Category: Southern Gothic

Tell Him No

I did get tired yesterday afternoon, but I think it was more from malnutrition somehow than anything else. My breakfast and my lunch did not fill me up1, and after I had lunch I did feel like my batteries were starting to run down a bit. It was, all in all, a good day for the most part. I did make it through the workday. I ran errands after work (got some things for Sparky from Chewy, and the last batch of new shirts arrived); started organizing the draft blog posts to determine which can be combined (same topic started on different days, months, years) and which can be finished and which can be deleted; I finished the revision of “Passenger to Franklin” (and I think it’s much much better now); and started getting my (delayed and extended) taxes together. Ideally, I can get that done this week and to my accountant by Friday so that will be one thing more that’s been hanging over my head like the sword of Damocles out of the way. Huzzah! I also took a look at “When I Die,” and while this one is going to take a lot of fucking work, it’ll be so much better when I finish it!

I slept well last night, and my coffee is rather delicious this morning. It was cold yesterday morning when I left for work–surprisingly so–but it warmed during the day so my car was very hot when I got into it after work. It’s going to get warmer consistently later in the week–I still can’t get over it being eighty-eight last Friday, it’s only April for Pete’s sake–which means it’ll probably be hot and sunny as I visit graveyards with Dad the weekend after next. I was thinking last night, as we watched Vigil (it’s terrific, highly recommended), that I’m almost in a good place again for the first time in almost ten years or so. My stress levels are way down, my moods generally are good and even, and I don’t have flashes of anger anymore (mostly while in my car). Other idiot drivers are still annoying, but don’t send me into a rage anymore. Now, it’s more like I get annoyed, say very calmly, “yes, you’re an asshole who can’t drive” or “yes, you are so much more important than all the rest of us”, but as I said, it’s calm–and I can absolutely live with that.

I got a short story rejection email yesterday, and I was completely ambivalent about it. The problem is you’re never sure if the story just doesn’t work for them or if the fact that the main character is gay was a problem for them. Sure, the rejection had the standard form please submit to us again, but…yeah, not so much. This is what straight white cisgender people don’t get, with all their whining about “merit”–the only people who they think actually earn their careers are straight white cisgender people, after all–because you can never be certain that it’s the story that they didn’t like enough or whether homophobic concerns come into play: our readers might get mad at is if we shove queer down their throats or we don’t want to become known as the queer crime publication and every other iteration of that you can imagine…any excuse not to publish a queer writer. Many years ago, I decided that I would never allow suspicions of homophobia affect my writing career, and I would always assume it was the story that was the problem. But…you have to wonder. When a magazine only buys your work when you send them things with straight main characters (twice) but rejects everything with a gay main character or even a gay theme, you have to start to wonder.

And given how few of the magazines that actually pay well for short stories (or pay at all) there are and how little queer work they actually publish…you begin to wonder. You don’t want to believe it’s homophobia or homophobic concerns, but here we are, you know. The stories I am working on now aren’t really crime stories, they’re more supernatural/horror stories, but I do think “The Last To See Him Alive” is not only a good story but it’s written really well. I need to revise it and edit it, of course, but it’s in really good shape already which is pleasing. “When I Die” needs a complete overhaul, but that’s fine. It’ll be a better story for it when it’s finished. And while these stories I am working on could complete the collection, this morning I am wondering if I should include horror in this book or not.

I really do not understand these new state laws (here in Louisiana we got one, too) allowing people to drive their cars into protestors, something which inbred morons Tom Cotton of Arkansas and eternal bitchboy Josh Hawley of Missouri are all about. Nothing says leadership like telling people to kill or injure other people. As always, these kind of Nazi-lite fascistic laws come to you courtesy of the Republican Party and MAGAt. I personally am looking forward to driving my car into a crowd of Trump protestors and hitting the gas pedal, frankly. When I saw this on social media yesterday, I responded with Never thought I’d see the day when the Kent State massacre would have fanboys, which prompted some responses which, of course, made the most sense: they had them at the time. I was too young to remember the right-wing response to the Kent State shootings, I just remember being appalled that the National Guard murdered four students on a campus, and I have always viewed it as a disgrace and a tragedy…but of course the right did not see it that way–just as they backed William Calley as a hero after the My Lai massacre in Vietnam. Even I–who have always known how vile and unpatriotic the right in this country is and always has been–didn’t think they were that callous and awful.

They are, they always have been, and they always will be.

The thing that always amuses me about this is the “patriots” of the right always forget that the only reason we exist as a country was because of mass protests….which led to a revolution. So, by that way of thinking, the most patriotic thing you can ever do is protest, really. Remember the Tea Party, the seeds that grew into MAGA? Remember the stolen election of 2000? Remember how Reagan dismantled and changed (and ruined) Social Security? The only reason there’s an issue with it now is because of Reagan, St Ronnie of the Right. The Republicans are the party of Joe McCarthy, Richard Nixon, Ronald Reagan, Henry Kissinger, and people like Cotton, Marjorie Taylor Greene, Josh Hawley, and Matt Gaetz are their heirs.

Remember back when I was thinking about starting to read and study poetry? I got a great recommendation from a dear friend at S&S of where to start–Mary Oliver’s Why I Wake Early–and I’ve been paging through it randomly, reading poems here and there, glimpsing fragments, and I think I’m slowly starting to come to an understanding of poetry I never had before. I am not going to review poetry on here as I am nowhere near knowledgeable enough and I don’t want to make a fool out of myself self-teaching and coming to what regular readers of poetry already understand from studying it. It’s a wonderful education, and one I kind of wish I had started earlier. Ah, well.

