Monday morning after a relatively relaxing and stable weekend. I did a lot, mostly chores that needed to be done and reading, but it was also very nice. The Saints won their game yesterday, which was a very pleasant surprise, and we finished watching this most recent season of Élite, which I realized yesterday I’ve always put the accent on the wrong e, but it’s pronounced ah-lee-tay, so it made sense to me for the accent to go there.
Or maybe I’ve been saying it wrong.
Anyway, this seventh season was disappointing, as the storylines and the crime focused on parents rather than the students–which was a major error, I felt. The season did end with a murder–I’d wondered how long that character, an abusive and controlling lover, would last without being killed or redeemed; I got my answer in the finale–but the primary issue with the season is I don’t really care very much about any of the characters anymore. One of the show’s greatest strengths in those early fantastic seasons was how well the characters were developed (and the talent of the actors playing them) was that they were multi-faceted; even when they were being bad or doing terrible things, you understood them and why they were doing it so they were sympathetic. Now they are all just kids who bad things happen to who have no control over anything that happens or what they do–which is the problem. Before, in the earlier seasons, the kids had agency, and while originally the show was the Gossip Girl we all deserved, it slowly turned itself into Gossip Girl, which was fun but had little depth. A pity. We’ll stick around for the eighth season, which is the last one, while mourning its former glory.
Tomorrow is Halloween, and I signed up to make a cheesecake. The mistake I made was forgetting that I have to go to the dentist tomorrow morning before work, and the other was I must have gotten rid of my cake carrier during one of my pandemic decluttering purges, so I have nothing to carry it to work with–and I don’t like the idea of it sitting in my car while I am at the dentist. Going back home to get it after the dentist isn’t an option, either, because I am trying to spare paid time off as much as possible with the surgery coming, as I also have to run off to UNO after lunch to record “My Reading Life with Susan Larson”. Big day indeed. I guess I can just put the cheesecake into a box and bring it while still in the springform pan? AH, well, all I know is when I get home from work tonight I have to make a cheesecake and figure out the rest tomorrow.
These difficult life decisions, seriously.
I did manage to read Mike Ford’s The Lonely Ghost yesterday which I quite enjoyed; middle-grade books tend to read a lot faster than those for older readers and there will definitely be more on that to come. I will say for now that had he been writing when I was a kid, Ford would be one of my go-to authors, like Phyllis A. Whitney.
We also watched a hilarious (to us, anyway) movie on Prime yesterday, Totally Killer, which starred Kiernan Shipka in the lead of a hilarious mash-up of Back to the Future with a slasher movie playing Jamie, whose mom was the final girl of a spree killer thirty-five years earlier, who comes back in the present day to kill her mom. Her mom is obviously very into self-protection and more than a little paranoid–which of course makes Jamie even more sullen and distant. Her best friend is trying to build a time machine as a science project out of an old photo book, and for some reason the science fair takes place at an old, abandoned amusement park. Anyway, the killer kills her mom and chases her into the amusement park, she ducks into the photo booth and accidentally turns it on, and then the killer stabs the console with his butcher knife–which activates the time machine and sends her back to 1987, with a new task and mission: catch the killer before he kills anyone and thus save her mother–and with the benefit of her knowledge of the history, she knows who is going to be killed and where. A great plan, of course–but her being there slowly starts changing the future. It’s very clever and funny, and the juxtaposition of a modern teenager into a teenager back in the highly problematic 80’s and the cultural/societal differences are absolutely hilarious–especially to those of us who lived through them the first time. It’s light and fluffy, fun and entertaining and not to be taken terribly seriously. Also, because it’s Halloween Horror Month, I’ve been reading a lot of books that would fall into the slasher versions of horror–Clown in a Cornfield, Final Girls–so I’ve been thinking about the trope a lot lately too.
Maybe my next y/a should be a slasher novel? It could be fun.
And on that note, off to the spice mines! Have a lovely All Hallows’ Eve Eve!
Imagine my delight and surprise to discover that the meeting I thought I had to go into the office for later this morning had a virtual option, so I am not leaving the house today–other than to run a necessary errand later.
I may even put that off until tomorrow.
Yesterday was a lovely day at the office. Everyone was in a pleasant mood, and everything flowed well. I enjoyed all my client interactions and everything ran smoothly the way it is supposed to always run, and that was lovely. I wasn’t even terribly tired when I got off work, but knew I’d be in a mood by the time I got home. Why? Because there was a Saints game last night in the Superdome, and traffic in the CBD was going to be a nightmare. It was, but it wasn’t nearly as bad as I thought it would be, and I made an impatient decision about the route home that was a big mistake. It took me about forty-five minutes to get home from work–what usually takes at most fifteen minutes; Wednesday night, for example, I detoured up to the Carrollton corridor to go to the Rouses, and still managed to grocery shop and everything and get home less than an hour after I left the office. Saints game also meant crowd at the bar on the corner, which meant difficulty finding a place to park. No big deal, I did find a place to park and then came inside.
Heavy sigh.
So, we have guys here working on the roof and the gutters. There’s also a bridge from the patio upstairs over to the carriage house gallery. It had apparently rotted; so they’ve been working on that. The patio is directly over my kitchen. I came inside, and there was debris all over the stove and that counter. “Weird,” I thought, and actually said out loud, annoyed, “well, I’m glad I cleaned in here” before looking up to see a blue sky. Yes, while they were working on the bridge yesterday, they were trying to do something and the kitchen ceiling/patio floor gave way. Unable to help myself I yelled, “Oh, fuck!” Well, the thing about a hole in the ceiling is the poor workers–who hadn’t really done anything wrong; it wasn’t their fault that portion of ceiling/floor had rotted out, of course–heard me. And then I went outside to see what they were doing and one of them sheepishly asked me how I was doing, and I replied in full candor, “well, I’m not thrilled about the hole in my kitchen ceiling” which led to apologies and explanations and they even came by several times to apologize again. They also cleaned up the mess in the kitchen and put up a piece of plywood to cover the hole, reassuring me this was a stopgap measure and they’d repair it. It was amusing–well, it is now, not so much at the time–but I then found myself reassuring them I knew they didn’t do it on purpose, thanking them for cleaning up the mess and covering the hole, etc etc etc. I had intended to work on my short story in progress, “The Blues Before Dawn,” when I got home and maybe read some of Angel Luis Colón’s Infested, but that of course disrupted the entire evening so I grabbed Tug and he slept in my lap while I watched the last episode of the first season of Moonlighting (it was a late midseason replacement and the first season was only six episodes, including the pilot). Paul came home, he went through the stages of grief about the kitchen ceiling that I already had, and then we watched The Morning Show and Our Flag Means Death before I went to bed (I actually fell asleep during OFMD so have to rewatch at some point today or tomorrow).
