Monday morning after a relatively relaxing and stable weekend. I did a lot, mostly chores that needed to be done and reading, but it was also very nice. The Saints won their game yesterday, which was a very pleasant surprise, and we finished watching this most recent season of Élite, which I realized yesterday I’ve always put the accent on the wrong e, but it’s pronounced ah-lee-tay, so it made sense to me for the accent to go there.
Or maybe I’ve been saying it wrong.
Anyway, this seventh season was disappointing, as the storylines and the crime focused on parents rather than the students–which was a major error, I felt. The season did end with a murder–I’d wondered how long that character, an abusive and controlling lover, would last without being killed or redeemed; I got my answer in the finale–but the primary issue with the season is I don’t really care very much about any of the characters anymore. One of the show’s greatest strengths in those early fantastic seasons was how well the characters were developed (and the talent of the actors playing them) was that they were multi-faceted; even when they were being bad or doing terrible things, you understood them and why they were doing it so they were sympathetic. Now they are all just kids who bad things happen to who have no control over anything that happens or what they do–which is the problem. Before, in the earlier seasons, the kids had agency, and while originally the show was the Gossip Girl we all deserved, it slowly turned itself into Gossip Girl, which was fun but had little depth. A pity. We’ll stick around for the eighth season, which is the last one, while mourning its former glory.
Tomorrow is Halloween, and I signed up to make a cheesecake. The mistake I made was forgetting that I have to go to the dentist tomorrow morning before work, and the other was I must have gotten rid of my cake carrier during one of my pandemic decluttering purges, so I have nothing to carry it to work with–and I don’t like the idea of it sitting in my car while I am at the dentist. Going back home to get it after the dentist isn’t an option, either, because I am trying to spare paid time off as much as possible with the surgery coming, as I also have to run off to UNO after lunch to record “My Reading Life with Susan Larson”. Big day indeed. I guess I can just put the cheesecake into a box and bring it while still in the springform pan? AH, well, all I know is when I get home from work tonight I have to make a cheesecake and figure out the rest tomorrow.
These difficult life decisions, seriously.
I did manage to read Mike Ford’s The Lonely Ghost yesterday which I quite enjoyed; middle-grade books tend to read a lot faster than those for older readers and there will definitely be more on that to come. I will say for now that had he been writing when I was a kid, Ford would be one of my go-to authors, like Phyllis A. Whitney.
We also watched a hilarious (to us, anyway) movie on Prime yesterday, Totally Killer, which starred Kiernan Shipka in the lead of a hilarious mash-up of Back to the Future with a slasher movie playing Jamie, whose mom was the final girl of a spree killer thirty-five years earlier, who comes back in the present day to kill her mom. Her mom is obviously very into self-protection and more than a little paranoid–which of course makes Jamie even more sullen and distant. Her best friend is trying to build a time machine as a science project out of an old photo book, and for some reason the science fair takes place at an old, abandoned amusement park. Anyway, the killer kills her mom and chases her into the amusement park, she ducks into the photo booth and accidentally turns it on, and then the killer stabs the console with his butcher knife–which activates the time machine and sends her back to 1987, with a new task and mission: catch the killer before he kills anyone and thus save her mother–and with the benefit of her knowledge of the history, she knows who is going to be killed and where. A great plan, of course–but her being there slowly starts changing the future. It’s very clever and funny, and the juxtaposition of a modern teenager into a teenager back in the highly problematic 80’s and the cultural/societal differences are absolutely hilarious–especially to those of us who lived through them the first time. It’s light and fluffy, fun and entertaining and not to be taken terribly seriously. Also, because it’s Halloween Horror Month, I’ve been reading a lot of books that would fall into the slasher versions of horror–Clown in a Cornfield, Final Girls–so I’ve been thinking about the trope a lot lately too.
Maybe my next y/a should be a slasher novel? It could be fun.
And on that note, off to the spice mines! Have a lovely All Hallows’ Eve Eve!
I love Daphne du Maurier, and I love Venice, so it is no surprise that one of my favorite works of fiction is her long story, “Don’t Look Now.”
I know I’ve talked about this story endlessly already, numerous times, but you can also close the browser window now if you don’t want to read me talking about the story more. If you’ve not read it and would like to, this is a good time to navigate away–because I am going to give spoilers aplenty in this entry–because part of the great pleasure of reading “Don’t Look Now” for the first time is all the surprises and twists and shocks.
Du Maurier was a master of the plot twist.
“Don’t look now,” John said to his wife, “but there are a couple of old girls two tables away who are trying to hypnotize me.”
Laura, quick on cue, made an elaborate pretnse of yawning, then tilted her head as though searching the skies for a non-existent aeroplane.
“Right behind you,” he added. “That’s why you can’t turn round at once–it would be much too obvious.”
Laura played the oldest trick in the world and dropped her napkin, then bent to scrabble for it under her feet, sending a shooting glance over her left shoulder as she straightened once again. She sucked in her cheeks, the first tell-tale sign of suppressed hysteria, and lowered her head.
“They’re not old girls at all,” she said. “They’re male twins in drag.”
Her voice broke ominously, the prelude ton uncontrolled laughter, and John quickly poured some more chianti into her glass.
“Pretend to choke,” he said, “then they won’t notice. You know what it is–they’re criminals doing the sights of Europe, changing sex at every stop. Twin sisters here in Torcello. Twin brothers tomorrow in Venice, or even tonight, parading arm-in-arm across the Piazza San Marco. Just a matter of switching clothes and wigs.”
“Jewel thieves or murderers?” asked Laura.
“Oh, murderers, definitely. But why, I ask myself, have they picked on me?”
It had been a hot minute since I’d reread “Don’t Look Now,” and rereading it this time was an incredible pleasure, as it always is. I originally discovered this story in her collection Echoes from the Macabre: Selected Stories, and was completely enthralled when I read it as a teenager.
This is the copy I found at Zayre’s when I was about twelve, and discovering duMaurier for the very first time.
That opening sequence between John and Laura is a masterclass in opening a long story, frankly. (Now, by the way, is the time to navigate away from the entry if you’ve not read the story but want to–I can also highly recommend the Nicholas Roeg film adaptation starring Donald Sutherland and Julie Christie.)
