In Our Angelhood

LSU is in the finals of the College World Series! Woo-hoo! GEAUX TIGERS! And what a great game that was last night, for real. A pitcher’s duel with no runs until the bottom of the 11th; when Dylan Crews hit a base hit and Wake Forest brought in a relief pitcher—whose only pitch was a home run! Tigers win, 2-0! Apparently that pitcher had also said in a press conference “who can beat us?” Well, there’s your irony, bud–your answer was LSU! And yes, the Tiger fans are on track to double the old Rocco’s Bar jello shot challenge record. (It amazes me that this has made the news all over the country; the fact Louisianans love to drink is one of the reasons I’ve always loved it here, even though I really don’t drink much anymore myself. )

Today is a work-at-home Friday, but we have a team building exercise today and our team’s supervisor is taking us out to lunch afterwards. I have some errands to run at some point today, and am really looking forward to getting back home into the cool. Yesterday when I got off work and walked out to the car I thought, hey it’s still kind of unseasonably cool, I would have thought it would be miserable again already and when I started the car and looked at the dashboard, it was ninety-seven degrees! Amazing what a difference lower humidity can make to how hot it feels around here. I slept marvelously last night–I think I was emotionally worn out after the rollercoaster ride that was the LSU game last night (there was also one of the most amazing defensive plays I’ve ever see in baseball, when Tre Morgan saved the game by making a play to home base that tagged the runner at home with seconds to spare; it was as big a play as the home run that won it) and so had an easy time of falling asleep. I have to make a list of what all I need to get done before I leave on Sunday morning for Alabama.

But I feel rested this morning, and I am very glad. I’ll probably take a Lyft to the escape room (that’s what we’re doing for team building; I’ve never done one before so I am intrigued to experience something new) and then another one home; ordinarily I would just walk or take the streetcar, but it’s sooooo miserably hot that I don’t want the heat to leech all my energy and will out of me because I have things to do today. I got some more good work done on the book yesterday, and I am hoping to be able to get it finished either tonight or tomorrow. Once it’s done and I am back from Kentucky, I’ll probably go ahead and share the cover and post about the book, how it came to be and all of that. I’m going to need to get the apartment cleaned up some, the refrigerator cleaned out, and I need to make a grocery list for the week so I can get supplies put in for Paul before I leave–although he’ll probably just get salads from Rouse’s or Subway–and I also have some books to drop off at the library sale on Saturday.

Mmmm, my coffee tastes marvelous this morning. It always seems to taste better when I’ve slept well. I also think I am over whatever that bug is that I was dealing with earlier in the week. I took some DayQuil yesterday which alleviated the symptoms and once it wore off, the symptoms didn’t come back. I still am a bit congested so I’m not completely over it, but I feel a thousand times better than I did, which is a relief. There’s nothing worse than a long drive when you don’t feel well, you know. I also watched the American Pain documentary, about the horrible twin brothers who ran the country biggest pill mills and helped create the current opioid crisis (it’s also lovely that the one who has done his time and been released takes absolutely no responsibility for what he did–because their addiction is their own fault since he didn’t make them take the Oxy; they chose to do that themselves. Sure, bud, their doctors got them hooked and you made profits off their suffering, but you do you, sociopath. What a monster–both brothers are just utter and complete pieces of shit. Their case is also an example of how different justice is for white boys from an upper middle class family than it is for non-whites or whites from a lower social strata–they’d been getting in trouble with the law since they were kids and never got more than a slap on the wrist; there were never any consequences for their behavior so they turned into sociopaths. You just know if they were Black or from a trailer park they would have been sent to jail in their late teens and the key thrown away. But because they were rich white boys…no one wanted to ruin their futures.

Look how that turned out. Disgusting.

And on that note, I am going to make more coffee and head into the spice mines. Have a lovely Friday, Constant Reader, and I’ll check in with you later.

The Tinderbox of a Heart

Yesterday I was very tired. I’ve not been sleeping well this week, but at least on Tuesday I felt rested; yesterday I just felt tired, physically and intellectually. I did get some work done last night on the book, and today I feel very rested; I slept wonderfully last night, which was absolutely marvelous, quite frankly, and am very glad for it. Today is the last day in the office for me until a week from Monday–this is the weekend I’m going north to see Dad (I may not be around on here at all once I leave on Sunday) which is yet another reason why I need to get this revision finished. I feel confident that I can get it done before I go on this trip; I keep thinking that I’m almost done…

I haven’t started reading the new Megan Abbott; I’d hoped to spend some time with her new book last night but I was fried when I finished working on the book and just collapsed into my chair to provide a cat bed for Scooter. It was very cool yesterday morning when I left for the office, but the inferno had returned by the time I got off work. A small but welcome respite from the summer’s heat (Facebook memories reminded me that we’d been in a heat advisory at this time of year several times over the past few years–proving yet again the long COVID of last year did affect my memory. I saw an article I meant to read yesterday that said even mild cases of COVID caused a type of brain damage, or brain rewiring of a sort, which needs to be studied. I know my memory changed during the pandemic, but I also turned sixty during it, too. Was it the long COVID experience I had that rewired/altered my brain, or was that an after-effect of the trauma imposed by the shutdown and everything that followed in its wake? I can’t remember if I was having memory issues before I got sick last summer; but if that was indeed the case, it got much worse after I recovered…and was really bad while I was sick. It’s so hard to tell, so hard to remember, you know?

A case in point about my memory has been these last two manuscripts I’ve been working on since last fall. For one thing, it took me a lot longer than usual to write and revise both of them (I must also provide the caveat that the end of the last year and the beginning of this one was a very difficult time, all things considered) but as I am revising this manuscript I am continually amazed at how little I remember of it, let alone remember writing it. Again, this is very alarming, but at the same time I can also honestly say I’ve never stacked books like this before while writing them; going from one to another and then back and forth again repeatedly; I don’t remember much of the Scotty book, to be honest, either–but I remember more of it than I do this one. It’s a good manuscript, though; I like the characters and I like the story, and it seems like they want me to write a sequel to it, which is also kind of cool; I already have a title for the next one and an idea, amorphous yet still an idea, for what the story would be. After I get back from Kentucky, I’ll tell you a bit more about this project; I realize I’ve been very mysterious about it, but there’s not any reason for it other than my own superstition and fear of jinxing things by talking about them–which is just another symptom of my own neuroses, of course.

