Games People Play

My second fraternity novel went through two name changes before we found one the publisher liked enough to use–and it was their idea.

It was originally called beautiful, which is what I called it while writing the first draft. Kensington did not like that title, and wanted something that would tie it more to the first fraternity erotica novel I wrote for them. I tweaked the title of the first one and came up with What Every Frat Boy Wants, which isn’t really a bad title at all. But at some point Marketing came up with Games Frat Boys Play–which was not only a better title over all but also fit the story better–I didn’t fight the name change at all. (It rather bothers me that I’ve never been able to come up with a good title for a single one of the Todd Gregory novels, to be honest. I take pride in being good at titles…)

When I was very very young I saw a made for TV movie that I absolutely loved. It was a twisted and funny revenge tale called The Girl Most Likely To, and it was Stockard Channing’s first big break in film or television. She played an unattractive, overweight young woman who was also socially awkward and had no friends; she was lonely and made fun of and picked on her entire life. She spent all of her time studying and as such became extremely smart. But when she went off to college she thought she had friends and she thought she could be happy–only to wind up betrayed and humiliated by everyone publicly. She flees in tears and is in a horrible car wreck, which leaves her in a coma. When she comes out of the coma, it’s been months; they reconstructed her face and not knowing what she looked like, followed her bone structure and made her beautiful; and the liquid diet while in the coma had shed weight off her and now she’s gorgeous…

..and she decides to get even with everyone who fucked her over and humiliated her. Joan Rivers wrote the script, so it was twisted and dark yet funny at the same time; and Channing was amazing–I’ve been a fan ever since. I love me a good revenge story, so when Kensington wanted another fratboy book I decided to go for a revenge story–I love a good revenge story, like I said (the television series Revenge is one of my all time favorites) and I decided to do a The Gay Most Likely To, only making my main character remarkably sweet and innocent and charming; his father is a software millionaire and he spent most of his life at a boarding school in Switzerland where everyone was a snob and was shitty to him for not having a title or being old aristocratic money, and he’s decided he wants to have a normal life at a normal college before going off to Harvard–he’s also incredibly smart–and literally picked CSU-Polk out of the air as his choice. Also looking to explore his sexuality, he moves into a really nice apartment in a great (and expensive) complex, and across the breezeway from him lives Jeff and Blair from Every Frat Boy Wants It, who are the ones who get him to go to the Beta Kappa fraternity rush and…the story was off and running.

Kensington also came up with a fucking smoking hot cover for the book.

This, reflected Police Detective Joe Palladino, is an awfully nice apartment complex for a college student to be living in. How the hell does he afford it?

The Alhambra Apartments, he knew, started at a mere $1500 per month for a studio, and went up—way up—from there. When they’d opened a few years earlier, his then-boyfriend, Sean, had wanted to take a look at them.  Joe had failed to see the point—there was no way they could afford the rents there, even with their combined incomes—but Sean had insisted and it was easier to give in than have an argument. And yes, the place was gorgeous—you had to be let in by security, there were fountains and tennis courts and swimming pools conveniently placed throughout the complex. Each building had a laundry facility, and near the clubhouse was an on-site laundry dry cleaner. There was even a fully equipped workout facility with state of the art equipment that put Joe’s gym to shame. The apartments themselves were large, full of light and luxurious—but after the tour, Sean had pouted all night long because they couldn’t afford to live there, as though it were somehow Joe’s fault. But everything had always been Joe’s fault, which was why he’d dumped Sean shortly after that. There was, after all, only so much complaining that anyone can put up with. Sean wanted everything but didn’t want to work for it—and Joe eventually tired of being compared to Sean’s previous, much older boyfriend and being found wanting. Sean was young and handsome—and so thought everything should be handed to him. He didn’t like having to work, and he didn’t like that Joe’s income wasn’t enough for him to live a life of luxury and idleness while being supported.

“I don’t know what you ever saw in him in the first place,” his older sister Margie had sniffed in her patented condescending way after Sean had left him. “He has about as much depth as a dog dish.”

He’d opened his mouth to answer her but had closed it again. There wasn’t any point in arguing with her because she was right. Sean had always wanted more than Joe could offer him. The three bedroom house in the subdivision on the north side of town hadn’t been enough for him. He always wanted the most expensive things—a car he couldn’t possibly afford, the most expensive clothes and colognes and vacations. Joe had practically bankrupted himself trying to please Sean—but nothing was ever enough. And besides, Margie wouldn’t understand even if he tried to explain how his heart had always swelled up whenever he looked at Sean—or that just touching Sean’s skin had gotten him aroused. It had taken him a while to understand it all himself, but the truth was he’d really loved the way Sean looked, and hoped his love would change Sean somehow.

But, he reflected again, people only change if they want to. And you can’t build a relationship on sex when you have nothing else in common.

It was a hard lesson to learn. And while he’d never admit to anyone—least of all Margie—he still hoped Sean might come back home someday.

I think unrequited love is something that most can identify with; I feel it is fairly safe to say that almost all of us have, at one time or another over the course of our lives, loved or liked or desired someone who would never be interested in us for whatever reason; whether they are out of our league or we aren’t their type or they just don’t feel the same way. It’s awful, it hurts and it sucks, but you really don’t have any choice but to move on and forget about it. I’ve certainly been in that situation, and that sort of rejection really stings; it gets to you on a profoundly painful level. But what if the person you had feelings for knew you had those feelings, didn’t reciprocate, but thought it would be fun to string you along and make you think you had a chance, that it would all work out at some point, just not now–and mocked you behind your back, and so forth. And what if you were a extremely lonely and sheltered (although rich and incredibly smart) and socially backward person, naïvely trusting and expecting everyone to be kind because, well, why would anyone want to be unkind?

(I was recently laughing about my own naivete with my dad. “I always think people are telling me the truth,” I said, “because it never occurs to me that people will lie even when they have no reason to.” I like to think I’m more skeptical now than I was when I was younger, but every once in awhile I get a reminder that people will lie sometimes even when there’s not a reason to do so)

I found myself really liking my character as I wrote more about him, and really absolutely hating his nemesis; he finds out he’s being made a fool of about halfway through the book, and that’s when he launches his scheme for revenge, which results in an accident that may not have been an accident, hence our police detective in the opening. And yes, there’s a lot of sex in the book; it’s an erotic novel, after all, so there needs to be some sex in it. The book did really well and I am also rather proud of it, because I think I did a good job with it.