What do we see in that opening sequence? A couple, probably married and in love, having dinner at a restaurant in Torcello–and playing a delightful couples game in which you pick random diners at a different table and make up stories about them. I myself do this all the time whenever I am in public and alone; I just start looking around and making up stories about people based on their appearance and where they are and so forth. (This is an excellent exercise for new writers trying to hone their art and craft, by the way; take a notebook with you, have a meal by yourself, and pick out a table to observe, then start creating character and story based on what you’ve observed. I love doing this, frankly.) I also love that the opening three words of the story itself are also the title–as though “don’t look now” is actually what they call the game, and this innocent game actually is the first domino to fall in a series that results in tragedy. But du Maurier has already hooked us into this couple and their story, and we eagerly read on. What is this story about? Who are John and Laura? Why are they in Torcello? (When I originally read the story I didn’t know that Torcello is one of the smaller islands in the Venetian lagoon; but that soon becomes obvious.) One of the twins-in-drag gets up and goes to the restroom, and Laura, all in on the game now, follows her into the bathroom to see if she really is a man in drag, and there is much hilarious conversation between them about what might happen if it truly was a man in drag (and with all the bathroom battles currently being waged in this country, this scene took an an entirely different resonance in this reading), and we are left alone with John.
And once we are alone with John, we find out a lot more about the couple. They’re British, for one–safe to assume in a duMaurier tale–and as he sits there waiting for her to come back, he remembers why they are there; they’re touring Europe as a getaway as well as an attempt to help Laura (and John) get over the loss of their daughter Christine, who died of leukemia (this was changed in the movie to great effect) and Laura hasn’t been able to shake her sorrow, so John thought this trip would help, and this entire conversation–the resurrection of this game they used to play in happier times–has given him glimpses of Laura before the loss, giving him hope that the wound is finally beginning to heal. They have a son, too, who is off at school, but Christine was Laura’s darling and her favorite (I love that du Maurier would have none of that sentimentality about parents loving their children equally; she dismisses that nonsense out of hand. Of course parents have favorites. They’re human.) and so the loss is even more felt.
But then he notices that Laura has been gone a while…far too long for a quick trip to the restroom. And when she returns…
He could tell at once there was something wrong. Almost as if she were in a state of shock. She blundered towards the table he had just vacated and sat down. He drew up a chair beside her, taking her hand.
“Darling, what is it? Tell me–are you ill?”
But Laura shakes off the shock, and is radiant with joy as she explains to John the incredible encounter she had with the old woman in the restaurant rest room. One of the old women–the one who was staring–is blind but also psychic. She saw their daughter, Christine, sitting with them at the table laughing happily. John, of course, is delighted that his wife is happy but at the same time he’s aggravated at the woman–how very dare she say such a thing to his wife! He doesn’t believe in any of this nonsense and he is deeply irritated and annoyed that his wife–not really fully recovered from her loss–is so quickly taken in and ready to believe the story.
The desperate urgency in her voice made his heart sicken. He had to play along with her, agree, soothe, do anything to bring back some sense of calm.
Before, when reading this story, I always kind of felt John was kind of a dick. His wife is deeply saddened and depressed over the loss of a child, and he doesn’t seem to much care that he, too, has lost a beloved child. But this time through, I felt a pang of recognition there in John’s behavior; he was actually sublimating his own grief in that time-honored way men historically have–by ignoring it and pushing it away and focusing on taking care of his (so-believed) much more delicate and emotionally fragile wife; he has to be the MAN and take care of things, which is du Maurier’s sly way of inserting a critique of societal mores and expectations of straight white men. So, rather then processing his own grief, he buries it beneath concern and worry for wife, which isn’t healthy for either of them.
As John listens, horrified and appalled and even a bit angry, his wife explains to him that their daughter also is worried about them, that they are in danger in Venice and must leave right away. (There’s also a throwaway line that the psychic twin also mentioned that John is also psychic “but doesn’t know it.”) Naturally, she wants to leave while John, confounded and horrified by this turn of events–completely dismissing her out of hand, without the slightest bit of even trying to understand–will have nothing to do with their holiday plans being changed. Laura’s improvement in mood and spirit fades away and as they walk to have dinner, they become separated briefly, and he hears a cry from across a canal in the dark, and sees a child fleeing in a red hooded jacket, jumping from boat to boat until she escapes the sound of running footsteps behind her by crossing the canal by crossing over the boats. He and Laura are reunited, and he thinks no more of it. They have dinner, return, and discover that their son has fallen ill with appendicitis, and perhaps they should return. Laura sees this as the vision of the “danger” and even as John thinks about it, she goes about making the arrangements for them to get back to England. She gets an open seat on a chartered flight, and he will collect their things and their car and drive back. She takes off, he checks out, makes the car arrangements, but as he is coming back to the hotel he sees Laura and the twins, passing him by on another vaporetto. Disturbed by this change in plans, he decides to go looking for the twins, find out what happened and how they convinced her to stay, etc. eventually going to the police to try to track down the twins.
While at the police station, another British couple–there to report a stolen purse–tells him about all the murders going on in Venice that have the police so worked up; he thinks nothing of it, and then of course they find the twins who’ve not seen Laura–who also calls him once she has arrived in England.
Confused and upset and uncertain of what is going on, he goes out for another late night walk and once again sees the child in the red jacket running away. He himself chases after her to try to help her–only to catch her, find out it’s actually a demented little person armed with a powerful knife, who slashes his throat–and as he sinks to the ground dying, puts it all together–he’s psychic; he saw Laura and the twins together in the future when Laura has returned after his death to claim the body; and all along it was all right there in front of his face, only he refused to see it, thinking, as he last thoughts, as he hears shouts and people running towards him, what a bloody stupid way to die and proceeds to do so.
Du Maurier’s prose is, as always, literate and smart and brilliant; her characters seem absolutely real, and Venice springs to magnificent life in her hands. The structure of the story and her remarkable job at misdirecting the reader into missing, along with John, what is really going on around him in this Venice holiday is fucking brilliant. She gives John, and the reader, all the hints they need to piece it all together, but she is so completely into John’s head, his inner monologue, that the reader sees only what John sees, until it’s too late, and you realize this story never was what you thought it was in the beginning, or along the way; or that it is just not the way you expected it to be.
