Category: Saints

Cars

This morning I get to go pick up my temporary teeth before heading into the office. It’s no longer a clinic day; I’d be covering Mondays for a colleague who’d had major surgery and he’s back now. I am also a little tired this morning. I slept really well last night but could have slept much longer, the physical and mental hangover from having driven so much this weekend. I left for Panama City Beach during half-time of the LSU-Missouri game; and given how LSU had been playing, you can imagine my delight when I checked the score when I stopped for gas to see that the Tigers had rallied to beat the other Tigers 49-39. The Saints destroyed the Patriots 34-0 while I was driving back yesterday; again, imagine my delight when I checked the score when I stopped for gas past Mobile (I try not to ever spend money in Mississippi, for any number of reasons. The same with Tennessee). So my teams apparently do better when I’m not able to watch, which is something I’ve suspected for quite some time.

This is a week of medical stuff–the teeth this morning, a heart sonogram on Wednesday morning, and something else entirely on Friday that I can’t think of. The MRI of my shoulder, I think? There are so many appointments and things going on while I am getting ready for this surgery that I am not even entirely sure I can keep track of them all–the anxiety roiling up from the depths again–but I am pretty sure I put everything on my calendar and I am resisting the urge to give into the anxiety and better check compulsively numerous times to be sure stage. I know I wrote everything down on my calendar; I will double-check that tonight when I get home from work, and that will be the end of it as far as that kind of anxiety and stress and pressure are concerned. I think I am doing a great job of controlling the anxiety by recognizing it and refusing to allow it to take control, but some days are definitely harder than others. I only got irritated several times on the drives this weekend–and I would say that those situations would have irritated any driver, even those without anxiety as a mental disorder.

I did get to listen to The Only Good Indians by Stephen Graham Jones, which I greatly enjoyed (more on that later) and Saturday before I left I read some more of Final Girls, which is starting to get rolling now–although it occurred to me in the car that I should have listened to the rest of Final Girls in the car and thus been able to move on to something else to read this week, but ah well, sometimes that’s how life goes. I was very tired when I got back to New Orleans last night–the drive was very smooth, with a few exceptions of stupidity along the way (I’m looking at you, Mobile tunnel) but I didn’t sleep great Saturday night after that drive, and so that’s why I’m dragging and a little the worse for lack of sleep. I also have a bit of a sore spot in my neck from sleeping wrong at some point over the last two nights, my guess being it was last night’s, combined with poor posture while driving. Tug also missed me; he spent most of last evening sleeping in my lap, but once he woke up he turned back into the terror Paul had described when I got home–knocking everything off every surface he climbed up onto; attacking my feet; chasing pens around the room–definitely some big kitten energy going on. Yeah, it’s a bit annoying, but at the same time it means he’s acclimated and knows he’s at home enough to feel safe to play and have fun and be a kitten, which is great. Maybe not when he’s walking all over my keyboard confidently like there’s nothing there, or when he’s trying to get whatever I am eating, but it’s great that he’s so comfortable in the house that he can be himself, and that’s always a good thing.

And now I get to spend the day trying to acclimate back to my every day existence, which isn’t always easy. Going away always is unsettling for me, and then I have to figure out how where I am at and what all else I have to get done and do and plan and so forth; which is another reason why having a to-do list is so vitally important; it helps me to re-acclimate to my reality after a break /interruption. I also can’t remember where I am with things at the office, either. Yay? But I need to get to the office and get some things done today–and as my coffee is kicking in and clearing the cobwebs out of my dusty brain, I am starting to feel more motivated than I was before I left; I think maybe knowing that the weekend was causing me some anxiety subconsciously which undermined (self-sabotaged) my attempts last week to get things handled and done and under control.

One of the lovely things about driving long trips like this weekend is that my mind wanders and I think about things; the ability to keep up with an audiobook while my mind sifts through problems and unties the Gordian knots of confusion and self-delusion in my mind has been truly wonderful. While in the car this weekend I was thinking back to what all I had gotten done and accomplished since the start of the pandemic disruption (and yes, I know I am not unique and it has happened to everyone), the general sense of “I am not getting anything done” and “when I am writing I’m not enjoying it” which has been unsettling me and keeping me off-balance since March 2020 (hard to believe it’s been almost four years, isn’t it?), but on the other hand, professionally the pandemic was actually very good to me. I got a substantial raise and promotion at my day job; I got nominated for a shit ton of awards over the last couple of years, and sure, I think there was a significant gap in publishing–from Royal Street Reveillon in the fall of 2018 until Bury Me in Shadows was about a three year gap now, wasn’t it? That in and of itself is the longest gap in my publishing career, but then I came on like gangbusters in 2022 with #shedeservedit, A Streetcar Named Murder, and Land of 10000 Thrills (Bouchercon anthology), and of course have two back-to-back releases this fall with Mississippi River Mischief and Death Drop. I was also publishing short stories during the 2018-2021 interregnum, and I was working on a multitude of other writing projects during that time in addition to the books that wound up being released in fits and spurts since 2021; I still find it hard to believe I went that long between books–maybe I’m forgetting something? But I don’t think I actually am; I am terrible about remembering everything I’ve written and published, and always forget things. But at first I was disappointed in myself to think I’d gone that long between books before silencing that negativity, and then I nipped that in the bud. There’s no disgrace in admitting that the pandemic knocked me for a loop and off-balance; I’m not the only person this happened to, and it takes a massive life disruption to slow down my writing–which is pretty impressive.

It’s hard to stay positive as it goes against my brain’s wiring, but I am getting better.

And on that note, I am heading into the spice mines. May your Monday be just as lovely as you are, Constant Reader, and I’ll probably be back later.

NOLier Than Thou

(NOTE: I started writing this post back in January, after I’d returned to New Orleans from my last Mystery Writers of America board meeting–this is to give context to the opening paragraph– as you are no doubt well aware, Constant Reader, that I’ve not been back to New York since January; so this is that same trip where this happened and I started thinking about these things, which have never been far out of the forefront of my mind since then.)

While I was in New York recently, walking around to and fro, here and there, hither and yon, I was always checking my phone (and yes, I hate that I’ve become one of those people) and then shoving it back into my pants pocket without putting it to sleep first or closing the app that was open. As I walked around, of course this led to my phone doing all kinds of weird things –closing an app and opening another, etc.; but at least there were no butt dials, right? At one point, when I pulled out my phone as I took a seat on the subway, somehow what was open on the screen was a google search for my book A Streetcar Named Murder–and when I went to close that screen I touched one of the images by mistake, which took me to the Goodreads page for the book. Bear in mind, I never look at Goodreads for any of my books, let alone Amazon–the temptations to start reading the bad reviews is too great, and while I can usually laugh them off, occasionally–and it depends entirely on my mood, of course–one will get under my skin and it will annoy me, and that’s not good for anyone.

This particular day on the subway the Goodreads page opened to the bad reviews first–its average is four stars, which I will always take because I am not Lauren Hough–and the very first one made me laugh out loud on the subway. Paraphrased, it was basically someone taking umbrage at “someone who doesn’t live here or know the first thing about New Orleans” writing a book about New Orleans. The reason they had come to this conclusion was because Valerie referred to Mardi Gras as “Fat Tuesday”, and according to this one-star reviewer, no one from New Orleans would ever say Fat Tuesday instead of Mardi Gras.

Well, I’ve lived here for twenty-seven years and I have heard any number of locals say Fat Tuesday rather than Mardi Gras, and so of course I had to click on the reviewer’s profile…and grinned to myself when I saw that they actually live in Metairie, not New Orleans…which to locals is a bigger crime than getting something wrong about New Orleans: claiming to be from New Orleans when you actually live in Metairie. (the rejoinder is usually along the lines of “bitch, you live in Metairie.”)