I also decided to postpone reading the Paul Tremblay and take it with me to Kentucky to read. Instead, I’ve decided to reread a book I don’t remember much of–Suicide Notes by Michael Thomas Ford. He published a sequel this past year that I would love to read, but not remembering the first one was a problem, so I decided to go ahead and reread it. I don’t talk about Ford much, but he really is one of the most underrated queer writers of our time. He can basically write anything (a blessing and a curse, as I know all too well), and he does it extremely well. Rereading the first chapter last night pulled me back into the story effortlessly, and the voice is so compelling and hauntingly real…and likable. I’m looking forward to reading more of it.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I’ll probably be back later.

  1. I also ate dinner late on Sunday night, which I usually don’t do and am sure that had something to do with it, but given I don’t really get hungry all that often it was kind of cool. ↩︎

Are You Lonesome Tonight?

Lonesome is a great word that doesn’t get as much use as it used to; it was a very popular emotion/feeling for songwriters (especially those in the genre then known as “country and western”) to write about back in the 50’s and 60’s. It’s a very evocative word, and I am not sure why I don’t hear it as often as I used to. I love the word, and one of my ideas is to write a book called Kansas Lonesome at some point. The premise would be that there’s a podcast called that, which covers Kansas true crime stories throughout the state’s history; I am not sure how that podcast will play into the story I want to write, but that’s the foundation of that book, whatever it turns out to be. I am currently in the process of writing a short story (one of many, by the way) with a college student investigating a crime site out in the countryside to sus out background information for a podcast episode for the producer/star of the podcast. I do think the book may be inspired (Kansas Lonesome) on a homophobic incident that occurred in my old school district in Kansas; a young lesbian was put off the bus and banned from riding for saying she was a lesbian. The school district tried to cover up everything, but it turned out the girl was the only one telling the truth, the bus driver was fired, and the superintendent lost out on a big career move…and a few months later, she disappeared. Her name was Izzy Dieker, and as best as I can tell, she’s not turned up yet and it’s been over two years since she went missing. There are just some articles noting her disappearance, and then….nothing.

That is a great premise for a crime novel, isn’t it? Kansas Lonesome is becoming what I will soon probably be referring to now as “the Kansas book,” now that the other one was finally finished and published. But I think I will probably write The Crooked Y first; there is so much material in Kansas for prairie noir, isn’t there?

It really is amazing how much crime–specifically brutal murders–have happened in such a sparsely populated, deeply Christian red state. (“But crime only happens in those scary big cities!” Fuck off, trash. And by the way, immigrants aren’t coming for your women or your jobs.) The Benders are another grisly story from Kansas’ blood-drenched past, and I’ve always wanted to write about them, too; and hope to do so before I run out of time on this mortal coil.

And last week I stumbled across another fascinating tale of corruption and illegality involving a district attorney, a judge, and a police chief…a truly horrifying tale about how justice can be (and is all too frequently) twisted to fit the agendas of people who are evil but so convinced of their own righteousness that bending rules and not turning over evidence to defense attorneys, suborning perjury and coercing confessions from people?

Sidebar: Yes, Sarah Palin, that’s the real America, you charlatan snake-oil salesperson. Hope you’re enjoying being completely forgotten, grifter and Grandmother of Bastards.

Anyway, that’s a lot of words to talk about how Kansas is actually a horrific true crime state, with lots of examples of horrible murders and desperate people. I sometimes wonder if has anything to do with how flat the state is, and how sparsely populated. I know sometimes those winter winds off the prairies are brutal, whistling around the house and rattling the windows, trying to find a way into the warm cozy inside. Sometimes that wind can whistle, too–and I can imagine in a time without electricity or much entertainment, listening to that wind and being so lonesome out on the prairie could easily drive you mad1. I could write a book of short stories and simply call it Kansas Lonesome, with the premise that the podcast host and researchers are doing the background research into these old crimes or something. That could be an interesting way of bringing those stories together…but I also think Kansas Lonesome is too good of a book title to not use it for the novel I was thinking about earlier in this entry–the one about Izzy Dieker.

Loneliness, though, while sad and depressing, is a writer’s friend. When you’re lonely, you have to entertain yourself, and I always drag out the journal at those times, or warm up my computer and start writing away. I think a lot of my creativity came from being lonely as a child, the recognition I clocked early that I wasn’t like other kids in many ways so I stayed away from them because I didn’t know if they were going to make fun of me or bully me. and so I retreated very often into my own mind. I read a lot, obviously, and watched a lot of television and movies (while reading), and I just kind of lived in my imagination for lengthy periods of time. I preferred my own world, frankly, and still do; I hate leaving my own world for the real one.

I do wonder sometimes if I would have still wanted to be a writer if I had felt like I belonged, if I was like every other little boy. But even when I was a kid, I looked at the future that was expected of me and found it wanting. A Lot. I hated the very idea of fitting into one of the ticky-tacky houses in the suburbs and the day job that was all-consuming and the wife and the kids and the lawn work and upkeep on the house and…yeah, that sounded always terrible to me, and the older I got the more I resisted that future. Had I followed the path laid out for me by society and family I would have been absolutely miserable by now. Would I have been so attached to books if I had friends, kids in the neighborhood and the comfort of knowing people did actually like me? It was the love of books and wanting to give other people the feeling I got when I read one I enjoyed that made me want to be a writer in the first place, and the more I read the more I wanted to write. I used to write all the time when I was a kid–things I didn’t take seriously at the time, and would completely dismiss…but I was always writing. I made up a world once, with its own countries and lineages and so forth, kind of a fantasy alternate kind of history. I wrote my own versions of the Hardy Boys and Nancy Drew. I wrote short stories in high school. I started writing a novel when I was seventeen, and while I might have gone months without writing at times, I always was writing, always coming up with titles and ideas, and I was always happiest when I was creating.

