.

It feels chilly in the apartment this morning but the heat isn’t on, which is odd. It felt relatively temperate in the apartment when I got home last night, so I’ll have to check the setting.

It’s always slightly disorienting to reacclimate to your day-to-day existence after a lovely weekend of being an author, you know? I’ve never had much trouble erecting firewalls to compartmentalize the different aspects of my life; I keep my day job out of my writing profession and I keep my author life out of my day job, and so on and so forth. I think I am able to compartmentalize my life so easily because I’ve always compartmentalized my life; every queer person who has ever been closeted should be good at this as we are used to living two separate lives–always terrified that somehow the two lives would intersect at the worst possible moment. I do recognize in myself that separating aspects of my life is such an ingrained habit that even after successfully merging my two lives when I was thirty, that I still have the habit of separating. I separate my private life from my public life, and am fiercely protective of my privacy (and yes, I know how weird that sounds, given I have a daily blog–but I rarely talk about my personal life on here other than generic references to dinners or drinks with friends, and I try very hard to leave my friends’ names out of here as well; they didn’t give me permission to talk about them publicly), and I also separate my author life from my day-job world. It’s nice and humbling to know that even if my co-workers know that I am an author, they don’t think about it much or if they do, it’s more of a how cool and then they move on and forget about it as well. This is even more true now that Jean has retired; I used to pop into her office to talk about a book one of us was writing, or something that we just read and liked, or just to share industry gossip with a heaping side helping of snark. I do miss that from time to time.

But I need to shake off this weird adjustment feeling. I have things to do, even though I’d rather just curl up in my easy chair and finish reading The Lying Game. I need to write my review of Carol Goodman’s The Night Visitors; I need to clean out the refrigerator and see what’s spoiled in order to make a grocery list for today; I need to figure out what to take for lunch for the rest of the week; I need to make a Costco list; I need to make a plan to get through parade season; I need to finish a short story and look at some in-progress ones to pick ones to finish for submission calls; and of course, there’s always filing and organizing to do. At some point I need to start tearing my manuscripts apart for the revisions; and I will probably do that today. There’s laundry to launder and computer files to look through and file properly; there’s mail and groceries and a prescription to get. So, on that note, I need to make another cup of coffee, find something in the cabinets for breakfast (add cereal to grocery list), and get my normal life kicked back into gear, much as I’d rather bask in the afterglow of the weekend.

So have a lovely Monday, Constant Reader, and I’ll check in with you again later.

Emotional Rescue

Well, I forgot my power cord in New Orleans, so have been trying to use this laptop as sparingly as possible so that I can at least get this posted before I head to Wetumpka this morning for Murder on the Menu. Today was nice; the Homewood Library always has a nice turnout for the panels, people bought my books and were very lovely to me–always a plus–and I got to spend some more time with friends I don’t get to see very often, like Dean James and Erica Spindler (name-dropping!) and I also got to spend time getting to know Debra Goldstein and Christopher Swann better, and I got to spend some time with Bobby Mathews, whom I met briefly at Bouchercon this last fall. He’s quite funny, and I picked up his Working the Gimmick, a pro wrestling noir! How fun is that? And since one of my in-progress projects is a pro-wrestling adjacent gay noir, I’m kind of looking forward to reading it! I am going to listen to Carol Goodman on the drive to Wetumpka (The Night Visitors), and when I finish it–probably about halfway between Wetumpka and New Orleans, I will switch over to Ruth Ware’s The Lying Game, which I am also looking forward to. I’ve also been writing lots of notes and ideas in my journal during yesterday’s panels. Alas, after mine today I am departing back to New Orleans because I do need to get home–parades start next weekend, so I really need to start preparing for the coming limitations on running errands that is the inevitable and unenviable result of parade season.

I did sleep really well Friday night–the key is that even if I am now in that partial sleep that is the bane of my existence, my body and mind are resting, which makes such a difference. My Fitbit does actually monitor my sleep; the goal is to always have a sleep score of 80 or higher; I think there’s only been one night since I came home from New York where the score wasn’t over eighty, and usually it’s averaging in the high eighties, which is great and not very common for me. I slept really well again last night–at least, rested well; not sure how deep the sleep actually was but the rest was lovely.

I did not manage to finish this entry this morning. The battery in my laptop did indeed die as I was typing (I’d managed to save it as I watched the battery very quickly evaporate once it got to 15% charge) and now I am home. Today I had a lovely drive to Wetumpka, and the panel and signings and stuff there went well. We managed to sell thirty (!) copies of A Streetcar Named Murder, which was very pleasant and a very pleasant surprise. I really love Wetumpka, and the folks there seem to really love me, too. They are absolutely lovely, they read my books and like them, what a pleasant surprise, you know? Small town Alabama–who knew that was my sweet spot?

