Don’t It Make My Brown Eyes Blue

Tuesday, and somehow we made it through Monday. It was definitely a weird-energy Monday, that’s for sure. I slept super-well Sunday night (or at least better than I had been_ and so wasn’t too terribly tired when I got off work last night. I had to pick up a prescription after work, and since I had to go to Mid-city I decided to get Five Guys as a dinner treat. It had been a hot minute, and was quite lovely. But I was hardly in the mood once I got home and had my treat–not to mention the great pleasure of running around in Midcity during a heat advisory, but here we are. I did putz around a bit in my journal, and I did work on Chapter Three, but other than that I wasn’t much in the mood for doing a whole lot when I got home from the office yesterday.

But the Five Guys was marvelous. It was hot as Satan’s taint out, and it was rush hour so there was ridiculous traffic, and I had to take I-10 and there were people doing stupid things behind the wheel and not understanding how highways work or when you can turn right on red and the usual annoyances and terrors standard for driving around this city, but I got home safely and in one piece and it was lovely. I was most pleased that I made the effort, and it was really such a simple pleasure. I so often deny myself these little joys in life because of the effort involved in obtaining them. It really is astonishing how little I want to leave the house once I am in it, you know. Today I have to pick up the mail and stop at the grocery store for very little; it’s going to be an odd ten days. I imagine I’ll enjoy the silence and the “I can do whatever I want whenever I want”–not that I don’t, but there’s always that little sense of just being alone with yourself that is kind of nice every once in a while. (It also serves to remind me how much I miss him when he isn’t here, and how I take him for granted.) I’ll get bored with being by myself at some point, and will tire of keeping myself occupied and entertained. But…there’s always something to read. I can always use the time to write. I can organize. I can ruthlessly purge the books again. I can reflect and try to get to know myself better–or at least delve into the delusions I maintain for the sake of my sanity and to keep myself going.

I read a couple of short stories over the weekend that I forgot to mention, both from the Alfred Hitchcock volume My Favories in Suspense. One was infinitely better than the other; I didn’t really like the “Sentence of Death” story by Thomas Walsh even remotely near as much as I enjoyed Dorothy Salisbury Davis’ nasty little story “Spring Fever.” The former was a mistaken identification case, open and shut until an unsure eyewitness sees the man she saw commit the murder. It was told in a style I don’t like–very little dialogue, and a lot of “he did this and then he did that and this irritated him and that made him do this” type of telling, which surprised me that, frankly, read like a synopsis of a longer piece got published as a short story. There were so many better ways to tell that story, I thought; and every last one of them better than the one Walsh chose. I mean, it was fine…but it could have been so much better; I think the editor brain took over while I was reading it, which is rarely if ever a good sign when reading for pleasure. On the other hand, Davis’ story, deceptively simple and easily told, was multi-layered and said so much about so many things in the short pages that I was most impressed. I think I’ve only read one other story by Davis, in that Sarah Weinman anthology a few years (I don’t want to know how many, actually) back. I know Davis was one of the great twentieth century women crime writers who proliferated after the war–along with giants whose novels I have read like Margaret Millar, Charlotte Armstrong, and Dorothy B. Hughes, and I also know she was particularly revered by Sara Paretsky–I think she may have helped with the founding of Sisters in Crime? I have some of Davis’ novels, both in print and in ebook form, here, and some day I really need to read more of her works.

Yesterday was an off-day, too, in which nothing particular was wrong or haywire or miserable, but the energy felt off all day which made the little treat of Five Guys seem that much better. Paul and I then watched a few more episodes of Gotham Knights, which is surprisingly involving and better than I was expecting; it’s better than the early seasons of Titans (I still haven’t watched the final season–something else I can do whilst Paul is away), as well as the firsts seasons of Smallville.

Last night’s sleep was epic. I didn’t wake up once last night, until five (I wake up at five every morning and go back to sleep); the kind of sleep that you never want to get up from, where you feel so relaxed that the bed is so comfortable that you don’t want to get up, ever. I feel better rested this morning than I have in quite some time, although not entirely or completely awake yet. My coffee is marvelous this morning, and the house feels cool this morning. Either the temperature dropped dramatically over night, or it rained–which would have helped with the sleep. I didn’t write very much yesterday, partly because of that weird/off/low energy thing yesterday had going for it, but it’s okay, I think. Sometimes it’s not possible or necessary to write every day–I’ve never stuck to that rule that a writer had to write every day else they are not a writer; and for that matter, purists, I at least write this every day, even if I personally don’t count it, it is writing–if not the kind I count. (It still blows my mind that I’ve been keeping this since December 2004; soon enough this blog will be twenty years old. Jesus, I am old.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I will be back tomorrow.

Here You Come Again

Monday! Back to the office for the weekly routine! It took me awhile to fall asleep last night, but eventually Morpheus opened his arms and welcomed me into the Dreaming, although I don’t remember anything I dreamt last night. Yesterday was, over all, not bad. I’d slept fairly decently Saturday night, but had some trouble with motivation yesterday. I did write a little bit, but for the most part felt burned out and mostly tired for most of the day. The end of the month is nigh, of course, which is a bit of a trip–can it really be August already–and the year is slipping past. I have a busy rest of the year ahead of me, too–after Bouchercon I am having oral surgery, and I am trying to schedule a consultation so I can get my arm surgery scheduled before the end of the year. I’d prefer to do neither, but I am tired of mouth pain and am not sure how much longer I could last dealing with the pain from my teeth. I am just ready to be done permanently with mouth pain.

It was raining when I went to bed last night, so I imagine the sound of rain helped me fall into a deep sleep; if only we could have a thunderstorm every night when it’s time for bed. Paul is leaving Wednesday, so when I get home from work that night he won’t be here. I am kind of in denial about it, to be completely honest. I’m going to be excessively bored, undoubtedly, but the key is to make sure I utilize the time effectively rather than allowing myself to be bored, you know? I can always read something, there’s a lot of shows for me to catch up on that Paul’s not interested in–Superman and Lois, and I should finish Titans, and My Adventures with Superman–and there are other classic films I’d like to watch as well. I can also watch the television in the bedroom and read in bed every night if I so desire.

We did finish watching Last Call last night, which was terribly sad because of how the killer was able to get away with it–twice!–before they finally linked him to the gruesome murders, and the difficulties prosecutors had in determining jurisdiction. We had a serial killer in the aughts who was preying on gay men down in the bayou parishes of Terrebonne and Lafourche back in those pre-Katrina times; no one’s ever written about him as far as I know, and most of his victims were homeless and/or hustlers, so no one cared much about the victims (similar to what happened with the Jeff Davis Eight in the same time period–women with records for prostitution and drugs murdered and no one ever caught or prosecuted) but at least they did finally catch the Bayou Killer (that’s not what his name was; I’m not even sure they gave him one since no one cared about the victims), but what the primary underlying theme to both true crime stories is that the police, for the most part, didn’t care about the victims so they didn’t try terribly hard to find them justice.

Yet another example of the fraught relationship between my community and the cops.

We also watched the first three episodes of Gotham Knights, which was better than I was expecting. DC’s continuity is something I no longer understand, as there are any number of Batman children and Robins and so forth having accumulated over the years, so I am not really sure about how the cast of this show came together–Batman’s adopted son, who isn’t a Robin, is accused of hiring the Joker’s daughter and some sidekicks to murder Bruce Wayne/Batman for the inheritance. Now they–with the help of a young Black female Robin–have to clear their names and catch the real killers, which involves the Court of Owls. I have no idea what’s going on these days in the comics with the Batman family–but I will always think of them as the originals I grew up with: Batman, Robin, Batgirl, and Nightwing (my favorite).

