Category: Southern Gothic

Style

And this is the first Tuesday of 2021, how are you all doing?

I was very tired yesterday. I slept well Sunday night, but the stress of finishing the book was messing up my sleep leading into Sunday night, so yesterday wasn’t an easy day for me. I also think my caffeine intake might have gone up while I was on vacation, so I am not really sure if it was book stress or perhaps caffeine messing with my sleep. I didn’t sleep particularly well last night either–and I am going to the gym after work tonight. I’m a little stressed out because I really allowed the Sisyphean task of answering my emails be pushed aside focused on getting my book finished, and it was more than a little traumatizing yesterday to see how out of control my inbox had gotten. But que sera sera, as Doris Day used to sing.

We finished watching The Chilling Adventures of Sabrina last night, and bravo to everyone involved. Sabrina was one of the most fun shows we’ve watched over the past few years, I highly recommend it. Kiernan Shipka is pitch perfect as Sabrina–the entire cast is perfect, really; not a false note anywhere–and of course, the guy who plays Lucifer is fucking gorgeous. The four seasons was a wonderful ride, as Sabrina went from wide-eyed, goody two-shoes half mortal/half witch to owning her own power and using it to save herself, her friends, her family–and eventually, the entire cosmos. I was bummed when I heard the fourth season would be its last…but the final season was perfectly written, and ended all of the story arcs satisfactorily, tying the entire run up with a bow. Sorry to see it go, but absolutely delighted that they clearly planned the show’s end.

I do feel a bit at sea, to be honest; the usual disorientation after the tight focus required to finish a book. I printed out #shedeservedit–it’s at around 100,000 words right now and needs to be trimmed down because there’s some additions that need to be made to it, but it cannot come in at 125+. I also periodically have some fears about Bury Me in Shadows–which is inevitable, I suppose; imposter syndrome never goes away, even after you’ve written over thirty books at this point in your career. I’m not certain why this happens to me still–or what I need to rewire in my brain to stop it happening–if that’s even possible at this point in my life. I rather am who I am, and I doubt that change is possible for me now. I do try to continue to learn and grow–I don’t think I ever want to stop learning and growing, as a person or as a writer–but sometimes I wonder if I am so deeply mired in who I am as a person for that to even be possible anymore. I was also thinking about books and stories I’d like to write in the future, and then wondering, am I the right person to tell that story? As an example, I had an idea I really liked a few years back (probably longer than I remember) which was centered around a family of Vietnamese refugees who owned a small business somewhere along the Gulf Coast, either Florida or Alabama, from the point of view of a teenager who was born in the US and so is torn between his family culture and becoming assimilated, when something from the matriarch’s past in Vietnam–from the war days–comes back into their lives,, affecting everyone and changing everything. It’s a really good idea…but then, am I the right person to tell that story? Wouldn’t a Vietnamese-American write a more authentic story, and would my writing such a book take a publishing slot away from a Vietnamese-American writer?

While I do believe that writers have a right–perhaps even a duty–to write the stories they are compelled to write, I also don’t see that compulsion as a “get out of jail free” card. You have to do the work to make sure you aren’t using cheap stereotypes, are creating authentic characters whose experience lives and breathes and is real to the reader, and are telling honest stories about them. You can’t just shrug and smile and say, “well, if people only wrote from their personal experience we wouldn’t have stories about vampires and werewolves and space aliens”; nothing makes me angrier than seeing someone using that to answer criticism about authenticity in their work.

Because people of color and queers, for the record, aren’t mythological creatures that only exist in fiction and in our imaginations. We all exist, and to have our lives, our experiences, and our very existence compared to “vampires and werewolves and space aliens” is not only insulting, it’s dehumanizing–which is absolutely what racism and homophobia are about when boiled down to their base point: people who are not straight and white aren’t REALLY human beings.

And anyone who uses that excuse most definitely should not be writing outside of their own experience, because they are NOT coming from a good place.

When I was first starting out, there was an ongoing debate/discussion about whether we should identify as gay writers or just as writers. The debate died off as traditional publishing backed away from publishing queer writers–and the ones they did continue publishing weren’t marketed as “queer.” I could see the merits on both sides of the discussion; sure, I’d prefer to be seen as a crime writer and have my works stocked in the mystery section of bookstore–but that was also not a reality. As I would say back then–and it’s still true today–“it doesn’t matter what we consider ourselves and our work to be; the publishers and the booksellers are going to label us and or work however they think best in order to sell it, and no matter what we do, our thoughts and opinions and definitions will always be overruled by Marketing.” That label also trumps everything that comes after it–whether it’s romance or mystery or literary or science fiction or fantasy or horror, gay or queer overpowers everything else. I think that is beginning to change. I see books written by queer writers centering queer characters being published by the big houses to great reviews and getting attention, which is lovely. I love the entire “#ownvoices” conversation, and the move to course-correct the overwhelming white straightness in book publishing.

Ironically, it causes me to doubt myself. When I was writing Bury Me in Shadows, I questioned myself constantly: do I have the right to write this book and tell this story? Can a white Southern gay man write about issues of race in the rural South? Am I writing authentic characters or perpetuating rural Southern stereotypes? Do I have anything really insightful to bring to the discussion, or have I gone completely off the rails? It’s a whole new kind of imposter syndrome I wasn’t expecting!

And on that note, tis back to the spice mines with me.

We Are Never Ever Getting Back Together

So yesterday was the last day of my vacation. Heavy heaving sigh. It was a bit on the weird side, though, because of the holidays and so forth I kept losing track of what day it was. Friday seemed like Saturday to me, and every day last week I had to really sit down and think about what day it actually was–or look at my Google calendar. #madness

I did finish the book yesterday, and sent it to my publisher two days late. I really thought I was going to get this one in on time–still not certain the final chapter is complete, but the manuscript currently sits at over 90,000 words and I just can’t think about the book anymore. I’m delighted to be finished with it, disappointed it took me an extra two days, and now I am going to breathe a bit as I try to get caught up with everything I let slide while I slogged through finishing this book.

As always, I overestimated how much time I can spend staring at a computer screen and underestimated how long it would take to put the copy edits/corrections into the entire document. And of course, the MacBook Air problems continued this morning as well. I fucking hate this thing, seriously.

