Category: writing

Hawaiian Wedding Song

I am a bit tired this morning. All those errands I ran yesterday? Apparently I have not recovered my stamina yet, because I am feeling it this morning. My legs are very tired, and I did not want to get out of bed this morning…which was also partly because Sparky turned into a purring cuddlebug while trying to get me to get up–lying on me and rolling and purring and head butts and making biscuits. It was actually kind of lovely, really, but now I am up, a load of laundry is started, and I am drinking and loving my coffee. LSU is competing for the national championship in Gymnastics at 3, which is probably going to suck all the oxygen out of the day, so I’ll need to get a lot of things done today before three, won’t I? GEAUX TIGERS!

Yesterday was a rather interesting day, social media-wise. After I posted yesterday morning and as I was getting ready to dive into the day, I shared the post on my social media as I always do, and I had some extreme irritations, all related to my years in Kansas, of all things; like all this writing and thinking about Kansas and ideas for books/stories there manifested some people I went to high school with, as well as some other unpleasantness. For the record, straight white cisgender, this is the sort of thing we’re talking about when we talk about microaggressions and safe spaces. The first thing that popped up at me on Facebook was some tired old bitch of a white woman’s post sharing an interview with Dawn French, in which she not only defended the Chatelaine of Castle TERF, but chastised everyone. After all, as a straight cisgender white woman, it’s our responsibility as queer people to explain it all to HER, and if we’re not willing to do so, their lack of understanding is on US.

Fuck off, Dawn French. Queer people don’t have to explain their humanity to you, you miserable fucking bigoted bitch. “Well, I don’t understand this, so please explain to me why you deserve to be treated like a human being.” That’s it right there. Doesn’t sound so nice when it’s put that way, does it? Is it really too much for you to treat other people with respect and kindness even if you “don’t get it”? And when exactly do I get my fucking paycheck for explaining our HUMANITY to someone with a blackened, dead soul and no empathy for anything outside their own experience? The arrogance!

Anyway, this former Facebook friend shared this and said, “I agree.” Someone else, another former Facebook friend, commented “Yes, absolutely.” I unfriended and blocked both, and then posted in my anger “If you are a defender of the Chatelaine of Castle TERF, just unfriend me now.” Another former Facebook friend then announced his departure. He only unfriended, so I blocked his homophobic ass, too.

As if that wasn’t enough, someone I went to high school posted a funny meme I was going to comment on, when a homophobic piece of trash from high school tried TAGGING me on it because I had unfriended her after getting sick and fucking tired of her MAGA posts and remembered the time I heard my “friend” mocking me with other people in the high school cafeteria for being gay. Again, I don’t owe anyone any explanations for cutting you out of my life because I fucking refuse to explain why I deserve to be treated like a human being and not as the butt of a joke or something to hate and despise because a verse in Leviticus says so.

Jesus, right? It’s so tiring.

And then, in the biggest irony of ironies, another person I went to high school with–who is always posted queer ally stuff, which I’ve always appreciated–did so again yesterday further down on my feed, and of course someone had to come in waving their cross and Bible, but what was truly nice was seeing how many people went after the Bible-thumper, quoting the Bible and the Sermon on the Mount back to her, and it was on that thread I discovered she had a younger sibling that is gay (I wasn’t the only one to graduate from that school, apparently) and then someone else from high school commented “My brother is gay, too”–and the irony of that was almost too delicious to savor. You see, the second “my brother is gay” poster? She and her troglodyte best friend loved called me a fag quite often and quite happily my senior year…and while that was satisfying enough, I then remembered that she and her bitch friend would say it and laugh…in front of her brother….so his situation was worse than mine, and I went from smug to sad. Her brother was also an asshole to me (which I understand; I avoided other kids who got slandered and mocked and called that), but knowing that he was gay and was listening to his sister and that other bitch call me that? How he must have hated himself every time she said it. I wonder how suicidal he was? And truly, how sad was it that we are so socialized to avoid other kids with that same stigma and shame we experience rather than supporting each other? I think that’s also one of the many reasons I have trouble trusting gay men as I do straight people–another kid who was gay-presenting at my high school in the suburbs and was friends with people who treated me like shit….out of curiosity I looked him up and he too is out and proud now. How sad he joined in so his friends wouldn’t think he was a fag, too.

But at the same time, it’s giving me an insight into Kansas that I didn’t have before. The state, which I should have known, isn’t full of homophobic MAGA trash, and neither is the area I lived and suffered through for five years. And that could make for an interesting approach to another book. I had thought Sara, with my out gay character in a rural Kansas high school, was a bit much–I didn’t think kids could be out there–and turns out that while it’s not appreciated, those brave kids are facing it all down and defiantly throwing it back in their tormenters’ faces. I actually even thought for a moment last night that it might be worth it to go back sometime, to just look around and see how different everything is from my old memories.

And on that note, I am going to get cleaned up and going on my day. I may be back later, I really do want to get all of these draft posts finished and out of the drafts file at some point, but I also don’t know how the day will play out so we’ll just have to see, Constant Reader. Have a great Saturday regardless.