I also spent some time reading Kelly J. Ford’s The Hunt, which I am enjoying a lot. Kelly really gets the Southern working class voice and setting perfectly, and of course, she’s very literate in the way she writes. The book is layered and textured, and captures that small Southern community feeling more perfectly than most writers I’ve encountered. The queers are doing some really great work in crime fiction these days, which is pretty amazing–with amazing new voices coming along, it seems, fairly regularly over the last few years. Kelly, John Copenhaver, Margot Douaihy, Marco Carocari, Rob Osler and PJ Vernon are all doing amazing work and getting mainstream recognition, which is even cooler. Rob’s Devil’s Chew Toy continues to wrack up award nominations for debut novel; he’s currently up for both the Anthony and Macavity, and was one of the finalists for the first ever Lillian Jackson Braun award. Well done, Rob!

I, of course, didn’t complete my ambitious plans for the weekend, and that was in no small part due to that little voice reminding me in my head repeatedly what are you going to do while Paul’s gone–and of course, it never takes much persuasion for me to procrastinate or to be lazy, so I would give in and go do something besides sit at the computer and write, which is of course terrible. But I also didn’t want to not spend time with Paul while he was awake, either, since he’s leaving on Wednesday. Sigh. It truly never ends.

And on that note, I am heading into the spice mines. Have as lovely a Monday as possible, Constant Reader, and I will check in with you again later.

You Make Me Feel Mighty Real

Growing up as a queer kid in the 1960’s and the 1970’s wasn’t the easiest path to trod. First came the realization that my wiring was different from everyone else’s, followed quickly by the shame from being different and of course, the ever-popular feeling among queer kids when they recognize their queerness that I was the only one in the world and no one, under any circumstances, could ever know. I honestly don’t remember the first time I came across a gay character anywhere–it had to be in a novel, though–and I slowly became aware that it wasn’t just me, but there weren’t any others like me anywhere around me. (I do sometimes wonder how differently my life would have turned out had we never left the Chicago suburbs for the empty plains of Kansas; I certainly would have met other gay men much earlier in my life but….being an out gay man in Chicago in the 1980’s might not have boded well for me otherwise in the long term, if you catch my meaning.) I do remember the first gay characters I saw in film and television; I remember being highly entertained and feeling connected, in some way, to celebrities like Paul Lynde and Charles Nelson Reilly; but Liberace’s flamboyance repelled me. The few times I’d seen gay characters they were horrific stereotypes, and I can remember being confused, thinking I’m not like that, though. I can remember TV movies like That Certain Summer which was about a gay man coming out to his son and his son having to deal with it; I didn’t watch because I was afraid that watching it, even though it was an ABC Movie-of-the-Week, would tip off my parents and my sister that I was like that–or even just curious about it, which wouldn’t fly.

It was Billy Crystal as Jodie Dallas on SOAP that gave me my first real exposure to a continuing regular series character who was a gay man–and his confusion (which had a lot to do with the writers fighting with the network censors and trying to appease the gay community) about his gender and sexuality in that first season struck me as a bit on the absurd side–but I also understood his thinking well had I been born a woman this would have been all a lot easier.

Of course, now, as an adult gay man with years of living the life behind me as well as writing about it, I see how incredibly absurd on its face was that story-line.

I first found Matt Baume’s Youtube channel during the pandemic, as I was scrambling to find things to watch while i made condom packs and did other make-work at home duties to maintain my paycheck. I may have found him through James Somerton’s channel? But while Somerton is often very dour and doom-and-gloom and “this is how they betray us” (don’t get me wrong, there’s a place for that and it’s needed), Baume is much more cheerful and positive about representation: he presents queer rep in popular culture in the context of the time; what the show/movie creators were trying to do with the rep; why they chose to do the rep in the first place; and the battles and struggles they had to make sure their rep made it to the viewers the way they wanted it to–and how that representation may have helped change hearts and minds when it comes to queer representation in art and culture. So when I found out Baume had written a book about queer representation in network sitcoms–written versions of his Youtube channel most likely–I had to have it.

I’m really glad I read it, too.

The essays contained within are well-written in a light, easy to read and comprehend way, without all the academic language that inevitably drags these kinds of things into the impenetrable territory that gets cited in other academic papers but otherwise never get read. Each chapter, from Bewitched through Modern Family, also contextualizes the queer representation in its time and place within the sociopolitical climate of each show, as well as the queer influences. Bewitched was probably the queerest show to ever air, be a hit and win Emmy Awards before Will and Grace; which makes it all the more memorable is that it was all coding and subtext, with witches standing in for queer people–and the similarities were obvious: they had to hide who they were from mortals for fear of persecution, bigotry, and violence. Sound familiar?

Baume also names and shames all the anti-queer activists of my lifetime, from Anita Bryant to Donald Wildmon (my own personal nemesis) to A Million Moms and so forth; Wildmon himself is probably the worst of them all; much as I loathe Bryant, I think she sincerely believed that queer people were a danger and sinful. I also think Bryant and Phyllis Schlafly were the last true-believer homophobes to lead movements; everything since has been a cynical grift for money and political power. Ronald Reagan and the Republicans saw, in 1980 and with the evangelical turnout in 1976 that carried an actual Christian to the White House (Carter was perhaps the most truly Christian president we’ve ever had; his religious values colored his policy. It’s ironic that Christians hate him as a general rule and always point to him as an example of a failed presidency rather than what his presidency actually proved; a true Christian believer isn’t pragmatic enough to lead a country; because sometimes, as The West Wing noted in an episode title, sometimes you have to kill Yamamoto; things for the greater good that are horrific on a personal level) and noted that “lip-service” to “Christian ideals” was all it took to get “Christians” to vote for you.

And this is a good place to serve as your regular reminder that the “party of family values” elected our only divorced presidents, yet are the same people who tried to remove Bill Clinton from office for lying about a blow job because it was evidence of his poor character and someone with such poor character shouldn’t be president.

I recommend this book, not only because it’s an interesting look at the evolution of queer representation in television comedy series, but because it also is educational by tracing the opposition to queer equality during the same time period.

I also learned by reading the book that Baume was the Communications Director for AFER, an organization that fought for marriage equality. So, buying and reading his book is also an excellent way to say thank you for his advocacy.

Tishbite

And suddenly it’s Sunday, and I go back to the office tomorrow. Paul leaves on Wednesday for ten days, so Wednesday night is going to feel really weird and off when I get home from work. No cat, no Paul, and that has the potential to be incredibly sad and lonely, if I allow it to go that way. I don’t think I’ll be able to manage just goofing off when I get home from work while he’s gone; not to mention the time we usually spend together every night. I will most likely finish watching My Adventures with Superman while he’s gone, and I’ll probably watch Heels on Starz, with Stephen Amell; obviously, it’s a drama series built around a local wrestling promotion–and since my current WIP does the same (it’s not about the promotion, but the promotion plays a part in the book), it couldn’t hurt to watch, right? I just have to be careful not to steal, er “borrow”, anything from the show. (I doubt I will; the promotion is really back story more than anything else.)

But yeah, next weekend is going to be weird as shit around here. I’ll have to get used to sleeping alone–always an issue for me; changes to sleeping situations never are particularly easy for me to adapt to, ever–and without Scooter to cuddle up next to me in the bed, it’ll be particularly lonely. Ah, well.