I am home now and very tired. The drive home was smooth–and I did start Ruth Ware’s The Lying Game before I got to Mobile (the Goodman novel is fantastic; more on that later), and I am really enjoying the Ware as well. I really want to set a book in Wetumpka–I have a Ruth Ware kind of idea for a book to be set there, and I have a cozy idea that could easily work in a town like Wetumpka. Although the Wetumpkans may not like what I may do to their town….LOL. But the more I listen to/read Carol Goodman and Ruth Ware, the more I think I want to write something more along those lines, too. That’s me, the sponge; anything I read that I also enjoy I always wind up wanting to write something in that style. The 70’s book that I am thinking about–I almost have the title down–is also something entirely different than what I’ve written before or want to write in the future, which of course makes me want to write it all the more. But this week I need to start tearing manuscripts apart and stitching them back together, getting these other two books finished so I can get back to the others I want to write, so I can then write the 70s book. (I am resisting the urge to start writing it, you have no idea how hard it is to resist that urge, especially with that little voice in my head whispering you can always start editing the manuscripts next week why not take this week to get it started which is how this stuff always winds up getting out of hand. I also think that my creativity sometimes gets a bit over-stimulated when I do events like this.

But what a problem to have, right?

And on that note, I am going to go start digging out from under everything that has piled up since I left Friday afternoon. Have a lovely rest of your evening, Constant Reader!

Angie

Alabama.

I drove all afternoon, first east on I-10 out of New Orleans and then north on I-59 to Birmingham. It was a lovely day for a drive, really, and I was listening to Carol Goodman’s The Night Visitors, which is gripping. She is truly a master at suspense, the modern day equivalent to Mary Stewart, I think. Part of the reason I am enjoying it so much is because one of the point of view characters is a trained counselor/social worker, who primarily works with domestic violence victims–and as someone who is a trained counselor who works with a LOT of social workers, the character of Maddie (or Mattie, it’s an audiobook so I am not sure how it’s spelled) thinks a lot the way I do sometimes about the techniques we are trained to use, when I’m taught a new method counseling…which makes me think that maybe, just maybe, I could write about a counselor. (Obviously, I wouldn’t be able to use actual situations I’ve handled with actual clients, but I know I could get that world-weary does any of this really work cynicism burned out voice down perfectly.)

I got into the hotel around six last night, met up and socialized downstairs with some of the other folks here for the event–as well as the event organizers–and that was nice. I love writers and I love readers, so it’s always nice to be around people who are into books. (Oh, how I used to dream about being around other people who loved books, too…) I am up insanely early this morning because we have to be at the library for nine, but I slept decently for a hotel night (thank you, sleeping medication–you always deserve a shout out when you work) and am thinking I might actually be coherent on my panel today. I know it’s rude, but I am going to bring the latest manuscript with me today; I doubt I’ll even look at it–I always enjoy listen to writers talk about writing, and often I take notes as ideas come to me while and after listening to smart people talk about creating. I’m lucky this year, too–I have this event this month; TWFest/S&S next month; and then Malice the month after–so three consecutive months where I get to be around other writers, have fun and be inspired. It’s also good timing, since I’ll be in the weeds with edits and writing something new and hopefully also discovering great new writers to read. I’m getting kind of excited about this year, to be completely honest. I’m really happy with the writing I’ve been doing these last few years, and I ak m kind of excited about the writing I am going to be doing. It’s kind of feel excited about writing again, you know? The pandemic years (and yes, well aware they are not past, no matter how much we pretend that they are) and even the few years prior to that, I don’t remember ever being really excited about the writing I was doing? I was so caught up in the “this is such drudgery oh hurray another deadline is looming” that I forgot how much I actually like doing it, how much I enjoy creating, and that as much as I hate to admit it, ever, I’m actually kind of good at it.

