But my God, fasting is the worst. The doctor visit went extremely well, and I am actually kind of excited about going forward with a primary care physician who, um, cares. Everything went well, we are getting ready to move ahead with my next surgery, we’re coming up with a plan to deal with the anxiety (bye bye, Xanax; but you didn’t really work for that anyway, only the symptoms), and I got my flu shot. I think I’ll probably swing by CVS to get a COVID booster and the RVS shot tomorrow. I have to go drop books off at the library sale anyway, I want to wash the car, and now that the excessive heat is over, maybe now I can properly air my tires and get the pressure in them to balance again. But I weighed only 200 pounds per their scale (with my wallet, belt, shoes and keys on me), which must be a result of the fasting? I can’t imagine how i dropped five pounds since yesterday.
I was also thinking that this soft food diet/tooth thing is really the perfect time for me to reset my eating habits and go forward with a more healthy eating plan. I need more vegetables in my life, and fresh foods. I don’t need the junk anymore except as a treat–I’ve rather broken the habit while not being able to snack these last couple of weeks, and let me tell you, last night I wanted a snack of something crunchy and salty so badly there’s no telling what I would have done to be able to have something like that. I’ve also come to realize that I actually like ramen. I generally have tried avoiding the foods that I consider “poverty indicators”–the stuff I could afford in college or during my leaner financial days–and those are things like ramen, box Mac’n’ Cheese, and tuna. But only being able to eat soft food and reverting to ramen reminded me that I do, in fact, actually like it–I always love any kind of noodles, really–and what is easier to take for lunch than that? I’ve been taking leftovers, and usually only cooking a big meal on the weekends to have something to take for lunch…,but ramen is easier, tasty, and filling (which is why it’s such a great poverty food). And you can always dress it up; one of my roommates in college had a Japanese mom and what she could do with a package of ramen, spices, and some vegetables was something I’ve tried duplicating any number of times without success. And once my arm is healed, I need to get back into working out again. Now that the weather is getting cooler I am probably going to start taking walks in the mornings on the weekends; the city is getting ready for Halloween and I have so many friends who are into Halloween that I love sharing pictures showing how overboard New Orleans goes for it.
I’ve never really done any Halloween writing about New Orleans, now that I think about it. Jackson Square Jazz was supposed to be the Halloween book, but I wound up setting it earlier in the month and only mentioned Halloween costumes in the epilogue. A Streetcar Named Murder was also set in October just before Halloween–hence the masked ball Valerie and Lorna attend–but I’ve never done Halloween itself. My story “The Snow Globe” actually began life as a Halloween story; I wrote it for a Halloween anthology and it wasn’t accepted. The original opening line was Satan had a great six-pack, and was inspired by me standing on the balcony at the Pub/Parade on Halloween and looking across the street just as someone come out of Oz dressed as sexy Satan–red body paint, red bikini, face done up, and red glitter everywhere–and I actually had that thought: “Satan has a great six-pack” and stored it away as an opening line. When I was looking through the files for a Christmas holiday story for the anthology benefiting my chapter of Sisters in Crime, I realized Santa is an anagram for Satan (which is interesting in and of itself) and I can switch the story from Halloween to Christmas, which makes more sense anyway for its outcome. Ironically, the story actually worked better as a Christmas story!
I definitely need to do a Scotty Halloween book. Halloween Season Hijinks? That actually could work….hmmm.
And on that note I am going to make myself some lunch (hello, Lipton’s double noodle soup and Ritz crackers!) and dive into the spice mines to get my work at home duties completed for the day. May the rest of your Friday be as awesome as you are, Constant Reader! I may be back later–one never knows–but if not, definitely on the morrow.
Years ago, there were things you’d never write about in books for teens and pre-teens. Now, though, many more topics are fair game. BUT are there some things you’d never write about? Because of your own feelings, or because you don’t think your audience is ready for it?
On the panel I said I’d never write about cannibalism, but of course ever since then I can’t stop thinking about cannibalism–and that’s entirely on me. I can’t even imagine writing about that.
I’m not going to say there’s anything I won’t write about because I don’t want to limit myself. If I can think of some way to write about something that isn’t pandering or exploitative or offensive, I will. I was recently reading some of my short stories because I am pulling together another collection and one of the stories–I was like, oh yeah, you can’t publish this without a major revision.
I don’t think I would ever write from the perspective of a person of color or a trans-identified individual because while I know I have a very vivid imagination and am capable of empathy, I am also a sixty-two year white cisgender male. I think I could probably do it, with help from a sensitivity reader and my editor, sure; but we need more trans writers and writers of color, not another old white man writing from their perspective. I will include those characters in my work, but not as point of view characters, because we need to make room for those with the lived experience to write those stories. I may not live long enough to see it, but hopefully in about thirty years we’ll have reached the point where exclusion of non-white non-straight non-cisgender writers will no longer be an issue, and what a wonderful world tht will be.
No offense, but none of you is in your target demographic any longer. What challenges does that present and how do you overcome them? How do you ensure that the language your characters speak is reflective of how teens and pre-teens speak today?
How very dare you! I am still a sprightly young man of…um, sixty-two. Point taken. I try to avoid slang and current language because it becomes dated very quickly; akin to how, when I was a child, I saw books and movies and television shows that tried to appeal to the youth market by trying to use current slang and it never turned out well. I mean, once The Brady Bunch kids are saying “groovy” excitedly every other sentence…it kind of killed the word and I never heard it in real life ever again. The time between when a book is written and when it’s released is long enough for current kids’ language to change. My sister’s grandkids are always saying things I don’t understand…but the next year they are speaking a different language, so I don’t try. It’s hard enough keeping up with technology, which also gets dated very rapidly.
What percentage of your readers do you think are adults? Do you consider these crossover readers when writing?
I honestly don’t know, but I wouldn’t be surprised if mine were primarily adults. I don’t set out to write books for kids, really; I write novels where the characters are teenagers. They get marketed as young adult books, which is something I have no control over. I’d like to think both adults and younger readers can enjoy my books that are so classified. If I think about the audience I am writing for when I am writing, it makes the writing more stressful and harder. I trust my editor to make sure I don’t write anything offensive or way off-base or too adult for a young adult audience–which is where my books would be shelved in the library. No one’s complained about mine yet.
Greg, your book tackles multiple contemporary societal problems. How do you balance writing about such tough topics with ensuring that your work is compelling and hits the right mystery/suspense notes?
