House of the Rising Sun

This is probably one of the most famous songs about New Orleans of all times, and of course, doing a deep dive into the history of the song–which began as an English folk song, of all things–was a pleasant way to spend a few hours. I heard the recording by the Animals when I was a kid, and honestly never cared very much about it. I always thought it was about a house of prostitution in New Orleans–Storyville, probably–but never gave it much more thought than that. But when I was looking for titles of songs about New Orleans to use for blatant self promotion for Mississippi River Mischief, it was kind of an obvious one. And when it came up on my list for this next post, I realized I didn’t really know very much about the song other than I didn’t care for it very much. It originated in the 16th century as an English folk song, and gradually evolved into an Appalachian folk song called “Rising Sun Blues” (great title, I may abscond with it, frankly) before finally becoming a folk-rock hit for The Animals in 1964 with its current name. (Musicologists suggests it’s thematically related to the old English folk song “The Unfortunate Rake,” per Wikipedia.)

I do find that kind of thing interesting, even if I don’t have any use for that information. (Although Barbara Michaels did a great job of using classic traditional folk songs and their history as the foundation for her underrated but marvelous novel Prince of Darkness–which I would love to revisit.)

If you were playing Family Feud and the question “what is New Orleans known for”, the top two answers would probably be Bourbon Street and Mardi Gras. This annoys the locals and the natives to no end; and it’s understandable. Boiling New Orleans down to those two things is incredibly reductive. But they are major facets of the city, and both are responsible for a lot of tourist revenue, which the parish, city and state desperately need because our state and local governments (all of Louisiana’s cities and parishes) are complete and utter failures. When we moved here in the mid-90s, New Orleans had a strong base of tourism, but it was nothing like now. Since Katrina the city’s primary focus has been building the city into a tourist destination, putting all of the proverbial eggs into that particular basket. The pandemic wound up killing businesses that Katrina couldn’t; the St. Charles Tavern at the corner at Martin Luther King didn’t survive COVID, as one example. (They had amazing fried mushrooms; we used to get them every once in a while as a delicious greasy breaded and deep-fried treat.)

When I first decided to start writing about New Orleans (much as I hate to say this, but New Orleans really IS my muse, and I love that I live in the neighborhood of the Muses here), one of the things I was determined not to do was use clichés about the city in my work. It wasn’t until my fifth novel that I wrote about Carnival/Mardi Gras, which is where most writers about the city inevitably start (cliché as it may be, you also cannot write about New Orleans without eventually having to write about it); I wanted to get more established as a writer before I went there. Part of the reasons the first two Scotty books were set around Southern Decadence and (to a far lesser extent) Halloween was because those were also important holidays for the gays here. I did address Bourbon Street with the first Scotty; I knew that title (Bourbon Street Blues) would tell anyone that it was a New Orleans story, so yes, I took advantage of a cliché there. But I also realize now that most of my New Orleans writings were very provincial in a way; I mostly write about the “sliver along the river”–the Marigny, the Quarter, the CBD, the lower Garden District, the Garden District, the Irish Channel, and Uptown. There’s way more to New Orleans than these neighborhoods–sometimes I send them over the bridge to the West Bank or out to Metairie; there was a very vivid post-Katrina scene where I sent Chanse out to Lakeview, but for the most part I’ve not done much about other neighborhoods here. The West Bank, City Park, the East, Gentilly; all of these rich and vibrant neighborhoods–as well as the diverse ethnic make-up of the city–are very fertile ground for someone writing about New Orleans. Generally, the neighborhoods I write about are the neighborhoods writers who don’t live here focus on because they are the better known ones.

And of course, I’ve rarely, if ever, touched the history of the city–and it is rich, compelling, and fascinating…and super dark.

That’s kind of why I wanted to move this recent Scotty out of the city and into one of the rural parishes not far from the city limits. I have fictionalized these parishes before–I try not to fictionalize New Orleans, but have no problem inventing parishes and towns in the rest of Louisiana. St. Jeanne d’Arc parish is loosely based on St. John the Baptist and St. Charles parishes, known as “river parishes” because they run along the river north of the city. Redemption, also an invention I’ve used in other books, is based on the “bayou parishes”–not along the river, but between the river and the wetlands/Gulf of Mexico; those are Terrebonne and Lafourche parishes. Louisiana is just as interesting as New Orleans, and also has an amazing and interesting history of its own. Of course, the next Scotty will be back in the city–his next few, if they go as planned, will all be within the city–but that doesn’t mean I don’t want to keep writing about Louisiana and my fictional parishes, either.

There really is so much material here I could never run out of ideas.

Shock the Monkey

Saturday morning, and feeling okay. I ran some errands yesterday–mail, prescription, grocery shopping–and instead of going to Five Guys I stopped and got a very healthy turkey-avocado sandwich for lunch instead, on wheat bread, and it was delicious. I used the wagon to bring everything back from the car to the apartment, but after putting the groceries away was very exhausted. I started reading my next book (Lisa Unger’s Christmas Presents) but didn’t get very far into it. I wound up watching the Oregon-Washington game (to see how their quarterbacks matched up against Jayden Daniels for the Heisman; I am biased but was utterly unimpressed with either of them) for a while, and then just kind of zoned out and watched documentaries on Youtube for a few hours till the game started. I am feeling better, but my energy levels still deplete quickly–probably why my surgeon didn’t want me to return to work just yet.