I’m already excited to read it again, and watch the film–a masterpiece–as well.
I’ve always loved The Haunting of Hill House, and Jackson has always been one of my favorite writers. I’ve long ago lost count of how many times I’ve reread the book, and of course I love the original film version from 1963, directed by Robert Wise and starring Julie Harris in one of her best screen roles as Nell. The sense of dread and fear contained within the pages of that incredibly short novel are astounding. I’ve always believed that one of the book’s greatest strengths was its lack of explanation; horror novels, or ghost stories, or whatever you want to call Jackson’s novel, inevitably always get hung up on explanations of who or what caused the place to become haunted and/or accursed. Jackson never bothered, knowing instinctively that the unknown is far more unsettling and terrifying than any understanding or explanation she could provide to her readers; she just never explained. “The Lottery” offers no clues as to why the villagers have developed this annual ritual, it simply happens and she shows it to us without explanation…which again makes it that much more unsettling. In the years since I originally discovered and read a very cheap copy of The Haunting of Hill House at a used book store, with its Gothic-style cover depicting a beautiful Nell with long flowing hair and a long flowing gown, holding a candle while climbing the horrible spiral staircase in the library, I’ve read more of Jackson and become an even bigger fan of her work than I already was. The Haunting of Hill House and “The Lottery” firmly cemented Jackson’s deserved place in American literature; the rest of her equally brilliant, disturbing and unsettling work serve to heighten that place and elevate it even more.
I am not a purist. A long time ago I realized that films and television programs adapted from books would almost always be disappointing for a fan of the book; ones that are actually better than the book (The Exorcist, The Godfather) are few and far between. I stopped getting irritated by these changes a long time ago. I also learned to stop being bothered by such things; it’s an adaptation, after all, and that means changes because it’s now a different medium. (I have already mentioned my amusement at how militant fans can be about these things; particularly when it comes to things like Nancy Drew or the Hardy Boys.) I hated the 1999 remake of The Haunting; it was special effects nightmare that made little to no sense; the whole point of the story was you never see what it is that’s going on and never are really sure; this second film version ignored that and therefore, it wasn’t The Haunting but just another haunted house movie. I greatly enjoyed the Netflix adaptation mini-series by Mike Flanagan; it was a different interpretation–again, you never see anything–and I thought it was a brilliant modernization/adaptation.
But I did approach this book, said to be a retelling of the story, with a bit of trepidation. I’d heard of Ms. Hand before, of course–I have a copy of Curious Toys, which I bought when she on the Shirley Jackson Award for it, and had been meaning to get to her work at some point.
I left the rental just as the sun poked its head above the nearby mountains, and golden light filled the broad stretch of river that ran alongside the little town. Nisa was still curled up in bed, beathing deeply, her dark curls stuck to her cheek. I brushed them aside but she never stirred. Nisa slept like a child. Unlike me, she was never troubled by nightmares or insomnia. It would be another hour or two before she woke. Longer, maybe. Probably.
I kissed her cheek, breathing in her scent–lilac-and-freesia perfume mingled with my own Jasmin et Tabac, one of my few luxuries–and ran my hand along her bare shoulder. I was tempted to crawl back in bed beside her, but I also felt an odd restlessness, a nagging sense that there was somewhere I needed to be. There wasn’t–we knew no on around here except for Theresa and Giorgio, and both would be at work at their home offices overlooking the river.
I kissed Nisa again: if she woke, I’d take it as a sign, and remain here. But she didn’t wake.
I scrawled a note on a piece of paper–Nisa often forgot to turn her notifications off, she’d be grumpy all morning if a text woke her. Going for a drive, back with provisions. Love you.
This book isn’t a retelling of the Jackson novel, but rather a kind of sequel, picking up at Hill House some sixty years after poor Nell drove her car into the tree after the turn in the driveway as she realized she’d been wrong about everything but only too late. This is a new story of Hill House, and our main character, Holly Sherwin, is staying upstate with her lover Nisa in an Air BnB, and bored, wakes up early and goes for a drive. A playwright, she’s recently won a grant to help cover expenses while she works on her play, Witching Night, which is based on an old sixteenth century manuscript she came across by chance. It’s the story of an old woman accused of witchcraft and burned at the stake, based on a real event; her girlfriend Nisa is an accomplished rising singer/songwriter, who is rewriting old murder ballads to use as the soundtrack/backdrop of the play. She goes for a drive and finds herself at Hill House…which draws her in much as it did Nell in the original Jackson and she decides to rent the house for two weeks, move in with her cast (her bisexual friend Stevie, a former child star molested on set and now an amazing sound tech) and Amanda, a brilliant aging actress whose career took a turn when a costar fell to his death–and of course people wondered if she pushed him. Holly herself has a bit of a checkered past; someone had told her a story that she adapted into a play; the original person threatened to sue her but before anything can be done that person commits suicide. That derailed her playwriting career–and believe me, Hand does an excellent job of depicting what the excitement that a burnt-out creative experiences when inspiration, an opportunity to flex those creaky muscles and create again, feels like.
All four of the characters are beautifully rendered and are completely real, and one of the things I liked was how Hand slyly also referenced the Flanagan mini-series as a part of the Hill House continuity. Hand’s Hill House has similarities to Jackson’s, and there are more than enough nods for the Jackson fan to recognize and smile about. Hand also does an incredible job of creating that claustrophobic dream-like feel Jackson used for her book, but Hand doesn’t mimic Jackson’s style; the style of this novel is entirely Hand’s, but one has to marvel at Hand’s mastery of creating that same feeling in her reader but in an entirely different way. The language she uses is flawless and rhythmic, just like Jackson’s was, but again completely different. There are also moments that mirror the original novel beautifully; call backs to the original story that I personally felt like little secrets Hand was sharing with me the reader. It’s a very intimate story, and I felt like I was there with them, the characters were people I understood and knew and cared about. Hand also tells the story in alternating points of view, which helps create the off-balance slightly skewed perspective the story needs; Holly tells the story in the first person, but the others are from a third person point of view.
It was terrific, and I look forward to reading more of Hand’s work.