Highway to Hell

I realized the other night that, of all things, I take more pride in my short stories than I do in my novels. Isn’t that strange? Novels are, in theory, much more difficult to write than a short story–even at its barest minimum, a novel should be at least fifty thousand words while short stories generally cut off around a thousand. I think it’s because I still carry the scars from that asshole writing professor in college. I always struggle with short stories, and always have; I used to say that if I wrote a successful short story it was completely and entirely by accident. But writing erotica was an excellent tutorial in short story writing; in what other type of short story is “beginning, middle, end” so clearly delineated?

My first short story that got published outside of the realm of erotica was “Smalltown Boy,” which was published in 2003, I think. It’s still one of my favorite stories of my own; it’s an Alabama story and I am still very proud of it. I used to think I’d never get a short story published anywhere that wasn’t erotica, so when my stories started getting acceptances and published in non-erotica markets, it was very cool.

I like writing short stories because I can encapsulate an idea in that short form rather than writing an entire novel. I can also experiment with voice, style, theme, setting and story. I have any number of stories that don’t work but are completed; I have a lot more than were started and stalled because I didn’t know how to finish them. I think I have around a hundred short stories or so in progress; I actually counted a few years ago because someone asked and I didn’t know the answer.\

Several years ago, an Australian crime writer I’ve known for decades reached out and asked me if I would contribute a story to an anthology her publishing company was producing, The Only One in the World, which was a Sherlock Holmes collection–but the only rule was you couldn’t set the stories in London, period; I had never written anything close to a Holmes story and have never really been much of a Holmesian (I do love Laurie King’s Mary Russell series), but it was a challenge so I said yes–because for me, I love writing challenges because they push me out of my comfort zone and make me try things I might not ordinarily try. That story became “The Affair of the Purloined Rentboy” (still one of my favorite titles of all time) and it was a lot of fun to write, and I enjoyed the hell out of myself writing it…to the point I’ve considered revisiting my Holmes and Watson in 1916 New Orleans, several times.

Last year, the Sherlock editor, Narrelle Harris, reached out to me to see if I’d write something for a new anthology, The Fresh Hell, and there was a list of horror tropes we were given to chose from. Being from Louisiana, how could I not pick “haunted bayou”?

And so I started writing a story that became “Solace in a Dying Hour.”

Madeleine Chaisson opened her eyes and knew that the next time she shut them would be the last.

She cocked her head to listen. Even amongst those few (some say blessed, others cursed) who could hear them, most would describe the strange sounds they made as they danced about the dark, still waters as whistling. But Madeleine was special, different, not like the others.

She heard them clearly. She knew they weren’t whistling. They were singing.

But the sound she heard now was just the gulls over Bayou St Ferdinand shrieking as they swooped and flapped their wings looking for morsels of food. 

Dirty scavengers, she thought with a scowl. She hated the gulls; had since she was a little girl growing up in this very house.

How much gull shit had she cleaned off the dock during her long lifetime? Papa would backhand her if he saw any of the dried white splotches with black pellets on the dock when he brought the boat back in from a day shrimping out in the Gulf.

‘It rots the wood, you lazy cochon,’ he’d say in his sing-song southeast Louisiana Cajun accent while she rubbed her stinging cheek. ‘And who will have to rebuild the damned thing when it collapses? Don’t I already work hard to keep you clothed and fed?’

Even with him years in his grave, after she began wondering if that was even true, she’d still take the bucket out and scrub the gull shit from the weathered old wood.

If I were a witch like they always said, I could have snapped my fingers and cleaned it, she thought with a snort.

The new anthology debuted today, and it is available on Amazon and other sellers here in the United States; here is the link to Bookshop.org : here. This link is to the trade paper; there’s also a much more expensive hardcover edition as well if you disdain paperbacks.

“Solace in a Dying Hour” is another one of my south Louisiana stories. It took me a long while to get to the point where I was comfortable writing about Louisiana outside of New Orleans (don’t ever ask me about the colossal error in geography I made in Bourbon Street Blues…I SAID DON’T ASK!); I think my first was “Rougarou.” I also wrote and published “A Whisper from the Graveyard” since that one, and this is my third. I’ve started building a fictional world of Louisiana outside of the city over the last seven or eight years or so; it could be longer since I no longer have any sense of time anymore. I have revisited rural Louisiana in books like Need, The Orion Mask, and A Streetcar Named Murder; I have more stories and books I am going to write about my fictional rural Louisiana; I’ve also fictionalized the north shore several times already.

“Solace” is an homage of sorts to two other stories I really loved, “Do the Dead Sing?” by Stephen King and “An Unremarkable Heart” by Karin Slaughter. Both involve someone lying in bed dying, and reliving some pretty horrible things that happened over the course of their lives. I had been studying Louisiana folklore and legends for quite some time, but it was around 2017 or 2018 that I started really doing a deep dive into Louisiana history and culture. A co-worker had moved to Houma, which is deep in the bayou country, and she was doing the same. She was who suggested I write about le feu follet, the swamp lights some see. There are numerous definitions and descriptions of who and what le feu follet actually are; I decided I wanted to use the lights and the whistling aspects of their legend, and I wanted the story to focus on a woman who’s lived a very hard life and been through some things…but who could not only see le feu follet for what they actually are and appear, but could tell that they weren’t whistling, but singing. I also kind of based her on my maternal grandmother, a very quiet woman who never showed emotion and never complained about anything; things were what they were and you just dealt with them, period. I wanted to get that sense of quiet strength that you can usually only find in rural Southern women, that practical pragmatism that has gotten them through hard lives and a lot of tragedy.

My maternal grandmother was pretty amazing, really.

I am very proud of the story and how it turned out; the anthology itself is amazing, and the cover is gorgeous. I hope you enjoy it should you choose to check it out.

Oil of Angels

Here we are on a lovely Thursday morning. I managed to survive a full week in the office for the first time in three weeks (I won’t be going in on next Wednesday, either, as I have doctors’ appointments all day that day, so yet another non-full week for me, oy). I wasn’t very tired yesterday; no more than just the normal wearing down of a work week. I had slept really well Tuesday night so I wasn’t very tired yesterday, and I was also trying to get some odds and ends finished. It’s very strange where I am right now; I have some commitments but not many; and I finally seem to have the email situation almost completely under control at long last. I do sometimes find myself at loose ends on occasion; no emails to answer, nothing urgent that needs to be done, finished or worked on. It kind of feels weird, but it’s also nice in some ways. Maybe that’s why I am sleeping better? Because I’ve managed to get the stress under control somehow?

