Monday morning and up too early for PT before work. Heavy sigh. My body aches this morning–my back is especially tight–which means today will be exhausting. It’s a paperwork/admin day anyway–unless I have to cover for someone–and it’s also terribly cold this morning: 41 degrees, to be exact. I collapsed into bed last night somewhere around nine, and was dead to the world in a matter of minutes. It was a good night’s sleep, but I really need to sleep late sometime soon–probably not till this weekend, alas.
I did listen to River Road by Carol Goodman in the car both ways instead of The Drowning Tree, and as always, loved every minute of it. I still had some time left to listen to something, but only had a short time left, so I went ahead and started an Amazon Short by Zakiya Dalila Harris, “His Happy Place”, which was decidedly creepy but also extremely well done. More on both to come, of course, once I’ve gotten back into (what passes for) a normal routine around here. This will probably be a rough, tiring week, but I hope to manage. This weekend I am going to drop off beads and books for donations, and will also hopefully keep working on the apartment.
The coffee is starting to work, which is nice. My brain and body are starting to wake up, which is great. I’m also a bit hungry, so will probably make something to eat before I leave. I have dry noodles at the office to have for lunch, and will take some breakfast snacky things with me. Tomorrow I know we are going to be super-busy in the clinic, which will make for a rough day as well. Fortunately, I enjoy my job! But this weekend will be the hard reset I need, and I just have to make it through this week, which seems to be stretching out far into the distance and is a bit overwhelming to contemplate. I also need to make a grocery list, and today I have to run some errands after I get off work. Tomorrow I’ll make groceries after work, and hopefully I’ll start feeling more settled in. Sparky was a bit stand-offish when I got home yesterday–just mewed at me reproachfully for a while, but after a few hours he forgave me and was very affectionate, obviously having missed me while I was gone. I do kind of feel like our earlier cats were more Paul’s than mine, but Sparky is kind of mine. Of course, I was chair bound for almost three weeks, so he had a place to cuddle and sleep and hang out all day, and now of course no one’s home with him all day. Once the Festivals are over, he’ll be home more and then he and Sparky can bond some more.
So really, my return to normality after Carnival has been pushed back on the calendar because of the trip over the weekend. My word, how my imagination was out of control while driving and staying in Alabama. I remembered stories and ideas I’d forgotten about as well as having more ideas (just what I need, right?) and I also figured out how to finish off my short story collection. I am hoping to get some more stories finished this week and get off to submissions while working and planning my next book. I also have a shit ton of unfinished drafts here I’d like to get done at some point so I can clear out the drafts folder.
I also took a lot of pictures this weekend, to help me describe places when I write about Alabama some more. I also realized that fictionalizing the place where I was born means it doesn’t have to be exactly the same in my work than it is in real life, you know? But that’s also my own stubborn brain trying to make everything correct when it doesn’t have to be, which happens a lot. It’s not like New Orleans, which appears as it is in my work. Corinth County is based on where we’re from, but it’s not the same. I had an idea for something completely new on my way up there; there was an In Cold Blood-kind of slaying there in the late 1960’s; a couple who ran a corner store were brutally killed and robbed, and so when I got home I started looking for information about it on-line (I’ve done this before, but not for a potential writing project; more out of idle curiosity when I was writing Bury Me in Shadows) and interestingly enough, there have been any number of crimes down there over the last forty or so decades; in fact, in one article about another murder I read a quote from someone at a café in town that the county “seems to be cursed”–which I must have read before because that has always been the underlying theme of the fictional county; it’s even in Bury Me in Shadows with people saying “the history of this county is written in blood.” Anyway, I would be interested in writing about that 1967 shooting–either fictionally or as true-crime.
And on that note, I need to get ready for PT and then heading straight to work from there. Have a lovely Monday; I may be back later as one never truly knows.
I’ll be driving back to New Orleans in a little bit, and I am exhausted. I went to bed last night ridiculously early–so early that I don’t want to admit to it publicly. I was very tired when I got here Friday afternoon. I made very good time despite some highway construction stupidity in Mississippi (which is always) but for the most part it was a nice drive and I got up here relatively easily. I stopped to get gas and eat in Toomsuba, which I’ve not done in a long time, and as I feared, once I slowed down and sat down to eat lunch, fatigue set in. I did have PT yesterday morning and left afterwards (and a few errands for good measure) and so, like always, was worn out by the time I got here.
It’s also cold here, which is hard for me to get used to as I haven’t been here during the winter very often in my life, so I always think of home as being hot and humid and muggy and miserable (going to Murder in the Magic City and Murder on the Menu doesn’t count because that doesn’t involve my kin in any way). It was bitterly cold here today as we drove around with Dad showing me places from his and my childhood. We went down to the bottoms of the Sipsey River on what used to be my grandfather’s land, which I hadn’t been to since I was a kid, and the river was really high and rushing quickly because of all the rain. (It rained really hard on Friday night). I actually slept well–which should be an indication of how tired I was, as sleeping in a hotel isn’t usually easy for me. Maybe the new drugs have helped in that regard too? I was very calm as I drove and didn’t feel the pressure of the ticking clock or the need to get there as fast as I could and feeling frustrated and irritated by any delays en route. I do not miss my anxiety in the least.
But, oh the memories that came back to me as we drove past my grandmother’s house (now crumbling and in disrepair) which was an indelible part of my childhood. My grandfather’s house, where my dad was born and raised, is also gone. I was also getting all kinds of ideas, as I always do when I come to or through this part of the state, and started really getting into this idea of a sequel to Bury Me in Shadows, only with Beau Hackworth was the main character. I really do want to write more about Alabama, and several other ideas of stories that are either in progress or exist in a very rough draft. It even occurred to me that I could do an entire collection of short stories set in Alabama. I have already published a couple of them, and I have enough ideas for another collection just for those alone–but I suppose I should finish my next one first before I think about another one, right?
This place will always have a hold on me, and it does worry me a bit that once Dad goes, my last connection to the county and my childhood summers here. And yes, I am aware that I am looking back through the nostalgic rose-colored glasses of sentiment. But summers here–how to describe them? Hot and humid, dragonflies and dirt daubers and five o’clocks, fried baloney sandwiches and buttermilk, sweat tea and cobblers, mosquitoes and watermelon and fresh blackberries from the woods, trips to town to the Piggly Wiggly and the library, long rows of cotton and corn and watermelon vines, red dust and orange clay roads, heat shimmering up from blacktop roads and how everything was so still in the lazy heat of the mid-afternoon, ghost stories and Civil War legends and lost treasure.