Monday and back to the office with me today. Weekends are simply not long enough, ever, and should always be at least three days, methinks. Yesterday I witnessed the dreadful Saints performance, and it was not a good weekend for Louisiana football fans; the only glimmer of light locally was Tulane’s victory. I finished reading Shawn’s book, which was marvelous, and then picked out my first Halloween Horror read: Riley Sager’s Final Girls, and it’s long past time I’ve read this book. It’s rather embarrassing that I’ve not yet gotten to it. I also downloaded the audiobook of The Only Good Indians by Stephen Graham Jones for this weekend’s drive to the Redneck Riviera, and read another Alfred Hitchcock Presents short story, from Stories for Late at Night, “The Ash Tree” by M. R. James, which was delightfully creepy and reminded me of Daphne du Maurier’s “The Apple Tree”–and that in turn made me think about creepy trees as a trope in horror, and thought perhaps I should give the trope a whirl at some point. We watched the Scouts Honor: The Secret Files of the Boy Scouts documentary–which was just as creepy and awful and horrific as I thought it would be, as well as yet another pointed reminder of how straight people have failed to protect children since, oh like forever, and then cover it up as much as possible but then have the nerve to accuse queer people of pedophilia and grooming?
Sure, Jan.
We also watched the Jennifer Garner Apple Plus series The Last Thing He Said, which wasn’t great but wasn’t terrible, either; it just kind of evolved and wasn’t very thriller-ish or suspenseful. I also predicted one of the bigger plot twists in the first episode long before it played out in the show, but it was well done and an interesting story; but it wasn’t very thrilling or suspenseful; it never really seemed like there was any danger or stakes. It ws talked about a lot, but never part of the show’s reality? It was interesting enough to hold our interest–although I think I may have approached telling the story in a different manner than they did. It’s an interesting thought, at any rate.
It’s lovely having a kitten in the house, even if it means being more alert and having to get up more regularly because there was a crashing sound from somewhere else inside the apartment–usually followed by a galloping kitten moving at high speed away from the noise and mayhem he caused. He woke me up this morning by knocking my glasses off my nightstand table and then playfully batting them around on the floor, and once I took those away from him he went for the broom. He’s incredibly sweet, though, and I love that he’s so fearless and feels comfortable and at home enough to play. He slept on me for most of the Saints debacle yesterday, through the Boy Scout movie, and then moved back and forth between me and Paul during the Jennifer Garner show.
I also started writing the opening of a short story or a novel or something at any rate while watching the Boy Scouts documentary–part of it and the scandal was in New Orleans–and had an idea for the opening scene for something so I started writing it down; mainly about a college student away from home for the first time who’s obsessed with true crime and wants to be a true crime writer but isn’t sure how to get started chasing her dream other than majoring in Journalism at Liberty State in Liberty Center, Kansas–the town from #shedeservedit, why not reuse it? I don’t know why I started writing this when there are so many other things I should be working on. But that’s also life, you know, when you’re a writer–at least for me, there are always so many other ideas and thoughts and stories banging around in my head that it’s sometimes hard to focus on what I need to get done.
Heavy heaving sigh.
I never did make that to-do list for the week, so perhaps that should be the first thing on the list (I often do this so I can cross something off the list immediately; it’s satisfying and always seems to keep off working on getting the list completed). I also think that once I finish reading the Riley Sager I am going to reread a classic Stephen King that I’ve not revisited in a long time, The Dead Zone, which used to be one of my favorites and is still one that I think about a lot–especially during the rise of the former president, who eerily reminded me of the character of Greg Stillson, written thirty or forty years or so before the rise of the reality host/failed real estate mogul. (I’d considered rereading it in the wake of the 2016 election, but didn’t have the strength; I think now would be a good time.) I liked the opening of the Sager; which was encouraging. I hope to be able to get several books read this month…I think my reading is going to start picking up again, hallelujah. I think having a cat sleeping my lap while I read was what I was missing, and why it was hard for me to read since we lost Scooter. (I promise not to turn this into a Tug stan blog, seriously.) Today is going to be his first day left at home on his own for a while; we’ll see how he handles that.
And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader; I’m sure I’ll be around again later on.
Thursday morning and the bills are paid. Huzzah? But this afternoon I have to leave early to go to the cardiologist–I need to get cleared for the surgery because of my advanced age–and then Friday morning it’s off to the dentist AND WE’RE GETTING A CAT!!! (I may be a tad bit excited about getting a cat. This cat is going to be so loved and spoiled…) I was tired again yesterday when I got home from work, but I did manage to do some laundry and write. I finished the first chapter of yet another book, and will probably continue to futz around with both of these for a little while longer. It’s always important for me to get the first few chapters on a firm footing before moving on to the rest. I’m not sure why that is, to be honest, but it’s true. It’s impossible for me to move on and get deeper into a manuscript until I am confident in the first five chapters; sometimes less. I always forget this whenever I am working on new projects, and then spiral into self-doubt and imposter syndrome…aka anxiety. I have to say, this is so nice and different, such a lovelier way to live. My sleep is improving, my creativity is flourishing, I am being productive–and it’s okay to choose writing over reading, much as I love to read. I will finish my current book this week and this weekend I will start my Halloween Horror Month reading/film festival/television rewatches.
I’ve actually kind of started that already; I’ve been watching those Dark Shadows episodes. The story behind The Haunting of Collinwood is interesting enough; two doomed spirits from the past using the two children at Collinwood to enact vengeance on the Collins family, and everyone slowly comes to realize something is wrong with the children and something strange is going on. The funniest part, to me, is Elizabeth Stoddard, the matriarch played by old Hollywood star Joan Bennett, kept insisting there are no such things as ghosts and witches and so on–was this an ongoing thing for the character of Elizabeth, with every new supernatural storyline? Girl, where do you live?
I’ve also got those Friday the 13th the Series episodes to watch on Youtube. Horror has had a strong influence on my writing, and it’s something I enjoy and have a deep respect for as a genre. I am hardly expert in the field at all, and I try my hand at it here and there now and again with short stories or the occasional book. But I don’t write scary stuff–I like to write creepy suspense, with the tension and fear and adrenaline rising for the reader along with the characters in the story. My stuff is more about atmosphere itself than the supernatural events, which I rarely try to explain–there’s never a handy “expert” in any of my work to explain things to the characters, who are kind of on their own and can’t be sure they understand it themselves. As I said once in an interview, “Shirley Jackson never explained, and neither did Daphne du Maurier.”