Who knows?

Paul worked late the last two nights–he’s writing a grant for the National Endowment for the Arts, so glamorous–so I was kind of at loose ends. Last night I had a ZOOM thing at six; and I was already a little worn down from the day at the office (mostly from getting up at six, really). I was falling asleep in my chair by nine, so I went to bed; I tried reading a short story by H. G. Wells in that My Favorites in Suspense Hitchcock book, but I couldn’t get focused. But I also realized something when I got home from work yesterday: I am sort of caught up on everything? Oh, sure, I still have two novels in various stages of production–waiting for the edits on one while page proofing the other–but I am actually kind of caught up right now. I had no emails to answer in my inbox. The proofing is going decently, and isn’t due to be turned in for another couple of weeks, at any rate, so I am actually ahead on that one. For the first time in years, I had absolutely nothing to do and no excuses or justifications necessary to go sit in my chair and cuddle with the cat and just empty my brain and do nothing. I cannot remember the last time this has happened; it’s been at least since 2019, I think. It’s an odd feeling, but also one I could get sort of used to, if I let myself.

Someone told me yesterday–during the ZOOM call–that I’m a workaholic, which kind of took me aback. (Kind of like being called prolific used to always make do a double take and say, what?) But as I sat there in my easy chair rewatching the LSU College World Series final game at last (GEAUX TIGERS! I also realized I never really posted about that world series and how fun it was to watch–the final game was pretty fun to watch; must have been amazing to watch as it happened), I started thinking about that some more and instead of the usual kneejerk no, I’m actually really lazy defensive reaction I always have (because, believe it or not, I really AM lazy) when someone says something like that to me, I decided to think about it and she wasn’t entirely wrong. I do have a full time job in an office. I do write full time. I edit part time. This is the first year since maybe 2009 where I am not doing any kind of official volunteer service in what little time I have left after everything else, and it’s kind of nice. It’s nice to have free time I don’t have to feel guilty about, where I don’t have to say to myself “no one else has to justify taking the weekend off from everything” when they are too tired to work on the weekends. I think she was probably right: I am a workaholic.

Oh, this is just a respite and things will start cranking up a bit again, I am well aware of that, but I want to enjoy this brief time of leisurely page proofing while I wait for my other edits with no sword of Damocles hanging over my head. I’m probably going to start writing something else relatively soon, maybe next week or the week after, depending on when the edits arrive. I want to finish strong first drafts for Muscles and Chlorine by September, when I am going to spend the rest of the year working on the requested follow up book to this other one I’m currently proofing. I also have to come up with a plot for that book, so there’s so mental gymnastics ahead of me, so letting my brain have a bit of a rest will be helpful as my batteries need to thoroughly recharge; I’ve run them down dramatically over the last few years. Mom’s decline and final illness, the pandemic, being EVP of MWA, trying to continue to write books and stories–and that’s not even taking into consideration the national political shit show this country has been for years now–it’s a wonder I managed to survive the last few years, you know? Let alone continued to write and be productive while doing my day job well, managing the household–the chores were definitely allowed to slide for a very long time, I’m afraid–no wonder I was exhausted and tired and drained all the time. No wonder writing my stories and books felt like misery and like I was doing it on autopilot.

And I need to take better care of myself, period.

Today is also the launch day (in Australia) for This Fresh Hell, edited by Katya de Becerra and Narrelle M. Harris; it features my story “Solace in a Dying Hour,” which is one that I am rather proud of, to be quite frankly. (While I was trying to read that H. G. Wells story–“The Inexperienced Ghost” was its title–it occurred to me that I am much prouder of my short stories than I am of my books, which is a weird thing I am going to have to unpack at some point) I’ll do another entry about the story, of course; maybe that will be the time and place for me to work through my weird neuroses about short stories and my writing.

Or I could see a therapist again. Which is probably the best thing, really.

And on that note, I am heading into the spice mines. Y’all have a great Thursday, okay?

The Itchy Glowbo Blow

Wednesday and we’ve made it halfway through the week, Constant Reader. Didn’t think it was quite possible, did you, when Monday dawned so early and ugly? We expecting thunderstorms today in New Orleans–it feels cooler and damp this morning, but I don’t know when we are supposed to have said storms; probably this afternoon. I slept really well again last night–it’s been lovely getting good sleep lately. I felt a bit tired yesterday when I got home from work, and so took it a little easier on myself when I got home. I managed to get caught up on my emails (such a weird feeling) and did some writing last night. I think I’m still a bit in the post-book malaise phase of things, so writing anything isn’t easy (not that it ever is) but Paul got home late so was left to my own devices once I finished writing for the evening. I did watch some documentaries on Youtube about the Hapsburgs last night (I also discovered an English-language biography about her–Margaret of Austria–which I added to the my list of books to buy…which is almost as out of control as my TBR stack, which is now essentially the entire living room), and I read a short story in Hitchcock’s My Favorites in Suspense anthology; a dark little Charlotte Armstrong story called “The Enemy.” Armstrong was a writer I discovered as a tween, when Mom let me join the Mystery Guild Book Club; I got an omnibus by her (The Witch’s House, Mischief, The Dream Walker) which I greatly enjoyed. I rediscovered Armstrong thanks to the work of both Sarah Weinman and Jeffrey Marks, which enabled me to continue reading in her canon.

Armstrong won an Edgar for Best Novel for A Dram of Poison, a charming if dark little story of suspense; maybe the rare Edgar winner where there’s no dead body but the plot has to do with preventing an accidental death? It’s very clever, and incredibly charming, but beneath that clever charming surface it says something dark and awful about human nature and character–people who are unhappy spreading their misery to others. Armstrong was also made a Grand Master by Mystery Writers of America. Her work may seem a bit dated in the modern day–technology and society have moved on from the times she lived and wrote in–but I think it’s well worth the read. “The Enemy” is that same style of writing as Dram, a serious subject presented charmingly, and the death of a child’s dog the catalyst for an exposé of something darker and nastier…and yes, the plot also hinges on the darkness a human being is capable of creating. It’s a really clever, if slightly dated, story–and you can’t help but smile or laugh at the last line of the story. I am really enjoying these time capsules into the past, to tell you the truth. I bought a few more of these anthologies on eBay yesterday, too. It’s nice to have short story collections around for those times when my brain can’t really focus on reading an entire novel.

