Category: short stories

NOLier Than Thou

(NOTE: I started writing this post back in January, after I’d returned to New Orleans from my last Mystery Writers of America board meeting–this is to give context to the opening paragraph– as you are no doubt well aware, Constant Reader, that I’ve not been back to New York since January; so this is that same trip where this happened and I started thinking about these things, which have never been far out of the forefront of my mind since then.)

While I was in New York recently, walking around to and fro, here and there, hither and yon, I was always checking my phone (and yes, I hate that I’ve become one of those people) and then shoving it back into my pants pocket without putting it to sleep first or closing the app that was open. As I walked around, of course this led to my phone doing all kinds of weird things –closing an app and opening another, etc.; but at least there were no butt dials, right? At one point, when I pulled out my phone as I took a seat on the subway, somehow what was open on the screen was a google search for my book A Streetcar Named Murder–and when I went to close that screen I touched one of the images by mistake, which took me to the Goodreads page for the book. Bear in mind, I never look at Goodreads for any of my books, let alone Amazon–the temptations to start reading the bad reviews is too great, and while I can usually laugh them off, occasionally–and it depends entirely on my mood, of course–one will get under my skin and it will annoy me, and that’s not good for anyone.

This particular day on the subway the Goodreads page opened to the bad reviews first–its average is four stars, which I will always take because I am not Lauren Hough–and the very first one made me laugh out loud on the subway. Paraphrased, it was basically someone taking umbrage at “someone who doesn’t live here or know the first thing about New Orleans” writing a book about New Orleans. The reason they had come to this conclusion was because Valerie referred to Mardi Gras as “Fat Tuesday”, and according to this one-star reviewer, no one from New Orleans would ever say Fat Tuesday instead of Mardi Gras.

Well, I’ve lived here for twenty-seven years and I have heard any number of locals say Fat Tuesday rather than Mardi Gras, and so of course I had to click on the reviewer’s profile…and grinned to myself when I saw that they actually live in Metairie, not New Orleans…which to locals is a bigger crime than getting something wrong about New Orleans: claiming to be from New Orleans when you actually live in Metairie. (the rejoinder is usually along the lines of “bitch, you live in Metairie.”)

It was also kind of fun to be accused of inauthenticity when it comes to writing about New Orleans, because I personally have never claimed to be an expert on anything New Orleans (others have said that about me, and I always am very quick to reply not even close); the more I learn about the city the more I realize how little I actually know about the city. There’s an extremely rich (and often incredibly dark) history here; it’s hard for me to wrap my mind around the fact that the New Basin canal was there as long as it was, or that there were several train stations around the French Quarter (including one that essentially was in Storyville–rather convenient for the whores and pimps, right?), or that where UNO is now used to be the lake shore resort of Milneburg, or that the only way across the river or the lake was by ferry until Huey Long built a bridge at the Rigolets (the narrow inlet between lakes Pontchartrain and Borgne).

I was on a panel once at the Tennessee Williams Festival with Bill Loefhelm (if you’re not reading Bill’s books, shame on you and correct that immediately) and the question of New Orleans authenticity came up, and Bill’s response (paraphrasing) was that New Orleanians have a tendency to play a game called “NOLier than Thou,” in which they try to one-up each other to see who the true New Orleanian actually is–which is, of course, gatekeeping. (And yes, I immediately turned to him and said, “I like that and am going to steal it” SO CONSIDER IT STOLEN.)

It does bother me somewhat when I read books set in New Orleans written by people who have never lived here; you can tell, but I also get over it pretty quickly; who is to say who can and can’t write about a place? There’s a significant difference between visiting and living here, which I realized almost immediately after we moved here, and that also becomes very apparent in fiction. I had started writing the book that would become Murder in the Rue Dauphine before I moved here, and I realized, once I did live here, that everything I’d written about New Orleans was completely wrong. I didn’t work on the book for another two years; and even then I wasn’t entirely sure I’d lived here long enough to write about the city. So…I kind of cheated by making Chanse MacLeod not a native either; he’d moved to New Orleans after getting his degree in Criminology from LSU, and had been here about six or seven years when the story opened. So he was an outsider, too; so his views on the city and how things work around here were from an outsider’s perspective, like mine; that was easier. With Bourbon Street Blues, I decided that Scotty was not only a native but came from two old-line society families, from the Garden District and Uptown. One of the greatest joys of my publishing career was having the Times-Picayune’s mystery reviewer, as well as the Books Editor, both say repeatedly that I got New Orleans right in my books. (Thanks again as always for all of your support, Diana Pinckley and Susan Larson!)

And I never really worried about it too much from then on. I wrote about New Orleans as I saw it–the potholes, the cracked sidewalks, the leaning houses, flooding streets, oppressive weather and hurricanes. As the years passed, I became more and more aware that my New Orleans writing was primarily confined to the Quarter, the Marigny, the CBD, the Lower Garden District, the Garden District, and Uptown–a very narrow slice of the city, but those were also my slices of the city, so that’s I wrote about. Sometimes I’d venture into another neighborhood–Lakeview, the Irish Channel, English Turn–and sometimes the story would take the characters to another part of Louisiana–the bayou and river parishes, the Maurepas swamp, the Atchafalaya Swamp, Baton Rouge–which, oddly enough, I had no qualms about fictionalizing. I’ve created numerous fictional towns and parishes surrounding New Orleans; I’ve even invented a sleazy gay bar in the Quarter (the Brass Rail).

So, was I doing New Orleans (and Louisiana) right by making stuff up, inventing places like the Royal Aquitaine Hotel, the Brass Rail, Bodytech Health Club, Riverview Fitness, etc.? Sometimes you have to fictionalize things, even if they are based on something that really exists. I never really thought much about it; I felt like I was getting the feel of New Orleans right, that my characters talked the way people in New Orleans do and react the way people here do, and that I was putting enough reality into the books for them to ring true to locals, natives, and tourists. Sometimes the cases are based on, in or around something that actually happened or exist; like the Cabildo Fire, the Fire at the Upstairs Lounge, Hurricane Katrina and the ensuing flood; termite swarms; Huey Long’s deduct box; and even the court case in, I think, Murder in the Irish Channel that triggered the murders was actually based on a civil trial I served as a juror on.

When I started writing A Streetcar Named Murder, I realized a lot of things I was writing about had to be fictionalized; I couldn’t set a murder at a Mardi Gras krewe ball and use an actual krewe that exists in real life, for one thing (like I had to invent a French Quarter hotel for a couple of murders to occur in) and while I didn’t want to use the cheat that Valerie had moved here again, like I did with Chanse, I wanted her to be of New Orleans but not be of New Orleans…so her parents are from Georgia and moved here after college and marriage, so Valerie was born here, went to school here, met and fell in love with and married her husband here–but her roots aren’t very deep, so she is both insider and outsider at the same time. I liked that idea; like how I am of the South but not of the South, she was of New Orleans but not of New Orleans at the same time. When creating Jem Richard in Death Drop, again, he’s a recent transplant to the city but his father is from New Orleans but relocated to Dallas, where Jem was born and raised. Jem spent a lot of his summers in New Orleans when he was growing up with his paternal grandmother, so he too is of New Orleans but not of New Orleans; which I am really liking as a method of storytelling about the city. I also moved Jem to a different part of the city; he lives in the 7th ward, on St. Roch Avenue in what is known as the St. Roch neighborhood (aka what realtors are trying to redefine and rename as the “new Marigny”, in order to raise prices) which is also very close to my office. Part of this was to move the action out of the neighborhoods I usually write about (although he does wind up in both Uptown and the Quarter) and so I could explore another neighborhood/part of the city than what I usually write about.