Poison Ivy

Work-at-home Friday! I got up early this morning for some reason, but it was an hour later than usual so I will count it as “sleeping in.” I have a lot of stuff to get done for work duties today, which I want to wrap up so I can get all the errands taken care of. I have prescriptions to pick up, groceries to make, a trip to Costco–I get exhausted just thinking about it. But yesterday was really a good day, wasn’t it? I’m not sure how it was for you, but I was productive and in a really good mood for most of the day. I was a bit tired at times during the day, but I made it through, picked up the mail (a package of new shirts arrived!), and then came home. Sparky was rambunctious and so had to cart him around on my shoulders while I did some things, and then he parked on the desk while I wrote for a while. I also talked to one of my co-workers who drives for Uber/Lyft, because I wanted to be sure I was getting how it all worked right in a short story I am working on and revising, “Passenger to Franklin.” I was also pleased that the story wasn’t the piece of trash I convinced myself it was when I was writing the first draft, and I was pretty happy to see that despite my usual self-deprecation mentality (which I am really working on, I promise) it wasn’t bad at all–and there are some really good images and sentences in it. After all my running around today, if I have time I am going to write some more tonight, and hopefully finish this second draft.

LSU Gymnastics was in the first session of the national championship meet, and they scored over 198 and qualified first overall into the finals Saturday afternoon. I would be excited regardless, but it’s even more exciting this year, because if they hit they could finally win it all this year. I was waiting for Paul to get home and had stopped writing to settle into my easy chair, and remembered, oh, I wonder if we can catch a replay of LSU on ESPN? So I turned on the television and navigated into the ESPN app, and thought, oh, I don’t care about the second session, but I can watch for a while until Paul gets home. So I did just that and turned it on just in time to see Oklahoma’s first vaulter sit down on the landing. Oklahoma was undefeated and ranked number 1; Ragan Smith, one of their stars, has spent a good potion of the year making TikToks claiming LSU’s routines were over-scored, which is not only unsportsmanlike but a total bitch move (I am not a fan of that kind of shit, especially since you’re daring karma,Alabama and hubris is not something the gods like). They sat down two more vaults, and two others weren’t great, pushing them so far down they couldn’t climb back, which was shocking. They had two more falls off the beam, so had to count a fall there. This is NOT what you expect watching Oklahoma, and Paul got home right after that first vault, and the evening session was like a trainwreck you couldn’t stop looking at. It rained Alabama gymnasts around the balance beam–I think four of them came off–and even other teams were having falls they didn’t have to count. When the bloodbath was over, Utah and Florida moved onto the finals to join LSU and California. I am very excited to watch Saturday afternoon!

Last night was also a lovely evening because Paul and I were both relaxed, rested, and in a pretty good mood, so we were laughing and joking and having a great time. It’s been way too long since we’ve had an evening like that, and I was actually reluctant to go to bed and end the evening (I still hate ending a good time, and I don’t think that will change until I am in the crematorium), but it held over until this morning, too, which was unexpected and a delight at the same time. I feel good this morning, despite only sleeping in for an extra hour, and confident and like myself again for the first time in a really long time (I know, I say that all the time, but having fun with Paul has been missing from my Bingo card for far too long), but I don’t really think I’ve been myself for almost ten years or so. Mom had her first stroke and we almost lost her the first time in 2016 around Christmas, and that’s been weighing on my mind subconsciously I think ever since until last year when we finally did lose her. The pandemic, volunteering, getting COVID myself, Mom dying, my surgeries–it’s been quite a ride and while I am not certain I am completely coming out from under it all, I am feeling somewhat better and I hope it lasts.

I also came across another interesting bit of Kansas corruption and crime yesterday, in which a corrupt district attorney (now a federal prosecutor), in tandem with a police chief and a judge, were closing cases by not sharing evidence, forcing people to testify against innocent people by threatening to send them to jail, and on and on it goes. You can read about this vile racist piece of shit here.

Seriously, so much crime in Kansas.

I also typed up some notes for the new Kansas book (it feels weird to be saying that since it was what I called #shedeservedit for years), and I also started bringing together some things for the next Scotty book. See? I am being productive again. Maybe that’s why I am feeling so good? Probably. I always am in a better place when I’m writing, and without any other things weighing me down, I am really loving life lately, you know?

And on that note, I am going to start doing some day-job stuff by heading down into the spice mines. Have a lovely Friday, Constant Reader, and I will check in with you again later (have you noticed I’m posting a lot lately? Trying to clear out those unfinished drafts).

At the risk of sounding crude, this wrestler has an amazing ass, does he not?

Only You (And You Alone)

Ah, Thursday and my last day in the office for the week. Awesome. Yesterday morning I once again did the old “don’t leave the house until 7:30” again, and once again I wasn’t groggy or tired by the time I left the house. Bizarre how that minor shift in how my days are structured has created such a significant change to everything. I really need to remember to pay attention to routines before they become ruts, so I can change them and avoid said rut.

I did finish the first draft of a short story Tuesday night, and I am most pleased with it. I am writing it for an open call for an anthology, and I am very pleased that I got a first draft done long before the deadline. (I’m still bitter about missing the Chessies anthology deadline, for which I was working on three stories. Note to self: never write three stories for a submissions call because you think it sounds like a great idea. It is not, nor is it ever, a good idea.) Yay, me! I also decided to work on revisions of some other stories in progress; I am still struggling working on this book, but I’ve also decided I need to really immerse myself in it for at least one day so I can get a handle on this plot and figure out where it’s going and what needs to come in and what needs to come in so that I really feel like I have a grasp on the characters and the story. Those stories in progress are the first drafts I never got a chance to revise for the Chessie anthology, and all three will fit snugly into the end of my short story collection…so technically, if I can get the three stories whipped into shape, I can also go ahead and get the collection turned in. Huzzah! All three of the stories are actually ghost stories of a sort; “Passenger to Franklin” needs some serious revision, and so does “When I Die,” which is a terrific concept and really needs some work too. I think I can get one of my oldest and most beloved stories of my own whipped into shape and added into this collection as well, which just goes to show–never discard an idea or throw out a story because you’ll eventually come back to it someday.