I have been listening to Carol Goodman’s The Drowning Tree on Audible, but I may have to break down and finish actually reading a physical copy because I can’t keep listening every day and with my memory a literal thing of the past these days, I’m not sure I remember enough of the story to pick it up again this weekend. I also picked up copies of her new novel, The Bones of the Story, along with Paul Tremblay’s new short story collection, The Beast You Are. I do like Tremblay’s writing–A Head Full of Ghosts was one of the best horror novels of the last decade, and I’ve liked everything else of his that I’ve read–and I think this may even be his second collection. I am also hoping to pull together another collection myself this year–This Town and Other Macabre Stories–but I am not sure if I will have the time. I also got the copy edits for a short story I contributed to an anthology in my inbox last night, so that has to go onto the to-do list, and I still have page proofs to get through. But for the most part, it seems as though I have a guilt-free free weekend, which one can never truly go wrong with, either. I’ll have some errands to run, of course–I always have errands to run–but there’s no stress or pressure on me either, which is kind of nice. I think maybe that’s the reason I’ve been sleeping so well this week? No pressure and my schedule has kind of normalized, gotten back to normal, settled back into the routine my body is used to, perhaps?

Yes, that makes total sense to me.

I also have ideas and thoughts pinging around in my head. I’m itching to get back to the works I have in progress; I want to get a strong first draft of two different novels finished before I leave for Bouchercon next (!!!) month. I actually, finally, made a to-do list yesterday; I am hoping that I can get my life back on track the way it was before the pandemic and the madness of the last few years. That doesn’t mean that my blood pressure won’t continue to go up predicated on the constant assaults on everyone who’s not a cisgender straight man from the demons on the right–which is part of the reason my interest in the Civil War and the 1850’s, that terrible lead-up to the split, has been heightened these last few months. I do see a lot of similarities in the split between conservative v. progressive today, which was predicated along the lines of abolitionist/pro-human trafficking back then. One of the books my father gave me to read was called Southerners in Blue, which was a novelization of the true story (albeit poorly written) of a Union sympathizer and others like him in Winston County, Alabama. (If you’re not familiar with Winston County, the easiest way to explain it is this county did not vote for secession and essentially stated that if Alabama had the right to secede from the Union, the county had the right to secede from Alabama. They did not secede from Alabama, just said they had the right to predicated on the secession arguments being presented, but have gone down in Alabama history and lore as having actually seceded even though they most certainly did not) Basically, in some of the northern counties of Alabama there was basically a second civil war, between the “secesh” and the “Unionist” supporters, and the mountains of north Alabama were filled with deserters from the Confederate Army, This was also novelized into a book called Tories of the Hills by Wesley Sylvester Thompson, which is incredibly rare (my uncle has a copy, which my aunt won’t let be removed from her house–wise, as I would totally steal it). I had read another book also while I was up there, about the Kansas-Missouri border war–which had a decided “secesh” slant to it, of course, while complaining that all previous histories were “unsympathetic to the Missouri slave-owner point of view”. I’m sure he had a point, but simply because there are two sides to every story doesn’t mean each side deserves to be heard, or that each side’s opinion has equal weight. It did spark my interest, though, and I really think there’s a book in this little-known history of north Alabama. Again, it would be difficult to write–lots of potential landmines there–but it’s also, as I said, not very well known and with today’s tribalism mentality–not to mention how loud the Lost Cause fanatics are–it’s hard to wrap one’s mind around the notion that the South wasn’t monolithic in its thinking.

Because no group of people are, really, which is why I don’t like being asked for a gay perspective on anything; I can only speak for myself.

But while I continue to research this aspect of history and try to figure out a way to get a novel out of it, I am going to map out two others. One is already in progress, and the other is a New Orleans ghost story I’ve been wanting to write for quite some time now. The trick is to make it different from every other ghost story I’ve already written. Good luck with that, Mr. Repetitive!

Heavy heaving sigh.

And on that note, I am heading into the spice mines. Have a great Wednesday, Constant Reader, and I will check in with you again later.

You Wanna Jitterbug?

I’m not really sure when I became aware of Wham!, if I’m being completely honest. I think I remember seeing the video for either “Wham Rap” or “Bad Boys” on MTV, and I immediately clocked the lead singer, a handsome young boy with brown hair and an amazing smile…but thought the other guy (who turned out to be Andrew Ridgely) was more attractive. When they released their next album, Make It Big, I really liked the debut single, “Wake Me Up Before You Go-Go,” which was catchy and boppy and a lot of fun. The video was probably one of the gayest things I’d ever seen, but again–it was light and catchy and fun and silly, like the song. I bought the album, which was far better than I could have ever imagined it being, but I never became a big fan. Their next release, Music from the Edge of Heaven, included my favorite song of theirs (“I’m Your Man”), and I actually saw them in concert, in Oakland. I was working at a department store at the time, and some of my co-workers were HUGE fans. They’d bought tickets to a Wham concert, and one of the people dropped out…and they offered me the ticket. I was already burning out on concerts at this point, didn’t really want to drive to Oakland for a concert, and wasn’t a huge fan of the main act….but there were two opening acts: Katrina and the Waves, whom I also liked, and the Pointer Sisters, whom I loved. So, I agreed to go and use the ticket, figuring at least I know the Pointer Sisters will be amazing live (they were), but I wasn’t prepared for how fantastic this little teeny-bopper bubblegum teen idol-style act would be. George Michael was incredible live.

I left that concert a George Michael fan, and shortly thereafter Wham dissolved and George went solo…and had the kind of solo career that all artists hope for, which completely eclipsed Wham. Andrew and Wham played a small role in the two George Michael documentaries we watched recently, but when I saw that there was a Netflix documentary that focused solely on Wham, I thought, I need to watch that because no one really remembers how fucking HUGE Wham was before George went solo.

And taking into consideration that they were in their late teens/early twenties when they blew up…that’s pretty remarkable.