But Bury Me in Shadows is finished; and now I can start figuring out how to finish #shedeservedit by March 1 and a short story by 1/15. And oh my God, the emails I’ve been ignoring while I tried to get this done. But I am glad to be going back to work this morning, despite having to get up at a ridiculously early hour, and I feel fairly well rested; I had issues sleeping during my vacation–of course–but now that I am going to go back to my usual schedule, hopefully that will be a thing of the past. I haven’t been to the gym since getting my inoculation (part one); my shoulder was sore and moving my left arm in an upward motion–required for the gym–hurt, so I thought it smart and prudent to skip it. I will go tonight after I get off work, of course, and try to make up for the lost time.

Since I was on deadline for a book, I never really had the opportunity to reflect on the shit-show that was 2020. It’s weird, too, because usually I am looking forward to Carnival–Twelfth Night is Wednesday, which kicks off the season, and there were King cakes already out at Rouse’s yesterday–but the parades are cancelled due to the pandemic, so Carnival is going to be weird this year. I’m kind of glad I don’t have to plan my life around parades, to be honest–but it’s still going to be different and strange…and imagine how insane parade season will be next year! I will eventually recap my 2020 for this blog at some point–favorite books and movies and television shows and so forth–but that isn’t going to happen today, as my memory is shot and I will have to go through old blogs to see what I read and what I watched this past year. I also haven’t really done a goals post for 2021 the way I usually do, either–primarily because there was one goal, and that was to get the book done. It was nice having the holidays and the little bit of vacation time to work on the book; it was one of those ah this is what life would be like if I only had to write books things, and it was quite lovely. One thing I noticed, too, while I was working on the final polish was that one of my biggest worries is that I forget things, or start something and never finish it off, leave subplots dangling without an answer, etc.–or names change for characters, that sort of thing. Partly it’s because when I write and I come to a place in the story where I have to remember something from earlier in the book, I usually don’t remember and guess–and it’s amazing how often my subconscious rises up and makes the correct guess for me. I always used to be able to remember the plot and things like that in my head; my memory is shot now, so I am generally terrified as I give the final a final polish and copy edit…there were only a couple of small minor things–a character’s last name changed once, a location’s name was the incorrect one–so I was pretty well pleased and the final step not nearly as difficult as anticipated or expected. (Thank God, as it took me three days to get through the manuscript and input those corrections and deletions; who knows how long it would have taken if the manuscript was more of a mess?) It also went from a book about a high school student to a college student–almost from the very beginning of its origins as a short story, the main character was young; going from about thirteen in the short story to seventeen in the original draft to twenty in the final. It also went from first-person/present tense to first person/past tense, and it was amazing to me how many verbs I’d missed going through and making those changes. Laziness, probably, being the correct answer to that.

As always, when I am pressed to finish a book my mind becomes very creative. I was scribbling down ideas in my journal almost all of last week, and I even came up with a new Scotty title, which might even be the next book–Twelfth Knight Knavery, which is just so fun I am going to have to do it. I had originally planned on doing a pre-pandemic book (French Quarter Flambeaux, primarily because the shitty Carnival season of 2019 deserved to be recorded for posterity), but this one….I kind of like the idea behind this one, and there’s no reason I can’t do two pre-pandemic books for Scotty before Quarter Quarantine Quadrille. My timeline for Scotty, after all, is completely under my own control. And I suspect people aren’t going to want to be reading about the pandemic for a little while at any rate. I do love the title Twelfth Knight Knavery, though.

We’ve also been watching the final season of The Chilling Adventures of Sabrina on Netflix, and my God, how I love this show. I hate that it’s ending, but also get it–this final season has the gang taking on the Eldritch horrors, and where do you go after that? We only have two episodes left to watch, which will most likely occur tonight or tomorrow. The Saints also won yesterday, so football season is theoretically not over yet for Louisiana fans, but while people around here are talking Super Bowl…I dunno.

And on that note, it’s time to get back to the spice mines and try to get caught up on things. Have a lovely first Monday of the new year, Constant Reader.

Ours

And here we are on the second day of the new year. I didn’t not finish polishing the book yesterday; I am doing it old school–editing on paper–because of course there are endless issues with my MacBook Air still; the very problem I tried to get resolved the other day has returned, which means I am going to have to go to the fucking Apple Store in Metairie (because, you know, I have nothing but fucking free time) to get this piece of shit’s problems resolved once and for all. It’s a fucking iCloud issue (of course, the worst and stupidest fucking thing Apple ever came up with–hey, you don’t need any storage in your computer! You can just save everything in the Cloud! Oh, but if you do, it’s going to also somehow eat up the miniscule amount of storage we gave you in a laptop that cost WELL over a thousand dollars.

I will probably be arrested when I do go to the Apple Store.

So I was kicking it old school yesterday–sitting in my easy chair and going through it, line by line, page by page, catching discrepancies and contradictions and mistakes and repetitions. I only have about 100 pages left to go, so I am hoping I can get that done quickly and then start pulling the entire manuscript together so I can get it sent in. I had originally planned on writing a short story for 1/15 deadline this weekend and getting caught up on everything else I am doing (and am woefully behind on) but around eight o’clock last night my eyes started blurring and crossing and I knew better than to keep going with this. The work would just shoddy and sloppy–and the whole point of this polish was to get rid of the shoddy and sloppy writing (of which there is a ridiculous amount). But I should get it finished and turned in this weekend, and then I can move on to the next thing–the short story, and the manuscript due on 3/1.

After I finished last night I also had a bit of a crisis in conscience and confidence about the book–I’m not really sure why, to be honest. I am writing about race in the south, but I am also writing it from the perspective of a gay white college student whose been unexpectedly thrust into the midst of it by spending the summer in Alabama, and his dysfunctional family’s many dark secrets from the past start having an impact on the future. So, of course, last night as I sat in my chair watching the final episode of A Teacher (horrible right to the end; leaving us to question what the entire point of the show was in the first place) and the latest episode of The Stand (also not very good, but as a huge fan of the book I will watch to the bitter end), my mind started racing: am I depicting the people of color in the book properly and inoffensively? Should I be writing about Southern racism while centering a white character? Is the story itself offensive? Is this going to be another one of those “well he meant well but” things? I approached the whole thing respectfully, I think, and while having a main character who was raised not to be racist having to confront the racist past of his own family might come across as preachy–another fear–I think about all the young people I’ve worked with over the years and how open-minded they are; and they give me hope for the future–and that is what I drew from for this character and this book.

And ultimately, if I wind up getting called out for insensitivity, well, all I can do is apologize and try to do better.

But–sloppy and shoddy parts aside–as I read to revise I kept thinking this is actually much better and more cohesive than I thought it was, and things I was thinking I needed to add–about the family history, etc .–I already had, which was kind of lovely; I just need to make sure what’s in the early part of the book matches what’s in the later, and of course, hopefully whatever I may miss will be caught by my editor.