I miss my mom. It’s hard to wrap my mind around the idea that she’s buried here, that her remains are there under the ground between the big HERREN headstone and the foot-stone with her name and the dates underneath. It was such a cruel twist of fate for her to go on Valentine’s Day, which was also the anniversary of their first date sixty-six years ago. But in this time since she died I’ve also spent a lot more time with Dad and have gotten closer to him, which is really nice. I’ve also spent more time with the rest of the family, too, which is even nicer.
I know I’ll be exhausted tomorrow and I am starting the day with PT, so I will be really tired when I get home tomorrow night. I guarantee when the weekend rolls around again, I am sleeping as late as I feel like on Saturday, period.
Well, I didn’t get to post this before Dad called my room to get me to come downstairs for breakfast, after which I helped him load up his truck, I loaded my car, and we said our goodbyes and I headed for New Orleans while he made a detour on his way to Kentucky to say goodbye to Mom again.
The drive back to New Orleans was easy, little traffic, and I made it in slightly under four and a half hours, which is excellent time. I was exhausted once I got home, and then Paul and I got caught up on Abbott Elementary, we watched an unsettling documentary (but really, aren’t they all?) and then I started watching Alexander. Paul went upstairs to work, and so I did some chores and then remembered I never posted this. Not really sure what I’ll write about tomorrow morning, if anything at all. It’s going to be a long, tiring day.
And on that note, I am going to go sit in my chair and finish watching Alexander on Netflix. Maybe I can talk about that tomorrow? Have a lovely evening.
I am off to Alabama later this morning. I have PT in a bit, some errands to run, and then home to get cleaned up and hit the road. Carol Goodman’s The Drowning Tree is cued up on Audible. It should be a nice day for a drive, but it’s going to be cold in Alabama. I’ve not taken a nice drive in almost four months, and it’s always good for firing up the creative synapses and loosening the bindings on my imagination. The worst part of the drive for me is always getting out of New Orleans through the East and I am not a fan of the twin spans to the north shore or getting through Slidell. But once you get on I-55 North, it becomes a very relaxing drive through rural Mississippi. Not much traffic other than around the bigger cities (Hattiesburg, Meridian, Laurel) and then you’re in Alabama. Alabama is also beautiful, and of course it always always always makes my mind wander back to my childhood and stories of the county, histories and legends and gossip and tall tales of a time so different it may as well be an another planet.
I submitted a story yesterday, which felt like progress back into my career again. I finished editing it last night and sent it off without a second thought, logged it into my spreadsheet (which didn’t include my last sale, so I included it as well) and started working on my swamp ghost story again. I made some necessary changes (correcting the wrong geography by using a map) and moved on a bit. I am very pleased with the story, but it’s already very very long so there will be some necessary cuts and revisions in future drafts–but again, it felt good to be writing fiction again. I’ve also been getting things written in my journal–lists of things to get for the apartment as well as what stories to write and submit where; what books I want to work and finish this year and when I’m going to write them. It feels good, frankly, to be creative again.
Paul didn’t make it home last night before I went to bed, which was a pity, but I’ll see him before I leave today; he should be up by then I would hope.
I did watch this week’s episode of Feud last night. The performances are amazing, the show’s production values (particularly in set and costume design), but it’s also not a lot of fun to watch someone on a downward self-destructive trajectory, either, particularly when they’re as talented as Capote was. That seemed to be a lot more common place with writers back in the day–they all seemed to have substance abuse problems, but I suppose if you had to type everything…it would eventually drive you to drink.
I also slept really well last night, too. Sparky woke me up by clobbering me in the face this morning, claws out, so I now have a scratch on my nose and another on my cheek. Perfect timing, right? Heavy heaving sigh. I also have some scratches on my shoulders and chest, from him riding on my shoulders. We really do need to learn how to trim his nails. I also caught him last night trying to get on top of the refrigerator again. He really is a mischievous child. Sigh.
And on that note, I am heading into the spice mines. I have to leave for PT in a moment, and I need to start getting everything together for the trip. Have a lovely Friday, Constant Reader, and bear with me–I may not be back until Monday.
I didn’t sleep well last night, for the first time since getting the new night meds, and as I sit here blearily this morning drinking my coffee it occurs to me that anticipation of this day probably had a lot to do with it.
Yesterday was a nice day. I slept super-well and even a bit late, came downstairs, posted three blog entries throughout the day, and managed to get a lot done. I got some laundry done, cleaned out the sink and ran a load in the dishwasher, straightened up around my desk some, did some filing and organizing, worked on cleaning up computer files, and so came downstairs to a relatively clean kitchen. Huzzah! I also started making lists of things I need to write this year as well as the things I need to write this year. I am also trying to sort my short stories predicated on submission calls I’d like to send work to and establish some kind of timeline (just the remotest suggestion of one, knowing mood and energy levels will affect that and I won’t make all of them) for getting them done and keeping myself on track. I also want to finish this y/a novel that’s been languishing in the files for quite some time, and I even started thinking about Scotty X, Hurricane Party Hustle1 , which was kind of nice, too.
In other words, yesterday was one of the best days I’ve had since the surgery, and today will probably not be one of my better ones. I don’t feel grief-stricken or anything, but it’s still difficult. I’m glad I am meeting Dad in Alabama this weekend2. I feel good now that the caffeine is percolating through my veins and my body is responding to it. I don’t feel fatigued, but then again it’s also still early in the morning and I haven’t yet had the inevitable caffeine crash that will come this afternoon. I do have to make groceries again today (it really never ends), but I think after that I can just go straight home, which is great. Any other errands can wait until after PT on Friday, before I head up north to Alabama. I know I’ll be sad once I am around Dad, and it’ll be hard saying goodbye on Sunday and heading back south, but that is a lot easier than having to live in her house.
And really, I had my mother for sixty-one years. Thank God they started young, right?