It was also kind of fun to be accused of inauthenticity when it comes to writing about New Orleans, because I personally have never claimed to be an expert on anything New Orleans (others have said that about me, and I always am very quick to reply not even close); the more I learn about the city the more I realize how little I actually know about the city. There’s an extremely rich (and often incredibly dark) history here; it’s hard for me to wrap my mind around the fact that the New Basin canal was there as long as it was, or that there were several train stations around the French Quarter (including one that essentially was in Storyville–rather convenient for the whores and pimps, right?), or that where UNO is now used to be the lake shore resort of Milneburg, or that the only way across the river or the lake was by ferry until Huey Long built a bridge at the Rigolets (the narrow inlet between lakes Pontchartrain and Borgne).

I was on a panel once at the Tennessee Williams Festival with Bill Loefhelm (if you’re not reading Bill’s books, shame on you and correct that immediately) and the question of New Orleans authenticity came up, and Bill’s response (paraphrasing) was that New Orleanians have a tendency to play a game called “NOLier than Thou,” in which they try to one-up each other to see who the true New Orleanian actually is–which is, of course, gatekeeping. (And yes, I immediately turned to him and said, “I like that and am going to steal it” SO CONSIDER IT STOLEN.)

It does bother me somewhat when I read books set in New Orleans written by people who have never lived here; you can tell, but I also get over it pretty quickly; who is to say who can and can’t write about a place? There’s a significant difference between visiting and living here, which I realized almost immediately after we moved here, and that also becomes very apparent in fiction. I had started writing the book that would become Murder in the Rue Dauphine before I moved here, and I realized, once I did live here, that everything I’d written about New Orleans was completely wrong. I didn’t work on the book for another two years; and even then I wasn’t entirely sure I’d lived here long enough to write about the city. So…I kind of cheated by making Chanse MacLeod not a native either; he’d moved to New Orleans after getting his degree in Criminology from LSU, and had been here about six or seven years when the story opened. So he was an outsider, too; so his views on the city and how things work around here were from an outsider’s perspective, like mine; that was easier. With Bourbon Street Blues, I decided that Scotty was not only a native but came from two old-line society families, from the Garden District and Uptown. One of the greatest joys of my publishing career was having the Times-Picayune’s mystery reviewer, as well as the Books Editor, both say repeatedly that I got New Orleans right in my books. (Thanks again as always for all of your support, Diana Pinckley and Susan Larson!)

And I never really worried about it too much from then on. I wrote about New Orleans as I saw it–the potholes, the cracked sidewalks, the leaning houses, flooding streets, oppressive weather and hurricanes. As the years passed, I became more and more aware that my New Orleans writing was primarily confined to the Quarter, the Marigny, the CBD, the Lower Garden District, the Garden District, and Uptown–a very narrow slice of the city, but those were also my slices of the city, so that’s I wrote about. Sometimes I’d venture into another neighborhood–Lakeview, the Irish Channel, English Turn–and sometimes the story would take the characters to another part of Louisiana–the bayou and river parishes, the Maurepas swamp, the Atchafalaya Swamp, Baton Rouge–which, oddly enough, I had no qualms about fictionalizing. I’ve created numerous fictional towns and parishes surrounding New Orleans; I’ve even invented a sleazy gay bar in the Quarter (the Brass Rail).

So, was I doing New Orleans (and Louisiana) right by making stuff up, inventing places like the Royal Aquitaine Hotel, the Brass Rail, Bodytech Health Club, Riverview Fitness, etc.? Sometimes you have to fictionalize things, even if they are based on something that really exists. I never really thought much about it; I felt like I was getting the feel of New Orleans right, that my characters talked the way people in New Orleans do and react the way people here do, and that I was putting enough reality into the books for them to ring true to locals, natives, and tourists. Sometimes the cases are based on, in or around something that actually happened or exist; like the Cabildo Fire, the Fire at the Upstairs Lounge, Hurricane Katrina and the ensuing flood; termite swarms; Huey Long’s deduct box; and even the court case in, I think, Murder in the Irish Channel that triggered the murders was actually based on a civil trial I served as a juror on.

When I started writing A Streetcar Named Murder, I realized a lot of things I was writing about had to be fictionalized; I couldn’t set a murder at a Mardi Gras krewe ball and use an actual krewe that exists in real life, for one thing (like I had to invent a French Quarter hotel for a couple of murders to occur in) and while I didn’t want to use the cheat that Valerie had moved here again, like I did with Chanse, I wanted her to be of New Orleans but not be of New Orleans…so her parents are from Georgia and moved here after college and marriage, so Valerie was born here, went to school here, met and fell in love with and married her husband here–but her roots aren’t very deep, so she is both insider and outsider at the same time. I liked that idea; like how I am of the South but not of the South, she was of New Orleans but not of New Orleans at the same time. When creating Jem Richard in Death Drop, again, he’s a recent transplant to the city but his father is from New Orleans but relocated to Dallas, where Jem was born and raised. Jem spent a lot of his summers in New Orleans when he was growing up with his paternal grandmother, so he too is of New Orleans but not of New Orleans; which I am really liking as a method of storytelling about the city. I also moved Jem to a different part of the city; he lives in the 7th ward, on St. Roch Avenue in what is known as the St. Roch neighborhood (aka what realtors are trying to redefine and rename as the “new Marigny”, in order to raise prices) which is also very close to my office. Part of this was to move the action out of the neighborhoods I usually write about (although he does wind up in both Uptown and the Quarter) and so I could explore another neighborhood/part of the city than what I usually write about.

I also had recently–prior to the pandemic–started feeling more disconnected from the city than I ever had before. Primarily I think this was due to my office moving; we had been on Frenchmen Street in the Marigny, one block from the Quarter and where Scotty lives, so whenever I needed some Scotty inspiration I could walk a block, stand under the balconies of his building and just look around, drinking in the sights and sounds and smells of the block. To get past this, I started joining New Orleans history pages on Facebook, like Ain’t Dere No Mo New Orleans or the HNOC page and various others–you do occasionally run into Confederate apologists and racists there (they usually cry about the “crime” in New Orleans–you know, the usual dog-whistles from the white flight racists who fled to Jefferson Parish or the North Shore to escape desegregation of the public schools) and reading more histories of the city, state, and region–which are incredibly fascinating. That reading/research helped me write my historical Sherlock in New Orleans short story, “The Affair of the Purloined Rentboy”–but I have also since realized I got some things wrong in the story too, but there is just so much to know. I set the story in 1916 for example….without knowing New Orleans was hit by a MAJOR hurricane in 1915 that wiped out any number of settlements and villages around the lakes and the bay shores (that will turn up in a story sometime; the destruction of the lake front village of Freniere is just begging to be fictionalized and written about). When I mentioned this to another writer, who primarily does historicals, she snorted. “It’s impossible to know everything, and would people in 1916 still be talking about a hurricane from 1915?”

Probably, but if it doesn’t have anything to do with the story being told, why would I mention it?

A very valuable lesson, to be sure.

So, yes, lady from Metairie: you caught me. I’m not from New Orleans, you’re correct. But I’ve also published over twenty novels and umpteen short stories set here, and have even won awards for doing it.

And I’ll call it Fat Tuesday if I fucking want to.

The Huey P. Long Bridge at sunset, photo credit Marco Rasi

Hold On To Now

Monday and back to the office with me today. Weekends are simply not long enough, ever, and should always be at least three days, methinks. Yesterday I witnessed the dreadful Saints performance, and it was not a good weekend for Louisiana football fans; the only glimmer of light locally was Tulane’s victory. I finished reading Shawn’s book, which was marvelous, and then picked out my first Halloween Horror read: Riley Sager’s Final Girls, and it’s long past time I’ve read this book. It’s rather embarrassing that I’ve not yet gotten to it. I also downloaded the audiobook of The Only Good Indians by Stephen Graham Jones for this weekend’s drive to the Redneck Riviera, and read another Alfred Hitchcock Presents short story, from Stories for Late at Night, “The Ash Tree” by M. R. James, which was delightfully creepy and reminded me of Daphne du Maurier’s “The Apple Tree”–and that in turn made me think about creepy trees as a trope in horror, and thought perhaps I should give the trope a whirl at some point. We watched the Scouts Honor: The Secret Files of the Boy Scouts documentary–which was just as creepy and awful and horrific as I thought it would be, as well as yet another pointed reminder of how straight people have failed to protect children since, oh like forever, and then cover it up as much as possible but then have the nerve to accuse queer people of pedophilia and grooming?