The objective, for me, when writing about societal problems and issues is to put a human face on them, by making it personal. Societal problems are easily dismissed or ignored when they are simply abstract principles. If my characters are fully rounded, are relatable and seem real to the reader, then the reader will see, through the characters, what it is like to experience and go through these issues; and to develop a sense of empathy, so we aren’t so quick to judge and blame and not try to understand. #shedeservedit was very important to me, because with the Steubenville/St. Marysville rape cases, it made me look back over the course of my own life and remember situations I witnessed or heard about in a completely different light. For example, one of the cheerleaders at a nearby town had an experience similar to what the girls in Steubenville and St. Marysville went through…but in the 1970s, the blame solely went on the girl. When I heard the story she was a willing participant–the story was told to me in hushed whispers by another girl–and all the elements of the modern stories were there: pretty and popular cheerleader; a party with alcohol and football players; the town football team was successful and beloved in the town; and a bitter ex-boyfriend. As the story was told to me, she got drunk and “pulled a train” (a disgusting phrase, really) with five of the football players, including her ex. I was shocked at the time– to think she’d done this willingly, at a party where it was bound to get around (as it obviously did). But now, looking back–how willing was she, really? But that was how things were back then. I’d like to think things are changing, that we are valuing young girls and women as human beings more now…but are we?
Technology changes very rapidly, and teens—and younger children—are often at the forefront of these changes. How do you handle that in your writing?
Like slang, I try to use as little of it as possible. I do realize everyone is addicted to their phones now, and spend most of their lives texting and facetiming and everything else, but while I will use some basic technology–texting, emails, DM’s–I try not to get into the entire app/social media weeds too much because it may change before the book is published and I don’t want to publish a book that’s already dated. I think that if the reader really cares about your characters and the story…they won’t care so much about the slang and tech.
How has your writing evolved since you first got published? If a reader is new to your work, which book would you recommend starting with?
I’d like to think I am a better writer than I was back then. I know I’m a different writer than I was when I started; more life experience, with the concomitant increased empathy, understanding, and sympathy that comes with it. I try to push myself with every new work; it’s the challenge of doing something new and different I really enjoy.
If we’re talking my y/a, I’d started with the first, Sleeping Angel, and go from there. If we’re talking my career in general, I’d say Bourbon Street Blues or Murder in the Rue Dauphine. It’s always good to start at the beginning. If the length of both series is daunting, try either A Streetcar Named Murder or Death Drop (drops October 31!) and then move into the stand alones.
There are a small number of popular writers who spark controversy in their “real” lives. How do you reconcile a great writer with a bad person? Do you read that writer’s work?
Ah, the old “artist vs their work” question. There are writers with enormous talent whose books I’ve loved that social media has exposed as incredibly horrific people with “values” (I have a hard time using that word in reference to such abhorrent beliefs) and I have stopped reading them. I will never have time to read all the books I want to read, and if I’m able to prune my stack by removing racists and homophobes and misogynists and transphobes? Thank you for making my choices easier. I’ve always believed one should be widely read–I used to read nonfiction books about politics and social issues by conservatives because I thought it was important to listen to and evaluate their positions. After we were lied to as a government and a nation to drive popular support for a war we didn’t need to be fighting in order to drive more profits for military suppliers and oil corporations, I no longer needed those perspectives. I don’t need to read excuses and rationalizations for bigotry and prejudice and other indefensible positions for any human being to hold.
The vast majority of my one-star reviews on-line are from conservatives deeply offended by the “politics” of my books. Yes, because a book about gay men by a gay male author is where you should go to get your bigoted world-view validated. If you want that, read Andrew Sullivan. His nonfiction diatribes about social and political issues is some of the best fantasy being published currently.
Who are some of your biggest writing influences?
God, there are so many. I think my y/a is very strongly influenced by Lois Duncan, Christopher Pike, R. L. Stine, Caroline Cooney, and a long forgotten y/a crime writer named Jay Bennett. He won two Edgars for Juvenile, and was nominated a third time. His work is extraordinary; I’ve not read many other writers with that same extremely tight, terse, and taut style. Jay’s books put teenagers in terrible situations where they had to decide what is right and wrong and what to do. They read very quickly, too. I describe him as the y/a James Cain.
As for adults, everyone I read is an influence; even the books or writing styles I don’t care for, because they make me think how would I have done that differently? But definitely John D. Macdonald, James M. Cain, Charlotte Armstrong, Daphne du Maurier, Phyllis A. Whitney, and the old Alfred Hitchcock Presents anthologies, which I am revisiting. The old Three Investigators and Encyclopedia Brown series for kids, too.
Latest trends in Middle Grade and YA fiction?
Diversity, which is fantastic, and hot social issues!
The Anthony nominees panel for Best Children’s/ Young Adult panel at Bouchercon, with moderator Alan Orloff, Fleur Bradley, your humble author, and Lee Matthew Goldberg.
Well, we made it to Hump Day again, which is a lovely thing.
I think I may also be losing my mind? I could have sworn one night in the last two weeks I sat down with my journal and hand-wrote the next five or six hundred words of my story “Parlor Tricks.” Last night after running errands and getting home, I promptly sat down, opened the Word document for the story, pulled out my journal and started flipping through the pages.
Constant Reader, those two or three pages I could have sworn I wrote in my journal? Were not there. I turned page after page, growing more and more confused. How could I have not written it down? I specifically remembered words and phrases I’d used in the scene, describing how my main character’s psychic ability to read someone else’s thoughts sometimes created a psychic bridge between the two, which has just happened. The bad part of it is she read his thoughts and knows he’s planning on killing his wife later that night. I even got into the weeds with the psychic stuff, but no–I must have thought of it all, planned to write it down, and then…just never did. I’ve also somehow lost my belt and my Crescent Care hoodie, too.
Or Paul is gaslighting me. I’d prefer to believe that, of course (who wouldn’t?), but much as I want to believe that, I’d only be gaslighting myself. Heavy heaving sigh.
I was very tired as I ran my errands after work last night–needing more soft food, although I can eat stuff now that isn’t quite as soft; macaroni and ramen and soups and things. But the primary need was for things I could make for lunch at work; microwavable things. I also didn’t eat dinner last night, so this morning I am a bit on the hungry side. Yogurt and oatmeal and protein, oh my! But the end is nigh; next Friday I got get the molds for my new teeth made, and I am hoping that will only take about a week or so for the final to be ready for me to wear and use. (I’m also hoping there will be temporary ones I can use in the meantime, but I rather doubt it. But the thought of being able to swing back Five Guys on the way home next week is almost overwhelming.) I also weighed myself yesterday with shoes and keys and belt and wallet on and came in at 205, which is fine and something I can live with. I’d love to get below 200 again, but I’d rather that happen through diet coupled with exercise once I can go back to the gym.
