Category: Southern Gothic

Keep Coming Back

It dropped into the forties overnight, and this morning, it’s struggling to get up into the low fifties. This is utter and complete madness; we even are looking at a possible freeze alert by Tuesday–a freeze alert in November. Utter, total, unquestionable madness.

The LSU game…well, they won and let’s just leave it at that.

The Saints play Cincinnati today at noon; I intend to write all morning and then take a break to watch them play, after which I will try to get some more writing done. I wound up spending most of yesterday relaxing and reading. I dove back into ‘salem’s Lot, my Halloween reread for this year (you see how well that went), intending to only read a chapter, but promptly got sucked into the narrative. I finished reading part one, and chose to stop with Part II, “The Emperor of Ice Cream.” The essay about ‘salem’s Lot that is currently brewing in my head–“Peyton Place, But With Vampires”–is slowly taking shape within my head, which is lovely. Whether or not I am ever going to have the time to write it is an entirely different question, of course.

One of the interesting things about rereading ‘salem’s Lot is also seeing how carefully King structured his novel; the book isn’t–which is the point of my essay–so much about the vampires and the fearless vampire killers (well, they are hardly fearless), as it is about the town. I love that King shows how the other people in the town react to what’s going on; they of course aren’t privy to what the main, core characters (Ben, Mark, Susan, Matt, and the doctor–whose name is escaping me now) are; one of the other things King does so remarkably well in this, only his second novel, is depicting how small towns really work–hence the comparison to Peyton Place. His depictions of small towns only got better and more realistic as his career progressed; I think the secret strength of Needful Things is the honesty and truth in how he depicted Castle Rock; with all the resentments and anger and feuds all simmering just beneath the surface (I also need to revisit Needful Things).

I plan to get back to Bury Me in Satin today. I wrote less than three hundred words yesterday, and this shall not stand; I also need to get back on track with this manuscript. I am a little torn about how to proceed–I am also having questions about the time line and so forth–but these things should sort themselves out as I write and move the story forward. We’ll see how it goes today. I also need to work on these short stories. Heavy heaving sigh.

I also managed to read something yesterday for the Short Story Project: “Remaindered” by Peter Lovesey, from Bibliomysteries Volume 2, edited by Otto Penzler:

Agatha Christie did it. The evidence was plain to see, but no one did see for more than a day. Robert Ripple’s corpse was cold on the bookshop floor. It must have been there right through Monday, the day Precious Finds was always closed. Poor guy, he was discovered early Tuesday in the section he called his office, in a position no bookseller would choose for his last transaction, face down, feet down and butt up, jack-knifed over a carton of books. The side of the carton had burst and some of the books had slipped out and fanned across the carpet, every one a Christie.

Last Sunday Robert had taken delivery of the Christie novels. They came from a house on Park Avenue, one of the best streets in Poketown, Pennsylvania, and they had a curious history. They were brought over from Europe before World War II by an immigrant whose first job had been as a London publisher’s rep. He’d kept the books as a souvenir of those tough times trying to interest bookshop owners in whodunits when the only novels most British people wanted to read were by Jeffrey Farnol and Ethel M. Dell. After his arrival in America, he’d switched to selling Model T Fords instead and made a sizable fortune. The Christies has been forgotten about, stored in the attic of the fine old weatherboard house he’d bought after making his first million. And now his playboy grandson planned to demolish the building and replace it with a space-age dwelling of glass and concrete. He’d cleared the attic and wanted to dispose of the books. Robert had taken one look and offered five hundred dollars for the lot. The grandson had pocketed the check and gone away pleased with the deal.

Hardly believing his luck, Robert must have waited until the shop closed and then stopped to lift the carton onto his desk and check the content more carefully. Mistake.

This is actually my first experience with reading Peter Lovesey.  I mean, I know who he is and that he is in the upper stratosphere of crime writers, but I’ve not read him before. Reading “Remaindered” certainly has made me want to change that. The story is multi-layered, and exceptionally cleverly structured. It begins with the sad and sudden death of a second hand bookstore owner; due to a crate of Agatha Christie novels he’s just purchased, as indicated in the excerpt above. And that is where the story starts to twist and turn, changing shapes and throwing out the occasional surprise, twist after twist after twist; all of them organic and foreshadowed, and the story itself does an excellent, highly honest job of depicting the characters, their needs, their wants, and their incredibly surprising histories. I do highly recommend it.

The entire point of The Short Story Project was intended to be a sort of graduate course in short story writing for me. At the beginning of this year, the intent was for me to write a lot of short stories and to work on my craft with them, to improve as a writer. I’ve not had that much success with any of the new stories I’ve written this year; the rejections continue to stack up. But I shall continue to try writing them. I also realized last night that two stories I have coming out in anthologies next year are similarly themed, and I have like two or three more following not only a similar theme but a similar pattern in the works. Ruh roh.