Sure, Jan.

We also watched the Jennifer Garner Apple Plus series The Last Thing He Said, which wasn’t great but wasn’t terrible, either; it just kind of evolved and wasn’t very thriller-ish or suspenseful. I also predicted one of the bigger plot twists in the first episode long before it played out in the show, but it was well done and an interesting story; but it wasn’t very thrilling or suspenseful; it never really seemed like there was any danger or stakes. It ws talked about a lot, but never part of the show’s reality? It was interesting enough to hold our interest–although I think I may have approached telling the story in a different manner than they did. It’s an interesting thought, at any rate.

It’s lovely having a kitten in the house, even if it means being more alert and having to get up more regularly because there was a crashing sound from somewhere else inside the apartment–usually followed by a galloping kitten moving at high speed away from the noise and mayhem he caused. He woke me up this morning by knocking my glasses off my nightstand table and then playfully batting them around on the floor, and once I took those away from him he went for the broom. He’s incredibly sweet, though, and I love that he’s so fearless and feels comfortable and at home enough to play. He slept on me for most of the Saints debacle yesterday, through the Boy Scout movie, and then moved back and forth between me and Paul during the Jennifer Garner show.

I also started writing the opening of a short story or a novel or something at any rate while watching the Boy Scouts documentary–part of it and the scandal was in New Orleans–and had an idea for the opening scene for something so I started writing it down; mainly about a college student away from home for the first time who’s obsessed with true crime and wants to be a true crime writer but isn’t sure how to get started chasing her dream other than majoring in Journalism at Liberty State in Liberty Center, Kansas–the town from #shedeservedit, why not reuse it? I don’t know why I started writing this when there are so many other things I should be working on. But that’s also life, you know, when you’re a writer–at least for me, there are always so many other ideas and thoughts and stories banging around in my head that it’s sometimes hard to focus on what I need to get done.

Heavy heaving sigh.

I never did make that to-do list for the week, so perhaps that should be the first thing on the list (I often do this so I can cross something off the list immediately; it’s satisfying and always seems to keep off working on getting the list completed). I also think that once I finish reading the Riley Sager I am going to reread a classic Stephen King that I’ve not revisited in a long time, The Dead Zone, which used to be one of my favorites and is still one that I think about a lot–especially during the rise of the former president, who eerily reminded me of the character of Greg Stillson, written thirty or forty years or so before the rise of the reality host/failed real estate mogul. (I’d considered rereading it in the wake of the 2016 election, but didn’t have the strength; I think now would be a good time.) I liked the opening of the Sager; which was encouraging. I hope to be able to get several books read this month…I think my reading is going to start picking up again, hallelujah. I think having a cat sleeping my lap while I read was what I was missing, and why it was hard for me to read since we lost Scooter. (I promise not to turn this into a Tug stan blog, seriously.) Today is going to be his first day left at home on his own for a while; we’ll see how he handles that.

And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader; I’m sure I’ll be around again later on.

Padam Padam

And here we are at a manic Monday yet again, and shortly I will be heading into the office for yet another exciting week of the day job. Hurray and huzzah? I slept really well on Saturday night, getting up just after seven yesterday despite not going to bed until almost midnight; I found myself reading some things Saturday during the games that I shouldn’t have started–one of them being Queen Margot by Alexandre Dumas; I have the ebook–and I was also reading legends and stories about Louisiana’s past as well as Alabama’s; I have an ebook called Warrior Mountains Folklore: An Oral History by Rickey Butch Walker (which is an Alabama name if I’ve ever heard one); which isn’t necessarily about the Alabama county I’m from, but the ones directly north, including notorious Winston County, which contains the Bankhead National Forest. It also tells stories of the indigenous people of the area, and reminded me that Tuscaloosa actually is the Creek words for “black warrior,” meaning the Black Warrior River is actually the Tuscaloosa (tusca loosa); this will all go into the construction of my fictional Alabama county, which is ongoing. (And yes, the irony that one of the greatest–if not the greatest–college football programs is in a town named Black Warrior in the native tongue is hilarious.)

(It has occurred to me that I don’t necessarily have to connect all of my Alabama stories just as I don’t need to connect all my Kansas stories–which I realized while writing #shedeservedit–which was kind of freeing. I need to think in terms of multiverses rather than one single interconnected universe with my writing, don’t I? It certainly makes things easier than trying to keep the continuity and so forth going.)

Anyway, I am sure my Alabama just-for-fun research will undoubtedly pay dividends in future writing, no doubt. I also have been having ideas for more stories set there; I may give Jake’s boyfriend Beau his own story at some point; I keep going back to the legend of the Blackwood witch from antebellum/early statehood days, because the witch story is one I’ve always wanted to tell. Beau, being an archaeology major with a minor in Alabama History, is just the perfect person to tell the story of the witch I’ve always wanted to tell. But is it weird to have another vengeful spirit in the woods behind the Blackwood place, and the Civil War ruins? Or could it be tied to the lost family cemetery, still out there in the woods somewhere? As you can tell, I’ve been thinking about it lately.

I managed about a little more than twenty-five hundred words on the new Valerie yesterday, which felt great to do, really. I wanted to write some more on the Jem sequel, too, but after finishing the Valerie chapter I just felt mentally fatigued. I’m not used to writing this much in a short period of time anymore (just over an hour or so) and it’s going to take me a while to get back up to the proper writing speed I cannot maintain year-round. But it felt great to be creating again, and I do love the plot of this book. I also spent some quality time with Shawn Cosby’s marvelous All the Sinners Bleed, which is going in a direction I did not see coming and one that I am really enjoying. Shawn is such a master story-teller! I can’t wait to finish this so I can write about it–and I hope I finish it in time to read Lou Berney’s new one before I switch to October Halloween Horror Month. I think I may try out a Grady Hendrix novel for one of my horror reads and of course, I am terribly behind on Stephen King, and there are also some other lovely horror novels and collections in my piles of books to be read that could make for a fun reading month: Stephen Graham Jones, Silvia Moreno-Garcia, Paul Tremblay, Christopher Golden, Sarah Pearse, and Katrina Monroe, among so many others–I need to get back into the habit of reading for at least an hour every day. The only way to get through all the books i want to read is to make a daily time allowance for reading and stick to it.

After the abysmally disappointing Saints game, I went back to my easy chair and rather than delving back into Shawn’s book, I decided to start reading Jackson Square Jazz, the finished and published edition, to get a better handle on the story again. It’s been a long time, and I knew it had to do with a young figure skater, the Napoleon death mask, and the Cabildo fire, but not really much beyond that–although I think it’s actually the book where Scotty is in his first canonical car accident. Again, I am distant enough from it now not to immediate go into editing mode as I read it–ironic, since I need to re-edit it–and just read it. I really need to stop being so hard on myself. I know I’ve already made great strides in that direction, and I like my new positive attitude toward writing and publishing. I think analyzing why I am so hard on myself, recognizing the mentality I defaulted to when reading my work meant needing to flip a switch in my brain and going into a different mode other than editorial and doing it consciously makes a lot of difference. I was pleased rereading my short story collection, and was pretty pleased with rereading Jackson Square Jazz, particularly since it’s an early book in my canon and it’s been over twenty years since I wrote it.

(It’s kind of awe-inspiring and terrifying at the same time to realize just how long I’ve been doing this. Bill Clinton was president when I signed my first book contract.)

Well, that made me feel rather elderly.