I started reading Kelly J. Ford’s The Hunt yesterday, and I have to say wow. From the very first page she pulls you into the story, and the authorial voice! Magnificent. I still haven’t read Real Bad Things, her previous novel, yet; I don’t want to not have another book by her to read (my usual author-fan neurosis kicking into gear) but I am also thinking I may read it on the plane to Bouchercon, depending on how far along I am with my TBR pile by then–I have, after all, books by Eli Cranor, S. A. Cosby, Alison Gaylin, Laura Lippman, and Michael Koryta to get through yet as well–but with Paul gone, I will either be reading or writing every night when I get home from the office, so maybe I can get a lot of this reading caught up on. I also want to read this original text version of The Mark on the Door (The Hardy Boys) so I can write about it, too. I was also thinking it might not be a bad idea to take some of these really old blog posts I never finished and copy them into Word documents…because they really are longer form personal essays that require more work than just what I think off the top of my head–I actually have to look things up and do research to be effective, and I can save them in a folder called blog essays so I know where they are when and if I decide to ever look at them or try to finish them because it bothers me that I have all these unfinished drafts saved on the blog–many of which I tend to forget about until I’m reminded when I see the draft, which isn’t exactly conducive to finishing it. There’s one particularly old one where I wanted to read and talk about Uncle Tom’s Cabin, probably one of the most famous books ever published in this country and one that actually effected societal change…but it’s undoubtedly, from the modern lens, incredibly problematic, which is why I wanted to read it. I also have an electronic copy of The Clansman, which is the book Birth of a Nation was based upon, which clearly is a problematical text; perhaps someday I can do a lengthy personal essay about both of those books, along with Gone with the Wind, in the context of the Lost Cause mythology I was raised to believe (never really did because I could never get past the evil that was chattel slavery, no matter how much any of the latter two authors tried to convince their readers that it was benevolent and better for the enslaved than freedom…even typing that, I can’t wrap my mind around the fact people believe that bullshit, or even more insanely, some still clearly do).

I also spent some time doing research into Filipino immigration to Louisiana (because I am looking into writing about them) in the eighteenth century as escapees from enslavement on Spanish galleons in the Gulf of Mexico. Louisiana truly is the melting pot I was taught growing up as a part of American exceptionalism; Louisiana had immigrants from all over the world and from every imaginable “race” (which is not biology but a social construct, and no one will ever convince me otherwise), from the Isleños from the Canary Islands to the Filipinos who settled at St. Malo just off the coast-line on the opposite shore of Lake Borgne from New Orleans–I am also interested in the idea that there was also a settlement of escaped formerly enslaved people in the East called “maroons”–not to mention the enslaved people brought here unwillingly from west Africa as well as the Caribbean islands. Europeans were well represented here by French, English, and Spanish; Jews also came over in the eighteenth century, as well as Germans (There’s a town called Des Allemandes–the Germans–on the west bank of the Mississippi, and an entire stretch of the river called the German Coast), and of course there are Cajuns, Armenians, Greeks and Americans, too. There is a quite large Vietnamese immigrant community in New Orleans East, too. I’ve always felt New Orleans had a darkness to her; the slave trade flourished here (New Orleans was what they meant by being “sold south” or “sold down the river”–and it was so bad those words and phrases were considered threats)…which also reminds me I should revisit Barbara Hambly’s Benjamin January series, which I always recommend to people interested in reading about New Orleans and its history. All of the former slave states have a darkness to them, which is what I am exploring in my Alabama and Louisiana researches on now; how to incorporate that theme, of the suffering embedded in the blood-soaked soil and how so many souls cannot possibly be at rest.

That’s kind of what my revision of this nearly forty year old short story is becoming, and that’s kind of why I am stuck in the part I am at now; when the two boys are told the Civil War legend about the ghost of the cemetery. The original story was one that has since turned out to be apocryphal, a story my grandmother told me as truth when I was a child. I have found an equally bloody and horrifying legend based in the actual grisly history of the region from whence I sprang, and I am trying to get the tone right. I think the man telling the story to the boys would not have been a Union sympathizer but a Lost Cause believer, which makes telling the story and getting the tone right much more difficult. I think I’ve figured out the way to do it right–I don’t really care if Lost Cause sympathizers are ever offended by my writings about the South, to be perfectly clear if it wasn’t already–but I am of course worried that I’ll blow it so had to rest my brain and think about it some more yesterday. I also scribbled some backstory on my main character for the book I just started writing in my journal, which was very cool. After getting the mail and the groceries yesterday I was just drained–the heat really can suck the life right out of you–and so I just sheltered in the apartment and did some cleaning and organizing and thinking, really.

We watched two movies, Renfield and They Cloned Tyrone, both of which were quite enjoyable but completely different. I wasn’t so sure about Renfield, which I assumed was simply a modern take on the Dracula story from Renfield’s point of view, which I thought was a clever idea–but I didn’t realize it was intended to be a comedy. The female lead is Awkwafina–which I did not know and didn’t see her once in any preview of the movie I ever saw, which was some peculiar marketing. I wouldn’t have even thought twice about watching the film had I known she was in it–and she was amazing, as always. I am really becoming a fan. They Cloned Tyrone was a tech horror movie, filmed like a 70’s blaxploitation film, and it was interesting and clever and really smart (although part of it reminded me very much of an Edgar award winning novel from a few years ago that I loved) and we really enjoyed it before watching some more Nora from Queens before turning it in for the evening.

Today I am going to get cleaned up a bit, get ready for the week and do some writing. I want to get this short story revision completed as well as taking another shot at revising the third chapter of the WIP. I do need to do some more straightening and organizing–as always–and there’s a load of dishes in the dishwasher that need putting away. I am feeling better rested, which is lovely, and I am hoping to carry that energy, along with some positivity, into this new week. I do have some errands that will need to be run this week, alas, but I think most nights I’m probably just going to come straight home from work and either read or write or clean and organize. There will of course be nights when I am horribly lazy and won’t do a thing, but I am getting bored with being lazy and am feeling like I need to be producing in one way or another–making myself useful in my spare time. That of course is a neurosis in and of itself; the refusal to accept and allow myself to have down time where I am not doing something or anything or even thinking; sometimes I just need to mindlessly go down Youtube wormholes for the evening, and sometimes I even learn something when I do.

And on that note, I am heading into the spice mines. Have a lovely Sunday however you choose to spend it, Constant Reader, and I will check in with you again later.

The Man of Metropolis Steals Our Hearts

I have always loved Superman, ever since I accidentally pressed the wrong button on the comic book vending machine at the Jewel Osco on Pulaski Avenue in Chicago as a child and got Action Comics instead of the Betty and Veronica I wanted. I was disappointed, and asked my mom for some more change so I could get what I actually wanted, which was when my mom decided to teach me a valuable life lesson: if you hurry and don’t pay attention you won’t get what you want–and sometimes that’s the end of it. So always, always make sure you’re picking the right thing. (I still do, to this day, and whenever I “forget” and rush–it inevitably ends badly.)

I wasn’t happy about it, but made the best of it. I had a comic book, after all, and while I had never shown any interest in super-heroes and their comics before, I decided to read it when I got home.

Once I did, I was done with the Archie and the world of Riverdale for good. I started reading DC Comics–I already knew about Batman from the television show, which we watched every week with its epic cartoonish campiness–and all the other titles that involved Superman even if only in a peripheral way. Both Jimmy Olson and Lois Lane also had their own titles, there were at least three titles alone devoted to Superman, and of course, Justice League of America. There was a Superboy title, too, and of course we can’t forget Linda Danvers, Supergirl. I read them all, and finally stopped buying them when they reached the (to me then) insane price of a dollar per issue. But I never lost my sentimental attachment to DC Comics and their heroes. I was also terribly bummed when the peripheral titles, like Superboy, Jimmy Olson–Superman’s Pal, and Superman’s Girlfriend, Lois Lane–were cancelled. For the most part, Lois’ adventures that didn’t involve Superman–when she was actually doing her job as an investigative reporter–often involved her in mysteries she had to solve, which were a lot more interesting to me than her schemes to expose Clark as Superman, or to get Superman to marry her. The old television series, with George Reeves, was often shown in reruns on alternative non-network local channels, and while I of course watched, I was kind of disappointed with how bad and cheap the effects looked. Batman’s television show was campy, of course, and highly entertaining–but campy. Wonder Woman was also campy and cheesy, but had Lynda Carter, who personified both the super-hero and her alter-ego, Diana. (When I was watching Superpowered: The DC Story the other night Carter said something I thought was very perceptive and explained thoroughly her role on the show: “I didn’t play them as separate characters–I just played her as Diana, the Amazon Princess, with a strong belief in equality and that there’s a better way than fighting.”)