Last night I slept through–didn’t wake up at five like I inevitably always do and then go back to sleep–and woke up at eight, deciding to go ahead and get up rather than loll about in the bed. I figured I could write my blog entry, drink some coffee, and then head over to the easy chair to read the new book for a few hours before trying to get back into writing MY new book. I also need to do some self-promotional entries today to get back on track on promoting my two new releases, and I also kind of need to figure out where I am at with all of my in-progress projects and make a plan to proceed with everything. I think I am going to go back to trying to plan out my year and so forth, because this scattershot method I’ve been using for so long hasn’t really worked out the way I would have liked; but scattershot tends to do that. I have any number of short stories I’d like to get finished, and there are also the novellas; and I have at least two novels in progress that are up to five chapters but have gone no further than that. I also need to get better organized with everything else in my life, too–my desk area looks better than it has in years as far as clutter is concerned, but it needs to be cleaned and straightened up a bit, and there are other things in my desk–the stack of Scotty books, for example–that don’t need to be here. I rearranged the work space before the surgery specifically to free up space on the desktop, and it did work; this arrangement looks better than the way that it used to look. I want to write today–I think I am going to work on some things for the new book too, so I can really dive in headfirst; I don’t have much of a plan for the book other than I know what one of the driving forces behind the plot is going to be; who the villain is; and who is going to die. It’s all mapped out in my journal, but I need to write it all up into a word document so I can easily reference it. Plus, typing shit makes it seem more real to me, which makes no sense to anything other than my twisted brain.

Sparky has discovered the great joy of knocking over the recycling to look for bottle caps, which are his favorite toy and means I don’t need to waste any money buying him anything; why spend more money when every bottle comes with a plastic cap toy for the little darling? He’s inquisitive and he’s smart–he now scales the drawers like a ladder to get up on the counter when the drawers are closed; if he can’t get up there the usual way. He showed off this new trick to us yesterday when we were putting away the groceries; so there wasn’t a clear space for him to jump up, so instead he pulled himself up by climbing the drawers. This tells me there’s really no point to putting things out of reach because he’ll just figure out a way to get there. Scooter wasn’t especially smart, nor was he terribly interested in toys or playing or anything, but Skittle was smart–and I suspect Sparky is even smarter than Skittle, and he’s getting so big! I think he might even wind up bigger than Skittle. Do I want to have a big, incredibly smart cat? It scares me just a little bit, to be honest. But now he seems to have calmed down a bit, and is a sleeping kitten donut on my desk. He really is a beautiful cat.

We had a lot of rain overnight–flash flood warnings, tornado watches all around us in neighboring parishes, the usual–I slept through it all. I didn’t even notice it was raining last night–without my hearing aids, I can’t hear anything other than thunder–but I am sure the rain helped me sleep. I didn’t sleep for a full ten hours; it was only nine. I was thinking yesterday that I need to start getting used to getting up early again before I have to return to work on the 12th, so it won’t be as horrible as it might be. I had finally gotten used to getting up early, and now I have to start getting used to it all over again, which isn’t going to be very much fun at all. But this is a relatively easy month to ease my way back into work again, with the holidays and extra time off at the end, so there’s that. And then again, it’s Carnival shortly thereafter, which I think is late again? I haven’t looked, but I think we have a late Fat Tuesday again this next year.

And on that note, I am heading into the spice mines for the morning. Have a fabulous Saturday, Constant Reader, and I’ll check in again later.

Be My Lady

Tuesday morning and it’s feeling a bit chilly in the Lost Apartment this morning. I am propping the brace on the edge of my desk so I can use both hands–and it doesn’t seem to bother the arm too much to use my fingers. I actually don’t feel any pain, but it feels a bit weird, if that makes any sense.

Yesterday was the first time I’ve felt like me again after coming home from the surgery. I cut up an old T-shirt (well, Paul did; one needs two hands to cut cloth) so I could fit it on over the brace without having to use the arm or move it; my left nipple peeks out every now and again, but that’s okay. Tomorrow morning is my first post-op visit to the surgeon, so I want to think about the things I need to ask about and write them down to take with me. It’s an early appointment–8 am–so I won’t be thinking as clearly as I would later in the day. I’m getting used to sleeping in the chair–I’ve been sleeping ten hours a night on average since that first sleepless night after the surgery, which is very-un-Greg-like, but I attribute that to my body recovering from the trauma of the surgery. I wish it would last forever, though, I really love sleeping.

Paul and I did go run those errands yesterday, and driving wasn’t an issue at all. I think the prohibition on driving in the instructions had more to do with the painkillers (which I don’t need) than any lingering after-effects of the surgery. It felt very nice to get out of the house, since I hadn’t even gone outside (I don’t think) since coming back home last Tuesday–hey, it was a week ago, wasn’t it? It seems like an eternity. I am very impatient to get through this, but of course you can’t rush recovery. I am trying not to get frustrated or impatient, but it isn’t easy for me–I haven’t gotten to the acceptance of things I cannot control yet, sadly–and my emotions are still all over the place. I had a couple of emotional moments yesterday which weren’t great–but those moments are also becoming fewer and farther between, which is a relief. I hate subjecting anyone to my particular brand of crazy, least of all Paul–who is usually the only person who ever sees it, and that is something I don’t like, either.

I didn’t write anything yesterday, the errands exhausted me, and so I spent the rest of the day in my chair. I watched a marvelous documentary series about film horror from Blumhouse–four episodes–which was a lot of fun but nothing really new that I hadn’t already known. It did give me an idea for a slasher thriller in two parts–the original occurrence than a revisitation ten years later; but the worry is, of course, that it’s been done already or I have nothing new to bring to the genre. It’s an interesting conundrum and puzzle I’d like to get figured out; one that will need to percolate for a while before actually getting to work on it. I always worry about how much preparatory work I do for my books, and I also worry I don’t do enough research for them, either. (I love research but also find it frustrating because I never know when I’ve done enough research, and as someone who is always spotting historical inaccuracies in all media…I don’t want anyone doing that to me or thinking that I’m a lazy researcher…although on second thought why the fuck do I care? There are always going to be those people, after all.) I was thinking about that very thing yesterday in terms of two other books-in-progress I’ve been working on for years; I’m not certain that I chose the proper career path given how my brain is actually wired–for someone who gets anxious to the point of shaking sometimes (it was really bad when I was a kid) why would you choose a career where you have to do things that trigger anxiety? I don’t ever get anxious about the day job, for example.