We also watched The Last Voyage of the Demeter yesterday afternoon, and it was very entertaining, although it’s very hard to maintain suspense once you know it’s based on the captain’s log entries from Dracula, and the movie opens with the ship wrecked on the shore with no survivors. SPOILER. right? But it was a clever idea–I’m always a fan of expanding the mythology from books that weren’t addressed fully in the book, especially for movies and television (like Castle Rock and Chapelthwaite built out from the Stephen King universe), because I think it’s cool, it doesn’t take away from my enjoyment of the originals, and I’ve done some homage work myself (Timothy).
And on that note, I am heading into the spice mines. Have a lovely day!
I’m not sure of this wisdom of this title, honestly. It was supposed to be the fourth Scotty, and I had sent the proposal to my editor the week before Katrina. Certainly, there’s a lot of superstition involved in that kind of thinking, but at the same time I feel kind of squeamish and may come up with something else. ↩︎
I was thinking about my next Alabama book, too. ↩︎
Oddly enough, the second Chanse was the fourth novel I published, and therein lies a tale.
Funny how with these earlier books there’s always a story, isn’t it?
So, I sold Murder in the Rue Dauphine to Alyson in September of 1999–but the pub date wasn’t until February 2002. I saw no point in writing a sequel to the book immediately; primarily because there was a nearly two and a half year wait between signing the contract and when they were able to schedule me in. So, I figured I had about a year and a half before I needed to get it finished (everyone told me it would be released a year after the first, and in all honesty, what was the point of writing two or three books while waiting for the first to come out so the others could be scheduled?), and so, with time to spare and a lengthy period of time to “waste”, I decided to start thinking about the “what ifs”–what if the book sells super-well and is popular? What if this isn’t just a one-off standalone and could be turned into a series? The more I thought about it, the more I liked the idea and I liked letting my mind roam.
So, what would I do if the series took off and I needed to write more?
Being creative and full of energy in my late thirties, and thrilled to death that now I wouldn’t die without having published a novel, I reread the manuscript and my analysis of who Chanse was and why he was who he was, and I started mapping out a personal journey for him, that lasted several books. He was a cynical loner, with a couple of friends, and he was still really not adjusted to being gay when the first book opens. He was estranged from his immediate family of younger sister and brother and his parents; he never returned to Cottonwood Wells after leaving for LSU. He’s ashamed of his family but he also knows they will never accept his sexuality, either, so it’s very easy for him to cut them off almost entirely. So, his journey was going to be like that of the main characters of the show Moonlighting; each case would teach himself something about life and himself, and he would grow from the lesson learned in each book. Each book going forward would have a life lesson for him (Rue Dauphine did as well; the lesson was ‘you can’t just trust someone automatically because they’re queer.’); and the one he’d learn in the second book would be about love and trust (the third would be about sacrifice, the fourth would deal with his family, the fifth would have him fall in love with someone else, the sixth would deal with him dealing with losing his best friend to her husband and realizing he does need other people, and the seventh, the swan song for the story, would find him ready to finally commit to someone and live with them, so the series would be seven books long).
Shortly after I sold the first book, I again learned that lesson myself–the case in the first book was inspired by a gay con artist who’d gotten involved with a non-profit here in the city and then blew out of town overnight, having stolen/embezzled a shit ton of money and leaving a pile of debts behind. I had written to a local color magazine for the gay community (I can’t remember the name!) about writing for them. I wrote something for them, and they hired me to be editor of the magazine, as the business was expanding and it would free up the founder to focus on the new directions while I ran the magazine. It was fun, I got to work with a lot of fun new friends, and…then it all blew up in our faces. It was very similar to the earlier situation–a gay con artist blows into town, makes a lot of promises, runs up a lot of debt and then it just blew up completely. Turns out the guy was a con artist with a record of credit card fraud, and he was on the FBI watchlist so yes, I did get interviewed several times by the local office of the FBI.
The second book, which had the working title Murder in the Rue Royal, was based on that story, but I had already been playing around with a stalker storyline, and then I realized how I could cross the two stories into one seamlessly and write the book. I managed to get another first draft finished when a two-book deal to write the Scotty series for Kensington and Alyson dropped the option for the second book, saying “two mystery series with a gay main character in the same city by the same author are too similar to each other”–which I took as a challenge to make Bourbon Street Blues and Scotty as different as I possibly could to prove them wrong. So, the manuscript went into a drawer and I started happily working on Scotty instead…and again, it was a stand-alone that morphed into a series.
This was the Insightoutbooks edition cover of Murder in the Rue St. AnnThis is the new cover the book got when Bild Strokes Books republished the book as an ebook.
I took a streetcar named St. Charles down to Canal, crossed the street and walked down to Royal.
It was eleven o’clock in the morning on one of those splendidly sunny September days that makes you glad to be alive. Taking the streetcar had been a good idea. The long heat of summer had broken, and the air was crisp and in the mid-seventies. The sky was that blue unique to New Orleans, with wispy white clouds scattered across its expanse. There was just a hint of cool moisture in the air. There were a lot of people milling around the sidewalks on Canal— a good sign for the tourist season. Canal used to be the main shopping drag of the city, with huge department stores like Maison Blanche and D. H. Holmes. Those were long gone. They had either gone out of business or fled to the suburbs— now it was mostly hotels, fast food, and Foot Lockers.
There were hopes that putting the Canal streetcar line back in place would stimulate a recovery for the street. So far, all the construction work had simply made the Quarter difficult to get to from uptown. Add to that the chore of trying to find a place to park that would get me a ticket in two hours or cost ten dollars, and I was kind of glad I was having car trouble—the streetcar down and a cab home was very simple.
Not that riding the streetcar didn’t bring its own set of aggravations. If the cars ran on any fixed schedule, I’d never been able to figure it out. You could wait for one for half an hour and then three in a row, all packed to the gills, would show up. The streetcar ostensibly operated as public transportation, but was also a de rigeur tourist attraction. There was no way of telling when you’d be able to catch one with a place to sit. But when you did, it was nice to find a window seat on a sunny day and enjoy the city clacking by.
