Nothing Fails

Wednesday and we’ve made it to the midpoint of the week. Huzzah? Perhaps. I didn’t sleep all that great last night–I am expected to crash really hard this afternoon–but oddly enough I feel rested and okay and alert this morning, and I am still on my first cup of coffee. Who knew? Last night when I got home from work i buckled down and worked for a bit; I am still behind on everything but I am hoping I can get this manuscript I am editing today finished and back to the author, and then I can sort of maybe get back to my own. My publisher has pushed the publication date back, which is lovely yet not something I am terribly proud of–I feel like I allowed my personal situation to interfere with work, which is something I’ve not done since the aftermath of Hurricane Katrina–but while I was able to work during a pandemic, personal grief managed to derail me so fa this year; but it’s also not fair to blame it all on grief because I was already way behind on everything when Mom actually died. But I am thinking this is really a great thing. The revision, when I was able to do it, was going pretty well; but I wasn’t working the way I usually do which is partly why it was taking me so long to get it done, and I think with a new, later deadline, I can go back to the first chapter and start over again; and do it the way I always do and get it finished.

Paul had a board meeting last night so was later getting home than usual, so I wound up staying up later than I usually do so we could watch this week’s episode of Ted Lasso, which, while having sad moments, was overall a joy to watch. I hate that the season is winding down–which means the series is winding down as well–but I am hoping for at least one spin-off. I love all the characters on this show, even the minor ones; so much characterization and care has been taken with the creation and development of every character on the show, and that has always been its strength. (I still can’t believe that Jamie Tartt has become one of my favorite characters of not just the show but of all time. So many people in the cast deserve Emmys…I hope the producers are smart enough to toss some of them into the Guest Actor categories; certainly the young man playing Colin deserves some recognition for his moving and nuanced portrayal of a closeted soccer player; I also hope he finally introduces his boyfriend to the team as his boyfriend; maybe the series finale?)

I also got some potentially good news that I have to be vague about this morning; there’s no guarantee that the new opportunity that may have opened up for me will come to fruition, but it’s always nice to have something nice happen? Especially in this business, where it seems like you never know where things are going to and nothing is confirmed until the ink dries on the contract, so…yeah, have to be vague if nothing comes of it. But even if nothing does come of it, it was deeply satisfying for the potential to drop into my inbox yesterday. I am very lucky, I must admit; it’s very hard for me to ever feel bitter (or at least, never for very long) about my career because it’s always been charmed, almost from the day I sold my first short story back in 1999; opportunities keep coming my way and it’s been an absolutely lovely joyride. It’s also funny, because I was talking to someone recently about how the good things in my career have usually happened during dark personal times; so I never seem to get to enjoy the good things when they occur. Maybe it’s some kind of karmic balance I need to keep; ma’at, as the Egyptians used to call it–most of the time everything is even, but when things swing too far to the bad in the personal, the professional side of things always seems to pick up for some reason? I don’t know, and it could all turn out to be nothing, but it’s nice, nevertheless. It’s always nice when people are interested in more work for you. And being the socially awkward/insecure person that I am, it’s always a huge relief when someone you’ve worked with asks you for more work; I always worry that I’ve been a pain in the ass to work with…and I don’t want to be one of those people.

My blog post about the origin story of my The Horror photo turned out to be popular? Who knew? I didn’t think it was that interesting of a story, but everyone seemed to enjoy reading about it. It was just something I dashed off during my lunch break yesterday because I was feeling tired but had to wait for my Lean Cuisine (Swedish meatballs, for the record) to cool, and I thought why not write about how that picture came to be taken? Why not indeed?

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I will check in with you again tomorrow.

Photograph

So….the other day on Twitter my friend Jeff asked about the backstory of this picture:

It’s really not a great story, or at least, not to me. It was one of those things where everything aligned and fell into place perfectly to take what–to me–is one of the funniest pictures of me ever taken; one that I have been able to use on social media repeatedly, for any number of responses to any number of tweets and situations, because it works for so many different things: surprise, shock, horror (it’s actually saved as ‘the horror’ on all my computers and devices, so I can access it from anywhere), and on and on. It works for everything, seriously.

It’s also kind of amusing how much people on social media love this picture. One friend replied to it once with yes….whenever this picture shows up I know it’s a good tweet. I even think some people try to prompt me to use it, and when I don’t, will go as far as to tweet insert Greg’s shocked face picture here, and of course, I always oblige.

This picture comes from the years after Hurricane Katrina, if not the year immediately after. I think, this was from 2007 or 2008. The city was still recovering, but we were also getting some time and distance from the trauma. There were so few people in the city in that year–people returning all the time, new people moving in for the first time–that we all clung very tightly to the friends who were actually here. Going out on the weekends no longer seemed like an indulgence I might be getting to the point of aging out of; instead, it became a necessary ritual to go down to the Quarter gay bars and hang out with friends because we were all sharing the traumas and rollercoaster rides that New Orleans was after the disaster. It felt important to keep renewing those bonds every weekend. The day job was still operating at a shell of what it was before; but a lot of us were working out of the Frenchmen Street office and those of us who did, meeting up for Drag Bingo and tea dance on Sundays (we called it “going to gay church”) had become pretty much de rigeur. I didn’t care so much about Drag Bingo, so often drifted between friends at Lafitte’s and co-workers at Drag Bingo up the street at Oz (I never missed the napkin toss for “Love Is In The Air,” though).

