Category: writing

Whatcha Gonna Do

Friday, I think? It’s very weird to lose track of days and dates and things like that. Not that I am good with them regularly and never have to stop to think about it, but not having the structure provided by having to go into an office every day has kind of unmoored me. I don’t know that I can honestly blame it on the surgery anymore, since it’s been nine days, right? I don’t know. I slept for another ten hours last night, and feel so rested it’s marvelous. I did ask my surgeon to clear me for work earlier yesterday, and he said no. “I’m afraid you’ll overdo it and spoil all the great recovery you’ve already experienced.” Probably just as well. I’m worried (of course) about the unpaid leave and money, but I think I’ll most likely be okay because everything is going well so far. Things might be tight for a while, but that’s..well, it’s not like I’m not used to that already after the four years of car payments. (I shudder even thinking about that horrible period of juggling bills and running up credit card debt that I am still working down.)

I wrote yesterday and boy am I rusty. It was a serious struggle. I had dictated about thirteen hundred words the other day on my iPad, so yesterday I cleaned that up (I don’t speak clearly, and have always had a bit of a lisp; the dentures have exaggerated that, so voice-to-text isn’t the best method for me, but it’s an option I can use in a pinch; it’s something I could potentially even do in the car with the phone on long drives) and tried to finish the chapter. I didn’t finish it, sadly, and it took me hours to get the additional new 1200 words yesterday down on the page. I’m a little rusty– one of the primary reasons I do this blog is to write something every day so the muscles don’t need to be retrained or warmed up again–but that’s not a surprise. I’m trying not to freak out or stress about it, because that’s pointless and a waste of energy that I don’t have to spare right now. I have finally found a comfortable position to sit at my desk and rest the brace on the edge so my fingers are freed up for the keyboard, which is enormously helpful. I am hoping to get cleaned up this morning and run some errands a little later on–I have to pick up a prescription in Midcity, and thought about making a grocery run and stopping at Five Guys (yay!)–before coming home to curl up in my chair with Nurse Sparky and read. I’ve picked out Lisa Unger’s novella Christmas Presents as my next read; I’d like to kind of keep the Christmas theme going, too, which might mean reading the two latest Donna Andrews novels out of order (just typing that made my stomach clench; my brain wiring is so completely fucked up it’s not even funny), and then picking out Christmas-related titles from the TBR pile–which won’t be easy, the Unger and Andrews might even be the only ones, honestly; which is interesting. I myself have only written one Christmas season book (Royal Street Reveillon) and published one story (“The Snow Queen” from my Upon a Midnight Clear anthology from a million years ago), primarily because I was worried about the temptation to descend into cheap sentiment.

It’s gray and rainy outside today. It started raining last night and continued overnight; which was nerve-wracking. I haven’t mentioned this, or I don’t think so, but a few weeks before my surgery roofers were here working on the patio deck above my kitchen. I came home from work one day to find an enormous hole in the kitchen ceiling–I could look up and see the workers and blue sky–and ceiling debris all over the kitchen. There was rotten wood up there, potentially termite damaged as well, and it just caved in while they were working. They came into the apartment and boarded up the hole with a piece of plywood. Fine, I figured; but that’s a stopgap and not a fix. The next time it rained I could see that the plywood was wet, and then it started dripping. Not good, but not bad. Then after my surgery we had a huge New Orleans storm, and the kitchen ceiling was leaking–all around the board, and elsewhere. I got up that morning and noted there was water on the counter and the stove, and my rugs on the floor were wet. I got out a couple of buckets and went back into the living room to my easy chair to read or watch television. About an hour there was a crash from the kitchen–part of the ceiling had collapsed, and you could see soaked insulation hanging and dripping–and about another hour later more came down. They came out the other day to fix the leak–and there’s no water in my kitchen this morning, thank the Lord. They told me since we had rain forecast this weekend they weren’t going to fix my ceiling–because if the fix didn’t work, it would all just come down again anyway–so when I got up this morning Paul said, “It’s rained all night so be prepared when you go downstairs” which made my heart sink (without my hearing aids I can’t hear the rain) but I came down and checked and all good. So they’ll come back next week and fix the ceiling and that’s the end of that.

I am also very impressed with myself for not freaking out over the ceiling–but at this point, my primary and only real concern is my arm and recovery. I also made my first physical therapy appointment for next week, which is cool. It’s also taking some time for me to get used to having greater mobility and more use of my left arm, too. I tend to walk with it in the bent position it needed to be in for that first post-op week rather than just letting it hang or moving it in unison with the other when I am walking. I think I need to get up every day and go for a walk, really. (Not today–I am not walking in the rain, but if it stops later, it won’t kill me to walk down to the park.) I need to be taking walks and things anyway; at least be stretching periodically to keep my muscles active and not let them get even more flaccid and weak from inactivity. And of course, running errands will get me out of the house today and walking the aisles of the grocery store is good exercise. And I have my wagon to help bring them in from the street. (I am so pleased with myself for buying that wagon, Constant Reader, you have no idea. I need to Scotch-guard it so I can just leave it outside under the overhang so it’s not always getting wet when it rains, or maybe even get a waterproof tarp to put over it.)

I’m also thinking it’s time to get a new microwave. Ours is over ten years old, it doesn’t work as great as it used to, and the instruction manual is long gone. I am also going to get a taller ladder for the downstairs; the five foot one works fine for the fans upstairs, but I need something taller for downstairs, and again–it can be kept outside and brought in when I need to use it. It’s ridiculous that I’ve waited so long to get a ladder that I can use without paranoia and fear of falling as I fully extend to reach the blades of the downstairs fans; get a fucking taller ladder, dumbass. I think it was primarily because I worried I couldn’t fit the ladder into my car and bring it home; now I can have Lowe’s deliver it. Thanks, pandemic! At least it was good for something.

And on that note, I am bringing this to a close for today. Have a fabulous Friday and I’ll probably do some blatant self-promotion later.

destination unknown

Thursday, and I am so relieved that the recovery is going well, and that I can actually start fending for myself. The brace isn’t rigidly locked anymore, and I have a lot more freedom of movement–plus I no longer need that wretched sling, which I hated, and I am no longer attached to anything. Granted, I haven’t been since last Friday, when the pain ball1 was removed Later this morning I am calling to make my first PT appointment, and another referral to follow up on as well. I also slept in my bed last night for the first time since the surgery. I was sleeping super-well in my easy chair, and was a little worried about going back to the bed (I will worry about anything, thanks, anxiety!) because I usually sleep on my left side–which is the bad arm–but I fell asleep lying on my back and shifted to the right side and back a couple of times, but other than that, I was dead to the world. I also slept for another ten hours last night, and I am thinking that I need to get this rest. My body is demanding it, and it feels marvelous to sleep so deeply and restfully–this is what I am always longing for most of the time….but I’m not going to start going to bed at eight once I am back to work because yeah, that would be terrible.