I also had recently–prior to the pandemic–started feeling more disconnected from the city than I ever had before. Primarily I think this was due to my office moving; we had been on Frenchmen Street in the Marigny, one block from the Quarter and where Scotty lives, so whenever I needed some Scotty inspiration I could walk a block, stand under the balconies of his building and just look around, drinking in the sights and sounds and smells of the block. To get past this, I started joining New Orleans history pages on Facebook, like Ain’t Dere No Mo New Orleans or the HNOC page and various others–you do occasionally run into Confederate apologists and racists there (they usually cry about the “crime” in New Orleans–you know, the usual dog-whistles from the white flight racists who fled to Jefferson Parish or the North Shore to escape desegregation of the public schools) and reading more histories of the city, state, and region–which are incredibly fascinating. That reading/research helped me write my historical Sherlock in New Orleans short story, “The Affair of the Purloined Rentboy”–but I have also since realized I got some things wrong in the story too, but there is just so much to know. I set the story in 1916 for example….without knowing New Orleans was hit by a MAJOR hurricane in 1915 that wiped out any number of settlements and villages around the lakes and the bay shores (that will turn up in a story sometime; the destruction of the lake front village of Freniere is just begging to be fictionalized and written about). When I mentioned this to another writer, who primarily does historicals, she snorted. “It’s impossible to know everything, and would people in 1916 still be talking about a hurricane from 1915?”

Probably, but if it doesn’t have anything to do with the story being told, why would I mention it?

A very valuable lesson, to be sure.

So, yes, lady from Metairie: you caught me. I’m not from New Orleans, you’re correct. But I’ve also published over twenty novels and umpteen short stories set here, and have even won awards for doing it.

And I’ll call it Fat Tuesday if I fucking want to.

The Huey P. Long Bridge at sunset, photo credit Marco Rasi

San Francisco

Tuesday!

I didn’t want to get up this morning–Tug the kitten also has the same superpower that Scooter had, which was lulling us both to sleep somehow; he fell asleep in my lap last night while we were watching television so I, too, fell asleep. There’s really nothing like a nice warm little kitten sleeping in your life for calming purposes. Scooter was also an anti-anxiety holistic medication for me, so it’s nice that Tug (still not sure about that name, but it may change to Tiger) works the same way with his little purring engine. He’s so cute! I’m glad we rescued him and I’m glad we got a kitten–because I’d forgotten how adorable kittens are. It’s so cute watching him practice being the Big Cat Hunter and pouncing on his toys after sneaking up on them. He also remains completely fearless, which is great. I’m glad he already feels so at home here in the Lost Apartment.

I also recognize that this is turning into a kitty stan blog, which is very understandable given that we have a new kitty.

Yesterday was a relatively relaxed one at the office. I’d forgotten that I’d been filling in for someone who was out on medical leave for the last two months, and that he was coming back to work yesterday. I was mentally prepared to spend the day working with clients and doing my other duties around the appointments, which is what I’d been doing for the last two months all four days in the office. I’d literally forgotten that Monday was my catch-up day in the office when I usually took care of all the things I started doing between appointments for the last few months because I no longer had Mondays free to catch up on everything. It’s going to take me a moment to get used to this again, but it was nice. I left the office and came home and just immediately collapsed into my chair. I’d intended to spend some more time with the Riley Sager book, but for some reason didn’t pick it up and instead spent the evening doom-scrolling through social media while Tug slept in my lap and I waited for Paul to come down. We started watching a new show on Apple, Inside Man, which had an exceptionally good cast led by David Tennant, and opens with Tennant, as the vicar, getting caught up in a very bad situation due to him not only being the vicar but having to think very quickly on his feet–a member of his flock, who has a horribly abusive and vile mother–pressed a flash drive onto him as his mother was coming for a visit and she “always” found his private stuff. When Tennant’s son’s maths teacher (see what I did there?) arrives and opens her laptop, the flash drive gets connected to her computer and the son claims it’s his, covering for his dad while not knowing what was actually on it–which was child pornography. This puts Tennant into a quandary of faith. It’s not his son’s kiddie porn, but ethically he cannot say where it came from; and the show ends with her locked in the basement and knowing that he’s going to have to kill her because he can’t let her go. It’s very interesting–there’s also a side story with a reporter the teacher encountered on the bus and two men on death row (one of them played by Stanley Tucci) who are also somehow connected to the same reporter. It’s very cleverly done, the interweaving of stories based on random encounters, much as they occur in real life.

I worked on a short story yesterday but of course it’s one I don’t have a market to send it on along to for submission, rather than either of the ones that are being specifically written and/or revised for actual calls–because of course that’s what I always do. I’m beginning to feel like I am falling behind on the publishing of short stories I’ve written, but the truth is it’s just my anxiety spurring my brain along. I’ve published two short stories this year, “The Ditch” in School of Hard Knox and “Solace in a Dying Hour” in This Fresh Hell, two stories of which I am really proud and also skate along the edge of supernatural horror. I don’t think I write actual horror, but more suspense with supernatural occurrences in them. I don’t do jump scares or anything like that, but rather mine are told with mood and setting more than anything else–and of course, voice. I’m also stuck on this story anyway–as always, in the second act–and so will move on to the stuff that, you know, actually has a market/call to send them into. I need to work on my story for the Bouchercon anthology, due by the end of the month, and I also have one for my Sisters chapter anthology that I’d like to get finished and turned in as well. (I love my Sisters chapter, by the way.)

Sigh. Being a writer can be quite a joy sometimes. It’s no wonder so many of us drink to excess.

Tomorrow I am getting a sonogram to see if I have the same heart defect my mom had. She had arterial tortuosity syndrome, which, if you follow the link to rarediseases.org, is described thus:

Arterial tortuosity syndrome (ATS) is an extremely rare genetic disorder characterized by lengthening (elongation) and twisting or distortion (tortuosity) of arteries throughout the body. Arteries are the blood vessels that carry oxygen-rich blood away from the heart.

I don’t remember which artery it was, but I think her femoral artery came out of her heart and inside the chest cavity, instead of being straight it was twisted into a candy-cane shape, which meant when it clogged, it was an extremely complicated procedure to put a stent into it; and when the stent clogged, it was too complicated to put another one in…and then she had the massive stroke and died in hospice. The key words in that paragraph from rarediseases.org are “extremely rare genetic disorder”, with an emphasis on genetic. My maternal grandfather died in his sleep in his forties, and we really don’t know why. Obviously, this is concerning for me, and the fact that my former primary care doctor’s attitude was “we’ll worry about that when we have to”–which, while making sense since nothing can be done about it, isn’t reassuring from a medical professional–and I’d frankly rather know if I have something wrong that could eventually kill me. Since bad cholesterol clogs your arteries, the fact that the cardiologist immediately put me on stronger medication than I had been using for the last fifteen years kind of told me that my primary care wasn’t paying much attention to that, either. It made sense, right? If my bad cholesterol is close to the amount that is concerning, and the medication I am taking isn’t doing more than keeping it from going into the danger zone, maybe give me something stronger after fifteen years? Malpractice doesn’t actually have to be malice; it can also be carelessness.