I hear myself talking sometimes, or I come back here to reread something I’ve posted for some reason or another, and I think oh you’ve become one of those old people who brings up the past to make a point about the present and I roll my eyes at myself. Part of it is because I refused to look backwards for so long–and even now, after all this time, that can still be painful and hard–that now that I am sort of doing it, reacquainting myself with my own past by submerging myself into the news and the culture of this time or that period because I want to write about it, so I have to remember now…and now that I’m older, it’s harder to remember and then I’ll read something or hear something or watch something that will contradict something I remember (like, “no, I’m pretty sure I remember that song coming out when I was in eighth grade because we sang it in choir and we couldn’t have sang it if it came out later than that”–and sometimes those things I come across are actually incorrect, so it almost feels like gaslighting…I am beginning to understand now in this later stage in life that I have been essentially gaslit my entire life), which always gives me pause. But I want to write a book set in the early to mid 1970s, and yes, the character will be the same age I was in that time, so I am reacquainting myself with the period. I am writing a novella set in New Orleans in 1994, so I have to remember what that summer was like for a gay man in that America, and also what New Orleans was like in 1994; the music played in clubs, the drugs everyone was doing, were short shorts out yet or just on the way out, where we stood with HIV./AIDS (not a good place, frankly), and how the gay nightlife scene in New Orleans has so dramatically changed from back then. We used to have two bath houses and two backroom bars (which always used to get raided right before Southern Decadence as a reminder to the club owners to tip their local police union well), and the city itself was simply crumbling in the bright sun and high heat.

That’s certainly not New Orleans today.

It’s also weird the kinship I feel for Alabama. I only lived here the first two years of my life, so I have no memory of ever actually living here, but I spent so much time down here as a child it always kind of feels like home here, even though it’s not and has never really been. I feel connected to Alabama in a way I never have to anywhere I’ve ever lived other than New Orleans (which is why New Orleans is my home now), and just being in the state–hearing the Google Maps lady interrupting Carol Goodman’s book to say welcome to Alabama always brings a smile to my face (just as the Bienvenue en Louisiane sign does)–makes me feel more creative, more connected to my creativity, and leaves me feeling inspired. The minute she finished saying it and the narrator of the book came back on I immediately started thinking about Bury Me in Shadows, and two Alabama novellas I have started but yet to finish, and about another book set in my fictional Alabama county, and my mind just kept spinning and weaving tales until I pulled into the parking lot and turned off the car.

Sigh.

And on that note, I am going to go forage for coffee. Because else it will not be pretty.

Dance Little Sister

Today I am off to Alabama. I’ve ordered groceries to pick up for Paul, which I will drop off on my way out of town. I am a bit excited about the trip–it’s always lovely to see Margaret and Tammy–and I just love this event. This is my fourth time going, and I’ve always had a good time whenever I’ve headed up there. I’ll be back here on Sunday evening, probably exhausted and ready for the incredible comfort and joy of my own bed. I am looking forward to the drive (lunch at the Arby’s in Toomsuba! Carol Goodman audiobook on the stereo!) and I’m not in a huge rush to get up there, either. I think it’s about six or seven hours? Never mind, it’s only five total– I also checked the distance and the timing it takes, and I realized last night that I don’t, in fact, have to get on the road by nine or ten. Since it’s five hours, give or take, without stops, so really, as long as I get on the road around noon I’ll be there tonight by six. So, why make myself crazy trying to rush out of here?so yeah, no need to put the pedal to the metal and speed or anything. I’ll probably just put the cruise control on after I get past Slidell and cross the state line into Mississippi. I also checked the distance and the timing it takes, and I realized last night that I don’t, in fact, have to get on the road by nine or ten. Since it’s five hours, give or take, without stops, so really, as long as I get on the road around noon I’ll be there tonight by six. So, why make myself crazy trying to rush out of here? I do have to go pick up those groceries, swing by the bank and post office, get gas, and run another errand. I can also take my time and make sure I have everything packed that I need as well–when I finish this I’ll probably go ahead and make the list after checking the weather. I slept extremely well last night, too.

I was exhausted when I got home from work yesterday, hence the great relief that I could just laze about and not do much of anything last night, which was helpful. I think the malaise really struck hard yesterday, and by the time I got home from the office I was exhausted, so much so that I collapsed into my chair without a second thought and pretty much stayed there the entire night, rather than packing or organizing or anything. Paul did come home so we could finish The Recruit–and I have to say, that was a season finale. It’s already been renewed for a second season, and I can’t recommend this show enough. It’s a lot of fun, has humor, a great plot and story, and the acting is top notch. I also rather like the cynical way the CIA works on the show–as well as its depiction of how Washington works–because I suspect it’s much more like this than people would like to believe. I did go to bed early, too, which helped with the sleep, and even though I woke up at six this morning I chose to stay in bed for another couple of hours like a slug. But it felt marvelous–last night I was thinking to myself I was too tired to make the trip this weekend if I didn’t get a good night’s sleep, and how fortuitous for me that I got one. Here’s hoping I can sleep for the next two nights at a hotel in Birmingham, shall we?