I wrote out the opening paragraphs of the next Scotty, which I want to write this fall and hopefully get turned in around November or December. I am pretty pleased with the plot and story of this one, too, but I also need to spend some time brainstorming the plot and how it twists and turns around and turns out. I still haven’t dipped into my Paul Tremblay yet, and I think I may save it for Sunday morning reading over my coffee. Saturday morning I am going to reread/skim Death Drop so I can get a better feel for the current WIP and make sure I have the voice right, which I don’t think I do yet, which is also why I think I am having so much trouble writing it. It’s always a struggle for me to write a book when I don’t hear the voice of the character in my head, so I need to get it there ASAP.

I feel like I am making progress with my writing, even if working on the book is like pulling recalcitrant teeth.

I feel pretty good this morning, a little tired perhaps, which is oddly different that the past few weeks, when I was tired earlier in the week and felt more rested as the week progressed. This of course made no damned sense at all, but that’s okay. Few things in my life have ever made sense, and a lot of it probably is related to the anxiety and medications, as well as this week’s change in schedule. Last night when Paul got home we watched the first episode of The Sympathizer, which was very intense. I loved the book, and the new series is actually quite excellent–but more on that as it develops, obviously. I also managed to fold the laundry and do a load of dishes. I also picked up two new books, the new Scott Carson (aka Michael Koryta) and the new Alyssa Cole. I want to get some serious reading done this weekend as well as some cleaning and writing, and I also need to get my taxes completed this weekend and off to my accountant. An odious chore, to be sure, but a necessary one. I also have a lot of errands to do this weekend–we need to go to Costco, I need to make groceries, and of course there’s a shit ton of cleaning that needs to be done. I will need to work on reorganizing the freezer/refrigerator tonight in order to make sure there’s room for what we pick up this weekend.

And on that note, I am heading into the spice mines. Have a lovely Friday Eve, Constant Reader, and one never knows, I could be back later.

Broken Hearted Melody

Ah, Wednesday and the midpoint of the week has arrived. It’s been a good week so far; I’ve not been super-tired at all this week and I think the shifting of my arrival at work from 7:30 to 8 was a smart decision. I imagine, though, it’ll eventually start getting difficult for me to get up later as it has getting up earlier, once I am used to the change. In other words, it won’t feel like I am getting to sleep late eventually.

I saw something interesting yesterday on social media that really resonated with me: Your life should not be a museum, and that’s kind of what my mentality has been. I tend to get stuck in ruts so easily, and I like to accumulate things that have meaning to me (have I introduced you to my library yet?), but do I really need to keep these “artifacts” of my past? I never look at these things, rarely have anyone over to see them, so therefore what is the point? Everyone at the day job laughs about how, at a co-worker’s wedding last fall, someone made a joke about how I always wear Crescent Care T-shirts to work and were surprised to see me outside of the office and wearing something else–and since the joke was made, I’ve not worn one. Not once. I had started wearing them every day during the pandemic when I came to work and it was a further simplification of my life: I didn’t have to pick out something to wear to work, But when he made the joke, I wasn’t offended, but it did kind of snap me out of a rut. You have plenty of other clothes you never wear, and they aren’t doing any good hanging in the closet, I realized finally, so I started wearing my clothes instead of the work T-shirt. I generally don’t care about clothes most of the time but I eventually get to the point, periodically, where I’ll get interested in clothes again and will buy some–I had a shoe experience earlier this year, and now have two gorgeous new pairs of shoes to show for it.

So, why not buy some more Polo style shirts in colors I generally don’t wear or don’t have in the closet? Yes, that’s my way of saying that I did order some new shirts for work yesterday.

Yesterday was also the fifty-year anniversary of women being able to get their own credit cards without their husband or any kind of male co-signer. I remember when this happened, by the way, and I also remember when my mother got her very first credit card; it didn’t have her name but rather Mrs. My Dad. I remember thinking, “yeah, but it’s STILL technically his name.” People also don’t remember that about fifty years ago was when women/wives stopped being subsumed into their husband’s identity at the expense of their own: I am constantly amazed by plaques commemorating civic leaders and donors that list women as Mrs. Chanse MacLeod or Mrs. Scotty Bradley. Women had no identity beyond their husband once they were married. They couldn’t get bank loans, and I am not sure about bank accounts, either, for that matter; women were basically chained to their husband for life and if she got a divorce, she was basically screwed. Once women had financial freedom and no longer needed a husband…well, the divorce rate rose significantly, which is why men were so opposed to treating women like equals.

“What, you mean I have to convince her to marry me? Spinsterhood and divorce aren’t unpleasant fates anymore? That’s it–women need to be controlled.“

Sigh.

We also finished The Gentlemen last night, and I was very pleasantly surprised that it did have a most excellent finale. I don’t know if there will be more seasons, or if it was merely a mini-series, but I really enjoyed it and kind of am in the place where I worry about the continuation; so many shows go on long past their expiration date (looking at you, Friends and Thirteen Reasons Why) and lose me in a later season. (I really worried about it with Ted Lasso.) But we’ve got some other shows lined up to watch, I think the national finals for college gymnastics is on this weekend, and I also would like to get some more writing done this weekend. I did write last night on revising a short story, but today I am going to get back to work on the book (and hopefully finish the short story). It’s been a good and productive week thus far, and I really like this “go in later” thing I accidentally stumbled over on Monday morning. I made it through the day yesterday without getting tired, and I felt good when I came home to His Majesty Sparky, who is now addicted to the squeeze treats I bought for him. But I only have one more day in the office this week, and suddenly it’s the weekend again. I also worked on my taxes a bit more yesterday. Sigh.