And yes, I am very aware of the irony of the fact that part of my job entails encouraging my clients to strongly be advocates for themselves with their health care–practice what you preach, right? But I’d been feeling dissatisfied with my primary care provider for quite some time now, and this stuff from this year was the last straw for me.

And on that cheery, uplifting note I am heading back into the spice mines. Y’all have a great Tuesday, all right?

Hold On To Now

Monday and back to the office with me today. Weekends are simply not long enough, ever, and should always be at least three days, methinks. Yesterday I witnessed the dreadful Saints performance, and it was not a good weekend for Louisiana football fans; the only glimmer of light locally was Tulane’s victory. I finished reading Shawn’s book, which was marvelous, and then picked out my first Halloween Horror read: Riley Sager’s Final Girls, and it’s long past time I’ve read this book. It’s rather embarrassing that I’ve not yet gotten to it. I also downloaded the audiobook of The Only Good Indians by Stephen Graham Jones for this weekend’s drive to the Redneck Riviera, and read another Alfred Hitchcock Presents short story, from Stories for Late at Night, “The Ash Tree” by M. R. James, which was delightfully creepy and reminded me of Daphne du Maurier’s “The Apple Tree”–and that in turn made me think about creepy trees as a trope in horror, and thought perhaps I should give the trope a whirl at some point. We watched the Scouts Honor: The Secret Files of the Boy Scouts documentary–which was just as creepy and awful and horrific as I thought it would be, as well as yet another pointed reminder of how straight people have failed to protect children since, oh like forever, and then cover it up as much as possible but then have the nerve to accuse queer people of pedophilia and grooming?

Sure, Jan.

We also watched the Jennifer Garner Apple Plus series The Last Thing He Said, which wasn’t great but wasn’t terrible, either; it just kind of evolved and wasn’t very thriller-ish or suspenseful. I also predicted one of the bigger plot twists in the first episode long before it played out in the show, but it was well done and an interesting story; but it wasn’t very thrilling or suspenseful; it never really seemed like there was any danger or stakes. It ws talked about a lot, but never part of the show’s reality? It was interesting enough to hold our interest–although I think I may have approached telling the story in a different manner than they did. It’s an interesting thought, at any rate.

It’s lovely having a kitten in the house, even if it means being more alert and having to get up more regularly because there was a crashing sound from somewhere else inside the apartment–usually followed by a galloping kitten moving at high speed away from the noise and mayhem he caused. He woke me up this morning by knocking my glasses off my nightstand table and then playfully batting them around on the floor, and once I took those away from him he went for the broom. He’s incredibly sweet, though, and I love that he’s so fearless and feels comfortable and at home enough to play. He slept on me for most of the Saints debacle yesterday, through the Boy Scout movie, and then moved back and forth between me and Paul during the Jennifer Garner show.

I also started writing the opening of a short story or a novel or something at any rate while watching the Boy Scouts documentary–part of it and the scandal was in New Orleans–and had an idea for the opening scene for something so I started writing it down; mainly about a college student away from home for the first time who’s obsessed with true crime and wants to be a true crime writer but isn’t sure how to get started chasing her dream other than majoring in Journalism at Liberty State in Liberty Center, Kansas–the town from #shedeservedit, why not reuse it? I don’t know why I started writing this when there are so many other things I should be working on. But that’s also life, you know, when you’re a writer–at least for me, there are always so many other ideas and thoughts and stories banging around in my head that it’s sometimes hard to focus on what I need to get done.

Heavy heaving sigh.

I never did make that to-do list for the week, so perhaps that should be the first thing on the list (I often do this so I can cross something off the list immediately; it’s satisfying and always seems to keep off working on getting the list completed). I also think that once I finish reading the Riley Sager I am going to reread a classic Stephen King that I’ve not revisited in a long time, The Dead Zone, which used to be one of my favorites and is still one that I think about a lot–especially during the rise of the former president, who eerily reminded me of the character of Greg Stillson, written thirty or forty years or so before the rise of the reality host/failed real estate mogul. (I’d considered rereading it in the wake of the 2016 election, but didn’t have the strength; I think now would be a good time.) I liked the opening of the Sager; which was encouraging. I hope to be able to get several books read this month…I think my reading is going to start picking up again, hallelujah. I think having a cat sleeping my lap while I read was what I was missing, and why it was hard for me to read since we lost Scooter. (I promise not to turn this into a Tug stan blog, seriously.) Today is going to be his first day left at home on his own for a while; we’ll see how he handles that.

And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader; I’m sure I’ll be around again later on.

Hands

It’s hard to believe that it’s October already; but this year has also seemed to last forever, which is bizarre and weird. I slept really well last night, and had a pretty relaxing day overall yesterday. I ran my errands yesterday morning and got them all done, which was lovely and then came home to watch some football games. It was an odd day, and my primary takeaways were that LSU needs a new defensive coordinator because they’re defense is getting worse rather than better; Georgia looked surprisingly vulnerable; Florida looked terrible; and I think Alabama–even in an off year–is going to wind up winning the conference because they’re the only team with an elite defense. Paul went to the gym during the Auburn-Georgia game, and Tug slept on me the entire time he was gone, which was lovely and relaxing. I’ve missed that. There really is nothing quite as calming as having a cat sleeping on you.

It’s so lovely having a cat in the house again, and I’d forgotten what it was like to have a kitten. Scooter was supposedly two years old when we got him, but Skittle was a six month old kitten. Tug isn’t quite five (still not sure about that name) months yet, but he’s definitely got BIG KITTEN energy, He’s absolutely fearless and not shy at all. It’s also nice hearing his paws on the stairs as he comes down them. I’ve missed the sound of a cat coming down the steps. He’s not heavy enough for me to hear him jump down from the bed yet, but I’m sure he’s going to grow into a nice size. It’s always fun getting to know your new pet’s personality–and like I said, he can make a toy out of anything. Scooter also wasn’t the kind of cat who would knock things off surfaces just to see what happens–Tug appears to be both the kind who will accidentally knock things off but also will do it on purpose. He also wanted my ice cream yesterday! Like I said, he’s completely fearless–will explore anywhere, and he is also fascinated by the windows. He also can jump pretty high, and I think we don’t need to worry about bugs in the house anymore.

I’m trying out cacao instead of coffee again this morning; it doesn’t have the bitter bite of coffee that I really like, but the real test of cacao will be tomorrow morning. I have been having one cup before switching to coffee–and yes, I do wonder if it’s the caffeine addiction that makes me switch over after the one cup–but tomorrow I think I’ll have a cup of coffee when I wake up and then take cacao in my go cup for the office. I don’t think I will ever give up coffee entirely, but I think I need to bring down my dependence on it, and I should probably never have more than three cups a day anyway (the most I have when I go into the office; I drink more when i am home).