But I did manage to get Jackson Square Jazz printed, three-hole punched, and put inside a three ring binder, meaning the editing just got real. I had gone back and forth over it, you know; should I re-edit/revise the book, or just do the basic copy edit? I didn’t have time to do any work with the Chanse book or Bourbon Street Blues before the ebooks went up, and at the time I didn’t know how I felt about redoing the books for republication; it was more along the lines of the old writer’s adage you can keep fixing it forever but sometimes you just have to say “fuck it it’s done” and it didn’t seem right. I wanted the print editions to be available as they were originally published…which seems now like a silly hill to die on. Why wouldn’t/shouldn’t I revise them? Jackson Square Jazz I think is the longest of the Scotty books, and probably has one of the most convoluted plots of the entire series; there was a lot fucking going on in that book. As I was putting the new printed-out pages into the binder, I came across the scene where Scotty is drugged and loopy in the penthouse on top of Jax Brewery when Colin scales the building to rescue him…and I started reading. I got rather caught up in the story–that scene is rather amusing and was a lot of fun to write–before stopping myself and getting back to what I was doing. I did think that was a good sign.
This week I’ve been letting the anxiety control me rather than the other way around. My supervisor is on vacation this week, which amps up the anxiety for me as I have no one to go to for decisions and/or questions; I kind of have to decide for myself and I really don’t like that. I think that was why I had trouble sleeping on Monday night, frankly. And I noticed it Monday night when I got home from work as well as last night. Granted, I was also tired last night, but I got very little done once I got home. Sure, I printed out the manuscripts (frontside and backside), and made groceries and picked up the new Lou Berney novel Dark Ride, which was very quickly moved up to the top of the TBR pile, but once the book was in the binder and the groceries all put away…I just literally did nothing else. I should have worked on “Parlor Tricks” while I still remember the continuation I didn’t write down but is only in my head; I should have read more of Shawn’s book; I should have done the dishes or folded the clothes that are still sitting in the dryer this morning. More to do this evening, I suppose. I am also seeing my new primary care physician this Friday morning, which will be nice, and then of course LSU’s game is Saturday night in Death Valley, which gives me the day free to run errands and clean and write and get things done around here because I don’t much care about the other games, although I’ll probably have them on as I clean and do things. Then again, I just looked at the games this weekend, and Florida State-Clemson, Auburn-Texas A&M, and Alabama-Mississippi are also on Saturday…so I’ll be paying more attention than I was thinking that I would.
And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again later.
Tuesday and we have survived another bleak and grim Monday. Huzzah! The Saints won last night–though it could have gone either way for most of the game, before they finally scored two touchdowns late in the game to put the Panthers away. Huzzah! They are also off to their first 2-0 start since 2013, which has been a hot minute, really. I also didn’t expect the game to end before I had to go to bed, so that was also a nice bonus.
I didn’t sleep great last night but I feel rested this morning. I imagine at some point this afternoon I will finally run out of steam and hit the wall, but my new glasses arrived yesterday and I can see better than I had before. I did some dishes when I got home from work, was terribly confused that my hooded Crescent Care sweatshirt (that I wear at work because they keep the building at about the temperature of a meat locker) and my only black belt have seemingly disappeared into the ether (note to self: order belts on-line today). I don’t understand how both could have disappeared from inside the apartment, but that seems to be what has happened. I don’t have any errands to run on the way home tonight, praise be, so I can come straight home and chill after work. Last night I sat down and started reading my latest short story collection, This Town and Other Stories, and I have to say, I’m pretty good at this short story thing. They have always been a sore spot for me, something I feel like I have trouble doing, primarily because of that asshole college professor who told me I’d never be a published author (shows how much he knew, right?) but seriously, some of these stories are quite good, and the voices! The language choices!
I recently realized that part of the reason I am so dismissive of my own work is because I can never turn off the “must make this better” editorial mentality with my own work, even when it’s in print. I usually only read my own work in order to critique or improve it, so subconsciously my mind becomes critical when I am reading my own work and consciously look for things that are wrong that need to be improved…despite the fact that when it’s in print it’s too late. I’m working on that, at least trying to get better with it. I don’t know if I’ll ever be able to turn off my inner critic, but I know I’m going to stop listening to that bitch and letting him under my skin.
I transcribed what I had written of the next book I am going to write in my journal, and it only turned out to be about five hundred or so words…but that’s five hundred or so words I didn’t have before. I’m going to try to get three chapters done before stopping, since the contract hasn’t been signed yet or an offer made. I know I have some more freeform writing on my story “Parlor Tricks” in there too; I am going to get that transcribed at some point this week. I like that I’m over the don’t wanna mentality when it comes to writing; all it ever takes is for me to do some and the dam bursts. So, I am writing “Parlor Tricks” for the collection; “Whim of the Wind” for something else, and “The Blues Before Dawn” for another anthology. I think with the two new stories and the loss of one unpublished one that I’ve decided to pull because I’m not comfortable with it and it may be borderline offensive, it’ll come out to around eighty thousand words, which is even closer to being finished that I had hoped. I just need to finish a few more, in addition to the ones I need to finish for submission. I think “Death and the Handmaidens”, “Parlor Tricks,” and maybe “Please Die Soon.” We’ll see, I suppose.
It feels good to be producing work again, you know? It always makes me happy.
And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and you never know; I may be back later.
Tuesday morning and back to work tomorrow. I had thought about canceling my sick time and going back into the office today; but I got so easily tired yesterday that I changed my mind. I’m pretty sure a lot of it has to do with the starvation–liquid and/or soft food just isn’t satisfying, and I am hungry all the time (one would think a diet that includes ice cream would be awesome, but I am so sick of it all I think I may never eat it again once this is all over). Well, not all the time, but I do feel hungry here and there before it, as usual, goes away. I think the low calorie intake is also affecting my energy levels. I’m a bit sore this morning (was hoping to not get loopy from taking pain pills today, but I’m going to have to) and I’m still a few days away from chewing noodles or anything soft like that, so it’s more baby food, oatmeal, and protein shakes for me today. Woo-hoo.
One thing I absolutely need to do before going back to work tomorrow is clean out my inbox, at least for today. There’s a couple of little things I need to definitely get done, or get started, today while I have the leisure of not being at the office. It’s going to feel weird waking up at six tomorrow morning, but…no other choice. It would be great to stay out until my mouth is healed completely and no longer aches, but I don’t have that kind of sick time left from everything that went on earlier in the year and so forth–and I have a surgery to be scheduled yet. I guess I’ll worry about that when it comes to it, and when I know when the surgery is going to be. I also need to get a grip on my finances again and make sure all my due dates are on the calendar. I also have spent money with the debit card that’s not recorded so I don’t know my bank balance for sure, either. All things that can be easily remedied, of course, but tend to be a bit tedious and so I dislike doing them.