So, when Alyson chose to drop the Chanse series after I signed with Kensington, Murder in the Rue Royal went back into a drawer, which was fine–it wasn’t a good book–and I moved on with my life. The advance for signing with Kensington paid for our move back to New Orleans from Washington, and moving back here was absolutely worth ending the Chanse series for, seriously. I still didn’t have an agent, but I’d been signed to book contracts by two publishers already, and I figured it might be easier now. We accomplished the move, get our new apartment set up on Sophie B. Wright Place, and started putting our lives back together. I don’t remember the timeline of how it came to be, but I was still working with Alyson on my first and second erotic anthologies (Full Body Contact and FRATSEX), so I was aware when my editor left and a new person, that I knew slightly, moved from assistant editor to senior editor. We were talking on the phone one day about Full Body Contact and she casually mentioned, “I don’t see your second Chanse book here on the schedule, what’s going on?” and I told her the story, “Oh for fuck’s sake, when can you get it done by?” and that became the second contract for Chanse.
So, after finished Jackson Square Jazz and turning it in, I broke out Murder in the Rue Royal (the title had already been changed on the contract to Murder in the Rue St. Ann; my new editor didn’t like the alliteration) from the drawer, blew the dust off it, and reread the manuscript. I looked at my timeline for the series, and saw that this was the one where he was supposed to fuck up his relationship, but I didn’t see it in the manuscript. I reread the first book, thought long and hard about Chanse and who he was at this point in his life and after several long days of musing it hit me, between the eyes: jealousy. Jealousy would be what fucks up his relationship, and it only made more sense to me that Chanse would be the jealous one. Paul had a loving, accepting family and was more secure in and of himself as a gay man and what he wanted out of life. Paul was considering becoming ground-based at the New Orleans airport so he could settle down and have more of a life with Chanse, which also has Chanse very alarmed and makes the jealousy even more intense….so what would be the thing that would set Chanse’s jealousy off? Something from Paul’s past that Chanse didn’t know but finds out about in the worst possible way?
I had had some issues, believe it or not, with stalkers over the years. I had always wanted to write about a stalker, so what if Paul had a stalker? Why would Paul have a stalker? And then it occurred to me that Paul had a past he wasn’t ashamed of, but had never mentioned to Chanse. Not out of a fear that Chanse wouldn’t understand, but mainly because he had no need to tell him because it wasn’t anything dark. He had done some nude modeling when he was younger and he had also done some soft-core wrestling fetish porn, which is where the stalker came from. And what if I could work the con man he’s been hired by was someone Paul knew from the soft-core fetish porn? What if the guy contacted Paul because he’d been getting threatening notes on top of everything else going on in his life? And what if Chanse ran into Paul when he was leaving the con man’s offices, which brings all this out about Paul’s past? What if it shook a jealous, possessive, insecure Chanse enough for them to fight about it? And what if Paul disappears after the con man is murdered?
That was something I could work with, and so I did.
I’ve always called Murder in the Rue St. Ann my most under-appreciated work. By the time the book had come out, Paul had lost his eye to the muggers and we were in recovery mode. I didn’t do much of anything to promote the book (other than a signing at Outwrite in Atlanta, where I signed all of my books until they closed), and it kind of came and went quickly. I felt it was the most unappreciated of all my books. Jackson Square Jazz had come out earlier in the year before Paul was attacked, and it sucked all the oxygen up that year intended for me–it was the Lambda nominee, not Rue St. Ann–and I didn’t pay much attention to the book after it came out, either. The ‘christians” came for me a few months after the book’s release as well, and then Katrina…so yeah, Rue St. Ann got no press, got no attention, but somehow still managed to sell well.
I did have the next one planned, Murder in the Rue St. Claude, which there was a proposal in for, but Alyson was also going through other, deeply concerning changes that showed how little the higher-ups knew about anything, let alone publishing. But that’s a tale for another time, I think.
I woke up to a very cold apartment. The temperature dropped overnight and so, this morning I switched the HVAC from “cool” to “heat” and will wait to shower and so forth until the apartment is warm and toasty. I slept late again today–something I’ve done every say since Friday–but it felt good and every day I’ve felt rested and relaxed. PT was brutal yesterday and so when it was time for Proteus and Orpheus…the combination of exhaustion/fatigue along with the falling temperatures kept me very much inside. The good news is I am doing so well in PT that next week I am graduating to one PT session and one session at my gym on my own–I am trusted and recovered enough to try light weights for the arm and shoulder. This is nice, actually, and the transition from going to PT twice a week to going to the gym twice a week, gradually adding a third day, is going to be awesome. For me, it’s still going to be about fatigue and exhaustion until my stamina returns. And the only way for stamina to return fully is to…well, keep pushing myself, and isn’t that what exercises are about in the first place? It’s going to be a long and tough road, I reckon, but putting it off will only make it harder. And in all honesty, I actually enjoy going to PT. I love the endorphin rush, I love how I feel…it’s just been a while since I’ve felt exercise fatigue. and need to get used to it again.
I also made groceries last night after PT (and picked up the mail) and totally stocked up in a way I haven’t in a while; or it was just the most I’ve spent at the grocery store since my surgery. I also had the gods of Carnival parking looking out for me, as a spot in front of the house was open when I got back. On Orpheus Monday. That’s three times now that the parking gods have blessed me with ease. Paul apparently finished off our last king cake last night (I didn’t buy another, as you aren’t supposed to eat them on or after Ash Wednesday, so it would have had to be completely eaten today, and that’s a nope), which is great. I’ve maintained the weight loss from the surgery so far–my weight now fluctuates between 203 and 208, whereas before it was between 216-220; I’ll take it, thank you very much, and now that the Carnival “excuse” is over, I can’t really justify eating sweets and chips and things except as an occasional treat. I’ve been living on turkey sandwiches now for several weeks, for the most part. And if I start taking walks every night around the neighborhood (or on the nights where I don’t have to run errands), that will also help me sleep better (although that’s not been an issue since my new meds; apparently I slept soundly through a horrific overnight storm, which included hail in some places and flooding rains, on Sunday night). 2024 is my get healthy year, and by that I mean both mentally and physically.