Today I have a lot to get done. I was lazy yesterday after the errands and just watched games all day. The Saints play at noon today, but I doubt I’ll have the game on today. My kitchen/work space is a disaster area, and there’s things to do–dishwasher to unload, more dishes to wash, things to file and put away–and I’d like to do some writing today if i can. I didn’t finish Shawn’s book yesterday as I’d planned, so I will finish it this morning and then move on to reading horror for the month for Halloween and do some writing this afternoon. I want to get some of these short stories edited and/or finished, and there’s some other writing clean-up that needs to be done. I also need to make a to-do list. So, I am guessing the cacao certainly wakes up my mind in the mornings, as mine is now racing. I feel a little asleep still physically, if that makes any sense, so I’ve moved on to coffee and there’s that bitter bite I like. But I am definitely going to be productive today, and the first step of that is to finish Shawn’s book. After that I’ll come back into the kitchen and clean up in here–as well as write about Shawn’s book–and do some organizing before some writing. I have so many projects in progress right now that I need to be better organized, and definitely better motivated. I know the organization thing is a by-product of the anxiety (if I stay organized I won’t get anxious worrying about things I’m forgetting to do; if I stay motivated I won’t get stressed by deadlines, and on and on and on), but coping mechanisms work and exist because they work; and anything that brings down my anxiety is okay with me.

And on that note, Shawn’s book is calling to me, and so it’s off to my easy chair with me. I’ll probably check in with you again later. And if not, have a great day, Constant Reader!

10 Out of 10

Paul went out Sunday evening to have dinner with a friend Sunday night, leaving me home to my own devices, and after he departed I pulled up Youtube and did a search I’ve not done in a very long time: for Friday the 13th, the television series. Imagine my delight when I found a playlist of almost every episode from it’s three year run in the late 1980’s in syndication! (It had been briefly up on Amazon Prime a few years ago, so I tagged it for Watch Later…so of course it was “unavailable in your area” when I went back to watch it.) I watched the pilot episode, “The Inheritance,” Sunday night. The video quality wasn’t great; it looked like someone had recorded it with a VCR off the broadcast and then digitized it for upload years later, and of course, the entire show had been done on a shoestring budget for syndication in the first place, so it didn’t hold up as well as I would have liked, but the show was terrific at the time. The premise of the show is that Lewis Vendredi had made a deal with the devil: immortality in exchange for selling cursed objects out of his antique shop. Lewis goes back on the deal and so the devil summons him to hell, and his niece Micky and nephew Ryan inherit the shop. Not knowing things are cursed, they have a big sale to clean out most of the inventory before Jack Marshack shows up, fills them in on the curse, and now they have to get all the cursed objects back before people start dying.

Great concept, isn’t it? In the first episode the object is a doll that can come to life and speak to its owner, and will kill people that harm the child. The little girl’s mother had died and her father has married a horrible second wife (the proverbial evil stepmother), and of course the doll ends up dispatching the evil stepmother before Ryan and Micky can get it back from her. The next three seasons explore the attempts to get the objects back. I know of two enormously successful writers who also loved the show, so there are some of us fans still out there–and this is a show I would love to reboot and modernize; same concept, but with different stories. I also have a book about the show somewhere I always meant to read; perhaps I should dig it out and read it for my Halloween Horror Month celebration–and I should watch the show whenever I am home alone again if I am too tired to read or write anything. Now that sounds like a good plan.

Everything is proceeding apace for my arm surgery. It is scheduled now for the week of Thanksgiving; my MRI is scheduled; and I am going through all of the pre-surgery hoops that need to be cleared. I am getting fitted for the new dentures this Friday, and I have my new glasses and my hearing aids. Not bad for someone who hates dealing with this sort of thing, wouldn’t you say?

We had a heavy rain last night–apparently in the early afternoon through the early evening–so of course, Cox Internet (piece of shit that it is) was spotty for the rest of the evening. Shocking, I know. Cox? Failing to live up to their end of the pay-for-service bargain? Who would have ever thought such a thing possible? It really galls me how bad their service had gotten over the last year. They were completely reliable for years. I never had a single complaint about Cox; when I returned to the apartment after Hurricane Katrina the cable was still working. Now? After a strong storm, it’s garbage. Garbage.

I went back to work on the sequel to Death Drop yesterday, but didn’t get much done on it, alas. Perhaps the jolt of diving back into writing so hard on Sunday strained the muscles, depleting the creative reserves or something because they were out of shape from not being used in so long. So, the evening wasn’t productive–primarily because of the spotty in-and-out internet frustration. I mostly watched another episode of Friday the 13th-the Series (“Hellowe’en”, if you want to know specifics) which kept freezing as the Internet went in and out, and then started watching a documentary I thought I’d seen before, Keep Sweet, that documentary about fundamentalist Mormons (it really is staggering how misogynist even the more modern versions of that religion are); I had seen it before, but when I pulled up Netflix…the Internet was spotty and Netflix recommended it to me like I hadn’t seen it before.

But I was sleepy-tired, and went to bed just around nine as i was nodding off again. I slept well last night–feel rested and good this morning–but am finding it more than a little hard to believe that September is about to be over and it will be October this weekend. So, I need to get Shawn’s book finished before this weekend, and I think I will put off my Halloween Horror Month reading until after finishing Lou Berney’s new one, which actually looks shortish, and Lou’s books always read fast. I should have read last night when the Internet started getting spotty, but my brain was already tired by then. I swung by the post office to get the mail yesterday–my shoes and zipper LSU hoody arrived, as well as a copy of The Adventures of Ellery Queen. I don’t think I’ve read any of the Queen short stories, but have read most of the novels, but can now correct that oversight. I think maybe if it isn’t raining when I get home from work tonight I may take a walk around the neighborhood; the exercise certainly can’t hurt me none, and I want to start looking for Halloween decorations. I also need to swing uptown and check out the skeleton house’s decorations this year. Halloween is such a marvelous season in New Orleans, and I love how we were ll talking about how much cooler it’s been–high eighties–after the brutality of this summer.

Ugh, so stupid, I should have started rereading Jackson Square Jazz last night. Lesson learned; before I leave the house this morning I’m putting a copy in my easy chair so I’ll remember tonight.

Another one of those tiresome women-penned essays about “gay” romance surfaced yesterday, but I’m not going to talk about that now; but it was the usual bullshit about straight women inventing gay romance and how gay men can’t/don’t write it–in general (per the essay), straight women don’t like gay fiction written by gay men because it usually will tackle social issues and/or how difficult it is to be gay in modern America but straight women don’t want to read about that. The essay itself mentions this…but the writer doesn’t see it as a problem? It’s more of the same bullshit it always is; gay men can’t write romance the way the straight ladies like it because it’s too real when they write it (this despite the fact that they also don’t want realistic gay sex scenes, either). There will definitely be more on this later.

And on that note, I am staggering back to the spice mines. Y’all have a great day, okay?