I slept super-well last night, too. I was very tired and falling asleep in my chair, so I went to bed around nine and only woke up once, around two, and then woke up again half an hour before the alarm (as usual). Hopefully, I will not be too tired to function later today.

And on those two rather sad trombone notes, I am heading back into the spice mines. Have a lovely Monday, Constant Reader, and I will be back before you know it.

Green Light

One of the things I’ve been thinking about lately is how we don’t really have a Louisiana crime writer who explores and illuminates the damage we are doing to the ecosystem and environmentalism of the state the way John D. Macdonald infused many of his Florida novels with so frequently. Condominium, published in the 1980’s, is a stinging indictment of crooked developers and corrupt politicians putting up massive condominium buildings along the coastline of Florida, despite the damage they do to the environment, all in the name of a quick buck. I have been thinking about this because I spent a lot of time in the panhandle in the 1970s, back before Panama City Beach developed into what it is now. I’ve not been back there since 1980, at the latest; but just looking at Google Earth images it’s horrifying how different and over-developed that whole area has become. (I was looking at the images because I was thinking about setting a book along the Redneck Riviera/Baja Alabama/Emerald Coast/Miracle Strip, whichever name you use for the region.) Louisiana, nicknamed “Sportsmen’s Paradise” because of the abundant fish and game and the stunning natural beauty of the state, has pretty much spent the last hundred or so years (at least) destroying and despoiling the natural resources of the state of Louisiana, killing off wildlife species while introducing new invasive ones–and don’t even get me started on Cancer Alley, that stretch of the river between New Orleans and Baton Rouge lined with petrochemical plants parked next to poor, mostly Black communities that have, surprisingly enough, large instances of cancers in the residents. Now the level of the river is so low that it can’t keep the Gulf water pushed down, and the salty water is making its way up the river and intruding into our drinking water supply here in southeastern Louisiana. I’m sure the loss of so much of the wetlands to ensure oil company profits hasn’t affected this in any way, shape or form. There’s a really good environmental thriller to be written about Louisiana (if not more), and I think maybe part of the problem in writing about the destruction of Louisiana in the name of unfettered greed is that I don’t feel knowledgeable enough on the subject to tackle it, nor do I have the time to spend on the research necessary.

It’s really disappointing to me that James Michener never wrote one of his two thousand page plus books about Louisiana. Louisiana history, no offense, is a lot more interesting than Texas’.

And Sportsmen’s Paradise is a great title for a book about Louisiana’s environmental disasters.

I suppose I should just go ahead and do it, regardless of how difficult and long and tedious the process may be. I also think part of the reason I’ve resisted this aspect of writing about Louisiana is because no matter how dark my books may get, I always want justice to be done in some way and to end the book with some sort of hope; there literally is no hope for the future of Louisiana because our politicians are all too greedy and corrupt and only focused on the now rather than the future, no matter how much they beat the “but the children!” drum publicly to fool those incapable of deeper thought. There have been so many environmental disasters in Louisiana over the nearly three decades I’ve lived here I can’t remember them all; and yes, I definitely count boil water advisories in that, too. There was the sinkhole at Bayou Corne (anyone remember that?) and of course Deepwater Horizon, whose true impact and the damage it wrought on the Gulf and the coastline will not be fully known for generations.

The one consistent thing throughout Louisiana’s history has been the entrenched systemic political corruption. I have written about that.

I’ve also been thinking a lot about Jackson Square Jazz, as I get into this revision, and remembering why I wrote it and what I was trying to say within the book; there was a thread in it that ties directly into the new one, and there are also some thematic commonalities with S. A. Cosby’s All the Sinners Bleed, which I am really enjoying reading. Shawn is such an extraordinary writer, with a gift not only for language but character, dialogue, setting and story; the complete deal, as it were, and definitely is going to be considered one of the definitive crime writers of this new generation of exceptional talent that has risen over the last few years. I am going to spend some more time with Shawn’s book this morning, too; I am really enjoying it and wanting to see where it goes and how it all ends. I also have the new Lou Berney on deck, and Lou’s books are always high-quality, clever, and engaging.

College football was interesting yesterday. My Tigers prevailed in a three-point nail-biter against Arkansas in Tiger Stadium 34-31, running the clock out and kicking the winning field goal on the last play of the game. Paul and I were stunned, as was the crowd in the stadium..,and then I laughed. “LSU fans aren’t used to smart clock management in tight games,” I observed, and Paul started laughing with me because the crowd in the stadium didn’t know how to react to the end of the game either. It almost seemed ant-climactic rather than exciting…how many games have we lost this century because of poor clock management skills displayed by the coaching staff? So it was lovely, for once, to see the Tigers play smart at the end of a game for a change. Alabama finally looked like Alabama for the first time this season–but only in the second half as they iced Mississippi. LSU now has to play Mississippi in Oxford next weekend; it’ll be interesting to see how LSU stacks up against our old Magnolia Bowl foe. Colorado finally lost, which brought out all the racist college football fans on social media. The Texas A&M-Auburn game was just sloppy, ugly and unimpressive, while Mississippi State fell to South Carolina. But the big game of the day lived up to its billing–Ohio State v. Notre Dame in South Bend, with the Buckeyes scoring the winning touchdown on the literal last play of the game, 17-14. I literally only saw the closing minutes of the game, switching over once the LSU game concluded. The Saints play at noon today at Green Bay, so the grocery run I need to make will happen around that time–no fool me; everyone knows the best time to make groceries is during a Saints game here.

Yesterday was pretty relaxing, over all; a lovely day for the weekend and a restful and nice one, despite the stress of the LSU game. I’ll probably have the Saints game on in the background because it’s too anxiety-making to watch the games. (I have yet to learn how to control the anxiety during a game; it was certainly there last night and while I tried very hard not to get negative during the game, I could feel the adrenaline spiking and my heart rate going up, but I managed to keep my mind from spiraling and going super-dark as well not getting overly emotional It is, after all, just a football game and LSU football success isn’t necessary for my mental well-being.)

My goals for today are to read Shawn’s book for a few hours, get cleaned up and make a grocery run; while finishing the first chapters of the new Valerie and Jem books (tentatively titled, thus far, The House of the Seven Grables and You Gone, Girl) and also wanting to do some short story work as well, which is always fun. This Friday I am getting fitted for my new teeth (hurray!) and I have also reached the point where I can eat and enjoy noodles, so yesterday I made box mac’n’cheese (not Kraft, but one that came from the refrigerated section and simply needed microwaving and stirring; it wasn’t bad, either). Tonight I am going to make ravioli for dinner; we’ll see how that goes, although I am sure I won’t be able to eat any garlic bread. (I am able to eat Cheese Puffs, though.) I really want a burger, more than anything else. We are also making a trip to the SPCA to adopt a cat this coming Friday, which is perhaps the most exciting thing of all! I’ve really missed having a cat; they are such darling animals, and of course we want to get another ginger boy.

And on that note, I think I am going to head into the spice mines. Have a lovely Sunday, Constant Reader, and I’ll be back–if not later, than tomorrow.

Statues Without Hearts

Tuesday and we have survived another bleak and grim Monday. Huzzah! The Saints won last night–though it could have gone either way for most of the game, before they finally scored two touchdowns late in the game to put the Panthers away. Huzzah! They are also off to their first 2-0 start since 2013, which has been a hot minute, really. I also didn’t expect the game to end before I had to go to bed, so that was also a nice bonus.

I didn’t sleep great last night but I feel rested this morning. I imagine at some point this afternoon I will finally run out of steam and hit the wall, but my new glasses arrived yesterday and I can see better than I had before. I did some dishes when I got home from work, was terribly confused that my hooded Crescent Care sweatshirt (that I wear at work because they keep the building at about the temperature of a meat locker) and my only black belt have seemingly disappeared into the ether (note to self: order belts on-line today). I don’t understand how both could have disappeared from inside the apartment, but that seems to be what has happened. I don’t have any errands to run on the way home tonight, praise be, so I can come straight home and chill after work. Last night I sat down and started reading my latest short story collection, This Town and Other Stories, and I have to say, I’m pretty good at this short story thing. They have always been a sore spot for me, something I feel like I have trouble doing, primarily because of that asshole college professor who told me I’d never be a published author (shows how much he knew, right?) but seriously, some of these stories are quite good, and the voices! The language choices!