I took it easy yesterday after getting home from my appointment and a couple of errands. The temperature has turned cold (for New Orleans, don’t @ me), which always makes the apartment feel a bit more snug. I did some straightening up, took a long hot shower (still not easy, but so much better than before), and then curled up in my chair with Sparky and J. D. O’Brien’s Zig Zag, which I enjoyed very much (more on that later). I’m still trying to figure out a way to comfortably type with the brace, which isn’t as easy as one might expect. because the brace raises the hand so it’s not flush with the keyboard. It just feels awkward and so I need to find a position to type that doesn’t feel awkward–or I need to get used to it. I don’t know that I’ll have the brace on long enough to worry about Carpal tunnel syndrome, but you know me–anxiety always on the starting line waiting for the starting gun. We also finished watching Bodies, which I also highly recommend. It’s extremely well done, and very clever. If you liked Dark, you’ll definitely enjoy Bodies. I haven’t picked out my next read yet, but I have some incredibly delightful options to choose from. Yay! I love having a massive TBR-pile filled with terrific books by great writers. I am leaning towards Christmas Presents by Lisa Unger; I do want to read some holiday themed novels this Christmas season.

Christ, it’s Christmas season already. I may have to have my annual viewing of A Charlie Brown Christmas soon. I feel more like being in the holiday spirit this year. We haven’t decorated in years (and what little decorating we did was kind of half-assed, anyway) because the one thing Scooter would–in his long, comfortable life as a lap cat–actually spring into action against was the tree. That first Scooter Christmas was the last time we decorated, and I feel pretty confident that Sparky would see the tree as an amusement park, since everything is a toy to him and all he wants to do is play. I didn’t notice until the other day–and maybe it’s a recent development–but Sparky has some orange in his coat. It’s more obvious when he’s lying on his back, but we did end up with another orange cat, even though we didn’t realize it! The string of orange babies continues!

I was also thinking some more yesterday about being a writer–and the many different ways there are to be one. What is the difference between an author and a writer? Are authors artists? What is literary art and what is not, and who decides? Can genre fiction be art (of fucking course)? This was triggered by one of those things on one of the social media platforms where you were supposed to “quote text” my favorite books by women, and right off the top of my head I rattled off five great ones…and then I started remembering more, and more, and still more. I’ve read hundreds, if not thousands, of marvelous novels and short stories and essays and columns written by women. Why were those the five that popped up into my brain at first, why are they so implanted on my brain that I would come forth with these titles; any such list from me will always include The Haunting of Hill House by Shirley Jackson and Rebecca by Daphne du Maurier, and I will never apologize for that. Which left me with only four, and there were so many options. My mind immediately defaulted to four women writers I love, and then had to pick which of their canon was the best. Then I remembered a beautiful novel about friendship, love and loss that made me weep (Somewhere Off The Coast of Maine by Ann Hood) and thought, damn it, I loved that book and I want it on my list…and then started remembering all the others, the dozens if not hundreds, of other women writers whose works entertain, enlighten, and edify my life. There are so many great women writers, currently and in the past, who wrote so many amazing books that it would be hard to name them all, and I would certainly always forget scores of them. For some reason yesterday I was thinking about Taylor Caldwell–who used to write massive doorstopper books about rich people and industries, as well as interesting historical fiction. If remembered at all today, it would probably be for Captains and the Kings, but that wasn’t one of my favorites of hers–that would probably be Testimony of Two Men, which was about medicine in the late 1800’s and a courageous doctor who believed in modern breakthroughs rather than “we’ve always done it this way”–so of course the entire medical establishment was trying to ruin him as he bravely stuck to his principles and tried to modernize American medicine. I would probably hate it if I read it today for the first time–my politics, ethics, morals, and tastes have dramatically changed since I was a teenager, which was when I read Caldwell–but I do remember it fondly. And there’s Grace Metalious, who wrote Peyton Place; Jacqueline Susann and Valley of the Dolls; Jackie Collins and Hollywood Wives; any number of Agatha Christie novels–I mean, there have always been so many great women writers around. Does anyone remember Rona Jaffe? I’ve always wanted to reread The Best of Everything, and I think I have a copy of it somewhere. Then there’s the scifi/fantasy writers, too–Anne McCaffrey and The Dragonriders of Pern, Ursula LeGuin and A Wizard of Earthsea, the amazing Octavia Butler….as I said on whatever social media platform that was, I could sit here and name women writers who wrote books that I loved all day. Victoria Holt, Mary Stewart, Phyllis A. Whitney, Dorothy Eden, Susan Howatch…seriously. Maybe I should write a book of essays about women writers that aren’t remembered much today? ANYA SETON! How I loved Anya Seton back in the day–and all the crime women–Margaret Millar, Charlotte Armstrong, Dorothy L. Hughes, Mary Roberts Rhinehart, Helen MacInnes, Patricia Highsmith, and Mignon Eberhard, to start.

I bet no one else remembers Edna Ferber–and if they do, it’s for Giant and it’s because of the movie (many of her books became famous films: Cimarron, Saratoga Trunk, Show Boat, and So Big). Now that I think about it, I think she addressed race issues in both Saratoga Trunk and Show Boat….which may be worth revisiting. She was also a member of the Algonquin Round Table.

This entry sounds and feels more like me than the more recent ones have, doesn’t it? I am itching to dive back into the book this morning, after I pay some bills and do some other aggravating chores. I also have a prescription ready to pick up; so since I have to go to a Midcity pharmacy to get it, I may as well make a grocery run on Carrollton.

I didn’t realize what a difference sleeping in the bed would actually make, really.

And on that note, I am heading into the spice mines for the day. Have a blessed Thursday, Constant Reader, and I’ll check in with you again a little later, as I really need to do a lot more promo. OH! That reminds me, here is a lovely review of Mississippi River Mischief; check it out! That absolutely made my day–and reminded me that I need to do more self-promotion.

  1. I had a contraption attached to my left shoulder that dispensed a nerve-deadener to the arm, so I wouldn’t feel pain. It lasted for 72 hours, and by the time it was empty, I didn’t have any pain, which was great. I also had to carry it around in basically a fanny pack, so it was one more thing I had to drag around those stressful first 72 hours. However, if you are going to have surgery, ask for one. It was amazing. ↩︎

Hard to Hold On To

So, here I am at my desk in the Lost Apartment and it’s not even quite noon yet. I had my follow-up appointment, ran an errand, and then stopped by the office to make sure my leave had been approved–it had–and then I came home. Sparky is being his usual Big Kitten Energy nuisance self, but luckily he’s adorably forgivable and I love him. Besides, he’s not going to stop until he feels like it in the first place.

Do not fight, or stress about, things you cannot control.