And now, here I am hurtling toward my sixty-third birthday with a lot of publishing credits to my name and boxes and boxes of ideas…that I want to digitize and throw away the paper files in an attempt to cut back on clutter. I have my next two years’ writing schedule pretty much figured out already. I’m happy. That’s the bottom line of everything, isn’t it? Being happy? I love my life. I love writing. I love connecting with readers and other writers. And I think I am continuing to grow and develop as a writer. I don’t ever want my best work to be behind me, and I don’t think it is. I’m feeling good and optimistic again, and that’s always a good thing.

  1. There was a really great chapter in James Michener’s Centennial that talked about this very thing; how on the prairies in the winter the wind could drive one mad. After I read that book I could never listen to the wind again without remembering that. ↩︎

I Cried a Tear

Well, it’s back to the office Monday and I am feeling pretty good about the weekend. Did I get everything done I needed to get done? Of course not, I never do. But the house is in good enough shape that if I maintain it every night then next weekend I can move on to some further cleaning/organization/declutter project because I don’t have to start over catching up on the the basics yet again. I also made dinner last night for the first time in forever, actually cooking, and it was kind of nice and the meal was actually quite good. I also was creative this weekend, and maybe very little actual writing was done but a lot of planning and thinking about the projects and so forth that need to be worked on and I also had a lot of really good ideas. I started thinking about the projects in terms of what I was trying to do, what the point of the story was, and how best to get the message across to the readers while also telling a compelling story. This is the kind of thing I miss doing, and am usually so rushed with impending deadlines and so forth that I don’t have enough prep time before I start writing, if that makes any sense? It did to me, and I think that’s another reason I have Imposter Syndrome on a regular basis; I kind of leap blindly into the project and hope that it works out all right.

I slept very well last night and didn’t want to get up this morning (or at least out of bed, which was warm and comfortable), but as I swill this first cup of coffee I am starting to come to life and that’s a good thing. I am not patient-facing today–it’s my in-office administrative day, and I am pretty caught up on my work. The downstairs looks nice and neat and orderly this morning; there’s dirty dishes in the sink, of course, but that’s easily rectified. On the way home tonight I have to stop and get the mail and pick up a prescription. I am leaving for Alabama/Kentucky the week after next, and so that’ll be nice. I’ll take some books to read, and I imagine we’ll do some sight-seeing in Kentucky while I am up there this year. It’s nice visiting Dad, and seeing my sister. Mom’s death brought the survivors closer together, which is nice. They still live too far away for regular visits, but it’s nice to be closer to them both.

Overall, it was a nice weekend. I got some rest and recovery time, and feel much better this morning than I did any morning this weekend–which might be related to staying in bed longer–and we started watching a terrific new show last night called Vigil, which is from the same team that did Line of Duty, which was exceptional. Vigil, which isn’t something I thought I’d be too keen on–a murder mystery on a nuclear submarine that also includes international intrigue on top of the crime–but always trust people who’ve produced another show you liked, really; Vigil is superb (submarines absolutely terrify me–my claustrophobia would drive me insane within an hour of getting on board, and if it didn’t before, it would definitely happen once we submerged; this is why that novel The Chill by Nick Cutter was so unsettling–underwater in a submarine in the dark. No fucking thanks) and absorbing. I cannot wait to watch more of it tonight after writing and doing some more clean-up around here. My writing goals for this week are to make more progress on the book, finish revising “Passenger to Franklin” and “When I Die,” and get a good night’s rest. I also have some emails to reply to, as well as some others I need to generate. I did make progress on finishing some of these draft posts I’ve had in the files forever–some going back as many as four years (I wrote down my initial impressions of January 6, which I do need to finish since we are heading for another precipice)–and it’s nice to get some of this stuff cleaned out. I still have more drafts back there than needed; I think there are numerous ones that can be actually combined, since I started a related topic more than once, methinks–usually because something makes me angry or frustrated enough to forget oh yes, started something on this very subject several times already, maybe should combine them all into one.

I also want to finish the blog posts about my books already published. I am not sure where I left off–I know the last one I did was for Dark Tide, but I think I’ve already done The Orion Mask, which leaves Timothy because I know I did a lot of promotional posts for both Bury Me in Shadows and #shedeservedit. I’ve also already done the most recent Scotty books, too–I think I’ve covered that entire series already. I know the last Chanse book is still there in the drafts, too–I thought I’d need to reread it since it’s been so long since I wrote it, which isn’t a bad idea. I don’t really remember Chanse’s voice, and am not sure I can still hear it if I want to. I know I’ve written a Chanse short story since the series ended, and I have a Chanse novella in progress that went off track and needs to be steered back onto the tracks. I do have another idea for a Chanse book, but I am thinking he might just be a supporting character and I can center the book from another point of view, which could be interesting. See what I mean? My creativity has really come roaring back.

And on that note, I am going to bring this to a close and get cleaned up to head into the spice mines. I hope you have a lovely day, Constant Reader, and I’ll check back in with you again a little later.

Doesn’t look like he likes the photographer’s direction to “arch your back a little and stick your butt out”, does he?

Enchanted

Sunday morning! And LSU Gymnastics won the national championship yesterday! Woo-hoo! That accomplishment is worthy of its own post, so tune in later for that, okay? It was very exciting, I have to say, and the Lost Apartment was filled with excited cheers even as we held our breath as LSU clinched it all with a fantastic final rotation on balance beam. We kind of celebrated this throughout the night by watching replays and highlights before episode two of Sugar, which I am loving. Colin Ferrell, yum.