Padam Padam

And here we are at a manic Monday yet again, and shortly I will be heading into the office for yet another exciting week of the day job. Hurray and huzzah? I slept really well on Saturday night, getting up just after seven yesterday despite not going to bed until almost midnight; I found myself reading some things Saturday during the games that I shouldn’t have started–one of them being Queen Margot by Alexandre Dumas; I have the ebook–and I was also reading legends and stories about Louisiana’s past as well as Alabama’s; I have an ebook called Warrior Mountains Folklore: An Oral History by Rickey Butch Walker (which is an Alabama name if I’ve ever heard one); which isn’t necessarily about the Alabama county I’m from, but the ones directly north, including notorious Winston County, which contains the Bankhead National Forest. It also tells stories of the indigenous people of the area, and reminded me that Tuscaloosa actually is the Creek words for “black warrior,” meaning the Black Warrior River is actually the Tuscaloosa (tusca loosa); this will all go into the construction of my fictional Alabama county, which is ongoing. (And yes, the irony that one of the greatest–if not the greatest–college football programs is in a town named Black Warrior in the native tongue is hilarious.)

(It has occurred to me that I don’t necessarily have to connect all of my Alabama stories just as I don’t need to connect all my Kansas stories–which I realized while writing #shedeservedit–which was kind of freeing. I need to think in terms of multiverses rather than one single interconnected universe with my writing, don’t I? It certainly makes things easier than trying to keep the continuity and so forth going.)

Anyway, I am sure my Alabama just-for-fun research will undoubtedly pay dividends in future writing, no doubt. I also have been having ideas for more stories set there; I may give Jake’s boyfriend Beau his own story at some point; I keep going back to the legend of the Blackwood witch from antebellum/early statehood days, because the witch story is one I’ve always wanted to tell. Beau, being an archaeology major with a minor in Alabama History, is just the perfect person to tell the story of the witch I’ve always wanted to tell. But is it weird to have another vengeful spirit in the woods behind the Blackwood place, and the Civil War ruins? Or could it be tied to the lost family cemetery, still out there in the woods somewhere? As you can tell, I’ve been thinking about it lately.

I managed about a little more than twenty-five hundred words on the new Valerie yesterday, which felt great to do, really. I wanted to write some more on the Jem sequel, too, but after finishing the Valerie chapter I just felt mentally fatigued. I’m not used to writing this much in a short period of time anymore (just over an hour or so) and it’s going to take me a while to get back up to the proper writing speed I cannot maintain year-round. But it felt great to be creating again, and I do love the plot of this book. I also spent some quality time with Shawn Cosby’s marvelous All the Sinners Bleed, which is going in a direction I did not see coming and one that I am really enjoying. Shawn is such a master story-teller! I can’t wait to finish this so I can write about it–and I hope I finish it in time to read Lou Berney’s new one before I switch to October Halloween Horror Month. I think I may try out a Grady Hendrix novel for one of my horror reads and of course, I am terribly behind on Stephen King, and there are also some other lovely horror novels and collections in my piles of books to be read that could make for a fun reading month: Stephen Graham Jones, Silvia Moreno-Garcia, Paul Tremblay, Christopher Golden, Sarah Pearse, and Katrina Monroe, among so many others–I need to get back into the habit of reading for at least an hour every day. The only way to get through all the books i want to read is to make a daily time allowance for reading and stick to it.

After the abysmally disappointing Saints game, I went back to my easy chair and rather than delving back into Shawn’s book, I decided to start reading Jackson Square Jazz, the finished and published edition, to get a better handle on the story again. It’s been a long time, and I knew it had to do with a young figure skater, the Napoleon death mask, and the Cabildo fire, but not really much beyond that–although I think it’s actually the book where Scotty is in his first canonical car accident. Again, I am distant enough from it now not to immediate go into editing mode as I read it–ironic, since I need to re-edit it–and just read it. I really need to stop being so hard on myself. I know I’ve already made great strides in that direction, and I like my new positive attitude toward writing and publishing. I think analyzing why I am so hard on myself, recognizing the mentality I defaulted to when reading my work meant needing to flip a switch in my brain and going into a different mode other than editorial and doing it consciously makes a lot of difference. I was pleased rereading my short story collection, and was pretty pleased with rereading Jackson Square Jazz, particularly since it’s an early book in my canon and it’s been over twenty years since I wrote it.

(It’s kind of awe-inspiring and terrifying at the same time to realize just how long I’ve been doing this. Bill Clinton was president when I signed my first book contract.)

Well, that made me feel rather elderly.

I slept super-well last night, too. I was very tired and falling asleep in my chair, so I went to bed around nine and only woke up once, around two, and then woke up again half an hour before the alarm (as usual). Hopefully, I will not be too tired to function later today.

And on those two rather sad trombone notes, I am heading back into the spice mines. Have a lovely Monday, Constant Reader, and I will be back before you know it.

Green Light

One of the things I’ve been thinking about lately is how we don’t really have a Louisiana crime writer who explores and illuminates the damage we are doing to the ecosystem and environmentalism of the state the way John D. Macdonald infused many of his Florida novels with so frequently. Condominium, published in the 1980’s, is a stinging indictment of crooked developers and corrupt politicians putting up massive condominium buildings along the coastline of Florida, despite the damage they do to the environment, all in the name of a quick buck. I have been thinking about this because I spent a lot of time in the panhandle in the 1970s, back before Panama City Beach developed into what it is now. I’ve not been back there since 1980, at the latest; but just looking at Google Earth images it’s horrifying how different and over-developed that whole area has become. (I was looking at the images because I was thinking about setting a book along the Redneck Riviera/Baja Alabama/Emerald Coast/Miracle Strip, whichever name you use for the region.) Louisiana, nicknamed “Sportsmen’s Paradise” because of the abundant fish and game and the stunning natural beauty of the state, has pretty much spent the last hundred or so years (at least) destroying and despoiling the natural resources of the state of Louisiana, killing off wildlife species while introducing new invasive ones–and don’t even get me started on Cancer Alley, that stretch of the river between New Orleans and Baton Rouge lined with petrochemical plants parked next to poor, mostly Black communities that have, surprisingly enough, large instances of cancers in the residents. Now the level of the river is so low that it can’t keep the Gulf water pushed down, and the salty water is making its way up the river and intruding into our drinking water supply here in southeastern Louisiana. I’m sure the loss of so much of the wetlands to ensure oil company profits hasn’t affected this in any way, shape or form. There’s a really good environmental thriller to be written about Louisiana (if not more), and I think maybe part of the problem in writing about the destruction of Louisiana in the name of unfettered greed is that I don’t feel knowledgeable enough on the subject to tackle it, nor do I have the time to spend on the research necessary.

It’s really disappointing to me that James Michener never wrote one of his two thousand page plus books about Louisiana. Louisiana history, no offense, is a lot more interesting than Texas’.

And Sportsmen’s Paradise is a great title for a book about Louisiana’s environmental disasters.

I suppose I should just go ahead and do it, regardless of how difficult and long and tedious the process may be. I also think part of the reason I’ve resisted this aspect of writing about Louisiana is because no matter how dark my books may get, I always want justice to be done in some way and to end the book with some sort of hope; there literally is no hope for the future of Louisiana because our politicians are all too greedy and corrupt and only focused on the now rather than the future, no matter how much they beat the “but the children!” drum publicly to fool those incapable of deeper thought. There have been so many environmental disasters in Louisiana over the nearly three decades I’ve lived here I can’t remember them all; and yes, I definitely count boil water advisories in that, too. There was the sinkhole at Bayou Corne (anyone remember that?) and of course Deepwater Horizon, whose true impact and the damage it wrought on the Gulf and the coastline will not be fully known for generations.