And on that note, I am heading into the spice mines again. Have a lovely Wednesday, Constant Reader, and I will be back probably a little later.

What’d I Say

Tuesday morning and I slept well again. It’s kind of amazing what a change to my day getting up a mere ten minutes later can make. Yesterday morning I had to swing by the Cat Practice to get his Royal Sparkiness food when they opened at eight. I wound up getting to the office around eight fifteen, and I felt alert and awake all day. Was it a one-time thing perhaps? Well, sleeping ten minutes later again this morning and planning on leaving the house for the office a bit later so I don’t have to rush may make a difference for today too, so we are experimenting with leaving later and staying at the office later and seeing if that also makes a difference today as well. After work, I swung by uptown to pick up the mail, which included my first foray into poetry reading, Mary Oliver’s Why I Wake Early, a recommendation from Carol Rosenfeld, which I am looking forward to delving into. I also got my Frances and Richard Lockridge short story collection from Crippen and Landru, and the new Scott Carson (Michael Koryta) Lost Man’s Lane, which should be quite fun.

Last night we watched more of The Gentlemen and Star Wars: The Bad Batch, which is kind of fun and very well done. We should finish The Gentlemen tonight, and perhaps move on to our next show to watch.

I can’t say that I was sorry to see that the homophobic right-wing bitch Beverly LaHaye passed away. Well, I am sorry that it took so long for that horrific piece of shit to die–more proof that evil never dies, like Mitch McConnell. I really hope she suffered, and that it was incredibly painful, so she was released from the pain only to have the pearly gates slammed in her fucking face and the hell-slide opened up below her feet sending her to join her true Lord and Master Satan in the lake of eternal fire. She founded the Concerned Women for America, by the way, which was the right-wing predecessors of Moms4Liberty and the vicious hateful pieces of trash who were horrified that I dared to speak to high school students about chasing their dreams. I hope it was a slow metatastic cancer that sapped her energy, her will, and made every waking moment a misery.

She deserved worse, frankly.

Yes I am petty–and proud of it.

And no, I have no sympathy for those who might be mourning her. She was a horrible person, and when you’ve harmed that many people–when it the purpose of your life to spread hatred and bigotry using Christ’s name (the ultimate in bearing false witness) you don’t get to expect people not to celebrate your passing. In fact, you should probably rethink your life if you think people will pop open champagne when they hear you’ve finally deservedly died and gone to hell.

I did write yesterday, about three thousand or so (probably more), which felt good. The book is still sucking incredibly, I might add, so I think I need to think about it some more and where it’s going. I also started working on a short story, “The Last To See Him Alive,” which I think is a great title and it’s working….so far. We’ll see how it goes today, though, won’t we? But I think working on the book first and then moving on to work on a short story may be the way for me to balance my creativity needs while getting everything done that needs to be done, or that I want to get done.

Speaking of poetry–did I mention here that I wanted to start reading it, and understanding it? Probably, since my memory is a sieve. Anyway, I have The Complete Poetry of Edgar Allan Poe on my desk, and the other day I opened it, just for the hell of it, to any page and it opened to his poem, “Tamerlane,” and I realized I’d gotten a short story title from it:

Kind solace in a dying hour!

And that’s where the title for “Solace in a Dying Hour” came from, so thank you, Mr.Poe and your poetry. I’ve also got story titles out of Shakespeare before, too, and I am glad I am going to start reading poetry and studying it. I’ve always felt like that was definitely a missing element in my education.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I may be back later, one never can be entirely sure, can one?

Drop Me Off In New Orleans

Ah, some more blatant self-promotion! I’ve done some on-line panels so far this year, which has been terrific. Here are the questions from one I did, turned into an interview so I can promote myself! I believe these questions were for a queer crime panel, and the credit for the questions goes to the one and only J. M. (Jean) Redmann; you can order her books here.

Why did you choose your characters and their professions? What drew you to them?

Hmmm. This is tough, because I have so many books and so many different main characters…I think I’ll stick to my two primary series to answer the question. I wanted to write about a gay private detective in New Orleans, and I wanted him to be a big man, a former college football player who may have been able to be a journeyman NFL player had he not been injured in his final college game. I wanted him to be uncomfortable in his gay skin, and the point of his journey throughout the series was to grow and learn until he was finally comfortable in that skin, and able to be loved and give it.

Scotty, on the other hand, was created as a stand-alone character and I wanted him to basically be the antithesis of Chanse; in which he had few if not hang-ups, was completely comfortable being a sexually active gay man with a snarky sense of humor covering an incredibly big and kind heart. He didn’t really need to grow much–he usually is the catalyst for other characters’ growth–but as he’s aged, I’ve really enjoyed his journey.

What attracted you to writing mysteries?

I always liked them. As long as I can remember, my two biggest reading passions were history and mystery, with horror/Gothics close behind. I would check anything out of the library with mystery, haunted, ghost, phantom, secret, or clue in the title. Then I discovered the series books–The Three Investigators, Trixie Belden, et al–and after that there was no turning back.