The good news is the recovery is going well, and my surgeon is most pleased with how I am healing. I’ve been freed up to do a lot more, and the primary focus from now on is actually rehabilitation–getting back the range of motion and then the strength. The physical therapy for strength won’t be until February, and he thinks I’ll be done with the range of motion–based on what I already have–before Christmas, which is lovely. I can do everything–within reason–that I usually do other than lift, push or pull heavy things. He actually encouraged me to type–as that will help with finger dexterity, which will help the recovery of the range of motion, and so on. I literally floated out of the doctor’s office, I was so happy and relieved to have the anxiety and stress of the past week gone (at least for now). I don’t have to use the sling anymore (it wasn’t the fun kind of sling anyway), and I can put on shirts, get dressed, shower, basically everything that doesn’t involved the aforementioned things. This is really lovely. I can even sleep in my own bed again instead of the easy chair, which is going to be so fucking amazing. I have been sleeping well anyway–which isn’t always the case when it comes to these things–but it was my body realizing it needed more rest.

I am still going to take it easy, though. I am going to get back to work on my book, clean out my emails, and try to get stuff as caught up as I can. As I have mentioned numerous times, I’ve had to spend a lot of time thinking while sitting in my easy chair this past week, and one of the things I’ve realized–recognized? acknowledged?–is that I don’t need to do volunteer work anymore. I’m getting older and my energy supply doesn’t seem to replenish as quickly as it used to; some days I feel like I am running on accessory and my batteries aren’t recharging to full capacity the way they used to. I’ve been volunteering for one place or the other for decades now, it’s time for other people to pick up the baton or pass the torch or whatever the hell metaphor you want to use for this. I’ve had a bad year personally–not the only person who has, mind you, well aware, and always aware that things could be worse at any moment–and that’s worn me down quite a bit, and I never really recovered my equilibrium after the pandemic started, and especially not since I myself caught the nasty coronavirus. My memory still isn’t as sharp as I would like, and I find myself forgetting things I can’t believe I can’t remember, but some of that stuff was just brain clutter anyway. I know I am going to be less sentimental about the books and will be boxing up more to donate when I am able; I am going to try to resist the urge to bring in more until I have made more progress on the TBR pile.

And on that note, I am going to bring this to a close, repair to the chair and read for a while, and then spring into get-things-done action after showering…a good, long, hot shower.

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Africa

I was tired yesterday.

I’m about to head to my first follow-up appointment with the surgeon this morning–far earlier than I would prefer, but best to get it over and done with so I can get on with my day. Heavy sigh. I have a lot of questions…and am hoping to get some more information about wearing shirts and so forth. There’s a part of me that’s hoping I get a smaller brace today, but I am also aware that’s probably magical thinking on my part. The physical therapy is going to last for three months, and that’s going to wreak havoc on my daily schedule. I am hoping that I’ll be able to not miss a lot of work for it–or come up with ways to work around it–which may not be that easy. I am starting to get antsy with so little ability to be at the computer and type. Having a rambunctious high-energy kitten that I am having to try to fend off with the one good hand doesn’t help, either. He’s very sweet and I hate not giving him the attention he wants, but if he wants flea medicine and vet appointments and food, Daddy has to be able to work. And my typing time is limited as the left hand/arm tires quickly.

I haven’t worked on the book since starting it the other day, but I’ve been thinking about it a lot (and about a lot of other things I want to write/am writing/editing), which is part of the problem with having so much down time and a creative mind with a touch of attention-deficiency…I start getting ideas as my mind wanders as I sit there. I was able to focus on reading my current book for a couple of hours yesterday, but didn’t get as far as one would under ordinary circumstances. I do have trouble remembering the day of the week, and as far as the date is concerned–that ship has long since sailed. (I know the first is coming and am prepared to spend some time paying bills at some point soon.) I am enjoying the book very much; I just wish my brain had more bandwidth than is currently on hand. I am genuinely worn out by ten every night, and I’ve been sleeping remarkably well. It’s also cold here this morning, and I have to go out into it wearing sweat pants. Yay.

We’re still enjoying Bodies, and it’s very like Dark–very clever, high production values, terrific acting, the questions of morality and fate and free will; very deep and very interesting. I am also starting to get bored, to be honest, which is a novel concept for me. The lack of focus so I can read for long periods of time is seriously being felt here, believe me. I am going to try to read more of my book today, and then I might have to go back to another volume of Alfred Hitchcock Presents–short stories work better when you have no ability to stay focused for a long period of time. I rewatched The Terminator yesterday–what a remarkably well written and done film it was. It is also, with the recent rise of AI, unnerving; the future Kyle and the Terminator come back to the present from `was 2029. Eep! Funny how back then 2029 seemed so far away, but then it kind of was. When that movie was released, I would have never believed that I’d still be alive in 2029–I still might not be, of course, but my longevity is completely out of my control to some extent; who knows how much or how little we control our own destinies? One of the key concepts of Bodies is that we don’t really have free will, as much as we would like to believe we do, and there’s something to that, I think. Sure, we make our choices, but are the choices presented actually our choices?

Deep thoughts from a Netflix series!

I was also thinking–as I am wont to do when my mind is free to wander–about whether I am an artist or not. Literature is an art, after all; we may not work with paints or oils or clay or marble or ceramic, but we are making art when we write. I’ve always been reluctant to call myself an artist or writing “making art”–the only authors I ever see or hear calling themselves artists or their work art tend to be very well-educated literary writers. It always felt inorganic and pompous to consider myself an artist and my work art. I write genre fiction, for one thing, and for another I write about queer people mostly. (Oh, the disdain I used to get from the literary writers when I worked at Lambda Book Report and they discovered that my forthcoming novel was crime fiction! I think that kind of hardened me against literary fiction and literary writers–not entirely true; some are absolutely lovely, but it certainly left a bad taste in my mouth about being overly pompous about what I do; I kind of embraced being a genre hack. I’m not ashamed to write crime fiction and horror; nor am I am ashamed of my erotica past.) But thinking about myself as an artist–the more I thought about it, the more I was sure I fit the description and perhaps what I do is make art, after all; but at the same time worry that thinking of it in that way will increase the pressure on me to do good work, and the last thing I need is more stress in my life.

But I am excited to get back to work on the new book. I really enjoy writing–which was also something else I was thinking about over the past few days. Writing is work, but I love to do it (publishing, on the other hand…it’s the necessary evil that follows the work I enjoy), which is another reason I don’t think of myself in terms of art/artist. But writing requires just as much focus and dedication as any other kind of art–and we are painting pictures with words rather than oils or watercolors, aren’t we?

Some interesting thoughts on a Wednesday morning. Have a great day, Constant Reader, and I may check in again later.