I was very tired Friday from running all those errands, and so was Paul. I was still fatigued yesterday, the physical and mental kind that I’ve not felt in a while–but sadly more evidence that my stamina is not back and needs to be worked on. The heat is also back; yesterday was pleasant, but Friday was eighty-eight degrees…in April. That doesn’t bode well for the summer, especially for one that’s going to be a more active hurricane season. But while I was so tired yesterday I managed to use what little nervous energy I had to clean and organize, and the apartment actually looks better this morning. It’s still not up to par–I need to do the floors to get there–but it’s nice to walk down to a neater first floor. I do need to run the dishwasher this morning, and finish filing before I read and write for the day. I do feel a little dragged out this morning, but hopefully getting caffeinated and cleaned up will take care of that problem.

I did do some things writing-related yesterday. I found the epigraphs for the next Scotty book, for one, and also wrote the opening of The Crooked Y in my head yesterday as I cleaned and organized. I created some working folders for projects that are forming in my head, and I did write notes down in my journal occasionally. I also did some electronic file cleaning up, which is proving to be an endless, endless process that may never be finished. But as long as I can still search for everything in a finder window, it should be okay. I also thought of how to open The Summer of Lost Boys, too. I’ve been listening to the Billboard Top 100’s for the years I am considering setting the book in, and I think I am settling into 1974, which was when I originally wanted it set in the first place, the summer (in my life) between junior high and high school. It’s kind of fun, if a little painful, to go back to that time and remember it for myself, but I think it’s going to be a really strong book once it’s underway. I also started getting the current book a bit better organized. I feel better about things, if that makes any sense? Hopefully I’ll be able to get a lot of writing done. I want to finish the rewrite of “Passenger to Franklin” and start the revision of “When I Die,” before diving into the book headfirst and trying to get the rest of it plotted.

I think I’ve been a bit overwhelmed lately, in all honesty, and I need to get calmed down and focused again. I need to remember how to harness my brain ADHD-driven creativity and focus on one thing the way I used to be able to do so. I have been very pleased with the (sparse) writing I’ve been doing, but I also think that might be partly due to the stamina issues I’ve been having since the surgery. I am trying to rush to get back to “normal” (or what passes for it around here) and getting ahead of myself, and I need to reign in my impatience and take things slower. It’s okay because it’s temporary, and this too shall pass. Take a breath, remember you had a rough go of things last year, and you have to build everything back to the point it was before the injury.

I’ve also been remiss in not congratulating award winners lately in my field; I am very pleased to report that J. M. Redmann won the Hansen Prize for queer crime fiction for Transitory, which is now also a Lambda finalist AND a two category Goldie finalist. Yay Jean! I’ve known Jean for almost twenty-five years now, she was my boss’s boss for about eighteen years, we’ve co-edited anthologies together, and now I am her book editor. Transitory is a terrific book, and being Jean’s editor is pretty easy, actually. Ivy Pochoda recently won the Los Angeles Times Book Award for Best Crime Novel for Sing Her Down, and Ivy is pretty awesome, too. I am behind on her books (I’m behind on everyone’s books, really) but her Wonder Valley was fan-fucking-tastic. Way to go, Ivy! (That was a loaded category, too–other nominees were S. A. Cosby, Cheryl Head, Jordan Harper, and Lou Berney.)

And on that note, I am going to head into the spice mines, eat something and get cleaned up and ready to go for this glorious morning. Have a lovely Sunday, Constant Reader, and I will chat at you again later.

Poison Ivy

Work-at-home Friday! I got up early this morning for some reason, but it was an hour later than usual so I will count it as “sleeping in.” I have a lot of stuff to get done for work duties today, which I want to wrap up so I can get all the errands taken care of. I have prescriptions to pick up, groceries to make, a trip to Costco–I get exhausted just thinking about it. But yesterday was really a good day, wasn’t it? I’m not sure how it was for you, but I was productive and in a really good mood for most of the day. I was a bit tired at times during the day, but I made it through, picked up the mail (a package of new shirts arrived!), and then came home. Sparky was rambunctious and so had to cart him around on my shoulders while I did some things, and then he parked on the desk while I wrote for a while. I also talked to one of my co-workers who drives for Uber/Lyft, because I wanted to be sure I was getting how it all worked right in a short story I am working on and revising, “Passenger to Franklin.” I was also pleased that the story wasn’t the piece of trash I convinced myself it was when I was writing the first draft, and I was pretty happy to see that despite my usual self-deprecation mentality (which I am really working on, I promise) it wasn’t bad at all–and there are some really good images and sentences in it. After all my running around today, if I have time I am going to write some more tonight, and hopefully finish this second draft.

LSU Gymnastics was in the first session of the national championship meet, and they scored over 198 and qualified first overall into the finals Saturday afternoon. I would be excited regardless, but it’s even more exciting this year, because if they hit they could finally win it all this year. I was waiting for Paul to get home and had stopped writing to settle into my easy chair, and remembered, oh, I wonder if we can catch a replay of LSU on ESPN? So I turned on the television and navigated into the ESPN app, and thought, oh, I don’t care about the second session, but I can watch for a while until Paul gets home. So I did just that and turned it on just in time to see Oklahoma’s first vaulter sit down on the landing. Oklahoma was undefeated and ranked number 1; Ragan Smith, one of their stars, has spent a good potion of the year making TikToks claiming LSU’s routines were over-scored, which is not only unsportsmanlike but a total bitch move (I am not a fan of that kind of shit, especially since you’re daring karma,Alabama and hubris is not something the gods like). They sat down two more vaults, and two others weren’t great, pushing them so far down they couldn’t climb back, which was shocking. They had two more falls off the beam, so had to count a fall there. This is NOT what you expect watching Oklahoma, and Paul got home right after that first vault, and the evening session was like a trainwreck you couldn’t stop looking at. It rained Alabama gymnasts around the balance beam–I think four of them came off–and even other teams were having falls they didn’t have to count. When the bloodbath was over, Utah and Florida moved onto the finals to join LSU and California. I am very excited to watch Saturday afternoon!