And that is where this picture was taken; on some long -forgotten Sunday at Drag Bingo. I had literally just walked into Oz, having left Paul and some other friends at Lafitte’s to go check in with my work friends. As I recall, Josh, the Evil Mark, and some of the others had gathered at that corner of the square first floor bar, and Josh pulled out his camera and said, “let me take your picture, Greggy.” So I looked at him and smiled…

…and just as he was pressing the button on the camera, the Evil Mark showed yet again why I nicknamed him that by saying, “Why? He’ll just look old.”

I turned my head and that was the face I made–which is why I wasn’t looking directly at the camera. It can never be duplicated because it wasn’t posed; it was a candid, honest reaction to someone giving me a good burn from out of nowhere. I didn’t even see the picture until much later, because it was pre-iPhones and people still were using digital cameras. He posted it later that night on Facebook, tagged me with a vile slander (his caption was Greg just saw something, and it wasn’t true) which I corrected; but I also downloaded the picture because it made me laugh. I don’t remember when precisely I started using it as a reaction shot on Facebook or Twitter, but it always makes people laugh.

And I do like making people laugh, so here we are.

Every so often I stop posting it because I figure people are getting tired of it. It had been a hot minute since I’d used it–to the point where I didn’t even think to use it until someone (Jeff) mentioned it again the other day. What’s really funny is when people use it on ME, which has happened. The first time I probably made the same face, because it had never occurred to me that someone would do that and use it on ME. It still doesn’t happen often, but it always makes me laugh when it does. I do remember one day I was going to use a GIF to respond to a tweet and thought oh, you should post The Horror and so I did, amusing myself endlessly. I didn’t expect it to take on a life of its own and become kind of a social media “cult classic.”

I really should have used it for my author picture.

Music

Tuesday morning and it looks like we managed to survive Monday somehow. It was ninety-seven degrees yesterday when I left the office–but the humidity hasn’t started getting super bad yet. After getting the mail and making groceries, I was exhausted by the time i finished unloading the car and putting everything away. And it’s only May. It’s funny how we forget the brutality of summer when it’s not summer her, every single year. It’s always a shock how hot it gets here when the summer heat returns in late spring…and how much it saps the energy right out of you. I did manage to get some work done last night after putting everything away, and then I repaired to the easy chair after a ZOOM meeting to be a kitty bed.

We started watching Shrinking last night on Apple TV, and it is really one of the funniest shows I’ve seen. I believe it’s written by Brett Goldstein, aka Roy Kent on Ted Lasso, and stars Jason Segal and Harrison Ford. Once it hits its stride–the pilot episode was a bit uneven–it becomes absolutely hilarious. I can’t believe more people aren’t talking about this (maybe they are, I am notoriously oblivious, after all) but it’s terrific. Funny–and the humor comes from the characters and who they are, rather than situations, which makes it richer and more human, I think. Jason Segal plays a therapist whose wife passed away about a year before the show opens, and he’s questioning everything about his life, including how he practices therapy with his patients, and decides to be more active, proactive even, in his treatment of them. Sometimes this works, sometimes it doesn’t, but it is always quite clever and funny and enjoyable. He also has an estranged relationship with his daughter–his grief was selfish, and he wasn’t there for her when she lost her mom–and their neighbor, Liz, has kind of taken over taking care of Alice the daughter, so he’s trying to rebuild that relationship as well, while navigating his gratitude to Liz for stepping up–complicated by the fact she won’t let go or step back. Like Ted Lasso, it’s about relationships and learning how to navigate grief–in Ted Lasso, it’s the grief of the failed marriage, in Shrinking, it’s grief over a dead spouse…but the primary takeaway from the show so far is something I’ve noticed, and a friend who lost her spouse about six months ago and I have been talking about, is the lack of conversation and discussion about grief, how to grieve, how long one should grieve, the guilt you feel whenever you have a good moment or something nice happens to you (“I shouldn’t be having a good time!”), and so on.

We have a billion dollar industry built around grief–the mortuary business–and yet that’s all about the public display of grief, rather than the intimate experience of it. Ah, capitalism. I’m actually surprised no one has figured out a way to monetize grief, really. Or maybe that’s what the mortuary business is? If so, at least in my case, it’s gone horribly wrong. The service in Alabama at the funeral home was absolutely lovely, don’t get me wrong–but it didn’t provide me with any closure or answers or much of anything other than the ability to share sadness with the rest of the family (and I do pity the relatives who didn’t come or even call or anything; that is something Dad will never forgive. I am a little more understanding, but totally get where he’s coming from and can appreciate and understand it. He worshipped her and he saw that as a slap in her face, right or wrong.), so I don’t know.