I slept deeply and well, not arising this morning until eight (other than the usual “Tug needs food NOW” daily five a.m. wake-up) and now am facing my day. I am going to get this done and posted, probably work on some emails before starting my work-at-home duties, which will also include chores around the house (laundry’s first load already going in the laundry room) and hopefully, I will get some work done on that short story. I had decided to write this as a Sherlock-in-New-Orleans story, but not told by Watson–which is a risk on top of a risk–and then see how it went. In talking to a friend yesterday I also realized part of the reason I am having trouble writing and/or getting started on a new project is because everything is in limbo because of my arm surgery. I don’t know how long the recovery process is going to be and I also don’t know how much writing I’ll be able to do in a cast and sling (and not the good kind of sling, either–see what I did there?) I’m afraid to commit to a deadline knowing that I can’t even self-delude myself that I’ll make that deadline (I never do, but I never agree to one knowing ahead of time I won’t make it). It’s also been an extremely rough year for me, and there’s nothing wrong with not being as productive as you would like because other things are going on in your life that you simply can’t avoid dealing with–which is usually my preference, immature and childish as it is–and recognizing patterns of behavior within yourself. I’ve done a lot of self-examination and reevaluating my past as well as who I am along with why I am who I am, if that makes sense. A lot of that had to do with Mom dying, as well as me recognizing that probably my absolute best work inevitably always winds up being set in Alabama. That Alabama tie, those roots, run so deep inside me that they’re inescapable, really.
I also started reading Death Drop last night. Reviews are starting to come in, and friends are reading it and telling me they’re enjoying it, and the truth was I couldn’t really remember a lot about the book so thought it was probably a good idea to reread it. So much was going on during the process of writing the book–it and Mississippi River Mischief, which doesn’t even take into consideration the fact that I was actually writing two books at the same time (not recommended, aspiring authors, don’t be a Greg; be smarter)–that I couldn’t really remember much of it (I may need to reread Streetcar too) and being familiar with your own work that you’re promoting is usually smart. Now that my memory isn’t what it used to be, rereading my work is like reading something new by another author because I don’t remember anything about the book itself other than the drudgery of writing, editing, and revising the damned thing. But I was very pleased with it–I wasn’t able to finish the reread, but got pretty deep into the book–and it flows well and there are parts that are seriously funny. Of course, like always I started nitpicking at it, but after about chapter three I turned off the internal editor and just read it as though I was reading it for pleasure rather than reminding myself of what I had written. The characters are likable and all of them–even the minor ones–seemed fully realized and with their own agency; by which I mean they aren’t always just dropping everything to rush to help Jem out at the expense of their own lives and aren’t there to simply feed him information or help him work through his problems. I also liked the voice, and I really like my main character Jem Richard, the glam artist just dipping his toes into the world of drag performance. I intended it to be a drag queen origin story–the answer to the question “so how did you start doing drag?”–and it absolutely works in that regard.
And the book itself is gorgeous, simply gorgeous. I couldn’t be more pleased.
It’s also weird having two new books drop in such a short period of time. It certainly wasn’t planned that way, and entirely happened because my life blew up and I didn’t make deadlines for either. But I promised myself I would be better about promotion and so forth, so here we go.
And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader, and I’ll check in with you again later or perhaps tomorrow.
This morning I get to go pick up my temporary teeth before heading into the office. It’s no longer a clinic day; I’d be covering Mondays for a colleague who’d had major surgery and he’s back now. I am also a little tired this morning. I slept really well last night but could have slept much longer, the physical and mental hangover from having driven so much this weekend. I left for Panama City Beach during half-time of the LSU-Missouri game; and given how LSU had been playing, you can imagine my delight when I checked the score when I stopped for gas to see that the Tigers had rallied to beat the other Tigers 49-39. The Saints destroyed the Patriots 34-0 while I was driving back yesterday; again, imagine my delight when I checked the score when I stopped for gas past Mobile (I try not to ever spend money in Mississippi, for any number of reasons. The same with Tennessee). So my teams apparently do better when I’m not able to watch, which is something I’ve suspected for quite some time.
This is a week of medical stuff–the teeth this morning, a heart sonogram on Wednesday morning, and something else entirely on Friday that I can’t think of. The MRI of my shoulder, I think? There are so many appointments and things going on while I am getting ready for this surgery that I am not even entirely sure I can keep track of them all–the anxiety roiling up from the depths again–but I am pretty sure I put everything on my calendar and I am resisting the urge to give into the anxiety and better check compulsively numerous timesto be sure stage. I know I wrote everything down on my calendar; I will double-check that tonight when I get home from work, and that will be the end of it as far as that kind of anxiety and stress and pressure are concerned. I think I am doing a great job of controlling the anxiety by recognizing it and refusing to allow it to take control, but some days are definitely harder than others. I only got irritated several times on the drives this weekend–and I would say that those situations would have irritated any driver, even those without anxiety as a mental disorder.
I did get to listen to The Only Good Indians by Stephen Graham Jones, which I greatly enjoyed (more on that later) and Saturday before I left I read some more of Final Girls, which is starting to get rolling now–although it occurred to me in the car that I should have listened to the rest of Final Girls in the car and thus been able to move on to something else to read this week, but ah well, sometimes that’s how life goes. I was very tired when I got back to New Orleans last night–the drive was very smooth, with a few exceptions of stupidity along the way (I’m looking at you, Mobile tunnel) but I didn’t sleep great Saturday night after that drive, and so that’s why I’m dragging and a little the worse for lack of sleep. I also have a bit of a sore spot in my neck from sleeping wrong at some point over the last two nights, my guess being it was last night’s, combined with poor posture while driving. Tug also missed me; he spent most of last evening sleeping in my lap, but once he woke up he turned back into the terror Paul had described when I got home–knocking everything off every surface he climbed up onto; attacking my feet; chasing pens around the room–definitely some big kitten energy going on. Yeah, it’s a bit annoying, but at the same time it means he’s acclimated and knows he’s at home enough to feel safe to play and have fun and be a kitten, which is great. Maybe not when he’s walking all over my keyboard confidently like there’s nothing there, or when he’s trying to get whatever I am eating, but it’s great that he’s so comfortable in the house that he can be himself, and that’s always a good thing.
And now I get to spend the day trying to acclimate back to my every day existence, which isn’t always easy. Going away always is unsettling for me, and then I have to figure out how where I am at and what all else I have to get done and do and plan and so forth; which is another reason why having a to-do list is so vitally important; it helps me to re-acclimate to my reality after a break /interruption. I also can’t remember where I am with things at the office, either. Yay? But I need to get to the office and get some things done today–and as my coffee is kicking in and clearing the cobwebs out of my dusty brain, I am starting to feel more motivated than I was before I left; I think maybe knowing that the weekend was causing me some anxiety subconsciously which undermined (self-sabotaged) my attempts last week to get things handled and done and under control.