As I said, I tagged George Michael as gay the first time I saw one of their videos. (I also tagged Freddie Mercury the first time I saw him; Greg Louganis at the Montreal Olympics; Elton John; and any number of others who eventually came out.) I couldn’t tell you what it was about George; whether it was his voice, his posture, the way he moved, what it was about him, but every alarm in my head went off. He’s gay was my first thought, and my second was one of sympathy. Sure, I was in my early twenties, deeply closeted and deeply conflicted about my life and my future, but I still felt sorry for a rising pop star/teen idol on the cusp of superstardom because all I could think was, if not being myself is making ME so miserable and I’m just a college student, how awful would it be if you were a worldwide star/celebrity? I felt nothing but sympathy for anyone else, regardless of class or status, who had to lead a closeted existence.

How much worse was it for someone in show business, who achieved worldwide superstardom?

And while obviously Andrew Ridgely is the only one of the two still around, it’s pretty clear he and George remained close until George’s death. They were childhood friends; the pictures of them from childhood are astonishing. Andrew was always a pretty boy–he’s kind of always looked the same, really; for me it’s the eyes–while George was kind of plain and drab; who knew he’d grow up and have supermodel looks? I always wondered, you know. Andrew always seemed kind of superfluous to the group, if I’m being honest; I guess he co-wrote some of their songs, and I also guess his presence–his own exuberance and showmanship–helped George with his own shyness and the support was there for him always; he mentioned in one of the documentaries about his life that the mutual agreement to disband also meant that he was going to have to face all of it on his own for the first time.

But the primary takeaway from the documentary–outside of what a good friend Andrew truly was–is how HUGE Wham actually was world-wide before they disbanded. They toured Communist China in the mid-80’s to sold out arenas. That was kind of a big deal back then, as Western entertainers were viewed by the regime as “decadent.”

How did I know George Michael and the others were gay the first time I ever laid eyes on them on my television screen? I honestly don’t know. I’ve never looked at or considered “gaydar” as anything other than a joke, really; something all gay men joke about as we wish for the hottest of male celebrities–singers, musicians, athletes, actors–to turn out to be gay after all. Representation matters so much, and with more and more celebrities feeling comfortable and confident enough to come out over the last decade or so, we’re getting queer characters on television series and in books; we’re even getting television series and movies with gays as primary characters. I don’t like it, obviously, when the representation is bad, but at the same time we gays come in every shape, size, and type of person. There are gay villains and demons just as there are role models and angels. I do wonder, when my mind is wandering and I am tired, if gaydar is actually a thing; something that was programmed into our collective DNA millennia ago, giving same-sex attracted person a subconscious sense that recognizes like, as in oh he is like me as a protective measure? What was it about George Michael, and Elton John, Greg Louganis and Freddie Mercury before him, that triggered something identifiable in my brain? (I did wonder about Rock Hudson when watching McMillan and Wife.)

It’s curious, isn’t it?

If you’re a George Michael fan, I highly recommend Wham, because the fact that George was a huge star already before he went solo sometimes (often) gets left out of the story.

And Make it Big is still a good record.

Know Who You Are At Every Age

Here we are on Tuesday, blearily drinking coffee and wishing I was independently wealthy. Don’t get me wrong, I do love my job, but I really love not waking up to an alarm that much more. Sleep has always been a challenge this last decade or so, and sleeping anywhere other than my own bed makes it all the more harder to get a good night’s sleep. When I am tired, I tend not to be hungry or thirsty, and I get off my schedule. Not eating results in me being hungry–something I am not familiar with, so I never know what that is–and dehydrated, which makes me even more tired and even less hungry, and you see how it all works together to escalate into something horrendous? I was off my game all last week recovering from just that same combination of moronic Greg behaviors and going off all my medications at the same time was probably not the best way to handle things. Had I not forgotten my pill dispensary at the hotel in Jasper the vacation week and the week back might have gone completely differently.

At least I’d like to believe so, at any rate.

Yesterday wasn’t a bad day. I wasn’t tired for most of the day, having slept decently on Sunday night, and diving headfirst back into work was, as always, a bit jarring after a weekend of only having to deal with either Paul or the cat. It was also busier than usual, which was nice–it’s always lovely when clients are able to access our services than when they aren’t–if a bit hectic. But I got caught up on all of my work chores, so tomorrow when I go in I’ll already be slightly ahead of the game. I got the dishes done and some laundry, and managed to do some cleaning up around the kitchen (including organizing and filing) before I called it for the night and repaired to the chair to watch television. I even made dinner, if you can believe it; I cannot recall the last time I made dinner!

Speaking of games, how cool was it that Paul Skenes and Dylan Cruise went 1-2 in the pro baseball college draft? First time the top two picks in the draft were from the same team, GEAUX TIGERS! And football season is quite literally just over the horizon. Expectations are high for LSU this year–probably too high, we tend to get very enthusiastic here for very little or no reason–but last year no one thought we’d win ten games, beat Alabama, and win the Western division, either, and here we are. I don’t know if LSU will be able to pull off defeating Alabama two years in a row (only two coaches have done so–Les Miles at LSU and Hugh Freeze at Mississippi) but everyone down here is riding high after a better than expected season last year and a women’s basketball AND a baseball national championship within two months of each other this spring. Pretty fucking cool–and the first time any college has won a basketball and baseball title in the same year. (Ironically, neither team won the SEC–South Carolina won it in basketball, and Florida won in baseball.)

I slept well again last night, which was lovely. I feel rested and alert this morning. I went to bed an hour earlier last night–I had dozed off during the second episode of Hijack, and if I can asleep watching Idris Elba, I was sleepy. Paul had as well, and we both agreed that it was being tired and not the show that put us to sleep; we both are enjoying the show and I do recommend it. We had also watched Wham!, the documentary about the band that introduced George Michael to the world, the night before and also really enjoyed it; I might write more about it later as I remembered, ,while watching, that I saw Wham! in concert the summer of 1985 in Oakland. That was also one of the last concerts I ever attended (I think I saw Fleetwood Mac and Bon Jovi and Everything but the Girl after, but those were indeed the last concerts I attended–too many people, too much traffic, too much aggravation, too expensive), and it put me to thinking about George Michael, the 1980’s, and so forth; I somehow knew that George was gay almost from the very start (the same way I knew with Rock Hudson, Greg Louganis, and a number of others)–almost as though there’s some kind of genetic coding which gives gay men the ability to spot others like themselves–something primeval that goes back to the earliest times, something protective–which would make a kind of evolutionary sense, really. And that really should be talked about; it’s certainly worthy of its own entry: Gaydar, is it a thing?