It’s weird but all this down time sitting in my chair unable to focus enough to read a novel (short stories are easier) has given my addled brain the opportunity to think and reflect. This whole past week has been an emotional rollercoaster–I think surgeries tend to make you emotionally raw to begin with–but I’ve also spent a lot of time grieving my mother since coming home last Tuesday. I was always able to engage my mind before and not think about it–even when I was too tired to do anything more than watch Youtube videos in the evening. But this forced inactivity is an entirely different thing, and I can’t seem to get control of my mind when it starts to wander. I’ve been thinking about my career and where it’s gone and where it may go in the future over this last week; my stubbornness at keeping going when maybe I should gave given up. I’m proud of all my work, and I’ve also come to accept that my old work maybe isn’t terrible the way I’ve always feared. I always approach rereads of my own work with my mind subtly shifting into editorial mode, and once I recognized that recently, I do go ahead and shut that off before I do read. I’m a different writer than I was twenty-two or more years ago, and I have always wanted to continue to improve, grow, and get better with each new story, book, or essay (I don’t care how bad these entries are, actually; it’s rare that I go back and revisit these); so of course I would write the older books etc. differently were I to write them today; that doesn’t mean the old ones aren’t good.

And honestly, how many award nominations do I need to get before I finally accept that I’m pretty good at this whole thing? That I have the respect of my peers?

I’m proud of all my work, but I also have preferences as far as that is concerned; some children I love more than the others. The ones I am not as fond of are the ones that I think I could have made better than they were; the ones I wish I had another pass at. That’s what I am thinking with finally re-editing and preparing Jackson Square Jazz for rerelease; here’s a chance to give it a bit more polish, make it come together better, and remove inconsistencies and continuity errors from the series as a whole. Reediting the manuscript is something I can do in my easy chair, and then I can slowly input the changes into the word document gradually until the entire thing is finished. Slow and steady wins the race, after all. I’m very happy, seriously, with my career as far as the work itself is concerned. I would like my writing to be a lot more profitable than it’s been thus far (what writer doesn’t dream of fame and fortune) but I couldn’t care less about the fame–I’ve always cared more about the fortune, actually; I’m pragmatic that way.

I’m hoping to write more today–after I finish this I have some emails to attend to–and I also have bills that simply must be paid so I can stop getting stressed about that, too. I don’t know how long I am good for in this chair sitting upright with the brace balanced against the edge, to be honest…but I need to give it a try. I am just not wired to be inactive, I guess,

Have a great Tuesday, Constant Reader, and I will see you again later.

What About Me

Well, here we are on Monday morning after my surgery, and I’m not really sure what I’ll be doing today. I really need to pick up a prescription in Uptown, and we need to pick up the mail at some point, but I’m not really sure how I’m going to do that. I don’t know that I should risk driving yet, because New Orleans drivers are so horrible, but it has to be done and I need the prescription. I suppose I could take a ride service, but I hate spending the money as well. I guess I don’t have a choice though, so I’ll deal with that later. I also need to make groceries.

We had had an issue a few weeks ago with the apartment. They were doing some work on the patio deck above my kitchen, and unfortunately there was rotten wood up there. The ceiling kind of gave way; they ended up nailing up a piece of plywood over the hole in the ceiling. Unfortunately the next time it rained, of course, it leaked , but they finished the work up there and never came back to repair our ceiling. We had a massive thunderstorm Saturday night, and so i woke up Sunday morning to water on the floor in the kitchen, on the stove, and on the counter. The carpets in the kitchen were also  wet; so I got out towels and a bucket for the dripping and hoped that the ceiling wouldn’t cave in. About two hours later, yeah, some of the plaster came down with a loud, startling crash, and so now there’s another hole in the ceiling. The insulation up there is soaked, so I had to leave the bucket for the dripping to continue. Needless to say, this is a really shitty time for this to happen and it spiraled me into a really bad depressive state yesterday. I have noted already that my emotions have been all over the place since the surgery — so something like this really sent me into a spiral. The anxiety really ramps up, so yeah, yesterday was just not a good day for me.

So, I repaired my easy chair with a Gatorade and Nurse Sparky and put on one of my comfort movies, Indiana Jones and The Last Crusade. I’ve always loved Indiana Jones, but I haven’t seen the most recent movie yet. I’ve always wanted to write an Indiana  Jones type book; I love historical treasure  hunts and have always thought that it would be fun to write those kind of stories with Colin as the main character — away from Frank and Scotty, to kind of fill in the blanks when he’s away from New Orleans. I have an idea that’s tied into the 4th crusade and the sack of Constantinople; a treasure hidden away in the Hagia Sophia since the Nicaean Council that established the dogma of Catholic Christianity. The Orthodox patriarchy had been keeping this treasure secret from the Pope and the Vatican for centuries, at least since the schism of 1052. My idea is that the Venetians and the Crusaders knew that the Pope would be furious to learn they had sacked Constantinople, but the Doge, Enrico Dandalo, not only knew about the secret but also knew presenting it to the Pope would get them forgiven. The primary problem with this is that I have never figured out what precisely was hidden in the Hagia Sophia; but I wanted to tie it into the Assassins and the Old Man of the Mountain. I thought that would make for a fun adventure, particularly setting it in a fictional Middle Eastern country. However, with everything that’s going on in the world nowadays, writing about the Middle East is probably not a good idea at this point.

I also read a lot of short stories over the weekend. I read all the stories in one of my Alfred Hitchcock Presents anthologies, Stories That Scared Even Me, and that was a lot of fun. The book was published originally in the 1960s or early 1970s and it is amazing how much attitudes in society and cultural attitudes have changed since that time. The contributors were almost entirely male — all of these anthologies are underrepresented with women — and there are a lot of really racist and patriarchal  tropes in some of the stories. Several, for example, are set in Mexico; I’ll let your imagination do the rest rather than quote what they said so casually. I’m also writing a story set in Central America — I was writing it to submit to a horror anthology — and it was one that I had started writing back in the 1990s, I believe. I was kind of horrified by what I wrote — I feel like by the 1980s I should have known better about these kinds of tropes  — but the story is salvageable; with some strong changes and a fictional country. But you can still get into trouble, even with that, and the last thing I ever want to do is write something problematic that will offend people. (I have already mentioned the story that I submitted to a anthology that’s not going to happen now about the South, which I recently  reread and was horrified by.)  A lot of these stories have those twisty type of endings that I always loved; that little hint of irony that really made the story sing. I always try to give my stories those kinds of endings because that’s what I grew up reading as far as short stories are concerned, and I often have to struggle to not try that with every story, because it’s not right for every story and I have a bad tendency to try to force things to work the way I want them to, instead of the way that they should work organically.