I recently realized that part of the reason I am so dismissive of my own work is because I can never turn off the “must make this better” editorial mentality with my own work, even when it’s in print. I usually only read my own work in order to critique or improve it, so subconsciously my mind becomes critical when I am reading my own work and consciously look for things that are wrong that need to be improved…despite the fact that when it’s in print it’s too late. I’m working on that, at least trying to get better with it. I don’t know if I’ll ever be able to turn off my inner critic, but I know I’m going to stop listening to that bitch and letting him under my skin.

I transcribed what I had written of the next book I am going to write in my journal, and it only turned out to be about five hundred or so words…but that’s five hundred or so words I didn’t have before. I’m going to try to get three chapters done before stopping, since the contract hasn’t been signed yet or an offer made. I know I have some more freeform writing on my story “Parlor Tricks” in there too; I am going to get that transcribed at some point this week. I like that I’m over the don’t wanna mentality when it comes to writing; all it ever takes is for me to do some and the dam bursts. So, I am writing “Parlor Tricks” for the collection; “Whim of the Wind” for something else, and “The Blues Before Dawn” for another anthology. I think with the two new stories and the loss of one unpublished one that I’ve decided to pull because I’m not comfortable with it and it may be borderline offensive, it’ll come out to around eighty thousand words, which is even closer to being finished that I had hoped. I just need to finish a few more, in addition to the ones I need to finish for submission. I think “Death and the Handmaidens”, “Parlor Tricks,” and maybe “Please Die Soon.” We’ll see, I suppose.

It feels good to be producing work again, you know? It always makes me happy.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and you never know; I may be back later.

A Song in the Night

Sunday morning after a satisfactorily relaxing Saturday, in which I watched a lot of college football while doing chores and picking things up and so forth. For those of you keeping track of the soft food diet, last night I tried mashed potatoes as a meal and it was rather filling, yet not satisfying. I was fantasizing yesterday about corn dogs and fish tacos and cheeseburgers and almost every kind of solid food imaginable at some point during the day, only to sigh and get another yogurt or protein shake in a box.

LSU played very well yesterday, winning 41-14 over Mississippi State in Starkville, which meant listening to those fucking cowbells all through the game, but I don’t know what that win means, if anything. Yes, it means LSU is now tied for first place in the West, but what does it mean for how good they are? LSU has been very dominant in its last two games, but Grambling State was very much outmatched and no one really knows how good or bad Mississippi State is, either. They always manage to play better than expected when they play LSU, and there have been some insanely close games as well as the occasional MSU upset win–and by quite a lot. I’m cautiously optimistic about the rest of the season for LSU, but my expectations aren’t high; I’ll be glad for whatever we get that is good this season. It’s nice to beat the Bulldogs in Starkville decisively. Was Florida State just a really good team and LSU played sloppy so had no chance? It’s also possible. Georgia didn’t look invincible yesterday against South Carolina, and neither did Alabama at South Florida. The Florida blowout of Tennessee annihilated any hopes they may have had of winning the East this year–I can’t see how they’ll beat Georgia, and Alabama, which is the only way it’s possible for them now. Another Tennessee loss will be fatal to their hopes for a big season–and they also have to play at Alabama….who also is looking a little shaky this year. I think the SEC is wide open this year, and Georgia is still the favorite, but maybe not as resoundingly as I had thought. Interesting.

So, as I said, the rest of the day was anti-climactic. I continued on my soft food diet, while fantasizing about solid food, and my mouth waters at the thought of what I’ll be able to eat once my mouth has healed. This may also be the last time I’m ever on a liquid/soft food diet, and certainly not for the length of time this is taking for me. That helps me get through the day, believe me–and those are the straws I am grasping at this point. It’s not really been that bad, but I think a diet that is so heavy in protein and fat can’t be that good for me so I am going to force myself to eat more of the baby food, which is dreadful. There’s a weird chemical aftertaste to it that I can’t quite figure out, but it’s nasty. At least the servings are small. I did eat mashed potatoes for dinner last night, which was just weird. Today I think I am going to make chicken noodle soup for lunch; I think I can handle the noodles somewhat, and that will be a good benchmark to see what I can and can’t have in terms of more solid food. I mean, maybe mac-and-cheese could happen at some point, you never know. I do have some things to do that I’ve been (as usual) putting off until the last minute, so there’s no other option than to do them today. It’s fine; there’s no Saints game to distract me or sideline me (they play tomorrow night) and I am conflicted about them; they are my team, but this week I found out our new quarterback is a COVID-denier and anti-vaxxer–at least as far as the COVID vaccine is concerned. I had started following him on Twitter (I refuse to call it X, fuck off, Musk), and then I saw him retweeting something questioning the WHO and the vaccines, etc. and thought, yes, because you got your degree in epidemiology and infectious diseases at Fresno State? I unfollowed and blocked him. This is tough for me, really. I never really felt the same about Drew Brees after he partnered with the homophobic American Family Association to promote “bring your Bible to school day”–which sounds sweet and innocuous….unless you aren’t a Christian. The fact that he and his team failed to do any vetting on AFA before agreeing to work with them was incredibly troubling; his reaction (“I’m not a bully! I support everyone! How dare you criticize me!”) made it worse. There was no humility there, just anger at being doubted or questioned, which belied the “humble act” he’d been playing since signing with the Saints. To me, that failing lessened him in my eyes because I’d admired and liked him as a good person for so long. No doubt, he did a lot for New Orleans and he still has charities and programs here his foundation runs–but the Brees family moved back to Texas shortly after he retired as well.

So much for his lifelong commitment to New Orleans. That also stung a bit. So, yes, while the bloom was off that rose even before he retired, I suppose I could have eventually gotten around to getting past it and excusing the AFA connection–if not for them leaving New Orleans. This city literally gave them everything they have…and once the city had finished giving them everything, they left when there was nothing left to squeeze out of the orange.

I’m petty that way. I love New Orleans, and don’t even think about disrespecting the city unless you live here. Only residents of the city have the right to complain–the rest of you don’t have to come here, and please, feel free to keep your sorry asses at home if you aren’t going to love and appreciate New Orleans for all that she is.

I was also realizing, as I watched the games yesterday (won’t lie, I always pull for upsets except for LSU early in the season; my allegiances and loyalties shift as it progresses as LSU works through its schedule and who LSU needs to win and lose changes every weekend), that I should be taking advantage of this contract-free state in which I find myself to work on other things and maybe get them ready for either submission or publication? I’d like to get my short story collection finished by the end of the year–I think some of my stories that are published might not be available for it, like “The Ditch” and “The Snow Globe,” and if I finish revising “Whim of the Wind” and the anthology I am working on it for takes it, that will also take it out of consideration for the collection. I know “Death and the Handmaidens” will never be picked up for publication outside of one of my own collections, and that’s fine with me. It’s a bit flawed and needs cleaning up, of course, but it’s a good story with a strong foundation that just needs tweaking. I finally have let go of my ridiculous notion that “Whim of the Wind” was perfect as written and only had one small flaw that needed fixing; I am still proud of it as the first story I wrote that a college professor and a writing class thought was good and publishable of mine, so it will always be that landmark story in my writing career, but revising and rewriting and changing it isn’t some incredibly unpardonable sin for me, you know. I also want to revise and finish “The Blues Before Dawn,” “Parlor Tricks,” and “Temple of the Soothsayer.” That should be my goal for this week–as well as starting the revision/re-edit of Jackson Square Jazz–and emptying my email inbox.