Last night was also a lovely evening because Paul and I were both relaxed, rested, and in a pretty good mood, so we were laughing and joking and having a great time. It’s been way too long since we’ve had an evening like that, and I was actually reluctant to go to bed and end the evening (I still hate ending a good time, and I don’t think that will change until I am in the crematorium), but it held over until this morning, too, which was unexpected and a delight at the same time. I feel good this morning, despite only sleeping in for an extra hour, and confident and like myself again for the first time in a really long time (I know, I say that all the time, but having fun with Paul has been missing from my Bingo card for far too long), but I don’t really think I’ve been myself for almost ten years or so. Mom had her first stroke and we almost lost her the first time in 2016 around Christmas, and that’s been weighing on my mind subconsciously I think ever since until last year when we finally did lose her. The pandemic, volunteering, getting COVID myself, Mom dying, my surgeries–it’s been quite a ride and while I am not certain I am completely coming out from under it all, I am feeling somewhat better and I hope it lasts.

I also came across another interesting bit of Kansas corruption and crime yesterday, in which a corrupt district attorney (now a federal prosecutor), in tandem with a police chief and a judge, were closing cases by not sharing evidence, forcing people to testify against innocent people by threatening to send them to jail, and on and on it goes. You can read about this vile racist piece of shit here.

Seriously, so much crime in Kansas.

I also typed up some notes for the new Kansas book (it feels weird to be saying that since it was what I called #shedeservedit for years), and I also started bringing together some things for the next Scotty book. See? I am being productive again. Maybe that’s why I am feeling so good? Probably. I always am in a better place when I’m writing, and without any other things weighing me down, I am really loving life lately, you know?

And on that note, I am going to start doing some day-job stuff by heading down into the spice mines. Have a lovely Friday, Constant Reader, and I will check in with you again later (have you noticed I’m posting a lot lately? Trying to clear out those unfinished drafts).

At the risk of sounding crude, this wrestler has an amazing ass, does he not?

Only You (And You Alone)

Ah, Thursday and my last day in the office for the week. Awesome. Yesterday morning I once again did the old “don’t leave the house until 7:30” again, and once again I wasn’t groggy or tired by the time I left the house. Bizarre how that minor shift in how my days are structured has created such a significant change to everything. I really need to remember to pay attention to routines before they become ruts, so I can change them and avoid said rut.

I did finish the first draft of a short story Tuesday night, and I am most pleased with it. I am writing it for an open call for an anthology, and I am very pleased that I got a first draft done long before the deadline. (I’m still bitter about missing the Chessies anthology deadline, for which I was working on three stories. Note to self: never write three stories for a submissions call because you think it sounds like a great idea. It is not, nor is it ever, a good idea.) Yay, me! I also decided to work on revisions of some other stories in progress; I am still struggling working on this book, but I’ve also decided I need to really immerse myself in it for at least one day so I can get a handle on this plot and figure out where it’s going and what needs to come in and what needs to come in so that I really feel like I have a grasp on the characters and the story. Those stories in progress are the first drafts I never got a chance to revise for the Chessie anthology, and all three will fit snugly into the end of my short story collection…so technically, if I can get the three stories whipped into shape, I can also go ahead and get the collection turned in. Huzzah! All three of the stories are actually ghost stories of a sort; “Passenger to Franklin” needs some serious revision, and so does “When I Die,” which is a terrific concept and really needs some work too. I think I can get one of my oldest and most beloved stories of my own whipped into shape and added into this collection as well, which just goes to show–never discard an idea or throw out a story because you’ll eventually come back to it someday.

I wrote out the opening paragraphs of the next Scotty, which I want to write this fall and hopefully get turned in around November or December. I am pretty pleased with the plot and story of this one, too, but I also need to spend some time brainstorming the plot and how it twists and turns around and turns out. I still haven’t dipped into my Paul Tremblay yet, and I think I may save it for Sunday morning reading over my coffee. Saturday morning I am going to reread/skim Death Drop so I can get a better feel for the current WIP and make sure I have the voice right, which I don’t think I do yet, which is also why I think I am having so much trouble writing it. It’s always a struggle for me to write a book when I don’t hear the voice of the character in my head, so I need to get it there ASAP.

I feel like I am making progress with my writing, even if working on the book is like pulling recalcitrant teeth.

I feel pretty good this morning, a little tired perhaps, which is oddly different that the past few weeks, when I was tired earlier in the week and felt more rested as the week progressed. This of course made no damned sense at all, but that’s okay. Few things in my life have ever made sense, and a lot of it probably is related to the anxiety and medications, as well as this week’s change in schedule. Last night when Paul got home we watched the first episode of The Sympathizer, which was very intense. I loved the book, and the new series is actually quite excellent–but more on that as it develops, obviously. I also managed to fold the laundry and do a load of dishes. I also picked up two new books, the new Scott Carson (aka Michael Koryta) and the new Alyssa Cole. I want to get some serious reading done this weekend as well as some cleaning and writing, and I also need to get my taxes completed this weekend and off to my accountant. An odious chore, to be sure, but a necessary one. I also have a lot of errands to do this weekend–we need to go to Costco, I need to make groceries, and of course there’s a shit ton of cleaning that needs to be done. I will need to work on reorganizing the freezer/refrigerator tonight in order to make sure there’s room for what we pick up this weekend.

And on that note, I am heading into the spice mines. Have a lovely Friday Eve, Constant Reader, and one never knows, I could be back later.