So, when they Superman movie was announced sometime in the mid-1970’s, I knew I’d go see it, but didn’t have a lot of high hopes. But the tagline was fantastic.

You’ll believe a man can fly.

I think I was at the theater, waiting to watch either The Deer Hunter or Animal House, when they played the preview for the upcoming December release Superman The Movie, starring Christopher Reeve and Margot Kidder (among many other major names in supporting roles–from Marlon Brando to Gene Hackman to Ned Beatty to Valerie Perrine). I knew they were making the movie, and I had allowed myself to get a little excited about it as a Superman fan. I’d always found previous Superman adaptations–mostly the television show–to be so inexpensively done that it was almost comical. But special effects had been changed forever by the one-two punch of 1977’s Star Wars and Close Encounters of the Third Kind, and I also knew they were spending a LOT of money on this adaptation, so when the screen and theater went dark, and you just heard a voice saying “You’ll believe a man can fly” and then…there he was, flying. I caught my breath because it looked so real. And when Christopher Reeve turned his face to the camera, smiled, saluted and somehow got his eyes to twinkle, I also knew the movie was perfectly cast. I couldn’t wait for the movie to finally open (I think I also saw the sequel on its opening weekend), and yes, when it finally came to the Petite Twin Theater (apparently still there? No, no movie theater on Commercial Street anymore, alas) I saw it on that first weekend.

I’ve always loved Superman, and Christopher Reeve was fantastic in the part; the bar every actor who puts on the suit has to clear.

Obviously, the recent announcement that David Corenswet has been cast to play Clark/Superman in the new reboot of the film franchise, replacing Henry Cavill, has me thinking about Superman again. I was very pleased, frankly, when Cavill was originally cast; I’d first noted him playing Charles Brandon on The Tudors and thought, “that is one fine-ass man.” I thought he was the perfect choice to play the dual roles of Clark and Superman; he is drop dead gorgeous, for one, and his eyes have the ability to twinkle when he smiles and the dimples? Just take me now, Henry.

Mr. Cavill fills out the suit rather nicely, does he not?

The Henry Cavill version of Superman, which followed on the heels of a failed reboot with Brandon Routh (who returned to the televised DC Universe–the Arrowverse–in Legends of Tomorrow. I always felt bad for Routh, who I didn’t think got a fair break, either), wasn’t the best interpretation of the character but that wasn’t Cavill’s fault; that was the vision of the director and writers and the studio; and while I think I can understand the need to update Superman, the need to darken his story a la The Dark Knight 1980’s Batman reboot was a mistake. Superman is the World’s Biggest Boy Scout; he stands for hope and truth and all those things we used to believe embodied the United States; if anything, Superman was the personification of the idea of American exceptionalism.

David Corenswet certainly has the right look for the part; he’s from the Ryan Murphy stable of dark-haired blue-eyed square jawed hunks who regularly appear on his television series. I first saw Corenswet in The Politician, and then again in Hollywood. I found the following fan art through a Google search, as there are no available official images of him as the Big Blue Boy Scout. James Gunn’s vision for the DC Universe is one I am interested in seeing; while I didn’t enjoy the second and probably won’t watch the third (I’ve come to detest everything about Chris Pratt over the last few years), I did think the first Guardians of the Galaxy movie was pitch-perfect for a popcorn super-hero type movie.

But I do hope they move away from the dark broodiness of the Cavill version. I enjoyed them (and love Henry Cavill for reasons that should be obvious; look at the posted picture above again), but they didn’t feel right for Superman movies. The underlying theme and element of all the Superman stories is his positive energy and determination to protect people from harm and most importantly, lead by example. One of the core elements of the original Superman series (before the first of many DC reboots of their universe) was that Superman’s most sacred vow was that he would never take a life, no matter who or how much they deserved death. That didn’t matter to Superman, whose pursuit of justice was limited to capturing the bad guys and turning them over to the judicial system. It wasn’t his job to determine justice and punishment.

I keep hearing good things about the animated DC movies and series, but have yet to really watch any of them. I don’t know why I have this automatic resistance to animated super-hero shows/movies; I love Disney animation, and there are literally hours of DC animated entertainment available for streaming. I’d been hearing good things about a new DC animated series on MAX called My Adventures with Superman, so while I was waiting for Paul the other night (and was tired of LSU football highlight videos) I decided to give My Adventures with Superman a chance.

Constant Reader, I am so glad I did.

The show is utterly charming. It’s very well animated, for one–Clark/Superman is handsome, which is weird to say about a cartoon–and it’s refreshingly well-written with more emphasis on the characters and who they are, as well as their relationships with each other, over the adventure aspects of it, which makes it all the more likable and enduring. The premise is that Clark, Lois, and Jimmy Olson are all interns at the Daily Planet; Clark and Jimmy are just starting, and Lois is given the job of breaking them in and showing them the ropes. Lois is ambitious and determined to become a star reporter, and her impetuosity and ambition quickly leads them all into trouble–not only with the bad guys, but with Perry White back at the paper. Fortunately, Clark is, well, Superman, so all turns out for the best and Lois gets the scoop of all time: there’s a super-man amongst us! Which gets all three of them hired on staff. Clark is exactly the way he should be: kind, thoughtful, empathetic, a little bit shy–and the cold open of episode 1, which has young Clark suddenly discovering that he can, actually, fly; and his excitement and wonder at discovering this sudden new ability slowly begins to fade–imagine learning at age ten or eleven that you have super-powers–and he begins to wonder not only who he is, but what he is….then after the opening credits it flashes forward to Metropolis and Clark and Jimmy–roommates–getting ready for their first day as interns. The chemistry between the three of them–truly the Holy Trinity of the Superman stories is Clark, Lois and Jimmy (it’s so nice to see Jimmy Olson finally getting something to do and being included as something more than just a bit part, which is a nice nod to Superman history), and I am really looking forward to watching more of it.

And the art is fantastic.

Well done, DC. I hope this series lasts and is a hit–and I hope James Gunn is watching so he can see how to do the Big Blue Boy Scout properly.

Ups

Saturday morning in ye olde Lost Apartment. Yesterday was a productive one, yet I was tired. I slept better Thursday night than I had all week, and yet… tired, emotionally, intellectually, and physically. I got my work done, though, managed to get laundry and dishes taken care of, and finished page proofing. I was watching (listening) to a documentary on MAX about DC Comics (which was essentially a three hour informerical about DC entertainment–comics, movies, games, graphic novels, television shows, etc.), which I kind of enjoyed besides the obvious puff piece approach. They were brutally honest about bad decisions and down-turns in popularity, as well as the insane boom of the early 1990’s with the collectors’ stuff. I had that on while I page-proofed, and it was interesting. I’ve always been a DC guy (who has nothing but respect and admiration for Marvel; I love Spider-Man), so seeing all the previous incarnations of the heroes and the stories as they evolved and changed over the years. They did, in fact, bring up the weird period where Wonder Woman gave up her powers and just became Diana Prince, which was also the same period where Supergirl was poisoned and her powers came and went; were no longer reliable, so they dreamed up some tech to help her out when her powers failed her. I was already planning on writing about DC again, thanks to the breaking news of the casting of the new Superman and because I’ve started watching the animated series My Adventures with Superman, which I am loving. We also finished The Crowded Room (a bit disappointing overall, I think) and watched the new Minx as well as some more Awkwafina is Nora from Queens.