And there are other things, too. So much, as always, that one Gregalicious always seems to have on his plate. I also started writing up interview posts, based on panel questions from Bouchercon in San Diego, which is always fun.

And on that note, I am getting another cup of coffee before heading into the spice mines. Have a lovely Sunday, Constant Reader, and I may check in with you again later, if not tomorrow.

If We’re Not Back in Love By Monday

I’ve been sleeping deeply and well lately for an insomniac; I suspect it has more to do with the pain being exhausting than anything else. Any surgery is traumatic to the system and requires rest for recovery, and oral surgery is no different than any other. I’ve taken today off as well as tomorrow; I was thinking yesterday I could probably just go in today and do some paperwork or something, but (and this is not laziness) I started thinking it’s probably best to give myself enough recovery time before I head back in–and I also know the clinic is jam-packed with appointments for today and tomorrow, and I just don’t think I have the energy to deal with that today. I think one more good night’s sleep with probably do the trick.

The Saints won a nail-biter yesterday and I didn’t watch the US Open final; I just can’t with Novak Djokovic anymore. I used to like him until he became an anti-vax/COVID denier, and I can’t with that, I’m sorry. I respect his athleticism, commitment to his sport and being the best, but as a person? I can’t help but feel he’s a selfish, arrogant, borderline sociopathic asshole. Of course he’s entitled to his opinion, but he’s not entitled to me being a fan and watching him play, either. For the record, that’s how it works. I don’t deny him the right to be an anti-vaxxer/COVID denier, but I also don’t have to be a fan or watch him play. We got caught up on Only Murders in the Building and Ahsoka last night, too. I also finished several in-progress blog entries, including the one called “Shame” about homophobia in crime fiction and how things have gotten better over the years–but we can’t forget how bad it used to be, either, which was the point of the post, really; telling the crime community that we’re here, we’re queer, and we’re not going any fucking where.

Get fucking used to us.

Today I am going to try to do some chores around here. I’m feeling like a slug–anxiety talking again; I always feel like I should be doing something and down-time is time wasted–so I think I should do some things today. I suppose it depends on my energy stores, and how long it holds out. I want to read some more of Shawn’s book this morning–I think my resistance to that brutal opening was more of the post-surgery exhaustion–and I also need to empty the dishwasher and do another load that is soaking in the sink. I also want to make something to take for lunch this week–I’m thinking Swedish meatballs in the slow cooker, but am not sure if my minimal chewing abilities can handle the meatballs, even if I cut them up smaller before putting them in my mouth; I don’t think I can swallow them unchewed in some fashion–and I do need to go buy more ice cream and yogurt. I think some of the soups and ramen on hand could be useful. I can’t wait till I can eat a burger again, to be honest.

I also need to answer all the emails that have been languishing in my inbox for quite some time. I owe Dad an email–I’ve not had the strength after Bouchercon and the surgery to face writing him–and my sister’s birthday is this week. I also need to mail something, so I think I’ll drive uptown to make groceries and see what else is possible for soft foods for the week (mashed potatoes, baked potatoes, that sort of thing). I need to get the things on my to-so list knocked out, too. I feel more rested and more myself this morning, but maybe that’s because the pain pills haven’t quite kicked in yet. I also need to start revising/editing Jackson Square Jazz; I’m very excited about that finally being available again, and since Scotty turns twenty-one next year, I kind of want to celebrate the series throughout the year and I don’t know, maybe give away first editions? Something, anyway.

It’s also hard to believe Chanse will be twenty-two in January. I’ve been doing this for over a third of my life now. I owe it all to my stubbornness and obliviousness. Someone smarter and more aware would have probably given up a long time ago, but here I am, still here, older and possibly wiser and certainly not much smarter than I was all these years ago when I was a wide-eyed innocent walking into the world of the published word. I always remember that first August Paul and I lived here back in 1996. We went to a fundraised for the LGBT Center, and there was a tarot card reader there. (I’ve always been fascinated by tarot; I blame the James Bond movie Live and Let Die, which also connected New Orleans and the tarot in my mind. I write about a “private eye” who’s slightly psychic and reads tarot cards and lives in New Orleans. Coincidence? Probably not. Sadly, it’s always been one of my favorite Bond movies and always has held a special place in my brain for introducing me to Bond, New Orleans, and the tarot…unfortunately, the film does NOT hold up forty or fifty years later.) Anyway, the question I thought about as I held the cards in my hand was will I ever be a published writer? The answer the cards gave her was “Yes, but it will not be anything like you think it will be.” A generic answer, yes, that could apply to any number of questions…things are generally never what you thought or imagined they would be. Being a published author is definitely not anything like I ever dreamed or fantasized about when I wasn’t one. I know I thought being published would change my life for the better (I was not wrong about that) but…yes, it’s nothing like what I thought it would be like. Publishing can be a very cold and lonely place, but all you can really control is the work itself. You can’t control whether or not you get published, you can’t control whether or not the book sells, you can’t control the way readers and reviewers will react to it, you can’t control whether you get award recognition. All you actually can control is the writing itself, and do the best you can. I always hope my work is getting better–which should make reediting and revising the original Jackson Square Jazz interesting…

And on that note, I am going to bring this to a close, make another cup of coffee, and start working on the chores around the kitchen, while streaming music through my iHome speakers. I’ll probably check back in later–I have all those unfinished blog entries I need to eventually finish and post–and I also want to get some fiction writing done today as well. Have a great Monday, Constant Reader–do you think today’s photo will get my adult content flags on social media?

Old Man River

And somehow, almost twenty-one years have passed since Scotty Bradley burst forth into the world with Bourbon Street Blues, one of what I hoped was the most unconventional and original amateur sleuths in the history of crime fiction. This is neither the time nor the place to again tell the story of how I created him, or how what was supposed to be a one-off stand alone book became a series spread out over twenty years (!!!); I’ve told those stories endlessly over the last twenty years both here and on panels. But Scotty remains very precious to me all these years later, and I still care about getting him and his life right on the page. I don’t torture him or make his life as miserable as I do Chanse’s (poor, poor Chanse), but he has his own problems and issues that he has to face–but his endless optimism and willingness to face things head on and deal with them, rolling with the punches and always getting back up, has never once wavered in all the years I’ve been writing him. I love him, his family–even the stuffy Bradley side; I love that the unconventional family their son married into pushes every single one of their buttons–and I love his New Orleans.

The other night I was scrolling through Youtube and, just for the hell of it, searched for a song that I’ve been trying to find a digital copy of for my Spotify or Apple Music accounts; Erin Hamilton (Carol Burnett’s daughter) remade Cheap Trick’s “The Flame” as a dance song (she also did the same with that old 1970s classic, “Dream Weaver” and I prefer her versions to the originals), and I love the extended remix. I found the video on Youtube and as I listened to it, it brought back a lot of memories of going out to the gay bars, hitting the dance floor and staying out there all night, getting caught up in the music and just having a great time. I think this song predated the turn of the century, so it’s a late 90’s recording…anyway, it really made me think, put me back into a Scotty place in my mind, and as I listened, sang along, and bopped my head, the next Scotty book started forming in my head….and I realized that’s been part of the disconnection I felt writing the last few Scotty books; sure, I could and can still write him, and sure, I could get back into his head space, but it was much harder for me to do than it used to be. I thought it might be because I don’t go to the Quarter at all anymore, or that I don’t spend any time in gay bars anymore; that I don’t know what it’s like to be a gay man in his forties (almost fifties) today–my own memories are of a completely different world than the one we live in now. But now I know what I was doing wrong–I was listening to the wrong kind of music while writing him. If I want to ease back into Scotty’s mind and world, I need to listen to dance music I used to hear in the gay bars.

And can I say that it’s a real shame that it’s so hard to track down old gay bar dance remixes?

Knowing this means I’ll probably keep going with Scotty for a while longer, at any rate. I love him, I love the character, and I know I’ve been avoiding dealing with some things in that series that will eventually have to be addressed…but it’s absolutely lovely to know that I can slip back easily into his mind-space just by listening to great old gay dance remixes.