I don’t know much about anything, really. Almost every day is a reminder of how little I know and how little I understand. But life really is a learning process; I hope to never stop learning and evolving and growing until the day my heart finally gives out as well.

And on that note, I am heading back into the spice mines. Have a lovely Tuesday, and I will check back in with you again tomorrow.

Don’t Tell Me

It’s the Monday after Mother’s Day and I managed to make it through somehow. I woke up this morning with a strong urge to remain comfortably in bed, but here I am swilling coffee and planning on how to make it through this week of work and everything else I have to get done. But yesterday wasn’t nearly as bad as I feared it might have been. I eventually became emotionally immune to Mother’s Day sales and the FTD reminders; my situation certainly didn’t require me to complain about others still celebrating with their mothers–why harsh everyone’s buzz? I can’t imagine anything more narcissistic than insisting everyone else calm down with the Mother’s Day stuff because it was hard for me. Next year I’ll know what to expect and will be one more year removed from the loss; time has a way of dulling the aches and pains and slings and arrows life hurls at us–all things become easier with the passage of time. A friend was in town yesterday and I joined him for a rather late lunch. I had a beer (!!!); a local IPA that was actually quite good–I’ve always only drank trash beer, and never really got into beer as an experience rather than as a method of alcohol delivery. (I also know nothing about wine.) That was a nice break from working, and last night we started watching The Consultant, with Christoph Waitz, on Amazon Prime. I don’t think we’ll continue. It’s well done but it’s very strange; it’s based on a Bentley Little novel, so it’s probably more on the horror end of the spectrum, but it didn’t really engage with us very much? I suspect we’ll be looking for something else to watch this evening after I finish working.

And because I never made a grocery run over the weekend I shall have to do it tonight after I get off work, which is hardly an appealing thought. I also have a ZOOM call tonight–I should be able to get home in time for it, I think–or maybe I don’t; it’s not on my calendar which is unusual, but there’s no meeting at all on my schedule for the month of May, which is very odd. I’ll have to dig through my emails to see, but I’m pretty certain it was tonight. I’m actually rather amazed that I remember that much, without it being on my calendar. I know i had some things I needed to do before that call, too–so that’s going on today’s list of things to do. MUST BE DONE.

But I feel like there’s a lot less on my shoulders this morning, which is also kind of weird. Was Mother’s Day that subconsciously brutal on my psyche that I was able to keep it out of the forefront of my mind while still carrying the load and only being slightly aware? My brain’s ability to protect itself (and me) from things I don’t want to think about or deal with at the moment is pretty uncanny; but I’m not sure if that’s entirely healthy. There’s a lot stored away in the dusty back corners of my mind that I’ve never processed or dealt with–watching It‘s a Sin on HBO MAX back whenever it was that first aired, for example, brought a lot of memories back that I’d not even considered, let alone dealt with and processed, since it all actually happened to me in my life. I said recently to a very young gay man lately (early twenties, so born in either the late 90’s/early aughts) “back then we just all figured we were all going to die before anything would be done about it” and he recoiled slightly from me, saying “But that’s terrible” , to which I shrugged and said, “that was our reality.” I’d never really thought about it much because it was the reality; and yes, it was indeed horrible. But I’ve blocked that all out so much for so long that it does sometimes seem like it was distant history, like it all happened to someone else, or that it was a book I wrote long, long ago and barely remember. The loss of memory from that time is no different, really, from the loss of memory of the times and years after Katrina or how all the pandemic/COVID years kind of jumble in my mind and I can’t remember timelines or when things happened or how they happened. Scrambled brains, I suppose, is the easiest way to say it; trauma and PTSD scramble our brains.

And even as I reread that last sentence, I am, as always, inwardly rolling my eyes at myself, So dramatic, my inner critic is sneering. You’re not the first person to lose a parent. It is funny, when you catch yourself being nasty to yourself and then start unpacking where that negativity and self-loathing came from. Childhood, of course, which is where so many of the scars were inflicted and lessons learned that have almost proven impossible to unlearn as an adult. There are no guidebooks for life; only experience and learning hard lessons. As someone who prefers a bit of structure to life, not knowing how I am supposed to handle things like grief and so forth inevitably results in me being harder on myself than I should be. How long are you supposed to grieve? How long before it stops hurting, before I can think about Mom without getting deeply emotional? Am I supposed to keep this to myself, or am I supposed to share it? Do people get tired of hearing about it and grow bored with me talking about it? I know I get bored with myself–and then wonder, is that self-abuse? Should I be kinder to myself? I never have been, really; so that would be a novelty in the first place. When does it cross the line from normal emotional response to wallowing in it?

I really hate that my parents lost my user manual so many years ago…

And on that note, I am heading into the spice mines. It’s a Monday, so take it as easy on yourself as you can–we can make it through yet another week of challenges and excitement, can’t we?