SO, it’s Alabama and Ohio State for the national championship. I watched the games–well, had them on in the background as I edited and read–occasionally looking up and being startled by the scores. They didn’t just win; they pummeled Notre Dame and Clemson, respectively. After the ACC championship game, I kept saying it didn’t make sense nor was it fair to put both Notre Dame and Clemson in the play-offs, giving them a chance to possibly play for the third fucking time, while shutting USC, Oklahoma, Cincinnati, and Texas A&M out of the play-offs entirely. (Well, Cincinnati lost to Georgia in a nail-biter–I also had that one on in the background, and watched the closing two minutes or so as Georgia rallied to win) But I think it is safe to say, yet again, that the four-team play-off just doesn’t work, and it’s maybe time to again look at and consider going to a six or eight team play-off.

I am skipping the gym again today because my shoulder is still sore from the inoculation Thursday.

And on that note, it is back to the spice mines for me. Y’all have a great day, okay?

New Year’s Day

2021 dawns, and theoretically, at any rate, it’s a new year and a fresh start–at least that’s the mentality everyone else seems to embrace. I don’t get it, myself, never really have. But far be it from me to rain on anybody’s parade–or their New Year’s hangovers.

It’s a lovely morning again in New Orleans; blue skies and sunshine. I’m going to swill down some coffee this morning and then head to the gym–they are only open until 2 this afternoon–before coming home to put one last coat of polish on Bury Me in Shadows before I turn it in, on time, later today. I finished it last evening–there are still some holes in the plot that need filling, as well as some contradictory elements I need to catch–but it’s essentially finished. I have not, in fact, finished a book since early 2019, when I turned in Royal Street Reveillon; so it’s very nice to have another one done. I go back and forth between thinking it’s really good or the worst thing I’ve ever written, so there’s that part–par for the course, really.

I also got my first inoculation for the COVID-19 vaccination yesterday. It wasn’t so bad, really–my shoulder is kind of sore still this morning, glad I had them do my left arm–but I felt off for most of the rest of the day; which could have been the inoculation, could have just been the fact that I was tired. I’ve not really slept that great this week, and the fluctuations in the weather have not helped in the least–sinuses, you know–and I’ve not really had much of an appetite lately, either, so I’m probably experiencing low blood sugar and all of that. But the next inoculation will be in 28 days, and then my life sort of can go back to normal? Not really–I’ll still be wearing masks everywhere I go, and washing my hands religiously as often as I can, but at least I no longer have to worry (too much) that I am going to get infected and sick.

2020 was one of those years, like 2005, that we will look back on and wonder about. A lot of my memories of the year just past are foggy and gray; I don’t remember much of the year rather like I don’t really remember much of the year and a half after Katrina. It’s always weird when there’s a major world paradigm shift; Katrina really only affected those of us in Louisiana and Mississippi and coastal Alabama–while the rest of the country and world looked on in horror, they also were able to move on within a few weeks whereas we were not. The COVID-19 paradigm shift affected everyone in the world, and as we (hopefully) are beginning to move past it–which will not finally happen until we achieve herd immunity, and who knows how long that’s going to take–things aren’t going to go back the way they were before the world came to a screeching halt. Things have changed, whether for the better or not remains to be seen; but one lesson that everyone has learned is that almost everyone actually can work from home and be productive, something employers resisted like the plague before, you know, an actual plague forced them to adapt. Now businesses and companies have to ask themselves–do we really need all that overhead of having an actual office, when our staff can do their jobs efficiently and effectively from home? Same with book signings–publishers probably aren’t going to be paying to send their authors on tours anymore since virtual ones actually get a higher attendance. What about conferences? They also became virtual–but in all honesty, I will want to continue to go to in-person conferences once they are feasible; drinking at home on Zoom isn’t the same thing as hanging out in the bar with friends and laughing our asses off.

I do miss seeing my friends.

I usually set goals on New Year’s Day for the new year; I’ve not really put much thought into goals for 2021, to be honest. I did achieve one of my 2020 goals, despite the pandemic: getting back into a regular gym routine and going regularly. I’ve noticed a change in my body, even though I’m not really pushing myself as hard as I could–I don’t want to overdo it, nor do I want to injure myself again, which started the whole spiral ten years ago in the first place–but it’s nice to see my muscles hardening and getting more defined. My weight hasn’t changed at all, but I can see a difference in my face and my pants/shorts/sweatpants, which were already a bit too big, have gotten even bigger (I really need to wear a belt). I do want to continue focusing on taking care of myself a bit more in 2021; dental work and vision exams and new glasses and possibly the occasional massage. I have a number of secret projects lining up as well, which is kind of exciting, and of course, I need to finish the Kansas book now and I want to get to work on Chlorine. I think there’s probably another Scotty or two in my head, and I also want to experiment with novellas–I have at least three or four or five in progress, and I really need to finish them. I also want to get some more short stories finished and out for submission.

I watched a movie for the Cynical 70’s Film Festival yesterday afternoon as I made condom packs: Something for Everyone, starring Michael York and Angela Lansbury, based (or rather, according to the credits, “suggested by”) on the novel The Cook by Henry Kessing (recently brought back into print by Valancourt Books), which I recently read about as “the queerest movie of the 70’s”–and yes, it is indeed very queer. (It’s not streaming anywhere, but there’s a bootleg of it on Youtube, which is what I watched) It reminded me somewhat of The Talented Mr. Ripley in several ways, and it also made me think about how amazing Michael York would have been playing Tom Ripley. York plays Conrad, a drifter from no one knows where and, like Tom Ripley, we really never learn about his past or who he is. He shows up on screen in Bavaria, riding a bicycle and wearing cut off khaki trousers that are cut very high; Daisy Duke-ish in fact, and he looks splendidly beautiful and alluring in the German sun. He decides he wants to get a job working for the local impoverished Countess and her children, who no longer have the money to maintain their castle or live in it, but it’s entailed so they can’t sell it. (Neuschwanstein, the fairy castle of Mad King Ludwig of Bavaria–who was also queer) stands in for their castle.) Angela Lansbury plays the Countess, and she is truly splendid. Conrad begins killing people who get in his way, but is also doing it to help the family he now work for, while slowly seducing and sleeping with everyone in sight in order to get what he wants–he seduces the Countess’ son and eventually the Countess, and York is simply breathtakingly gorgeous to look at in all his youthful, lean beauty. (I had an enormous crush on him in the 1970’s.) But Angela Lansbury is truly fantastic. She’s beautiful and slender and elegant, and those expressive eyes are perfect for expressing the Countess’ malaise and ennui with her situation and with the world. Watching her slink around in gorgeous clothing, I could but marvel an wonder why she was never a bigger film star, and in all honesty, I’ve never really seen her as Mame Dennis before. Yes, I know she played the part on Broadway and it was a huge smash hit, but for me Rosalind Russell was definitive….but having watched this movie now, I am now convinced the casting of Lucille Ball as Mame in the film instead of Lansbury was an even bigger crime than I considered it before–I watched the Lucy version and it was awful; but the crime that was casting Ball is now even more egregious. I could literally imagine Lansbury as Mame as I watched this movie. It’s cynical and a bit cold, but it definitely fits into the Cynical 70’s Film Festival in that Conrad never is punished for any of his own crimes–he’s outwitted in the end, but not really punished…and knowing Conrad, I am also confident that at some point after the film ended he got the upper hand back.