Be My Lady

Tuesday morning and it’s feeling a bit chilly in the Lost Apartment this morning. I am propping the brace on the edge of my desk so I can use both hands–and it doesn’t seem to bother the arm too much to use my fingers. I actually don’t feel any pain, but it feels a bit weird, if that makes any sense.

Yesterday was the first time I’ve felt like me again after coming home from the surgery. I cut up an old T-shirt (well, Paul did; one needs two hands to cut cloth) so I could fit it on over the brace without having to use the arm or move it; my left nipple peeks out every now and again, but that’s okay. Tomorrow morning is my first post-op visit to the surgeon, so I want to think about the things I need to ask about and write them down to take with me. It’s an early appointment–8 am–so I won’t be thinking as clearly as I would later in the day. I’m getting used to sleeping in the chair–I’ve been sleeping ten hours a night on average since that first sleepless night after the surgery, which is very-un-Greg-like, but I attribute that to my body recovering from the trauma of the surgery. I wish it would last forever, though, I really love sleeping.

Paul and I did go run those errands yesterday, and driving wasn’t an issue at all. I think the prohibition on driving in the instructions had more to do with the painkillers (which I don’t need) than any lingering after-effects of the surgery. It felt very nice to get out of the house, since I hadn’t even gone outside (I don’t think) since coming back home last Tuesday–hey, it was a week ago, wasn’t it? It seems like an eternity. I am very impatient to get through this, but of course you can’t rush recovery. I am trying not to get frustrated or impatient, but it isn’t easy for me–I haven’t gotten to the acceptance of things I cannot control yet, sadly–and my emotions are still all over the place. I had a couple of emotional moments yesterday which weren’t great–but those moments are also becoming fewer and farther between, which is a relief. I hate subjecting anyone to my particular brand of crazy, least of all Paul–who is usually the only person who ever sees it, and that is something I don’t like, either.

I didn’t write anything yesterday, the errands exhausted me, and so I spent the rest of the day in my chair. I watched a marvelous documentary series about film horror from Blumhouse–four episodes–which was a lot of fun but nothing really new that I hadn’t already known. It did give me an idea for a slasher thriller in two parts–the original occurrence than a revisitation ten years later; but the worry is, of course, that it’s been done already or I have nothing new to bring to the genre. It’s an interesting conundrum and puzzle I’d like to get figured out; one that will need to percolate for a while before actually getting to work on it. I always worry about how much preparatory work I do for my books, and I also worry I don’t do enough research for them, either. (I love research but also find it frustrating because I never know when I’ve done enough research, and as someone who is always spotting historical inaccuracies in all media…I don’t want anyone doing that to me or thinking that I’m a lazy researcher…although on second thought why the fuck do I care? There are always going to be those people, after all.) I was thinking about that very thing yesterday in terms of two other books-in-progress I’ve been working on for years; I’m not certain that I chose the proper career path given how my brain is actually wired–for someone who gets anxious to the point of shaking sometimes (it was really bad when I was a kid) why would you choose a career where you have to do things that trigger anxiety? I don’t ever get anxious about the day job, for example.

It’s weird but all this down time sitting in my chair unable to focus enough to read a novel (short stories are easier) has given my addled brain the opportunity to think and reflect. This whole past week has been an emotional rollercoaster–I think surgeries tend to make you emotionally raw to begin with–but I’ve also spent a lot of time grieving my mother since coming home last Tuesday. I was always able to engage my mind before and not think about it–even when I was too tired to do anything more than watch Youtube videos in the evening. But this forced inactivity is an entirely different thing, and I can’t seem to get control of my mind when it starts to wander. I’ve been thinking about my career and where it’s gone and where it may go in the future over this last week; my stubbornness at keeping going when maybe I should gave given up. I’m proud of all my work, and I’ve also come to accept that my old work maybe isn’t terrible the way I’ve always feared. I always approach rereads of my own work with my mind subtly shifting into editorial mode, and once I recognized that recently, I do go ahead and shut that off before I do read. I’m a different writer than I was twenty-two or more years ago, and I have always wanted to continue to improve, grow, and get better with each new story, book, or essay (I don’t care how bad these entries are, actually; it’s rare that I go back and revisit these); so of course I would write the older books etc. differently were I to write them today; that doesn’t mean the old ones aren’t good.

And honestly, how many award nominations do I need to get before I finally accept that I’m pretty good at this whole thing? That I have the respect of my peers?

I’m proud of all my work, but I also have preferences as far as that is concerned; some children I love more than the others. The ones I am not as fond of are the ones that I think I could have made better than they were; the ones I wish I had another pass at. That’s what I am thinking with finally re-editing and preparing Jackson Square Jazz for rerelease; here’s a chance to give it a bit more polish, make it come together better, and remove inconsistencies and continuity errors from the series as a whole. Reediting the manuscript is something I can do in my easy chair, and then I can slowly input the changes into the word document gradually until the entire thing is finished. Slow and steady wins the race, after all. I’m very happy, seriously, with my career as far as the work itself is concerned. I would like my writing to be a lot more profitable than it’s been thus far (what writer doesn’t dream of fame and fortune) but I couldn’t care less about the fame–I’ve always cared more about the fortune, actually; I’m pragmatic that way.

I’m hoping to write more today–after I finish this I have some emails to attend to–and I also have bills that simply must be paid so I can stop getting stressed about that, too. I don’t know how long I am good for in this chair sitting upright with the brace balanced against the edge, to be honest…but I need to give it a try. I am just not wired to be inactive, I guess,

Have a great Tuesday, Constant Reader, and I will see you again later.

What About Me

Well, here we are on Monday morning after my surgery, and I’m not really sure what I’ll be doing today. I really need to pick up a prescription in Uptown, and we need to pick up the mail at some point, but I’m not really sure how I’m going to do that. I don’t know that I should risk driving yet, because New Orleans drivers are so horrible, but it has to be done and I need the prescription. I suppose I could take a ride service, but I hate spending the money as well. I guess I don’t have a choice though, so I’ll deal with that later. I also need to make groceries.

We had had an issue a few weeks ago with the apartment. They were doing some work on the patio deck above my kitchen, and unfortunately there was rotten wood up there. The ceiling kind of gave way; they ended up nailing up a piece of plywood over the hole in the ceiling. Unfortunately the next time it rained, of course, it leaked , but they finished the work up there and never came back to repair our ceiling. We had a massive thunderstorm Saturday night, and so i woke up Sunday morning to water on the floor in the kitchen, on the stove, and on the counter. The carpets in the kitchen were also  wet; so I got out towels and a bucket for the dripping and hoped that the ceiling wouldn’t cave in. About two hours later, yeah, some of the plaster came down with a loud, startling crash, and so now there’s another hole in the ceiling. The insulation up there is soaked, so I had to leave the bucket for the dripping to continue. Needless to say, this is a really shitty time for this to happen and it spiraled me into a really bad depressive state yesterday. I have noted already that my emotions have been all over the place since the surgery — so something like this really sent me into a spiral. The anxiety really ramps up, so yeah, yesterday was just not a good day for me.