Once I experienced the endorphin crash yesterday I was pretty much down for the day. I did do some cleaning and organizing, but then I crashed into my chair and pretty much stayed there for the rest of the day. I pretty much wasted most of the day, in all honesty, because I was definitely fatigued. I also got a book I’d bought from eBay that I had always wanted to read but never did, and thought of it recently for some reason I cannot recall right now: The Little Wax Doll by Norah Lofts. Ms. Lofts is very much forgotten today and never talked about much, but she was a terrific British mid-century writer who wrote historical novels, occasionally wrote about the romantic lives of royal women (some of her subjects included Eleanor of Aquitaine, Hortense de Beauharnais, Katherine of Aragon, Anne Boleyn, and Isabella of Castile, to name a few) and she also wrote modern stories, usually some sort of suspense novel. The Little Wax Doll is horror/suspense, and it’s kind of irritating that I’ve never read it. I picked it up and read a chapter, was sucked in, and read another few before putting it down. I loved her short story collection of ghost stories (Hauntings: Is There Anybody There?), and look forward to reading this book and talking about Lofts more.
Zulu is passing; one of the fun things about waking up on Fat Tuesday is hearing a parade passing at the corner. When I woke up there was a Whitney Houston remix playing, now I can hear a marching band. I’m kind of glad it’s cold today, because I won’t wax sentimental about staying in on Mardi Gras. It’s not like I wouldn’t collapse with exhaustion by the time we walked to Canal Street anyway.
We also watched some more Abbott Elementary last night, and I have to say I love this show. Everyone in the cast is fantastic and the kids are adorable for the most part. And it’s clever, character driven, and funny as hell.
And on that note, I am heading into the spice mines. It’s still a bit cold in there, so the shower will definitely have to wait, but I can get some other things done in the meantime. Have a lovely Tuesday, everyone, and I may be back later.
Lundi Gras, aka Orpheus Monday, and I have taken the day off from work. I have to make groceries and lay in supplies since we’ll be trapped in the neighborhood except for a brief six or seven hour window after Orpheus and before Zulu tomorrow morning. I am up early because of PT at ten this morning, and here’s hoping I can get this done before it’s time for me to fly. It looks like a lovely day out there already, which means a hopefully lovely night for parades. Orpheus is my favorite night parade, mainly because I love Ole Smokey, the Orpheus train float, which is gorgeous. Orpheus also throws a shit ton. I did very well at Iris on Saturday morning, and while my endurance was sapped, I am glad I started going to parades again this year after missing last year. My moods this year are all over the place, since this is when Mom was in hospice last year. The anxiety medication works, of course, but even it isn’t strong enough to conquer grief, I guess.
I worked on the house yesterday a bit but my mind was too fatigued to read, which was a real bummer. I want to write this afternoon after I get home; time really slips through your fingers the older you get. I do need to work on the house some more today as well. We also streamed more of Abbott Elementary, keeping track of the Super Bowl on my phone. I did watch the boring first half, so gladly changed the channel when Paul came downstairs to take a break from working. Ironically, the second half turned out to be a lot more exciting, with the Chiefs winning in overtime 25-22. That sound we all heard last night was MAGA heads exploding. They are still exploding this morning–especially the MAGA christians (lower c deliberate, not a typo)–who’ve decided that the only Black woman in the Kelce suite (Ice Spice), who was wearing an upside down cross, is a Satanist because of it. The horrors! Satanism!
I’m sure it has nothing to do with her being Black. Might as well include a side of racism, right?
Fucking idiots. Thou shalt not bear false witness against thy neighbor. Have fun in hell, apostates. I do love calling them on their sanctimony with a Bible verse. 1 Timothy 2:12 is my favorite when they’re women…
But then again, we’ve known they were dangerously stupid morons since 2015, and every day is a new lesson in their dangerous stupidity.
Heavy sigh.
I did do some good scribbling in my cool new journal yesterday as well. It’s always lovely when you’re starting a new journal, with all those fresh and clean pages to fill in, and there’s always a bit of sadness when I finish the old one. This last one was red, and one of the things I need to do either today or tomorrow is transcribe any notes on any story or book or essay that’s written in there that I haven’t already. I think I’ve managed somehow to get everything from the early part of the journal done, but you never know. If I don’t transcribe them, I need to at least put sticky notes on important pages so they are easier for me to find.
My memory continues to suck royally, but the lack of anxiety about it is nice (thank you, new medications!). I’m still trying to adapt to this new world for me; and of course I worry that my lack of anxiety is going to be a problem with motivating myself to write. I don’t think I’ve actually finished anything since the change in meds, but that was also correlated to my surgery and the recovery and the loss of stamina/endurance….which has me wondering how long I’ll be able to last at Orpheus, especially since I’ll be exhausted from PT this morning. I just checked the weather and it’s going to be windy and chilly tonight, in the low 50s, which is also unappealing.
Sigh.
Ah, well. It is what it is, I guess. So I am going to put on my PT clothes, finish my grocery list, and get a little more cleaned up before leaving for my appointment at PhysioFit. I will probably be back later. One never knows.
It’s always weird for me to talk about my writing and my books and so forth on here; I always worry that I am either contradicting and/or repeating myself. When you’re as self-obsessed as I am, that can be a problem; talking about myself is probably my favorite thing to do–on here, at least. And I feel like I’ve told the story of where Chanse came from and how the series developed from the very beginning many, many times.