There are two tropical systems trying to form in the Atlantic right now. One looks like it’s going to head up the Atlantic coast, or will never come near land and just head north before dissipating; the other looks like it’s heading for the Caribbean Sea and the Yucatan. Yay for hurricane season, he typed sarcastically. I was also thinking last night about future Scotty books; I think I am going to cap that series at ten. I think Mississippi River Mischief is the ninth Scotty, which would only give me one more title for the series. No, scratch that; I will make no promises or any commitments regarding the future of that series, and will leave it the way I always have in the past: if I get an idea for one, I will write another one.

What I have been thinking about lately is that I want to write books I feel passionate about; I want to tell stories and write books that will have some kind of impact, or require a lot of emotional and intellectual work on my part, if that makes any sense. Last night Scott Heim tweeted an excerpt from the opening of Jim Grimsley’s beautiful novel Winter Birds, and I remembered again how much I love Jim Grimsley’s writing and his authorial voice (I inevitably default, when it comes to Jim, to Comfort and Joy, which is one of my favorite Christmas stories of all time; but his other work is also lyrical and poetic and beautiful, too). It also made me think about my own writing and my own authorial voice. Do I have a distinctive authorial voice? Can someone read my work without knowing its mine and be able to tell that it’s mine? I know that I can write beautifully and poetically when it suits the story; I know I can do a voice that can sound haunting and sad. I try to always do different things when I write out of series; I want to write different types of stories and use different kinds of authorial voices and write in different styles. I think my best work inevitably tends to be Gothic in voice and style; those are certainly the favorites of my own works that I’ve written (Timothy, Bury Me in Shadows, Lake Thirteen, Sorceress, The Orion Mask), and whenever I write about Alabama, I seem to lapse into this very lovely, literate-sounding voice. I’m not quite sure why that is, but it’s been mostly in short stories; I do want to write more about Alabama and my complicated relationship with my home state. I am passionate about writing both Chlorine and Muscles, which are on deck for me; I am wavering about whether to leave “Never Kiss a Stranger” as a novella or whether to expand it out into a novel; I can see it working either way. I don’t want any of the novellas to turn into novels, frankly; I don’t have the time necessary left to me to write everything that I want to write in the first place. But am I trying to force novels into novellas because that’s how I decided to write them, or are they better off as novellas? These are the things that make you want to load your pockets with heavy stones and walk into the river.

And LSU did beat Wake Forest yesterday, forcing a third game to determine who plays Florida in the finals of the College World Series. GEAUX TIGERS!

And on that note, I am heading back into the spice mines. Have a lovely Thursday, Constant Reader, and I will check in with you again tomorrow.

In the Gold Dust Rush

Hoping to get another “adult content” warning on Twitter with today’s post picture. I’ve been getting them a lot lately; trying to figure out what precisely sets off the prudish bigoted algorithm? I’ve certainly enjoyed being told by Twitter services that derogatory slurs aren’t a violation of their new Musk-like terms of service. Twitter was always a shitshow, but while it did raise my blood pressure on occasion for the most part I enjoyed engaging with friends on there; but since the Muscadine takeover, it’s not even fun to use for the sake of simple entertainment. I am really curious how people think he’s some kind of genius businessman. Dudes, he inherited a fucking emerald mine. GENIUS.

Honestly.

But it’s Wednesday and Pay the Bills Day again; always a joy and pleasure. But at least I can pay them, as I always like to remind myself when the horror of paying the bills rolls around every two weeks. I am hoping to get further caught up on paying the bills down (or off, what a precious dream that is!) this summer; I’m getting my teeth fixed in September and that’s not going to be free or cheap, and you don’t even want to know how much my hearing aids are going to cost. So, paying down the debt is very important because I am about to be taking on a lot more of it, alas. But I am happy to get my mouth taken care of, and hearing…well, it can wait a little longer because I am not entirely sure not being able to hear 100% is necessarily a bad thing anymore. I haven’t slept well this week, and feel tired and achy this morning. I still have this bug or whatever it is that Paul gave me over the weekend, but now that I’ve been awake awhile I am feeling somewhat better than I did when I first arose from the shallow depths of Morpheus this morning. I hate waking up and spending the first few moments out of bed coughing and gagging, but…I do feel better now. Just tired and achy a bit this morning. The COVID test yesterday was negative, thank you, baby Jesus, so whatever this is, probably has something to do with summer cold/heat wave/barometric pressure fucking with my sinuses.

LSU won again last night, beating Tennessee, but now in order to stay in the College World Series they have to beat Wake Forest twice, since they lost to them the other night. The score was 3-2, so it was close and LSU led most of the game, so there’s a chance they can do it. It’s really now just a matter of seeing who Florida is going to play for the championship, either LSU or Wake Forest. Gah.

I got some more work done yesterday on the book–I need to get a lot more done, as I am way behind now–but I am thinking I can iron these thorny problems out mostly today, and thus get it turned in. Obviously, I wanted to get it in already but being sick and not sleeping isn’t helping. Hopefully tonight I’ll be so exhausted that I’ll have a lovely nice deep sleep tonight. One can hope, anyway. We finished watching the 100 Years of Warner Brothers documentary last night–I still think cramming the first fifty or sixty years of the studio’s history into one episode (which didn’t even mention Joan Crawford!) was a mistake, but it was also produced in house for HBO MAX, so…it’s a fluffy promo piece. We then watched the third season premiere of The Righteous Gemstones, which was okay, and this week’s episode of Platonic, which is one of the funniest shows currently airing. I am really becoming a very big fan of Rose Byrne, who is excellent in everything she does and can play a wide range of characters and styles and is perfectly at home in any of them.