What does being queer/gay/lesbian bring to your story?

I think queer people have the outsider point of view down to an art form because that’s how we see the world–from the margins. The easiest way to critique society, the culture, and how people interact with each other is from a remove–and queer people see all of those things from a remove through no fault of their own. I didn’t have role models when I was growing up, at least to teach me how to be a decent adult gay human being, so I had to learn it all on my own for the most part. I’ve also been confused and mystified by American culture, philosophy, and society, because it wasn’t designed for people like me. When I came out, I was just at sea in the queer world as I always had been in the straight one, and I’ve never forgotten those experiences, either, and they also inform my work.

How do we deal with how the wider world deals with queer characters? Especially in these times?

It can be depressing, which is emotionally and psychologically dangerous. It’s bad enough experiencing homophobia, but then to immerse yourself in it in order to write about it? Even more horrific. Watching Pray Away this weekend made me furious with the ex-gay movement all over again; listening to queer people hating themselves and their desires in order to be at peace with God in some twisted way? But if God is infallible…this is the doctrine Christianity gets hung up on. They think we’re mistakes, but if their God is infallible, He had to have made us perfect and its willful sin or the devil whispering in our ears. This is their incredibly harmful and dangerous rhetoric. If God tests humans, perhaps he made queer people to test the faithful–and they are failing.

But they can never admit to that.

How do you deal with diversity? No author can be everything their characters need to be, how do you handle reflecting the wider world?

I write mostly about New Orleans, and beyond that, mostly the south with occasional forays into other areas of the country–upstate New York, Kansas, California–and you cannot write about a city like New Orleans realistically without having Black characters, period. New Orleans is a majority Black city. You also can’t write about the South without touching on the issues of race and a problematic history. I’ve always included diverse characters in my books. I don’t like to describe skin color, frankly, and most white writers do it in the form of food, which I find unsettling–do you want to eat them? Cinnamon skin, cocoa, cafe au lait, eggplant, dark chocolate, etc.–I’ve seen all of those used to describe skin color and it always makes me recoil because it’s so damned lazy. I don’t think I would ever write from the perspective of a Black character–there are plenty of Black authors who can do that more authentically, and given how most diversity pledges by major publishers also inevitably end up in quotas, I don’t want to take a spot from a Black creator. I do love reading work by racialized authors, but I would never try to write from that perspective.

How do you use setting? What does it bring to the story?

Setting is one of my strengths, I think, so I always use it to enhance my story. I am also very lucky in that I live in New Orleans, where anything can happen on any given day and you can never go too far over the top about anything–if anything, you have to tone things down to be believable. I think setting is important because it tells you so much about the characters–why do they live there, how has it shaped them, did they live somewhere else, how do they deal with the challenges, what annoys them, what do they love–and is an important foundation for your story.

How do your books start—not the book beginning, but the start of the process of writing the book. Where do the ideas come from and how does that coalesce into a book?

It usually is something I find interesting and I think I should write about that. Sometimes the ideas take years to coalesce and come together, sometimes they are immediate. The Scotty books inevitably begin with three disparate things I want to address in one book, and then I have to figure out how to combine them all into a story. The next Scotty’s prompts are evacuation, statute of limitations, and obsession. It’s coming together in my head enough that I think I’ll be able to write it this fall.

Once you’re writing, what’s your process? Outline? Write from start to finish?

I used to outline, but now I kind of have it in my head and then will only go back and outline when I am stuck, so I can see where I went wrong in the manuscript. I always write from beginning to end. I don’t know how people can write backwards! I’ve thought about trying it sometime, though.

What are the hard parts of writing for you? The parts you enjoy?

Definitely the middle. The middle is soul-destroying, and always triggers Imposter Syndrome. I also hate copy edits, but recognize them as a necessary evil.

I love the actual writing and revising and all of that. There’s nothing like putting down a good word count for the day, regardless of how bad those words might be. I think revising is magic: you take garbage and turn it into something terrific.

Which writers influenced you?

All of them, in one way or another. I especially love Shirley Jackson, Patricia Highsmith, Daphne du Maurier, and John D. MacDonald. Currently? Alison Gaylin, Megan Abbott, Laura Lippman, Michael Koryta, Alex Segura, Michael Thomas Ford, S. A. Cosby, Kellye Garrett, and Alafair Burke–there really are so many. I always take something away from everything I read, whether good or bad.

What are you working on now?

Right now I am writing a sequel to Death Drop, in the Killer Queen series. I also have a ton of short stories and novellas in progress, and I already have ideas for the next three or four (or more) books.

Any advice for newer writers?

Keep writing and keep believing in yourself, and keep reading.

Last words of wisdom?

If you want to be a writer, read Benjamin Dreyer’s Dreyer’s English and Stephen King’s On Writing.

Gotta Travel On

The Ides of April and Tax Day, huzzah. I’ve filed for an extension for mine because I just couldn’t deal with it before, which is kind of childish and more than a little immature; the key word here is avoidance. But I plan to get it all finished this week, God willing and the creek don’t rise. I am going into the office a little later than I usually do, because I have to swing by the Cat Practice to get Sparky’s food on the way to the office. It’s an Admin Day, so not a big deal for me to not be there as early as usual.