Needless to say, Jackson and du Maurier are two of my biggest influences, I think.
OH! I should reread The Haunting of Hill House. It’s been a minute. And definitely “Don’t Look Now.”
Paul got home in time for us to watch this week’s The Morning Show, and it kind of begs the question: why is the fact that Reese Witherspoon is playing at least a bisexual woman in a relationship with Julianna Margulies not being talked about more? Have we reached the point where we’ve grown blasé about queer rep in mainstream-targeted television shows? Then again, that’s a good place to be–if no one is complaining and we no longer have to champion it? It’s a really good show, and as tired as I am of Jennifer Aniston and her even more tired old straight white lady shtick about cancel culture (“Friends couldn’t air today!” You say that like it’s a bad thing, Jen.), she is quite good in the show. I also approve the addition of Jon Hamm as Elon Musk, er, a Musk-like billionaire buying their network and also as a potential love interest. I also find it interesting that the two female leads–powerful and successful women in the news business–have male first names: Alex and Bradley.
So, hopefully by this afternoon the cardiologist will have cleared me for the surgery next month and I will know if I have the same congenital heart defect my mother had; there’s some question as to whether it’s genetic or not; she made it to eighty, but her father died in his sleep in his mid-forties; her brother also had heart issues and multiple surgeries before he passed. I have to say I have been exceptionally lucky for most of my life; I’ve never had a surgery other than tonsil removal as a child and tooth removal.
And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I’ll be back soon.
Yesterday was a bit of an emotionally challenging one at work yesterday, but handling days like yesterday is the most important part of my job, and part of the primary reason I took the job in the first place. It does get to me sometimes; not as often as one might think, but that’s also having years of experience in doing the work, too. I was emotionally and mentally tired when I got off work, decided not to run any errands and just come home to have some time to myself for a little while instead. There were chores that needed doing, of course, so I put on my big boy pants and went to work. Chores are always lovely when you’re processing things, or when you’re writing something. I like how satisfying it feels to be doing something mindless with your hands while your mind works away at something.
I did manage to do some work on the sequel to Death Drop, and got about 1200 words down, so that’s something. It wasn’t as easy as the work was on Sunday, but I was also better rested then and hadn’t already worked a full day when I sat down to work on the first chapter of the new Valerie, too. Both manuscripts are starting to come together in my mind, which is nice–but I am not sure if this “work on one for a chapter and then switch to the other” is going to be productive or help me at all in getting them both done, either. And the chores helped me assess the chapter and come up with the things that need to be said and written in it, which I will do tonight. So yay for the chores again!
I’ve been toying with the idea for a blog entry for several years now that is actually turning into a longer-form essay. (It’s been sitting in my drafts for a very long time here.) It began as a response to a homophobic op/ed run in a college paper at a major Southern university that was so incredibly offensive on every possible level (there wasn’t a homophobic dog-whistle the little bigot writer didn’t blow) that it was hard to believe a college student in this day and age could write, unashamedly and with such great pleasure and glee, such incredibly bigoted rhetoric disguised as “concern” when what was actually written was nothing more than an uninformed, un-researched, and completely emotional rant, entirely based in nothing factual. All it did was merely give the author a chance to expose their anger and feelings of contempt for queer people. That person should never ever be given any kind of platform again under any fucking circumstance–unless she goes to work for the Murdochs. That post then continued growing, until it became something else entirely, eventually consuming another blog post draft I’d been toying with for a very long time about authenticity and #ownvoices and cultural appropriation. It’s a separate piece from the other essay I’ve been developing (“Are You Man Enough?” about masculinity)–apparently, I’m getting into the writing of essays now, even though no one will want to ever publish them–but it’s something I feel strongly about, especially with that recent nonsensical essay making the rounds about gay romance that erases gay writers almost completely. Yes, yes, we get it, you think straight women invented gay romance.
You can say it a million times, you can even believe it–but that still doesn’t make it true.
Erasure of queer people is an ongoing effort.
The water situation in New Orleans–always dire, no matter how you look at it really–is finally getting national attention (which means I’m hearing about it from friends and family), and this is a question/problem that is going to continue, and not just here, either. Florida seems just as determined to make a quick buck at every moment without any concern for their fresh water supply, which is being steadily poisoned by chemicals and other pollutants; I am sure the rise of the seas is going to also gradually impact the Florida aquifer, too, as well as those of cities along rivers on the coasts. Now imagine a major hurricane coming this way and sending a twenty-foot storm surge of saltwater up the river. It was never a concern before…but it is from now on. Yay! Obviously, Louisiana’s environmental issues are something I’ve always been concerned about, but the concern is definitely ratcheting up a lot lately. This brutally hot summer, the drought, the river level being so low for so long…it’s hard not to think about it. It should be our legislature’s primary concern…but they’re too busy legislating against trans people and banning books because, you know, priorities.
I also started watching, while waiting for Paul to come home from work last night, some old episodes of the original Dark Shadows, which I’ve been thinking about a lot lately. The funny thing about the show and my memories of it are that I don’t really remember a lot of the storylines or characters beyond the original; probably because the “Barnabas is a vampire” storyline was also made into a feature film (House of Dark Shadows) and when the series was rebooted in 1989, they started with that same storyline. Prime used to have the individual episodes; now they have them bunched together with titles–I was watching the episodes when Quentin (David Selby) first came on the show; the grouping is called The Haunting of Collinwood, which made it more fun because I don’t know how the storyline runs–although I know Quentin became one of the stars of the show so this evil persona he’s inhabiting here inevitably must be redeemed. I may have to rent House of Dark Shadows to watch again.
As you can see, I am starting to get into the Halloween Horror Month spirit already!
And on that note I am heading into the spice mines. Have a lovely Wednesday (oh! It’s Pay-the-Bills day!) and I’ll talk to you again later.
Monday morning of Bouchercon week and so much to do before I leave on Wednesday it’s not even the least bit amusing. I somehow managed to get very little done over the weekend–I did get some things done, I always do–but I’ve really got to stop taking the weekends off and do some work other than chores. I did manage to get a shit load of books pruned off the shelves, with even more work to be done on those once I get back (and I am going to try to resist buying any books while I’m in San Diego as well).