One of the lovely things about driving long trips like this weekend is that my mind wanders and I think about things; the ability to keep up with an audiobook while my mind sifts through problems and unties the Gordian knots of confusion and self-delusion in my mind has been truly wonderful. While in the car this weekend I was thinking back to what all I had gotten done and accomplished since the start of the pandemic disruption (and yes, I know I am not unique and it has happened to everyone), the general sense of “I am not getting anything done” and “when I am writing I’m not enjoying it” which has been unsettling me and keeping me off-balance since March 2020 (hard to believe it’s been almost four years, isn’t it?), but on the other hand, professionally the pandemic was actually very good to me. I got a substantial raise and promotion at my day job; I got nominated for a shit ton of awards over the last couple of years, and sure, I think there was a significant gap in publishing–from Royal Street Reveillon in the fall of 2018 until Bury Me in Shadows was about a three year gap now, wasn’t it? That in and of itself is the longest gap in my publishing career, but then I came on like gangbusters in 2022 with #shedeservedit, A Streetcar Named Murder, and Land of 10000 Thrills (Bouchercon anthology), and of course have two back-to-back releases this fall with Mississippi River Mischief and Death Drop. I was also publishing short stories during the 2018-2021 interregnum, and I was working on a multitude of other writing projects during that time in addition to the books that wound up being released in fits and spurts since 2021; I still find it hard to believe I went that long between books–maybe I’m forgetting something? But I don’t think I actually am; I am terrible about remembering everything I’ve written and published, and always forget things. But at first I was disappointed in myself to think I’d gone that long between books before silencing that negativity, and then I nipped that in the bud. There’s no disgrace in admitting that the pandemic knocked me for a loop and off-balance; I’m not the only person this happened to, and it takes a massive life disruption to slow down my writing–which is pretty impressive.
It’s hard to stay positive as it goes against my brain’s wiring, but I am getting better.
And on that note, I am heading into the spice mines. May your Monday be just as lovely as you are, Constant Reader, and I’ll probably be back later.
(NOTE: I started writing this post back in January, after I’d returned to New Orleans from my last Mystery Writers of America board meeting–this is to give context to the opening paragraph– as you are no doubt well aware, Constant Reader, that I’ve not been back to New York since January; so this is that same trip where this happened and I started thinking about these things, which have never been far out of the forefront of my mind since then.)
While I was in New York recently, walking around to and fro, here and there, hither and yon, I was always checking my phone (and yes, I hate that I’ve become one of those people) and then shoving it back into my pants pocket without putting it to sleep first or closing the app that was open. As I walked around, of course this led to my phone doing all kinds of weird things –closing an app and opening another, etc.; but at least there were no butt dials, right? At one point, when I pulled out my phone as I took a seat on the subway, somehow what was open on the screen was a google search for my book A Streetcar Named Murder–and when I went to close that screen I touched one of the images by mistake, which took me to the Goodreads page for the book. Bear in mind, I never look at Goodreads for any of my books, let alone Amazon–the temptations to start reading the bad reviews is too great, and while I can usually laugh them off, occasionally–and it depends entirely on my mood, of course–one will get under my skin and it will annoy me, and that’s not good for anyone.
This particular day on the subway the Goodreads page opened to the bad reviews first–its average is four stars, which I will always take because I am not Lauren Hough–and the very first one made me laugh out loud on the subway. Paraphrased, it was basically someone taking umbrage at “someone who doesn’t live here or know the first thing about New Orleans” writing a book about New Orleans. The reason they had come to this conclusion was because Valerie referred to Mardi Gras as “Fat Tuesday”, and according to this one-star reviewer, no one from New Orleans would ever say Fat Tuesday instead of Mardi Gras.
Well, I’ve lived here for twenty-seven years and I have heard any number of locals say Fat Tuesday rather than Mardi Gras, and so of course I had to click on the reviewer’s profile…and grinned to myself when I saw that they actually live in Metairie, not New Orleans…which to locals is a bigger crime than getting something wrong about New Orleans: claiming to be from New Orleans when you actually live in Metairie. (the rejoinder is usually along the lines of “bitch, you live in Metairie.”)
It was also kind of fun to be accused of inauthenticity when it comes to writing about New Orleans, because I personally have never claimed to be an expert on anything New Orleans (others have said that about me, and I always am very quick to reply not even close); the more I learn about the city the more I realize how little I actually know about the city. There’s an extremely rich (and often incredibly dark) history here; it’s hard for me to wrap my mind around the fact that the New Basin canal was there as long as it was, or that there were several train stations around the French Quarter (including one that essentially was in Storyville–rather convenient for the whores and pimps, right?), or that where UNO is now used to be the lake shore resort of Milneburg, or that the only way across the river or the lake was by ferry until Huey Long built a bridge at the Rigolets (the narrow inlet between lakes Pontchartrain and Borgne).
I was on a panel once at the Tennessee Williams Festival with Bill Loefhelm (if you’re not reading Bill’s books, shame on you and correct that immediately) and the question of New Orleans authenticity came up, and Bill’s response (paraphrasing) was that New Orleanians have a tendency to play a game called “NOLier than Thou,” in which they try to one-up each other to see who the true New Orleanian actually is–which is, of course, gatekeeping. (And yes, I immediately turned to him and said, “I like that and am going to steal it” SO CONSIDER IT STOLEN.)
It does bother me somewhat when I read books set in New Orleans written by people who have never lived here; you can tell, but I also get over it pretty quickly; who is to say who can and can’t write about a place? There’s a significant difference between visiting and living here, which I realized almost immediately after we moved here, and that also becomes very apparent in fiction. I had started writing the book that would become Murder in the Rue Dauphine before I moved here, and I realized, once I did live here, that everything I’d written about New Orleans was completely wrong. I didn’t work on the book for another two years; and even then I wasn’t entirely sure I’d lived here long enough to write about the city. So…I kind of cheated by making Chanse MacLeod not a native either; he’d moved to New Orleans after getting his degree in Criminology from LSU, and had been here about six or seven years when the story opened. So he was an outsider, too; so his views on the city and how things work around here were from an outsider’s perspective, like mine; that was easier. With Bourbon Street Blues, I decided that Scotty was not only a native but came from two old-line society families, from the Garden District and Uptown. One of the greatest joys of my publishing career was having the Times-Picayune’s mystery reviewer, as well as the Books Editor, both say repeatedly that I got New Orleans right in my books. (Thanks again as always for all of your support, Diana Pinckley and Susan Larson!)
And I never really worried about it too much from then on. I wrote about New Orleans as I saw it–the potholes, the cracked sidewalks, the leaning houses, flooding streets, oppressive weather and hurricanes. As the years passed, I became more and more aware that my New Orleans writing was primarily confined to the Quarter, the Marigny, the CBD, the Lower Garden District, the Garden District, and Uptown–a very narrow slice of the city, but those were also my slices of the city, so that’s I wrote about. Sometimes I’d venture into another neighborhood–Lakeview, the Irish Channel, English Turn–and sometimes the story would take the characters to another part of Louisiana–the bayou and river parishes, the Maurepas swamp, the Atchafalaya Swamp, Baton Rouge–which, oddly enough, I had no qualms about fictionalizing. I’ve created numerous fictional towns and parishes surrounding New Orleans; I’ve even invented a sleazy gay bar in the Quarter (the Brass Rail).