It was extremely hot yesterday and I did not go outside. Even with the air conditioning on, I could tell everything outside was roasting. The air had that weird texture to it still, like it was almost scorched a bit from the heat. Today we have extreme heat advisory from eleven to seven, and I am considering not running my errands today if I can’t get it done this morning. I don’t want to be out in that if I don’t have to be, and if I do, at a time when it isn’t terrible outside. It is definitely the hottest summer I can remember in my life–and I do not just think that ever year and this year is no different. This year is VERY different, so hot it’s almost scary. The water in the Gulf is so hot, how can that be good for aquatic life? For the ecosystems of the shorelines? How hot are the rivers and lakes and creeks and streams? I have to run the cold water tap for quite a while every day before the water actually cools down to merely lukewarm. It’s very easy to get dehydrated, and it’s very easy to get heat exhaustion. Seriously, people, if you have to be out in this today, make sure you stay hydrated and out of the sun as much as possible. I also think it can’t be good for the car to be operating in this heat, either. But people in places like Palm Springs and Arizona drive and go out into the heat when it’s 114 or more outside. Maybe it’s just my natural anxiety, I don’t know. There’s always something to be anxious about.

Today I want to get some writing done. I want to finish revising that short story and I want to try to get that next chapter of the WIP revised as well. I may even try to write a story for a deadline in a few days, but even I am not arrogant as to think I can write a story that can get through an anonymous read in just three days. I also want to read a bit, and I want to work some more on the shelves in the laundry room. There’s just so many books, and I know I need to keep pruning. I need to be brutal and heartless, but so much I want to read and still think, hoping forlornly, that I will get to them…even as I buy more and more and read less and less. My mind is kind of all over the place right now, as it usually is when I don’t have something to focus on fully. Deadlines do impose some a forced focus onto me, but they also bring anxiety with them and I really don’t want to deal with any more anxiety right now, you know? Why invite chaos in, when you know damned well there will be anxiety no matter how much you convince yourself that this time it will be different? (It never is.) This love/hate relationship I have with writing is something I was actually thinking about yesterday as I put clean sheets on the bed. I was thinking that there are definitely parts of this I love–I love the creative aspects, I love working it all out in my brain, I love creating the characters and setting the mood and finding the voice. I enjoy revisions, too, but the element of despair is always added to the process when you are doing the revisions. By the time you’re doing what you hope is a final polish with almost every error excised or string tied up, you are heartily sick of the book, the characters, the story, writing in general and wondering why you ever thought you could do this, and would it really be that horrible a loss if you just walked away from it all? Then you hold your breath and click send, and then the agony of waiting starts, with all its paranoid imposter syndrome spirals and fears that this is the time you wrote something for which there is no editorial hope.

I mean, that happens every time I write a book, whether it’s on a deadline or not. The additional stress of the ticking clock a deadline adds to the entire process is what I’m getting to the point now where I can’t handle it or at least would prefer not to at the moment. I kind of just want to enjoy this moment where there’s no writing pressure and I can just work on stuff without being stressed about it at all, enjoy the process and the writing and creating itself. This is, after all, what I love about doing this. So why not do it under circumstances where I can savor the experience and enjoy myself? I mean, I do love writing, and I think I should be able to enjoy myself doing something I love all the time rather than being stressed out and anxious about it.

And I am enjoying writing again, being creative, feeling like yes I’m an author again, which is nice and frankly, a feeling I’ve missed. And it isn’t that things are so much better now than they were by any means, it’s just that now I don’t have to try to cram things into every day. Our civilization is crumbling around us and the world is on fire, but I don’t have to rush for anything other than being on time for work–and that I can live with. It seems wrong to be so calm and settled while the world is burning and our government is collapsing, but there it is.

I’ve always been selfish.

I slept well last night. I did wake up a couple of times, including the always every night five and six am wakes, which was just as annoying as it always is, but managed to go back to sleep both times and not get up until eight, which was really nice. I feel a lot more rested this morning than I have all week–naturally on a day when I don’t have to go to the office–and I am probably going to go ahead and run those errands today and get them out of the way. If I am making groceries, I don’t necessarily have to get the mail today; I can go to another grocery store rather than all the way uptown, for instance, and I do have to swing through Midcity on Monday to pick up a prescription, so I might as well do the mail that day anyway. I have other prescriptions that will also be ready in Uptown by Monday as well, so might just do a grocery run today and get that out of the way and then stay indoors as much as possible the rest of the day. It’s also kind of hard to believe Bouchercon is looming, as is my birthday. I made a to-do list this week, but I am so out of practice with using one that I never look at it anymore once it’s made and I need to stop doing that.

I am going to start reading Kelly J. Ford’s The Hunt this weekend, and I’d also like to watch some more of My Adventure with Superman. I should probably also finish that blog entry on Superman and his evolution on film/television over the years, and how I will go to my grave a Superman fan. I may also finish Hi Honey I’m Homo by Matt Baume this week, giving me the opportunity to move on to another non-fiction tome, and will also need to post a review of it. And of course there are other entries I need to finish as well. Someday I will be caught up on this blog, you’ll see, Constant Reader!

And on that note, I am heading into the spice mines for now. Have a lovely Saturday, Constant Reader, and stay hydrated and be cautious in this heat because I would miss you.

Evangeline

One of the great joys of my life has always been history. One of the many reasons I love New Orleans so much is because the city has never completely paved over and replaced its history; on a foggy night in the French Quarter, the sound of mules pulling tour carriage clopping on the streets can make you feel like you’ve somehow stepped through a window into the past, and I love that. I’ve never known much beyond some basics of New Orleans and Louisiana history; and I’ve been going down rabbit holes since right around the start of the pandemic, learning more and more about the history here. It’s humbling to realize how little I actually did know. I knew when the French arrived; I know how English Turn got its name and when Louisiana was turned over to Spain (1763, to be exact) and when it became American (1803). I also know Napoleon sold Louisiana to the Americans before he succeeded in forcing the Spanish to return it to France….so he could sell it to the Americans. I know New Orleans fell to the Union in 1862 during the Civil War; I know a little bit about Storyville and Huey Long; and I know that the landing boats used for the Normandy invasion in World War II in 1944 were built here. I know a smattering of things post-war about New Orleans–but the gaps in my knowledge are staggering, and I know even less about the rest of the state’s history.

I know that the Cajuns are actually Acadians, from French Nova Scotia, kicked out after the French and Indian War and forced to resettle elsewhere–many of them, after a long and mostly horrific journey, arrived in the swampy wetlands of Louisiana and made their home here. I know that Longfellow’s epic poem “Evangeline”, about two lovers tragically separated during what is called le grande derangement–the Great Expulsion–who promise to find each other once they reach Louisiana. It’s a tragic poem, and of course the Evangeline Oak in St. Martinsville is supposedly the”place” that the fictional lovers finally found each other after so many years, but their pairing was simply not meant to be–the story is a tragedy, after all–but that was how the “Cajuns” came to be Louisianans, and even after they arrived it wasn’t easy for them here. The Creoles of New Orleans looked down their aristocratic noses at the lower class farmers, and so they settled in the part of Louisiana still known as Acadiana to this day.

I have a copy of Evangeline somewhere. I really should read it.