And now, back to the spice mines.

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When I Look Into Your Eyes

GEAUX SAINTS!

Friday, while running my errands, I decided to finally stop at the Latter Library on St. Charles Avenue and get my goddamned library card. Yes, I have lived in New Orleans for over twenty-two years and had never gotten my library card. I had tried once before but that was when you had to fill out an application. Mine was denied because I used my mailing address rather than my actual home address; I got the denial in the mail and was highly annoyed. Instead of being an adult and thinking, oh, I’ll just swing by another time I never did; even though I have actually been to the Latter Library a gazillion times in the meantime. So Friday I finally did it; and amazingly enough, it’s all automated now. She entered my information into the computer and activated my card and voila, I walked out of there the proud owner of a New Orleans Public Library card.

I am really pleased with myself, which is kind of interesting. As I’ve said before, I’m reading Empire of Sin, and am wanting to do even more research into New Orleans history–and of course, the library card is an important first step for me. Part of this is my desire to write a short story collection called Monsters of New Orleans, which would be my foray into horror; I have some things already written that would work for it, but the majority of the stories would be original and new, and I want to base them in actual New Orleans history. Empire of Sin has been a veritable treasure trove of ideas for me; I am also looking at writing a historical mystery novel set here sometime between 1900 and the 1920’s. Maybe it will end up just being my short story “The Blues Before Dawn,” or maybe it will be a novel called The Blues Before Dawn.

Maybe both. Who knows?

The Saints are playing the unbeaten Rams today; this has not been a good football weekend for me; kudos to Alabama. I don’t see anyone even staying close to them in a game this year; other than possibly Clemson. The lovely thing about LSU being out of contention now means that I don’t really have to commit so thoroughly to watching college football games all day on Saturdays anymore; I’ll only need to watch the Tigers so my Saturdays have suddenly become more free. Ultimately, not a bad thing.

So, GEAUX SAINTS indeed.

One of the funny things about being a football fan is how committed one can become to one’s own superstitions; there are certain LSU shirts I won’t wear during games anymore, and the same with a pair of sweatpants, pictures to use on Facebook, and so forth. I realized how silly this was yesterday–like anything I could possibly do has any effect on the outcome of a game, as opposed to the other hundreds of thousands of fans–and wrote down some notes for an essay about how weird being a fan can be; more fodder for The Fictions of My Life.

And yet…I wouldn’t wear my yellow LSU sweatshirt yesterday. I just couldn’t make myself do it.

I realized yesterday as I watched the Georgia-Kentucky game that we are several days into November and I haven’t yet started my unofficial Nanowrimo project, Bury Me in Satin; I intend to rectify that this morning. That extra hour of sleep has me up before eight this morning and feeling rested and inspired; it only took three days to get to this point. I did manage to clean yesterday during football games; I wasn’t terribly committed to watching Georgia-Kentucky, and during the stretches when Auburn was stinking up the field against Texas A&M I also organized and vacuumed and washed clothes, etc. So this morning, the Lost Apartment is relatively–relatively being the operative word–clean and looks nice. But not feeling fatigued this morning is quite lovely, to be honest; I worried I’d have one of my patented lazy moods today, and that is most definitely not the case. I want to get the chapter headings put in for the Scotty so I can get it turned in at long last; I want to get those tweaks done to Survivor’s Guilt and Other Stories done; and of course, I simply have to get started on Bury Me in Satin. I also spent a lot of time reading Empire of Sin yesterday; I am now up to the part about the Axeman, and it’s absolutely riveting, particularly since I want to write a Venus Casanova story called “A Little More Jazz for the Axeman,” which I’ve already started, honestly. I also made some notes in my journal yesterday. Progress comes in all shapes and sizes, and I will embrace any and all of them that I actually experience.

And now, on that note, it is back to the spice mines. I should take full advantage of being wide awake so early in the morning; if I can get all of this stuff finished and done and out of the way before the Saints game, well, more power to me indeed.

And I may even be able to finally finish reading Empire of Sin today at long last–something to help keep my mind off the Saints game.

Have a lovely Sunday, everyone.

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Rhythm is a Dancer

Christ, it’s the Friday before Halloween. The Quarter is going to be full of gays from all over the country all weekend, most of them costumed for at least part of the time.

And 90% of them will have costumes that include either sexy or slutty in the official name: “Sexy Sailor,” “Slutty Nurse,” etc etc.

Boy, do I feel old–because even as recently as ten years ago I would be chomping at the bit to get down there, have a good time, ogle some pretty boys, and have a good time. Instead, I’ll be hunkered down here in the Lost Apartment all weekend, proofing and editing and revising and copy-editing. I also have some reading to do, and there’s this week’s Riverdale–I seriously don’t know why I still watch, other than the really attractive and charismatic cast, because the plots do not make any sense–so yeah, I probably won’t be setting foot outside the house until Monday.