We are currently watching Painkiller, which is yet another mini-series built around the evil corrupt Sacklers and the opioid epidemic they started in order to make billions by convincing doctors that their version of heroin wasn’t addicting. The Sacklers were undoubtedly be studied by future historians as an example of the worst kind of horror capitalism and its ethos of greed is capable of creating; the paralysis of the FDA and the corruption inherent by bribing (er donating) money to politicians to advance the gutting of what little power the FDA had to monitor and control this sort of thing, and so on (looking at you, paragon of corruption and enemy of the people Marsha Blackburn!). The suffering and destruction and death and havoc wreaked on families and communities while these monsters and their agents of addiction and death made money is incalculable…and they don’t care. Even after all the lawsuits, after losing the company, all the deaths, the Sacklers are still sitting on a mountain of money. They are pariahs, rightfully shunned, but dollars-to-donuts they’re back manufacturing medicine in twenty years when most Americans have forgotten their heinous crimes.
I seem to have let yesterday slip through my fingers in a painkiller fog–super strong ibuprofen also messes with your head the way Vicodin and oxycodone do–but it’s more of a losing track of time sort of thing. I did get the sink cleaned out and did a load of laundry (waiting to be folded) and there’s all sorts of filing and organizing to get done this morning. I want to read more of Shawn’s book today, and I’d like to get prepared for going to work tomorrow with a clear conscience. The great heat wave has finally broken. It’s still humid but not as bad, and it’s not getting as hot as it had been during the course of the summer–it actually feels pleasant when I go outside.
My tests for COVID are still coming back negative so I am going to assume I missed the Bouchercon spread. I hope everyone who did catch it at (or around) the convention are on the road to recovery and all had very mild cases. I’m seeing my new primary care doctor a week from Friday, so I am hoping to get the new booster and a flu shot when I see her. I am also hoping to get some feedback from her on the big toe on my right foot situation; you probably don’t remember but it’s been sore since Mom went into hospice and was swollen so badly I had to wear house shoes to her funeral? He gave me anti-inflammatory cream and that was it. Well, it’s eight months later, it still hurts when I bend it, and it still swells up periodically–not as bad as originally, but I can’t help but think it might be something more than what he rather pointedly dismissed? He was wrong about my arm, after all. And now the other big toe is starting to do the same thing.
But I’m sure it’s nothing.
Uh huh.
Forgive me if I don’t believe anything that hack said to me about anything.
But that’s a story for another time.
I do feel more like myself than I have since the surgery on Friday, so that’s something…but then I also just took my pain meds, so I don’t know for sure how long that feeling will last. But I have to do something about this mess around here, and maybe I can even do some writing today. I have already started working on the plan for the sequel to Death Drop, and I also need to plan out the sequel to A Streetcar Named Murder. I already know what the story is behind that one; I just don’t have a title yet but I do know what the first chapter is going to be. Maybe I should just go ahead and write that, get it under way and see how it goes? I also want to start working on the edit of Jackson Square Jazz, and maybe even revise it some. I resisted the temptation to revise and re-edit the Chanse books for their ebooks, and did the same for Bourbon Street Blues, but Jackson Square Jazz is actually the book that sets the backstory for Mississippi River Mischief, so I need to be certain everything lines up the way it’s supposed to–and I can also change some things predicated on what has happened in the series since, because I know what is coming (which I didn’t know when I wrote the book originally). This might also be a good time to finally put together the Scotty Bible (I’m only nine books in now) which should make writing the next one even easier. It’s a lot of work, but with my memory getting shittier and shittier with every passing day, it’s something that really needs to be done. If I write another Chanse (it’s possible; I never say never), I would definitely have to do the same because I really don’t remember much about any of those books.
And I have some short stories that need to be finished for anthologies.
So on that note, I am calling this entry for the day and heading into the spice mines. I may be back later; there are still unfinished blog posts in my drafts (I’ve managed to get some of them out there over this past weekend, even though I don’t count blog posts as writing, it really is and I really should), and of course, laundry to fold and dishes to put away and a refrigerator to clean out. Have a lovely Tuesday, Constant Reader!
I’ve been sleeping deeply and well lately for an insomniac; I suspect it has more to do with the pain being exhausting than anything else. Any surgery is traumatic to the system and requires rest for recovery, and oral surgery is no different than any other. I’ve taken today off as well as tomorrow; I was thinking yesterday I could probably just go in today and do some paperwork or something, but (and this is not laziness) I started thinking it’s probably best to give myself enough recovery time before I head back in–and I also know the clinic is jam-packed with appointments for today and tomorrow, and I just don’t think I have the energy to deal with that today. I think one more good night’s sleep with probably do the trick.
The Saints won a nail-biter yesterday and I didn’t watch the US Open final; I just can’t with Novak Djokovic anymore. I used to like him until he became an anti-vax/COVID denier, and I can’t with that, I’m sorry. I respect his athleticism, commitment to his sport and being the best, but as a person? I can’t help but feel he’s a selfish, arrogant, borderline sociopathic asshole. Of course he’s entitled to his opinion, but he’s not entitled to me being a fan and watching him play, either. For the record, that’s how it works. I don’t deny him the right to be an anti-vaxxer/COVID denier, but I also don’t have to be a fan or watch him play. We got caught up on Only Murders in the Building and Ahsoka last night, too. I also finished several in-progress blog entries, including the one called “Shame” about homophobia in crime fiction and how things have gotten better over the years–but we can’t forget how bad it used to be, either, which was the point of the post, really; telling the crime community that we’re here, we’re queer, and we’re not going any fucking where.
Get fucking used to us.
Today I am going to try to do some chores around here. I’m feeling like a slug–anxiety talking again; I always feel like I should be doing something and down-time is time wasted–so I think I should do some things today. I suppose it depends on my energy stores, and how long it holds out. I want to read some more of Shawn’s book this morning–I think my resistance to that brutal opening was more of the post-surgery exhaustion–and I also need to empty the dishwasher and do another load that is soaking in the sink. I also want to make something to take for lunch this week–I’m thinking Swedish meatballs in the slow cooker, but am not sure if my minimal chewing abilities can handle the meatballs, even if I cut them up smaller before putting them in my mouth; I don’t think I can swallow them unchewed in some fashion–and I do need to go buy more ice cream and yogurt. I think some of the soups and ramen on hand could be useful. I can’t wait till I can eat a burger again, to be honest.