Dictating is much slower than typing, as I’ve noted before; this is taking me a lot longer to dictate then I would like. Where I actually typing this entry, I would probably already be finished by now. But you do what you have to do. I also started dictating my next book, figuring it’s better to get started on it while I’m at home recovering from the surgery, rather than waiting until such time as my left hand can be used for the keyboard. I’m still not having any pain  — my primary issue is mobility, not being able to use my left hand for  much, occasional nausea from the antibiotic, and the mood swings and depression. I wish I had already started on my anti-anxiety medication protocol before the surgery, but what can you do? Yesterday morning, I was thinking that I made a lot of bad decisions about this surgery and that I didn’t do it knowing everything that would result from it; but I was worried about not ever being able to go to the gym and workout again unless  and until this was done, and pushing it back to next year wouldn’t have changed any of these issues, I don’t think, other than possibly better planning on my part. But that’s also part of the anxiety—I always question my decisions, and never really believe that I made the right choices afterward. I guess it is just a part of that hindsight being 20/20 thing that always drives me crazy. I never really am confident in the decisions I make, so I always try to not second-guess or doubt myself afterward; there’s no point in rehashing things that you can’t change. Why obsess over something I have no control over anymore? That’s the easiest way to drive yourself crazy, I think.

We’re also really enjoying the show Bodies on Netflix. It has everything that I like; a bit of science fiction, crime, surprise twists, and gay content. You can never go wrong with me when you have gay content. (That’s not entirely true; there are some really terrible shows in movies with gay content that are basically unwatchable) I also finished watching a Jane Seymour series on Acorn called Harry Wild, which wasn’t great but was entertaining enough. I don’t know what all I’ve been watching to be honest with you, Constant Reader, but I’ve been watching  an awful lot of television.

I did watch a terrible adaptation of Agatha Christie’s The Mirror Crack’d, and the less said about that the better.

I’m hoping today or tomorrow to be able to read a novel; I’m really enjoying the one that I was reading before the surgery and would like to finish it, but my mind is all over the place and has been since coming home from the surgery. I haven’t even been able to focus on the TV I’ve been watching as much as I would like. Part of it is the depression, part of it is the holiday without Mom, and of course, the surgery. You see how I am? I’m being hard on myself after a major surgery for not getting anything done or being productive. Heavy sigh. Welcome to the wonderful world of what goes on inside my head.

And on that note, I am going to bring this to a close and see if I can figure out what I’m going to do for the rest of the day, and what I can do about these errands. I hope you have a lovely Monday and as always, thank you for checking in and thank you for reading.

A Hard Knock Life

Tuesday night as I talked with Jean, Candice and Harry about my two latest books I suddenly realized–towards the end of the conversation–that technically I have a third book out in current release with my name on the spine.

To wit, this marvelous anthology:

Which, if you like, you can order right here! There are two options to choose from–the clothbound special edition with the cover page signed by all three of us, or the less expensive paperback. I believe there’s also an ebook option.

And look at this table of contents:

How is that for some amazing company to be in, eh? Not to mention the co-editor credit with Art Taylor and Donna Andrews, who are as equally lovely as people as they are insanely talented writers (and highly intelligent people). I mean, my story is sandwiched in between stories by Martin Edwards and Naomi Hirahara, for fuck’s sake.

Rarified air, indeed.

So, who is this Father Knox, and what are these commandments that had to be broken?

Father Knox himself

Father Knox was an early twentieth century mystery writer, who was also a member of the Detection Club, along with contemporaries like G. K. Chesterton and Agatha Christie–speaking of rarefied air–and he came up with the ten commandments for mystery novels:

  1. The Criminal must be someone mentioned in the early part of the story but must not be anyone whose thoughts the reader has allowed to follow.
  2. All supernatural or preternatural agencies are ruled out as a matter of course.
  3. Not more than one secret room or passage is allowable.
  4. No hitherto undiscovered poisons may be used, nor any appliance which will need a long scientific explanation at the end.
  5. No (outdated racist term for someone of Chinese ancestry) must figure in the story.
  6. No accident must ever help the detective, nor must he ever have an unaccountable intuition which proves to be right.
  7. The detective must not himself commit the crime.
  8. The detective must not light on any clues which are not instantly produced for the inspection of the reader.
  9. The stupid friend of the detective, the Watson, must not conceal any thoughts which pass through his mind; his intelligence must be slightly, but very slightly below that of the average reader.
  10. Twin brother, and doubles generally, must not appear unless we have been dully prepared for them.

I mean, how fun would it be to write a story breaking any of these rules, let alone a book doing so (hmmm, tempting–this would be a great fun thing for a Scotty adventure)?

I chose commandment two: all supernatural or preternatural agencies are ruled out as a matter of course, so I wrote a suspense story that may (or may not) have a supernatural agency involved; “The Ditch,” which is also a Corinth County story and one I am particularly pleased with.

I am going to begin reading the anthology, perhaps a story a day, as part of my Short Story Project (always ongoing) as well as to help promote the anthology, which has as fine a collection of contributors as I’ve ever been associated with.

And the book itself? Gorgeous.

The One You Love

Tuesday and back into the office. My energy spurt after getting home from the pre-operation appointments didn’t last for very long, I’m afraid, and by the middle of yesterday afternoon I was groggy and tired; adrenaline crash from the anxiety rollercoaster, no doubt. We started watching Happy Valley, which is certainly a grim show (I said to Paul, “it’s like a British version of Mare of Easttown“–although obviously Happy Valley came first, but they are very similar in tone and mood: bleak). But the acting and the writing is first rate, and we both are really enjoying it. They called in some prescriptions for me that I’ll need post-surgery, but apparently in checking the CVS website, I have to call them about the pain pills. Terrific. It’s always such a joy trying to reach a pharmacy on the phone. But I have to swing by uptown to get the mail after work today, and so I might as well call so I can pick everything up on my way home from the office.