I started writing something new yesterday, and it’s not really coming along that well or easily. I don’t know if that means my creativity still needs another day or so to rest and recharge or the almost constant fear that it’ll all go away has finally come true. But here’s hoping it will go better and more easily today.

ANd on that note, I am going to head into the spice mines. You have a great day, Constant Reader, and I’ll check in with you again tomorrow, if not later.

A Kissed Out Red Flatboat

I did read some short stories this weekend from the Alfred Hitchcock Presents anthologies I’ve gotten from eBay over the last month or so, and they’ve been wonderfully delightful and deliciously wicked. They also remind me of where I got the idea that short stories should always have a wry, slightly ironic but gasp-inducing twist at the end. I remember vaguely watching Alfred Hitchcock Presents (we were always a family who were fans of Hitchcock) and, while I was too young to remember The Twilight Zone, I do remember Night Gallery. I am also loving reading stories by masters of crime fiction that I’ve not read before; in one of the anthologies the next story up is by the delightful Charlotte Armstrong. I just read one by Anthony Boucher (for whom Bouchercon was named) called “They Bite” that was incredibly creepy; in another one of the anthologies the next story is by Roald Dahl. I would love for us to go back to the wonderful world that existed back in those days, when the short story was a much more valued art form than it is today and there were all kinds of markets for them. Heavy heaving sigh.

So, I did pull out that story the copy-editor said was “powerful,” and as I read it my horror grew, until by the time I finished it I had noted so many errors and transition problems that I thought that cannot be the version I turned in and was in thorough panic mode when I remembered to check the laptop and sure enough, there it was. I did reread the story, did spot some mistakes, but the revision I did before turning it in was clearly the right thing to do, as the story was significantly better and made more sense and was actually, pretty good. It touched on themes I seem to keep returning to, over and over again, but what can you do? I cannot control my creativity that strongly, you know; I write the stories as they come to me. I do worry that I am repeating myself though–how many hangover scenes have I written over the years (which is hilarious, because I never really had hangovers the way other people have always talked about them)?

We started watching a new crime show that seemed to have a lot of potential, but there were a couple of annoying characters in the forefront of the show that undermined it for me, so we gave up after a couple of episodes. We did watch the final episode of The Ashley Madison Affair, which was pretty interesting to me. First of all, if anything, it emphasized the fact that not everyone is content with monogamy–and since we idealize monogamy and the nuclear family in this present day society (unrealistically, I might add), the concept of open and honest conversations about sexuality and monogamy and so forth are made very difficult to have. Women are trained from childhood to see cheating as the worst possible sin of all time, as well as to try to inhibit and control their sexuality as much as possible, denying themselves the same freedom to explore what they like and enjoy while also determining what they don’t like and don’t enjoy the way single man are often allowed. Dorothy Allison wrote very strongly about how societal views and beliefs and mores about female sexuality prohibited women from becoming their full selves; there’s always someone just raring to slut-shame a woman, isn’t there? A former friend of mine who claimed herself to be an ardent feminist (she became a TERF, of course) and that women had every right to be as sexually liberated as men would then turn around and slut-shame every female celebrity that ever came up for discussion. All models were really “escorts,” and every successful woman in entertainment slept her way to the top.

That’s an interesting feminist take, isn’t it?

We also started watching a gay teen movie, and turned it off within five minutes. It was terrible. We watched something else after that, but i honestly don’t remember what it was, to tell you the horrible truth. I hate this memory nonsense, seriously.

And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader, and I’ll check in with you again tomorrow (or later, whatever the case may be).

Athol-Brose

Sunday morning in the Lost Apartment and how the hell are you, Constant Reader? I slept super well last night–much better than Friday night, which felt really great–and am a-rarin’ to go this morning. Yesterday was a good day, frankly and surprisingly. I woke feeling rested and well, managed to get some things going in the morning, and kept getting things done for most of the day. I also took it a little easier than I usually do, resting and relaxing for a bit before getting up again to do something else. Thus I managed to get some things accomplished.

After doing some kitchen organizing yesterday (and filing), I started going through that box of clippings and magazine copies, to better organize them in another box, and found all kinds of things that are marvelous. I’ll do some scanning today, so that there’s an electronic version of everything preserved for all time. The Queer Crime Writers group has expressed some interest in archiving some of the articles and reviews of crime authors and their books…it was funny, but it’s been a long time since I looked at those old issues of Lambda Book Report, and while I am still proud of them, it’s been long enough that I can look at them critically and see the mistakes and flaws and so forth. It was also kind of interesting because I forgot, for one thing, that I interviewed Margaret Cho for Lambda Book Report, or that Paul used to do author interviews, and so forth. It was kind of cool experiencing the nostalgia of seeing them, or the old Saints & Sinners programs from the first years, when I had to do the layout and design for them (which is why they all look so amateur hour) but I also used to do that for Lambda Book Report too. There were also clippings from other gay papers, including the local IMPACT News which then became Southern Voice-New Orleans before folding completely, the Times-Picayune, Gambit, and St. Charles magazine. It’s hard to believe, really, that I’ve been in and around the publishing business for as long as I have. It’s also kind of eerie. I’m trying not to be a cliché, but seriously, where did the time go?

I also walked to the Office Depot during the afternoon rainstorm yesterday to get ink for the printer and some notepads. I live for the 5 x 7 legal pads, and I’ve been down to my last one for quite some time, which inevitably throws me a bit off-balance, as I use them for everything, from grocery lists to “what to do today” lists” and making notes to myself to remind myself of things. I just feel better knowing there are eleven notepads in the cabinet, next to two blank journals, for me to use if and when I need one again. It’s odd how comforting that knowledge is, so it’s clearly one of my (many) neuroses.

I also started watching a true crime series on Hulu–Paul was meeting a friend for dinner and drinks last night, so I was left to my own devices–about Billy Milligan, a serial rapist who had dissociative identity disorder at a time when not much was known a bout it; many people to this day don’t believe Milligan actually had the disorder, but was simply a very good actor (The Crowded Room series on Apple Plus is based on his story), but I stopped watching by the fourth episode. Do I believe DID is a thing? Sure, why not? Even if the Sybil case turned out to be a fraud, I do think the mind is capable of splintering like that when faced with a horrific trauma; ironically, this illness was depicted beautifully over the years for Victoria Lord on One Life to Live (winning her portrayer, Erika Slezak, a ridiculous amount of daytime Emmys over the years); it began when first shown as part of the melodrama with some research done into it; as more information about it became available and more studies were done, that was also explored over the years as it reoccurred, finally culminating with the truth that she was molested by her father–that was the initial trauma that shattered her mind. I’d like to write about this sometime myself, because it’s interesting to me, but it would take a lot of research because I’d want to do it right, you know?