“I think we should turn it into a home gym,” I said into the gloom. “I mean, wouldn’t it be great to just have to go downstairs to work out? And we can put in a sauna and a steam room. What do you think, guys?”

It was the Monday night after Mother’s Day, and the termites were swarming.

That was why we were sitting around the living room in the dark. The only illumination in the entire building came from two blasphemy candles, flickering in the center of the coffee table. Modeled after Catholic prayer candles, one had a picture of Drew Brees in his Saints jersey with a halo and heavenly light shining on his head with the words Pray to Breesus around the base. The other was St. Chris Owens of Bourbon Street.

So, yeah—blasphemy candles. They’re very popular here.

Yet even the scant pale light from the teardrop shaped flames was enough to draw an occasional scout termite from the gloom. We wouldn’t see it until it landed on the glass lip of one of the candles, before dive-bombing into the flame. There would be a brief sizzling sound, and then the yellow flame flickered and turning briefly reddish as the termite immolated. Once it was consumed, the flame would be steady and yellow again.

The swarming rarely lasted more than an hour, but that hour seemed to last an eternity.

Termites have always been the bane of New Orleans’s existence. The domestic kind were bad enough. Houses and buildings were tented to get rid of infestations, the bright yellow and red stripes announcing to the world that a termite Armageddon was happening inside. The city’s original termite problem had grown exponentially worse since the particularly vicious Formosan variety had hitched a ride on a freighter to the fertile feeding grounds of our old, mostly wooden city shortly after World War II. The dampness of our climate must have made them feel like they’d arrived at termite Disney World. The little fuckers love wet wood, so the entire city was an all-you-can-eat buffet. They’d killed live oaks that had survived hurricanes, destroyed historic homes, and I’d heard that they could even chew through brick and mortar.

Maybe that was an urban legend, but it wasn’t one I was interested in proving.

Formosan termites swarmed.

The first rule of surviving Formosan termite season was speed. Every source of light had to be turned off the moment you spotted the first scout. They’re drawn to the light, like moths, but unlike moths, they’re drawn to the light in the hundreds of thousands, turning your home into a scene from Cecil B. DeMille’s ultimate cheesefest The Ten Commandments. The big streetlamps along Decatur Street outside drew the swarms, horrifying clouds of little monsters flying around, frantically trying to mate while shedding wings like revoltingly nasty snowflakes.

It is incredibly hard for me to believe that I have written seventeen or so books and countless short stories set in New Orleans and never have once addressed the swarms of Formosan termites we live through every spring. They return after Mother’s Day and haunt us in the evenings, usually between eight and nine pm, until Memorial Day, give or take. They aren’t a nightly occurrence, thank the heavens, but they are usually at their worst on Mondays and Tuesdays. No one had warned Paul and I about them, so the first time we were swarmed we didn’t know what to do. Remembering that horror from the old apartment on Camp Street (we had a massive security light attached to the house right outside our living room, so any light at all inside would draw clouds and clouds of them inside), how was it possible I had never written about the Formosan termite swarms? And with Scotty having bought the building on Decatur Street from Millie and Velma–who I sent into retirement along the Gulf Coast of Florida–and learning about the responsibilities and drawbacks to being a New Orleans home-owner, as well as trying to figure out how to redesign the interior for more functionality as a single-family dwelling? Of course, the question of what to do with the empty retail space on the first floor would be an issue; I wouldn’t want a living space right on the sidewalk of Decatur Street at any time of day or night or month or year. I also wouldn’t want to deal with renters, either, and thus neither would Scotty. But the space can’t just be left vacant, either. So, I thought it would be a great way to open the book with them sitting out the swarms in the dark, with a couple of candles lit, talking about the renovation plans?

After I finished writing Royal Street Reveillon, I was pretty damned pleased with myself. I thought it was perhaps the best Scotty book of the entire series, and reflected my growth as a writer along with Scotty’s growth and development as a character. When I finished it, I had the thought I always have whenever I finish writing a series book: maybe that should be the last one. But I immediately dismissed that thought from my head; I had left something in the personal story of Scotty and the boys hanging with a bit of a cliffhanger, so I knew there had to be one more book at least to tie off that loose end. I was also thinking about a local-ish political scandal of the last decade–the usual, a conservative Christian pro-family politician outed for having an inappropriate relationship with a teenager (who was over seventeen, the age of consent for boys in Louisiana), and a political powerhouse dynasty that had ruled a near-ish parish for generations was dead in the water. I had been thinking a lot also about taking Scotty and the boys outside of New Orleans and the safety of Orleans Parish for an adventure; as my knowledge of Louisiana grew exponentially along with my study of the state’s history, I really wanted to set a book in a part of Louisiana I could fictionalize and have some fun with. I had already created a couple of fictional parishes and towns in previous work; The Orion Mask particularly was set in fictional Redemption Parish–but Redemption wouldn’t work for this one, so I needed another one.

While I was thinking this through, I remembered that two Nancy Drew mysteries were connected to New Orleans–she was only here for a couple of chapters of The Ghost of Blackwood Hall, but most of The Haunted Showboat was set here, or just outside of the metropolitan area (a quick reread showed that “Carolyn Keene’s” Louisiana and New Orleans bore no resemblance whatsoever to the reality…but I knew I had a Nancy Drew Easter egg in Bury Me in Shadows (Blackwood Hall), and I wanted to put one in a Scotty book–so why not a showboat? The ruling dynasty of the invented parish–St. Jeanne d’Arc, for the record–was given the same name as the relatives of Bess and George’s that they and Nancy were visiting in The Haunted Showboat, Haver. I even named the house in Mississippi River Mischief the same name as the Havers’ home in The Haunted Showboat, Sunnymeade.

And yes, the Havers’ showboat/gambling casino was also named the River Princess.

I originally planned on the case coming to Scotty through his sort-of-nephew, Frank’s blood nephew Taylor; someone he met in group therapy (which he is doing to help get through what happened to him in the previous book), or possibly even a boyfriend, someone he’s seeing. I could never get it to work right…and finally, I realized it couldn’t come from Taylor. Taylor is going to continue growing as a person and as a character, but this was too soon after his own trauma for him to be trying to help other people. And then I remembered David, Scotty’s best friend, the music teacher. David’s not been in a book since Mardi Gras Mambo, but I’ve never forgotten about him. And it made sense–David has moved on from his old school and now teaches at NOCCA (our local Fame high school), and the kid is one of his students–and David finds out by confiscating the kid’s phone in class. I wanted to create a character based on this absolute sweetheart of a young man I met; I don’t remember how we met, but friends of a mutual friend were in New Orleans, and wanted me to meet them for drinks…and they had a daughter who went to school here. The kid was a friend of hers, absolutely adorable and sweet, and a ballet major at Tulane. After the daughter and her friend left, the parents immediately turned to me and asked me, “is he gay? <The daughter> think so, and so do we.” What I should have said was, “Well, he’ll let people know if and when he’s ready”; what I actually said was “absolutely.” (I did later find out the kid did eventually come out; wherever he is, I hope he is happy and living his best life. He was so sweet and charming and likable…) When I started writing the character, I made him unlikable, arrogant and sure of himself and his own beauty, and the effect it had on other people. That was wrong, and I went back and made him more of a naïve kid, with a strong sense of right and wrong; and the story worked a lot better. It wasn’t like Scotty to be so judgmental about this kid; if anything, especially after what happened to Taylor, he’s be super-protective.

And this tale–the corrupt old politician and the beautiful teenager working at the food court at Lakeside Mall–gave me a chance to dig into something from Scotty’s past that’s never been truly explored: that his first lover was his high school wrestling coach when he was about fifteen/sixteen. This came up in Jackson Square Jazz–which of course has been unavailable for thirteen years–and I always meant to circle back around to it, just never did…but over the years there have been throwaway lines in books about how Scotty has always preferred older men (Frank is fifteen years older; we’re not really sure how old Colin is), and so to bring it up again in this instance? Yes, perfect.