I did make it to Costco yesterday to get fitted for my hearing aids, which I will be picking up when I get back from San Diego. When I had them in, the difference was so amazing I couldn’t believe it. The hearing tech stood in the doorway to the room with the door open to the main floor, and she spoke to me–in a soft voice–and I could hear her every word clearly and concisely, and the noise from the store didn’t muffle or down her out at all. She even said, “I can tell you can hear better because you’re speaking more softly than you did without them in–so you were even having trouble hearing yourself speak.” I came home from that, making groceries at the Carrollton Rouse’s (and just let me say, getting to the I-10 on-ramp from Carrollton heading uptown might possibly be the worst interchange/on-ramp I’ve ever experienced in my life–seriously, who the fuck designed our highway system through the city of New Orleans?) and collapsing into the cool of the apartment after being out in the “feels like 114” for far too long. I also paid for said hearing aids, which was significantly cheaper than getting them from the doctor’s office (at least almost fifty percent cheaper; always get your hearing aids at Costco, people, otherwise you’re being robbed). I need to make a packing list and perhaps start packing for the trip tonight. I have an eye appointment on my way to the airport on Wednesday morning, and when I get back from the trip I can get my hearing aids, and then that following Friday I have my dental surgery.
I also watched the latest episode of My Adventures with Superman, which is amazing, quite frankly, and then we watched The Flash, which debuted this weekend on streaming. I know we’re aren’t supposed to watch the movie because it’s star, Ezra Miller, has become extremely problematic in their (I believe they identify as non-binary and use they/them) personal life, with some arrests for deeply troubling crimes; I know there was a big push to cancel both him and the film before its release, and yes, the accusations are troubling. But…I already pay for the streaming service; I didn’t spend anything additional to watch, and yes, I gave them a view to count…and more the shame, really. It’s actually one of the better DC movies, far better than expected, and the plot was actually clever and easily understood and made sense. Miller, whose casting I questioned originally, is really good as Barry Allen. Barry Allen/The Flash has always been one of my favorite DC characters, plus it was superfun to see Michael Keaton put on the cape and cowl again as Batman. Warner Brothers has made some troubling decisions about their DC movies over the past couple of years due to the most recent conglomerate merger–cancelling the Batwoman movie and just shelving it, among others–so they put all their eggs into the basket of The Flash being big box office, and held onto that plan even after Miller’s behavior became an issue. I enjoyed the film, but cannot recommend anyone else watch it, either. I felt guilty even watching it, thinking about Miller’s victims, so all I kept thinking during the movie wasn’t just this is good but what a shame this is good. There will inevitably be a documentary and/or true crime book about Miller’s conduct and how it damaged this film and the studio–but I do think, by releasing the film, Warner Brothers sent a very dangerous message about what they will and won’t tolerate from a star they’ve put a major investment into…and I wouldn’t be surprised if the studio didn’t use money and leverage to get Miller the slap on the wrist he got.
It’s very old-school Hollywood, isn’t it?
It’s really a shame, too. I love Barry Allen, I love the Flash, and Miller is great in the role. But with them rebooting the DCUniverse and recasting everyone, it’s a done deal anyway. I hope Miller gets the help they need, and don’t hurt anyone else.
I am also really looking forward to The Blue Beetle. I’m hearing great things about it, and I am very excited to see a Latino/Hispanic cast.
Bouchercon looms, and I am leaving Wednesday. I have an eye appointment on my way to the airport–the kind of thing I would have never done in the past because of the anxiety (what if something happens? What if I get delayed there? On and on and on), so I think I am making progress now that I’ve been able to identify what the problem is. I have to make a packing list of what to take, need to be realistic about what I will and won’t be able to work on and/or get done while I am gone (nothing; I’ll be lucky to blog at all whilst I am there, let alone stay on top of emails). I did do a little writing yesterday on my story “Temple of the Soothsayer,” which I am leaving in Central America for this draft and I’ll see how offensive it turns out, all the while watching for Mayan/indigenous peoples tropes, stereotypes, and cliches. If it doesn’t work without any of that, I’ll move it to the Aegean–the Pythia makes more sense than inventing a Mayan priestess/legend, given how little I (or anyone, really) knows about Mayan mythology. But…jaguars. I’d have to give up on jaguars if I move it to the Aegean.
And I love me some cats.
And on that note I am heading into the spice mines. I have a lot to do before I leave Wednesday, very little time in which to do it, and I am going to need to really get organized over these next two days. Wish me luck as I head into the spice mines!
Sunday morning, and this afternoon I am getting fitted for hearing aids. I’ve always had trouble hearing, even as a child–ambient noise was the perpetrator the majority of the time–but somehow always managed to come in with just enough hearing to not require assistance, which I’ve always thought rather odd. The older I get the worse it gets. I can’t hear the oven timer if the television is on; Paul always has to tell me it’s beeping and if he’s not home, I just stay in the kitchen or watch the clock. The hearing aids are expensive, but they are very much cheaper at Costco (which is where I am getting them) than from the doctor’s office where my test failed. I have things to get done today, and after the hearing aid adventure I am going to make groceries at the Rouse’s on Carrollton (since I’m right there already) before returning home. An adventure in the heat!
I slept late this morning, primarily because we stayed up later than usual. Paul stayed home, which was unusual for a Saturday to begin with, so when he got up I gave up on getting much of anything done and repaired to my easy chair, where I peacefully reclined and watched things. We got caught up on Only Murders in the Building, which is becoming more guilty pleasure than actually fun; we watched the Gal Gadot action/adventure movie Heart of Stone (highly entertaining, but action sequences in movies are getting more and more ridiculous, especially when it comes to airplanes and aerial maneuvering), and then moved on to a crime show on Hulu, Saint X, which is about a pretty white girl that disappears from a Caribbean island vacation and turns up dead.