And on that note, tis back to the spice mines with me. One more cup of coffee and I am off to the gym; and then its back to home and the grindstone. Happy New Year, everyone!

Wildest Dreams

It’s Thursday, a work-at-home day before the holiday weekend. I know, it’s weird to take a vacation and then work a day before another holiday weekend, but there you have it. It’s also the last day of 2020, I am getting my COVID-19 vaccine (part one) today, and my book is due tomorrow. Heavy heaving sigh. I only have two chapters left to do and a final polish, so after I am done with day job duties, I should be able to power through those last two chapters this evening, and then I have all day tomorrow to reread, revise, and polish before turning it in.

It’s also New Year’s Eve, a holiday I’ve never quite understood but am more than happy to enjoy–I am always happy to get an extra day off with pay, any time anyone wants to provide me with one–but I’ve never really understood the point of celebrating the end of a calendar year and the beginning of another. I mean, it’s an excuse for a holiday and for people to get wasted, I suppose, but other than being a party for symbolism, I don’t understand it. I suppose it’s seen as a demarcation point, but it’s really not a new beginning; I’ve also never been one for resolutions, either. I prefer to set goals for the year, and then see how well I did after twelve months have passed. One of the major things of this past year for me has been memory loss–I can’t remember anything anymore–so I don’t remember the goals I set for myself at the beginning of 2020. I do remember that 2019 was a shitshow of a year, and I was very happy to see it end, as was most everyone, only to discover that 2020 would be so awful that I cannot remember precisely why 2019 was so dreadful, just that it was.

I am getting the COVID-19 vaccine because of my day job, which a lot of people don’t know much about because it’s not something I talk about publicly very much. I am always very careful to compartmentalize my life, keeping my writing career and public life very separated from my day job and my private life. I work at a public health clinic here in New Orleans that used to be the NO/AIDS Task Force, which evolved into Crescent Care Health sometime (my memory is completely shot) over the course of the last decade. I work at the Elysian Fields campus, and basically, what I do is test clients, by appointment, for HIV, syphilis and Hepatitis C; do all the necessary paperwork required by our funders; and basically interview and assess my clients for risk reduction messaging and what other services we provide that they might require. Once that is finished, I take them to a nurse who will draw blood for their PrEP labs (if they are taking PrEP) as well as testing them for gonorrhea and chlamydia. Over the course of the pandemic our services were initially shut down, and then we became a testing site for COVID-19. For several months I worked in the garage of our building, screening people for COVID symptoms before we let them into the building (we were on very limited services; some blood draws were still being done, the food pantry was still open, and so was the pharmacy on the second floor) or sending people who needed to be tested over to the COVID testing area. So, yes, I am in a public contact job that is health care related, and see clients three days a week, putting myself at risk of exposure. I follow our safety protocols stringently–which includes mask wearing, regular hand-washing or sanitizing, and cleaning the room where I see clients with virucidal wipes–their chair, the side of the table they sit at, the pen they handle, and their side of the plexiglass screen they stick their hand through in order for me to stick their finger and draw enough blood to run the tests I run. The clients also have to wear a mask the entire time they are in our building. So, that’s why I am getting the vaccination so early; I’d posted about it on social media and got some weird comments, like so lucky and so forth…which I understand; sure, I’m lucky to get it early, but at the same time I’ve been at a high daily risk of infection since late spring–and while I don’t think the age thing matters as much as they thought it did at the beginning of the pandemic, I am not that young–my next birthday will be my sixtieth.

So, that’s why I am getting the vaccine earlier than many. I am a front-line employee of a public health clinic–and while I may not be a doctor or a nurse, I provide essential health services–or serve as a gateway to accessing those services….and the Office of Public Health provided enough vaccines to our clinic so that all of our employees can be get one, so that our clinic can get back up and be fully operational (rather than on a limited basis) sooner rather than later.

And that’s probably the last time I will ever talk about my day job and what I do there publicly.

Yesterday was a very good work day–I am still behind, of course; I’d hoped to be finished with the entire thing on Tuesday so it could sit for a day or two before the final polish. Bury Me in Shadows has had an interesting journey to completion. It began as a short story I wrote sometime in the 1980’s called “Ruins”–and when I finished writing the story, I knew it wasn’t a short story but a novel. I filed the story away, dragging out the folder and rereading it occasionally over the last thirty or so years (it’s really difficult for me to grasp that 1980–and soon 1981–was forty years ago), and I’m not sure when exactly I decided to turn it into a novel or when I started working on it. The original title, once I started pulling the book together as a novel, was Bury Me in Satin, which is a line from the song “If I Die Young” by the Band Perry; I love the song, and when I heard that lyric the first time, I immediately thought, ah, that’s the title for the book built on “Ruins”, but at some point during the writing I changed it to the more Gothic Bury Me in Shadows. I had always, since the 1980’s, wanted to write about my fictional Corinth County, Alabama–which is where this book is set–and over the decades since have done some serious world-building. I have any number of short stories written, in some form or another, that are set there…and tried to weave some of those story strands into this book. I’ve already published one book with a character from Corinth County, even if the book wasn’t set there: Dark Tide. The book has also evolved in other ways from the original story; the main character was thirteen in the original story, and then evolved into a sixteen year old when I started writing the book. At some point in the process, I recognized that the character’s age didn’t work, and so I aged him into a college student, which actually works much better. This required completely overhauling and reworking the opening two chapters; but I do think the new versions are better than the originals, and I think the book works better this way.