So, was I doing New Orleans (and Louisiana) right by making stuff up, inventing places like the Royal Aquitaine Hotel, the Brass Rail, Bodytech Health Club, Riverview Fitness, etc.? Sometimes you have to fictionalize things, even if they are based on something that really exists. I never really thought much about it; I felt like I was getting the feel of New Orleans right, that my characters talked the way people in New Orleans do and react the way people here do, and that I was putting enough reality into the books for them to ring true to locals, natives, and tourists. Sometimes the cases are based on, in or around something that actually happened or exist; like the Cabildo Fire, the Fire at the Upstairs Lounge, Hurricane Katrina and the ensuing flood; termite swarms; Huey Long’s deduct box; and even the court case in, I think, Murder in the Irish Channel that triggered the murders was actually based on a civil trial I served as a juror on.
When I started writing A Streetcar Named Murder, I realized a lot of things I was writing about had to be fictionalized; I couldn’t set a murder at a Mardi Gras krewe ball and use an actual krewe that exists in real life, for one thing (like I had to invent a French Quarter hotel for a couple of murders to occur in) and while I didn’t want to use the cheat that Valerie had moved here again, like I did with Chanse, I wanted her to be of New Orleans but not be of New Orleans…so her parents are from Georgia and moved here after college and marriage, so Valerie was born here, went to school here, met and fell in love with and married her husband here–but her roots aren’t very deep, so she is both insider and outsider at the same time. I liked that idea; like how I am of the South but not of the South, she was of New Orleans but not of New Orleans at the same time. When creating Jem Richard in Death Drop, again, he’s a recent transplant to the city but his father is from New Orleans but relocated to Dallas, where Jem was born and raised. Jem spent a lot of his summers in New Orleans when he was growing up with his paternal grandmother, so he too is of New Orleans but not of New Orleans; which I am really liking as a method of storytelling about the city. I also moved Jem to a different part of the city; he lives in the 7th ward, on St. Roch Avenue in what is known as the St. Roch neighborhood (aka what realtors are trying to redefine and rename as the “new Marigny”, in order to raise prices) which is also very close to my office. Part of this was to move the action out of the neighborhoods I usually write about (although he does wind up in both Uptown and the Quarter) and so I could explore another neighborhood/part of the city than what I usually write about.
I also had recently–prior to the pandemic–started feeling more disconnected from the city than I ever had before. Primarily I think this was due to my office moving; we had been on Frenchmen Street in the Marigny, one block from the Quarter and where Scotty lives, so whenever I needed some Scotty inspiration I could walk a block, stand under the balconies of his building and just look around, drinking in the sights and sounds and smells of the block. To get past this, I started joining New Orleans history pages on Facebook, like Ain’t Dere No Mo New Orleans or the HNOC page and various others–you do occasionally run into Confederate apologists and racists there (they usually cry about the “crime” in New Orleans–you know, the usual dog-whistles from the white flight racists who fled to Jefferson Parish or the North Shore to escape desegregation of the public schools) and reading more histories of the city, state, and region–which are incredibly fascinating. That reading/research helped me write my historical Sherlock in New Orleans short story, “The Affair of the Purloined Rentboy”–but I have also since realized I got some things wrong in the story too, but there is just so much to know. I set the story in 1916 for example….without knowing New Orleans was hit by a MAJOR hurricane in 1915 that wiped out any number of settlements and villages around the lakes and the bay shores (that will turn up in a story sometime; the destruction of the lake front village of Freniere is just begging to be fictionalized and written about). When I mentioned this to another writer, who primarily does historicals, she snorted. “It’s impossible to know everything, and would people in 1916 still be talking about a hurricane from 1915?”
Probably, but if it doesn’t have anything to do with the story being told, why would I mention it?
A very valuable lesson, to be sure.
So, yes, lady from Metairie: you caught me. I’m not from New Orleans, you’re correct. But I’ve also published over twenty novels and umpteen short stories set here, and have even won awards for doing it.
And I’ll call it Fat Tuesday if I fucking want to.
The Huey P. Long Bridge at sunset, photo credit Marco Rasi
Monday and back to the office with me today. Weekends are simply not long enough, ever, and should always be at least three days, methinks. Yesterday I witnessed the dreadful Saints performance, and it was not a good weekend for Louisiana football fans; the only glimmer of light locally was Tulane’s victory. I finished reading Shawn’s book, which was marvelous, and then picked out my first Halloween Horror read: Riley Sager’s Final Girls, and it’s long past time I’ve read this book. It’s rather embarrassing that I’ve not yet gotten to it. I also downloaded the audiobook of The Only Good Indians by Stephen Graham Jones for this weekend’s drive to the Redneck Riviera, and read another Alfred Hitchcock Presents short story, from Stories for Late at Night, “The Ash Tree” by M. R. James, which was delightfully creepy and reminded me of Daphne du Maurier’s “The Apple Tree”–and that in turn made me think about creepy trees as a trope in horror, and thought perhaps I should give the trope a whirl at some point. We watched the Scouts Honor: The Secret Files of the Boy Scouts documentary–which was just as creepy and awful and horrific as I thought it would be, as well as yet another pointed reminder of how straight people have failed to protect children since, oh like forever, and then cover it up as much as possible but then have the nerve to accuse queer people of pedophilia and grooming?
Sure, Jan.
We also watched the Jennifer Garner Apple Plus series The Last Thing He Said, which wasn’t great but wasn’t terrible, either; it just kind of evolved and wasn’t very thriller-ish or suspenseful. I also predicted one of the bigger plot twists in the first episode long before it played out in the show, but it was well done and an interesting story; but it wasn’t very thrilling or suspenseful; it never really seemed like there was any danger or stakes. It ws talked about a lot, but never part of the show’s reality? It was interesting enough to hold our interest–although I think I may have approached telling the story in a different manner than they did. It’s an interesting thought, at any rate.
It’s lovely having a kitten in the house, even if it means being more alert and having to get up more regularly because there was a crashing sound from somewhere else inside the apartment–usually followed by a galloping kitten moving at high speed away from the noise and mayhem he caused. He woke me up this morning by knocking my glasses off my nightstand table and then playfully batting them around on the floor, and once I took those away from him he went for the broom. He’s incredibly sweet, though, and I love that he’s so fearless and feels comfortable and at home enough to play. He slept on me for most of the Saints debacle yesterday, through the Boy Scout movie, and then moved back and forth between me and Paul during the Jennifer Garner show.