Ah, my first New Orleans Halloween.

It was 1994, and I hadn’t met Paul yet. I had just started my new exercise and diet regimen in late August, and I had never been to anything like the New Orleans Halloween weekend before. I have always had a contentious relationship with my body, and this Halloween was going to be the first time I ever dared to wear a slutty Halloween costume; granted, I was simply going as an ancient Egyptian, which meant, of course, being shirtless. This was a big step for me–I was going to go out in public without a shirt on; and it was a big gay Halloween costume ball. I even bought a headdress to go with the little skirt I had made for the event, and did my eyes with mascara and drew a thick line around my eyes and out to the side with eyeliner. My eyes looked huge. 

I also stupidly wore gold glitter. I never made the glitter mistake again.

I had such a lovely time that weekend. It was, I think, one of the first and best times I ever had as an out gay man–how sad that it took to age thirty-three for that to happen; but it did take me a very long time to deprogram myself from everything I learned growing up. (I’m still finding, from time to time, that I’ve not made as much progress as I would have liked, or hoped, to have made by now) But it was one of the first times that I felt like I was actually a part of the gay community; and I’ve tried, over the years, to write about the sense of belonging one gets when one in is in a sea of gay men dancing to great music and everyone just wants to have a good time; a blessed respite from the dangers and horrors of the every day world. I also distinctly remember being out on the dance floor in the midst of all these happy men dancing (the song was “Go West” by the Pet Shop Boys) and thinking, we are finding joy behind locked doors, forgetting everything that goes on outside and creating an oasis, kind of like in “The Masque of the Red Death.”

I wrote a story in my journal the next morning–while recovering over coffee–that was basically that; a gay adaptation of the Poe story. I’ve never revisited that story, but I just might, now that I am thinking about pulling together a collection of personal essays called Gay Porn Writer: The Fictions of My Life. So, yes, that’s yet another book I am currently working on. I have Bourbon Street Blues to proof, Survivor’s Guilt and Other Stories to go over, Royal Street Reveillon to finish, and my second short story collection, Once a Tiger and Other Stories, also in progress.

And I am also planning yet another collection, Monsters of New Orleans.

And there’s also the WIP.

This. Is. Fucking. INSANE.

Nothing like some creative ADHD, is there?

I have so much writing work to get done this weekend. And once again, I am having an attack of the lazies this morning. I even did laundry and some cleaning last night to free myself up for today’s work…and yet here I sit, lingering over coffee and social media and not really feeling particularly interested in getting to work.

And on that note, I should probably return to the spice mines.

Have a lovely Saturday, everyone.

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Blowing Kisses in the Wind

Rereading ‘salem’s Lot again, after many years, has proven to be quite a treat: there was clearly a reason why I loved this book so much and why I’ve reread it about a gazillion times. It has always been my favorite vampire novel, and certainly one of my favorite horror novels. It scared the shit out of me when I first read it back when I was a teenager, and it has always entertained me, every single I’ve read it, even though I know what’s going on in the town, what’s going to happen, who lives, who dies. I remember there’s been talk over the years–I think even Stephen King may have aided and abetted this at times–that there might be a sequel; I’ve long since given up on that hope–despite always wanting to know whatever became of Ben Mears and Mark Petrie…and did they ever return to that awful town in Maine?

In the 1980’s, I decided that I wanted to be a writer like Stephen King. I started writing horror short stories, and even came up with an idea for a full-length horror novel called The Enchantress; I still have those four chapters I wrote in my files before I finally put it away for good. The book itself, while influenced most strongly by King, was also influenced by Peter Straub’s Floating Dragon, which I had also recently read–I’d loved Ghost Story and If You Could See Me Now–and wanted to write about, the way King did so often, a small town where something supernatural–and terrifying–happens. I blatantly copied the narrative structure of Floating Dragon (oh look! Four different point of view characters! One an old man, one a child, one a man in his early thirties, and the other a woman with psychic abilities that have basically cursed her life!) but I was also trying to weave some other elements into the story that might not have ultimately worked; it was set in the panhandle of Florida, for one thing, and it had to do with the curse of a witch on four different families (a la Floating Dragon, only he didn’t have a witch), and I don’t think that would have ultimately worked. The idea was also built around a concept I had, an idea, about evil, killer mermaids. I eventually used some of the story and the concepts for Dark Tide, whose original working title was Mermaid Inn.

It’s funny that rereading ‘salem’s Lot brings back such weird memories, isn’t it? I may get around to writing The Enchantress someday–it just can’t be set in Florida, because it needs cliffs–so maybe I’ll move it to a fictional town on the California coast.