The one consistent thing throughout Louisiana’s history has been the entrenched systemic political corruption. I have written about that.

I’ve also been thinking a lot about Jackson Square Jazz, as I get into this revision, and remembering why I wrote it and what I was trying to say within the book; there was a thread in it that ties directly into the new one, and there are also some thematic commonalities with S. A. Cosby’s All the Sinners Bleed, which I am really enjoying reading. Shawn is such an extraordinary writer, with a gift not only for language but character, dialogue, setting and story; the complete deal, as it were, and definitely is going to be considered one of the definitive crime writers of this new generation of exceptional talent that has risen over the last few years. I am going to spend some more time with Shawn’s book this morning, too; I am really enjoying it and wanting to see where it goes and how it all ends. I also have the new Lou Berney on deck, and Lou’s books are always high-quality, clever, and engaging.

College football was interesting yesterday. My Tigers prevailed in a three-point nail-biter against Arkansas in Tiger Stadium 34-31, running the clock out and kicking the winning field goal on the last play of the game. Paul and I were stunned, as was the crowd in the stadium..,and then I laughed. “LSU fans aren’t used to smart clock management in tight games,” I observed, and Paul started laughing with me because the crowd in the stadium didn’t know how to react to the end of the game either. It almost seemed ant-climactic rather than exciting…how many games have we lost this century because of poor clock management skills displayed by the coaching staff? So it was lovely, for once, to see the Tigers play smart at the end of a game for a change. Alabama finally looked like Alabama for the first time this season–but only in the second half as they iced Mississippi. LSU now has to play Mississippi in Oxford next weekend; it’ll be interesting to see how LSU stacks up against our old Magnolia Bowl foe. Colorado finally lost, which brought out all the racist college football fans on social media. The Texas A&M-Auburn game was just sloppy, ugly and unimpressive, while Mississippi State fell to South Carolina. But the big game of the day lived up to its billing–Ohio State v. Notre Dame in South Bend, with the Buckeyes scoring the winning touchdown on the literal last play of the game, 17-14. I literally only saw the closing minutes of the game, switching over once the LSU game concluded. The Saints play at noon today at Green Bay, so the grocery run I need to make will happen around that time–no fool me; everyone knows the best time to make groceries is during a Saints game here.

Yesterday was pretty relaxing, over all; a lovely day for the weekend and a restful and nice one, despite the stress of the LSU game. I’ll probably have the Saints game on in the background because it’s too anxiety-making to watch the games. (I have yet to learn how to control the anxiety during a game; it was certainly there last night and while I tried very hard not to get negative during the game, I could feel the adrenaline spiking and my heart rate going up, but I managed to keep my mind from spiraling and going super-dark as well not getting overly emotional It is, after all, just a football game and LSU football success isn’t necessary for my mental well-being.)

My goals for today are to read Shawn’s book for a few hours, get cleaned up and make a grocery run; while finishing the first chapters of the new Valerie and Jem books (tentatively titled, thus far, The House of the Seven Grables and You Gone, Girl) and also wanting to do some short story work as well, which is always fun. This Friday I am getting fitted for my new teeth (hurray!) and I have also reached the point where I can eat and enjoy noodles, so yesterday I made box mac’n’cheese (not Kraft, but one that came from the refrigerated section and simply needed microwaving and stirring; it wasn’t bad, either). Tonight I am going to make ravioli for dinner; we’ll see how that goes, although I am sure I won’t be able to eat any garlic bread. (I am able to eat Cheese Puffs, though.) I really want a burger, more than anything else. We are also making a trip to the SPCA to adopt a cat this coming Friday, which is perhaps the most exciting thing of all! I’ve really missed having a cat; they are such darling animals, and of course we want to get another ginger boy.

And on that note, I think I am going to head into the spice mines. Have a lovely Sunday, Constant Reader, and I’ll be back–if not later, than tomorrow.

Adios Amigo

I’ve been toying with an idea for an essay for a while. It began as a blog post, but as I worked on it I realized it might be too long for a blog entry, were I to cover the entire scope of the issue even in abstract form. I moved it from here into a Word document yesterday, which may or may not mean something bigger in store for it than simply a blog entry. I don’t know. It will probably wind up here at some point as one of those long rambling things I do from time to time when I feel passionately about something. Consider that your warning. I’ve been thinking about masculinity a lot lately–it’s been an albatross hung around my neck since I was a child (“Boys don’t play with dolls! Boys don’t read Nancy Drew!”) and after reading so many bad takes about how “men are in crisis”–which basically boil down to an inability to adapt to cultural and societal change that is so intense that they resist such adaptation violently–I started thinking about masculinity and what it means to be a man; if it means anything, really. It’s probably too important an issue for me to take on in a personal essay, but personal essays are supposed to be revealing, and no one expects me to have an encyclopedic knowledge of everything ever written about American masculinity, and to discuss it; thinking I can’t write something for whatever reason is self-sabotage of the worst kind, and something I am guilty of, over and over, throughout my life and career.

And yes, self-sabotage is 100% a by-product of my anxiety.

I also have Justin Baldoni’s book about masculinity, Man Enough, which is also an exploration of masculinity. Baldoni played the incredibly hot and sexy father of Jane the Virgin’s baby, and so as a gorgeous male actor/sex symbol, he has some gravitas to speak on the subject. I’m looking forward to cycling around to his book, once I finish my reread of a Charlemagne biography I really enjoy. I also spent some more time with Shawn’s All the Sinners Bleed, which I am liking and savoring as I go–and can’t wait to spend some more time with it today. When I finish, Lou Berney’s Dark Ride has preempted everyone and been moved to the top of the TBR pile. It’s so lovely having so many great options of what to read next. I also think once October rolls around I am going to read only horror that month, in honor of the season–so I need to finish Shawn and Lou’s books before the month turns.

It also occurs to me that many of my books–unbeknownst to me–have explored the topic of masculinity in great detail already.

I slept really well last night, and only got up once. Ironically once I did wake up, I thought wow you really slept late and then saw it was quarter past seven on my alarm. I guess how it feels matters more than how long it actually was, and what truly matters is that I woke up feeling rested and relaxed and ready for my coffee this morning. I am debating right now whether I want to take the books to the library sale and the beads to the donor bins as well s make a slight grocery run–but am leaning towards not making the trip outside the house. I don’t really need anything from the store until Monday at the earliest, and the boxes of books and beads are out of the way and not bothering anyone, let alone my need for order and open space in the living room. I also want to work on some writing today before the games, so maybe leaving the house today isn’t in the cards–or am I just being lazy? It’s definitely possible that laziness and procrastination and my tendency to self-sabotage is what is really going on here. It’s possible. I do tend to put things off I consider unpleasant (and by unpleasant, I mean have to put some effort into it)…

LSU plays Arkansas tonight in Death Valley, and tonight we’ll find out two things: basically, how good either time is. It’s hard to say this early in the season how much quality your wins and losses have; the Florida State-Clemson game today will impact how good the LSU loss to the Seminoles was, and of course we aren’t sure how good Mississippi State is, so we don’t know if that was a quality win yet or not. Arkansas lost to BYU last weekend, so there’s also no telling how good they may or may not be, either. The whole conference seems to be down this year, but a tight win for Georgia can be shaken off as meaningless this early, and Alabama may bounce back; a Nick Saban coached Alabama team has never lost more than three games in a season since 2010 and only twice overall; sure, they looked unimpressive against USF and lost badly to Texas in Tuscaloosa, but does that mean Alabama isn’t going to rebound and is destined for a bad season? No, I don’t think so. Love them or hate them, Alabama consistently wins, and an early season loss means nothing to their program. Sure, LSU could run the table, win the West and potentially even the conference title game and make it to the play-offs; but they have to run the table on a schedule filled with landmines, including both Alabama and a rebuilding Auburn as well as the always hated Florida Gators. There are some great games today, which is why I want to spend some time reading Shawn’s book this morning before the games start, and I plan on rereading and revising Jackson Square Jazz during the games today.