I feel rested and good this morning, which is a very pleasant change and surprise. I did go to bed a little early last night, but I spent most of the day writing in my journal, watching documentaries, and later on in the evening we watched more episodes of The Gentlemen. I also finally looked up the name of the star, Theo James, because it was bothering me that I recognized him and couldn’t place him. I am liking it a lot more than I would have thought, frankly; not being a big fan of producer/showrunner Guy Ritchie, but it’s actually quite fun. I also went down some rabbit holes of research yesterday, which is always a lot of fun for me. I also started reading Paul Tremblay’s The Pallbearer’s Club, which I had a little trouble getting into at first, but I remembered having this issue with A Head Full of Ghosts, too–like the latter, he’s playing with form and style and point of view in the former, which is a bit hard to get used to it, so it’s slow going (for me) at first, but as always, there’s such depth and compassion in his writing it’s easy to see why his career has taken off. I’ll try to read some more of it when I get home from work tonight, after I do the day’s writing. I am definitely planning on writing every day now, even if it’s just a little something. I made lots of notes yesterday in my journal, too, which was very cool.

I decided yesterday, when watching a lengthy documentary of LSU football highlights (I was doing this around chores, listening to the documentary while Sparky and Paul slept on the couch) that one of the problems I’ve been facing with writing lately, something I’ve talked about on here a lot, is how I’ve not really been able to focus all of my creative energies on anything that I am writing, but have any number of things in-progress that my mind keeps attention-deficiting between, skittering around between projects and ideas without really landing effectively on anything for long enough to get very far. Yesterday I decided, as I grabbed the journal and hit play on the documentary that I was going to free-form take notes and scribble out ideas as they came to me, regardless of what they were about or for, even if they were entirely new project notes. I did a lot of scribbling, and most of it focused on one project, which really needs to get done by the end of the year, as well as some others I was a bit surprised still were there and fresh in my mind. I also know now that if I rewrite at least three of these short stories drafts that I have on hand, that collection will be complete.

I also found the voice for a new project idea I’ve had in the front of my mind for a while, primarily because we watched those ‘troubled teen cure’ documentaries at the end of the previous week. I had an idea for one set in Kansas, based on a foster home where the kids went to my high school. I didn’t think much of it when I was in high school–other than how much harder those kids had it than the rest of us–and sometime in the years since high school I thought, I could write a crime novel around that story even though it would entirely be fictional and the real place was simply a starting point for my fictionalization. The title came to me this weekend–The Crooked Y–and so that’s definitely moving up the list of “what to write next.”

As you can tell, writing is becoming more important to me and it feels good for my mind to be creating again, even in this current ADHD way, which is so much better than the dry well experience I’ve been having since…well, since Mom died, really. 2023 was a lot of personal trauma; and relentless from January on, which makes it not surprising, I suppose, that my brain has been fallow for so long.

And on that note, I am going to start getting ready to head into the spice mines for the day. Have a great Monday, Constant Reader, and I may be back later.

Turn Me Loose

Sunday morning blog after an uneventful yet sort of productive day yesterday. Our Internet went out around one yesterday afternoon, and was essentially in and out (mostly out) until about eight o’clock last night. I did finish reading my book, which was superb (more on The Cypress House later) and I did get two more blog post drafts finished, which felt great. I ran my errands, cooked outside last night, and did some cleaning up around here as well. When it came back and we could watch television, we finished Pray Away and moved onto The Gentlemen, which we are really enjoying, on Netflix.

It was actually nice not having Internet, if odd–you never realize how much you depend on it until you don’t have it, seriously–because I was able to relax all day, instead of getting caught up on the news (rage-inducing, as always) or watching old LSU football highlights (always a joy) or finding new documentaries to watch. Pray Away was the final step in our “teenager abuse programs” watching, following The Program and Hell Camp, and what’s truly frightening is the gaslighting involved, for both kid and their parents–and that the troubled teen industry is still chugging along, abusing kids and bilking their parents of money. I’ve never wanted to do a conversion therapy story–I briefly touched on this in Baton Rouge Bingo and again in Royal Street Reveillon; that Taylor’s parents wanted to send him to one in Mississippi. I had also talked about a conversion therapy camp in Mississippi before in other works, some of them my Todd Gregory stuff, and maybe someday that will come to fruition in some way. Watching all these documentaries has put me in mind of how to write about one in a Scotty book or a stand-alone; there’s also another idea for a mystery/crime novel I’ve been thinking about a lot as I watched these horrific documentaries, only set in Kansas. (Oddly enough I find myself thinking about Kansas a lot more and more these days, not sure what that’s all about.)

I also was looking through books yesterday after I finished the Koryta to decide what to read next, and I was having trouble deciding; mainly because I have so many damned fine books to read in the TBR stack. I also ordered two more books yesterday morning–poems by Mary Oliver, recommended by the fabulous Carol Rosenfeld (me trying to learn more about poetry and start appreciating it) and the newest Scott Carson (which is a pseudonym for Michael Koryta). I think I am going to read The Pallbearer’s Club by Paul Tremblay (I’m a huge fan) while also embarking on a reread of Thomas Tryon’s The Other, which was probably one of the most influential books I read when I was a kid. I am still reading Rival Queens as my current non-fiction, and I am thinking that The King’s Assassin, the basis for the incredible new Starz series Mary and George (which you should be watching) and again, a period of history I’ve always been fascinated by, and watching the show has given me an idea about how I could approach another project that’s been in the files for almost two decades.