Nothing Really Matters

Sunday morning and I am starting to see some light at the end of the tunnel. Not much–and of course it’s probably the head light of a speeding bullet train–but some light, nonetheless. I dove deeply into a manuscript I am editing yesterday, and need to get more of it done today. I also have to make groceries as well as find time to see a friend in from out of town, and it’s also Mother’s Day; everywhere I turn today it’s Mother’s Day this and Mother’s Day that. So far I’ve not had a breakdown of any kind, so that’s a good thing, but there’s also no telling how much or how rough it’s going to weigh on me once reality sets in? Who knows, maybe it never will. I’ve always thought of these days as manufactured holidays to sell cards, flowers and chocolates; I was going to send my sister flowers but decided it was weird and might upset her so I didn’t. Navigating this within the family is weird. We all have to find our own ways with these sorts of things, and there’s no road map or instructions to follow because everyone is different and everyone grieves differently. I don’t think I’ll ever not be aware of the loss, no matter how busy I get or how focused I can be on things; the compartmentalization that I have used consistently since childhood probably won’t work as well here, or at least it hasn’t so far. It’s also weird because I think I’ll be doing better and then I’ll have a bad day that I can’t snap out of with any success. Last night wasn’t good, for example; I lost the whole evening and don’t even remember what I was doing or what I did. I kept falling asleep while watching documentaries (Paul was working upstairs and then went out to meet a friend for a drink, leaving me to my own devices and I just wound up going to bed relatively early. I did sleep really well, though, which was quite marvelous. I feel very rested and relaxed today; no idea how long that’s going to last, but hopefully long enough for me to get a lot accomplished and done today around everything else I have to get done before returning to the office tomorrow.

But just looking around at the kitchen/office, it looks like I did indeed get things done yesterday, I just don’t remember doing them. There’s a load of dishes in the dishwasher that needs putting away and I also need to check everything to see what all is needed from the grocery store today. It’ll be nice to get out of the house, even into the heat and humidity which has returned in all of its hideous nastiness; but getting things out of the way is always a pleasure and then I can look forward to easier weekends in the future, right? I’ve been lethargic too much this year already, methinks. Even as I typed that I thought you’re being too hard on yourself again which is one of those things I was talking about earlier in this post; I don’t know how I am supposed to be. Should I be pushing myself to get things done and working hard, or should I be gentle and easy with myself because I am not myself and pushing myself, bring rough on myself, could be more damaging than giving into in to the sadness, the depression, the lethargy that comes with mourning. Reminding myself how much harder this is on Dad than it is on me doesn’t help, either, because then I start worrying about him and being almost eight hundred miles away and…you see how it all begins to spiral? So when the spiraling starts I have to medicate, and medicate means the easy chair and something mindless and distracting that doesn’t require too much focus, hence documentaries and such on the television. I watched a really fascinating one last night about the American-Philippines war; in which during the Spanish-American War we sent the Navy to seize the Philippines, which were in the midst of their own struggle to free themselves from the Spanish. They were looking for independence; we were looking for empire and territory; so once we defeated and drove out the Spanish we took over, and the revolutionaries continued fighting for freedom against the United States, which didn’t come until 1946. (Barbara Tuchman titled her section about the Vietnam War in her March of Folly “America Loses Herself in Vietnam”; but I think we actually originally lost ourselves–along with our ideals, morals, and principles–in the Philippines.)

It might be fun to set a book–a thriller, with international intrigue and so forth–in Manila in 1940. (It also makes me think of the television series rip-off of Indiana Jones, Tales of the Gold Monkey, which I loved loved loved back in the day, and am still bitter that it only lasted one season.)

Yes, Greg, what you need is more book ideas.

And on that note, I am heading into the spice mines. May your Mother’s Day be lovely, Constant Reader, and give your mom a big hug (or at least give her a call) for me, okay?

Flowers on the Wall

I love Carol Goodman’s work.

I don’t remember which of her books I read first; I am thinking it was The Sea of Lost Girls, but that may be wrong (probably is; my memory is for shit these days) but I DO know I first met her in person at the HarperCollins cocktail party at Bouchercon in St. Petersburg, and she’s just as marvelous as a person as she is a writer. Since then I’ve delved into her canon of brilliant books–have yet to come across one that is even slightly disappointing–and each one makes my fandom flame burn even more brightly.

And then in Minneapolis, over lunch with a few friends at that wonderful Irish pub near the hotel, I discovered the clincher: she is also a Dark Shadows fan. She even joked, “I’ve realized that most of my books are really about Barnabas Collins and Maggie Evans”–which made me think even more deeply about how much of an influence the show was on my own writing (Bury Me in Shadows owes a HUGE debt to the show). She has a new book coming out this summer, which is very exciting–I have that weird thing about never wanting to have read everyone’s entire backlist, so there’s always one more book for them to read without me having to wait to get my hands on it–and during my trip to Alabama for the First Sunday in May I listened to The Ghost Orchid, which was so good that when I got home that Sunday night, I grabbed my headphones and listened to the final thirty minutes of the book while unpacking and doing things around the apartment.

I came to Bosco for the quiet.

That’s what it’s famous for.