So, I repaired my easy chair with a Gatorade and Nurse Sparky and put on one of my comfort movies, Indiana Jones and The Last Crusade. I’ve always loved Indiana Jones, but I haven’t seen the most recent movie yet. I’ve always wanted to write an Indiana  Jones type book; I love historical treasure  hunts and have always thought that it would be fun to write those kind of stories with Colin as the main character — away from Frank and Scotty, to kind of fill in the blanks when he’s away from New Orleans. I have an idea that’s tied into the 4th crusade and the sack of Constantinople; a treasure hidden away in the Hagia Sophia since the Nicaean Council that established the dogma of Catholic Christianity. The Orthodox patriarchy had been keeping this treasure secret from the Pope and the Vatican for centuries, at least since the schism of 1052. My idea is that the Venetians and the Crusaders knew that the Pope would be furious to learn they had sacked Constantinople, but the Doge, Enrico Dandalo, not only knew about the secret but also knew presenting it to the Pope would get them forgiven. The primary problem with this is that I have never figured out what precisely was hidden in the Hagia Sophia; but I wanted to tie it into the Assassins and the Old Man of the Mountain. I thought that would make for a fun adventure, particularly setting it in a fictional Middle Eastern country. However, with everything that’s going on in the world nowadays, writing about the Middle East is probably not a good idea at this point.

I also read a lot of short stories over the weekend. I read all the stories in one of my Alfred Hitchcock Presents anthologies, Stories That Scared Even Me, and that was a lot of fun. The book was published originally in the 1960s or early 1970s and it is amazing how much attitudes in society and cultural attitudes have changed since that time. The contributors were almost entirely male — all of these anthologies are underrepresented with women — and there are a lot of really racist and patriarchal  tropes in some of the stories. Several, for example, are set in Mexico; I’ll let your imagination do the rest rather than quote what they said so casually. I’m also writing a story set in Central America — I was writing it to submit to a horror anthology — and it was one that I had started writing back in the 1990s, I believe. I was kind of horrified by what I wrote — I feel like by the 1980s I should have known better about these kinds of tropes  — but the story is salvageable; with some strong changes and a fictional country. But you can still get into trouble, even with that, and the last thing I ever want to do is write something problematic that will offend people. (I have already mentioned the story that I submitted to a anthology that’s not going to happen now about the South, which I recently  reread and was horrified by.)  A lot of these stories have those twisty type of endings that I always loved; that little hint of irony that really made the story sing. I always try to give my stories those kinds of endings because that’s what I grew up reading as far as short stories are concerned, and I often have to struggle to not try that with every story, because it’s not right for every story and I have a bad tendency to try to force things to work the way I want them to, instead of the way that they should work organically.

Dictating is much slower than typing, as I’ve noted before; this is taking me a lot longer to dictate then I would like. Where I actually typing this entry, I would probably already be finished by now. But you do what you have to do. I also started dictating my next book, figuring it’s better to get started on it while I’m at home recovering from the surgery, rather than waiting until such time as my left hand can be used for the keyboard. I’m still not having any pain  — my primary issue is mobility, not being able to use my left hand for  much, occasional nausea from the antibiotic, and the mood swings and depression. I wish I had already started on my anti-anxiety medication protocol before the surgery, but what can you do? Yesterday morning, I was thinking that I made a lot of bad decisions about this surgery and that I didn’t do it knowing everything that would result from it; but I was worried about not ever being able to go to the gym and workout again unless  and until this was done, and pushing it back to next year wouldn’t have changed any of these issues, I don’t think, other than possibly better planning on my part. But that’s also part of the anxiety—I always question my decisions, and never really believe that I made the right choices afterward. I guess it is just a part of that hindsight being 20/20 thing that always drives me crazy. I never really am confident in the decisions I make, so I always try to not second-guess or doubt myself afterward; there’s no point in rehashing things that you can’t change. Why obsess over something I have no control over anymore? That’s the easiest way to drive yourself crazy, I think.

We’re also really enjoying the show Bodies on Netflix. It has everything that I like; a bit of science fiction, crime, surprise twists, and gay content. You can never go wrong with me when you have gay content. (That’s not entirely true; there are some really terrible shows in movies with gay content that are basically unwatchable) I also finished watching a Jane Seymour series on Acorn called Harry Wild, which wasn’t great but was entertaining enough. I don’t know what all I’ve been watching to be honest with you, Constant Reader, but I’ve been watching  an awful lot of television.

I did watch a terrible adaptation of Agatha Christie’s The Mirror Crack’d, and the less said about that the better.

I’m hoping today or tomorrow to be able to read a novel; I’m really enjoying the one that I was reading before the surgery and would like to finish it, but my mind is all over the place and has been since coming home from the surgery. I haven’t even been able to focus on the TV I’ve been watching as much as I would like. Part of it is the depression, part of it is the holiday without Mom, and of course, the surgery. You see how I am? I’m being hard on myself after a major surgery for not getting anything done or being productive. Heavy sigh. Welcome to the wonderful world of what goes on inside my head.

And on that note, I am going to bring this to a close and see if I can figure out what I’m going to do for the rest of the day, and what I can do about these errands. I hope you have a lovely Monday and as always, thank you for checking in and thank you for reading.

Blame It on the Edit

I love Alyssa Edwards. She’s the perfect reality star; a completely delusional human living in her own reality, yet also funny and witty with a highly expressive and thoroughly meme-able face, and basically harmless. I’ve always meant to catch her reality show on Netflix about her dance studio–which is so fricking cool that she does that–but have never gotten around to it. I was amused by her on her initial season, but really hated her feud with Coco Montrese, and of course that was also the season won by the marvelous Jinkx Monsoon. Alyssa was also terrific on All Stars 2, which made the rigging of the season all that much more disappointing. (We also gave up on Project Runway after one season where it was clear they’d already decided who was going to win at the start of the season. Don’t give me a rigged competition, thank you very much; if I want that, I’ll watch professional wrestling, thank you very much.)

Which makes it interesting for me to write a book about a drag pageant. I already have tons of ideas for the book, and it’s going to be very brutal in how it approaches the homophobes who have wrested control of Florida from the sane people (hey Moms4Liberty, how’d those elections turn out for you, you pathetic soulless pieces of shit? Your tears are as delicious as mimosas at a gay Sunday drag bunch, you miserable fucking bitches.) and have taken the state, once a beautiful place with scenic beaches and lovely weather, on its final steps to a complete and utter hellhole. Bravo, by the way; nicely done.

Anyway, back to drag; sorry about that sidebar. But that kind of shit will always enrage me. Nothing makes me angrier than misplaced self-righteousness. I may no longer be a practicing Christian, but I know that faith far better than many–if not most–of its most ardent public proselytizers and purveyors.