Like King–another thing I stole from him–almost all of my books are connected to each other in some way. For years, the connection between the Chanse and Scotty series were my cops–Venus Casanova and Blaine Tujague–appeared in both series; why have different homicide cops in the same city? I had originally intended to connect everything; Woodbridge in California, from Sleeping Angel and Sorceress are connected to the small town in Kansas from Sara; I don’t recall off the top of my head how Lake Thirteen plays into my world-building; but I think the Chicago suburb where the main character in that book is from was the same suburb that the kid from Sara was from, and so on. I always wanted to go back and write some more about Woodbridge; I kind of saw my teen/young adult fiction as being similar in type and style as the Fear Street series by R. L. Stine; which were all in the same town and often minor characters in one book was the main character in another. (Woodbridge was loosely based on Sonora, where some of my college friends were from; I visited them several times up there in the mountains and it was stunningly beautiful up there. One of the few great things about spending the 1980’s in Fresno was accessibility to Yosemite, Sierra National Forest, and Kings Canyon.)

I may get back to this at some point; Bury Me in Satin is connected in that it returns to the part of Alabama where the main character in Dark Tide is from, and more connections might develop as I write the book. I’ve pretty much decided to try to get the first draft of Bury Me in Satin written for Nanowrimo, which is something I’ve never done before; but why not? I am not going to officially participate, but why not use it as a goal to get the first draft of the story done?

I am on chapter nineteen of the revision of Royal Street Reveillon; one big strong last push is all it will take for me to get that finished by the end of the month, and I am enormously pleased at the prospect. It’s shaping up nicely; I think there are still a few holes in the story I am going to have to figure out how to plug later, but that’s perfectly fine.

And now, back to the spice mines.

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Everything About You

Saturday morning. A good night’s sleep had me up earlier than I would have thought this morning, but I feel rested and good; I was exhausted last night for some reason; Friday, perhaps? I don’t know. But I feel good this morning, I only have one errand to run–which is the grocery store, and I’ll try to get that out of the way momentarily–and some cleaning and organizing needs to be done. I also need to do some writing and editing today; yesterday I was too tired to work on the Scotty revision when I got home, so I need to get caught up on that today.

GEAUX TIGERS!

LSU plays their fifth ranked opponent today, Mississippi State. The Bulldogs roll into Tiger Stadium tonight ranked 22nd in the country. They have some nice wins under their belt, and some losses to quality teams–last week they surprised Auburn–and so this is by no means going to be an easy game for LSU. There could be a let down after last week’s huge, physical win over Georgia; Mississippi State is going to come in hungry; and LSU has to be careful not to be over-confident, must stay focused, and try not to look ahead to the big Alabama game in two weeks–which won’t be as important should LSU lose to Mississippi State. I will undoubtedly be extremely tense during the game, but am going to try my best not to get overwrought and overly involved in the game. It’s supposed to be fun to watch for Christ’s sake.

I also have some reading to do, and some editing that needs to get done, and an author interview I need to get started. My intent is to clean out my email inbox before leaving for the grocery store, as well as get some morning cleaning done here in the kitchen/office. My day job is moving at the end of this month, and I will no longer, in the new building, have my own office; I shall be in a cubicle like everyone else–and so have had to empty the bookcases in my office as well as take down all the pictures from my walls. I do not have the wall-space here in the Lost Apartment to adorn my walls with these pictures–mostly of our trip to Italy–and I’ve been trying to squeeze the books in wherever I can, which for obvious reasons has not been easy to do.

I’m still reading Empire of Sin, and am hoping to get further along in that this weekend as well; it may be in my lap during the game tonight. My reading has slowed down dramatically; and I still haven’t done a blog entry about Alice Bolin’s Dead Girls. Maybe later today.

I finished watching season three of The Man in the High Castle last night, and by far and away, this third season is the best of the show so far. It is interesting to me how well they’ve done with the character of John Smith, an American who fought against the Axis during the lost war and has switched sides, climbing the ladder in the American nazi hierarchy and also being groomed for leadership by Himmler himself. Underplayed beautifully by Rufus Sewell, the personal journey of this monster has sort of humanized him–which is, in and of itself, terrifying; this man is a monster and the antithesis of a patriotic American; everything a true American patriot would despise–and yet, those personal problems and tragedies and little heartbreaks in his family life make him almost win the audience’s sympathies…then he does something monstrous and you remember, there are no good Nazis. This show, and its message, are particularly real and powerful and important, given these times in which we live.