The silence reigns each day between the hours of nine and five by order of a hundred0year-old decree made by a woman who lies dead beneath the rosebushes–a silence guarded by four hundred acres of wind sifting through white pines with a sound like a mother saying hush. The silence stretches into the still, warm afternoon until it melts into the darkest spot of the garden where spiders spin their tunnel-shaped webs in the box-hedge maze. Just before dusk the wind, released from the pines, blows into the dry pipes of the marble fountain, swirls into the grotto, and creeps up the hill., into the gaping mouths of the satyrs, caressing the breasts of the sphinxes, snaking up the central fountain allée, and onto the terrace, where it exhales its resin- and copper-tinged breath out onto the glasses and crystal decanters laid out on the balustrade.

Even when we come down to drinks on the terrace there’s always a moment, while the ice settles in the silver bowls and we brush the yellow pine needles off the rattan chairs, when it seems like the silence will never be broken. When it seems that the silence might continue to accumulate–like the golden pine needles that pad the paths through the box-hedge maze and the crumbling marble steps and choke the mouths of the satyrs and fill the pipes of the fountain–and finally be too deep to disturb.

Then someone laughs and clinks his glass against another’s, and says…

“Cheers. Here’s to Aurora Latham and Bosco.”

“Here, here,” we all chime into the evening, sending the echoes of our voices rolling down the terraces lawn like brightly colored croquet balls from some long-ago lawn party.

“God, I’ve never gotten so much work done,” Bethesda Graham says, as if testing the air’s capacity to hold a longer sentence or two.

Carol Goodman’s books are, above and beyond anything else you might want to say about them, incredibly literate and smart. She reminds me of Mary Stewart in that way; Stewart’s novels, often dismissed as “romantic suspense” (don’t even get me started on that misogyny), were smart, clever and incredibly literate, with Shakespearean references and quotes and allusions to classical literature. Goodman’s works are also the same; Goodman’s background in classics scholarship is utilized in every one of her books but not in a way that feels intrusive or showing off. It’s all integrated into the story and not only moves the story forward but deepens and enriches the characters as well as the plot, which is not easy to do. Her books are often built around some sort of academic/intellectual backdrop, from boarding schools to small colleges to actual archaeological digs (The Night Villa is absolutely exquisite; superb in every way), and her heroines, aren’t pushovers (as in most “romantic suspense”) but strong and smart and driven, if haunted by their own insecurities and past failures. Goodman is also not afraid to cross the line over into supernatural occurances, either; the previous one I’d read had a touch of the woo-woo, as does The Ghost Orchid, but it’s not intrusive and it actually plays out so honestly and realistically that you don’t question it.

The main character of the book is a young woman named Ellis Brooks. Ellis is a young author-to-be who is working on a novel based on what is called “the Blackwell Affair.” She had already written and published a short story based on an old pamphlet she found; the book research makes her a natural to be chosen for a residency at Bosco, an old estate in upstate New York that has become an artist’s colony, sort of like Breadloaf, but for a much more extended stay and for fewer artists. “The Blackwell Affair” actually took place at Bosco, when the original mistress of the estate, Aurora Latham, brought an experienced medium named Corinth Blackwell to Bosco to hold seances to try to reach the spirits of her dead children–any number of whom were either stillbirths or died shortly after being born; she had four children who lived but lost three of them to a diphtheria outbreak the year before. Corinth Blackwell and the only surviving Latham child disappeared one night after a seance; hence “the Blackwell Affair.” As Ellis does her research and gets to know her fellow artists better, she becomes more and more aware that the past at Bosco doesn’t rest, and the untold stories of the past must be unearthed before everyone at Bosco can be safe.

Goodman is also a master of the dueling timeline; one in the past and one in the present, and weaves the stories together so intricately that I marveled at the mastery, as the present day characters wonder about something and then we get the answer in the past. There are so many secrets, so many lies, so many spirits; but as always with the best ghost stories, the past is finally laid to rest when the truth is exposed.

I loved this book, and it reminded me not only of Dark Shadows (knowing she’s a fan I’ll always see it in her work now) but also of Barbara Michaels’ best along with Mary Stewart. Can’t wait to dig into another Goodman novel!

Drowned World/Substitute for Love

Saturday morning in the Lost Apartment and I finally slept well last night, and I even slept in for an extra two hours this morning. I could have easily (and gladly) stayed in bed for even longer, but I have too much to get done this weekend to allow myself to slovenly lay in bed for the entire morning, so once Scooter’s outrage about not being fed at six a.m. manifested itself into non-stop yowling, I got up and fed him. I feel very rested today, which is lovely. I was tired and dragging all day yesterday, and when I finished work I had things to get done. Paul and I ran out to Costco for a restocking (I hate that sometimes they have stuff and sometimes they don’t; they didn’t have several key things I always get when I go) and then I picked up the mail and a prescription. I need to get gas this weekend as well as make groceries, and the tires need to be aired up as well (the low pressure light came on in Alabama last weekend, but only one tire was low and it wasn’t officially low; it was simply lower than the other three tires), and there’s all kinds of other things I need to get done this weekend. I am editing a manuscript which needs to get finished this weekend; I’d like to do a little more work on my own manuscript; and I would absolutely love to finish reading Lori Roy’s brilliant Let Me Die in His Footsteps this weekend as well. It’s seem rather daunting when it’s put that way, but I am confident that not only can I get all of it completed but without driving myself insane, either.