One of these years, I am going to explore my state more. I’ve lived in Louisiana now for almost twenty-seven years, and I’ve never done much in terms of exploration, sight-seeing, and research. The Atchafalaya Basin fascinates me, as does Acadiana. The more I read about the history of both New Orleans and Louisiana, the more I realize how little I know (I always laughed off being called a “New Orleans expert,” because there’s literally a library filled with information about the past of both the city and the state to completely humble me and make me realize I know actually very little about either, and definitely do not qualify to be called expert on anything Louisiana.

I’ve slowly started writing about the rest of Louisiana, but I often fictionalize the places I write about; they are loosely based on the reality but I get to play around with that sort of thing and that’s better for me than trying to write about the real places and making it all up. My first time outside of New Orleans writing about Louisiana was really Bourbon Street Blues, when Scotty is kidnapped by the bad guys and winds up deep in a swamp. “Rougarou” was when I came up with a fictional town and parish outside of New Orleans, which I’ve used since then again. Need had portions that were set in the rural parishes outside of the New Orleans metropolitan area. The Orion Mask and Murder in the Arts District also were heavily reliant on being set (at least partially) in a fictional parish between New Orleans and Baton Rouge. “Solace in a Dying Hour” is another one of these stories. Oh, and Baton Rouge Bingo also had a lot of action outside of New Orleans as well.

I probably should have majored in History for college, but what would I have done with that kind of degree other than teach? Ah, the paths not taken, since I never had any desire to be a teacher, probably my subconscious saying um, you cannot be a teacher because of who you really are which was probably smart. Besides, I wouldn’t have ever been able to pick a period to specialize in; I would have had to be like Barbara Tuchman, interested in everything and picking certain periods that intrigued me for study. How could I ever choose between the Wars of Religion and seventeenth century France, or the Hapsburgs in Spain and Austria? Although I suppose I could have specialize entirely in the sixteenth century, primarily because it was such a tumultuous transitional century. I wish I was a trained researcher, but I suppose I could still learn how to do research properly despite my great age; the problem is time. Fall Saturdays are given over to college football (and I am not giving up one of the great joys of my life) and of course Sunday I watch the Saints. But if I am going to write historical fiction set in New Orleans or Louisiana, why wouldn’t I avail myself of all of the magnificent research facilities here in the city? UNO, Tulane, Loyola and I’m sure Xavier all have archives in their libraries documenting the past here; there’s the Historic New Orleans Collection and the Williams Research Center and really, so so very much. I also need to explore the bayou parishes and the river parishes, and make my way further north to explore Acadiana…and if I ever want to write a book based on the Jeff Davis Eight, I would need to go visit that parish and look around, get a grasp for how it feels and looks there.

So much to do, so little time…and one of the great problems about Louisiana and New Orleans history is trying to decipher what is fact and what is fiction; as so many “historians” and “writers” (looking at you, Robert Tallant and Harnett Kane) often wrote legends and lore as historical fact. I’m not sure how much of Gumbo Ya-Ya is actually true or not, but for writing fiction…perhaps it doesn’t matter as much how right it is? I have this idea for a story, predicated on something I recently discovered again–I have a tendency to forget things–but there was a community just outside of New Orleans called St. Malo, which was settled by Filipinos who’d escaped bondage on Spanish sailing ships. Filipinos in Louisiana in the eighteenth century? But it’s true; and the community was mostly houses and buildings built over the water; the 1915 hurricane destroyed it completely and it was never resettled, with those who survived moving into the city proper. I have an idea for a story called “Prayers to St. Malo” that would be built around that, but the story is still taking shape. There is always more to learn about regional history here…and since I am doing such a deep dive into Alabama history, why not continue diving in regional here?

Louisiana is unique and special and different–which is why I think I felt at home here that fateful thirty-third birthday when I came to New Orleans to celebrate it. New Orleans was the first place I ever felt like I belonged, and I’ve never regretted moving here. I just wish I’d started diving into the local history sooner.

Eperdu

And it’s a work-at-home Friday, which means we’ve somehow managed to survive yet another week of going into the office whilst living through more heat advisories. Hurray! Hurray! I slept much better and more restfully on Wednesday night, so I didn’t start the day off yesterday dragging and tired. I think I am finally getting used to getting up so early, as I get sleepy earlier than I ever have and even on days off, I wake up at six before going back to sleep for another hour, maybe even two if I am particularly lucky. Paul got his plane ticket to visit his mom, and so he is departing this coming Thursday for ten days. No Paul, no cat? What the hell am I going to do for ten days without Paul or a cat to entertain me? Hopefully, I’ll apply the lesson learned Wednesday night, where I come home and rest for a little while before springing into action. I want to get a lot done this weekend, if at all possible.

Paul and I had a lovely long chat the other night, which was nice. We’re often both so tired and worn out by the time he gets home we generally end up just watching television and not really talking all that much. But it was in the course of that conversation that I had a brilliant insight into the Scotty series and why I’ve been so hyper-critical and tough on myself with the most recent one, which will be coming out this fall. I’m not going to get into that here, but it was yet more evidence of how “not talking about your work in progress or how you feel about it” is bad advice; because in talking to him and saying it out loud and hearing it seemed to unlock some door in my mind where BLAM, now I know the answer, and so my questions over the last few years about whether I should keep the series going or not kind of became moot. Sometimes you really can’t see the forest for the trees, so talking it out, saying things out loud, actually is an enormous help.

I’ve been thinking a lot lately about myself and my work; and it’s been invigorating, really. I was telling Paul, during the course of that conversation the other night, that the main thing I remember feeling over the last few years was defeated; I felt defeated and run down and like I was always behind, which only amplified my own stress and anxiety and made me feel even more defeated to the point where I often felt helpless and paralyzed in the face of everything. Losing Scooter was the final jolt that just kind of made something in my head snap, for want of a better way to describe and/or say it. Everything has just been so miserable for so long, and so much completely out of my control, that it’s very easy to feel defeated, beaten down, and thinking well at least I’m old and have had a good life now that the world and civilization is burning to the ground isn’t really much help in picking up my own spirits, inspiring me and motivating me to get back to work. Reading Megan Abbott’s latest was, as ever, not only an inspiration for me to work harder and do better work but her brilliance was also kind of a kick in the pants for me; the depth of thought and perception she puts into her characters is what, for me, makes her books so powerful and special (the language usage and choices are also exceptional) and made me think I need to dig more deeply into my own characters, and perhaps spend more time carefully crafting sentences. I think I do that in my short stories, but because a novel is so much longer and I am always behind, I may not do it as much in the longer form as I should. (I did, I think, succeed with that in Bury Me in Shadows and #shedeservedit.)

I was tired when I got home yesterday in the broiling heat, but still managed to do some laundry and clear out the sink as well as put away the dishes in the dishwasher. So, I am coming into this weekend slightly ahead of the game. I tried getting to work on the laundry room shelves–which are absolutely disgraceful–but it was too much for me so I gave up on it and went back to the sink to wash everything now that the dishwasher was emptied and I could reload it (and yes, I wash my dishes before putting them in the dishwasher). I also worked on revising an old short story of mine. I hadn’t reread it in quite a while, and the last time I tried to do anything with it was a revision with severe tweaking to fit the theme of an anthology call (it was a terrible attempt I regretted submitting almost immediately after sending the email), and I realized several things. This is the story that never quite worked completely but my professor from my second attempt at taking a college level writing course praised so highly and told me was publishable, finally reawakening the dream and the goal again, made me believe, if only for a little while. I’ve thus kind of always thought of the story as sort of holy in some way; beautifully written and poignant, with a strong voice and so forth that I would always just kind of skim it and think, no, I still can’t think of any way to make this better. Yesterday evening I opened the document again and started reading…and started making changes. It seemed suddenly very bare bones and simple, which worked…but didn’t go deep enough, if that makes sense? Anyway, the story was about 2130 words when I started working on it (much shorter than I remembered as well) and am not even halfway into it and it’s at almost 3000 now, and its actually working. Yes, it’s lovely and simple in its original form, but it didn’t work because of the central core of the story–the late night visit to the graveyard to look for a supernatural occurrence that happens every year but only on that night. The legend, the ghost story if you will, was predicated on a “family history story” that I now know is apocryphal to the point of being trite (having addressed this very issue in Bury Me in Shadows), so I had to change that–and in changing that, the rest of the story started falling into place in my head. I hope to finish working on the story tonight after work. I also have page proofs to finish going over this weekend, and I want to work some more on the book I am currently writing. Hopefully, I can get the laundry shelves taken care of this weekend and the laundry room itself; Paul’s looming visit to his mother and absence for ten days frees up a lot of time for me to purge and clean and get shit done around here.