It was when I was living in Houston that I rediscovered crime fiction, and the old love was even deeper once it was rediscovered. This was the period when I read most of the Perry Mason novels, discovered Paretsky and Grafton and Muller, and decided to give Travis McGee and John D. MacDonald another try. (I had read The Dreadful Lemon Sky when I was a teenager, but I hadn’t liked it; I was more into the classic detective mystery, with lots of suspects and a denouement with everyone gathered in a drawing room as the identity of the killer was unveiled–the McGee series was definitely not that. But MacDonald had written a superb introduction to Stephen King’s first short story collection, Night Shift, and I had always wanted to give him another chance–pun fully intended.) I devoured the McGee series this time around; and I really admired the character and how fully rounded and developed he was (I should give the series a reread; I’d be curious to see how they hold up now)…and armed with all these new private eye novels and Perry Mason puzzles, so I started coming up with my own version. Even the name was a shout out to McGee. My character was also tall with sandy/dirty blond hair, a former college football player, and he lived in Houston, with an office downtown and a secretary named Clara. The title of the first book was going to be The Body in the Bayou, and I started basing the case on the tragic Joan Robinson Hill case, immortalized in Tommy Thompson’s Blood and Money (the premise of the story was that the character representing Joan’s father hires Chanse after Joan’s death to find dirt on John–and then John is murdered; fictionalized, of course.) I wrote about six or seven really bad chapters long hand before giving up. I didn’t know how to write a novel then nor did I understand the concept of rewrites and revisions and drafts. (My ignorance was truly astounding.) The hurdle I couldn’t clear was typing. I was a terrible typist. I’d had a job in California working for an insurance brokerage that was computerized, and had a word processing program that I used to write short stories on; it made such an incredible difference that I knew I would have a much better shot at actually making my dreams come true if I only had a word processor…
In 1991, after I moved to Tampa, I managed to get a word processor, and that was what I wrote my first two and a half young adult novels on–the original drafts of Sara, Sorceress, and Sleeping Angel–and used it happily for several years until it finally died on me. But by then, I was living with Paul and had swung back around to wanting to write adult crime fiction again, and I wanted to write the Chanse character that I’d already created…so I picked back up on The Body in the Bayou, moved it from Houston to New Orleans, got rid of the office and the secretary, and made Chanse gay. I kept the title, but threw away the story; I wanted it to be a gay story, too. I don’t really remember the plot, but it had to do with the murder of a beautiful boy-toy for a wealthy closeted gay man in New Orleans…and Chanse knew the boy-toy from his days working as an escort before he landed the rich man, I wrote about six or seven chapters of this before we moved to New Orleans….and I realized I’d have to throw it all out again because it was all wrong; I’d made the classic mistake so many writers make when writing about New Orleans: writing about it having never lived here, I only had tourist experiences–which are vastly and dramatically different from the actually “living here” experiences. So, once again, I threw it all out and started over, this time calling it Tricks instead of The Body in the Bayou.
The title morphed again to the less saleable Faggots Die after the first draft; and I remember talking to Felice Picano–he was coming into town for the Tennessee Williams Festival, and I picked him up at the airport. As we drove back into the city from Kenner, we talked about my book and the series, and he nixed the new title as well as the old one. “No one, ” he wisely said, “will pick up a book called Faggots Die, and Tricks sounds like a pornographic memoir of your sex life.” Felice was actually the one who suggested I mimic titles for the series from a classic writer…and we were throwing titles around in the car when I said, “You know, the streets in the Quarter are technically rues–Rue Bourbon, Rue Royale, Rue Dumaine–and the murder happens on Dauphine. Maybe Murder in the Rue Dauphine?”
“That’s perfect,” Felice said, and then we played with Poe titles the rest of the way into the city–incidentally, one of them was The Purloined Rentboy, which became my short story “The Affair of the Purloined Rentboy”, so never throw anything away.
And thus was Murder in the Rue Dauphine titled; and the plan for the series titles was also devised–the branding was changed by the publisher, but I can honestly say my first book was titled by Felice Picano.
Murder in the Rue Dauhoine has had three covers in its 21 years of existence. This center one is the current.
Never come to New Orleans in the summer. It’s hot. It’s humid. It’s sticky. It’s damp. It’s hot. Air conditioners blow on high. Ceiling fans rotate. Nothing helps. The air is thick as syrup. Sweat becomes a given. No antiperspirant works. Aerosols, sticks, powders, and creams all fail. The thick air just hangs there, brooding. The sun shows no mercy. The vegetation grows out of control. Everything’s wet. The buildings perspire. Even a simple task becomes a chore. Taking the garbage out becomes an ordeal. The heat makes the garbage rot faster. The city starts to smell sour. The locals try to mask the smell of sweat with more perfume. Hair spray sales go up. Women turn their hair into lacquered helmets that start to sag after an hour or so.
Even the flies get lazy.
My sinuses were giving me fits as I left the airport and headed into the city. It was only 7 o’clock in the morning but already hotter than hell. The air was thick. I reached for the box of tissue under my seat and blew my nose. The pressure in my ears popped. Blessed relief.
As I drove alongside the runways I could see a Transco Airlines 737 taxiing into takeoff position. I saluted as I drove past, thinking it might be the flight that my current lover was working. Paul looked good in the uniform. It takes a great body to look sexy in polyester. He does.
He’d be gone for four days on this trip. I was at loose ends. I’d wrapped up a security job for Crown Enterprises the previous Wednesday. The big check that I’d banked guaranteed I wouldn’t have to worry about money for a while. I like when money’s not a concern.
And so began a series that lasted for seven titles and about twelve years or so; I don’t remember what year the last book in the series was published. I never expected anyone would publish it; it was intended to be a “practice novel” so I would get used to rejections and learn. It was also the first manuscript I ever wrote that went through multiple drafts before I thought it was finished enough to send out on query. It was supposed to be an exercise in learning humility and getting experience with the business while I wrote the book I did expect to get an agent with and sell–which was what I’d always called “the Kansas book” for over a decade at this point. (It eventually morphed into #shedeservedit.) But you never really learn what you’re supposed to when you’re stubborn, thin-skinned, and used to being demeaned and talked over and not taken seriously, for any number of reasons. I sent the manuscript to three agents: two sent me lovely but form rejections, which was disappointed but not surprising. I took this well, put the manuscripts away to send to three more once the final rejection came.
It came on a Friday, if I recall correctly. I went to pick-up the mail and my manuscript was there. Not a surprise, of course, but still a little disappointing. I went out to my car and opened the package…and paper-clipped to the title page of the rubber-band bound manuscript was a torn piece of used paper, with a note in ink reading I find this manuscriptand characters neither interesting or compelling with the agent’s initials at the bottom.
It was like being slapped in the face.
By the time I got home I was in a raging fury. I was literally shaking with rage when I came inside. How fucking unprofessional, I thought as I sat down at my computer to check my emails, trying to decide how I would enact my vengeance on this rude piece of shit.1 There was an email there from the editor I was working with on an anthology which had taken my first-ever fiction short story and thus would be my first publication. I had never read the signature line–mainly because I was so excited for my first fiction sale (NARRATOR VOICE: it was porn). This day, he concluded his email with Please send us more work. We definitely want to see more from you and as my ego preened, slightly soothed from the insulting agent note from earlier in the day2, I also looked down at the signature line and realized I was communicating with the senior editor at Alyson Books! I immediately wrote him back a very short note: I’ve written a novel with a gay private eye set in New Orleans, would you be interested in that? and before I could talk myself out of it, hit send.