But I can feel my batteries recharging, if that makes sense? And that, too, feels good to me. I know I have a lot of editing work to do in front of me–as well as other writing–but this fallow period is needed to rest the earth of my creativity so it can spring back into action when I need it again. I think I was a bit too ambitious with thinking about my schedule for the year, too–but the schedule has kind of sorted itself out again, which is kind of nice. I’m not sure when I am going to get to some of the things I had planned to write this year–but I do still plan on writing them; I don’t think ambition is going to be a problem to get me motivated this year. In fact, I suspect motivation is actually not going to be a problem for me this year or any year going forward.

Then again, it isn’t summer here quite yet, either. Summer definitely takes its toll on me and my psyche; usually by August I am feeling relatively defeated by the heat and humidity, but I don’t think that’ll be as much of a problem this year as it has been. Now that we have the new HVAC system, it’s always cool in the house in every part of it. And by then I am hoping to have my return to the gym ingrained as a habit by then. 2023 is the year I want to take better care of myself and get things taken care of–hearing and teeth to start with–and of course going to the gym is integral to my health. I need to start stretching at home every day in the meantime, maybe even working my way back up to some push-ups and ab crunches before I start going back to the gym. It also has occurred to me that stretching at home before going to the gym is probably a better approach; I’ll be warmed up and the walk will keep me warmed up as I head over there and then back home again. I also think I’ll feel more like myself once I am going to the gym again more regularly. And feeling more like myself, returning my life back to what it used to be, is really kind of important to me. I feel in some ways like I’ve lost my sense of self and who am I and what really matters to me the most over the course of the last years because I’ve been so busy. It’s also been really tempting to think oh I have so much free time I should start volunteering again, but I cut those thoughts off very quickly and at the pass. This is how I become over-committed and stressed out and inevitably kicks my anxiety into high gear again–so I always have to take a step back and think whenever that impulse rears its head in my life again.

And I won’t feel bad for being selfish and more jealous of my time. I’ve been volunteering almost non-stop since 1998–twenty five years ago–and so see no reason to feel bad about not giving back for a while, if ever again.

And on that note, I need to start getting ready for the trip and ready to hit the road. Have a great Friday, Constant Reader; I probably won’t check in again with you until Monday morning.

Dark Shadows (Josette’s Theme)

I always forget this when I am asked about major influences on my life, writing, and career–but probably the biggest influence on me was the television soap Dark Shadows.

“My name is Victoria Winters…”

So began the first episode, with young heroine Victoria speaking over some rather spooky music, usually with a background scene of a light in the window at the great house of Collinwood in the fog, or waves crashing against the beach, or the family cemetery, or even the Old House.

Dark Shadows is probably the root or seed from which Bury Me in Shadows was grown from, now that I think about it more. A haunted old house, an even older house in ruins nearby in the woods that was the original family home, ghosts and secrets from the past–oh yes, the framework is absolutely there, and it never even occurred to me.

When my sister and I were kids, we moved to Chicago from Alabama. I was about two years old, give or take; I don’t remember moving up there nor do I remember ever living in Alabama; my sister was two years older. My parents both got jobs–the point of the move was for climbing the economic ladder; they both got really good jobs in factories while my dad finished his degree. But because they both worked (our friends and neighbors all felt sorry for us because our mom had to work; their moms all were housewives), we needed to be watched while they weren’t home. Our landlady recommended a woman down the street–a mother of six whose two youngest were in their last years of high school–and so we started spending our days with Mrs. Harris, who fed us breakfast and lunch, and Mom would pick us up on her way home from the bus stop. When we started school, we went there for breakfast and lunch but came home after school; school let out at 3:15 and Mom was usually home by 3:30. But it was Mrs. Harris–and my grandmother, who worked a night shift–who got me started watching soaps in the first place. One Life to Life and General Hospital sort of held my attention, but it was Dark Shadows I couldn’t wait for. I used to run home from school to try to catch the last five or ten minutes during school; it wasn’t a problem during the summer.

I loved Dark Shadows.

I was crushed when it was canceled.

I mean, look at that house!!!!

The show wasn’t canceled, although the ratings were starting to slide a bit in the later years. The truism that Dark Shadows‘ producers and writers discovered is one that practically every other continuing series having to deal with the supernatural and supernatural creatures has had to deal with: how do you keep topping yourself and raising the stakes? True Blood, Supernatural, The Chilling Adventures of Sabrina, and countless others have all run headfirst into that wall. Once you’ve done time travel and vampires and witches and werewolves and Frankenstein and other dimensions, what is left to do? I admire them for pulling the plug rather than getting more and more desperate to get the ratings up and eventually damaging the legacy of the show.