I also need to answer all the emails that have been languishing in my inbox for quite some time. I owe Dad an email–I’ve not had the strength after Bouchercon and the surgery to face writing him–and my sister’s birthday is this week. I also need to mail something, so I think I’ll drive uptown to make groceries and see what else is possible for soft foods for the week (mashed potatoes, baked potatoes, that sort of thing). I need to get the things on my to-so list knocked out, too. I feel more rested and more myself this morning, but maybe that’s because the pain pills haven’t quite kicked in yet. I also need to start revising/editing Jackson Square Jazz; I’m very excited about that finally being available again, and since Scotty turns twenty-one next year, I kind of want to celebrate the series throughout the year and I don’t know, maybe give away first editions? Something, anyway.
It’s also hard to believe Chanse will be twenty-two in January. I’ve been doing this for over a third of my life now. I owe it all to my stubbornness and obliviousness. Someone smarter and more aware would have probably given up a long time ago, but here I am, still here, older and possibly wiser and certainly not much smarter than I was all these years ago when I was a wide-eyed innocent walking into the world of the published word. I always remember that first August Paul and I lived here back in 1996. We went to a fundraised for the LGBT Center, and there was a tarot card reader there. (I’ve always been fascinated by tarot; I blame the James Bond movie Live and Let Die, which also connected New Orleans and the tarot in my mind. I write about a “private eye” who’s slightly psychic and reads tarot cards and lives in New Orleans. Coincidence? Probably not. Sadly, it’s always been one of my favorite Bond movies and always has held a special place in my brain for introducing me to Bond, New Orleans, and the tarot…unfortunately, the film does NOT hold up forty or fifty years later.) Anyway, the question I thought about as I held the cards in my hand was will I ever be a published writer? The answer the cards gave her was “Yes, but it will not be anything like you think it will be.” A generic answer, yes, that could apply to any number of questions…things are generally never what you thought or imagined they would be. Being a published author is definitely not anything like I ever dreamed or fantasized about when I wasn’t one. I know I thought being published would change my life for the better (I was not wrong about that) but…yes, it’s nothing like what I thought it would be like. Publishing can be a very cold and lonely place, but all you can really control is the work itself. You can’t control whether or not you get published, you can’t control whether or not the book sells, you can’t control the way readers and reviewers will react to it, you can’t control whether you get award recognition. All you actually can control is the writing itself, and do the best you can. I always hope my work is getting better–which should make reediting and revising the original Jackson Square Jazz interesting…
And on that note, I am going to bring this to a close, make another cup of coffee, and start working on the chores around the kitchen, while streaming music through my iHome speakers. I’ll probably check back in later–I have all those unfinished blog entries I need to eventually finish and post–and I also want to get some fiction writing done today as well. Have a great Monday, Constant Reader–do you think today’s photo will get my adult content flags on social media?
Several weekends ago, I did an on-line panel for Outwrite DC. The moderator was John Copenhaver (whom you should already be reading), and my co-panelists were the always delightful and intelligent Kelly J. Ford, Margot Douaihy, Renee James, and Robyn Gigl. The video is actually up on Youtube, if you would like to watch it. John’s questions were insightful and intelligent (as always), and the conversation was marvelous, inspiring, and fun; there’s nothing I love more than communing with other queer crime writers (or any writers, to be certain), and I always try very hard to not monopolize panels because I do have a tendency to talk too much–especially if and when I get going on a topic I am passionate about. So, I thought it might be fun to take John’s questions and turn them into a long form interview, for thoroughly selfish and totally self-promotional reasons.
The panel blurb claims that “queer characters are riveting and necessary material for crime fiction and how those stories can shape (and perhaps reshape) the landscape of contemporary crime fiction.” Do you agree with this statement—and why do the stories of queer characters have the potential to shape crime fiction?
I completely agree with this statement. Queer crime fiction has a very proud history that was never really recognized or appreciated by the mainstream crime writers, readers, organizations, and conferences. That is changing for the better.
New blood is always necessary for any genre–horror, romance, crime, literary fiction–because genres tend to stagnate after a certain period of time. The cultural shifts of the late 1960’s and 1970’s echoed in crime fiction, for example; you couldn’t write crime in those periods without addressing all the cultural and social shifts; Ross Macdonald’s later novels are a good example of this. The 1970’s saw a lot of anti-hero books being written. The private eye sub-genre had grown quite stale by this time, which was when the women really moved in and gave it a shot of adrenaline–Marcia Muller, Sara Paretsky, and Sue Grafton blazed that trail, and revitalized a sub-genre that had kind of lost its way. Queer writers and crime writers of color are currently doing the same to the entire genre. Voices and perspectives we aren’t used to seeing are now getting into print and changing how we see, not only our genre, but each other. Crime fiction has always given voice to societal outsiders and outliers; queer people and people of color are the ultimate outsiders and outliers in this country. Who better to tell stories of societal alienation?
Why did you choose your sub-genre? How do you think the sub-genre has influenced the types of characters you write?
Well, I write in several different ones. Chanse MacLeod was a straight private-eye series; Scotty Bradley was more of an amateur sleuth/humorous series, but he does have a private eye license in Louisiana. A Streetcar Named Murder was a cozy, with an amateur sleuth heroine who gets caught up in a family mystery. I’ve also done young adult and “new adult,” whatever that is (it’s been described as ages 16-25), and Gothics with a touch of the supernatural. I tend to write things that I like to read, and I have a varied reading taste. I started writing the Chanse series because I wanted to do a harder-edged private eye series with a queer twist and set it in New Orleans. I didn’t know about J. M. Redmann’s Micky Knight series when I started writing Chanse; would I have done something different had I known she’d already covered the hardboiled lesbian private eye in New Orleans? We’ll never know, I suppose. Scotty was meant to be a lark; a funny caper novel and a one-off. And here we are nine books later…
As for Streetcar, I had been wanting to try a traditional mystery with a straight woman main character for a long time. When the opportunity presented itself, I jumped in with both feet. I like trying new things and pushing myself. Having to follow the “rules” of a traditional cozy was a challenge–especially because I have such a foul mouth in real life. I love noir so am working on two different gay ones at the moment.
Why do you think amateur detectives are appealing? Do you think there’s a reason queer characters often find themselves in the role of amateur detective?
I think it’s because we all think we’re smarter than the police? We enjoy seeing a character we can identify with figuring things out faster than the cops, especially without access to all the evidence, interviews, and forensics the cops do. Murder She Wrote has been off the air for about thirty years and yet the books based on the show continue coming out every year. If we start out in mysteries reading the juvenile series–Nancy Drew and the Hardy Boys and Judy Bolton and all the rest were amateurs, so we always cut our teeth in the genre with them to begin with. Scotty is basically an amateur, even though he has a private eye license he rarely uses; he and the boys never get hired (although they kind of do in the new one, coming this November.)