I suppose I will always think of this book as my pandemic book, since that’s when it was written. Ironically, once this one is turned in I have to start working immediately on the next, which is due on March 1. The next has already been through a ridiculous amount of drafts–I started writing it in 2015, and have worked on it off and on since then (I wrote the entire first draft in July 2015; a chapter a day, basically), and so I guess this is all about finishing projects that have been lingering around for a while. (Even this Kansas book began being formulated when I was in high school, and has followed an interesting–to me–evolutionary pattern since then.)

Perhaps 2021 will be the year where I clear out all the projects that have been hanging around my office for years–decades, in some cases–so I can move on.

It would be so lovely if I could write a first draft of Chlorine in a month…

And on that note, I’m heading for the spice mines. Have a lovely day, Constant Reader!

You Are In Love

Wednesday, and technically the last day of my vacation; even though tomorrow I am working from home before a three day weekend–so at least tomorrow I won’t have to leave the house, other than getting my first COVID-19 vaccination, with another to come 28 days later. That’s a good reason to leave the house, frankly–I can’t think of a better one, to be honest. I’m incredibly lucky to have not gotten it already, frankly–still not entirely convinced I didn’t have it back when I was sick last spring, but the test was negative. I will continue to wear a mask whenever I am out in public–don’t want to set a bad example–and besides, as I have noted before, I haven’t even caught a cold this winter thus far; and that’s a rarity and clearly a benefit of the mask. I may wear one during cold-and-flu season from now on.

Yesterday was an utter waste of time, thanks again to Apple Support. I wanted to print out the latest chapters I’d finished and reread them before I moved on to yesterday’s writing–but when I tried to open one of the files from the Cloud my piece of shit MacBook Air told me that Word was “damaged” and thus couldn’t be opened. I had to delete it from my computer and then re-download it…and guess what? NOT ENOUGH FUCKING STORAGE AGAIN. Um, it was JUST on my computer, but now there’s no room for it? So yes, I spent the entire afternoon fucking with Apple support; eventually having to take my computer back to factory settings and start it over like it was brand new. Hurray! I could download Word again! But the Cloud? Ha ha ha ha! Oh, how cute you are to think that this would help my computer to function. Just like when I bought it, I could not access the Cloud through my Finder window–I mean, I could, but the Finder window kept telling me THERE WAS NOTHING STORED THERE. I even manually went to the iCloud website to sign in–yep, there it all was. So back to working with Apple support. After forty-five minutes of waiting for “Iselda” or whatever the fuck her name was to figure out how to fix it….to no avail, and often telling me to try things I already had done, etc–she had the nerve to say, “Well, maybe it’s still syncing and everything will show up later.” Yeah, thanks for nothing, you incompetent bitch. So, looks like I’ll be taking the piece of shit to the Apple Store in Metairie.

I really do NOT understand why this has to be so hard, you know?

Yeah, I’m bitter. You would be, too. Now I have to try to play catch up.

But I did stop by the library yesterday to pick up Unveiling the Muse: The Lost History of Gay Carnival in New Orleans by Howard Philips Smith, and wow! It must weigh five to ten pounds; it’s enormous. I may have to eventually get my own copy, simply because as a resource it is simply too good to not always have on hand. It has all the histories of the gay krewes and balls, pictures going back decades–and details about gay clubs and not-gay-clubs that gays hung out in; and so many pictures! It was also fun seeing people I know (or knew) pictured within its pages. I really wish I had kept a better diary/journal back in the days when we first moved here; so many friends and acquaintances have come and gone since then. Looking through the book was quite a lovely trip down Memory Lane for me–remembering people I’ve not seen or thought about in years, some of whom I simply knew from the bars and who knew? Some of them were major players in the queer rights movement here in New Orleans. This book is definitely going to come in handy for me with writing fiction about the gay New Orleans past.

It looks like it’s going to be another beautiful day here in New Orleans. I am going to be going to the gym later this morning, and then I am taking Paul to work–we’re stopping at Office Depot to get supplies for his office, and I need paper and an ink cartridge for my printer–and he has a book for me at his office, and then it’s back home to desperately try to get caught up on the book. Gah, yesterday was so damned frustrating.

I was also thinking back over the year (not as effective as one might think, as my memory has really declined over the last few years), trying to remember things that gave me pleasure in 2020. There was an awful lot of good television programs we watched, and of course I have enjoyed the Cynical 70’s Film Festival, which will be rolling over into the new year. I know I read some wonderful books over the course of the year–and I also reread some that I greatly enjoyed and seemed new to me. I also recall reading a lot of pandemic literature in the early days of the shutdown; histories of the Black Death and the Spanish flu, short stories and novels about epidemics…I finally got around to reading Poe’s “Masque of the Red Death”, along with a reread of Katherine Anne Porter’s “Pale Horse Pale Rider,” but I don’t think I got around to Richard Matheson’s classic I Am Legend…but really should have. I also didn’t reread Stephen King’s The Stand, but once I get my own writing needs under control around here, maybe I’ll give the abridged, originally published version a go.

I know I also started writing a pandemic story that I never managed to finish: “The Flagellants,” and finishing it is at the top of my list of things to get done once this book is finished. I kind of also have to go directly into the next book, without much of a break between, but once it is finished on March 1 and turned in, I’ll have some breathing space for a moment or two before I need to get going on Chlorine. I’d really like to have a good working first draft of Chlorine finished by May 1. My main characters is starting to come to me in bits and pieces–he served in the Navy, he escaped Kansas into the Navy when he was eighteen; he comes to Hollywood after he musters out to become a movie star, which is when he meets his “starmaker” agent, and while he is very good-looking and charismatic…he’s not especially talented as an actor, and so gets some supporting roles in A-list movies and leads in B-list movies, but his”star” never really takes off. His agent is of course inspired by Henry Willson; and the plot of the book revolves around blackmail, murder, and survival.

And on that note, I should get back into the spice mines. Have a lovely day, Constant Reader.