And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I will check in on you again tomorrow.

YMCA

Ah, the Young Men’s Christian Association.

One of my favorite things about homophobic straight people is how clueless they are (the homophobia is really a tipoff) when it comes to queer stuff. (In fairness, if they don’t know any queer people why would they know anything about queer stuff?) Nothing amuses me more than watching crowds of straight people–whether it’s a sporting event, wedding, or a party– start doing the “YMCA” dance when the deejay puts it on. It’s particularly funny to me when it’s a sporting event, particularly something more on the unenlightened side with their fan base when it comes to queer equality, like NASCAR or hockey (although NASCAR had been doing rainbow stuff all month…). As I watch them all stand up and do the ‘YMCA dance”–always out of rhythm, never to the beat–I smirk to myself and think, you clearly don’t know that this song is about the sexual smorgasbord a YMCA was back in the day for gay men, do you? It’s about GAY SEX, homophobes! You’re singing along to a song about getting fucked at the Y!

It always makes me laugh. Every. Single. Fucking. Time.

I’m sure the founders of the YMCA system would have been quite nonplussed to know that in some major cities, gay men turned YMCA’s into essentially bath houses. There were a couple in Manhattan that were notorious for hook-ups, but of course a YMCA would draw gay men. For a long time they were the only places for men to go and get exercise, unless they belonged to a men’s club, like the New Orleans Athletic Club (which used to be for men only), and since gay men, especially after Stonewall, liked to be fit and keep their bodies worked out and in good shape (to draw lovers, of course) they wound up at the Y. And when you get a bunch of gay men thrown together in an environment that includes pools, weights, saunas, steam rooms and showers, you’re going to get hook ups. YMCA’s also provided cheap rooming alternatives, too–and of course, that meant that you could get a room at the Y (just like you could at a bath house) which meant you could bring partners back to the room for sex.

When we first moved to New Orleans there was still a Y at Lee Circle (now Harmony Circle); the Lee Circle Y had been there forever and was actually kind of historic; one of the Israeli athletes murdered at the Munich Olympics was a Tulane student who worked out at the Y. I thought that should at least have some kind of commemorative memorial plaque–and had preservation-minded folk cared about the Lee Circle Y, it could have been declared a historic landmark, instead of closing and the land being sold for yet another hotel. Maybe a murdered Israeli athlete isn’t enough of a connection for historical landmark status. But I used to train people there, and also taught aerobics until it was closed permanently. They had redone the weight room and bought all new equipment a few years earlier, too. Some things–like the locker room and so forth–were musty and moldy smelling, with that distinct stench of decades of male sweat baked into the walls.

But yes, the Village People of “YMCA” fame–every one of them was dressed as a particular gay archetype (leather man, Indian chief, fireman, cop, etc.) and all of their songs were thinly veiled odes to the joys of being gay and having lots of no-strings-attached sex; “Macho Man,” “In the Navy,” “YMCA,” “San Francisco”–and the village in their name was Greenwich Village, the gayborhood in Manhattan. (The promotional video for “YMCA”–taken mostly from the movie Can’t Stop the Music–which is a topic for another time, because yes, that movie needs discussion–really says it all.)

There were bath houses, of course (Bette Midler famously got her big break performing at the Continental Baths in Manhattan); New Orleans had two when we first moved here–the Club New Orleans in the Quarter on Toulouse Street and Midtown Spa on Baronne in the CBD, across from where the Rouse’s is now. Both are long gone now, ain’t dere no more as we say down here. We used to do testing in the bath houses, which was always a weird experience. Every room had a television with porn on a loop; the room they used to let us at CNO to test in also was the sling room. So I’d sit on the bed/cot, with porn playing on the television hanging from the ceiling in the corner, and a sling in the opposite corner from the television. I bet that sling could tell some tales….or could have before it was consigned to the dustbin of history.

I also remember the battle over closing bath houses during the height of HIV/AIDS. Rewatching It’s a Sin reminded me of a lot of the struggles back when the disease was new and we didn’t know much about it other than almost everyone who got infected died. It seems kind of counter-intuitive now, but there was an argument that could be made that restricting gay sexuality was also a repressive attempt to push gays back into the closet as well as further stigmatizing gay men. It seems silly now, of course, knowing what we know now, but the mask argument during the pandemic kind of took me back to the struggle to get gay men to wear condoms. (I’m so old I remember when herpes had everyone freaking out in the late 1970s.)

I keep thinking I should write about the Lee Circle Y, just to preserve that piece of New Orleans history. “Never Kiss a Stranger” originally started with my main character getting off a Greyhound bus and lugging his duffel bag down Howard Avenue to the Lee Circle Y, where he gets a room while looking for a place to live. (I later realized the story actually begins with him finding that place to live; the rest is just filler and not very interesting.)

Maybe someday.

Five Ten Fiftyfold

Tuesday and back to the office with me today blog.

Yesterday was a bit of an off day for me; I didn’t feel good for most of the day. Paul’s been sick since Thursday–coughing, lots of congestion and post nasal drip–to how crappy I felt yesterday was at least not as bad as he was at his worst; and this morning I feel fine. Not sure if it was some twenty-four hour thing, but hope that feeling better lasts through the rest of the day. We had some amazing thunderstorms last night while I was sleeping; it’s kind of gray and icky looking outside right now. The forecast is the usual–hot, humid, chance of thunderstorm–so I’m hoping my sinuses remain under control for the rest of the day as well.

Yesterday morning I finished reading Chris Clarkson’s delightful That Summer Night on Frenchmen Street, which I really enjoyed, and have selected Megan Abbott’s Beware the Woman as my next read. I’m not sure when I’m going to have the time to actually spend reading it thoroughly and enjoying it–probably will go with me to Kentucky as my “before I go to sleep” read. LSU lost a heartbreaker to Wake Forest yesterday 3-2, so now have to fight their way back out of the losers’ bracket if they want to win the College World Series. Hope springs eternal for an LSU fan–we did break the Jello Shot Record at Rocco’s yesterday–but I’m just delighted they made it to the World Series this year. GEAUX TIGERS!