What’d I Say

Tuesday morning and I slept well again. It’s kind of amazing what a change to my day getting up a mere ten minutes later can make. Yesterday morning I had to swing by the Cat Practice to get his Royal Sparkiness food when they opened at eight. I wound up getting to the office around eight fifteen, and I felt alert and awake all day. Was it a one-time thing perhaps? Well, sleeping ten minutes later again this morning and planning on leaving the house for the office a bit later so I don’t have to rush may make a difference for today too, so we are experimenting with leaving later and staying at the office later and seeing if that also makes a difference today as well. After work, I swung by uptown to pick up the mail, which included my first foray into poetry reading, Mary Oliver’s Why I Wake Early, a recommendation from Carol Rosenfeld, which I am looking forward to delving into. I also got my Frances and Richard Lockridge short story collection from Crippen and Landru, and the new Scott Carson (Michael Koryta) Lost Man’s Lane, which should be quite fun.

Last night we watched more of The Gentlemen and Star Wars: The Bad Batch, which is kind of fun and very well done. We should finish The Gentlemen tonight, and perhaps move on to our next show to watch.

I can’t say that I was sorry to see that the homophobic right-wing bitch Beverly LaHaye passed away. Well, I am sorry that it took so long for that horrific piece of shit to die–more proof that evil never dies, like Mitch McConnell. I really hope she suffered, and that it was incredibly painful, so she was released from the pain only to have the pearly gates slammed in her fucking face and the hell-slide opened up below her feet sending her to join her true Lord and Master Satan in the lake of eternal fire. She founded the Concerned Women for America, by the way, which was the right-wing predecessors of Moms4Liberty and the vicious hateful pieces of trash who were horrified that I dared to speak to high school students about chasing their dreams. I hope it was a slow metatastic cancer that sapped her energy, her will, and made every waking moment a misery.

She deserved worse, frankly.

Yes I am petty–and proud of it.

And no, I have no sympathy for those who might be mourning her. She was a horrible person, and when you’ve harmed that many people–when it the purpose of your life to spread hatred and bigotry using Christ’s name (the ultimate in bearing false witness) you don’t get to expect people not to celebrate your passing. In fact, you should probably rethink your life if you think people will pop open champagne when they hear you’ve finally deservedly died and gone to hell.

I did write yesterday, about three thousand or so (probably more), which felt good. The book is still sucking incredibly, I might add, so I think I need to think about it some more and where it’s going. I also started working on a short story, “The Last To See Him Alive,” which I think is a great title and it’s working….so far. We’ll see how it goes today, though, won’t we? But I think working on the book first and then moving on to work on a short story may be the way for me to balance my creativity needs while getting everything done that needs to be done, or that I want to get done.

Speaking of poetry–did I mention here that I wanted to start reading it, and understanding it? Probably, since my memory is a sieve. Anyway, I have The Complete Poetry of Edgar Allan Poe on my desk, and the other day I opened it, just for the hell of it, to any page and it opened to his poem, “Tamerlane,” and I realized I’d gotten a short story title from it:

Kind solace in a dying hour!

And that’s where the title for “Solace in a Dying Hour” came from, so thank you, Mr.Poe and your poetry. I’ve also got story titles out of Shakespeare before, too, and I am glad I am going to start reading poetry and studying it. I’ve always felt like that was definitely a missing element in my education.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I may be back later, one never can be entirely sure, can one?

Drop Me Off In New Orleans

Ah, some more blatant self-promotion! I’ve done some on-line panels so far this year, which has been terrific. Here are the questions from one I did, turned into an interview so I can promote myself! I believe these questions were for a queer crime panel, and the credit for the questions goes to the one and only J. M. (Jean) Redmann; you can order her books here.

Why did you choose your characters and their professions? What drew you to them?

Hmmm. This is tough, because I have so many books and so many different main characters…I think I’ll stick to my two primary series to answer the question. I wanted to write about a gay private detective in New Orleans, and I wanted him to be a big man, a former college football player who may have been able to be a journeyman NFL player had he not been injured in his final college game. I wanted him to be uncomfortable in his gay skin, and the point of his journey throughout the series was to grow and learn until he was finally comfortable in that skin, and able to be loved and give it.

Scotty, on the other hand, was created as a stand-alone character and I wanted him to basically be the antithesis of Chanse; in which he had few if not hang-ups, was completely comfortable being a sexually active gay man with a snarky sense of humor covering an incredibly big and kind heart. He didn’t really need to grow much–he usually is the catalyst for other characters’ growth–but as he’s aged, I’ve really enjoyed his journey.

What attracted you to writing mysteries?

I always liked them. As long as I can remember, my two biggest reading passions were history and mystery, with horror/Gothics close behind. I would check anything out of the library with mystery, haunted, ghost, phantom, secret, or clue in the title. Then I discovered the series books–The Three Investigators, Trixie Belden, et al–and after that there was no turning back.

What does being queer/gay/lesbian bring to your story?

I think queer people have the outsider point of view down to an art form because that’s how we see the world–from the margins. The easiest way to critique society, the culture, and how people interact with each other is from a remove–and queer people see all of those things from a remove through no fault of their own. I didn’t have role models when I was growing up, at least to teach me how to be a decent adult gay human being, so I had to learn it all on my own for the most part. I’ve also been confused and mystified by American culture, philosophy, and society, because it wasn’t designed for people like me. When I came out, I was just at sea in the queer world as I always had been in the straight one, and I’ve never forgotten those experiences, either, and they also inform my work.

How do we deal with how the wider world deals with queer characters? Especially in these times?