Let’s talk about place. Greg, your books take place in the South. Why is place important to the crime novel—why is it especially important to the queer crime novel?
Place shapes who we are–not just as queer people, but as people in general. There are similarities between growing up in a small town in the Midwest and growing up in one in the South, but the differences are very marked. I’ve lived all over the country–pretty much everywhere but New England or the Northwest–and always felt, as a Southerner (despite no accent and not growing up there) like an outsider. Couple that with being gay in a time when it was still considered a mental illness, and you have someone always on the outside looking in. But I have that Southern pull to write about the South–although many would say that writing about New Orleans and writing about the South are not the same; like me, New Orleans both is and isn’t of the South, and I feel that very strongly. I’ve written books set in California and Kansas, even one in upstate New York, but I very much consider myself a Southern writer.
Place is even more important in a queer crime novel because place shapes the queer people so much. As a writer, I think one of my strengths is setting and place, and I think that comes from being very much a fan of Gothics growing up. Gothics are known for place and mood, and I think those are two things I do well.
All of you write wonderfully flawed characters. Sometimes, as LGBTQ+ writers, we feel the burden of representation and the urge to write only positive LGBTQ+ characters as an attempt to undo history’s (the dominant culture’s) demonization of us. Unfortunately, that can be limiting—even flattening. Clearly, you’ve all struck a beautiful balance with your characters. Talk a bit about how you approached this issue.
The flaws, to me, are what make the characters seem real. Nancy Drew and the Hardy Boys always annoyed me because they were so perfect; no one is that perfect, and anyone that close to perfect in real life would be irritating and insufferable. I am am quite aware that I am flawed (one of my biggest flaws is believing I am self-aware because I most definitely am not), but I am not trying to be perfect; I just want to be the best version of myself that I can be. By showing queer people with all their facets and flaws and failures and blind spots, we’re showing the reader that we are human; despite what those who hate us say or claim, we are human beings just like everyone else, just trying to get through life and do the best that we can. The villain in my first book was a gay man–and the entire book was a commentary on how we, as queer people, tend to overlook flaws and red flags from members of our own community. Just because someone is queer doesn’t mean they are a good person–and queers with a criminal bent do exist, and often take advantage of that sense of camaraderie we feel with each other, especially when we don’t know the person well. I tend to trust a queer person more readily than I will a straight person, and that’s wrong–which is why I think we feel so much more hurt when queer people betray us.
Speaking of the demonization of LGBTQ+ folks … Ray Bradbury of Fahrenheit 451 fame said, “There is more than one way to burn a book. And the world is full of people running around with lit matches.” What do you think about the current tactics to ban queer books from schools, libraries, and even bookstores in places like Florida, Arkansas, and Texas? Why are they targeting queer books?
This is, I hope, the last gasp of the homophobes who’ve never updated their hate speech in over fifty years. What the hate group “Moms for Liberty” are doing and saying is no different than what Anita Bryant said and did in the 1970’s, what Maggie Gallagher and her evil co-horts at the National Organization for Marriage repeated, then came the One Million Moms…all too often it’s the cisgender straight white women who are the real foes of progressive politics who fight to uphold a bigoted status quo. They always claim they’re concerned moms worried about their children–but are perfectly fine with them being shot up at school; working in a meat factory on the night shift at thirteen (have fun in hell, Sarah Huckabee Sanders, when you get there and French-kiss your Lord and Master Lucifer); or shouldn’t have the right to vote…they know better than a child’s actual parents, you see, about what the child needs or wants. Maybe they should spend more time with their own children than worrying about everyone else’s? Phyllis Schlafly, queen skank of the conservative right, ignored her own family while she embarked on her crusade to strip women of their rights and autonomy–all the while shrieking like a hyena into any microphone nearby that she was fighting progress to save the American family while selling some Leave it to Beaver-like nonsense as reality. I always felt sorry for her gay son. Imagine that as your mother.
As for why, it’s about control and power. I actually respected Anita Bryant more, because she truly believed all the vile, horrible, unChristian things she said and espoused. Most of the others, including the unspeakably vile and disgusting Moms for Liberty, are working a grift for money, attention and power. Hilariously, they’ve sold their souls in the worst possible way in the guise of family, religion and God; if they’ve ever actually read their Bibles, they need to work on their reading comprehension skills as they are both apostates and blasphemers who will spend eternity doing the breast stroke in the lake of eternal fire. Hope they enjoy it.
Sorry your husbands and children don’t love you, but who can really blame them?
What are you working on next? What’s coming up?
I have a short story in an anthology called School of Hard Knox from Crippen and Landru (and somehow got a co-editor credit for the book with Donna Andrews and Art Taylor); Death Drop, the first in a new series from Golden Notebook press, drops in October; and the ninth Scotty comes out in November, Mississippi River Mischief. I am writing a gay noir, and may be writing second books for the new series I started with Crooked Lane last year as well as a sequel to Death Drop, and have a couple of short stories I want to finish to submit to anthologies I’d love to be in.
I have to say, it was kind of a weird thrill to walk out of Costco yesterday afternoon with the ability to hear things I couldn’t before. When I started the car, there was a weird noise I couldn’t identify before my phone started playing through the speakers. As I sat there in the car, wondering what it could be, I slowly began to realize it was the air blowing through the vents to cool the car down. I’d never heard it before. Walking through the grocery store, I could hear all the things I never heard–the crinkling of packaging in someone’s hand; the belt moving the groceries forward; and on and on it went. When I got home I could hear the squeaking of the ceiling fans, the air conditioning coming through the vents, every squeak of the floor and the stairs, and even when Paul came home–the rustle of his backpack as he slid it off, the crinkling of the packaging of his mail, the sound of him walking upstairs–all things I couldn’t hear before. I turned off the closed captioning on the television and turned the sound down. At one point I eventually grabbed my phone and turned the volume of the hearing aids down.
It’s a whole new world.