Wonderland

I see it’s time for all of the “end of the year” lists, from the best of’s to the worst of’s, and literally, I had to scroll back through my blog to find my “favorite” short story of the year to reply to a tweet in order to enter a giveaway–and it was such a confounding year that I just posted the first one I came to, whether it was the best or not–“The Day I Died” by Cornell Woolrich, and immediately after I hit send, I thought, “that wasn’t even my favorite Woolrich story I read last year; that was ‘It Had to Be Murder’ (filmed as Rear Window)”. But that’s indicative of the kind of year this 2020 has been, not just for me but for others: I can’t remember shit. I can’t remember what I read and when I read it; was the Diversity Project this year or last? When did I started the Reread Project? And the Short Story Project certainly didn’t het much traction here on the blog this past year. This year now blends with other years in my memory, and I am not sure when I read things or what I liked or what movies I watched or television shows I enjoyed–and there were a lot; but was this year the year we started watching foreign language shows like Elite and Dark? I know I watched a lot of films for the Cynical 70’s Film Festival–still have a lot to go on that, for that matter–but as for reading….I know I read some books this past year, and I know I started the Reread Project–not just to revisit books I’d enjoyed, but to get back into reading because the pandemic shutdown–and the basic state of the world in chaos–made it hard for me to focus.

Even more maddening, the lack of focus also hurt my writing schedule (which really needed no assistance–I can not write all by myself without assistance from outside influences, thank you very much), and I cannot keep track or remember what I wrote and what I sold and so forth. I know I wrote my first ever Sherlock Holmes pastiche this past year, and it will be out in the new year–“The Affair of the Purloined Rentboy” (and I am so glad to finally get that title used; although, in fairness, the title I had lying around forever was The Purloined Stripper; I was originally thinking to parody Poe titles with the Chanse series, hence Murder in the Rue Dauphine. But the publisher (Alyson Books) wanted to brand them with the Murder in the titles, and once I made Scotty a stripper and wrote about him, I revised the plot and made Chanse’s boyfriend a former gay-interest video wrestler and that book became Murder in the Rue St. Ann instead)–and I also sold some other stories, like “The Snow Globe” and “Night Follows Night”–but it also seems like I sold more stories than that? I think this was the year “The Silky Veils of Ardor” came out in Josh Pachter’s The Beat of Black Wings, and of course “The Carriage House” came out in Mystery Tribune this year. Was this also the year of “The Dreadful Scott Decision” and The Faking of the President? I think that may be the case.

I do know I spent most of the year trying to get Bury Me in Shadows finished and ready to go–it’s still not completely finished–and I also started researching Chlorine. I kind of am feeling a bit discombobulated lately–no idea what day it is; I really had to stop and think this morning before recognizing that it’s actually Sunday. Crazy, right? I went shopping yesterday to make groceries and get the mail and air up the car tires again–the ‘tires are out of balance’ light came on the other day, which means they are low in air–and then I came home. I spent some time trying to locate my copy of Otto Friedrich’s City of Nets, which I may have read already and donated; the library also didn’t have it, so rather than going through the storage space I ordered the ebook, which was only $7.99. I spent some time with it yesterday reading it–it’s a period that always fascinates me; my interest in Hollywood begins to die out in the 1980’s, and beyond 1990 my interest wanes considerably.

Last night we watched two movies: 1917 and Bombshell, neither of which proved to be very involving. Both movies were very well done, but…I really didn’t feel any emotional involvement with either. Bombshell was probably the more interesting of the two–primarily anchored by Charlize Theron’s terrifyingly spot-on performance as Megyn Kelly, which really dominated the film, and I’m glad there’s a film sort of documenting the crazy goings-on at Fox before the 2016 election; in all honesty I’d pretty much forgotten many of the pertinent details about Gretchen Carlson and Megyn Kelly’s departures from Fox News, but once the movie had finished all I really thought–I’m a really terrible person, I admit it–was that while the working environment at Fox was indeed terrible for women….it also wasn’t a big surprise to me? Why would anyone think that a network that was so definitively anti-women would be a nurturing environment for women? But as we saw with the “#metoo” movement…men have been abusing their power and victimizing women over whom they have power–whether real or perceived–since the beginning of time, and that cuts across the political divide. And while there was some reckoning, there wasn’t nearly enough–and I am sure it is still going on in companies and businesses and corporations today.

But again, Charlize Theron was eerily perfect as Megyn Kelly; I’m sure Kelly didn’t care for it, and she has since proven that she’s still a garbage human being despite everything that happened and everything she experienced; she’s still anti-feminist, still homophobic, still racist—now she just spews her bile on Twitter instead of in front of a camera. Same with Gretchen Carlson–and I am willing to bet that both of them learned nothing from their own experience and still question women bringing charges against men.

I know that S. A. Cosby’s Blacktop Wasteland was one of the best books I read last year, along with The Coyotes of Carthage. Elizabeth Little’s Pretty As a Picture was also a favorite. I think this year included my first-ever read of Mary Stewart’s Thunder on the Right (is there a more hard-boiled, noir setting than a convent in the Pyrenees?), and I also enjoyed Daphne du Maurier’s The Scapegoat (although I recently read a review which suggested the book would have been much more interesting as told by the other doppelganger’s point of view, which is a very interesting suggestion). I know I reread several of Stewart’s books, including Airs Above the Ground, The Moon-spinners, and This Rough Magic, and in the case of the latter two, I remembered so little of them from my original read it was like reading something new. I also read a lot of histories of New Orleans and Louisiana, which was a lot of fun as well–and of course, my Chlorine research led me to reading some gay Hollywood histories–as well as some basic Hollywood histories. I know I also greatly enjoyed Kelly J. Ford’s Cottonmouths.

Highlights of my television viewing have to include at the very top two of the best comedies ever done on television, Schitt’s Creek and Ted Lasso. Both shows were both funny and tender and heartwarming, and one of the great pleasures of 2020 has been watching other people discover how magic and wonderful both shows are. Paul and I also got into foreign language television at long last, thoroughly enjoying shows like Dark Desire, The Club, White Lines, and several others, but two of the best were Elite (from Spain) and Dark (from Germany), but Babylon Berlin was probably my favorite watch of the year. We also thoroughly enjoyed The Morning Show, Little Fires Everywhere (the book was also pretty spectacular), and of course, The Mandalorian. I also would be remiss without shout-outs to two of my favorite trashy binge-watches, Outer Banks and Tiny Pretty Things. Ozark continues to be terrific, as was the second season of Castle Rock and HBO’s The Outsider. We also saw Mr. Mercedes‘s first season on Peacock, and liked it a lot as well.

I still miss Game of Thrones, disappointing final season notwithstanding.