I am way behind on everything, but I feel a lot better about the post-surgery period. I don’t know how long it’s going to take before the pain goes away, but I imagine I am going to be in a painkiller stupor for at least a couple of days, at the very least. I’ve never really had the kind of surgery where you’re put under and cut on since I had my tonsils out when I was three or four. That’s not bad–going sixty years between surgeries–so I really have nought to complain about, but I kind of wish I had more experience with it so I knew what to expect more; it’s the not-knowing that really triggers my anxiety. Now I am wondering about putting on shirts with the arm-brace on; am I allowed to take it off to put on a shirt if I put it right back on again? Doesn’t the arm need to stay in the same position, even when I am showering? Heavy sigh. They did send me home with a packet of information to read over, so I’ll be doing that today as well. I also have to get the paperwork for my leave finished and turned into Admin today. Heavy sigh. I do have the letter from the surgeon that is required, and I think I have everything I need. (More anxiety, hurray.)

I also need to practice putting the brace on, too. The demonstration wasn’t enough to make me think oh sure I can do this easily on my own with a bent arm.

For the record, I tore my biceps muscle in my left arm back in January. For a number of reasons I am not in the mood to go into right now, I am now finally getting the surgery to have the muscle repaired. It’s a long and slow and painful recovery process; I need to wear the brace for at least three to four weeks, and then it’s physical therapy for months until I get the clearance that it’s all healed and working properly again. I got the distinct impression yesterday that it’ll take about a week for me to be weaned off the pain medications–again, that’s fine, what choice do I have? I don’t know how much, if any, typing I’ll be able to do that first week, and besides, if my brain is scrambled on oxycodone, I wouldn’t be able to write and/or create much anyway. But it didn’t sound like things were going to be as terrible or as worst-case as my mind always seems to want to come up with.

It was also a cold and wet rainy day yesterday; we’ve not had rain in quite some time–not nearly as much as usual in our tropical clime–so the whole day had that undercurrent and wet and cold that I’ve not experienced in quite some time (last winter, to be precise) and so that was also off-putting. I felt cold all day, was wrapped up in a blanket in my easy chair as I doom scrolled social media, watched some documentaries on Youtube (the wives of Charlemagne; the separation of power between the Church and the Holy Roman Empire; and the Black Death), and also caught an episode of Moonlighting, in which Maddie’s mother thinks her husband is cheating so David and Maddie investigate. I also saw some social media posts about Moonlighting not aging as well as I had originally thought, which was worrying. I have such fond memories of the show, and I’ve been enjoying rewatching it, and I thought I was paying attention to the “well it was a different time” things–but I didn’t really see the show as misogynist as I feared it would be, and there were other things that I was certain wouldn’t hold up on–casual homophobia? Casual racism? Casual misogyny? It was written and filmed in the same decade that gave us such great misogynist comedies as Porky’s, Sixteen Candles, and Weird Science (don’t @ me; I don’t make the rules), so how could it not be problematic on some levels today? I’m also a little disappointed that my rewatching didn’t somehow note the red flags (I actually posted at one point that I was surprised it wasn’t more offensive); but it’s also the classic set-up arrangement for old-style screwball romantic comedies–one prim and proper character, another who is spontaneous and always up for a good time and both learn from each other as they grow together into coupledom. I know there are some issues in the old movies too–but I still love them.

Perhaps that might make a good essay?

And today is the official release day for Mississippi River Mischief!

And on that note, it’s off to the spice mines with me. Have a great Tuesday, everyone!

Sexual Healing

Friday, but I am not working at home this morning. We have a department meeting, and then I am going to stay at the office until around two this afternoon to get things done. I am taking Monday off because all my pre-surgery appointments are that morning, and I don’t know how long that is going to take. As Monday is a paperwork and not-in-the-clinic day, it’s not a big deal as long as I get all of the work I would ordinarily do on Monday to get the clinic ready for the rest of the week done today. I am going to run a couple of errands on the way home, and then I am in for the rest of the day. I will have to run some errands tomorrow–post office, mostly–but hope to spend most of the weekend inside the apartment. I slept well last night, mainly because I had the “Thursday exhaustion” that hits me every Thursday since I started working this schedule, but that’s okay. I came straight home from work yesterday, and didn’t do much of anything once I was there. Oh, sure, I watched another episode of Moonlighting–and their lesser episodes are still charming–and later Paul and I watched the season finale of The Morning Show, which was a lot of fun. I did watch some Youtube documentaries about the Knights Templar and the Fall of Constantinople in 1204–which I never get tired of learning about, and will turn up in one of my books one day, just you wait and see.

I’m also looking forward to this weekend. I am going to get some books pruned to take to the library sale on Saturday, and I think I am also going to get the car washed. I do kind of want to see the Georgia-Mississippi game, and of course I’ll watch LSU play Florida, but that game worries me a bit; there’s always a let-down after losing to Alabama and having the pipe dreams of the season dashed finally, and LSU has beaten Florida four straight years, which is tied for the longest LSU winning streak in the rivalry. I also just remembered that this is the last season of the SEC as it has been since the initial expansion into two divisions thirty years ago; sure other teams have joined since, but the East-West divisions remained intact all this time. I don’t know how I feel about the expansion into a super-conference and the addition of Texas and Oklahoma, and the rotating schedule seems like a pain in the ass, but we’ll see how it works out. I suspect in about another decade realignment will be revisited and some teams may break off from their super-conferences and form a new smaller more manageable one…who knows?