He wrote back immediately and said please send it to me ASAP!
I put the same manuscript back in a new envelope, and drove back to the postal service to get it in the mail before I changed my mind, and breathed a sigh of relief once I got back to the car–and immediately forgot all about it.
Six weeks later I came home to a phone message from the editor. I called him back, he made me an offer, and my career leapt forward much faster than I expected…and it started a roll of good luck and “being in the right place at the right time” that has kept me publishing almost non-stop since Murder in the Rue Dauphine was released in 2002.
It sold really well, got mostly favorable reviews, and scored me my first Lambda Literary Award nomination.
Not bad for a manuscript and characters who were neither interesting or compelling, right?3
It also took me a long time to realize–or rationalize–that the note wasn’t meant for me. (I was most offended that I wasn’t even worthy of an actual form rejection letter; that was the truly insulting part for me.) I realized when telling this story on a panel somewhere, that the note was probably meant for an intern or a secretary or an assistant, who just shoved the whole thing in an envelope to do the rejection and through some wild Lucy-and-Ethel office shenanigans, it went out without the rejection letter and with the note intended for internal eyes only…and made me wonder, how different would my career and life be had that fuck-up not happened?
We’ll never know, I guess.
Not really proud of this reaction, but I did get the last laugh. ↩︎
Said agent died a few years later. I may have smiled and said good, a la Bette Davis vis a vis Joan Crawford’s death. ↩︎
I may be more forgiving about a lot of things these days, but I will always be petty about that hateful agent. ↩︎
Friday morning after Muses, and I am a little tired–physically. Mentally I am alert as ever and feel great, but I am not used to standing on the sidewalk for so long anymore. Chaos last night was my first parade (the floats were hilariously inappropriate; all I will say is the theme of the parade was “balls” and leave it at that), and we came home to rest before Muses arrived. We didn’t stay out for long, I was tired and sleepy and it got here around ten; we lasted out there for about an hour before I started flagging and came back inside. However, I realized I should have gone to parades to warm up for this weekend; I forgot that it takes a parade day to warm you up and get you in the proper spirit; I should be good to go tonight if my PT this morning isn’t too vicious.
And yes, we got a really cool shoe.
I had a good day at work yesterday, got a lot of things done and caught up and feel confident not being in the office again until Ash Wednesday will not be disastrous for me or put me really behind on things. I came home early (it took me an hour), and I came inside and watched this week’s episode of Capote v. the Swans, which was done in documentary style, which was an interesting take. I’m not quite as obsessed as I was about Capote when I first started watching, but I do want to read the Gerald Clarke bio of him, and maybe even George Plimpton’s Capote. It’s taken me awhile to get interested in Capote, and while I wouldn’t say it’s an obsession anymore, I am still very much interested in this incredibly famous openly gay man in the middle of the twentieth century. I have added Deliberate Cruelty, a true crime narrative about Ann Woodward’s feud with him by Roseanne Mantillo, to the books I am reading and I finished it last night.
And yes, I am beginning to understand precisely why he wrote “La Côte Basque 1965” and why he published it, but more on that when the show is finished and I give it, and Capote, an entry of their own.
As for me and the weekend, I have taken Monday off and so I am hoping that I’ll be able to get some reading and writing done today, Sunday and Monday (I will always take Saturday off from everything to go to Iris). I want to finish editing this one short story and finish writing another, and perhaps get them submitted somewhere. I have laundry going already and a dishwasher to unload and reload. I have PT this morning, a prescription and the mail to pick up, and then the car won’t move again until Monday at the earliest, as I will need to probably make a grocery run. I also should be able to finish reading Deliberate Cruelty so I can focus on Lina Chern’s Playing the Fool, which I am greatly enjoying. I also have some blistering blog entries to write, so this weekend should be fun on that score.
And hopefully I’ll be able to get this place ship-shape and get myself caught up on everything that needs catching up on.
And on that note, I am heading into the spice mines. Have yourself a lovely Friday, Constant Reader, and I may be back later.
So, are you ready for some MORE blatant self-promotion?
During the Bold Strokes Book-a-thon, the other panel I was on had to do with writing young adult fiction (the other panelists were amazing, I might add), and once again, I am answering the questions sent to us by the moderator to turn into an interview with JUST me (because it’s all about ME ME ME) but I do urge you to seek out the video of the panel. It was terrific, and I was definitely the most uninteresting person on the panel, seriously; this is NOT self-deprecation. (I bought everyone’s books during the panel, I might add; definitely check out Lauren Melissa Ellzey.)
What is the definition of Young Adult? How does it differ from other genres?
I think it’s primarily an age distinction, to be honest, which is something that always makes me uncomfortable. Growing up I read far above my age level; when I was in seventh grade I was reading at a college level, per the tests and so forth. I mean, I did read The Godfather when I was ten; my parents, despite their conservative religious beliefs and values, let me read whatever I wanted without having to ask permission–I think when I asked Mom if I could read something the last time she replied “Read whatever you want, I don’t care” and after that I never asked again. When I was a kid, there was no such thing as young adult; everything was either for adults or “juvenile.” The juvenile category contained multitudes, beginning with the Little Golden Books and picture books to kids’ mysteries to Judy Blume. I think sometime in the 1980’s the genre was separated into “juvenile” for kids 8-12 and “young adult” for 12-18.
But there are kids like me, who can read above their age/class level and others who can’t read at their age/class level, and I think in some ways that differential could be harmful for those who are below-average readers–reading is the most crucial aspect of education, because if you can’t read…and no matter how many ways they try to make the language around slower readers more accepting and less stigmatizing…it doesn’t really help kids to be told they’re below average or not as smart or quick as the other students. (One of my primary problems throughout my education is I would understand something the first time, while others inevitably didn’t, and as the teacher explained for a second or third or more time, my ADD would kick in and my mind would wander because I didn’t need to listen and then wouldn’t be listening when the teacher moved on.
Ah, well.
Oh, and all subgenres of fiction also have the middle grade/juvenile and young adult sub-sub-genres.
Why or how did YOU choose YA?
I don’t know that I chose y/a so much as it chose me.