Excellent timing, too. I’d love to have the place shipshape in time for my sixty-second birthday.

I also want to spend some time reading this weekend. I know I am being overly ambitious and the weekend is only two days–which is how I always end up feeling like a failure; by setting myself up to feel that way by placing unrealistic expectations on myself that I somehow convince myself (I’m doing it right now in my head, even as I type this) that those expectations are not only realistic but feasible. It’s always a fun time inside my head, isn’t it?

I watched a documentary while waiting for Paul to get home (he had a board meeting), and it was about an app I’d never heard of that was apparently a thing but I was completely oblivious to while it was going viral. (You know me, always with my finger on the pulse.) It was interesting but weird; when it finished I wasn’t really sure what the entire point of making the documentary was since there really wasn’t a cohesive story. Some weird shit happened, sure, but nothing that made it stand out so much from the rest of the weird shit that is always happening to deserve a documentary on MAX (which I always pronounce the way Carol Burnett doing Norma Desmond would), but it held my interest for stretches of time, therefore keeping me from doom-scrolling social media. Twitter, er X (I changed my name on there to “Madame X”, just for shits and giggles) is literally burning to the ground right in front of us; I don’t precisely remember what evil thing Facebook did but it’s not much fun anymore, and while I do appreciate visuals a lot, looking at pictures will only hold my interest for so long. In a way it’s kind of good, because the more it bores or enrages or produces any kind of negative reaction from me the less time I spend there…and that time can be better utilized doing things that are productive. I understand its uses–and the continued belief that a presence there can somehow move books for you–but I don’t like how being on there for a prolonged period of time makes me start thinking and reacting. That kind of negativity and toxicity is something I’ve always, since I started recognizing it for what it was, been trying to cut out of my life, so why am I participating in something that not only envelopes me in it, but makes me want to behave or even just think in ways I’ll not be terribly proud of later? There are enough random blows in life that come at you out of nowhere that you have to deal with; so why would you invite more chaos into your life?

It doesn’t make sense. And I really don’t need to waste the time there. I’ll still use it, of course, to check in on friends and post my blogs and about events and things I am doing and books I am hawking, but I am trying to limit it. I’d rather stay in touch with people I genuinely care about in other ways that liking or replying to a post or tweet or x or whatever the fuck it is this week.

And on that note, I am getting another cup of coffee and heading into the spice mines. I’ll probably be back later on at some point; I seem to have gotten into the habit of multiple posts per day somehow lately. Not sure what that is about, either, but rolling with it.

Half-Gifts

Thursday morning and the last day of in-office work for me. July is coming to a close, and we are slowly inching our way to the end of the dog days, when a sweat-bath is no longer included with any venture outside. For those who wonder how we can stand to live with the heat of summer, it’s primarily because, with the rare occasional cold spell, it’s beautiful here from mid-September to mid-May. It wasn’t so bad yesterday, in all honesty. When I got in my car in the morning to go to work I thought this isn’t so bad and checked my phone. The heat index said it felt like 97 degrees and I thought it was cool.

Ah, summer in New Orleans. Even when I came home, it was still high–but was a “feels like” in the low 100s, so I was actually okay with it. I was tired, though, when I got home from work. I had a ZOOM meeting but it was canceled, and I hadn’t slept well again last night. I’ve not had a good, deep sleep since around Saturday night, I think. It’s no wonder I’m feeling a bit tired. I collapsed in my chair and watched some informative Youtube history videos on the Apostolic Majesty channel; a particularly good one about Charles V’s failure of his primary goal–the creation of a unified Burgundy under his control. I love this shit, seriously. Then I got up, put on some classic dance music from the “dance all night days” (seriously, Jonathan Peters’ remix of Whitney Houston’s “My Love is Your Love” is one of the greatest dance recordings of all time) which gave me some nostalgia from the years I spent the weekends haunting the bars in the Quarter, listening to great music and dancing and just enjoying myself thoroughly. I did some dishes while listening (and dancing, and performing–I always perform) and some laundry. The dance music picked up my lagging spirits and put me in a good mood. (I was a little bummed by some things I found out yesterday, which made my spirits sink to the bottoms of my feet; I’ll talk about them both at some point, but it was a rather dispiriting day with bad energy.

But without a purring kitty sleeping my lap, I couldn’t just sit in my easy chair all evening and wallow in misery and disappointment–not when there’s fun gay dance music to dance to while I clean and do chores and so forth. Lesson learned and note taken: there’s nothing gay dance remixes can’t make better. Looking around this morning, I realize I am heading into the office for the last time this week, and I am going into the weekend with the laundry and dishes caught up, but the kitchen organized and yes, there’s still some clean-up and filing necessary to be done–but without having to worry about doing laundry and dishes and so forth? Easy-peasy. I’d like to get some writing done this weekend; some short stories need work, I need to write another one from scratch, and I want to keep working on this new work-in-progress which I’m not quite ready to talk about just yet; I want to get these first four already written chapters edited and revised and see how easy the next few chapters come before I am going to talk about it publicly yet. I do like the story, and I do like the concept behind it; I like the main character who’s a good guy but kind of a loser–well, maybe not necessarily so much a loser but someone who can never really catch a break of any kind; just one would have completely changed and transformed his life and who he is into something completely different. He’s had a hard life, been burned by lovers, and now just is kind of coasting into whatever happens next. This is more hardboiled noir than what I usually do, but I am trying not to replicate someone else’s style this time so much as to kind of create my own, if that makes sense? A friend, a fellow writer far more successful than I could ever dare hope to be, once told me, your blessing and your curse is that you can write anything and everything. It was probably the most penetrating insight anyone has ever give me about anything in my life, and I think about that all the time. Do I have a distinct authorial voice? Am I not more successful because I write all over the place, without a structured and detailed plan of what to do next and where to go and so forth.

But I also don’t know if that’s me. It was me, before the Time of Troubles when everything derailed, and since then I’ve not really just ever taken the time to sit back and really put some thought into what I want out of my writing career. Since I started writing again after the Time of Troubles, I’ve just kind of bounced from this sounds interesting to oh I think I’ll write about this next rather than, what kind of books do I really want to write and what kind of career do I want to have in the time that’s left to me, and what do I need to do to get there? I do think somehow my work has matured to another level over the last six or seven books, and I know my short stories are getting better as I write more of them. I am so fucking proud of “Solace in a Dying Hour” and “The Ditch” (forthcoming in that terrific anthology School of Hard Knox that I posted the TOC from the other day) I could just burst. I really want to write something for the Malice anthology, and there’s a couple of deadlines looming on open calls I am sort of interested in.

A rather ambitious program for the weekend, methinks. But definitely do-able.

And on that note, I am heading into the spice mines. Have a great Thursday, Constant Reader, and I’ll check in with you again later.