In the early 1990’s, I has an idea for a dystopian series of novels, built around the collapse of the American republic and the rise of a totalitarian state in its place; which I was going to call There Comes a Tide. I have all my notes and ideas in a folder somewhere, which means I might take a look at them sometime soon and see if it’s something I want to write in the next year or so. I have a y/a on deck to write after I finish the Scotty revision, and I am also going to be working on the WIP in the meantime as well; I kind of wanted to try writing a cozy after the first of the year and I also have a noir I want to write, in addition to a paranormal suspense thriller I’ve been toying with the last few months. There’s simply never enough time to write everything I want to write, and all the procrastination doesn’t help.

Heavy heaving sigh.

I’ve also decided to pull a long story from my collection and replace it with two shorter stories; the longer story will probably go up as a Kindle single at some point, and I also am in the midst of another long story that will probably turn into a Kindle single as well: “Never Kiss a Stranger.” I’ve recognized that story needs to be longer but it’s not enough of a story to be a novel…and there’s always Kindle single.

And now, back to the spice mines. I need to wash the bed linens, put some dishes away, get these floors cleaned, organize and file….and stop procrastinating.

Have a lovely Saturday, Constant Reader!

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Friday I’m in Love

Well, Constant Reader, we did it. We’ve made it through yet another week of work, and the weekend looms, with big games on deck for both the Saints and LSU.

The weather change has come at long last; with cooler temperatures, and now when I wake up early in the morning, it’s still dark outside. I dislike immensely rising when it’s still dark–or at least murky–outside; it feels like I am getting up in the middle of the night, and rightly or wrongly, my body rebels against that. One has to hate that.

Last night I finished revising Chapter 15, which puts me at three-fifths of the way finished with the revision. Once you’re over that midway hump, it always seems to go much faster. I do think I’ll be able to get this finished by the end of the month and turned in, which is lovely, after which I can focus on Bury Me in Satin as well as deconstructing the WIP. I am itching to get back to that as well as get started on the new y/a, so that makes the revising of Royal Street Reveillon even more tedious for me. I’m also gathering all kinds of research materials I’m going to need to get through relatively soon, so I can get started on those projects as soon as I finish with Scotty.

I am really liking the idea of putting together a collection called Monsters of New Orleans. I’ve done very little horror; and a lot of what I do write probably wouldn’t be considered true horror, but like mystery there are many shades of horror. I do have some stories already that would fit into this collection, but the point is also to fictionalize true stories as well–and there are many murderers and ghosts and horrible people in the city’s history to write about…and putting a modern, fictional spin on them would be all kinds of awesome.

So much to write, so much to read, so little time.

I’m still working my way through Empire of Sin, which is really terrific.  I am now at the part of the book where jazz is being born in New Orleans; and in all honesty, it’s really interesting to me. This surprises me. I like jazz, but I don’t love jazz; and I’ve never written about the New Orleans music scene primarily because I don’t know much about it and it’s a kind of music–jazz–that’s never resonated with me. I also fully accept that this probably makes me seem like a barbarian or a philistine to some; this is also perfectly fine with me. But if I am going to write about a gay prostitute in the days of Storyville, this is stuff I need to know…and I should probably start listening to the music, so I can get a grasp of how it sounds and how it makes people feel.

I am also almost finished with The Man in the High Castle; I’ll probably finish watching Season 3 tonight. It brings up a lot of interesting questions.

And now, back to the spice mines.

Have a lovely Friday.

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Beauty and the Beast

Thursday and the work week approaches its end.

Yesterday was Payday, or rather, Pay the Bills Day, which is always an odious chore. Ironically, the one bill I never mind paying is my car payment; don’t get me wrong, I deeply hate making that payment every month, but I love having a newer car (I guess I can’t really call it new anymore) with all of the lovely bells and whistles and the ability to not worry every time I get in the car if it’s going to break down–not that I don’t always worry about that, it’s just not as present as it was in the Buick.

I have to say, American Horror Story has been a rollercoaster for me to watch over its many seasons; some seasons–“Murder House,” “Cult”–are fantastic, others a little disappointing, others such an enormous mess that I never bothered to finish watching. This season, “Apocalypse,” has been teetering on the edge of probably one more episode and I’m done. The storytelling has just been all over the map; the performances have been entertaining, and the first episode’s opening was pretty intense…but most of the time I’ve just been sitting in my easy chair, rolling my eyes and saying really? This makes no sense. But this week…they returned to “Murder House,” along with Dylan McDermott, Connie Britton, and most importantly, JESSICA FUCKING LANGE, and the episode was amazing. It also firmly reestablished in my mind that 1) “Murder House” was, by far and away, the best season of the show; and 2) I don’t care what you have to pay her, Jessica Lange is worth every penny and needs to come back once and for all. If she doesn’t get an Emmy for last night’s episode, they need to stop giving them out. Period. The episode was also directed by Sarah Paulson, had some extraordinarily beautiful shots, and wrapped up so much of the “Murder House” story…it may have been my favorite episode of American Horror Story ever.