I also pruned a shitload of books out of the bookcases. As I mentioned yesterday, its very hard for me to donate books written by friends because it feels like I’m donating the friendship, which makes sense in my twisted and confused brain. But I am trying to break down those neuroses and idiotic superstitions that always seem to govern my life; coping mechanisms are enormously helpful. I don’t expect my friends to keep my books in their collections, after all–and I have limited space and know a lot of writers. But I cleared off a shelf in the laundry room for cleaning supplies and so forth, which is nice, and I also cleared out space in the bookcases in the living room, so the top two laundry room shelves won’t look so crammed in with books. I also really need to start cleaning out the storage attic, and I need to get most of that done before my arm surgery–whenever that will be–because that will make it incredibly difficult to maneuver boxes down from up there. Right now, I have about five boxes of books to donate stacked in the living room. (God only knows when they’ll get taken to the library sale, but the process has begun.) I will probably prune some more while I am working on the laundry room shelves as well.
The page proofs for Mississippi River Mischief dropped into my inbox on Thursday night, and yesterday I spent some time rereading the book–catching some things, but I wasn’t proofing, I was reading–and the book isn’t terrible at all. It shouldn’t surprise me, but somehow it always does when I reread something in proof form–which is the first time it looks like a book to me, and so it seems more real at last–and it’s good. I am pretty good at this, but I’ve been doing it for a very long time so I should be by now, right? I’ll probably keep reading–I always like to read it through before proofing–it today, and will proof it after I come back from Bouchercon. I’m not planning on trying to even write anything while I’m in San Diego. I never end up writing anything–it’s a struggle to even blog on a daily basis while I’m conferencing–let alone keep up with my email, or try to write anything. I generally don’t even have time to read while I’m at a conference, unless I get peopled out and have to go hide in my room. There are panels that I want to go see and people I want to connect with–Minneapolis was lovely but too short a time to catch up with people I’ve not seen in years, so hopefully San Diego will work out better for me. I do have four panels, after all; that’s a lot of being in front of an audience and speaking. I am not having anxiety about it, though, which is always a plus. Of course, there’s still time for that to kick in, but I am not going to worry about having anxiety–which is an endless loop of stress.
So I am going to finish this, get cleaned up and get some stuff done. My appointment is at 1:45, so I have all morning to get things done as well as do some writing and perhaps even some editing, who knows? The whole day stretches before me, filled with endless possibility.
And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader, and I’ll check in with you again tomorrow.
Sunday morning in the Lost Apartment, and all is well.
Yesterday started well, but I got very tired in the afternoon after running errands. By the time I had the groceries put away and emptied the dishwasher, I was tired. I repaired to my chair for a bit with a protein shake (I read another Alfred Hitchcock Presents story, “Edward the Conquerer,” which was really a lovely story that turned horrifically dark at the end; I think its author, Roald Dahl, has been found to be problematic in the modern era, and after reading this story, all I can say is good.) and then tried to do some other chores and things around the house while letting ideas cook in my head. I hate this exhaustion that comes and goes ever since COVID last summer; while I am grateful it doesn’t happen all the time, I hate when it does because it’s very derailing. My mind can’t really focus while I am feeling that exhausted, too. I think the heat triggered it yesterday–and more regularly lately, too; I usually am fine when I get off work but just being out and about in the heat? It’s no wonder I’m exhausted when I get home.
Of course I am concerned about all my Southern California friends, who are in the path of a massive Pacific hurricane, which is just insane. I am hoping the colder Pacific water will have a deleterious effect on the size and power of it. And even if it does come ashore as merely a tropical storm…southern California isn’t built to handle a storm like that. There’s going to be so much flooding, and mud slides, and damage to highways and roads and low-lying areas. And what happens when winds that strong come through the desert? Does it pick up sand? Yikes indeed. And instead of laughing at Californians who’ve never experienced tropical weather before and don’t know how to handle it or what to do the way the rest of the country laughs at the South when we have a blizzard, I will send them positive energy and hope everything turns out well for them and they remain safe and unharmed. At least it’s down to a category one now before it hits this afternoon. STAY SAFE CALIFORNIA FRIENDS, PLEASE.
And yes, today is my birthday. Sixty-two, to be exact, which is in and itself a kind of miracle. I slept okay for the most part, and woke up shortly after seven, as per usual. I’ll probably try to get some stuff done this morning–writing wise, writing waits for no man–but will probably take the rest of the day off to read and chill out and relax, overall. I certainly never thought I would make it this long and this far, to be honest. It isn’t bad. I don’t have the energy I once had, I tire out a lot easier than I used to, and my memory is a thing of the past, but it could easily be much worse. I get aches and sores and pains more so than I used to, but that’s part of the price you pay for living longer. We’re in another heat advisory, and I think Mercury is about to go retrograde again (yay). Paul went out with some friends last evening and wasn’t home by the time i went to bed, and I watched Youtube videos while aimlessly trying to find something to watch. I also rewatched an old black-and-white suspense movie on Youtube that I watched and enjoyed as a kid, The Spiral Staircase with Dorothy McGuire, George Brent, and Ethel Barrymore. It was based on the novel Some Must Watch by Ethel Lina White, which I’ve not read but have on my Kindle app, but it wasn’t as good as I remembered…it was actually not very good at all. (Sidebar: I am amazed at how many old movies were based on books…which often turn out to be better than the movies based on them–which is nothing new.)
I read some more stories last night as well: “By the Scruff of the Soul” by Dorothy Salisbury Davis, which was in Stories That Go Bump in the Night and “The Cocoon” by John B. L. Goodman, from Stories for Late at Night. I did enjoy both stories–the Davis in particular–and of course, reading the three stories I read yesterday gave me the answer on how to finish another story of mine that is incomplete and I didn’t know how to finish. I’m actually finding the answers to a lot of my short story problems by reading these marvelous old Alfred Hitchcock Presents anthologies. It’s never too late to learn, after all, and I am itching to get to work on these stories again. I also need to get back to work on the WIP. Sigh. Why is there always so much writing that needs doing? I need to be writing. I did finish my blog about writing Mississippi River Mischief; I do need to finish writing the blog post about the other release I have coming out this fall that I’ve not told you about yet. I also need to do some cooking this morning–I want to try to make meatballs again, so I can take them for lunch this week–and some cleaning and organizing, too. I was terribly lazy yesterday, worn down a bit, as I mentioned already–I did literally nothing for most of the day after completing my errands–but that’s fine; obviously I needed the rest. I also need to unload the dishwasher and make salad (not a euphemism). I think I may even go so far as to treat myself to a cappuccino this morning; I’ve not used those accoutremént in quite some time, and that energy boost would be rather welcomed this morning. I always worry about my sleep, though, and since tomorrow is the start of another work week…heavy heaving sigh. Maybe I can set it up tonight so I can just turn it on tomorrow?