I have some more work to do on this manuscript before I turn it in. This is the revising/fixing phase of the edits; where I have to do the more macro things. I had hoped to get this done yesterday but I wasn’t feeling well, and as such couldn’t really focus the way I needed to–I did try, of course–so tonight after I run my errands on the way home from work (there’s always something, really) I hope to sit down and bang out the rest of this to get it finished and out of my hair and out of my way. We started watching a documentary series about the history of Warner Brothers last night, which is always fun; I always like learning more about Hollywood history. The documentary didn’t really provide me with anything new or insightful about the history of the studio, other than further confirmation that Jack Warner was an asshole. There are two more parts, so that takes care of our television watching needs for this evening, at the very least. I figure with show episodes dropping this week and me being gone next week will help our shows build up back episodes to watch.

It’s also weird that it’s Tuesday already. I feel like I am going to be off this entire week because of it, then I’m out of the office for a week, and then I come back to the abbreviated 4th of July holiday week. As much as I love having extra time off, it’s always a weird week when the work week is truncated this way; I always feel kind of somehow off my game no matter what. But it’s a short week, I’m off next, and I need to get organized. I need a to-do list, most importantly, and to figure out where I’m at with everything. I always have this tendency to be as laser-focused as someone with (undiagnosed) ADHD can be; which means the book is the biggest priority and everything else is an incredible inconvenience that I don’t pay much attention to other than the occasional yeah yeah I know I need to work on you, but give me a minute.

Despite not feeling well yesterday–I also was feverish most of the day–I was able to get chores done around the house so it looks a little neater and a little less fraternity dorm room. I do want to drop books off for the library sale this coming weekend before leaving town, and I also want to get the car washed and cleaned out–chores for Saturday! Huzzah! I think we’re doing an escape room team bonding thing on Friday morning and then having lunch, then I can go home and do data entry–woo-hoo! It doesn’t get much more exciting than that, does it? And then of course Sunday it’s up to Alabama to meet Dad. I had a bad day one day last week about Mom; when the grief came back and I wasn’t able to reason or breathe or mind-clear my way out of it, so I just gave in and had a nice, good cry for a few minutes, and then I was able to get moving again. It’s been four months since we lost Mom, and I don’t think it’s something I’ll ever get used to but rather something I will gradually just be able to live with. I don’t think any of us can expect more than that, really.

And on that note I am heading out in the thick heavy air of a hot summer day in June. I’ll catch you later, Constant Reader; hope you have a lovely day.

Southern Nights

I have a confession to make that is more than a little shameful. You see, I occasionally write books that are classified as “young adult fiction” because the protagonists are young; usually high school students, sometimes college. The shameful confession is that I write and publish young adult fiction without reading very much of it. Most of my reading time is devoted to crime novels for adults, the occasional horror novel, lots of history and non-fiction, and the occasional short story. My biggest influences on my y/a are Christopher Pike, R. L. Stine, and Jay Bennett (there will be much more on him at another time); and sometimes I do manage to slide a young adult crime novel into my TBR stack. But outside of crime and/or horror? I don’t read any y/a that can’t be classified as either of those genres.

I’ve also not had the pleasure of reading a great deal of young adult fiction set in New Orleans. The one thing I’ve not actually done–despite writing a lot about New Orleans and a lot of young adult novels–is write a young adult novel set in New Orleans. I read one about a decade ago that I simply loathed; it was a ghost story set around Lafayette #1 in the Garden District, and it just didn’t click with me. I kept thinking the whole time I was reading it, this could have been so much better. It’s not like I don’t have any ideas for young adult fiction set here; I’ve any number of those ideas sitting in my files–everything from Maid of New Orleans to Daughters of Bast, among others–but I think I am resistant to writing New Orleans-based y/a because I didn’t grow up here. It’s hard enough to have Scotty reminiscing about his days at Jesuit High School when I didn’t go there, let alone writing an entire book about a teenager in New Orleans.

So, imagine my delight this past year at Saints and Sinners when I discovered that one of my co-panelists on the y/a panel was a local named Chris Clarkson who’d just published his first young adult novel set in New Orleans. Naturally, I got a copy–I really liked him, and I owe him a text message–and have really looking forward to digging into it.

Constant Reader, it did not disappoint. And it’s neither crime nor horror.

I absolutely loved it.

Solange’s snakeskin pumps were abandoned by the door, one standing proud, and the other playing possum on its side. Beside her, crumpled in a heap of lavender and lace, was the dress we shopped for on Magazine Street last week. The dress she had been so thrilled to find.

“Excuse me, ma’am. You sashayed in here serving body and hair teased to the gods. Why did you change? I demand an encore! Body. Dress. Wig. Grace.” I pointed at the sad taupe button-down shirt she was wearing. “Put your high heels back on and act like you got some common sense.”

Solange wiped at her tears. “Jess, I’m not in the mood to fool with you.”

“Good, I’m not in the mood to fool with you either.” I sank down on the floor beside her. She sniffed and wiped at her nose. “Why’d you change?”

That Summer Night on Frenchmen Street is, of all things for me to read, a romance–on several different levels. Our two main point of view characters are Tennessee and Jessamine–great names for a couple, don’t you think–and they initially are in the same orbit because they are both having meals at Commander’s Palace when the book opens. Tennessee’s full name is Tennessee Rebel Williams, and he’s a child of wealth and privilege from Oxford, Mississippi. His dad is an alcoholic douchebag and his mother is a narcissistic author. The marriage is a non-stop battle royal, with Tennessee doing most of the suffering. His mother has decided she needs to move to New Orleans to finish her next book, and she brought Tennessee with her; they have a big house on St. Charles Avenue, and he’s enrolled in Magnolia Prep–the rich kids’ private school in the book. Tennessee also wants to be a writer but he’s also a bit adrift; getting ready for college but still not mature enough or strong enough to stand up to his awful parents.