My own writing continues apace; I worked on the Scotty revision a bit more last night, and I am also thinking about how to structure the final revision of the WIP; I also tried to work a bit on my short story “A Little More Jazz for the Axeman,” which is going to be the lead off story in Monsters of New Orleans. I still plan on writing Bury Me in Satin next; my mind is currently swimming in ideas and thoughts and plans. The fact that my sleep schedule has become somewhat consistent at long last is an enormous help in that regard; it makes a huge difference when you feel rested every day.

I’m also looking forward, with a little trepidation, to LSU’s game with Mississippi State on Saturday evening. One of the lovely things I’ve noted about switching from cable to Hulu Streaming Live TV is that I don’t spend all day Saturday in my easy chair watching college football games all day; I literally used to spend the entire day with my eyes glued to the television watching games that don’t matter to me in the least, usually, to be fair to myself, while I was reading a book or scribbling notes. I don’t do that anymore; not that Hulu TV isn’t easy to negotiate–it is, just in a different way than cable was–but the beauty of Hulu TV is that what tyranny cable television had left on me has been broken; case in point–last night’s American Horror Story episode. It is one of the few shows that Paul and I would make a point of watching live as it aired; Paul had a board meeting last night and didn’t get home until about nine fifteen; fifteen minutes after it had started. But because Hulu TV sort of works as a kind of DVR, I could queue it up and it started at the beginning. This is marvelous, and now it’s weird to think that we ever scheduled our lives around the airdate and time of some television show. This means I don’t ever have to rush home from work, or think rats, can’t stop at Rouses on the way home because our show is starting.

This was amazingly helpful during this last season of Real Housewives of New York.

And now I am going to jump back into the spice mines for a bit before I head into the office. Have a lovely Thursday, Constant Reader!

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When a Man Loves a Woman

I am still basking in the afterglow of last night’s breakthrough on the WIP.

I also managed to get another couple of chapters of the Scotty revised; I may even be back on schedule by this weekend at this pace. Huzzah!

When the writing goes well, when things fall into place, writing is probably the most wonderful and magical thing. This is, frankly, when I remember why I love doing this, why I identify so strongly as a writer more so than anything else. I get so much pleasure out of writing, out of creating characters and telling stories that I can’t imagine why anyone would want to do anything else. I can’t imagine not writing; even if my publishing career should crash and burn and come to a complete halt, I would always keep writing.

Always.

I continue to watch The Man in the High Castle, which kind of drags in places but overall is extremely well done. The murky and messy second season–which I may need to rewatch, if I ever have the time—notwithstanding, this third season is quite excellent…although I suddenly saw, as I watched last night, striking similarities between this season and Dean Koontz’ novel Lightning, which is one of my favorites of his.

I’m also finding, as I write and read and research, that I am going to probably have two other books that I can slowly piece together–collections of personal essays for one; Monsters of New Orleans being the other.

And now, back to the spice mines.

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The Way I Feel About You

Well, my plans on how to stay calm during an LSU game most emphatically did not work yesterday.

I do, however, have a very clean apartment.

It was, on the whole, a most exciting game–if you’re an LSU fan, but it also had a lot of stressful moments, momentum swings, and tension. And yet, when the smoke cleared and the game clock ran down, LSU upset the second ranked team in the country and the national championship runners-up from last year decisively, 36-16. Hardly anyone gave LSU a chance, and even those who only made Georgia a seven-point favorite were doing so half-heartedly; as I watched the pre-game show it was so clear no one really thought LSU had a chance, or would even meet that seven-point margin; they were trying to hype up the ratings–if they said what they really believed, that Georgia was going to humiliate LSU–only die-hard fans would watch.

Which would have been a pity. LSU was dominant in retrospect–at the time it didn’t feel that way. We went up 3-0, stopped a fake field goal attempt on fourth down by the Bulldogs, and then drove down the field to go up 10-0. Two more field goals followed, along with some lights-out, tenacious defense, and the score at half-time was 16-0, LSU. Georgia had never trailed this season for more than fifteen seconds, and had not been held scoreless in a half in God knows how long. But it was really only a two-score game, and I was concerned about having to kick three field goals instead of touchdowns…then again, LSU had four scoring drives in the first half; it could have been 28-0. I worried those field goals might come back to haunt us in the second half. And I was wrong. LSU scored twenty more points in the second half to put the game away–although Georgia scored 16 points of their own–but the final score was 36-16, and the biggest win for LSU since the Alabama game in 2011; certainly one for the history books, and one that will go down in LSU lore as one of the great Death Valley wins.