I loved my story about the corrupt politician, the wrecked showboat in St. Jeanne d’Arc Parish, and the teenager, but something was missing.

I realized two things: something very important was missing, and the crimes of the Haver family were just too big and too many to fit into this book, so I chose to focus on only one…and then the Murdaugh case broke. The Murdaughs were a real life Haver family, and their crimes were almost exactly the same! So, I ripped one of their crimes from the headlines and made that the primary focus of the story, and it was the right choice: the book started falling into place and the story began flowing. I was very nervous about the book–slicing out all the other crimes while building up only one was tricky, since they were all woven through the entire manuscript and the new one had to be as well. I also wasn’t sure if the subject matter was handled appropriately; the old/young daddy/boy thing is the gay community is often mistaken for something much worse than it is, and talking about gay teenagers’ sexuality is also kind of a third rail. But I trust my editor, and she loved it.

I hope you will, too.

You can preorder it here, if you like, or from your favorite e-retailer or local independent!

She’s Got You

Work at home Friday, after I run some errands and take care of some things this morning. I have to go to the OMV to get a real ID (driver’s license expires Sunday), and since I am going over there, I am going to swing by the West Bank Petco to look at kitties (the SPCA has some they’ve farmed out to Petcos). That’s an exciting morning, isn’t it? I am taking Kelly J. Ford’s The Hunt with me, so I won’t be bored and since I have to sit around and wait, I might as well read. It’s been bothering me lately that my attention span just hasn’t been there for novels since the heat wave broke me several weeks ago–which is when I switched over to short stories in the Alfred Hitchcock Presents anthologies–and I’d like to get this book read before I leave for Bouchercon, primarily so I can hopelessly fanboy over her all weekend (I’ll also be fanboying over Margot Douaihy all weekend, too, among many others as I always do at Bouchercon). I’ve already picked out my books to take with me on the trip (the latest S. A. Cosby, Alison Gaylin, and Laura Lippman will be going to San Diego with me, with Donna Andrews batting clean up), and also already know I will probably get no writing done while I am there. I don’t really have anything due–there will be page proofs for Mississippi River Mischief to go over at some point–but everything else is up in the air for now.

I did manage to get the edits taken care of on Mississippi River Mischief and turned it in last night, so other than the afore-mentioned page proofing, it’s effectively finished. Since the other book–I’ll post about it this weekend, no worries–is also finished and now out of my hair, I have nothing pressing at the moment. Woo-hoo! I also picked up the mail and stopped at Fresh Market to lay in supplies for a weekend of not getting into the car at all. I wrote for a while, and came to a realization about this short story I could never get to work that I’ve been revising, so I am going to go into author mode and talk about writing, so bear with me.

This particular story, “Whim of the Wind.” was the story I wrote when I took creative writing again after switching universities after my first horrendous creative writing experience (if I haven’t said it enough, the professor told me I’d never be a published writer). This story was beloved by my class and my professor, who told me I should submit it to literary magazines. I did a few times, it was always rejected, and there was a slight flaw in the story–but no one who read it could ever give me any insight into how to fix the story. It was also my first Alabama story, my first visit to my fictional Corinth county, and so it’s always kind of been precious to me. I never could figure out how to revise it or what to do with it…but as I’ve been revising it (it’s now twice as long as it was, and I’ve not finished), it’s been changing some. I think what everyone was responding to was the voice–I’ve used it again since, and people always respond to that aspect–and really, as long as the voice is intact and preserved, that’s all that really matters. I also realized last night something else–I was having to change the climactic scene in the story, and as such had to come up with a different Civil War legend to build it around–and I realized this story, along with two other, had been written using the same trope, that I have since learned was apocryphal–the evil Yankee deserter. I wrote this story using it, I wrote “Ruins” using it, and I wrote another, “Lilacs in the Rain,” also using it (that story has morphed into a novella renamed “The Scent of Lilacs in the Rain”); so yes, I wrote three short stories based on the same, apocryphal, Civil War urban (rural?) legend. Bury Me in Shadows evolved out of “Ruins,” and I blew up the trope in that book; that was the “Yankee deserter” story I was meant to write. So, the other two need different legends, and I found a good one for “Whim of the Wind”–but again, a delicate subject I’ll need to be very careful with–and now maybe I can make “The Scent of Lilacs in the Rain” actually work, now that I know what I need to do with it. I am also having a lot of fun looking into Alabama history and finding these great legends and stories and folk tales that I should be able to find something to use.

I slept really well last night, and feel pretty good this morning. Don’t feel so great about having to go to the West Bank, but that’s okay; it’s a routine change I can live with, and I can actually do my weekend grocery shopping over there as well–and I can get Five Guys to bring home for lunch. I think after that I will have laid in enough supplies to not have to leave the house for the rest of the weekend–I may go get the mail tomorrow–and I want to clean, organize, read, and write all weekend. Paul got home late last night (another grant) so we didn’t get a chance to watch anything last night–he walked in while I was watching a Youtube documentary about the usurpation of the English throne by the House of Lancaster that set the dangerous precedent (for kings) that incompetent ones could be overthrown and replaced…and eventually led to the Wars of the Roses. I also was watching some videos–someone did a series of the greatest plays in LSU football history, which was very fun to watch and relive (I really should do an in-depth post about my love of LSU football; not that everyone who’s paying attention doesn’t already know about it, of course, but I love football and it’s fun for me to write/talk about it. I also find the fandom interesting, too.)..and they were grouped by stretches of time, eras, if you will (2007 season got its own video)–and also guided by the scarcity of available digitized video from the far distant past. (I was also thinking “don’t the networks that originally aired the games have tape? Can’t it be digitally remastered? I know the SEC Network has done this with some classic games from the past; it’s a project the NCAA should back fully, as it’s the history of the sport.) It’s very fun to revisit past games and my memories–LSU is never boring to watch, ever–and I am very excited about the upcoming season, both for LSU and the Saints. I worry that everyone is over-hyping LSU (something I always worry about) but given the over-performance from last year, it’s kind of understandable, really. LSU came out of nowhere to win ten games, beat Alabama, and beat both Florida and Auburn on the road in the same season for the first time in program history. So, yeah, understandable. I was thinking before last season that it was going to have to be a wash–new coach, rebuilding after two down years, etc.–and that this year would be the one where the Tigers would make a run. I am excited for our new quarterback for the Saints, too–he, like me, also went to Fresno State, so I have even more reason to root for him and like him–and they seem to be doing well in the preseason. GEAUX SAINTS!

I did work on the revision of “Whim of the Wind” yesterday–it’s amazing to me that I’ve taken a story that barely over two thousand words and added another almost three thousand to it, and it still isn’t done–but I am feeling good about the story, now that I’ve recognized my attachment to it that actually was hindering me from revising it. It’ll always exist in that original version, after all, and nothing I do to it in current or future versions are ruining that precious first version that meant so much to me as an aspiring writer. Sentimentality–the very thing I am always trying to guard against when it comes to almost everything in my life–got the best of me with this story. The other story I turned it at the same time, which I’ve also never been able to correct, perhaps now I can fix it, too. I had thought about expanding the other one (which is actually incredibly problematic on many levels by modern standards) into a novel, and perhaps I still will; I’ve started slowly world-building around the panhandle of Florida the same way I have with Corinth County in Alabama, but there’s no crime or mystery or supernatural thing going on in that story; so it would be a coming-of-age romance….but I may know a way (that just came to me) and there were some other ideas about it, too. You never know, right? Why not riff for a while and see what comes up?

I’m kind of getting excited about writing again, can you tell?

And on that note, I should start getting ready for the OMV and get that hellish experience over with once and for all. Have a lovely Friday, Constant Reader and you never know–I may be back later.