One More Chance

My first series will always be special to me, even though I’ve retired Chanse MacLeod…at least for now, at any rate; I’ve learned (sometimes the hard way) that I shouldn’t ever say never when it comes to my writing career. Chanse will always be special for me in that he was the main character in my first book to be published as well as the first series of mine to see print. I originally created Chanse in 1989–can you believe that? Thirteen years from the time I first started constructing the character and him getting into print.

When I left California and moved to Houston that year, I decided to put the miseries of the 1980’s behind me, forget the past, and try to move on to the future I wanted for myself. I still had no idea what I wanted to do to make a living, but I knew I was never going to become a writer unless I actually, you know, wrote. When I moved to Houston, I moved away from reading mostly epic fantasy and horror to reading crime and horror. Sue Grafton’s F is for Fugitive had just been released, and the bookstore–Bookstop?–I frequented in Houston had a store catalogue that had book reviews and author interviews, and Sue Grafton was on the cover. I thought the alphabet titles was a great idea, so I bought the first three and took them home. I loved them, and started diving back into the crime fiction genre headfirst. I also started reading the Erle Stanley Gardner Perry Mason novels again–I’d read some when I was a kid–and I also started reading the rest of the Travis McGee series (I’d read, and not liked, The Dreadful Lemon Sky when I was thirteen; I wasn’t old enough to appreciate the series) and absolutely loved them. I loved McDonald’s writing style more than anything else, and the descriptions of McGee sounded, well, hot.

I started creating Chanse MacLeod as a blend of Kinsey and Travis McGee, really; I was driving to work one day and crossed a bayou. noticing the sign for the first time, and thought “The Body in the Bayou would be a great title for his first book” and so i started constructing the character and his world. He was a former cop turned private eye in Houston; he’d played college football at Auburn but suffered a career-ending injury his senior year and so he went into law enforcement, eventually going out on his own. He had a secretary named Clara that he shared with a couple of lawyers in an office suite in downtown Houston, and most of his work involved trying to get evidence of adultery for wealthy and suspicious spouses. In 1994. after I fell in love with New Orleans, I moved Chanse to New Orleans and his college experience to LSU; I also was discovering gay crime novels around this same time, so I decided to make Chanse a gay man; from a small town in Texas with homophobic parents and family, playing a sport where homophobia is rife, and he too discovered and fell in love with New Orlean…so he became a cop when his football career ended, eventually becoming a private eye. I started rewriting the four or five chapters I’d written with the story set in Houston…but once I moved to New Orleans and began to grasp what it was actually like to live here, I threw the entire thing out and started over.

That manuscript I started over became Murder in the Rue Dauphine, and the first place I submitted it to offered me a contract six weeks after I mailed them the manuscript. Alyson was home for the first five books in the series…before Alyson Books went belly-up, without paying me the advance for the fifth book and no longer paying me royalties on the others (the entire series was still in print when Alyson folded).

Burn in hell, corporate trash who bought Alyson.

(The company had been doomed for a while, and the unfortunate last minute attempt to rescue it failed, which I thought was horrifically unfair to the person who they brought in to save it. The final collapse was hardly his fault; his predecessors had made so many unbelievably stupid mistakes there was no saving the business, really. And ebooks and so forth started eroding away at the reader base, at the same time the business began to crumble. I’ve always felt bad for the poor dude who was the last to hold the title of publisher. I don’t think he had any staff and he was the only person working there by the bitter end.)

But when Alyson went belly-up and chose to stop honoring their contractual obligations to pay their writers, I’d already moved the Scotty series to Bold Strokes Books and was doing not only anthologies for them but also editorial work for them, so moving the Chanse series there was a no-brainer.

The last two books in the series were done with Bold Strokes Books.

As with anything with my career, I had a plan for the Chanse series but of course, man plans and the gods laugh. I had always intended the series to be seven books, from the very beginning, and I had this emotional journey for him all mapped out: the series would chart his progression from lonely, damaged and scarred loner with a snide sense of humor to more centered, more grounded, more mature and more settled into his life. So, when the series opened, he was–against his better judgment–seeing a hot flight attendant, and wondering if he was actually falling in love and had the opportunity to be happy for once in his life. I really did give him a miserable backstory; alcoholic mother, abusive drunk redneck father, grew up living in a trailer park in a snotty small Texas town where no one would let him forget he was trash until he showed some football playing ability–and he was just cynical enough to understand they still considered him trash, but trash with a skill they appreciated. He went to LSU and joined a fraternity in a final attempt to banish the homosexuality from his brain (it didn’t work), and then was injured in a bowl game so his career was over–he’d been considering going for the NFL draft. He was a big man, as such; and spent a lot of time in the gym working out and keeping fit. I also had to make a horrific decision while writing the second book–with every intention of walking that ending back in the third.

And then Katrina happened, and everything changed.

My editor at Alyson Books at the time, Joe Pittman, was new. He had come on board shortly after my previous editor was let go (I had a different editor for each of the first three Chanse books, and in fact had a different for the last two–so the Chanse series went through five editors at Alyson…now I would see that as a sign), and I was assigned to him as a gay mystery writer. He got in touch with me after Katrina to check in on me and of course, to encourage me to write about Katrina, which I did NOT want to do whilst I was in the middle of experiencing the aftermath still. I was still unhoused at the time, staying with my parents in Kentucky, before moving back to Hammond, Louisiana, just before Rita to housesit. Paul and I talked on the phone one morning and suggested we do a fundraising anthology for Katrina victims…but I wasn’t interested. Joe called me that afternoon and with the same suggestion, so I told him Paul wanted to do one and that was how Love, Bourbon Street came to be. Joe also kept insisting to me that I should write a post-Katrina book as the next Chanse book, and despite my reluctance I decided to go ahead and do it. Part of the problem, as I saw it, was, how do you end a book on a hopeful note when the city is still in ruins and most of the population still displaced? Joe kept pushing me, and I finally agreed to write Murder in the Rue Chartres–and I really don’t remember anything about writing the book other than I did actually write it, and it turned out to be one of my best books. It won the Lambda, for one thing, and got great reviews everywhere.

The fourth Chanse novel was, in my opinion, the weakest of the series. They’d fired my editor before I signed a contract for the fourth book, and when that finally happened, they needed me to write in like eight weeks. I asked for a two book contract so I would never have to write another book in eight weeks again (LOL at my naivete), and they were so desperate for the fourth they agreed. (I had already written a Scotty book that was just sitting in a drawer; I turned it into the fourth Chanse and to this day I think it was a mistake.) Of course, they did publish the fifth, but they never paid me a dime for Murder in the Garden District. The only money I’ve made off that book is from the ebook Bold Strokes put up–I gave them the entire Chanse backlist for ebooks, and those Chanse books still sell.

Maybe I shouldn’t have ended the series at seven?

But it felt like the right place to stop. Chanse’s personal story of personal growth and how it happened kind of got lost along the way; he grew and changed as the series progressed, but writing the last two–which I also think are good–felt a little paint-by-the-numbers for me; I felt that writing the sixth and when I felt it again in the seventh, I decided to stop there. I wasn’t getting any satisfaction for writing the books anymore, there was no joy derived from doing them, and since I’d already planned to stop at seven…I stopped at seven.

I still get ideas for Chanse books, of course. I have an LSU fraternity murder that would be a perfect Chanse story–I planned it as a novella–and of course, I’ve always wanted to fictionalize the Jeff Davis Eight murders as a Chanse novel, too. Maybe I could do three Chanse novellas published in one book?

That would make a lot more sense, and could be even more fun to write than one long single story novel.

Or I may not do anything with Chanse at all, and use those stories/plots for something else.