Suddenly, after the Florida loss, with LSU looking slow and lackadaisical and almost mediocre, now LSU looks like a championship team who can compete with anyone. And while I don’t want to get my hopes up–Alabama looks completely unbeatable–how exciting would it be if we got to play Florida again for the SEC championship game? Florida has already lost to Kentucky; Georgia already has a conference loss with both Florida and Kentucky yet to play; all the contenders in the East have a loss already (Kentucky to Texas A&M; Georgia to LSU; Florida to Kentucky) so the stakes for the Florida-Georgia game are really, really high in two weeks.

Yes, it was a very exciting day around the Lost Apartment yesterday. GEAUX TIGERS!

I also watched another two episodes of The Haunting of Hill House, which is probably one of the best horror television shows I’ve seen in a while. I am quite frankly loving this television horror renaissance, which is producing such amazing programs. The Haunting of Hill House, of course, still can–and might–go off the rails, but so far it is terrifying, eerie, and mesmerizing; the call-backs to the original source material are enormously satisfying, and yet it could stand entirely on its own with a different title; it’s almost like a revisitation of the Lutz family twenty or so years after the original story of The Amityville Horror–how do you experience something supernatural and terrifying, particularly if you’re not really sure what it was you were experiencing, and deal with that trauma for the rest of your life? The Crain children, now adults, have dealt with this in varying ways, but they are definitely all suffering from PTSD and trauma. The first four episodes told the same story from different points of view of the adult Crains, their present reality juxtaposed with their memories of their stay at Hill House. All the characters are compelling, well-written and defined, and the acting is absolutely stellar. I said in a previous entry it’s reminiscent of the best of Stephen King’s It and Paul Tremblay’s A Head Full of Ghosts; I am also going to throw in the first season of the television adaptation of The Exorcist as well–an excellent show that only lasted two seasons but I wish it could have gone on for longer. This is some excellent story-telling, and it is astonishing how true to the mood of the novel this show is.

I won’t deny it–at first I thought, when I heard of this and how it was going to be done, I rolled my eyes. You can’t do this better than Shirley Jackson, I thought dismissively, remembering the horrible 1999 film version (the original film version, in black and white, directed by Robert Wise and starring Julie Harris–who should have at least gotten an Oscar nomination–was superb and terrifying). But I was absolutely, positively, completely wrong. The show is amazing and fantastic, and I can’t wait to watch more; I might even do so today before getting started on writing–since there’s no Saints game today, and of course being sick last week put me desperately behind.

I also read some more in Empire of Sin yesterday–Storyville is now up and operational. I’ve always avoided reading about Storyville, or even considering writing about it; for me, I was thinking it was almost cliche to do so. David Fulmer has already done a series set in that time–Chasing the Devil’s Tail, Jass, Rampart Street, Lost River–with his detective, Valentin St. Cyr; he also had a story in New Orleans Noir, and since he has done so well with the period and the area I didn’t really see any need to cover that same ground. But now….now I am thinking I could, and differently. “The Blues Before Dawn” might actually turn into a novel rather than a short story, and it’s a great title, if I do say so myself. But once I get this revision under control, I’ll have some more time to play around with the story and see where it goes.

I’m particularly interested in Tom Anderson, the unofficial mayor of Storyville.

I’m also thinking I should watch Pretty Baby again; it’s been decades.

And on that note, I think I am going to take my coffee into the living room, ensconce myself in my easy chair, and watch the next episode of The Haunting of Hill House preparatory to heading into the spice mines.

Have a lovely Sunday, everyone.

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People Everyday

Hulu is streaming a two-part true crime documentary about a string of unsolved murders of women in Jefferson Davis Parish, Murder in the Bayou. I have a copy of Ethan Brown’s book of the same title, released a few years ago, but haven’t read it yet (instead, it’s sits on a shelf in the mini-bookcase to the right of my desk, where I also keep other nonfiction–histories, true crime, cultural studies–about both New Orleans and Louisiana; books which I delve into periodically in order to come up with ideas for stories (novels and short stories and novellas, etc.), or background for the same. (One of the many reasons I laugh when people refer to me as ‘a New Orleans expert’ is because I am everything but an expert on the city; there are literally hundreds of volumes of reference books information about New Orleans I’ve not read and know nothing about)  Mr. Brown came to the Tennessee Williams Festival a few years ago, but I didn’t get to meet him or see any of his panels, but I did pick up his book that weekend.

So, you can imagine my surprise the other night when I opened the Hulu app on my television (ten years ago that sentence would have been as unintelligible to me as Latin) and I saw it listed as a show I might be interested in. “Huh,” I thought, clicking on it, “I wonder if this is the same story as the book I’ve not read?”

Sure enough, it was.