Today I intend to write and read and clean and organize for most the day, although I am sure once Paul gets up we’ll start streaming The Gentlemen again. I have some blog entries I also want to finish writing, and of course, there’s all kinds of writing that I need to get done today as well. I’ve been really scattered with my writing this year, and part of it has been an inability to focus on just one project with my usual laser-like focus, and that’s why I’ve not been able to get anything much done this year. This morning I feel more awake and focused than I have in a long time, which is great. Once I finish this and my review of The Cypress House I’ll get cleaned up, read for a bit, and pick up around here before focusing in on what I want to get written today. Being organized helps, and if I could simply manage to stay organized rather than just letting things pile up everywhere, I wouldn’t have to do as much cleaning and straightening and organizing as I always do on the weekends.

The Lefty Awards were presented last night in Seattle at Left Coast Crime, and I was very delighted to see the results this morning–Tracy Clark, Best Novel, Hide; Nina Simon, Best Debut, Mother-Daughter Murder Club; Naomi Hirohara, Best Historical, Evergreen; and Best Humorous, Wendall Thomas, Cheap Trills. I don’t know Nina, but the other three winners are friends, which is delightful, and I couldn’t be happier for Naomi, Tracy, and Wendall–who was on that Humor panel I had to step in to moderate at Bouchercon in San Diego last year, and was wonderful. Kudos to all winners and nominees!

And on that note, I am heading into the spice mines. Have a great Sunday, Constant Reader, and I will chat with you again later!

The hunky Alan Ritchson, starring in Prime’s Reacher, did an interview recently calling out evangelicals and Trump supporters, who got all in their feelings and have decided not to watch the show anymore. Sounds like ‘cancel culture’ to me. How woke!

Lonely Teardrops

Well, good morning, Constant Reader, and I do hope everything is going well for you on this lovely Saturday. I slept deeply and well (and a little late), and feel pretty good this sunny morning. My primary priority for this weekend is to get my taxes finished and to my accountant (we’ve already filed an extension because I couldn’t get my shit together last weekend), do some writing and cleaning and run some errands, and relax as much as I can. Last night after getting everything done that needed doing, I ordered us a pizza for U Pizza (formerly Slice) on St. Charles Avenue, and we watched some more documentaries about child abuse reform schools for “troubled” teens, The Program. It’s very chilling to see how these kids were treated both in these schools and in those camps (Hell Camp), and I imagine we are also going to have to, at some point, watch the documentary about conversion therapy camps, too. Watching these has given me an idea for another Kansas book (I already had the idea, but this was excellent research for it), which made me think about some other things about my writing: what inspires it, and what issues do I take on in my work? I think part of the issues I am having with really getting back into the writing (where I’m writing three thousand words or more every day) is because I am not addressing issues I am passionate about, things I write about and learn more about and should be more concerned about.

And now that uneducated white supremacists are now in power in Louisiana, I’m going to have a lot of issues here to take up. So far, Governor Landry is unchecked in his attempts to turn Louisiana into an authoritarian state, and I doubt very seriously any Louisiana politician is going to oppose his horrific agenda for Louisiana–he’s actually worse than Jindal ever dared to be, and he was a monster who left the state in shambles. It’s kind of scary knowing our governor is someone who wouldn’t agree to be Klanmaster because the position wasn’t racist and homophobic enough for him. As much as I love New Orleans, retiring out of state is beginning to look like the best option.

Sigh. But there won’t be anywhere safe for us if we don’t win the November elections.

I did manage to finish two pending blog entries yesterday on top of the daily entry, and so that made me feel a bit better. I’ll probably spend some time this weekend cleaning out the drafts–getting rid of the duplicate ones, or trying to combine them all into one and getting rid of the others. I’d love to finish my Saltburn essay, too, but that may not be in the cards this weekend, either. I’m going to go run errands later this morning, and I also have some more cleaning and filing and organizing to do around here as well. Like always. But I really do feel like I made some great progress on all of this lately, but the floors need to be done, and the rugs need to be reorganized. I also want to spend some time with Michael Koryta’s The Cypress House, which I should be able to finish reading this morning…which will lead to me having to pick out something else to read next. I do have some good choices–piles and piles of great potential reads–and I did go through them a bit last night while making some choices. I should also read some more short stories while I am at it; the Short Story Project has definitely dropped off, and I’d also like to revise one of my in-progress stories this weekend, too, but we’ll see how that goes.

I’ve also been doing some casual research for The Summer of Lost Boys, which I am hoping to start and finish by the end of the year. All I am doing is listening to the Top 100 hits of the year for (so far) 1973 and 1974, and that in and of itself is bringing back memories. I do think this is going to be a really good book and I’m getting kind of amped to write it. I know immersing myself into the history of current events as well as popular culture in those years will trigger my memories, not all of them good, of course, but definitely its helping me to remember what it was like to be a tween in those years, going through puberty and truly realizing how different I was from everyone else I knew as well as getting ghosted, bullied and mocked for being different, which I didn’t really understand other than knowing the truth–that the horrible things they were saying was right, and that made it even more shameful and awful. The only thing that kept me going sometimes was dreaming of being a writer and reading books, escaping from an existence I neither asked for nor wanted.

And on that note, I am heading into the spice mines. I’ll be back later without a doubt, and so hang in there until I wind up posting again. May your Saturday be marvelous, and thanks for stopping by yet again this morning!