Always a plus!

We watched The Boston Strangler film on Hulu last night (after an episode of Somebody Somewhere, which I am really growing fond of), and it was quite good. It focused on the two women reporters who figured out there was an actual serial killer and did all the pursuing of the case, all the while tweaking the police who were falling down on the job and forcing them to actually do their work. I wasn’t old enough when the killings were actually happening, but my dad had a copy of Gerold Frank’s The Boston Strangler and I did read that, as well as watched the Tony Curtis film version of the story when it was released to the television networks after its theatrical run. I don’t really remember much of reading the book, other than one landlady who was certain one of her tenants was the Strangler, and the story kept coming back to her and her suspicions. That always stayed with me over the years (what if your tenant/neighbor was a serial killer and you started to suspect? which became my story “The Carriage House”–yes, Virginia, that story gestated in my head for nearly fifty years before I wrote it) and to this day I still remember how chilling that was and how much I worried for the landlady. (It’s also the plot of the ancient Hitchcock film The Lodger, in which the landlady suspected her tenant was Jack the Ripper.)

I was thinking yesterday about the entry I wrote yesterday morning and the way I was/have been feeling for quite some time, and I realized that I’ve been a very passive participant in life; I’ve been kind of letting it happen to me for a while now rather than living my life actively. I don’t know if it’s exhaustion, both physical and emotional, or a reaction to trauma; or maybe, perhaps, even both. The last few years have been rough on everyone; I don’t think we’ll ever know the full extent of the trauma we all experienced as a result of that paradigm shift back in March of 2020; the shutdown, the battles over what was responsible and what was irresponsible; the insanity of the anti-vaxxer movement and everything else that was just plain wrong over the last few years. I suppose for some of us the trauma goes back even further, to the 2016 election. But it’s kind of true. I think I was very active in my own life and the pursuance of goals before 2016, and ever since 2016 I’ve just been kind of coasting along, letting things happen instead of making them. As a general rule I don’t like coasting through life; it was the recognition that was what I was doing in my early thirties that led to the big changes in my life, which was followed by the achieving goals I had always dreamed about, since I was a little boy.

But roadblocks and speed bumps encountered aside, I think had I been able to look ahead twenty-one years when my first book was released to see where I am today, I’d have been pleased and thrilled and more than a little bit smug about what I’d accomplished. A character trait I’ve never wanted to have is arrogance, and I am always afraid of sounding arrogant when talking about myself and my career. I never want to sound arrogant or smug (well, unless I am dealing with haters, in which case I love giving rein to smug condescending arrogance), but over forty novels? Over twenty anthologies? Over fifty short stories? Fifteen Lambda nominations, and seven Anthonys in total? Nominations for the Macavity, the Shirley Jackson, the Lefty, and the Agatha? How could I not be satisfied and proud of myself?

As I was making room for the Costco purchases once we got home, I was putting some things up in the storage attic and needed to move a box, so I looked inside of it to see what it was. Clippings and things from my career, it turned out–once I carried the box down the ladder to the laundry room I could see I’d written Career Memorabilia on it in Sharpie–and inside was all kinds of things. Back issues of Lambda Book Report from the days when I was either its editor or did some writing for them (or when they were reviewing my work), and back issues of Gay and Lesbian Review Worldwide, too, along with Insightoutbook catalogues (what a serious blast from the past). Of course I had to bring that box down and keep it for sorting through and scanning purposes (I am serious about cleaning shit out of the storage attic this year), and hilariously found the September 2000 issue of Lambda Book Report, with Michael Thomas Ford on the cover. (Peering inside, I saw that Paul actually was the one who interviewed him!) Scanning all of this stuff will be a huge undertaking, and I do actually hate the thought of throwing it all out once it’s done; I don’t know if Lambda ever archived the back issues or not, so this may be all that’s left of it out there. Same with Insightoutbooks; it was very important and crucial to queer publishing between 2000 and when it went under sometime around 2009 or 2010 (that may be wrong; I also found an issue of LBR from 2008 or 2009, and I would have sworn under oath that LBR stopped publishing a print edition long before that. (You see why I no longer trust my memory? Mnemosyne no longer comes to my aid anymore these days, which is most unfortunate–and yes, the reason the goddess of memory comes to mind is because of Carol Goodman’s marvelous The Ghost Orchid–more to come on that score.)

But I also did some cleaning up and filing around here while I was making dinner (ravioli) last night, so this morning the office doesn’t look as bad as it usually does on Saturday morning; the sink is filled with dirty dishes and there’s a load in the dishwasher to put away, but more of the things I generally wind up doing Saturday morning are already done, so there’s no excuse for me not to be highly productive today other than malaise and laziness.

And on that note, I am going to get these minor chores handled while I keep drinking coffee and my mind finishes awakenening.

