Interestingly enough, the plot of Murder in the Garden District is the oldest of all my books, dating back to the late 1970s/early 1980’s.
Weird, huh?
But the murder mystery plot I used for this book was the same one I used for that dreadful novel I handwrote between 1980 and 1984. In the book, the girl from the wrong side of the tracks winds up marrying the wealthiest man in town, who is more than twice her age and has a daughter only slightly younger than she is–and he also has a monstrous, domineering bitch of a mother who hated her new daughter-in-law. He is shot and killed one night, and the young wife is the primary suspect. I always liked that plot and story, and so when it was time to write Murder in the Garden District I took that plot and turned it into a Chanse mystery. I also was able to pull out a subplot involving his landlady and employer, Barbara, that I had always wanted to do and thought it made the most sense to entwine the two stories in this book.
I also wanted to deal with Chanse’s estrangement from his family, with the possibility of reconciling with his mother, who was now dying of cancer at MD Anderson in Houston. This book was, on almost every level, about mothers.


I climbed out of my car and immediately started sweating. Christ, I thought, tempted to loosen the uncharacteristic tie I was wearing, this better be worth it. I slammed the car door and headed for the front gate of the Palmer House. I’d been driving back from Houston when Barbara called, asking that I come by at four to meet a prospective client. She’d ordered me to wear a tie, which meant it was one of her society friends. And society friend meant deep pockets, which is always a good thing. I wiped the sweat off my forehead. So much for making a good impression, I thought as I opened the gate and headed up the walk to the house.
The Palmer House was a historic landmark of the Garden District, and also happened to be the home of my landlady and employer, Barbara Castlemaine, who’d inherited it from her first husband. Built before the Civil War, it was a monstrous looking Italianate house painted a dark burgundy with black shutters. Black wrought iron lacework adorned the upper and lower galleries that ran around the house. The big brick fence that provided it with a semblance of privacy on two sides of the lot leaned toward the sidewalk at a gravity-defying angle from the immaculately kept lawn. A black wrought iron fountain bubbled in the center of a two-foot high box hedge.
I rang the bell at precisely four o’clock. “Hey, Cora.” I said when the door opened.
Cora had been Barbara’s housekeeper for as long as I’d known her, and Barbara once told me that Cora had worked at the Palmer House since she was a teenager. I had no idea how old Cora was—her face was free of wrinkles and there were no signs of gray in her hair. She was wearing her black uniform with the white apron and little hat to match. Her face creased into a smile.
“Chanse! Always nice to see you.” She lowered her voice and stepped onto the porch, pulling the door almost closed behind her. “How’s your mama?”
I had always wanted to deal with Chanse’s family issues from the very beginning. If you remember, I originally planned this series as being seven books. At this point, it was Book 5 and I had gone off-plan with what I had envisioned, thanks to Hurricane Katrina. When it was time to write this one, I remembered that old plot from that old book of mine, which I saw as relatively easy to adapt to a New Orleans murder mystery–and a way, when I mapped out the old plot, to bring Chanse’s family back into the story and deal with his relationship, always fraught, with his mother. Chanse grew up in a trailer park with parents who were miserable with their life choices, drank too much, and weren’t the most loving of parents. As I thought about it, I also remembered a story I wanted to do with his brother–sending him back home to his small city in eastern Texas to try to clear his brother of a murder charge, and made notes on it, as well (it would become my story “”My Brother’s Keeper,” which was in Survivor’s Guilt and Other Stories). I merged the original plot with the issue of his mother dying of cancer, and I also took the plot from a now-dead Chanse book (I think this was supposed to originally be Book 4) involving his landlady/boss’ past, and folded it into Murder in the Garden District. It is his landlady that drags him into this case, as a favor to someone who knows her darkest secret, which she eventually has to reveal to Chanse.
I also wanted to write about a powerful Louisiana political family, which became the Sheehans of the Garden District, with the murder victim having just announced his candidacy for state-wide office. Warren Sheehan wasn’t a good person, and as Chanse looks further and deeper into Warren’s history and past…maybe his murder was actually for the best as he was a monster. His much younger white trash wife from the West Bank, his daughter from a first marriage, the grasping hateful mother…yeah, I had a lot of fun writing this book, and I think it’s one of the standouts of the series, in all due modesty.
Chanse’s landlady/boss, by the way, was named Barbara Villiers Palmer Castlemaine, which was actually the name of one of the most notorious mistresses of King Charles II of England; but I’d always loved the name and gladly appropriated it for this character.
This was also my last book for Alyson, as they went through another upheaval and everyone I’d worked with on the previous book had been fired and I now had someone new to work with. Alyson folded up its tent and closed up shortly after the book came out. i was never paid my final portion of the advance…and never saw another dime out of them. They kept my books in print and kept selling them…but never paid me another cent. I wasn’t sorry they closed–it was really the only way I’d ever leave them and take the series elsewhere, and it was a relief. I’d been given the runaround from them and had to constantly get used to new people to work with on every title I did for them…yeah, wasn’t sorry about this, but I was pretty pissed about being robbed.
.