It can be depressing, which is emotionally and psychologically dangerous. It’s bad enough experiencing homophobia, but then to immerse yourself in it in order to write about it? Even more horrific. Watching Pray Away this weekend made me furious with the ex-gay movement all over again; listening to queer people hating themselves and their desires in order to be at peace with God in some twisted way? But if God is infallible…this is the doctrine Christianity gets hung up on. They think we’re mistakes, but if their God is infallible, He had to have made us perfect and its willful sin or the devil whispering in our ears. This is their incredibly harmful and dangerous rhetoric. If God tests humans, perhaps he made queer people to test the faithful–and they are failing.

But they can never admit to that.

How do you deal with diversity? No author can be everything their characters need to be, how do you handle reflecting the wider world?

I write mostly about New Orleans, and beyond that, mostly the south with occasional forays into other areas of the country–upstate New York, Kansas, California–and you cannot write about a city like New Orleans realistically without having Black characters, period. New Orleans is a majority Black city. You also can’t write about the South without touching on the issues of race and a problematic history. I’ve always included diverse characters in my books. I don’t like to describe skin color, frankly, and most white writers do it in the form of food, which I find unsettling–do you want to eat them? Cinnamon skin, cocoa, cafe au lait, eggplant, dark chocolate, etc.–I’ve seen all of those used to describe skin color and it always makes me recoil because it’s so damned lazy. I don’t think I would ever write from the perspective of a Black character–there are plenty of Black authors who can do that more authentically, and given how most diversity pledges by major publishers also inevitably end up in quotas, I don’t want to take a spot from a Black creator. I do love reading work by racialized authors, but I would never try to write from that perspective.

How do you use setting? What does it bring to the story?

Setting is one of my strengths, I think, so I always use it to enhance my story. I am also very lucky in that I live in New Orleans, where anything can happen on any given day and you can never go too far over the top about anything–if anything, you have to tone things down to be believable. I think setting is important because it tells you so much about the characters–why do they live there, how has it shaped them, did they live somewhere else, how do they deal with the challenges, what annoys them, what do they love–and is an important foundation for your story.

How do your books start—not the book beginning, but the start of the process of writing the book. Where do the ideas come from and how does that coalesce into a book?

It usually is something I find interesting and I think I should write about that. Sometimes the ideas take years to coalesce and come together, sometimes they are immediate. The Scotty books inevitably begin with three disparate things I want to address in one book, and then I have to figure out how to combine them all into a story. The next Scotty’s prompts are evacuation, statute of limitations, and obsession. It’s coming together in my head enough that I think I’ll be able to write it this fall.

Once you’re writing, what’s your process? Outline? Write from start to finish?

I used to outline, but now I kind of have it in my head and then will only go back and outline when I am stuck, so I can see where I went wrong in the manuscript. I always write from beginning to end. I don’t know how people can write backwards! I’ve thought about trying it sometime, though.

What are the hard parts of writing for you? The parts you enjoy?

Definitely the middle. The middle is soul-destroying, and always triggers Imposter Syndrome. I also hate copy edits, but recognize them as a necessary evil.

I love the actual writing and revising and all of that. There’s nothing like putting down a good word count for the day, regardless of how bad those words might be. I think revising is magic: you take garbage and turn it into something terrific.

Which writers influenced you?

All of them, in one way or another. I especially love Shirley Jackson, Patricia Highsmith, Daphne du Maurier, and John D. MacDonald. Currently? Alison Gaylin, Megan Abbott, Laura Lippman, Michael Koryta, Alex Segura, Michael Thomas Ford, S. A. Cosby, Kellye Garrett, and Alafair Burke–there really are so many. I always take something away from everything I read, whether good or bad.

What are you working on now?

Right now I am writing a sequel to Death Drop, in the Killer Queen series. I also have a ton of short stories and novellas in progress, and I already have ideas for the next three or four (or more) books.

Any advice for newer writers?

Keep writing and keep believing in yourself, and keep reading.

Last words of wisdom?

If you want to be a writer, read Benjamin Dreyer’s Dreyer’s English and Stephen King’s On Writing.

Gotta Travel On

The Ides of April and Tax Day, huzzah. I’ve filed for an extension for mine because I just couldn’t deal with it before, which is kind of childish and more than a little immature; the key word here is avoidance. But I plan to get it all finished this week, God willing and the creek don’t rise. I am going into the office a little later than I usually do, because I have to swing by the Cat Practice to get Sparky’s food on the way to the office. It’s an Admin Day, so not a big deal for me to not be there as early as usual.

I feel rested and good this morning, which is a very pleasant change and surprise. I did go to bed a little early last night, but I spent most of the day writing in my journal, watching documentaries, and later on in the evening we watched more episodes of The Gentlemen. I also finally looked up the name of the star, Theo James, because it was bothering me that I recognized him and couldn’t place him. I am liking it a lot more than I would have thought, frankly; not being a big fan of producer/showrunner Guy Ritchie, but it’s actually quite fun. I also went down some rabbit holes of research yesterday, which is always a lot of fun for me. I also started reading Paul Tremblay’s The Pallbearer’s Club, which I had a little trouble getting into at first, but I remembered having this issue with A Head Full of Ghosts, too–like the latter, he’s playing with form and style and point of view in the former, which is a bit hard to get used to it, so it’s slow going (for me) at first, but as always, there’s such depth and compassion in his writing it’s easy to see why his career has taken off. I’ll try to read some more of it when I get home from work tonight, after I do the day’s writing. I am definitely planning on writing every day now, even if it’s just a little something. I made lots of notes yesterday in my journal, too, which was very cool.