Jessamine is a native New Orleanian with a twin brother and a deceased father. Jessamine also has some issues from her own past that are troubling her, making her behave in self-destructive patterns that could affect her future and college choices. She feels drawn to Tennessee–their developing relationship is one of the strongest parts of the book itself–but cannot commit. She cares about him but keeps him at arm’s length because she’s afraid she’ll just end up hurting him. As the story progresses, we slowly become aware that Jessamine suffered a horrific trauma as a child, one that she’s never really confronted or dealt with, and that trauma is the key to her self-destructive behavior. Her twin brother, Joel, is gay but not out yet; he’s not really sure who he is and what his sexuality is, which causes trouble for him and his love interest, a wealthy young Black kid named Saint Baptiste (who deserves a book of his own, really) goes to school with Tennessee and becomes one of his best friends–since they are falling for twins, how could they not?

There’s also a fantastic trans character, Joel and Jessamine’s cousin Solange–who also deserves her own book–that I couldn’t get enough of, either. Clarkson also does an excellent job of exploring–even if casually–the generational divide between the teens and their parents, through Solange’s tradition; the elders still dead name her, and the teens are always pleased whenever one of the older generation gets Solange’s gender and pronouns correct.

All the main characters, despite their faults and flaws and past traumas, are completely likable and people you can’t hope but root for; you want their love to conquer all, get their lives settled, and grow from their traumatic pasts. It was fun seeing New Orleans through teenaged eyes; I’ve always wondered what it would be like to grow up here, where New Orleans is your default to normality.

Highly recommended, and one of my favorite books set in New Orleans.

Glass Candle Grenades

Monday and a holiday; it’s lovely to have another day at home to work on these edits, which I am hoping against hope to complete today. Yesterday was lovely and relaxing; I worked on the micro edits–the lines/copy edit–which is always a long and tedious process. The macro edit, to me, is more fun if more creatively taxing. I’ll be digging into that a little later, when my mind is more awake and I have more caffeine in my system. It’ll be a weird and short work week for me, and then of course next week I am on vacation. I’ll be taking lots of books with me on that trip, although I’m not sure I’ll have much time to read. I’m not really sure what Dad and I will be doing in Kentucky. I know when I’ve been up there before he’s mentioned going sight-seeing; like to Cassius Clay’s home (the original, the one Muhammed Ali was named for at birth; he was Henry Clay’s brother and one of Kentucky’s leading abolitionists) or to the Kentucky Derby museum. Which is fine, I love history and while horse racing history isn’t something I’ve ever looked into much before, but you never know. I had thought about writing a mystery around the horse racing at the Fairgrounds…I knew a horse trainer back in the day–but never got around to it. I mean, Dick Francis kind of cornered the horse racing mystery market, did he not?

Of course, I’ll come home to another short week because of the 4th holiday, too–so it’s going to be three weeks before i do another full five day work-week. I slept decently last night–not great, but not bad, either–and so this morning feel a little bit dragging around, but that’s fine; coffee, a shower, and some time reading should get me over the hump. We abandoned City on Fire last night; we just had no enthusiasm for watching, and so moved on to The House of Hammer, which is about, of course, the twisted history of the Hammers through the lens of Armie Hammer, the actor, getting canceled for his abusive sexual preferences. It was interesting–I am always fascinated by twisted rich families that hate each other so passionately–but we need to find something meaty, like a good crime series, to dig into. It’s amazing how we can hve so many options yet can never find anything to watch, isn’t it?

I spent some time yesterday with Chris Clarkson’s adorable That Summer Night on Frenchmen Street, which is charming and fun and delightful to read, and may even be able to finish reading it today, with any luck and some strong motivation, at any rate. I think from that I will move on to either Megan Abbott or Eli Cranor; I can’t decide which of the plethora of great 2023 new releases to select from, to be honest. I know I’ll be listening to Carol Goodman in the car next weekend on the way up and I’m not sure who I’ll listen to on the way home.

A quick glance at Twitter has shown me that LSU fans have now surpassed eleven thousand shots in the Rocco’s College World Series Shot Competition, and are well on pace to break the record (just over eighteen thousand) set by Mississippi last year. Oh, how the bars and restaurants in Eauxmaha must love LSU fans! I mean, even if the shots are only a dollar, that’s over eleven grand in receipts on those shots alone, not counting everything else being sold there. LSU is playing Wake Forest tonight, and it will take a strong effort for the Tigers to pull off the win. If they do pull out a win, I’m thinking the shots record will fall tonight.

I also read an old short story yesterday that I remember from when I was a kid. Periodically, Mom let me join a book club. The first one I joined was the Mystery Guild, and those selections i received from the Mystery Guild really kind of shaped my future both as a reader and writer. I still remember the books–still have some of the original copies–and over the years, I’ve tried to replace the ones lost over time to cross-country moves. Recently I repurchased a copy of Alfred Hitchcock Presents a Month of Mystery on eBay, and there was a story in it I read as a kid that I never forgot; and I wanted to reread it. It was called “The Queen’s Jewel” and was written by Robert Golding (I’d forgotten the name of the author). I took the book down yesterday afternoon to reread the story, and it was amazing to me how much of it I still remembered, the details. The main character, Jane Farquhar, owns a small hotel of sorts with guest cabins in the brush in Africa. One of her ancestors was a server for the imprisoned Mary Queen of Scots, and before her execution she gave him the pendant of a ruby set in a heavy gold chain with four carat blue-white diamonds surrounding it. It is very valuable, and Jane’s father raised her to be prepared, always be prepared, because someone will eventually come to try to steal it from her in some way…and thus the story is about her defending herself against a criminal pretending to be an American cousin. The story holds up and works, but it opens with Jane discovering the body of her poisoned guard dog–which did make me wonder, would this story be published today? Opening with a dead dog?