I got a lovely compliment on a story I contributed to an anthology yesterday, which was unexpected and lovely–especially since I hadn’t felt confident about the story when I sent it in. It’s another Alabama story, which makes me happy, and I pulled up the electronic last version I had with me here at the house and…it’s full of mistakes. I just hope that wasn’t the version I sent in. But it’s a story I wrote a long time ago, based in some sort of reality. When we used to visit Alabama in the summer time, my aunt and uncle lived in the county seat in a nice brick one-story three bedroom house whose back yard gently sloped, gradually ending in what my cousins (and everyone) just called “the ditch.” I never really knew how it was created or where it came from–in the story I referred to it as a branch of the river that was dammed up and so it dried up–but it was about twenty feet wide and fifteen foot deep; and the bottom was just as I described it–littered with rusting cans and broken glass and other debris. But it was also cool down there as it was completely shaded by all the trees lining the sides (that’s what gave me the idea that it may have been a branch of the river; it does kind of look the shores of a river); there was also a path from the back of the house to an ancient wooden footbridge to cross to the other side. I wrote the story “The Ditch” originally years ago, I think possibly for a Horror Writers Association anthology, and it was rejected. I liked the story but knew it needed more work, and when I dragged it out to use for this anthology I did a strong revision. It is a much better story now than it was, but please God, tell me I didn’t turn in this error-riddled version. More on that anthology as it develops.

I also made a list of things I need to get done today (yay for little legal pads!) and am feeling pretty good about everything this morning. It really is amazing what a difference sleep makes, isn’t it? I woke up early this morning, am enjoying my morning coffee, and I finally feel like I am part of my own reality again (it always takes a while for me to readjust to my normal daily routine). I also have some writing and reading to do today, and I hope to get to work on the page proofs either today or sometime this week.

And on that note, I am heading back into the spice mines. Have a lovely day, Constant Reader, and I’ll check in again at some point, no doubt.

Private Eyes

I loved the Three Investigators.

When I was writing about rereading “The Birds” the other day, it brought Alfred Hitchcock to mind again. I have been revisiting the old Alfred Hitchcock Presents anthologies lately, and slowly (finally) realizing what an enormous influence on my writing Mr. Hitchcock was. Obviously, there’s the films, and the television series, of course, but even more so in books–books he had little to do with other than licensing his name–because hands down, no questions asked, my favorite juvenile series was The Three Investigators. I loved those books, and still do. The Hardy Boys, Nancy Drew, the other series–they don’t really hold up well for me now, but I can still enjoy the The Three Investigators as much today as when I first read them. The books are incredibly well written, and the three boys themselves are very distinct from each other yet not one-dimensional, and that holds true for all the members of their supporting cast–Uncle Titus, Aunt Mathilda, Hans and Konrad, Hitchcock himself, Worthington the chauffeur–as well as the primary settings, the Jones Salvage Yard and Headquarters, a wrecked mobile home hidden in plain sight, beneath and behind piles of junk, with secret tunnels leading to it.

What I liked the most, though, was that the plots of the mysteries themselves were very intricately plotted, and the criminals were actually pretty smart, so it took a lot of good detective work, thinking, and intelligence to outwit them. Many of the books were treasure hunts, which of course I love love love, and often required the solving of a puzzle, which I also loved. The three boys who formed the investigation were Jupiter Jones, Pete Crenshaw, and Bob Andrews. Jupiter (First Investigator)had been a child star on a Little Rascals type television show as “Baby Fatso”, which he doesn’t like being reminded of, or being called fat (this was actually one of the few kids’ series that dealt with fatphobia and flat out said making fun of people for being overweight was cruel; think about how much Chet Morton gets teased for being fat in The Hardy Boys and the same with Bess Marvin in Nancy Drew); he is also the brains of the outfit. He has a quick deductive mind, pays attention to details, and has read a lot so he’s got a lot of arcane knowledge in his mind that comes in handy quite often. Pete (Second Investigator) is strong and athletic and not nearly as bright as Jupiter. Pete also gets scared easily, but an ongoing theme in the books is how Pete always overcomes his fears to come to the aid of his friends. Bob Andrews is Records and Research; he works at the local library so can do research for them, and he also is the one who writes up all their cases to present to Mr. Hitchcock, to see if it’s worthy of his introduction. When the series begins, he has a brace on one leg from a bad fall down a nearby mountain–so he doesn’t get to get involved in any legwork or in-person investigations for several volumes until the brace comes off.

And of course I loved learning from Jupiter’s vast stores of knowledge.

“Help!” The voice that called out was strangely shrill and muffled. “Help! Help!”

Each time a cry from within the mouldering old house pierced the silence, a new chill crawled down Pete Crenshaw’s spine. Then the cries for help ended in a strange, dying gurgle and that was even worse.

The tall, brown-haired boy knelt behind the thick trunk of a barrel palm and peered up the winding gravel path at the house. He and his partner, Jupiter Jones, had been approaching it when the first cry had sent them diving into the shrubbery for cover.

Across the path, Jupiter, stocky and sturdily built, crouched behind a bush, also peering toward the house. They waited for further sounds. But now the old Spanish-style house, set back in the neglected garden that had grown up like a small jungle, was silent.

“Jupe!” Pete whispered. “Was that a man or a woman?”

Jupiter shook his head. “I don’t know,” he whispered back. “Maybe it was neither.“

Jupe and Pete are on their way to call on a prospective new client, referred to them by none other than Alfred Hitchcock himself. Professor Fentriss had bought a parrot from a peddler, primarily because he stuttered and was named Billy Shakespeare (Fentriss is an English professor). The parrot says “to-to-to be or not to-to-to be, that is the question.” But this is in and of itself mysterious, as Jupe points out, because parrots don’t stutter; they have to be taught to stutter. Why would anyone teach a parrot to stutter? But the stuttering parrot is just the start of a bizarre and unusual case, with twists and turns and surprises everywhere the boys turn. Their detecting soon leads them to the revelation that there were six parrots and a mynah bird the peddler was selling, and they were all taught specifically to say one phrase. The phrases are clues to a treasure trail, and the prize is a magnificent and incredibly valuable painting by a master.