I also started writing the opening of a short story or a novel or something at any rate while watching the Boy Scouts documentary–part of it and the scandal was in New Orleans–and had an idea for the opening scene for something so I started writing it down; mainly about a college student away from home for the first time who’s obsessed with true crime and wants to be a true crime writer but isn’t sure how to get started chasing her dream other than majoring in Journalism at Liberty State in Liberty Center, Kansas–the town from #shedeservedit, why not reuse it? I don’t know why I started writing this when there are so many other things I should be working on. But that’s also life, you know, when you’re a writer–at least for me, there are always so many other ideas and thoughts and stories banging around in my head that it’s sometimes hard to focus on what I need to get done.
Heavy heaving sigh.
I never did make that to-do list for the week, so perhaps that should be the first thing on the list (I often do this so I can cross something off the list immediately; it’s satisfying and always seems to keep off working on getting the list completed). I also think that once I finish reading the Riley Sager I am going to reread a classic Stephen King that I’ve not revisited in a long time, The Dead Zone, which used to be one of my favorites and is still one that I think about a lot–especially during the rise of the former president, who eerily reminded me of the character of Greg Stillson, written thirty or forty years or so before the rise of the reality host/failed real estate mogul. (I’d considered rereading it in the wake of the 2016 election, but didn’t have the strength; I think now would be a good time.) I liked the opening of the Sager; which was encouraging. I hope to be able to get several books read this month…I think my reading is going to start picking up again, hallelujah. I think having a cat sleeping my lap while I read was what I was missing, and why it was hard for me to read since we lost Scooter. (I promise not to turn this into a Tug stan blog, seriously.) Today is going to be his first day left at home on his own for a while; we’ll see how he handles that.
And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader; I’m sure I’ll be around again later on.
And here we are at a manic Monday yet again, and shortly I will be heading into the office for yet another exciting week of the day job. Hurray and huzzah? I slept really well on Saturday night, getting up just after seven yesterday despite not going to bed until almost midnight; I found myself reading some things Saturday during the games that I shouldn’t have started–one of them being Queen Margot by Alexandre Dumas; I have the ebook–and I was also reading legends and stories about Louisiana’s past as well as Alabama’s; I have an ebook called Warrior Mountains Folklore: An Oral History by Rickey Butch Walker (which is an Alabama name if I’ve ever heard one); which isn’t necessarily about the Alabama county I’m from, but the ones directly north, including notorious Winston County, which contains the Bankhead National Forest. It also tells stories of the indigenous people of the area, and reminded me that Tuscaloosa actually is the Creek words for “black warrior,” meaning the Black Warrior River is actually the Tuscaloosa (tusca loosa); this will all go into the construction of my fictional Alabama county, which is ongoing. (And yes, the irony that one of the greatest–if not the greatest–college football programs is in a town named Black Warrior in the native tongue is hilarious.)
(It has occurred to me that I don’t necessarily have to connect all of my Alabama stories just as I don’t need to connect all my Kansas stories–which I realized while writing #shedeservedit–which was kind of freeing. I need to think in terms of multiverses rather than one single interconnected universe with my writing, don’t I? It certainly makes things easier than trying to keep the continuity and so forth going.)
Anyway, I am sure my Alabama just-for-fun research will undoubtedly pay dividends in future writing, no doubt. I also have been having ideas for more stories set there; I may give Jake’s boyfriend Beau his own story at some point; I keep going back to the legend of the Blackwood witch from antebellum/early statehood days, because the witch story is one I’ve always wanted to tell. Beau, being an archaeology major with a minor in Alabama History, is just the perfect person to tell the story of the witch I’ve always wanted to tell. But is it weird to have another vengeful spirit in the woods behind the Blackwood place, and the Civil War ruins? Or could it be tied to the lost family cemetery, still out there in the woods somewhere? As you can tell, I’ve been thinking about it lately.
I managed about a little more than twenty-five hundred words on the new Valerie yesterday, which felt great to do, really. I wanted to write some more on the Jem sequel, too, but after finishing the Valerie chapter I just felt mentally fatigued. I’m not used to writing this much in a short period of time anymore (just over an hour or so) and it’s going to take me a while to get back up to the proper writing speed I cannot maintain year-round. But it felt great to be creating again, and I do love the plot of this book. I also spent some quality time with Shawn Cosby’s marvelous All the Sinners Bleed, which is going in a direction I did not see coming and one that I am really enjoying. Shawn is such a master story-teller! I can’t wait to finish this so I can write about it–and I hope I finish it in time to read Lou Berney’s new one before I switch to October Halloween Horror Month. I think I may try out a Grady Hendrix novel for one of my horror reads and of course, I am terribly behind on Stephen King, and there are also some other lovely horror novels and collections in my piles of books to be read that could make for a fun reading month: Stephen Graham Jones, Silvia Moreno-Garcia, Paul Tremblay, Christopher Golden, Sarah Pearse, and Katrina Monroe, among so many others–I need to get back into the habit of reading for at least an hour every day. The only way to get through all the books i want to read is to make a daily time allowance for reading and stick to it.
After the abysmally disappointing Saints game, I went back to my easy chair and rather than delving back into Shawn’s book, I decided to start reading Jackson Square Jazz, the finished and published edition, to get a better handle on the story again. It’s been a long time, and I knew it had to do with a young figure skater, the Napoleon death mask, and the Cabildo fire, but not really much beyond that–although I think it’s actually the book where Scotty is in his first canonical car accident. Again, I am distant enough from it now not to immediate go into editing mode as I read it–ironic, since I need to re-edit it–and just read it. I really need to stop being so hard on myself. I know I’ve already made great strides in that direction, and I like my new positive attitude toward writing and publishing. I think analyzing why I am so hard on myself, recognizing the mentality I defaulted to when reading my work meant needing to flip a switch in my brain and going into a different mode other than editorial and doing it consciously makes a lot of difference. I was pleased rereading my short story collection, and was pretty pleased with rereading Jackson Square Jazz, particularly since it’s an early book in my canon and it’s been over twenty years since I wrote it.
(It’s kind of awe-inspiring and terrifying at the same time to realize just how long I’ve been doing this. Bill Clinton was president when I signed my first book contract.)
Well, that made me feel rather elderly.
I slept super-well last night, too. I was very tired and falling asleep in my chair, so I went to bed around nine and only woke up once, around two, and then woke up again half an hour before the alarm (as usual). Hopefully, I will not be too tired to function later today.
And on those two rather sad trombone notes, I am heading back into the spice mines. Have a lovely Monday, Constant Reader, and I will be back before you know it.