I decided yesterday, when watching a lengthy documentary of LSU football highlights (I was doing this around chores, listening to the documentary while Sparky and Paul slept on the couch) that one of the problems I’ve been facing with writing lately, something I’ve talked about on here a lot, is how I’ve not really been able to focus all of my creative energies on anything that I am writing, but have any number of things in-progress that my mind keeps attention-deficiting between, skittering around between projects and ideas without really landing effectively on anything for long enough to get very far. Yesterday I decided, as I grabbed the journal and hit play on the documentary that I was going to free-form take notes and scribble out ideas as they came to me, regardless of what they were about or for, even if they were entirely new project notes. I did a lot of scribbling, and most of it focused on one project, which really needs to get done by the end of the year, as well as some others I was a bit surprised still were there and fresh in my mind. I also know now that if I rewrite at least three of these short stories drafts that I have on hand, that collection will be complete.

I also found the voice for a new project idea I’ve had in the front of my mind for a while, primarily because we watched those ‘troubled teen cure’ documentaries at the end of the previous week. I had an idea for one set in Kansas, based on a foster home where the kids went to my high school. I didn’t think much of it when I was in high school–other than how much harder those kids had it than the rest of us–and sometime in the years since high school I thought, I could write a crime novel around that story even though it would entirely be fictional and the real place was simply a starting point for my fictionalization. The title came to me this weekend–The Crooked Y–and so that’s definitely moving up the list of “what to write next.”

As you can tell, writing is becoming more important to me and it feels good for my mind to be creating again, even in this current ADHD way, which is so much better than the dry well experience I’ve been having since…well, since Mom died, really. 2023 was a lot of personal trauma; and relentless from January on, which makes it not surprising, I suppose, that my brain has been fallow for so long.

And on that note, I am going to start getting ready to head into the spice mines for the day. Have a great Monday, Constant Reader, and I may be back later.

Floridays

Michael Koryta is one of my favorite writers.

I may not have discovered him had I not been an award judge one year, and his book So Cold the River was entered. I absolutely loved the book, that perfect hybrid of crime and horror that is so often far too hard to find, let alone have it be done well. The Prophet and The Ridge cemented his place as one of my favorite writers. I had bought The Cypress House when it was new, but somehow had never gotten around to reading it–there are several volumes of unread Koryta books that I am looking forward to getting to at some point. I know I picked it up and started it at one point, but something happened to distract me and I never got back to it. Last weekend, I finally decided it was time.

And I am very glad I chose it at last.

They’d been on the train for five hours before Arlen Wagner saw the first of the dead men.

To that point it had been a hell of a nice ride. Hot, sure, and progressively more humid as they passed out of Alabama and through southern Georgia and into Florida, but nice enough all the same. There were thirty-four on board the train who were bound for the camps in the Keys, all of them veterans with the exception of the nineteen-year-old who rode at Arlen’s side, a bou from Jersey by the name of Paul Brickhill.

They’d all made a bit of conversation at the outset, exchanges of names and casual barbs and jabs thrown around in that way men have when they are getting used to one another, all of them figuring they’d be together for several months to come, and then things quieted down. Some slept, a few started card games, others just sat and watched the countryside roll by, fields going misty with late-summer twilight and then shapeless and darl as the moon rose like a watchful specter. Arlen, though, Arlen just listened. Wasn’t anything else to do, because Paul Brickhill had an outboard motor where his mouth belonged.

What a great opening.

Koryta is an exceptional writer. He doesn’t always blend the supernatural/horror into his crime novels, but I love it when he does–very few authors (Paul Tremblay being one of them) who can deliver such extraordinary hybrid work. I’ve loved every Koryta novel I’ve read–there was one about caves that absolutely terrified me, being claustrophobic and afraid of the dark, so much so that I never did read the sequel–it got under my skin that much. (I will read the sequel, never fear!) He has also started using the name Scott Carson for these hybrid books, to differentiate them from the straight-up crime novels.

The Cypress House is a historical novel, hard-boiled and noir to its core. Set in the 1930’s during the Depression, Arlen and Paul’s journey is about finding work at government projects–they are heading for the Florida Keys to build a highway connecting the keys to mainland Florida. Arlen is a WWI veteran, a survivor of the horror that was the Belleau Wood..and it was during his service in the war that he began seeing premonitions of death in people–their eyes are filled with smoke, and he knows they are going to die. As they speed through the night in Florida, he starts seeing smoke in the eyes of everyone on the train, and knows they have to get off the train, which they do at the next stop. Paul isn’t sure he believes Arlen, but he’s attached himself to the older man like a puppy, so he also doesn’t get back on the train.

They later learn a hurricane swept through the Keys and killed everyone on the train.

The two men accept a ride to a work camp in Tampa, which winds up with them at the Cypress House, a beachfront “resort” on an inlet in the middle of the swamp jungles which is a mob front…and meet the beautiful Rebecca Cady, who runs the place. When their driver’s car explodes, they are now stuck there–and are thrown in jail for their trouble by the corrupt local sheriff and judge, Solomon Wade, who is connected to the mob all over the country and runs drugs in through the inlet. Arlen decides to help Rebecca, whom he is falling in love with, and then all hell breaks lose.

Koryta is a master of building suspense and tension, and the chapters where the three of them are riding out a hurricane/massive storm surge was absolutely chilling and terrifying, especially when you’ve done that yourself. The historical setting is apt, and as I have said before, a lot of remote places in the South are still run this way–an authoritarian sheriff and other politicians who are essentially tin-pot dictators. This book reminded me of great Florida novels of the past–John D. MacDonald and Robert Wilder’s Flamingo Road spring to mind–and this would also make a great movie.

The Cypress House is yet another feather in the cap of Koryta’s canon. Highly recommended. You should be reading Koryta/Scott Carson. Fix that if you’ve not.