And of course, there’s always filing and organizing to be done. I have seriously messed up my filing system so thoroughly and completely that it’s going to require a major overhaul to begin with, but I also have to think about putting together a new and workable system that will be easier to maintain than this haphazard way I’ve been doing things–and of course the computer files are an utter disaster as well. Heavy sigh.

I’ve been doing a lot more research (or rather, falling into research black holes on the web) about New Orleans during the decade of the 1910’s. I am definitely going to write a Sherlock pastiche for the Bouchercon anthology–which of course means I will most likely be rejected. Perhaps a Sherlockian-type character, and if they turn it down I can simply turn him into Sherlock and toss the story into my short story collection? I need to finish the revisions of “Whim of the Wind” and finish a draft of “Parlor Tricks,” which will probably go into that collection as well. What particularly interests me now is “Manila Village,” a settlement of Filipinos on Barataria Bay, settled by native Filipinos who were forced to serve in the Spanish navy and escaped to Louisiana. There’s still a strong Filipino-American community here (which I actually didn’t know before falling into this wormhole of research), and I do feel that Holmes, living in New Orleans in that decade, would probably embrace them and their culture. (I also need to research the Isleños; descendants of the Canary Islanders who settled here.) New Orleans was also dramatically different geographically back then; the New Basin Canal was still there, for one thing, and I am not entirely sure when the Carondelet Canal (also called the Old Basin Canal) was filled in, but it came right up next to Congo Square; the streets in the Quarter were either dirt or cobblestone, and the lower part of the neighborhood had been almost entirely taken over by Italian immigrants.

I’ve also got strong starts of first chapters for another Jem book (sequel to Death Drop) and another Valerie (sequel to A Streetcar Named Murder); so there’s plenty of writing to be done this weekend as well. I’m not feeling overwhelmed by any or all of this writing that must be worked on and done; this morning I literally feel like all I need to do is roll up my sleeves and dive into the word documents head first, which is a great way to feel.

And on that note, it’s spice mine time this morning. Have a great Saturday and I’ll probably check in with you again later.

I Don’t Want to Cry

But my God, fasting is the worst. The doctor visit went extremely well, and I am actually kind of excited about going forward with a primary care physician who, um, cares. Everything went well, we are getting ready to move ahead with my next surgery, we’re coming up with a plan to deal with the anxiety (bye bye, Xanax; but you didn’t really work for that anyway, only the symptoms), and I got my flu shot. I think I’ll probably swing by CVS to get a COVID booster and the RVS shot tomorrow. I have to go drop books off at the library sale anyway, I want to wash the car, and now that the excessive heat is over, maybe now I can properly air my tires and get the pressure in them to balance again. But I weighed only 200 pounds per their scale (with my wallet, belt, shoes and keys on me), which must be a result of the fasting? I can’t imagine how i dropped five pounds since yesterday.

I was also thinking that this soft food diet/tooth thing is really the perfect time for me to reset my eating habits and go forward with a more healthy eating plan. I need more vegetables in my life, and fresh foods. I don’t need the junk anymore except as a treat–I’ve rather broken the habit while not being able to snack these last couple of weeks, and let me tell you, last night I wanted a snack of something crunchy and salty so badly there’s no telling what I would have done to be able to have something like that. I’ve also come to realize that I actually like ramen. I generally have tried avoiding the foods that I consider “poverty indicators”–the stuff I could afford in college or during my leaner financial days–and those are things like ramen, box Mac’n’ Cheese, and tuna. But only being able to eat soft food and reverting to ramen reminded me that I do, in fact, actually like it–I always love any kind of noodles, really–and what is easier to take for lunch than that? I’ve been taking leftovers, and usually only cooking a big meal on the weekends to have something to take for lunch…,but ramen is easier, tasty, and filling (which is why it’s such a great poverty food). And you can always dress it up; one of my roommates in college had a Japanese mom and what she could do with a package of ramen, spices, and some vegetables was something I’ve tried duplicating any number of times without success. And once my arm is healed, I need to get back into working out again. Now that the weather is getting cooler I am probably going to start taking walks in the mornings on the weekends; the city is getting ready for Halloween and I have so many friends who are into Halloween that I love sharing pictures showing how overboard New Orleans goes for it.

I’ve never really done any Halloween writing about New Orleans, now that I think about it. Jackson Square Jazz was supposed to be the Halloween book, but I wound up setting it earlier in the month and only mentioned Halloween costumes in the epilogue. A Streetcar Named Murder was also set in October just before Halloween–hence the masked ball Valerie and Lorna attend–but I’ve never done Halloween itself. My story “The Snow Globe” actually began life as a Halloween story; I wrote it for a Halloween anthology and it wasn’t accepted. The original opening line was Satan had a great six-pack, and was inspired by me standing on the balcony at the Pub/Parade on Halloween and looking across the street just as someone come out of Oz dressed as sexy Satan–red body paint, red bikini, face done up, and red glitter everywhere–and I actually had that thought: “Satan has a great six-pack” and stored it away as an opening line. When I was looking through the files for a Christmas holiday story for the anthology benefiting my chapter of Sisters in Crime, I realized Santa is an anagram for Satan (which is interesting in and of itself) and I can switch the story from Halloween to Christmas, which makes more sense anyway for its outcome. Ironically, the story actually worked better as a Christmas story!

I definitely need to do a Scotty Halloween book. Halloween Season Hijinks? That actually could work….hmmm.

And on that note I am going to make myself some lunch (hello, Lipton’s double noodle soup and Ritz crackers!) and dive into the spice mines to get my work at home duties completed for the day. May the rest of your Friday be as awesome as you are, Constant Reader! I may be back later–one never knows–but if not, definitely on the morrow.

Hell is for Children

Years ago, there were things you’d never write about in books for teens and pre-teens. Now, though, many more topics are fair game. BUT are there some things you’d never write about? Because of your own feelings, or because you don’t think your audience is ready for it?

On the panel I said I’d never write about cannibalism, but of course ever since then I can’t stop thinking about cannibalism–and that’s entirely on me. I can’t even imagine writing about that.