One of the things I’ve been thinking about lately is how we don’t really have a Louisiana crime writer who explores and illuminates the damage we are doing to the ecosystem and environmentalism of the state the way John D. Macdonald infused many of his Florida novels with so frequently. Condominium, published in the 1980’s, is a stinging indictment of crooked developers and corrupt politicians putting up massive condominium buildings along the coastline of Florida, despite the damage they do to the environment, all in the name of a quick buck. I have been thinking about this because I spent a lot of time in the panhandle in the 1970s, back before Panama City Beach developed into what it is now. I’ve not been back there since 1980, at the latest; but just looking at Google Earth images it’s horrifying how different and over-developed that whole area has become. (I was looking at the images because I was thinking about setting a book along the Redneck Riviera/Baja Alabama/Emerald Coast/Miracle Strip, whichever name you use for the region.) Louisiana, nicknamed “Sportsmen’s Paradise” because of the abundant fish and game and the stunning natural beauty of the state, has pretty much spent the last hundred or so years (at least) destroying and despoiling the natural resources of the state of Louisiana, killing off wildlife species while introducing new invasive ones–and don’t even get me started on Cancer Alley, that stretch of the river between New Orleans and Baton Rouge lined with petrochemical plants parked next to poor, mostly Black communities that have, surprisingly enough, large instances of cancers in the residents. Now the level of the river is so low that it can’t keep the Gulf water pushed down, and the salty water is making its way up the river and intruding into our drinking water supply here in southeastern Louisiana. I’m sure the loss of so much of the wetlands to ensure oil company profits hasn’t affected this in any way, shape or form. There’s a really good environmental thriller to be written about Louisiana (if not more), and I think maybe part of the problem in writing about the destruction of Louisiana in the name of unfettered greed is that I don’t feel knowledgeable enough on the subject to tackle it, nor do I have the time to spend on the research necessary.
It’s really disappointing to me that James Michener never wrote one of his two thousand page plus books about Louisiana. Louisiana history, no offense, is a lot more interesting than Texas’.
And Sportsmen’s Paradise is a great title for a book about Louisiana’s environmental disasters.
I suppose I should just go ahead and do it, regardless of how difficult and long and tedious the process may be. I also think part of the reason I’ve resisted this aspect of writing about Louisiana is because no matter how dark my books may get, I always want justice to be done in some way and to end the book with some sort of hope; there literally is no hope for the future of Louisiana because our politicians are all too greedy and corrupt and only focused on the now rather than the future, no matter how much they beat the “but the children!” drum publicly to fool those incapable of deeper thought. There have been so many environmental disasters in Louisiana over the nearly three decades I’ve lived here I can’t remember them all; and yes, I definitely count boil water advisories in that, too. There was the sinkhole at Bayou Corne (anyone remember that?) and of course Deepwater Horizon, whose true impact and the damage it wrought on the Gulf and the coastline will not be fully known for generations.
The one consistent thing throughout Louisiana’s history has been the entrenched systemic political corruption. I have written about that.
I’ve also been thinking a lot about Jackson Square Jazz, as I get into this revision, and remembering why I wrote it and what I was trying to say within the book; there was a thread in it that ties directly into the new one, and there are also some thematic commonalities with S. A. Cosby’s All the Sinners Bleed, which I am really enjoying reading. Shawn is such an extraordinary writer, with a gift not only for language but character, dialogue, setting and story; the complete deal, as it were, and definitely is going to be considered one of the definitive crime writers of this new generation of exceptional talent that has risen over the last few years. I am going to spend some more time with Shawn’s book this morning, too; I am really enjoying it and wanting to see where it goes and how it all ends. I also have the new Lou Berney on deck, and Lou’s books are always high-quality, clever, and engaging.
College football was interesting yesterday. My Tigers prevailed in a three-point nail-biter against Arkansas in Tiger Stadium 34-31, running the clock out and kicking the winning field goal on the last play of the game. Paul and I were stunned, as was the crowd in the stadium..,and then I laughed. “LSU fans aren’t used to smart clock management in tight games,” I observed, and Paul started laughing with me because the crowd in the stadium didn’t know how to react to the end of the game either. It almost seemed ant-climactic rather than exciting…how many games have we lost this century because of poor clock management skills displayed by the coaching staff? So it was lovely, for once, to see the Tigers play smart at the end of a game for a change. Alabama finally looked like Alabama for the first time this season–but only in the second half as they iced Mississippi. LSU now has to play Mississippi in Oxford next weekend; it’ll be interesting to see how LSU stacks up against our old Magnolia Bowl foe. Colorado finally lost, which brought out all the racist college football fans on social media. The Texas A&M-Auburn game was just sloppy, ugly and unimpressive, while Mississippi State fell to South Carolina. But the big game of the day lived up to its billing–Ohio State v. Notre Dame in South Bend, with the Buckeyes scoring the winning touchdown on the literal last play of the game, 17-14. I literally only saw the closing minutes of the game, switching over once the LSU game concluded. The Saints play at noon today at Green Bay, so the grocery run I need to make will happen around that time–no fool me; everyone knows the best time to make groceries is during a Saints game here.
Yesterday was pretty relaxing, over all; a lovely day for the weekend and a restful and nice one, despite the stress of the LSU game. I’ll probably have the Saints game on in the background because it’s too anxiety-making to watch the games. (I have yet to learn how to control the anxiety during a game; it was certainly there last night and while I tried very hard not to get negative during the game, I could feel the adrenaline spiking and my heart rate going up, but I managed to keep my mind from spiraling and going super-dark as well not getting overly emotional It is, after all, just a football game and LSU football success isn’t necessary for my mental well-being.)
My goals for today are to read Shawn’s book for a few hours, get cleaned up and make a grocery run; while finishing the first chapters of the new Valerie and Jem books (tentatively titled, thus far, The House of the Seven Grables and You Gone, Girl) and also wanting to do some short story work as well, which is always fun. This Friday I am getting fitted for my new teeth (hurray!) and I have also reached the point where I can eat and enjoy noodles, so yesterday I made box mac’n’cheese (not Kraft, but one that came from the refrigerated section and simply needed microwaving and stirring; it wasn’t bad, either). Tonight I am going to make ravioli for dinner; we’ll see how that goes, although I am sure I won’t be able to eat any garlic bread. (I am able to eat Cheese Puffs, though.) I really want a burger, more than anything else. We are also making a trip to the SPCA to adopt a cat this coming Friday, which is perhaps the most exciting thing of all! I’ve really missed having a cat; they are such darling animals, and of course we want to get another ginger boy.
And on that note, I think I am going to head into the spice mines. Have a lovely Sunday, Constant Reader, and I’ll be back–if not later, than tomorrow.
Tuesday and we have survived another bleak and grim Monday. Huzzah! The Saints won last night–though it could have gone either way for most of the game, before they finally scored two touchdowns late in the game to put the Panthers away. Huzzah! They are also off to their first 2-0 start since 2013, which has been a hot minute, really. I also didn’t expect the game to end before I had to go to bed, so that was also a nice bonus.