Bouchercon is beginning to look more and more like a super-spreader event, with people I was around and having hugged several times testing positive since the weekend. I tested negative again this morning, and hope I continue to do so since I am having a major dental procedure done on Friday morning. I paid all the bills yesterday, and did a lot of catching up on emails and so forth. After I left work early, I went by the post office to get the mail before getting the hearing aids, and then made groceries. I masked all day yesterday at the office and will probably do so again today and tomorrow, just to be safe. I’m not as concerned about getting it as I am about giving it to someone; to be clear. If I have to reschedule Friday I have to reschedule Friday, and there’s no sense in wasting time or energy worrying about it. I have some proofing I need to get done by tomorrow, so hopefully tonight I will be able to get home and just plant my ass in the easy chair and tear through it so I can get it turned in no later than tomorrow night. I have some other things to get done this week, too–so I am going to need to really update the to-do list so I can make sure things get done and nothing falls through the cracks; the trick is remembering everything when I make the list. I know I have some short stories that need to be finished, revised and polished; I’m still not sure the revision of my forty year old story works, to be honest. I also want to get this other one, “The Blues Before Dawn,” finished for another call. There are some other stories I need to follow up on that have been languishing in their files, and I need to start plotting out some more stories and books, too. I also want to start reading Shawn Cosby’s new book, All the Sinners Bleed, which is a great title and an even greater story, I am sure; Shawn is ridiculously talented and one of the most genuinely kind writers I know.
I am still digesting Laura Lippman’s Prom Mom, which is the mark of a great novel. I was thinking her work has slowly and slyly started critiquing gender roles, particularly the way men are shielded from consequences and inevitably fail upward. Rob Simpson, the main male in this book, from the outside appears to be a golden boy who has it all…but the truth is he’s a pretty face and an empty suit. His business success is all due to his uncle’s nepotism, and his wife actually makes more than he does. All the women in his life shield him from reality, when they are all smarter and stronger and more successful than he is, and he’s so privileged and entitled he never notices that he’d really be nothing without the women in his life–from his mother to Prom Mom herself to perfect wife Meredith.
I didn’t sleep great last night, despite being super-tired. I fell into bed around ten and then woke up at two, and never really fell back deeply into sleep, instead just dozing into a half-sleep before waking up again. Like yesterday, I got up at five (an hour earlier than usual) and figured might as well get a jump on the day and get up. I’ve had a cup of coffee and will undoubtedly have at least one more before leaving the house; I am tempted to make a cappuccino. Readjusting to reality has been a little harder this time than it usually is–the weird and wonky sleep patterns making the least amount of sense of anything–but I am slowly getting caught up, I think.
The weird thing about my hearing (circling back around to our original topic) is that I’ve always had trouble with it, even as a child. Mom and Dad always insisted I only hear what i want to hear, and there could be some truth in that. My hearing has always been erratic, and while I’ve always passed a hearing test (barely; I was always about this close to needing hearing aids before) there were things I couldn’t hear and if there was ambient noise, forget it: I heard nothing. This is why I stopped participating in dinner parties in restaurants of more than six people; anything bigger than that and there’s no point. I can’t hear anything in a bar, and so I smile and nodded a lot. I often joke on panels that I must agree to do things when I’m drunk in the bar at a Bouchercon, but the truth is I didn’t have to be drunk; it just had to be in a bar and I probably agreed without hearing because I would just smile and nod and say things like “sure” and “sounds great” and would never admit to being hard of hearing. This last hearing test confirmed everything: talking to someone in a one on one situation, I only hear about eighty percent of what is said. Add another person and the percentage drops, and keeps dropping with the addition of more noises and sounds. And if you need hearing aids do not get them from your doctor. Costco was about half the price I was quoted at the doctor’s office; Costco will also give you a hearing test as part of the purchase price; there’s a two year warrantee as well as a six year in total plan for servicing. It’s really nice to be able to hear again. It’s going to be strange being able to hear everything at work, too. I think part of the denial I was always in about my hearing–the not telling people–was because I didn’t have a confirmatory test result before and just not wanting to admit to a disability–which is incredibly stupid. Without my glasses I can’t see anything; how is hearing any different than seeing? The Shame Monster is a sly creature.
And on that note, I am heading into the spice mines. I’ll check in with you again later, Constant Reader, and have a great Wednesday.
Monday morning of Bouchercon week and so much to do before I leave on Wednesday it’s not even the least bit amusing. I somehow managed to get very little done over the weekend–I did get some things done, I always do–but I’ve really got to stop taking the weekends off and do some work other than chores. I did manage to get a shit load of books pruned off the shelves, with even more work to be done on those once I get back (and I am going to try to resist buying any books while I’m in San Diego as well).
I did make it to Costco yesterday to get fitted for my hearing aids, which I will be picking up when I get back from San Diego. When I had them in, the difference was so amazing I couldn’t believe it. The hearing tech stood in the doorway to the room with the door open to the main floor, and she spoke to me–in a soft voice–and I could hear her every word clearly and concisely, and the noise from the store didn’t muffle or down her out at all. She even said, “I can tell you can hear better because you’re speaking more softly than you did without them in–so you were even having trouble hearing yourself speak.” I came home from that, making groceries at the Carrollton Rouse’s (and just let me say, getting to the I-10 on-ramp from Carrollton heading uptown might possibly be the worst interchange/on-ramp I’ve ever experienced in my life–seriously, who the fuck designed our highway system through the city of New Orleans?) and collapsing into the cool of the apartment after being out in the “feels like 114” for far too long. I also paid for said hearing aids, which was significantly cheaper than getting them from the doctor’s office (at least almost fifty percent cheaper; always get your hearing aids at Costco, people, otherwise you’re being robbed). I need to make a packing list and perhaps start packing for the trip tonight. I have an eye appointment on my way to the airport on Wednesday morning, and when I get back from the trip I can get my hearing aids, and then that following Friday I have my dental surgery.
I also watched the latest episode of My Adventures with Superman, which is amazing, quite frankly, and then we watched The Flash, which debuted this weekend on streaming. I know we’re aren’t supposed to watch the movie because it’s star, Ezra Miller, has become extremely problematic in their (I believe they identify as non-binary and use they/them) personal life, with some arrests for deeply troubling crimes; I know there was a big push to cancel both him and the film before its release, and yes, the accusations are troubling. But…I already pay for the streaming service; I didn’t spend anything additional to watch, and yes, I gave them a view to count…and more the shame, really. It’s actually one of the better DC movies, far better than expected, and the plot was actually clever and easily understood and made sense. Miller, whose casting I questioned originally, is really good as Barry Allen. Barry Allen/The Flash has always been one of my favorite DC characters, plus it was superfun to see Michael Keaton put on the cape and cowl again as Batman. Warner Brothers has made some troubling decisions about their DC movies over the past couple of years due to the most recent conglomerate merger–cancelling the Batwoman movie and just shelving it, among others–so they put all their eggs into the basket of The Flash being big box office, and held onto that plan even after Miller’s behavior became an issue. I enjoyed the film, but cannot recommend anyone else watch it, either. I felt guilty even watching it, thinking about Miller’s victims, so all I kept thinking during the movie wasn’t just this is good but what a shame this is good. There will inevitably be a documentary and/or true crime book about Miller’s conduct and how it damaged this film and the studio–but I do think, by releasing the film, Warner Brothers sent a very dangerous message about what they will and won’t tolerate from a star they’ve put a major investment into…and I wouldn’t be surprised if the studio didn’t use money and leverage to get Miller the slap on the wrist he got.