Gender-bending, of course, is nothing new. For centuries, women weren’t allowed on the stage so female roles were always played by men. This was certainly true in Shakespeare’s day, and often he wrote plays with characters pretending to be the other gender. So there’s a long, proud history of men doing drag in theater and performance art. Who decides what is masculine and what is feminine, anyway? As I have said numerous times, I love this new young generation of leading men and actors who are abandoning traditional black-tie male drag for new and inventive outfits that showcase their youth, beauty, creativity, and personal style; there’s nothing quite so stifling as toxic masculinity and it’s regular insistence that there is only one way to be a man–which is not only stultifying but incredibly limiting. Film and television (and theater, to a far lesser degree) have long influenced what is considered masculine in this country–the prototype being, of course, John Wayne. (Probably the funniest scene in both La Cage aux Folles and it’s American version The Birdcage is when the more butch of the gay couple tries to get the more feminine partner to be more masculine–telling him to walk like John Wayne…which was the first time I ever noticed how peculiarly John Wayne walked. Also amusing is that Mr. American Macho Man John Wayne–and Mr. Patriotism Ronald Reagan–didn’t serve in World Was II…but played war heroes in movies about it. Style over substance.)

But the history of the colonizing of this continent is very queer. Do we really believe those frontiersmen, trappers, hunters and explorers simply went for months and even years without having sex? There weren’t enough women to satisfy the need–and cattle drives? Pshaw. In any purely male society like that–the cattle drive, the explorations, etc.–there is always male/male sexual contact; “helping a buddy out.” This has been erased from history as effectively as if it had never happened–as though homosexuality is some modern thing that never existed before.

It’s always struck me as odd that the masculine ideal (as shown to us by Hollywood, at any rate) inevitably is depicted in all male environments–war movies, cattle drive movies, Westerns–with the occasional token female thrown in as a supporting love interest. These women are often set up to be abused–spanking was often popular in these films; how many times did John Wayne spank a woman in a movie?–and mocked and made fun of; if they had any kind of mind of their own, well, they had to be tamed.

Anyway, I digress.

I also know there are women who despise drag, see it as mocking women and misogynistic. I can actually see how they could feel that way, and far be it from me to tell a woman–any woman–how she should or shouldn’t feel about something, particularly when it comes to misogyny. (I sure don’t want anyone telling me what to think is homophobic or not.) I don’t think drag is misogynistic; if anything, it’s critiquing the misogyny of society. Dolly Parton also exaggerates femininity to the point of being a drag queen–she even says it about herself. Mae West was so good at this exaggeration that people believed she was an actual drag queen for years. Marilyn Monroe, Jayne Mansfield, and Jane Russell became sex symbols (and stars) by exaggerating their bodies and the way they dressed and their make-up and hair; how is that not female-drag as the converse of over-exaggerated masculinity (John Wayne, Charles Bronson, Clint Eastwood); establishing exaggerated norms of masculine and feminine that subconsciously altered what the over-all culture thought in terms of gender roles.

If I had a dollar for every time someone has told me to be more manly…

But the reason gender roles exist are because they are more comfortable for most people than thinking about it at any great length. You were born with a penis, so you should be interested in sports and guns and hunting and wear pants; your parents don’t have to think about it and neither do you. But for those of us who weren’t comfortable in those comforting boxes society so gladly constructed for us all to fit into–it’s not quite that easy. I hated having to do “boy” things and hated the expectations that since I was a boy I should like something in particular–and being incredibly stubborn, being told that I should like something was much more likely to make me disdain it. I didn’t want to play sports or even watch them when I was a kid; I just wanted to read. My struggles with wrapping my head around my gender and my sexual identity as a child were difficult, and those scars are still there–some of them are still scabbed over and not healed. All the messages I was being sent through popular culture, school, and society were telling me that something was wrong with me–and you don’t get over that overnight. I’m still unpacking a lot of that to this very day.

Writing Death Drop forced me to start thinking about these things again–gender markers, gender identities, the duality of our natures (no one is 100% one or the other, I think; I will always believe that gender and sexuality are a lot more fluid than anyone thinks)–and what makes one male and what makes one female. I hope, in writing more about Jem in the future, that it will help me understand myself better as well as society.

And what more could a writer ask for?

Get Closer

Monday before the surgery and all is peaceful in the Lost Apartment this morning. I still don’t know what time the surgery is going to be–they’ll be calling me later today with the time to be at the hospital (in METAIRIE)–and I am trying to have an easy day of staying calm and centered as I prepare mentally and emotionally for tomorrow. Last night I had a complete anxiety attack about everything, and even as I spiraled I knew what was happening, what was causing it and why–but that only made it a bit easier. I was concerned I might not be able to shut my mind off and sleep, but that wasn’t a problem. I fell asleep in a matter of moments after going to bed. I also slept deeply and well, feeling great and rested this morning. I have to check up on a few things to make sure things that needed to be done were done and taken care of–the anxiety from last night spiraled out of worry that the form my surgeon needed to fax to HR at the day job wasn’t sent–but even if it wasn’t, I can stay calm and probably get it all taken care of either today or tomorrow before the surgery; I can bring the form with me and Paul can FAX it to HR for me in a worst case scenario if I am too drugged out to deal with it when we get home. I am completely calm and rational about it all this morning–maybe sometimes I need to spiral and work through it to be calm the next day, I don’t know. But I am calm this morning, and rested, and relaxed. Once I finish this, I’ll check with HR to see if the form was received and if not, I’ll work on getting it filled out and returned. I don’t have to go into the office today–today is prep for surgery day, and I didn’t really see how that would work with me going in.

Why does everything have to be difficult? I suppose because otherwise life would be too easy to navigate.

We watched more Happy Valley last night, and this show is exceptionally good. British crime dramas are somehow always better than American ones–even Paul pointed out last night that “British actors look like real people and are super talented. Why do Americans focus on appearance so much?”–which is the source material for an entire other essay; you don’t see Helen Mirren and Maggie Smith and Judi Densch getting their faces shot up with poison and fillers and having everything nipped and tucked and made more generic with a scalpel to the point where their faces don’t move and they’ve become basically voice actors. Paul stayed up super late Saturday night writing a grant, so he slept most of the day and I was left to my own devices. I finished reading Lou Berney’s superb Dark Ride and started J. D. O’Brien’s Zig Zag, which I am also really enjoying. I also did some cleaning and organizing around here to try to make my workspace more functional and more Big Kitten Energy proof–it gets old having to pick up papers and re-sort them every morning because he went bounding around over everything while having the middle of the night Zoomies. It does look better organized this morning and more functional, even if it’s not complete, so we will see how it goes. I also watched another episode of Moonlighting–some are kind of hit and miss, which I didn’t remember from my original watch as it aired back in the 1980’s. Moonlighting had become a hit by then, and was starting to draw big name guest stars. Yesterday’s was Lisa Blount, who enjoyed some success in the 1980’s, but probably is best known for her supporting role in An Officer and a Gentleman–a movie I am relatively certain did not age well. It wasn’t a great episode–it was merely okay, with a clever enough plot and some good banter between David and Maddie; the chemistry was clearly there for them, but it’s another one of those “opposites attract” kind of things, which was only just then turning into a thing for television shows, primarily triggered by the popularity of the Sam and Diane pairing on Cheers that dominated the ratings and the Emmys for the entire decade of the 1980s. Now we’re so used to it that it’s tired, but back in the 1980’s the question of when David and Maddie would get together was something everyone was talking about every week.