I also didn’t know much about Robert Golding, so after reading the story I used the google to find out he was one of the many Ellery Queen ghostwriters (I only recently found out that many Ellery Queen novels were ghostwritten) and it turned out Golding wrote two of my favorite Ellery Queen novels, The Player on the Other Side and Calamity Town, which is one of my all-time favorite mystery novels; little wonder his short story connected so well with me. I don’t remember The Player on the Other Side other than that it was one of my favorites; but Calamity Town? I remember a lot of that novel, and it was primarily about the Wrights, the first family of Wrightsville–a location so popular that Queen kept returning there for more murder mysteries (The Murderer is a Fox was another great Wrightsville mystery). He also apparently wrote a lot of the juvenile Ellery Queen mysteries–published as Ellery Queen Jr.–which I also enjoyed as a kid; Ellery Queen Jr. and the Jim Hutton 1970’s television series Ellery Queen (which I loved) were what originally brought me to reading the adult Ellery Queens; the first I read was the one they actually filmed for the pilot, The Fourth Side of the Triangle, which was marvelous, and then I started buying his books or checking them out from the library. So thank you, Robert Golding, for being an influence on me and my writing without my knowing it. I’m really looking forward to reading some more of these old short stories. I got another Hitchcock (Alfred Hitchcock Presents Stories to Be Read with the Door Locked) and an old MWA one, edited by Robert L. Fish, With Malice Toward All, which also looks rather fun.

And on that note, I think I am going to head into the spice mines and read for a bit while my brain continues to wake up before tackling the manuscript. Have a lovely holiday, Constant Reader, and I’ll check back in with you later.

The Hollow Men

Sunday and the midpoint of the holiday weekend, as New Orleans swelters in what is, even for here, an unusually potent June heat wave. I stayed inside as much as I could yesterday, in the marvelous cool of the Lost Apartment. I slept well Friday night, which was great, and while I wasn’t feeling especially motivated yesterday morning, I did get my daily blog entry done as well as a Pride post. I read more of That Summer Night on Frenchmen Street, which is just absolutely charming (you should get a copy, Constant Reader), and then I did some more cleaning chores around the house before digging into the edits of this manuscript. I got the macro edit along with the copy edit, so I can get it all worked through, hopefully this weekend; I would love to be able to get this to the editor on Monday. We shall see how it goes. I did get some progress made yesterday; we’ll see how things go today. Yesterday was kind of nice, actually. I got some rest, too–today I feel really rested–and we finished watching Butchers of the Bayou, got caught up on The Crowded Room, and started watching City on Fire, which…is interesting, but I guess we’re supposed to believe Manhattan is an incredibly small town? It’s based on an “it” book from a couple of years ago that I never read; I had a copy but eventually donated it in one of my many purges. I’m not sure we’ll continue watching, to be honest; it’s okay but not riveting. There was no disappointment last night when I called the evening after a couple of episodes.

LSU won their game yesterday at the College World Series (GEAUX TIGERS!). We watched part of the game before switching over to The Crowded Room once I was sure the Tigers had the game under control. I have to say, it’s very fun living in Louisiana and being a sports fan. I of course always will root for any team based in Louisiana, with the Saints and LSU having my deepest loyalties, but part of the fun is how different Louisiana sports fans are from fans in other parts of the country. Tiger Stadium and the Superdome can get loud enough that it hurts your ears, but the thing I love the most about Louisiana sports fans is that they are also fans when it’s not easy, if that makes sense? It’s why Saints players become so attached to New Orleans; we’ll turn out to welcome them home from away games at the airport even when they lose. When the Saints were in the Super Bowl, the city of New Orleans decided to have a Saints parade that Tuesday night before the second weekend of Carnival, where they won or lost; a celebration if they won and a thank you for a great season and making it to the Super Bowl if they lost. Maybe the turn out for that parade might not have been quite the mob scene it was had they not won, but I like to think that it would have been pretty close to the same thing. I also love all the stories about how Omaha (which we’re calling Eauxmaha the way we always Louisiana-ize everything) loves our fans and hope we make it to the College World Series every year. There’s a bar in Omaha that has a shots contest for all the fans of the teams there–LSU is of course way out in front of second place, and at one point you could combine the other seven schools and LSU still won. It also reminds me of how when LSU played Oklahoma in the 2019 college football play-offs in Atlanta, a lot of the bars around the hotels and stadium ran out of beer and bourbon the first night (this was NOT a problem when LSU played in New Orleans for the national championship; New Orleans never runs out because we’re Louisiana too). I also imagine that the servers and bartenders must make a ton of money in tips from LSU fans, who are also as generous as they are friendly. (I was also thinking the other day as I rewatched highlights of this past year’s LSU-Alabama game, what a night for recruiting that must have been! As a high school football player, visiting Tiger Stadium on a night like that, when the entire stadium was rocking (the stadium’s reactions to the over time touchdown and the two point conversion both registered on the campus Richter machine), how could you not sign with LSU? I’m trying not to get overly optimistic for football season, but LSU and the Saints (and Tulane, even) are poised to have great seasons.

Fingers crossed!

It looks kind of hazy outside the windows this morning. The heat advisory/heat wave is supposed to last until Tuesday; I’ve not checked the weather yet this morning to see how bad today is going to be. AH, yes, heat advisory, partly cloudy, and the potential for a severe thunderstorm later this afternoon. I was hoping to barbecue today, so here’s hoping the thunderstorm either holds off until I do or is over before I want to. I’m not going to run errands until after work on Tuesday, on my way home from the office. We have plenty of stuff on hand to eat without me having to go to the store, and I’m not going to be getting a lot when I do make a grocery run because I will be out of the house all next week. The reason I am coming back on the following Saturday is so that I can do a grocery run before heading to work on Monday.

And on that note, I am heading into the spice mines. Have a lovely Sunday of your holiday weekend, Constant Reader, and I’ll be back before you know it.