Don’t Cry for Me Argentina

It won’t be easy, you’ll think it strange…

Work at home Friday for one Gregalicious, and yes, I feel marvelous after not having to get up to an alarm at the ungodly hour of six a.m. It doesn’t matter how many days, weeks, months or years I have to do that–I will never get used to it. I’ve had 9 to 5 jobs before and it didn’t matter. I never got used to getting up to the alarm, never failed to get tired or worn down during the course of the week, and was generally so tired by Friday all I could do was pray for the day to end. Why is this? I don’t know, but I have always been like this–even when I was a kid. I made some decent progress on the book last night–thank God–and hopefully will be able to do so tonight as well.

Last night I joined some colleagues and friends for a catch-up-we-don’t-see-each-other-enough ZOOM call, which was lovely. They taught me how to take my face off the screen (I don’t like looking at myself, which is why I’ve always hated doing ZOOM things) and I learned how to blur out my background so I don’t have to stress about open cabinet doors or a stray dirty dish or case of condoms in camera range (which is why I’ve always hated ZOOM things) and it was quite lovely. It was a nice cap on an odd day of weird energy. As always, I enjoyed my clients and there was cake again today (there’s been cake pretty much every day this week), but I felt like I wasn’t getting as much done as I usually can and like I was kind of drifting through the day, if that makes any bit of sense (USE YOUR WORDS, WRITER BOY). But after the call I got through another chapter, and I think I am over the hump now and can buckle down and get the damned thing finished at long last. I have a lot to do this weekend, and not much time for being lazy and recharging (my favorite things to do) my batteries.

But it’s going to take some more time. In fact, I am going to stop being so lethargic and talk to my editor today and let her know how behind this is and see what we can do. Avoidance always makes things worse, you know, and this is a lesson I learned a long time ago–which makes this regression back to a time when “avoidance” was my middle name puzzling, confusing, and worrisome. I used to evade responsibility at every opportunity; eventually I realized that stepping up and taking responsibility was better for me on every level. Maybe I tend to overdo that somewhat; I don’t need to take responsibility for everything as not everything is actually mu fault, but I have also found that taking responsibility like that gives everyone and everything the chance to deal and move on. And sometimes that’s the best thing to do; because things inevitably devolve to “who do we need to blame for this?” and that isn’t productive.

After working some, Paul and I got caught up on The Other Two, which isn’t as funny in its third season as it was in its earlier ones, and then spent some more time with Somebody Somewhere, which I really do like. Today I have work-at-home duties as well as chores to get done before I can curl up with today’s edits; this weekend I have other things to do so I have to put the book aside once I take responsibility for my failures to get this revision done in a timely manner and get this back on the road to its completion. This morning I feel more clear-headed than I have all week, but then of course I should have expected to be tired this week; last weekend I spent over eleven hours driving between Saturday and Sunday and of course, the weekend was an emotional drain. It’s actually been quite a week, frankly; between the emotional rollercoaster of the weekend to the madness of getting three Anthony nominations and of course, the constant struggle to get this book finished, it’s really not a surprise that I was drained and tired and fatigued in every way (emotional, intellectual, and physical) by the time Thursday came rolling around. I also realized this morning/last night that the way I’ve been revising this book hasn’t been the best way to do it; I’ve been doing something different in my approach and as such, feel like no progress is ever being made and that makes it even harder. I was trying to work from the manuscript draft, with everything in one document, as opposed to what I usually do, which is every chapter has its own file with the chapter number and draft number as the file name (example: Chapter 2-4 means fourth draft of chapter two) and I can get the enormous satisfaction of keeping track and getting things done; working in one document there is none of that, and I think not getting that serotonin blast from the illusion of getting things done and moving ahead is what has been holding me back. I am going to go back to the old way of doing things while cutting and pasting the new stuff into the long document and see if that speeds me back up.

Never change the ingrained habits of over twenty years, for therein lies the path to madness.

And on that note, I am heading into the spice mines. May your Friday be as lovely as you are, Constant Reader, and I’ll clock back in tomorrow.

Little Star

Well, here we are on bleary-eyed Thursday morning and I am swilling coffee and hoping to wake up more. I slept very well, but this is the usual late-week battery running down kind of tired, the way I always feel by the end of the week. I was tired again when I got home from work yesterday, so didn’t get very much accomplished last evening. I have a sink full of dirty dishes I’ve been ignoring, a dishwasher full that needs to be put away, a load of laundry in the dryer and another full basket of clothes to launder as well. Heavy heaving sigh. I really just want to curl up into a ball and go back to sleep and pretend like the rest of the world doesn’t exist, but it is not to be.

I did, in my tired stupor yesterday, did manage to watch this week’s Ted Lasso again and it was just as lovely and charming and delightful the second time around, and I did catch some things I’d missed the first time (my favorite was when Jan Maas said “statistically there should be more than one gay person on the team” and everyone looked at Jamie, who just smiles and says “I’m flattered”). This show is really such a delight; I am always in a much better mood after I watch it. The character development and story arcs have just been phenomenal, and the attention to every little detail is exceptional–the developing friendship between Jamie and Sam, for example; not a major story in the scheme of things, something extra and small on the side, yet also incredible for showing the character development of them both from the first and second seasons when Sam couldn’t stand Jamie and didn’t want him back on the team. We’ve also started watching an adorably funny show on HBO MAX called Somebody Somewhere, which is set in Manhattan, Kansas and focuses on the most endearing odd characters. I wasn’t sure if I was going to like it at first–shows about oddballs are always iffy for me; I wanted to be sure we’re laughing with the characters rather than at them; otherwise it’s too mean-spirited for me, and this show is definitely not that. It’s kind of hard to describe; maybe as I watch more I’ll get it sorted in my head.