As for movies….I spent most of my time with my Cynical 70’s Film Festival, which included some rewatches (Cabaret, which I love more every time I see it) as well as first time watches of films like The Candidate, The Parallax View, Three Days of the Condor, The French Connection, and Chinatown; all of which served as an interesting re-education into the decade that was the 1970s, and probably one of the more formative decades of my life. There are still some 70’s films I need to see for this–I really want to rewatch The Last Picture Show, which I’ve not seen in years, as well as The Sting, What’s Up Doc, Alice Doesn’t Live Here Anymore, A Woman Under the Influence, Starting Over, An Unmarried Woman, Saturday Night Fever, and so many others. It was such an interesting decade for film…but of the rewatched films, the ones I have always loved–Don’t Look Now, Cabaret, Chinatown–I appreciated even more than I have on previous watches, if that makes any sense. Of the ones I hadn’t seen before, I think my favorite would have to be The Conversation, which was simply brilliant, and a perfect illustration of what the 1970’s were really about on many different levels.

There are a lot of books coming out in the new year that I am excited for; new novels from Alison Gaylin and Laura Lippman and Megan Abbott at the top of the list, of course, and so many others! There’s never enough time to read everything I want to read or watch everything I want to watch, let alone write everything I want to write….which sounds like an excellent place to wrap this up and head back into the spice mines.

Have a lovely day, Constant Reader!

Christmas Tree Farm

And now it’s Christmas. I woke up this chilly morning to a barrage of well wishes in my inbox; thanks, companies who have my email address; I appreciate your concerns about my holiday and how it is going to go. It’s cold this morning, but the sky is blue and the sun is shining and there are no clouds to be seen anywhere in the sky; it was also cold yesterday but much more dreary outside. This morning appears to be one of those mornings where it feels colder inside than it does outside.

I was a slug yesterday, admittedly so. I just didn’t have the energy or the inspiration or the drive to do a whole lot of anything all day–i feared this would be the case, and was proven, rather early on, to be correct. I spent the morning finishing reading The Man Who Invented Rock Hudson, and yes, this was magnificent research for Chlorine, but at the same time is was a fascinating journey into what it was like to be gay in the entertainment industry in the post-war period, and needless to say, it was a fascinating read. And while it was completely impossible to feel deep sympathy for Henry Willson–he did terrible things, and used his power to force beautiful young men with Hollywood aspirations and dreams into having sex with him, among many other terrible things; and although it was also the era when beautiful young women also had to have sex with producers, directors and studio executives to get ahead, that doesn’t lessen, or in any way mitigate, what he was doing to those young men. Willson was gay but was also homophobic, and serves as an interesting case study into the mentality that drives and draws gay men into sociopolitical conservatism–and the cognitive dissonance that must exist in order to embrace a self-loathing world view. Willson was a friend of Roy Cohn, probably the most horrible gay man to ever exist in this country, but that friendship really came as no surprise. Reading the book was a fascinating, if horrifying, reminder that it wasn’t all that long ago that the closet was the only option and going to a club or being involved with another man or even going to a private party, was putting everything in your life–career, family, whatever–in jeopardy.

And needless to say, I have a lot of great ideas now to work into Chlorine; I’d say this book was probably the single most important resource I’ve come across in my research for the book–more so than even Tab Hunter’s memoir or the biographies of Rock Hudson and Montgomery Clift; yesterday afternoon as I digested what I’d read, plot twists and story kept coming to me–scenes, character development–and I am, as always, looking forward to that day in the now not so distant future when I’ll be able to write this book…although I am also thinking reading a biography of Anthony Perkins also might not be such a bad idea.

We finished watching Tiny Pretty Things yesterday, and I have to say it was quite delightful fun–but the dialogue! OMG, the dialogue was sometimes so jarringly bad it took me right out of the show. I don’t blame the cast at all–some of the dialogue was so fucking bad not even Streep or Lange or DeNiro or Pacino could have made it work–but everything else about the show was marvelous. It was well plotted and planned very well; apparently there are two novels set in that ballet school, and the first season ended with an amazing cliff-hanger as well to set up the second season, even if the crime from the first was still unresolved–at least, thus far. I’ve always thought ballet was the perfect setting for noir–the sacrifices it requires, the commitment necessary, and the willingness and desire to push your body through incredible pain to achieve great beauty…it’s amazing to me. Do I wish I had some ballet training? Kind of, although I don’t think as a child I would have had the drive to push myself through the pain…but you also never know. I’ve always been able to commit fully to things I’m interested in or enjoy; the question would be whether or not I would have enjoyed it enough to commit to it. Hard to say, really.

I do know if and when I start writing about ballet, I’ll need to immerse myself in it. I do think the young men who commit so fully to dance–particular in our culture and society, which still sees such things as “unmanly” and “gay”–are fascinating, and most books about ballet–shows, etc–inevitably default to the female point of view and perspective; no one has, to the best of my knowledge, ever really delved into the world of ballet from that masculine perspective.

We also watched the second episode of The Stand, which isn’t really generating a lot of buzz as it airs; which is kind of curious to me. Someone mentioned it on Twitter last night, something along the lines of “How bad must this version of The Stand be if there’s no on-line discussion of how hot Alexander Skarsgard is in it?” I hadn’t really thought about it–I’m kind of enjoying the non-linear story-telling technique they are using, even if it does kind of lesson the impact of the apocalyptic end of the world from the flu story King told in the first part of the book–which is one of my favorite parts of the book, honestly. (I do love the book, even if it’s been years since I reread it–it used to be one of my comfort reads) There were some responses to the tweet about how bad the show is, and I don’t know that I would go that far–I’m enjoying it thus far, even if the non-linear story-telling is kind of jarring–but the lack of conversation about the show is pretty telling, I guess.

I didn’t do any physical writing or editing yesterday, but I did spend some time thinking about it, and i hadn’t planned on doing any writing or anything today, either, what with it being holidays and all (remember, I suspected this would happen yesterday morning), but that’s okay, really–not going to beat myself up over it too terribly; it is what it is–and today I will most likely try to get some of this mess cleaned up; my office area is a disgrace as always, and I have paper and folders and books stacked everywhere. And we are definitely watching Wonder Woman 1984 today.

And that, Constant Reader, is as good a segue as any into my return to the spice mines. Have a lovely holiday, everyone/

Hark! The Herald Angels Sing

And now it is Christmas Eve Eve, my half-day before vacation, and all is right in the world. It’s also payday, aka Pay the Bills Day, so I will be forced to spend a small, but no less significant, part of my day paying the bills and figuring out the grocery budget for the next two weeks. Huzzah? But I am endlessly grateful to still be employed in these troubling times, and I think people are reading more these days–I have certainly seen a lovely uptick in my last two royalty statements.