I also want to read Lou Berney’s Dark Ride this weekend, and maybe start reading my next book, which I think is going to be Zig Zag by J. D. O’Brien, who was on my Humor panel at Bouchercon (that was probably one of the best panels I’ve ever moderated, and I want to read all of their books), because both have to do with stoners–Lou’s main character is a stoner, and J. D.’s book is about a dispensary heist, so they’re both what I call stoner noir–so they kind of go together. I also want to get to the new Angie Kim sooner than later, I am volumes behind on Laurie King’s marvelous Mary Russell series, have two Donna Andrews novels on deck as well, and then I want to really start making progress through the stacks and get things read.

I also need to do some writing this weekend. I’ve been really terrible this week about being organized, so there’s more of that to be done this weekend. I think I’ve started working on what submissions will go where, and I’d love to get a stronger handle on all of that by the end of the weekend. I know I want to get one of my stories submitted out again somewhere, not entirely sure where, but the worst thing they can do is reject it, right? And that just means my story isn’t right for them, that’s all, and that is fine. I need to get more zen about rejection, you know? And I also need to be easier on myself emotionally about the whole writing thing. Sure, it would have been great to get a lot more writing done before my surgery. No, I don’t know what the aftermath and recovery is going to look like–I am finding that out Monday at my pre-surgery meeting–so I won’t know for sure until Monday what I am going to be capable of doing in December. I think I’ll probably be back to work right before Christmas, but I also don’t know what I am going to be able to do once I go back. Will I be able to test people? How mobile will the next cast be? (I think I am going from rigid to flexible after the first three weeks.)

Uncertainty is not the friend of anxiety, but I think I am doing a pretty good job of not letting my anxiety take control of my conscious brain, at any rate. And this morning I’ve managed to unload the dishwasher already and start another load–and when I get home from my partial day at the office I’ll get started on the bed linens. I am running an errand on the way home, and then I intend to spend the afternoon mostly reading the new Lou Berney while doing some light picking up and pruning of the books, and maybe even get some writing done. Stranger things have happened.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again later with some blatant self-promotion. Tuesday is the official release date for the new Scotty, which is very cool, and then the next week we go into surgery. WHEE.

American Heartbeat

Well, I didn’t get my blatant self-promotion done yesterday, so I will have to work extra hard today to make sure it does get done; cannot go two days without any, after all. I do feel tired this morning, and I am going into the office tomorrow. I have appointments for the surgery all morning on Monday, so I am going to take the day off–which means staying at the office after the department meeting to get all the things done for the next week that I would ordinarily do on Monday. I keep hoping the dentist will call about my dentures; it would be so awesome if I could get them on Friday, but surely they will come in by next week. I know things have slowed down with deliveries to New Orleans thanks to the visibility issues we’re having down here in the mornings. There’s a swamp fire in the East (which is why the whole city smells like burning rubber), and that mixes in with the heavy fog and visibility is relatively non-existent. Yesterday morning every bridge into New Orleans was closed except for the causeway, and there were some bad accidents before the bridges were closed. I-55 still hasn’t recovered from that insane massive pile-up in the same conditions last week, and I think it still closed southbound. As you cannot get into New Orleans from anywhere else in the state (other than Metairie and Kenner) without having to cross a bridge, you can see how closing all the bridges1 could cause delays in deliveries to the city–which is also probably why the grocery stores all look so picked over all the time.

I did manage to do some chores last night when I got home–finished a load of laundry and started another; emptied the dishwasher and reloaded it to run again, with another load waiting to go–and I made groceries on Carrollton before heading uptown to get the mail. My new copy of Chris Wiltz’ The Last Madam2 arrived yesterday, along with shaving accoutrement that I’d ordered, which was lovely. I think I am probably going to come straight home from work today. I’ve picked up the mail every day this week so far, it can wait again until Saturday when I take books to donate to the library sale. I really need to get back to work on the book and some of the other writing I am trying to get done before the surgery knocks me out for a while. I don’t know how much writing I am going to be able to do during the three-week post-operative hard cast to keep the arm immobile period, but in a worst case scenario, I should be able to sit in my easy chair and read and watch movies, right?

I watched a documentary last night on Youtube about how Egypt survived the Bronze Age Collapse (which is a period which really interests me–all the civilizations crumbled around the same time but we don’t really know why), and I also watched another episode of Moonlighting, and it just so happened that my all-time favorite episode was on deck, “Twas the Episode Before Christmas”–which also is one of my favorite series Christmas episodes of all time. This was the episode where the show fully committed to breaking the fourth wall regularly (they’d flirted with it before, with the occasional joke about the run time of the show or the viewers), but this is the episode where Miss DiPesto finds a baby in her apartment right before Christmas, and from thus the mystery was sprung. I also absolutely loved that the three FBI agents looking for the baby were all named King (hence the Three Kings looking for the baby at Christmas), and other little clever touches like that. It’s also an incredibly well-written episode, anchored by a truly beautiful and sensitive performance by Allyce Beasley as Miss DiPesto–who was robbed of an Emmy for this episode. This also, along with getting the new Donna Andrews Christmas mystery (Let It Crow! Let It Crow! Let It Crow!) and David Valdes’ new y/a romance Finding My Elf, had me thinking about Christmas again, and my weird bipolar feelings about the holiday, and also had me thinking about how little I’ve written about Christmas in my vast array of work; as far as I can remember there’s one short story (“The Snow Globe”) and one book (Royal Street Reveillon), but that’s really it. I’ve written other Christmas short stories, but have never shown them to anyone or wrote additional drafts, because they were gushingly sentimental, and I despise cheap sentiment. (Oh yes, years ago I edited an anthology of gay Christmas stories, Upon a Midnight Clear, which has been out of print for at least fifteen years, if not more.) I am going to try to read more Christmas-set books this year during the holiday season, much as I read horror the entire month of Halloween.

I’m also thinking I should write more about Christmas, and another Christmas book isn’t a bad idea, either.

I just wish I could get my mind to focus on something, you know? But I suspect that has to do with the looming surgery. This weekend, LSU plays Florida on Saturday night, and I am not sure I’ll watch much else–I’ll have the games on in the background but fully intend to get shit done around the house, and read, and write. I am not going to be able to do much around the house for at least three weeks, which has me a little concerned about the laundry–but I’ll cross that bridge when I come to it. One nice thing about football season is that once LSU is out of contention for anything, I don’t really have to pay much attention to anything else other than them for the rest of the season. I do love football, but not enough at this point to justify wasting an entire day watching games.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I am going to try to get some more blatant self-promotion out today, too.