I started writing when I was a child (all my childish scribblings are lost to moves and time passing), and I wrote about kids my age. My first attempts at writing were always some kind of kids’ mystery series, a la The Hardy Boys and The Three Investigators (I’d still like to do this, frankly), and when I became a teenager, I started writing about teenagers. I wrote a bunch of short stories while in high school about the same group of kids going to the same high school. Those stories slowly but surely grew into a sprawling, handwritten novel about the county with plots and subplots and main characters and minor characters and all of this history; a “Peyton Place in Kansas kind of thing”. I worked on it for like five years, and eventually had this enormous sprawling mess that needed to be revised and rewritten and typed…and since I didn’t know how to type, made that part of it a problem. So I shoved it into a drawer and started pulling from it rather than revising it; taking out plots and characters and using them in other books and other stories.
After I finished that, I spent the next five years mostly working on short stories. I started another book, more horror than anything else, but never got further than the third chapter. I finally decided to write a horror novel built from my old manuscript and those short stories from high school. I was about three chapters into it when I discovered two things: there was a big market in y/a horror at the time (Christopher Pike and R. L. Stine were HUGE during this period) and so I bought some of them. When I finished, I thought, “You know, I should turn Sara into a y/a novel” (because I thought somehow that would be easier? Foolish, foolish rookie) and so… I did. I was right in that thinking of it in those terms made it possible for me to finish a draft, but I wasn’t very happy with it so I put it aside and started writing another one, Sorceress, which was also horror but also had some strong Gothic moments in it. When I finished that one, again I wasn’t pleased with it so I started another–Sleeping Angel–which was the one I thought really had potential. I never finished that draft–by this time I’d discovered that gay fiction and nonfiction existed, so I started reading that and trying to write about gay characters instead.
Those manuscripts remained in my drawer for well over a decade, until a friend of mine took a job as a young adult acquisitions editor, and she wanted to work with me. I told her I’d written three (although it was technically two and a half), and gave her a brief synopsis of them. She liked Sorceress the best, so I started revising and editing it and turning it into something publishable. Once it was all done, she’d left that publisher, but started her own small press for y/a books for underrepresented teens, and she wanted to launch the press with Sorceress. I said “okay” and we were off. I eventually realized I needed to let Bold Strokes know, and when I did, I got an email back saying you know we do y/a, too? And so I sold the other two to them, and have never looked back since then.
Are there specific rules for writing YA (things you can’t do)? Does Bold Strokes add on or impose specific or additional rules?
I don’t pay too much attention to rules, frankly. There’s no graphic sex in my books, but it’s hinted at. I also try to swear less in young adult books than I do in adult fiction, which is probably not as big of a deal as I think it is? The society I grew up in was a lot more puritanical–believe it or not–that the one we live in today. So I always default to that setting, and then have to shake it off. Swearing isn’t as big of a deal as it used to be. No one thinks they’re marrying a virgin anymore, and on and on. And having been attacked for daring to accept an invitation to speak to queer high school students, I tend to tread softly. There have been a couple of times where I’ve had to change language, or how a scene went, because my editor thought it might be problematic; and frankly, I never want to be offensive, so I have no problem with it. I don’t see it as a free speech issue the way so many intentionally offensive writers claim it is. I shouldn’t take offense to someone calling me a faggot? Grow the fuck up. The so-called free speech “crusaders” are always defending hate speech as well as trying to shut up the people who find it objectionable. You do not have a constitutional freedom from consequences or getting a negative response to things you say and do, period. It’s really not hard to understand unless you want to be passive/aggressive and childish and a moron.
How do you remember back to these days, specifically how it felt or feels? (this is coming from your moderator who is much older than you are)
Well, for one thing, I’ve always kept a journal and I still have them all. (I was insufferable when I was younger, seriously.)
My sister has a theory that we forget a lot of the pleasant memories from our childhoods, but remember the traumas in great detail. I believe the truth of that, because school was a nightmare for me from the day we moved to the suburbs until I was done with it. I remember how it felt to read Greg Herren sucks cock on a desk at school. I remember how it felt to be mocked, laughed at, and bullied by assholes. I do remember the good things, though I tend to always focus on the bad.
The first thing I always do is abandon whatever “wisdom” about life I’ve theoretically learned since leaving high school, and put myself into the teenager mindset: they think they are the main characters in everyone they know’s story, and everything is the end of the world or their life is ruined and you are the most horrible parent ever! I’m not entirely sure I’ve escaped thinking that way, to be brutally honest: I am horribly selfish.
How do you come up with your characters? Your stories?
I am weird in that I inevitably always start with a title. I hear something or read something and think, that would make a good title. The next question is what story would fit that title? And it kind of goes from there. The title may change, the character names and story might change and evolve, but I can’t write anything that doesn’t have a title. Bizarre, I know. Usually with my young adult stuff it’s an idea I’ve had for a number of years and finally decide to explore whether it’s a novel or a short story, and go from there.
Dark Tide was originally called Mermaid Inn, Bury Me in Shadows was originally Ruins, but the others pretty much stayed the same from beginning to end.
I wrote #shedeservedit because I was angry about the Steubenville/Maryville rape cases, and remembered stories and gossip from when I was in high school and college…and rethinking them through a more evolved brain about women and misogyny… well, it made me angrier. I had already planned on writing a story set in the same town with the same characters and opening with the same murder (I always referred to it as “the Kansas book” for years), but the motive was something I always had trouble grounding in reality. After those cases…it clicked in my head. You need to write this story about small town misogyny, protecting the star jocks from the girls at all cost, and make that the plot. It was easy to write because I was angry. Making it a compelling read was harder, because the subject matter was sickening to me.
I needed to write that book, and I don’t regret doing it, either…but it’s not exactly a feel good story people can escape into, either.
Why do you think YA is so popular?
It’s more accessible, I think. I mentioned reading ability before, and I do think that most readers aren’t into the Great Literary Tomes, hundreds of pages of beautiful writing with no real point or story. People kind of want to escape their cares and worries, and y/a books tend to be really entertaining. We’re competing with phones and tablets and streaming, so we need to write entertaining and engaging books.
Any specific must do-s or must-haves to get your writing each day?
I’m not nearly as anal about that as I used to be, before I returned to work full-time. I am very aware that I have little time to waste when I write, and thus must seize whatever opportunities to write show up. But if pressed, coffee. I can’t write unless I’ve had coffee when I got up.
I think this is all of them, but I could be wrong.