I’m not going to say there’s anything I won’t write about because I don’t want to limit myself. If I can think of some way to write about something that isn’t pandering or exploitative or offensive, I will. I was recently reading some of my short stories because I am pulling together another collection and one of the stories–I was like, oh yeah, you can’t publish this without a major revision.

I don’t think I would ever write from the perspective of a person of color or a trans-identified individual because while I know I have a very vivid imagination and am capable of empathy, I am also a sixty-two year white cisgender male. I think I could probably do it, with help from a sensitivity reader and my editor, sure; but we need more trans writers and writers of color, not another old white man writing from their perspective. I will include those characters in my work, but not as point of view characters, because we need to make room for those with the lived experience to write those stories. I may not live long enough to see it, but hopefully in about thirty years we’ll have reached the point where exclusion of non-white non-straight non-cisgender writers will no longer be an issue, and what a wonderful world tht will be.

No offense, but none of you is in your target demographic any longer. What challenges does that present and how do you overcome them? How do you ensure that the language your characters speak is reflective of how teens and pre-teens speak today?

How very dare you! I am still a sprightly young man of…um, sixty-two. Point taken. I try to avoid slang and current language because it becomes dated very quickly; akin to how, when I was a child, I saw books and movies and television shows that tried to appeal to the youth market by trying to use current slang and it never turned out well. I mean, once The Brady Bunch kids are saying “groovy” excitedly every other sentence…it kind of killed the word and I never heard it in real life ever again. The time between when a book is written and when it’s released is long enough for current kids’ language to change. My sister’s grandkids are always saying things I don’t understand…but the next year they are speaking a different language, so I don’t try. It’s hard enough keeping up with technology, which also gets dated very rapidly.

What percentage of your readers do you think are adults? Do you consider these crossover readers when writing?

I honestly don’t know, but I wouldn’t be surprised if mine were primarily adults. I don’t set out to write books for kids, really; I write novels where the characters are teenagers. They get marketed as young adult books, which is something I have no control over. I’d like to think both adults and younger readers can enjoy my books that are so classified. If I think about the audience I am writing for when I am writing, it makes the writing more stressful and harder. I trust my editor to make sure I don’t write anything offensive or way off-base or too adult for a young adult audience–which is where my books would be shelved in the library. No one’s complained about mine yet.

Greg, your book tackles multiple contemporary societal problems. How do you balance writing about such tough topics with ensuring that your work is compelling and hits the right mystery/suspense notes?

The objective, for me, when writing about societal problems and issues is to put a human face on them, by making it personal. Societal problems are easily dismissed or ignored when they are simply abstract principles. If my characters are fully rounded, are relatable and seem real to the reader, then the reader will see, through the characters, what it is like to experience and go through these issues; and to develop a sense of empathy, so we aren’t so quick to judge and blame and not try to understand. #shedeservedit was very important to me, because with the Steubenville/St. Marysville rape cases, it made me look back over the course of my own life and remember situations I witnessed or heard about in a completely different light. For example, one of the cheerleaders at a nearby town had an experience similar to what the girls in Steubenville and St. Marysville went through…but in the 1970s, the blame solely went on the girl. When I heard the story she was a willing participant–the story was told to me in hushed whispers by another girl–and all the elements of the modern stories were there: pretty and popular cheerleader; a party with alcohol and football players; the town football team was successful and beloved in the town; and a bitter ex-boyfriend. As the story was told to me, she got drunk and “pulled a train” (a disgusting phrase, really) with five of the football players, including her ex. I was shocked at the time– to think she’d done this willingly, at a party where it was bound to get around (as it obviously did). But now, looking back–how willing was she, really? But that was how things were back then. I’d like to think things are changing, that we are valuing young girls and women as human beings more now…but are we?

Technology changes very rapidly, and teens—and younger children—are often at the forefront of these changes. How do you handle that in your writing?

Like slang, I try to use as little of it as possible. I do realize everyone is addicted to their phones now, and spend most of their lives texting and facetiming and everything else, but while I will use some basic technology–texting, emails, DM’s–I try not to get into the entire app/social media weeds too much because it may change before the book is published and I don’t want to publish a book that’s already dated. I think that if the reader really cares about your characters and the story…they won’t care so much about the slang and tech.

How has your writing evolved since you first got published? If a reader is new to your work, which book would you recommend starting with?

I’d like to think I am a better writer than I was back then. I know I’m a different writer than I was when I started; more life experience, with the concomitant increased empathy, understanding, and sympathy that comes with it. I try to push myself with every new work; it’s the challenge of doing something new and different I really enjoy.

If we’re talking my y/a, I’d started with the first, Sleeping Angel, and go from there. If we’re talking my career in general, I’d say Bourbon Street Blues or Murder in the Rue Dauphine. It’s always good to start at the beginning. If the length of both series is daunting, try either A Streetcar Named Murder or Death Drop (drops October 31!) and then move into the stand alones.

There are a small number of popular writers who spark controversy in their “real” lives. How do you reconcile a great writer with a bad person? Do you read that writer’s work?

Ah, the old “artist vs their work” question. There are writers with enormous talent whose books I’ve loved that social media has exposed as incredibly horrific people with “values” (I have a hard time using that word in reference to such abhorrent beliefs) and I have stopped reading them. I will never have time to read all the books I want to read, and if I’m able to prune my stack by removing racists and homophobes and misogynists and transphobes? Thank you for making my choices easier. I’ve always believed one should be widely read–I used to read nonfiction books about politics and social issues by conservatives because I thought it was important to listen to and evaluate their positions. After we were lied to as a government and a nation to drive popular support for a war we didn’t need to be fighting in order to drive more profits for military suppliers and oil corporations, I no longer needed those perspectives. I don’t need to read excuses and rationalizations for bigotry and prejudice and other indefensible positions for any human being to hold.

The vast majority of my one-star reviews on-line are from conservatives deeply offended by the “politics” of my books. Yes, because a book about gay men by a gay male author is where you should go to get your bigoted world-view validated. If you want that, read Andrew Sullivan. His nonfiction diatribes about social and political issues is some of the best fantasy being published currently.

Who are some of your biggest writing influences?

God, there are so many. I think my y/a is very strongly influenced by Lois Duncan, Christopher Pike, R. L. Stine, Caroline Cooney, and a long forgotten y/a crime writer named Jay Bennett. He won two Edgars for Juvenile, and was nominated a third time. His work is extraordinary; I’ve not read many other writers with that same extremely tight, terse, and taut style. Jay’s books put teenagers in terrible situations where they had to decide what is right and wrong and what to do. They read very quickly, too. I describe him as the y/a James Cain.

As for adults, everyone I read is an influence; even the books or writing styles I don’t care for, because they make me think how would I have done that differently? But definitely John D. Macdonald, James M. Cain, Charlotte Armstrong, Daphne du Maurier, Phyllis A. Whitney, and the old Alfred Hitchcock Presents anthologies, which I am revisiting. The old Three Investigators and Encyclopedia Brown series for kids, too.

Latest trends in Middle Grade and YA fiction?

Diversity, which is fantastic, and hot social issues!

The Anthony nominees panel for Best Children’s/ Young Adult panel at Bouchercon, with moderator Alan Orloff, Fleur Bradley, your humble author, and Lee Matthew Goldberg.