The show was a phenomenon the likes of which had never really been seen before in daytime–and the lesson learned from its success (go for the young audience!) would soon lead to the creation of youth-oriented shows like All My Children and The Young and the Restless–and of course in the mid-1970’s soaps would be forever changed when General Hospital introduced the character of teenager Laura Webber, played by an actual teenager, Genie Francis–and daytime was never the same. But Dark Shadows managed something that other soaps hadn’t–they created teen idols. Jonathan Frid as Barnabas, David Selby as Quentin, and even David Hennessey as David Collins were often on the covers of teen magazines like Tiger Beat and 16. The show even licensed FAN FICTION–a series of books based on the characters from the show, but thanks to all the fun stuff with time travel and parallel dimensions, Dark Shadows was perfect for spin-off books that took place in other Dark Shadows universe; one could even say Dark Shadows was one of the first shows to make use of a multi-verse.

The books were cheap–as you can see in the picture above (a copy sent to me by a friend with whom I bonded over our mutual love of the show) they ran between fifty cents and seventy-five cents a copy; they all had that same gold bordered cover with an oval image of characters from the show, and they were all written by “Marilyn Ross”, which was a pen name for a very prolific Canadian author named  William Edward Daniel Ross; he wrote over three hundred novels during his career, and Marilyn Ross was the name he used for Gothics–and the Dark Shadows books. (He also wrote as Clarissa Ross, and I read some of those novels as well, including The Spectral Mist.) They also weren’t particularly well written, and while they did take place outside the show’s continuity, there were also moments in some of them that didn’t make sense; in one of them, in which Barnabas shows up at Collinwood in the 1910’s, the only son of the family dies in a tragic accident…but if he was the only son, where did the present day Collinses come from? (The earlier books were told from the perspective of Victoria Winters, and in some cases the gimmick was some member of the family was telling Victoria a story about the family history.)

That’s the kind of shit that drives me insane.

But I remember when one of the off-brand television channels in Chicago (not affiliated with a major network) started running repeats of Dark Shadows from the very beginning when we lived in the suburbs in the evenings while the networks ran the evening news–guess what I was watching instead? Yup, Dark Shadows. (I always found it interesting, too, that the young actress who played Victoria Winters originally–Alexandra von Moltke–eventually became infamous as Klaus von Bulow’s mistress Alexandra Isles, who was, in the prosecutor’s theory, the reason Klaus injected Sunny with enough insulin to induce the coma from which she never woke up. But I digress.

I always wanted to write a vampire story similar to that of Barnabas Collins; I have an entire idea for a rural Louisiana version called Bayou Shadows that I’ve tinkered with off and on since the early 1990’s…but then Charlaine Harris started the Sookie Stackhouse series, which was essentially the same thing. I still might write about Bayou Shadows–the town called that has popped up from time to time in my books about New Orleans and Louisiana; most recently in A Streetcar Named Murder, actually–and if people think I’m ripping off Charlaine, so be it.

I’ll know that I’m really ripping off Dark Shadows.

The show also spawned two feature films, Night of Dark Shadows and House of Dark Shadows, each featuring one of the show’s leading men, Jonathan Frid and David Selby, respectively; the first did far better than the second. The show was revived in prime time for a single season in the late 1980’s; I watched it and loved it, of course–even got Paul to watch when it became available on DVD and I rewatched. I wish that show had been given more of a chance, because it was really quite good, and I was curious to see where the story went from that first season. It also had an excellent cast, including Hammer Film star Barbara Steele as Dr. Julia Hoffman. I did watch the Tim Burton film from this century, which had some clever moments but wasn’t quite as good; it went for the silly parody thing The Brady Bunch movies of the 1990’s did, but it didn’t land. The actress who played villainess Angelique in the original series, Lara Parker, has also written some Dark Shadows novels (I have copies but haven’t read them; I really should). Kathryn Leigh Scott, who played the original Maggie Evans on the soap (and in the first film) also has written novels; she was at Long Beach Bouchercon, where I met her and got a signed copy of her book Down and Out in Beverly Heels. She was lovely and couldn’t have been nicer; I really should read that book someday.

I’ve had Dark Shadows on my mind lately because I bonded with Carol Goodman at Bouchercon over our mutual love of Dark Shadows, and the Scotty book still in draft form takes place mostly in a rural parish outside of New Orleans; not the same parish where Bayou Shadows is located, but the next one over.

Sometimes I think it would be fun to reboot the show again, retelling the original story, or picking up from where the television series ended, or even doing a new generation, some forty years later, with David Collins as an adult with children and so forth…Carol and I have joked about coming up with a concept and trying to sell it and be the showrunners…which would be a dream.