  1. Ironically, I talked about how you always have to cross water to get into or out of New Orleans in Mississippi River Mischief; and here we are. ↩︎
  2. More research into gay prostitution and the history of sex work here. ↩︎

Southern Cross

Monday and back to the office.

The time change is always so weird to me, really. I always understood it had something to do with kids and not catching the bus in the dark in the mornings or something like that, but if they’re all walking home after school in the dark, how does that make sense? I always appreciate the extra hour, but always resent giving it back (or having it taken away?) in the spring. I kept finding clocks I hadn’t reset in the apartment (after thinking, wow, time has flown–wait a minute), and I did do some things. I did manage to make it to the West Bank, but it was really a wasted trip; Sundays are clearly not the day to do shopping over there as almost every place was out of almost everything. I got my wagon but couldn’t get the wheels to lock in place (I am so not handy) and I also got the wrong size blinds–so I get to go back. Hurray. But I did get some things for lunch this week, and I made ravioli last night for dinner for something different (I even managed to eat some bread softened with red gravy), which was nice. I watched the end of the Saints game–which they tried very hard to lose–and then another episode of Moonlighting. I found a much later and much more revised version of one of the novellas, “Fireflies”–which needs a lot of work, but is a very good idea and the kernel of a terrific novellas is there, if I can stick the landing–and also was put in mind of Chlorine yet again by coming across Matt Baume’s Tab Hunter1 documentary on Youtube (another great job, Matt!)–and I had a germ of an idea for how a part of the plot would work–another piece fell into place, as it were, and so I scribbled it down in my journal (huzzah for journals!) to wait for the day and time I can get back to work on it and give it my full attention.

I realized yesterday–once again astonishing myself with my own obtuseness–that part of what’s going on with me lately–the moodiness, the surliness, the self-destructive inability to get anything done, and the anxiety that comes with all of the above–has everything to do with my coming surgery. The compartmentalization doesn’t always work, you see, when something is creating a lot of anxiety for me. I have very little idea of what to expect and what it’s going to be like–or how restricted I am going to be as far as movement and so forth or for how long. I know I shouldn’t consult Dr. Google, but in lieu of any other information that I can recall, what else is there to do? And Dr. Google was right when I looked up the information on the injury when it was finally correctly diagnosed, after all. So I can look at about three weeks out of the office on medical leave, and then possibly some limited mobility after that. It sounds like if I am going to be able to type at all it will be one-handed, which is limiting, so I am hoping that if I am not drugged out to the gills I can spend time getting caught up on my reading as well as doing a lot of editing work on my own stuff. I am not going to be able to lift or carry things, which is going to make the whole grocery situation interesting for a couple of weeks, but I guess I can have things delivered. Probably the best way to compartmentalize all of the concern and anxiety about the surgery would be to start planning and preparing so I can be as ready as I can, right? It’s been a year, really. I suppose my end of the year round-up blog post on New Year’s Day will be a bit morose and melancholy.

I think one tends to be a bit more morose and melancholy as one gets older.

I also started watching A Haunting in Venice and while it was shot beautifully and had a great cast–it didn’t really hold my interest. The Agatha Christie novel it’s loosely based on–and I do mean loosely–is not one of the more better known ones; Halloween Party was a perfectly adequate Christie novel but it wasn’t anything spectacular. I do remember it, and I do have a hardcover book club edition of it, too. It probably belonged to my grandmother, or else I picked it up at a second hand store or a flea market or somewhere like that. I took a break about halfway through and then went back…and kind of dozed a bit through the second half. It’s a shame; I watched because I had Venice on the brain after rereading “Festival of the Redeemer” Saturday afternoon, and rethinking how to rewrite and revise and improve it. But it was beautifully shot, and made me wish I could live, even if for a brief month or so, in Venice for a while. I did go back and finish it–but I found it disappointing. Beautifully shot, yes, and Venice is always beautiful on film, but such a waste of so much remarkable talent.

I went to bed early–it was a struggle staying up until ten, which felt like eleven, and slept really well. I feel rested enough to actually face the day and potentially be productive–crazy, I know–but I generally feel well rested on Monday; it’s the rest of the week when my ass starts dragging. I also have to keep pushing forward on some things, too–progress must always be made, even when I don’t feel like making progress on anything. (Watching Tug get used to having his nails trimmed and not being able to use thing to climb–me, in particular–has been rather cute, but then again he is world’s most adorable kitten.) I didn’t read very much this weekend, either, more’s the pity; but I am thinking I’ll be doing a lot of reading once the surgery has taken place and I am no longer living on pain medications–maybe I can even read while on painkillers; I know they are going to give me oxycontin or some version or derivative of it, which makes watching all those movies and documentaries and mini-series based on the crimes of the Sackler family against the American public perhaps not as smart as it seemed at the time; I am terrified of becoming addicted to a pain medication–but that’s also an excellent time to wean myself off the Xanax, too.2

And on that note I am heading into the spice mines for the morning. Have a great Monday, Constant Reader, and I’ll be back to check in on you again later with undoubtedly more blatant self-promotion.

  1. I actually met Tab Hunter, which is something that amazes me to this very day; I actually met him and his husband several times. How cool is my life, really? ↩︎
  2. While I’ve been taking it to control mood swings all these years, it’s really not something you’re supposed to take on a daily basis but rather as needed; now that I know it’s anxiety I can treat it appropriately. Most of my medications are now wrong, and need to be changed. ↩︎

Cover Girl

Drag is a part of queer culture I’ve always known about but has also been something primarily on the periphery of my gay life and world; I’ve only occasionally ever thought about perhaps doing it–as a gag or as a costume at some point; a very dear friend has always wanted to dress me up as Joan Crawford (narrow waist, big shoulders, enormous eyebrows), which is something I would consider doing if it wasn’t so much work–I am way too lazy to ever do drag properly and respectfully. I did a very poor attempt at drag many years ago, for a Showgirls themed birthday party for a friend; the result was far from pretty. I did sometimes used to use mascara and eye liner when I would go out; it emphasized my enormous and expressive eyes which most people have always considered my best feature (although aging has deprived me of my eyelashes). Drag was just another part of the community and culture, like leathermen, bears, and gym queens–another patch on the quilt that makes up our queer world.