I didn’t sleep great last night but I feel rested this morning. I imagine at some point this afternoon I will finally run out of steam and hit the wall, but my new glasses arrived yesterday and I can see better than I had before. I did some dishes when I got home from work, was terribly confused that my hooded Crescent Care sweatshirt (that I wear at work because they keep the building at about the temperature of a meat locker) and my only black belt have seemingly disappeared into the ether (note to self: order belts on-line today). I don’t understand how both could have disappeared from inside the apartment, but that seems to be what has happened. I don’t have any errands to run on the way home tonight, praise be, so I can come straight home and chill after work. Last night I sat down and started reading my latest short story collection, This Town and Other Stories, and I have to say, I’m pretty good at this short story thing. They have always been a sore spot for me, something I feel like I have trouble doing, primarily because of that asshole college professor who told me I’d never be a published author (shows how much he knew, right?) but seriously, some of these stories are quite good, and the voices! The language choices!
I recently realized that part of the reason I am so dismissive of my own work is because I can never turn off the “must make this better” editorial mentality with my own work, even when it’s in print. I usually only read my own work in order to critique or improve it, so subconsciously my mind becomes critical when I am reading my own work and consciously look for things that are wrong that need to be improved…despite the fact that when it’s in print it’s too late. I’m working on that, at least trying to get better with it. I don’t know if I’ll ever be able to turn off my inner critic, but I know I’m going to stop listening to that bitch and letting him under my skin.
I transcribed what I had written of the next book I am going to write in my journal, and it only turned out to be about five hundred or so words…but that’s five hundred or so words I didn’t have before. I’m going to try to get three chapters done before stopping, since the contract hasn’t been signed yet or an offer made. I know I have some more freeform writing on my story “Parlor Tricks” in there too; I am going to get that transcribed at some point this week. I like that I’m over the don’t wanna mentality when it comes to writing; all it ever takes is for me to do some and the dam bursts. So, I am writing “Parlor Tricks” for the collection; “Whim of the Wind” for something else, and “The Blues Before Dawn” for another anthology. I think with the two new stories and the loss of one unpublished one that I’ve decided to pull because I’m not comfortable with it and it may be borderline offensive, it’ll come out to around eighty thousand words, which is even closer to being finished that I had hoped. I just need to finish a few more, in addition to the ones I need to finish for submission. I think “Death and the Handmaidens”, “Parlor Tricks,” and maybe “Please Die Soon.” We’ll see, I suppose.
It feels good to be producing work again, you know? It always makes me happy.
And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and you never know; I may be back later.
Sunday morning after a satisfactorily relaxing Saturday, in which I watched a lot of college football while doing chores and picking things up and so forth. For those of you keeping track of the soft food diet, last night I tried mashed potatoes as a meal and it was rather filling, yet not satisfying. I was fantasizing yesterday about corn dogs and fish tacos and cheeseburgers and almost every kind of solid food imaginable at some point during the day, only to sigh and get another yogurt or protein shake in a box.
LSU played very well yesterday, winning 41-14 over Mississippi State in Starkville, which meant listening to those fucking cowbells all through the game, but I don’t know what that win means, if anything. Yes, it means LSU is now tied for first place in the West, but what does it mean for how good they are? LSU has been very dominant in its last two games, but Grambling State was very much outmatched and no one really knows how good or bad Mississippi State is, either. They always manage to play better than expected when they play LSU, and there have been some insanely close games as well as the occasional MSU upset win–and by quite a lot. I’m cautiously optimistic about the rest of the season for LSU, but my expectations aren’t high; I’ll be glad for whatever we get that is good this season. It’s nice to beat the Bulldogs in Starkville decisively. Was Florida State just a really good team and LSU played sloppy so had no chance? It’s also possible. Georgia didn’t look invincible yesterday against South Carolina, and neither did Alabama at South Florida. The Florida blowout of Tennessee annihilated any hopes they may have had of winning the East this year–I can’t see how they’ll beat Georgia, and Alabama, which is the only way it’s possible for them now. Another Tennessee loss will be fatal to their hopes for a big season–and they also have to play at Alabama….who also is looking a little shaky this year. I think the SEC is wide open this year, and Georgia is still the favorite, but maybe not as resoundingly as I had thought. Interesting.
So, as I said, the rest of the day was anti-climactic. I continued on my soft food diet, while fantasizing about solid food, and my mouth waters at the thought of what I’ll be able to eat once my mouth has healed. This may also be the last time I’m ever on a liquid/soft food diet, and certainly not for the length of time this is taking for me. That helps me get through the day, believe me–and those are the straws I am grasping at this point. It’s not really been that bad, but I think a diet that is so heavy in protein and fat can’t be that good for me so I am going to force myself to eat more of the baby food, which is dreadful. There’s a weird chemical aftertaste to it that I can’t quite figure out, but it’s nasty. At least the servings are small. I did eat mashed potatoes for dinner last night, which was just weird. Today I think I am going to make chicken noodle soup for lunch; I think I can handle the noodles somewhat, and that will be a good benchmark to see what I can and can’t have in terms of more solid food. I mean, maybe mac-and-cheese could happen at some point, you never know. I do have some things to do that I’ve been (as usual) putting off until the last minute, so there’s no other option than to do them today. It’s fine; there’s no Saints game to distract me or sideline me (they play tomorrow night) and I am conflicted about them; they are my team, but this week I found out our new quarterback is a COVID-denier and anti-vaxxer–at least as far as the COVID vaccine is concerned. I had started following him on Twitter (I refuse to call it X, fuck off, Musk), and then I saw him retweeting something questioning the WHO and the vaccines, etc. and thought, yes, because you got your degree in epidemiology and infectious diseases at Fresno State? I unfollowed and blocked him. This is tough for me, really. I never really felt the same about Drew Brees after he partnered with the homophobic American Family Association to promote “bring your Bible to school day”–which sounds sweet and innocuous….unless you aren’t a Christian. The fact that he and his team failed to do any vetting on AFA before agreeing to work with them was incredibly troubling; his reaction (“I’m not a bully! I support everyone! How dare you criticize me!”) made it worse. There was no humility there, just anger at being doubted or questioned, which belied the “humble act” he’d been playing since signing with the Saints. To me, that failing lessened him in my eyes because I’d admired and liked him as a good person for so long. No doubt, he did a lot for New Orleans and he still has charities and programs here his foundation runs–but the Brees family moved back to Texas shortly after he retired as well.
So much for his lifelong commitment to New Orleans. That also stung a bit. So, yes, while the bloom was off that rose even before he retired, I suppose I could have eventually gotten around to getting past it and excusing the AFA connection–if not for them leaving New Orleans. This city literally gave them everything they have…and once the city had finished giving them everything, they left when there was nothing left to squeeze out of the orange.
I’m petty that way. I love New Orleans, and don’t even think about disrespecting the city unless you live here. Only residents of the city have the right to complain–the rest of you don’t have to come here, and please, feel free to keep your sorry asses at home if you aren’t going to love and appreciate New Orleans for all that she is.