Summer Breeze

Summers used to be different when I was a kid, or that’s how it seems now when I look back over the decades to those fuzzy and foggy and out of focus memories of my childhood. Of course, my memories are also my impressions, and I am not sure how those were formed. But back when I was a kid, I have this memory of people going away for summer vacations, and sometimes the really lucky ones went away for the entire summer. All that was required for this was a stay-at-home Mom and Dad who had enough money to rent a summer home to send them off to, joining them on his own vacation. Or maybe I am just remembering it from what I read in books during those years, and our own summer excursions to Alabama (I still would be willing to swear my sister and I spent the entire summer down there, even though I know we didn’t). But beach houses and books about teenagers coming of age while spending the summer at a vacation house on an island or near the beach was a popular subject for writers to explore. I can only think of three of them off the top of my head: Summer of ’42, Last Summer, and A Summer Place. I think I read them all over the course of a single summer, and maybe that’s why my brain defaults to thinking that way about summer breaks and vacations.

I don’t remember why I remembered Last Summer recently. It was written by Evan Hunter, and I also read its sequel, Come Winter, and I remembered both books as being rather dark, with a vague memory of their endings. But I wanted to read it again–I also remembered that John-Boy Walton himself, Richard Thomas, played the male lead in the film of Last Summer when he was a young actor, years before being cast on The Waltons. I’d be curious to see the film again, too.

We spent last summer, when I was just sixteen, on an island mistakenly called Greensward, its shores only thinly vegetated with beach grass and plum, its single forest destroyed by fire more than twenty years before. There were perhaps fifty summer homes on the island, most of them gray and clustered safely on the bay side, the remainder strung out along the island’s flanks and on the point jutting insanely into the Atlantic.

It was there the sea was wildest. It was there that we first met Sandy.

She was standing close by the shoreline as David and I came up the beach behind her, spume exploding on her left, pebbles rolling and tossing in a muddy backwash, a tall girl wearing a white bikini, her hair the color of the dunes, a pale gold that fell loose and long about her face. Her head was studiously bent. Hands on hips, lefs wide-spread, she stood tense and silent, studying something in the sand at her feet. It was a very hot day. The sky over the ocean seemed stretched too tight. An invisible sun seared the naked beach, turning everything intensely white, the bursting waves dissolving into foam, the glaring sky, the endless stretch of sand, the girl standing motionless, her pale hair only faintly stirring. We approached on her left, walking between her and the ocean, turning for a look at her face, her small breasts in the scanty bra top, the gentle curve of her hips above the white bikini pants, the long line of her legs.

The thing lying at her feet in the sand was a sea gull.

Last Summer is what would probably be considered y/a fiction today, despite being written by a highly respected author of both crime fiction (as Ed McBain) and literary fiction, as Evan Hunter. It’s also from that strange period of time that followed the end of the second World War, as the American economy boomed and both the working and middle class were better off than they had ever been before. Matt Baume, a delightful queer culture historian (his book about queer representation in film and television, Hi Honey I’m Homo, is currently a Lambda finalist, deservingly), made an excellent point on his video essay on Rebel Without a Cause, which pointed out the rise of teenage consumers–kids with lots of time on their hands due to the shift in the economy because they didn’t have to have jobs like they did before the war (only upper middle class and rich kids didn’t have to before the war) and the rise of home-ownership in addition to educational opportunities and suburban culture. Adults became quite alarmed at what this new breed of teenagers were up to, even more so than the usual tired worrying about the kids that has never gone away. Many of them were disaffected, and what they were allowed to watch and/or read became even more restricted. Many of them discovered the joys of alcohol and marijuana in greater degrees than ever before, which led to even more rebellion and concern. Parents went after comic books and magazines as corrupting influences–rather than recognizing their own failures as parents, which also gave rise to the modern mentality of uncontrollable children who needed to be protected from pernicious influences. There was, for example, a significant difference from “youth” movies like Rebel Without a Cause and Frankie/Annette in Beach Blanket Bingo. Check out his video here!

Last Summer reads very much as being about its time. “Serious” books about teenagers, many with dark themes, were in demand around this time–and they read very differently to modern readers. This book is about three friends spending the summer on an island somewhere off the Eastern seaboard, but few clues are given to its actual location, or the seaside town where the ferry operates from. The two boys, David and Peter (Peter is the first person voice of the story, remembering back to last summer) meet a girl named Sandy at the beach, and the first part of the book, about them nursing the gull back to health and trying to teach it tricks, bonds them more closely together. We don’t get very in depth about either David or Peter, Peter’s voice is calm and nonchalant, which lulls the reader into a sense of complacency. You begin to wonder where it’s going, but the boys are also becoming more and more aware of Sandy–and her body. Their closeness dances very close to crossing lines several times–she takes off her bikini top more than you’d think a teenaged girl in that time period would–but Sandy eventually bores of the gull and grows more and more annoyed by it until she kills it, and once the boys know, they destroy the gull’s body, which is very odd but telling.

And then they meet Rhoda, a shy girl with some issues of her own, and they kind of adopt her into their group the same way they adopted the seagull, and that’s when the creepy tension turns the book from being about bored teens into a horror. What they do to Rhoda is even more horrific now than it was when the book was originally published in the late 1960’s, and that blasé mentality about their assault on Rhoda–in which Sandy participates, making the horror even worse somehow–reveals them to be sociopaths, which makes the rest of the book make so much more sense, and even more chilling than it was originally.

There’s also some casual homophobia in the book–a gay couple on the island are mostly referred to as “the fags”, a horrible reminder of how prevalent that casual use of such slurs were in this country at the time.

I did enjoy the revisit, and it gave me some things to ponder and think about–and it’s still sticks in my head a week or so after finishing, so that’s a testament to Mr. Hunter.