I’m hoping that I’ll get my act together this week–the jury is still out on that and it’s already Thursday–but now I am at that “I have so much to do and so little time to do it in so I will never get it done” paralysis that usually comes right before my brain snaps to attention and starts working at an insanely impossible speed. I don’t know why I always do this to myself, but it happens far too regularly for my liking and I really wish I could change my ways to not be like this anymore.

You’re sixty-two, Greg, or rather, almost sixty two (I always add a year to my age after New Year’s), what are the chances you’ll be able to change your methodology at this time in your life? Heavy heaving sigh. But one can always dream, can’t one? I am going to head straight home after work today because I have a ZOOM thing tonight with some friends and I need to clean the kitchen–or at least hide the dishes in the full sink…no wait, I remember! I learned how to blur the background so I don’t have to clean the kitchen! (But I do still need to clean the kitchen if I’m not too tired…)

Ah, well, such is life. And now into the spice mines….have a lovely Friday Eve, Constant Reader.

Beautiful Stranger

Wednesday and it’s Pay-the-Bills Day again; how does time pass so goddamned quickly?

We were in a flash flood advisory yesterday evening when I left the office, and on my way home I could see that at some point yesterday some of the streets I traverse every day had flooded at some point in the afternoon. I did get a little work done on the book yesterday, but was ultimately forced to surrender to fatigue and repaired to the chair. I was also still feeling some of the after-effects of the Anthony nominations being released on Monday–was still getting congratulatory posts and emails and messages, which I had to acknowledge; everyone is so kind and lovely. So many people are delighted and happy for me, which always comes as a surprise. I guess you never really outgrow the PTSD from being a queer kid?

But I also got to see this week’s Ted Lasso last night (they drop on Wednesdays, but we always can get it at 8 pm central on Tuesdays on Apple Plus) and it was maybe one of my top five episodes of the entire series. Yes, I’m partisan, and yes, I am prone to love anything well-done with gay themes and yes, I am also very highly critical of gay themes in film and television. Stop reading now if you want to avoid Ted Lasso spoilers. When it was revealed earlier in this final season that Colin was actually a deeply closeted gay player I got a bit excited. I’d wondered if the show would address homophobia in sports, and what’s it feels like to be a closeted gay professional athlete, and it was handled so beautifully. The scene with Trent Crimm and Colin talking about it in front of the Homomonument in Amsterdam was just brilliant, and then last week Colin’s friend Isaac grabbed his phone from him to delete nude photos (long story, but YOU SHOULD BE WATCHING) and of course saw his text conversation with his boyfriend. Isaac just gave him a disgusted look and walked away…and my heart broke a little bit for Colin. I know that feeling all too well–the friend who becomes a former friend once they find out or you come out to them (and yes, coming out is a process that goes on for your entire fucking life)–but it’s Ted Lasso–I knew this wouldn’t turn out badly, and it really didn’t. Yes, I am biased, but this episode is one of my favorites of the entire run of the series; everything was clicking and humming along the way it usually does–this season has felt a little uneven–and everyone was pitch perfect, from Roy to Ted to Keely to Rebecca to Higgins to even Nate, whose redemption arc I am enjoying. Yes, I was disappointed when he turned in Season 2, but I am delighted to see that he’s still the same Nate, still figuring things out but at heart a really good guy. And Roy’s growth and development–courtesy of a swift hard kick in the pants from Rebecca–is epic. The end game of the show is now in sight, and I think we’re all going to be delighted with the direction in which it’s going to go. I hope there’s a bit with Trent Crimm doing a book launch for his book on the season and Richmond and Ted’s philosophy of coaching. I cried a few times during last night’s episode, won’t lie–and I absolutely cannot wait to watch it again when I get home this evening. I have to run some errands on the way home–post office and prescriptions–but I am hoping I’ll get home and be able to have a lovely evening of writing before I wind up turning into a cat bed.

I don’t feel tired today although I had a relatively restless night of sleep–sorta sleep as I call it, where your mind feels sharp the next day but physically you’re tired. I need to start stretching (and yes, I know I’ve been saying this for months) but it does help keep you nimble and loose; the aches and tiredness comes from tight muscles, and the best thing to do with tight muscles is stretch them. Maybe I should put that on the to-do list? I didn’t want to get up this morning–the bed was incredibly comfortable and I felt really relaxed–but I can look forward to not getting up to an alarm on Friday morning.

And on that note, I am heading back into the spice mines. Thanks again, everyone, for all your kindnesses about the Anthony nominations; I still can’t believe it myself, you know? Three? Madness. Have a great Wednesday, Constant Reader, and I’ll check in with you again tomorrow.