Don’t Leave Me This Way

One of the biggest amusements I get in life is from looking back at my past and marveling at my incredible, almost child-like naïveté. Sometimes I shake my head in embarrassment, wondering, how could I have been so naïve? From the perspective of an over twenty-year career in publishing (technically we could say twenty-seven years, because I was first paid to write in Minneapolis in 1996), and being an openly out queer man now for thirty-three years or so, how did I ever expect to be treated as an equal member of the mainstream mystery community in 2002? I suppose there’s something to be said for my innocent, almost child-like belief that being gay wouldn’t impact my writing career–beyond not making as much money as my straight colleagues–in any meaningful way. Constant Reader, I was very wrong. In the months before my first book came out, my publisher’s publicist tried to set up signings for me in mystery bookstores (bless his heart, he didn’t think it would be an issue, either).

I don’t carry those kinds of books in my store.

That was what one mystery bookstore owner told the publicist my publisher assigned to me when my first book came out, when he was trying to arrange appearances for me to promote the book. Those might not have been the exact words, but the gist was the same.

I don’t carry those kinds of books in my store.

I think I may have actually reeled back from my computer in shock when I read those words, forwarded to me by said publicist, who had no reason to lie to me about why this particular store didn’t want me to come sign my debut crime novel, Murder in the Rue Dauphine, in the sacrosanct, apparently holy sanctum of her precious mystery bookstore.

I don’t carry those kinds of books in my store.

Perhaps, to paraphrase Poppy Z. Brite, she was afraid “the other books in the store would catch the gay” from mine.

I don’t carry those kinds of books in my store.

After the shock and hurt and offense wore away, I got angry. And I got angrier as every single mystery bookseller in the continental United States recommended to me by other mystery writers for potential events refused to allow me to sign in their store—the sole exception being Murder by the Book, in Houston. Some had the decency to say things like well, debut authors generally don’t draw well, and I’d hate for you to waste your budget coming here rather than the blatant homophobic responses others had no problem sharing. I mean, as a gay man, how did I even dare to think I would be welcome in independent mystery bookstores?

I don’t carry those kinds of books in my store.

Ultimately, no matter what the reason, a bunch of heterosexual white bookstore owners and managers were letting me know, in no uncertain terms, that I wasn’t worthy of being in their store; that they would never carry anything I wrote, and that no matter the quality of my work and how hard my publisher and I worked on my books, I needed to know my place, and the mainstream mystery world wasn’t it.

I don’t carry those kinds of books in my store.

And like a good boy, I took the hint and stayed away from their stores, other than Murder by the Book in Houston. I didn’t bother going to mystery conventions or conferences; there was no need for me to join writers’ organizations, either—a friend had bought me a membership in one as a gift, which was incredibly exciting…until I started seeing things in their newsletter and on their list-serves (dating myself; remember list-serves back before social media?) that were not just horribly homophobic but misogynistic and racist as well. I quit the list-serves, threw the newsletter in the trash the day it arrived in the mail unopened, and didn’t renew my membership when it came due. I only did mainstream conferences and events and conventions if they were held in New Orleans.  When my books came out, I did signings at queer bookstores, Murder by the Book, and Garden District Books here in New Orleans (I also signed a few times at the late lamented Maple Street Books as well). I never bothered contacting, or having the publicist contact, mainstream mystery bookstores again…

I don’t carry those kinds of books in my store.

Let me state here for the record, before someone comes at me, that I do love independent bookstores, and try to support them whenever I can. (Whenever I do a signing in a store, I inevitably lose money because I buy more books than I made from whatever was sold.) But–and this is a very important but–most independent bookstores that aren’t specialty stores (i.e. mystery bookstore, queer bookstore, SFF bookstore, etc.) generally have a rather jaundiced and condescending attitude towards genre fiction, and carry very little of it outside of bestsellers. Add queer to crime as adjectives before my books and that is two very big strikes for most independent bookstores.

I don’t carry those kinds of books in my store.

And that’s fine; I get it. I am a niche writer, and niche writers aren’t going to sell enough books in your store to make it worth your while to stock them. That’s a business decision, and businesses have to do what they have to do to keep their doors open. That isn’t personal. But…if you never have events for queer authors or mystery writers in your store, that’s sending a very loud and clear message to those of us who fit those descriptions.

I don’t carry those kinds of books in my store.

I guess in retrospect it’s funny that I didn’t expect to deal with homophobia in the publishing world. I knew I wouldn’t make as much money writing about gay men as I would if I wrote about straight ones, but I was fine with that: I knew that going in. People only have so much time to read and most readers do it strictly for the pleasure of reading, for the escape; I certainly have any number of times in my life. So, if someone is straight or has no interest whatsoever in gay men, why would they pick my book off the shelf rather than something that won’t challenge their life paradigms? But I didn’t expect the nastiness from mystery booksellers (lesson learned; again, Murder by the Book is the exception) and outright homophobia. Sorry not sorry, when one of those stores go out of business I do feel bad for their customers, who liked to browse their aisles, but I don’t feel sorry for the store owners and/or managers; as far as I’m concerned, if you’re homophobic, enjoy your well-deserved bankruptcy.

You didn’t have to be homophobic when saying no to an event. Period.

And what I’d been expecting really was nothing more than simple professionalism. One store manager did tell me that she’d love to, but she was having trouble drawing audiences for events and she was going to be closing the store gradually. I appreciated the honesty and I sent her a card when her store closed for good. It’s really interesting to me, who’s been to so many classes and trainings and seminars on professionalism in the workplace or in dealing with the public, that people allow things like racism, misogyny and homophobia to take precedence over being professional? Why would you ever make potential customers–people willing to give you money and patronize your business–feel unwelcome or unwanted?

I’ve no doubt that the world has changed in that regard, too–I see queer writers doing bookstore events all the time, and being invited to speak at literary festivals and conference, which is amazing progress from twenty years ago. We’re getting nominated for mainstream awards now, too, which is also cool (and incredibly good for my ego–seven Anthony noms to date; along with a Lefty, an Agatha, a Macavity, and a Shirley Jackson)–and even winning here and there (John Copenhaver deservedly won a Macavity a few years back, and Mia Manansala won several awards for her debut novel, also deservedly so). This is enormous progress, and change for the better within the community. It’s been lovely to see the mystery and crime fiction community working so hard to be more inclusive and welcoming to non-white, non-straight, non-cisgender writers.