This book is an excellent example of precisely why I loved this series so much. The pacing is always excellent, the characterizations are three-dimensional, the mystery is intricate and puzzling and hard to figure out, and the conclusion of the book, where the boys have to beat several bad guys to actually find the painting, which takes place in a spooky abandoned cemetery on a foggy night, is some of the best atmospheric writing I’ve ever encountered. You really feel like you’re lost in the fog with bad guys you can’t see out there somewhere.

I’ve never understood why these books never achieved the popularity of the Hardy Boys and other series like them. They were better written, better stories, and just over all vastly superior to the Hardy Boys in every way. The first book in the series, The Secret of Terror Castle, remains one of my favorite kids’ books to this day (several books from this series make that same list). The problem with the series was time, really. Alfred Hitchcock eventually died, and they had to get someone else to fill in for him. Eventually, recognizing that Hitchcock’s name alone dated the books, they removed the references. The books themselves were never updated, which is also a shame because it dates the books but at the same time gives them a kind of nostalgic charm, as well. The Secret of Terror Castle was about the home of a silent film star whose career was ended by talkies, who turns out to be still alive. That was a stretch for me even when I first read it in the early 1970’s, let alone today. Whenever I think about writing my own kids’ series, I always think of it in terms of being Hardy Boys-like, but really what I would want to do is emulate the Three Investigators, whose books were well-written and a lot of fun to read.

Be sure I will talk about them again another time.

Spooning Good Singing Gum

Saturday morning, and at some point I need to walk to Office Depot and get ink for my printer. I suppose I should really let go of this obsessive need to have everything printed on paper just in case. It’s terrible for the planet, for one, and I am sick of spending the money on ink. Who will win here, the neuroses or the economist?

Yesterday wasn’t a good day. I didn’t feel good still throughout most of the day, and I even took the horrifying step of getting Pepto Bismal at the grocery store. Shudder, wretched stuff. But it also occurred to me that maybe I was just hungry–another neuroses there–because I keep forgetting to eat or don’t eat enough when I am not in the office. So I ate something and did feel significantly better. And whenever that feeling started up again, I had something else. It worked. (Part of my food/eating thing is that I don’t ever get hungry and will forget to eat until I feel sick. That, sadly, is nothing new that can be blamed on the long COVID or anything.) But I was also very tired and feeling a bit burnt out from not sleeping well. Paul and I watched the first two episodes of the Ashley Madison documentary series–there will definitely be more about THAT later–and then I went to bed for the night. I did get some things done yesterday but the primary problem for the day really was not feeling good. Today I feel rested, hydrated, and not hungry, so we’re off to a very good start. I want to catch up on some correspondence this morning, and I need to write a first chapter of a book that I was asked to write this week. I intend to relax for the most part today; I have some cleaning up to do around here, which is fine–I am going to start listening to Carol Goodman’s The Drowning Tree while I clean and organize the kitchen–and I think I’m going to barbecue burgers for dinner later. Can you stand the excitement? I barely can.

I just got the official notice in the mail yesterday that our health insurance provider at work is no longer going to be our health care provider come January 1. I have literally no idea what that means for the future–will I have to buy my own and be reimbursed by the agency? Will we have to take on worse insurance than we already have out of desperation? I’ll be sixty two next month, do I really need to have this kind of stress and aggravation now that I’m getting older and am more in need of medical attention? Thank God I’m getting my teeth fixed in September because who knows what January will bring? Yay. I suppose I should start looking into Medicare and how that all works so I am not blind-sided in a couple of years. Who knows, maybe Medicare is the solution to this pending issue and then I just need supplemental insurance. It makes me head ache just to think about it all, truly. This is the part of being an adult that I really do not like.

But yes, the kitchen is a mess and I need to reorganize myself, which is the goal for today once I get this chapter written. I also will have the cover of the first book I did for this new publisher today soon, and when I share that cover is when I’ll talk more about the book, Constant Reader. I know this vagueness is troublesome, and it may read as coy (I hate coy), but it just makes sense to me to not talk about the book until I have a cover to share. I also think I am going to try to finish some of the entries I have in draft form, or delete them. (Some are over three years old and let’s face it, I’m probably never going to finish those. I can cut and paste what was written and save them as potential personal essays, which is probably the best way to do it.) I do want to go back to doing entries about my own books and why I wrote them–as best as I can remember; the two post drafts I have on here are Need and Timothy–which was kind of fun. I don’t obviously remember everything about those books, the ideas for them and how they came to be, but it’s always fun to try to remember these things.

I am also going to try to get started on Megan Abbott’s Beware the Woman once I’ve finished everything today that I need to get done around here (I suppose I should make a list, shouldn’t I?). I have too many great books on top of the TBR pile–books by Eli Cranor, Kelly J. Ford, Megan, Alison Gaylin, Jordan Harper, Christopher Bollen, and S. A. Cosby, a new true crime anthology by Sarah Weinman, and I’ll be getting the new Laura Lippman once it drops–that not reading every day is truly criminal. I also want to read more of these classic short stories from the old Alfred Hitchcock Presents anthologies I’ve been getting from eBay. It’s funny, so many retired people tell me how much I am going to miss going to work and how bored I’m going to be once I retire, which is endlessly amusing to me. I will never be bored, as long as there are books to read and books to write. As long as I can function and think and type and read…I’ll never get bored and miss my job. I suspect I will find that time management will be the big problem for me once I retire–allowing time to slip through my fingers since I no longer have to be focused because I don’t have to plan my life and writing around my job anymore–which means I’ll need to make a to-do list for every week as well as one for every day. This is what I did when I used to have to do before I went back to work full-time, and I did still waste a lot of time. The key is structure; I need structure to be productive. And I think–between the tiredness, the hunger, and not feeling well–this last week wasn’t meant to be anything other than a slow and painful transition back to reality. It wasn’t really a work week, since the holiday fell on Tuesday…this coming week is my first full week back to work in three weeks. Next week I have to take a day off for a doctor’s appointment, so there’s that, too. And then it will be August, my power bill will peak for the year and start going back down again, and at the end of the month I will be flying all the way across country to San Diego for Bouchercon.

And on that note, I am going to head into the spice mines. That chapter won’t write itself, and the apartment won’t clean and organize itself, either. Have a lovely Saturday, Constant Reader, and I will check in with you again tomorrow or later. It’ll be a SURPRISE.