I’m trying not to worry about the recovery for the surgery too much–thinking about the physical therapy and so forth was what sent my brain into the spiral last night–how can I be trusted to do things correctly when I’m such a fuck-up? I had one of those moments when Paul came home after his original eye surgery–I am not a trained caregiver! What if I do something wrong?–because I had to, among other things, clean the socket for him every day and apply antibiotic drops and things, and once he was home I was fucking terrified. And it was fine. His socket healed, I didn’t kill him or cause an infection, and we both survived the entire thing. I am a little anxious about Paul as caregiver, but that’s terribly unfair. On the rare occasions when I am actually sick he’s taken very good care of me, and so what if he doesn’t have a lot of experience with caregiving? Neither did I, and I’ve become very good at it over the years.

It’s kind of easy when you don’t have a choice.

And on that note, I am going to do some cleaning and organizing before reaching out to HR to see if there is anything I need to follow up on today. I’ll probably be around again later–I keep meaning to do more blatant self-promotional posts, but as the surgery date draws closer my mind just hasn’t been in that place. So have a lovely Monday, Constant Reader, and I’ll probably be back later.

comfortably numb

Lou Berney is not only one of my favorite writers, but he’s also one of my favorite people in this business.

I met Lou for the first time many years ago, because we shared a panel together at Bouchercon in Raleigh (the moderator was Katrina Niidas Holm, and the other panelists were Lori Roy and Liz Milliron; none of whom I knew before and have been grateful ever since that I not only got to meet them and become friendly but also because–even better–I discovered incredible new-to-me writers whose work I’ve been enjoying ever since). Shortly after this I read his novel The Long and Faraway Gone and was completely blown away by it; it won every conceivable award for crime writing the next year, and he followed it up with the completely different but just as fascinating and brilliant November Road several years later. I’ve yet to go back and read his earlier work, but plan to eventually–but I also like having them in reserve; Lou’s not nearly as prolific as I would like. I kind of think of him as a male version of Megan Abbott: brilliant, insightful, and exceptionally gifted writers with piercing perceptions into the kinks and flaws of character that make people human.

And Dark Ride is exactly what is promised in that title–a dark ride.

I’m lost, wandering, and somewhat stoned. This parking lot, when you’re in the middle of it, deems much vastr and more expansive than it does from the street. Or do I just seem much less consequential? That’s the question. One for the ages.

It’s July, hot as balls. I stare up. The sky, pale and papery, looks like it’s about to burst into flame.

How would you describe the sky to someone who’s never seen a sky? You’d have to explain how it’s different every day. So many shades of blue, of grat. And we’re not even talking about sunrise or sunset. Plus the clouds! How would you describe clouds?1

“You need some help?”

“What?” I say.

Some dude in a suit is about to climb in his car. He’s about my age, probably a couple of years out of college. With the suit and haircut, though, he’s all business. Me, I’m wearing board shorts, flip-flops, and a vintage faded Van Halen T-shirt I found for five bucks at Goodwill. I haven’t cut my hair in almost forever and I’m a minimum-wage scarer at an amusement park fright zone.

Jesus, what a fucking great opening. (Although I did wonder if any T-shirt costs $5 at Goodwill.)

Dark Ride has about the most unlikely main character you’ll ever meet in a crime novel–Hardy “Hardly” Reed–and that above paragraph is a master-class in character. In fifty-two words and two sentences, Lou Berney created a character that I absolutely, 100% know and believe is real. I’ve known any number of Hardlys over the years, and I can also certainly identify with being in your twenties and kind of drifting aimlessly, with no plan for the future other than you’re afraid of it and you don’t want the path everyone else seems to wnt for you that you know isn’t right.

The story opens with Hardly going to the city building of some unnamed city in the Midwest (since it’s Lou Berney, I’m going out on a limb and saying it’s probably Oklahoma City or Tulsa) to get a thirty-day continuation on paying a parking ticket. A tedious, horrible, day-disrupting chore that most of us have had to deal with at some point in our lives. Personally, I despise having to go to any city or state office for any kind of business, and feel pretty confident in stating that’s probably pretty much how everyone feels about that sort of thing. (Even worse is getting the camera fucking ticket in the mail.) Hardly is, by every definition of the word, a loser–despite being very likable and relatable; the kind of man whose relatives just sigh and say, “well, that’s Hardly” when they talk about him. But Hardly doesn’t have relatives. His mother died when he was a child and he would up in foster care–and even admits he and his foster brother, a successful rising architect, got very lucky with their foster family. But he came out out of it with no purpose, no sense of direction, and no goals or desires for life. He just does his minimum-wage job, lives in his shitty rented room, and smokes a lot of weed. So do most of his friends.

And the opening paragraph and that meditation on the sky and clouds? Such a stoner thing to do. (I’ve had some experience with cannabis–especially in my twenties, but that’s a story for another time.) So, why is this amiable, stoner loser the main character of this book? we soon find out. As he waits in line to get his continuance, he sees a woman with two very young children–and notices on both a pattern of cigarette burns on each child. Horrified, he looks for someone in authority to report this to–but no one seems to care. The woman and her children leave, and he manages to meet someone who works there who pointedly won’t tell him their names but that he needs to sign in, which makes him realize he can her name that way–Tracy Shaw. He finally calls CPS and makes a report over the phone. Relieved that he’s done his duty, he goes on with the rest of the day, which includes going to work at the crappy amusement park where he works (a fair played a major role in The Long and Faraway Gone, which makes me think at some point in his life Berney must have worked for an amusement park or a fair) where we meet his co-worker and friend, a mentally challenged 16 year old named Salvadore, who is one of my favorite characters in the book.

It begins, though, to bother him that CPS never calls him back with questions or for more information–he’s sadly still young enough to believe in the efficacy and efficiency of Authority–and it begins festering in his head. He’s worried about Tracy, but he’s even more worried about the kids, seven and six by his estimate, and how their lives are being shaped and ruined by the abuse. It keeps bothering him until he decides to do something about it, and what follows is a delightfully entertaining, beautifully written saga of someone who has been completely written off by society as a loser and a wastrel yet still manages to find the strength of character and moral purpose to try to save those kids, however foolhardy–and dangerous–it may turn out to be for him.