My primary interest in drag has always been historical and cultural; drag culture has always been a part of the gay bar scene, since time immemorial, it seems. I have always been interested in every aspect of gay culture since coming to terms with my own sexuality and recognizing that not coming to terms with it meant a lifetime of guaranteed misery, and shouldn’t I really take a chance on being happy? There was always a lot, for me, of misunderstanding about drag culture and its place in the gay community; but that also primarily came from people outside of the community and therefore didn’t have the slightest grasp of it–i.e. ignorant slurs that all gay men dressed like women whenever they had the chance, you know–not “real men.”

But seriously, who wants to buy into the cult of toxic masculinity? No fucking thanks.

I don’t know the history of drag, but I did know–from the very beginning–that there was a significant difference between drag and the trans experience; there’s definitely crossover, but the Venn diagram of drag and trans is not a complete circle. I understood this always, even when I knew very little of either. This was always the issue I had with To Wong Foo Thanks for Everything Julie Newmar–the queens in the movie didn’t just do drag for performance or pageants, but dressed as women in their everyday life…which made them transwomen who also did drag. The failure of that film to define the difference between the two, I think and believe, has a lot to do with the current-day conflation by the Right of drag queens with transwomen. Likewise, was the Nathan Lane character from The Birdcage (and the French original) a transwoman or a drag queen?

And the fact that I, knowing as little about gay life and culture as I did in 1994, knew that the Wong Foo movie was conflating two completely different things as the same certainly means that other, better-educated people should have, as well.

But it’s also important to remember that the movie wasn’t made for the queer community–no Hollywood studio film with queer characters is intended for a queer audience, and thus there’s a falseness to them that rings hollow to me (don’t even get me started on Philadelphia); what Sarah Schulman once (paraphrasing) described as “the creation of a fake public homosexuality that will play in Peoria.”

There’s an essay in that, methinks.

The first time I went to a gay bar in Houston is my first true memory of seeing someone in drag performing on the bar in person. She was doing Liza as Sally Bowles from Cabaret, and as I walked in the door with some co-workers from That Airline, the first thing I saw was her up on the bar, with a musclebound dancer on either side of her in bikinis or thongs, and I can remember thinking wow this is decadent like Isherwood’s Berlin–but I liked it. I felt at home there, in a way I never did in gay bars in Fresno (or anywhere else I was able to sneak away and visit one), and felt like that night was when my gay life actually began: I was with co-workers, I was going to a gay bar openly, and the co-workers knew I was gay but had never really experienced being gay as anything but misery and depression and a curse. I don’t remember the name of the queen, but ever since then, “Mein Herr” always brings a nostalgic smile to my face.

But again, I didn’t go out much or do much during those two years in Houston as I still wasn’t completely comfortable being totally out. I moved to Tampa in 1991 and started living as an out gay man…and started spending more time in gay bars. A popular night for airline employees as Tuesday Nights at Tracks, where cocktails were only fifty cents and no cover before ten. There was also a drag show at midnight, with an actual stage in a show room, and that was my first real experience watching drag queens perform. There was a gay paper there–I cannot remember what it was called to save my life; I know the one in Texas was This Week in Texas, called TWIT by everyone–but it often had information about performances and other night life ads and so forth. I began to get a better understanding of drag, its place in the community, and its importance to gay culture, period.

And of course, once I moved to New Orleans, there was Bianca del Rio.

The mainstreaming of drag actually began in the early 1990’s, with RuPaul having a surprise hit record out of nowhere, “Supermodel (You Better Work)”, which started exposing more people to drag who ordinarily would have never seen one. RuPaul was everywhere in the early 1990’s, and even had her own talk show on MTV for a while. The Adventures of Priscilla Queen of the Desert and its homogenized American version To Wong Foo, Thanks for Everything, Julie Newmar were both incredibly popular. (I enjoyed Priscilla, and I’ve already touched on my issues with Julie Newmar–which will probably become an essay at another time.)

There were, of course, other successful queens out there before RuPaul’s big breakthrough and later, comeback with Drag Race, but few had as large a profile in the culture as RuPaul. Lady Bunny, Miss Coco Peru, Miss Richfield 1998, and Varla Jean Merman were all making a pretty decent living as performers before the drag explosion that followed the launch of Drag Race.

I’ve met numerous drag queens on the local scene both in and out of drag–I’ve always been fond of Princess Stephaney and Blanche Debris (who is retired now), and the drag community of New Orleans was always incredibly supportive of the NO/AIDS Task Force. I met Bianca out of drag a couple of times, but I doubt he remembers me…but Drag Bingo at Oz on Sundays with Bianca and Blanche (I just realized their first names both translate into English as white) was always a blast–and I made a point of never trying to get Bianca’s attention because she was always quick and that tongue was sharp as a scalpel always.

I also work with several co-workers who either did drag or have started doing it while I’ve known them, which indirectly helped me with the writing of Death Drop and my original story for a drag queen. Jem is sort of patterned in some ways on one of my former co-workers who actually went to a drag school here in New Orleans–and eventually quit his full-time job to do drag full-time. He’s been in Queer as Folk and numerous other shows filmed here, and has been booking gigs all over the country–check out his Instagram, isn’t he fucking gorgeous? So that gave me the idea to make the first book with Jem his drag origin story.

Learning about drag to write this book–and its sequel–has been an enjoyable learning experience for me. At some point I know I am going to have to do a transformation; I need to know how it feels to have the make-up and the padding and the wig and the dress and shoes on. I can imagine it all from doing theater in high school, but it’s not the same.

And yes, I will share the pictures when and if it does happen.