Ah, well, and so it goes.
And on that note, I am going to bring this to a close and head into the spice mines for a while. Have a great Sunday, y’all, and I’ll check in with you later.
Saturday morning and Paul comes home today! Huzzah! Huzzah! I of course literally have no idea what time he will be arriving–he never tells me these things and I never think to ask–but it’s fine. Yesterday was a good work-at-home day. Sam the handyman came by in the morning to finish touching things up and clean everything up, which was marvelous, and now the apartment sort of looks like our apartment again. It’s great, and it makes me want to clean, which is something I’d forgotten that I enjoyed so much. I’ve really let the housework slide since the pandemic started (sure, let’s blame it on that, shall we?) but a lot of it had to do with the walls in the living room. tl;dr= we had some leaks, and water damage to the walls in the living room. The leaks were repaired, but the plaster and paint somehow never got finished and we’d been living with that for a while….and when you have places where the bare wall is showing…the apartment, even clean and sparkling from ceiling to floor, would look deranged and damaged and sloppy. I think I felt a little defeated, to be honest.
I’ve felt defeated a lot over the last few years, if I’m going to be honest. But I’ve been feeling oddly better lately about things lately, even optimistic at times. I know, right? It’s kind of scary. It’s like I don’t even know who I am anymore, but I have full faith in the universe to deliver yet another blow the way it always does when I start feeling like this again–a sense of contentment and peace. I’m sleeping better, getting better rest, and I am getting things done rather than sitting in my easy chair every night scrolling through social media while Youtube videos stream endlessly on continual play. Ironically, I remember feeling this way on another hot August Friday in New Orleans, two weeks before Hurricane Katrina. I had just finished Mardi Gras Mambo at long last and turned it in, and that Friday I had met with the Admissions office at UNO to see about finishing my degree in English and pursuing a master’s, and even potentially eventually a PhD. Yes, I had ambitions. The meeting had gone incredibly well. We scheduled a meeting with the chair of the English department, and it looked fortuitous and very good; I’d have to pay for the semester required to get the English degree, but it looked like I’d get the master’s not only without having to pay, but I’d also get an on-campus part-time job. I don’t reflect back very often, but sometimes I remember that last optimistic August before Katrina and wonder how different my life would look now had Katrina never happened…or at least had the levees held. I’ve always felt the lack of educational degree and study keenly; I was far too young when I started school and majored in English to really appreciate the in-depth examination of classic literature and other forms. None of what little I learned stuck, either. I have also always been made to feel that the books I actually did read and appreciate were lowbrow; on par for someone as uneducated and unserious like me. I’ve not read much of the classic writers, for example; I’ve never read Edith Wharton or Jane Austen or much of Henry James; I may give Hemingway another try at some point but I was unimpressed with both A Farewell to Arms and The Old Man and the Sea. Fitzgerald wrote beautifully about horrible people I’m not interested in; I love Faulkner but he’s a lot of work to read (but I will go to my grave loving “A Rose for Emily” and wishing I had written one thing that perfect), so I’m not going to read Faulkner for pleasure–even though I take great pleasure in the voice and the rhythm of the words and so forth, I’m still looking for characterization and story.
Hell, there are any number of classic mystery writers I’ve never read, for that matter. I had never read Ross Macdonald until I was on a panel with Christopher Rice who sang his praises highly enough for me to get a couple of his books…and have always been delighted that I did. I think I’ve read one Rex Stout novel, but I can’t remember anything about it and I think I am thinking of a television adaptation with William Conrad and Timothy Hutton? Or did I imagine that, too? One of the things I am loving about reading the short stories in these marvelous old Alfred Hitchcock Presents anthologies is getting to read authors I’ve heard of that I’ve not read. Yesterday night I read “Curious Adventure of Mr. Bond” by Nugent Barker, from Stories That Scared Even Me; “Four O’Clock” by Rice Day, “Of Missing Persons” by Jack Finney, and Paul Eiden’s “Too Many Coincidences”, from My Favorites in Suspense. I enjoyed them all, but the Barker was my least favorite of the four. It’s written in Ye Olde Timey Style, and it goes on for far too long, and it’s big twist I saw coming. I also didn’t much care for Mr. Bond. The Day story was one of those macabre little tales of irony with the kind of ending that Daphne du Maurier mastered and I’ve always loved–and aspire to write. (The trick is the ending has to be earned.) The Finney story was also one of those, but a bit more melancholic than macabre.
I also spent some more time with Superman last night. First I watched a documentary called Look Up In The Sky! The Amazing Story of Superman, which I followed with this week’s episode of My Adventures with Superman. I was very pleased to see Jimmy Olsen talked about in the documentary, and the actor from the television series, Jack Larson, was openly gay and was in a very long term relationship that lasted until he died in 2015, as someone very kindly reminded me on Twitter the other day in response to my talking about Jimmy on here. I am really intrigued at the idea of writing a Jimmy Olsen story…although I’m not exactly sure what I would do with such a thing, and I’m equally sure publishing it would be a trademark/copyright violation of some sort. I’ll make a note and keep chewing on it, though.
I also worked on the book some last night (at last) which felt marvelous and overdue. It was so hot yesterday–even with the air conditioner on full blast and desperately trying to keep up, you could tell inside that everything outside was roasting. I am quite pleased to have gotten past the revision of Chapter Five at long last and I have to say, I am most happy with what I did. Of course, Chapter Six is from scratch, which is going to be an enormous pain in my ass, naturally; writing anything where nothing other than a thought exists at the moment is always harder than revising. Revising can be either tedious or a lot of fun; it’s when your making the book better written and deepening characters and cleaning up shit and building on the ideas you’ve already gotten down but didn’t express particularly well as you were just madly trying to get words on the page and the story advanced and all of that.
Whew. Breathe.
I also woke up to a marvelous email–I just checked–from my editor on Mississippi River Mischief letting me know when the edits would come and included…”This book is fabulous, btw.”
Whew,
And on that marvelous note, off to the spice mines with me!
Queer and Loathing in America 