I was also realizing, as I watched the games yesterday (won’t lie, I always pull for upsets except for LSU early in the season; my allegiances and loyalties shift as it progresses as LSU works through its schedule and who LSU needs to win and lose changes every weekend), that I should be taking advantage of this contract-free state in which I find myself to work on other things and maybe get them ready for either submission or publication? I’d like to get my short story collection finished by the end of the year–I think some of my stories that are published might not be available for it, like “The Ditch” and “The Snow Globe,” and if I finish revising “Whim of the Wind” and the anthology I am working on it for takes it, that will also take it out of consideration for the collection. I know “Death and the Handmaidens” will never be picked up for publication outside of one of my own collections, and that’s fine with me. It’s a bit flawed and needs cleaning up, of course, but it’s a good story with a strong foundation that just needs tweaking. I finally have let go of my ridiculous notion that “Whim of the Wind” was perfect as written and only had one small flaw that needed fixing; I am still proud of it as the first story I wrote that a college professor and a writing class thought was good and publishable of mine, so it will always be that landmark story in my writing career, but revising and rewriting and changing it isn’t some incredibly unpardonable sin for me, you know. I also want to revise and finish “The Blues Before Dawn,” “Parlor Tricks,” and “Temple of the Soothsayer.” That should be my goal for this week–as well as starting the revision/re-edit of Jackson Square Jazz–and emptying my email inbox.
And there are other things, too. So much, as always, that one Gregalicious always seems to have on his plate. I also started writing up interview posts, based on panel questions from Bouchercon in San Diego, which is always fun.
And on that note, I am getting another cup of coffee before heading into the spice mines. Have a lovely Sunday, Constant Reader, and I may check in with you again later, if not tomorrow.
I’ve been sleeping deeply and well lately for an insomniac; I suspect it has more to do with the pain being exhausting than anything else. Any surgery is traumatic to the system and requires rest for recovery, and oral surgery is no different than any other. I’ve taken today off as well as tomorrow; I was thinking yesterday I could probably just go in today and do some paperwork or something, but (and this is not laziness) I started thinking it’s probably best to give myself enough recovery time before I head back in–and I also know the clinic is jam-packed with appointments for today and tomorrow, and I just don’t think I have the energy to deal with that today. I think one more good night’s sleep with probably do the trick.
The Saints won a nail-biter yesterday and I didn’t watch the US Open final; I just can’t with Novak Djokovic anymore. I used to like him until he became an anti-vax/COVID denier, and I can’t with that, I’m sorry. I respect his athleticism, commitment to his sport and being the best, but as a person? I can’t help but feel he’s a selfish, arrogant, borderline sociopathic asshole. Of course he’s entitled to his opinion, but he’s not entitled to me being a fan and watching him play, either. For the record, that’s how it works. I don’t deny him the right to be an anti-vaxxer/COVID denier, but I also don’t have to be a fan or watch him play. We got caught up on Only Murders in the Building and Ahsoka last night, too. I also finished several in-progress blog entries, including the one called “Shame” about homophobia in crime fiction and how things have gotten better over the years–but we can’t forget how bad it used to be, either, which was the point of the post, really; telling the crime community that we’re here, we’re queer, and we’re not going any fucking where.
Get fucking used to us.
Today I am going to try to do some chores around here. I’m feeling like a slug–anxiety talking again; I always feel like I should be doing something and down-time is time wasted–so I think I should do some things today. I suppose it depends on my energy stores, and how long it holds out. I want to read some more of Shawn’s book this morning–I think my resistance to that brutal opening was more of the post-surgery exhaustion–and I also need to empty the dishwasher and do another load that is soaking in the sink. I also want to make something to take for lunch this week–I’m thinking Swedish meatballs in the slow cooker, but am not sure if my minimal chewing abilities can handle the meatballs, even if I cut them up smaller before putting them in my mouth; I don’t think I can swallow them unchewed in some fashion–and I do need to go buy more ice cream and yogurt. I think some of the soups and ramen on hand could be useful. I can’t wait till I can eat a burger again, to be honest.
I also need to answer all the emails that have been languishing in my inbox for quite some time. I owe Dad an email–I’ve not had the strength after Bouchercon and the surgery to face writing him–and my sister’s birthday is this week. I also need to mail something, so I think I’ll drive uptown to make groceries and see what else is possible for soft foods for the week (mashed potatoes, baked potatoes, that sort of thing). I need to get the things on my to-so list knocked out, too. I feel more rested and more myself this morning, but maybe that’s because the pain pills haven’t quite kicked in yet. I also need to start revising/editing Jackson Square Jazz; I’m very excited about that finally being available again, and since Scotty turns twenty-one next year, I kind of want to celebrate the series throughout the year and I don’t know, maybe give away first editions? Something, anyway.
It’s also hard to believe Chanse will be twenty-two in January. I’ve been doing this for over a third of my life now. I owe it all to my stubbornness and obliviousness. Someone smarter and more aware would have probably given up a long time ago, but here I am, still here, older and possibly wiser and certainly not much smarter than I was all these years ago when I was a wide-eyed innocent walking into the world of the published word. I always remember that first August Paul and I lived here back in 1996. We went to a fundraised for the LGBT Center, and there was a tarot card reader there. (I’ve always been fascinated by tarot; I blame the James Bond movie Live and Let Die, which also connected New Orleans and the tarot in my mind. I write about a “private eye” who’s slightly psychic and reads tarot cards and lives in New Orleans. Coincidence? Probably not. Sadly, it’s always been one of my favorite Bond movies and always has held a special place in my brain for introducing me to Bond, New Orleans, and the tarot…unfortunately, the film does NOT hold up forty or fifty years later.) Anyway, the question I thought about as I held the cards in my hand was will I ever be a published writer? The answer the cards gave her was “Yes, but it will not be anything like you think it will be.” A generic answer, yes, that could apply to any number of questions…things are generally never what you thought or imagined they would be. Being a published author is definitely not anything like I ever dreamed or fantasized about when I wasn’t one. I know I thought being published would change my life for the better (I was not wrong about that) but…yes, it’s nothing like what I thought it would be like. Publishing can be a very cold and lonely place, but all you can really control is the work itself. You can’t control whether or not you get published, you can’t control whether or not the book sells, you can’t control the way readers and reviewers will react to it, you can’t control whether you get award recognition. All you actually can control is the writing itself, and do the best you can. I always hope my work is getting better–which should make reediting and revising the original Jackson Square Jazz interesting…
And on that note, I am going to bring this to a close, make another cup of coffee, and start working on the chores around the kitchen, while streaming music through my iHome speakers. I’ll probably check back in later–I have all those unfinished blog entries I need to eventually finish and post–and I also want to get some fiction writing done today as well. Have a great Monday, Constant Reader–do you think today’s photo will get my adult content flags on social media?
Queer and Loathing in America 