It’s very old-school Hollywood, isn’t it?
It’s really a shame, too. I love Barry Allen, I love the Flash, and Miller is great in the role. But with them rebooting the DCUniverse and recasting everyone, it’s a done deal anyway. I hope Miller gets the help they need, and don’t hurt anyone else.
I am also really looking forward to The Blue Beetle. I’m hearing great things about it, and I am very excited to see a Latino/Hispanic cast.
Bouchercon looms, and I am leaving Wednesday. I have an eye appointment on my way to the airport–the kind of thing I would have never done in the past because of the anxiety (what if something happens? What if I get delayed there? On and on and on), so I think I am making progress now that I’ve been able to identify what the problem is. I have to make a packing list of what to take, need to be realistic about what I will and won’t be able to work on and/or get done while I am gone (nothing; I’ll be lucky to blog at all whilst I am there, let alone stay on top of emails). I did do a little writing yesterday on my story “Temple of the Soothsayer,” which I am leaving in Central America for this draft and I’ll see how offensive it turns out, all the while watching for Mayan/indigenous peoples tropes, stereotypes, and cliches. If it doesn’t work without any of that, I’ll move it to the Aegean–the Pythia makes more sense than inventing a Mayan priestess/legend, given how little I (or anyone, really) knows about Mayan mythology. But…jaguars. I’d have to give up on jaguars if I move it to the Aegean.
And I love me some cats.
And on that note I am heading into the spice mines. I have a lot to do before I leave Wednesday, very little time in which to do it, and I am going to need to really get organized over these next two days. Wish me luck as I head into the spice mines!
Saturday morning and I slept in. I stayed in bed until eight thirty (perish the thought! What a lazy lagabed!) with the end result that I will not, in fact, be driving over to the West Bank this morning to get my oil changed and fluids checked. It’s not due, but (anxiety) the heat has been so intense, I want to make sure the engine is being looked after properly and of course, the fluids. Now it will have to wait until I get back as the dealership isn’t open on Sundays and I leave Wednesday for San Diego Bouchercon. I am starting to get some anxiety about the trip, but I am trying to ride herd on that. Whereas before it was gnaw away at me and build, now I just dismiss those thoughts as “anxiety” and move on from it. I doubt this methodology will be a long term solution–I probably should see a therapist again–but I already take an anti-anxiety medication to control my mood swings; do I need something else on top of that? Probably not. I am leery of medications to begin with–the opioid disaster always is there in the back of my head, plus the fear of addiction.
But since I didn’t get up, I will be staying in for the rest of the day and working on the apartment and writing and so forth. Tomorrow I am going to get fitted for hearing aids, so anything I might need to get by going out into the world today (I was thinking about doing a minor grocery run to get a few things) I can get tomorrow at the Rouse’s on Carrollton. I am kind of excited about being able to hear properly; I don’t think I’ve ever been able to my entire life, although I always passed hearing tests. My problem is low voices and ambient noise. I can’t hear anything in a crowded bar or restaurant. And I have my appointment about my arm in a few weeks, and of course, I am getting my teeth taken care of once I get home from San Diego. I will be a completely different person by the end of the year than I was when I started the year, won’t I? Maybe not The Six Million Dollar Man, but the surgery isn’t going to be very cheap.
We finished watching Swamp Kings last night, and I was right–it was really a puff piece, focused on making Urban Meyer as good as possible and not focusing on any of the criminal charges or how the University covered it all up because at that time, Florida football was the face of college football and everyone was watching and they were making the University a shit-ton of money. (Not to single out the Gators–although this documentary was about them, so it does raise these questions organically–these kinds of abuses and corruption happen all too often at far too many programs. LSU has had its own history of cover-ups and looking the other way to protect star players in the past, for example, and I’ve always been disappointed at how those situations were handled by my own favorite team. Hiring Joe Alleva as Athletic Director at LSU was a huge mistake, as he repeatedly showed Tiger Nation, over and over again. His replacement has done a fantastic job rebuilding LSU athletics from the ashes left by Alleva’s miserable tenure.) But I love college football, and I remember that time period particularly well. I have always stuck to the SEC mantra of “hate them in the conference, root for them in the post season” (which everyone does except Alabama fans for the most part–which I just now realized is probably a leftover remnant from the Civil War “us against them” mentality and my stomach turned a bit; but that’s also a good focus for the essay I want to write about LSU and football in the south in general, “Saturday Night In Death Valley.”) I am very excited and happy college football season is nigh. Woo-hoo!
I spent some time with Kelly J. Ford’s The Hunt, which is actually quite marvelous. I haven’t had the bandwidth lately to read novels–mostly sticking to my Alfred Hitchcock Presents project–but I was enjoying her book when I started reading it a few weeks ago and had been wanting to get back to it. But anxiety and stress and the fucking heat have sapped so much out of me every day that it was hard to focus on reading a novel. Kelly is a marvelous writer, which is terrific–there’s really nothing like a queer writer with a working class background writing about the South they grew up in, is there? Kelly is kind of a lesbian cross between Tom Franklin, Carson McCullers, and Dorothy Allison, with some Faulkner and Ace Atkins thrown in for good measure. Her debut novel Cottonmouths was a revelation (I can’t tell you how thrilling it is for this old man to see so much amazing crime writing coming from new queer writers), and her second, Real Bad Things, is nominated for an Anthony Award next week–so she joins the few queer crime writers of queer crime novels who’ve been nominated for an Anthony Award! We’re a small but growing club, which is also very exciting. GO QUEERS!
So, yes, a lovely day of preparation for going away next weekend. Today I should go ahead and make my packing list–I could even go ahead and pack the rolling briefcase, couldn’t I?–and clean and do things around the house and read and maybe even do some writing. It feels cool today in the house–but of course it’s still morning–and just checked my emails and yes–there it is; today’s heat advisory with temperatures feeling like up to 114 until eight pm tonight. It’s really going to feel like winter to me in San Diego, isn’t it?
And on that note, I am heading into the spice mines. Have a lovely Saturday, Constant Reader, and I will check in with you again later or tomorrow.
Queer and Loathing in America 