Yesterday was actually kind of pleasant. The mood roller-coaster known as one Gregalicious has been on the upswing this week, which has been very lovely. I’ve actually been getting positive reaffirmation about my writing and my work, and believe you me, that is rare enough that it makes me very happy when it does happen. (I also have a tendency to brush it off or disbelieve it, and that is something I intend to change going forward. I may be almost sixty, but I can still change my spots!) So, I’ve been on a bit of an emotional high this week, and it’s been absolutely lovely. I didn’t sleep great last night and am thus groggy Greggy this morning, but am hopeful that cappuccinos will kick me into gear. And…it’s only half-a-day. I am going to swing by the post office and possibly get some groceries as well on my way home from the office….and I intend to get to the gym today as well.

We finished off season one of The Hardy Boys last night and yes, it held up through the end, even if the finale went a bit off the rails there at the end. The primary appeal of the show is the kids, and the majority of the show hangs entirely on the young actors playing Frank and Joe, and fortunately, both have the talent and charisma to pull it off. They are both likable, respectably talented, and the cast playing their ‘gang’–Callie, Biff, Chet, and Phil–are also equally charismatic. I think Aunt Trudy might be having a lesbian affair with Jesse, Biff’s cop mom, but it was more implied than anything else, and they could wind up just being very good friends. I feel like the show really captured the spirit of the books, despite the changes made structurally to the foundation of the series, and it is far far better than the late 1970’s Nancy Drew/Hardy Boys Mystery Hour. The characters have inevitably always been portrayed on screen as very two-dimensional–as they come across in the revised texts of the books–and in this, they are more fully rounded and developed. They’re still good kids, but in this they seem much more realistic–and they don’t mind bending the rules to get the results they need for their investigation. It appears as though dad Fenton will be taking over as chief of police in the second season, which is an interesting twist on the “our dad is a famous private eye” take of the books, and I’m looking forward to a second season.

We also watched the second to last episode of Hulu’s A Teacher, and it remains a hate-watch, as the student, now in college, and the teacher he had an affair with deal with the damage wrought by their affair, not only on themselves but on everyone they care about. It was almost painful to watch–clearly, both need a lot of therapy–but we’ve come along this far, so I guess we’ll hang on to the bitter end, which will be the season/series finale.

Okay, I didn’t finish this before work this morning–I was a groggy Greggy, as I said–and now I am home. I picked up the mail, picked up my library book, and swung by the grocery store. I am now home and on vacation, and it’s quite lovely, isn’t it? I am fluffing the laundry in the dryer, and once it’s finished, folded, and carried upstairs, I am going to head to the gym, after which I will come home, do some odds and ends around here, and then sit in my easy chair and work on the book. I am on chapter nineteen of twenty-five right now (twenty five actually needs to be written) after which I will let it sit for a few days and then go over one last time before turning it in. I need to get my story for the MWA anthology finished, too–that deadline is January 15th–and I have any number of other odds and ends that need tidying up and tying off during this lovely vacation time. Despite all the time off, I am going to desperately try not to take a lazy day–where I do nothing, not even read–more than once (probably Christmas Day) because I really need to get this book finished. But college football is over; LSU isn’t going to a bowl game and as far as I am concerned, I couldn’t care less about the championship play-offs or anything; I’m pulling for Alabama, of course, but not sure that I care enough to watch.

And the dryer just clicked off, and so I am off to fold the clothes. Have a lovely Wednesday, Constant Reader.

Santa Claus Is Coming to Town

And here we are, the Monday morning of Christmas week, and I am looking forward to getting hrough this week so I can get back to vacation time. Woo-hoo! I also only have to work a half-day on Christmas Eve Eve (the 23rd) which is even more lovely, huzzah!

I’ve come across yet another call for submissions that sounds interesting, and I may even have something on hand that works for it with a revision and a tweak. Needless to say, I always find these things terribly exciting–at least in the moment–and I’ve really been doing quite well with short stories lately, or at least in the last few years, so why the hell not? I was already planning on revising this story for my next short story collection, so the worst thing that could happen is it gets turned down and I put it in the collection anyway. Huzzah!

Apparently, it is an impossibility for the Saints and LSU to win on the same weekend during this insane 2020 football season; the Saints lost by three to the Chiefs yesterday–and pretty much played like shit for most of the game, in all honesty. That doesn’t say much for the one-loss Chiefs, honestly, and it was terribly sad to see Clyde Edwards-Hilaire, from last year’s LSU championship team, get injured during the game. (It was, as I had said before, terribly conflicting for me to watch former LSU stars playing against the Saints) Can the Saints rebound from two consecutive losses? Perhaps, but I find myself not terribly vested in this football season, and now that LSU’ s is over, I couldn’t care less about the college football play-offs or the national championship this year, and doubt that I will even watch the games, other than Alabama-Notre Dame–hoping it will be another colossal blowout. ROLL TIDE!

I am now revising the final act of Bury Me in Shadows, and its going to require an awful lot of work, methinks and fears. But that’s okay; some of these chapters can be pared down and combined into one–which is going to be the case with chapters 19 and 20, quite frankly–which is a good thing because I need to add a new chapter at the end of the book anyway, which would have made it overlong unless I start cutting. This revision is going to wind up at 100, methinks, which gives me some leeway for trimming down at least up to 20, if necessary. I don’t think it will be necessary, quite frankly, but stranger things have happened–and I have a tendency to forget I’ve already written something and will put the same thing in a later chapter. I reread Chapter 19 last night, and that is exactly the case with this book–there’s a lengthy section in Chapter 19 that was already written about in Chapter 16 or 17; but I know I’ve already written this scene and I also know that I’ve already written it better than it appears in this particular chapter. So, this could be the proper place for a lot of cutting and pasting and rewriting–and I think I know how to do it already, so tonight after the gym I will tear into it with a relish.

We continue watching The Hardy Boys, and will probably get to the season finale tonight. We are greatly enjoying the show, haters be damned, and it is so much better than the cheesy 1970’s adaptation with Parker Stevenson and Shaun Cassidy it’s not even funny. For one thing, this cast–even the younger kids–are much better actors, and it’s much better written, whether the purists want to think so or not. All the changes that were made from the original book series work perfectly in the show, and they also manage to capture the spirit of the books much better than any direct adaptation that was slavishly devoted to the books could possibly be–not to mention how dated that would make the series. The finale is tonight, and I might give the CW reinterpretation of Nancy Drew next.

It certainly can’t be any worse than The Flight Attendant.

And on that note, tis back to the spice mines with me…also, is it just me, or does today’s Christmas hunk bear a striking resemblance to Pete Buttigieg? Okay, maybe it’s slight, but I see it.