I finished watching the show yesterday afternoon, and then of course, got the book from the bookshelf and started reading it…and didn’t stop until I was finished. I hadn’t intended to do that; I actually started writing this post after I finished watching the documentary series and simply reached over to the bookcase and pulled it out–mainly to see if there were photographs in it–many true crime books do–and since it didn’t, I started reading…and then couldn’t stop. I’ll talk some more about both the documentary and the book in another entry; I want to think about it some more, and the issues that came to mind while watching/reading–but again, as I said earlier, it was yet another example of how little I know about not just New Orleans, but Louisiana in general. As I read more New Orleans history, and get to know my city better with each read, I find myself expanding my former-tunnel vision view focusing on New Orleans only to expand out into Louisiana as well. It’s a truly fascinating state, really–as someone said in the documentary, there are three Louisianas: New Orleans; north Louisiana; which is really part of the Protestant Bible Belt and could just as easily be part of Arkansas; and south Louisiana, which is overwhelmingly French and Catholic; heavily Cajun, in all honesty. I’ve been thinking a lot about the Atchafalaya basin, too; I sort of have an idea about writing about that area. Most of my Louisiana fiction has been confined to writing about New Orleans, or places on the I-10 corridor between New Orleans and Baton Rouge, and sometimes dabbling on the North Shore. I am sure every state has just as rich and diverse and colorful a history as Louisiana/New Orleans; but I also don’t live there, and Louisiana with its strange mix of Creoles, Cajuns, Spanish, and Americans, with the attendant cultures, brews up a strange and endlessly fascinating gumbo.

I realized also yesterday while going through my blog drafts that I have never published my blog entry about reading Gary Krist’s Empire of Sin, which was what sent me down the Louisiana/New Orleans history rabbit hole in the first place.

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“The crime,” as detectives would later tell the newspapers, was “one of the most gruesome in the annals of the New Orleans police.”

At five a.m. on the sultry morning of May 23, 1918, the bodies of Joseph and Catherine Maggio, Italian immigrants who ran a small grocery store in a remote section of the city, were found sprawled across the disordered bedroom of the living quarters behind their store. Both had been savagely attacked, apparently while they slept. Joseph Maggio lay face-up on the blood-sodden bed, his skull split by a deep, jagged gash several inches long; Catherine Maggio, her own skull nearly hewn in two, was stretched out on the floor beneath him. Each victim’s throat had been slashed with a sharp instrument.

A blood-smeared ax and shaving razor–obviously the murder weapons–had been found on the floor nearby.

The book opens with an examination of the strange case of New Orleans’ most famous serial killer: the Axeman. Julie Smith wrote an entire novel  based in the story called The Axeman’s Jazz; it might be the second or third Skip Langdon novel. Poppy Z. Brite wrote a short story with the same name, and of course, American Horror Story: Coven also included the Axeman in its litany of past New Orleans horrors–in the Ryan Murphy version, he stumbled into the Robicheaux School for Girls (read: witches) and they killed him; his ghost haunting the house ever since. The mystery of the Axeman’s identity, of course, has never been solved–as well as the why.

Empire of Sin, however, isn’t about the Axeman entirely; it’s really a history of the Storyville district (again, another notorious part of New Orleans history, probably best known for its appearance in the Louis Malle film Pretty Baby, which probably, with its creepy pedophilia, wouldn’t hold up too well today), and really focuses on the man known as the mayor of Storyville, Tom Anderson, who rose to great wealth, notoriety, and political power through his successful bordellos there–even going so far as to providing the district with its own police force. It’s a story of immorality, the struggle between reformers trying to turn New Orleans into a city free from sin (they won small victories but New Orleans remains New Orleans to this day) and Anderson’s struggle against those “virtuous reforms.” He eventually failed, and Storyville was shut down, but Krist tells a fascinating story, extrapolating his tale of Storyville’s struggle to stay open and functioning (the money being made there brought with it the ability to, of course, buy off the police and politicians), along with the stories of corruption, murder, prostitution, violence and racism extant in the city at the time. It’s also a story of how Storyville also, surprisingly enough, gave birth to jazz music, and provided a way for musicians of color to make a successful living playing music. Storyville was the incubator that provided sustenance to the musicians playing this new form of popular music, enabling them to make a living while developing a wholly American form of music.

Reading Empire of Sin is what sent me down the road to reading history, as I said before, and as I love history, it also made me aware of just how little about New Orleans I actually do know. Discovering little throwaway bits in the book–that there were male prostitutes who serviced men with “more exotic tastes”–reminded me of how frequently, and almost completely, queer history has been successfully erased, and that made me start thinking about, well, doing something more about it. Reading this book inspired two short stories I’ve not finished–“The Blues before Dawn” and “A Little More Jazz for the Axeman”–and also inspired a potential series set during the time. It’s also what gave me the idea for my collection of noir/crime/horror stories that I want to write, Monsters of New Orleans.

I cannot recommend Empire of Sin highly enough.