But I do think it’s important to remember the not-so-distant past–so we can always say, with assurance, when someone says they want to go back to the good old days…they weren’t that good for all of us, no thank you. I also know I was luckier than a lot of other queer writers at the time I started; I had the support of my local newspaper, which always reviewed my books and I also had the support of the local literary community, which was crucial. I was also lucky in that there were still queer bookstores I could do events at; queer publications that would review my work and interview me; and even more crucially, Insightoutbooks existed–a queer Book of the Month Club, pretty much–which was always hugely supportive of me and my career. Had it not been for those things, I may not be here today writing this entry; or I would have had to rebrand myself and written mainstream years ago.

We’re not all the way there yet…but we’re much closer than we were in 2002.

Speak No Evil

Well, if there was any doubt left, summer has returned in full force to New Orleans. It’s a heat wave; in which the heat index has been over 110 for several days. When I ran my errands yesterday I was completely exhausted after getting back home and the groceries inside; this kind of heat saps your strength and your energy and sometimes, even your will to live. Opening the apartment door was like opening a preheated oven. I managed to get all my work-at-home duties taken care of, but tried to spend the rest of the day battling feeling tired and getting chores done. This is a three-day weekend, and I have a lot of work to try to get through over the course of this holiday weekend. I am also hoping to not set foot outside at any time until I have to go back to work Tuesday morning. It’s nice having another short work week, and then of course the next week I am heading north to spend some time with Dad. It’s hard to believe this year is nearly half over, isn’t it?

I was thinking yesterday that Elmore Leonard’s most famous piece of writing advice was “never start with the weather,” which is a “rule” that I break all the fucking time. The weather, especially in New Orleans, is almost a character here; it tells you everything you need to know about the time of year the story is set, for one thing. You can’t set a book or story in New Orleans in the summer time and not mention the weather; you just can’t. The weather impacts everything here, because we have what I lovingly and sort-of-jokingly refer to as “aggressive.” The heat and humidity is aggressive; hurricanes and thunderstorms here certainly are, and even the cold spells we get every winter (brief, always brief) can be also considered aggressive. It impacts people’s moods and what happens, really; so that advice cannot be followed when writing about New Orleans. I was primarily thinking about this yesterday when I was out in the heat and losing my will to live, mostly, which was completely understandable. Paul walked to the gym to ride the bike for a while yesterday and went through two bottles of water. So, yes, the weather here is aggressive and oppressive, and impacts story and character and setting and scene and place in New Orleans.

We started watching an ID true crime documentary series about the serial killers in Baton Rouge around the turn of the century and just after, Butchers on the Bayou, which is kind of interesting. I remember when it was happening–yes, a serial killer in Baton Rouge will make the news in New Orleans–and I remember when the first one was caught; I didn’t remember there was a second one operating at the same time. No wonder the police were overwhelmed; especially with all the crossing of jurisdictions and so forth–it’s the same problem they had with trying to solve the murders of the Jeff Davis Eight (eight women murdered over a several year period in Jefferson Davis Parish). And yes, I do at some point want to base a novel on the Jeff Davis Eight case; I keep thinking it fits more as a Chanse story but I’m not really sure I want to write another Chanse book. It wouldn’t really work as a Scotty story, and I have wondered and considered writing a new series–I have a character, Jerry Channing, who writes true crime and is a gay man that has appeared in several different books of mine; the problem with Jerry was when I was fleshing him out I realized what I was doing was combining Chanse and Scotty into a single person, and that wasn’t working for me. This also probably had something to do with me trying to come up with something whilst I was immersed in numerous other projects and not really being able to give it my full attention. I still might just go ahead and do it once I have all these current projects off my plate once and for all.

It is a good story, and it makes sense for him to be the one to investigate it–since he writes true crime. My primary concern about this is, obviously, there’s tons of novels about true crime podcasts and true crime writers and bloggers–Only Murders in the Building, anyone?–but it does make sense and works better. I guess there’s naught to do but give it a try and see.

I’m hoping to be able to spend some time reading this morning, too, before i head into the spice mines. I want to finish writing this and maybe write another Pride post over the course of the weekend; I’ve started several, but am trying to decide if I want to be Angry or if I want to be up-lifting. Some of the posts are angry–it’s hard to write about homophobia you’ve experienced without getting angry; and in one of them I am calling out homophobia I’ve personally experienced from the mainstream crime community. Sometimes I wonder if I should call this stuff out; there’s a part of me that sees talking about it and calling it out as vengeful–like ha ha ha, you were awful to me so now I am calling you out years later–and there’s a part of me that worries that I’ll come across as self-serving. (There’s nothing I hate more than the narcissistic activist; those who are only in it for themselves and don’t care about the broader picture and the macro.) I’ve known and seen some of this over the years more times than I’d care to–like the author who was all over #ownvoices, until she won a major award and now no longer mentions it at all, or “we need diverse books”–so, now that you’ve made it the work no longer needs to be done? Way to pull up the ladder behind you, sister! I certainly don’t want anyone to think that my primary concern is revenge or for me to become more successful; my mentality is “this happened to me and I don’t want it to happen to anyone else because it really sucked for me.” But times have changed, and while there are still instances of it that pop up from time to time within the community, it’s becoming a thing of the past and people are starting to call it out when they see it–which is a huge switch from when I was first getting started. The crime fiction community is a lot more welcoming to queer people in 2023 than it was in 2002. It’s lovely, of course, but I do think we should never forget our less progressive past–particularly since it wasn’t that fucking long ago.

Some things for me to ponder, I suppose.

And on that note, I am going to drink some more coffee and do some chores around the kitchen before I read for a bit and then work. Have a lovely Saturday, Constant Reader, and I will check in with you again at some point.