I’m not really sure how to describe the book, to be honest. I feel like “stoner noir” is the best fit, even though the cover calls it a thriller, I don’t know if that’s actually correct or not. Hardly’s sense of purpose, his sense that he’s the only person who cares about saving those kids, reminded me of a knight’s quest from classic literature; another time he reminded me a bit of Don Quixote tilting at windmills. I loved this book. I loved the main character, I loved the voice, I loved everything about this book–except the fact I didn’t write it.

Buy it, read it, cherish and love it–and thank me later.

  1. “Bow and flows of angel’s hair, and ice cream castles in the air” per Joni Mitchell. You’re welcome. ↩︎

The Look of Love

It truly is incredible what a shithole of a site The Site Formerly Known as Twitter has become under the tenure of that brilliant modern thinker Elon Musk (Narrator voice: those adjectives were meant as sarcasm). Every time I go there to cross-post the blog or something, it only takes a moment or two before I am getting the fuck out of that hellish place. I know I should probably just deactivate and be done with it as it fades away into memory like MySpace did once upon a time, but something keeps me there–despite knowing its immoral to even scroll a little bit, and definitely against my own personal ethics–but I think it’s more along the lines of watching a slow-motion disaster movie, frame by frame.

If only it would bankrupt him financially, to go along with his moral and ethical bankruptcies.

Yesterday wasn’t a very good day around the ranch. I was low energy all day, and while i did get all of my work-at-home duties taken care of and handled, after running errands and having a ZOOM call with three very dear friends (who undoubtedly are sick of me talking too much on ZOOM calls), I was just flat out exhausted and simply collapsed into my easy chair with my purr kitty for the evening. I did watch a lengthy documentary about the Eastern Roman Empire, and how the Holy Roman Empire was western Europe’s attempt to recapture and regrasp the legacy of Imperial Rome, to the point of rebranding the real Roman Empire as the Byzantine, or Greek, Empire. (The history of “western” civilization is full of these sorts of reclaimings and rebrandings, as the West sought to basically claim the history of civilization in general.) It just goes to show you–the history we all learned in public school was biased and written to enhance and create a foundation for white supremacy to rest upon. There’s a rather lengthy personal essay to be written about having to relearn everything I learned as a child as an adult because it was all wrong–or people could just read Howard Zinn’s work.

Today I do have some errands to run and vaccines to get injected into my arms; I also have things around the house I need to get done. I am going to make Swedish meatballs today in the slow cooker, I think; that’ll be a nice treat to go along with the LSU game tonight against Georgia State. There really aren’t many great games today–everyone has an “easy” game scheduled for the weekend before the Thanksgiving rivalry games, many of which this is the last go-around for. It’s weird to think LSU won’t be playing their most hated rival, Florida, every year any more (but how delightful to go out with a five game winning streak over them, ha ha ha ha and fuck off, Gators), or that other classic games won’t occur anymore. I don’t know why or when LSU’s Thanksgiving rivalry weekend opponent changed from Arkansas to Texas A&M; that was a fun rivalry with the Razorbacks pulling off some upsets over the years–why is it that everyone plays lights-out when they play LSU?–but that was also a manufactured rivalry that didn’t exist before Arkansas joined the SEC.

I also want to spend some time reading this morning; Lou Berney’s Dark Ride is calling my name and I am really enjoying it. The fun thing about Lou’s work is everything is always different; no two books are ever the same, or even the same kind of voice or style. Every book is an original in every way, and I will go to my grave with The Long and Faraway Gone as one of my favorite crime novels of all time. The one thing I am looking forward to after this surgery is more time to read, and if need be, I can read on my iPad–it’s not like I haven’t downloaded hundreds of books over the years. I’m still enjoying The Rival Queens–man, I love that period of French history–and I think my next read after Lou’s will be Zig Zag, by J. D. O’Brien; since it’s about a weed dispensary heist, coming after Lou’s stoner noir seems like the proper pairing, and then after that I am moving on to the new Angie Kim.

I was exhausted last night so I slept incredibly well. I even slept in this morning, not getting out of bed before eight-thirty like a slag. I feel much more rested and emotionally even this morning, which is a very good thing. I want to get a lot done today–I really need to move furniture and figure out how to make my work station more Big Kitten Energy proof, which is possible but will take some figuring out, and I won’t be able to move anything after Tuesday’s surgery, after all, so I have to get all this stuff done before hand. I don’t feel like I’ve had the chance to think everything through the way it needs to be thought through, nor do I feel like I am prepared for the aftermath and recovery period–which I think was the explanation for yesterday’s low energy; created and maintained completely by my anxiety.

I also want to read this original text version of The Mark on the Door, a Hardy Boys mystery.

We watched Blue Beetle last night, and I really enjoyed it. First, it was lovely seeing a Latinx family centered in a super-hero movie, and to have a super-hero of Mexican ancestry. It had some really funny moments (as well as some that made me go huh?), and as far as DC/Marvel movies go, it was one of the more solid plots and origin stories, but I’m also not terribly familiar with the Blue Beetle character. I primarily remember/knew him from the Justice League comic books of the late 1980’s/early 1990’s, and he was often teamed up with Booster Gold for comedy. I don’t know what has happened to the character with all the reboots since then, but I appreciated seeing something different from a comic book movie. The lead actor, young Xolo Maridueña, was handsome and appealing and charismatic, and the rest of the cast is fine other than the old witch who gave us Presidents Nader and Sanders because she doesn’t vote with her vagina (maybe you should have, you fucking piece of trash, since your mouth and going everywhere all over 24 hour news to trash Hillary helped give us the current Supreme Court, and you should be shunned and forced to take a Game of Thrones walk of shame down Pennsylvania you fucking hateful bitch–I will carry that grudge to the grave, skank). Seeing that fucking trash was in the cast made me seriously reconsider watching, frankly, and her “acting” was a joke and so horrific that Paul and I spent a good hour recasting with actresses who wouldn’t have just cashed the check and phoned it in the way she did.) The movie is actually strongest when it focuses on the Reyes family and their dynamic (Nana is the absolute best), and while it didn’t pull down the kind of financial numbers a movie like this is intended to (and odds that it’ll be blamed by Hollywood on centering a Latinx family are pretty strong), I do think this is one of the movies that in the future will be reclaimed as a classic and one of the best in the field. I hope there will be a sequel, as was teased at the end.

But I think they’re rebooting the movie universe for DC, so who knows.

And on that note, I am heading into the spice mines. Have a marvelous, marvelous Saturday, Constant Reader, and may whatever teams you’re rooting for today have a nice win–unless you’re a Georgia State fan, of course.