Category: horror

Things We Do For Love

I love to write.

I do, I really do. I was thinking about this the other night; I was thinking about my trip this weekend to spend time with relatives I’ve not really talked to much over the last forty or so years. Rereading Jackson Square Jazz (I finished last night) has also been revelatory. It’s a pretty good book, and rather ambitious in its scope, but there are some things I’m going to need to revise out of it–primarily words and phrases that have since become problematic. (They were always problematic, but unfortunately we weren’t as aware of these things back then as we are now.) But the purpose of the book overall in the scheme of Scotty’s growth as a person and development of his character definitely played out here, and it definitely worked, so I was rather pleased with the reread.

But it was (is?) interesting to see how I’ve changed and grown as a writer in the ensuing twenty years. I was also a little impressed at how ambitious this book was, in its scope and its story-telling; I don’t remember being that ambitious when I was writing the book. I remember where the idea came from, and how long it gestated in my head before it became Scotty #2; ironically, this was the plot I was going to use to try to write a mainstream mystery with Paige as the main character…at least, that was how I first thought of it. I will have to go back through the manuscript and start making corrections and finding the errors–with the actual finished book on the table beside me to consult for corrections and so forth–and I am also going to need to have the iPad around, so I can do searches in the other Scotty books to verify things. There were also a couple of interesting things I noted in the book as I was rereading it–I did a really good job of setting up the big twist in Mississippi River Mischief that was twenty years in the making–but there were also some things in there that I’ve not followed up on or I’m pretty sure are incorrect; the way I described the apartment on the top floor of Scotty’s building is way off; I am going to have to reread Vieux Carre Voodoo again as well and see what other continuity errors I’ve made with that building over the years. I also kind of liked Scotty’s not-totally-an-adult yet voice; he was a bit of a Peter Pan throughout his twenties, and didn’t start settling down until he was well into his thirties, which was also kind of interesting to me. This book also contains my first car chase (and my first writing about a car accident, for those who keep track of how many accidents Scotty has been in–Chanse has been in a few, too) and some of its geography was wrong; so I am going to need to clean that scene up a bit as well. I guess the best thing to do is reread the version that came out in print next, and put sticky notes in the places where I think I made mistakes in the manuscript to see if it got cleaned up in the edits.

I mean, I really tried a lot of shit in this book, and it actually worked! Good for me!

I ran errands on the way home from work yesterday (mainly so I don’t have to again today) and was a bit tired by the time I got home. I did get started on the chores before Tug decided he needed my lap, and of course, once I was in the chair and he was in my lap it was all over. I did manage to put away the dishes and do another load, as well as get started on the laundry, which I will have to finish tonight. Tomorrow is a work-at-home day, which will be nice. I do need to take the car in for an oil change and tire rotation before I leave on Saturday; whether I do that tomorrow morning or Saturday will depend on a number of things–primarily whether I hear from the dentist that my temporary plates are ready; I really would like to have those before I leave for the weekend because I’d really rather not have to remain on the soft food diet and try to figure out what to stop and eat on the way there and back.

I also picked up two books yesterday, which will come in handy for Halloween Horror Month: Elizabeth Hand’s retelling of Shirley Jackson’s The Haunting of Hill House, A Haunting on the Hill, and the Jonathan Maberry edited Weird Tales: 100 Years of Weirdness. I also got my three Anthony nominee certificates from this past Bouchercon in the mail, which was incredibly lovely and still doesn’t quite seem real to me yet. It still feels like it happened to someone else. I never got the certificates from the previous years–I didn’t know they actually made them for us–and the first time I actually picked one up was at Malice, when they gave out the ones for the Agathas (which was the first time I found out that they make these for the nominees. Just as well–I don’t have that much wall space and boy did that ever sound arrogant!) this past spring. It’s very nice to have these, too, but I am not sure where I can put them. Like I said, I don’t have much open space left on the walls of my kitchen/office. On the other hand, it may be time to mix that all up, anyway, and rehang things or replace things that have been up forever. Do I really need the glamour shots of Joan, Bette and Kate? Probably not.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I will check in with you again later.

San Francisco

Tuesday!

I didn’t want to get up this morning–Tug the kitten also has the same superpower that Scooter had, which was lulling us both to sleep somehow; he fell asleep in my lap last night while we were watching television so I, too, fell asleep. There’s really nothing like a nice warm little kitten sleeping in your life for calming purposes. Scooter was also an anti-anxiety holistic medication for me, so it’s nice that Tug (still not sure about that name, but it may change to Tiger) works the same way with his little purring engine. He’s so cute! I’m glad we rescued him and I’m glad we got a kitten–because I’d forgotten how adorable kittens are. It’s so cute watching him practice being the Big Cat Hunter and pouncing on his toys after sneaking up on them. He also remains completely fearless, which is great. I’m glad he already feels so at home here in the Lost Apartment.

I also recognize that this is turning into a kitty stan blog, which is very understandable given that we have a new kitty.

Yesterday was a relatively relaxed one at the office. I’d forgotten that I’d been filling in for someone who was out on medical leave for the last two months, and that he was coming back to work yesterday. I was mentally prepared to spend the day working with clients and doing my other duties around the appointments, which is what I’d been doing for the last two months all four days in the office. I’d literally forgotten that Monday was my catch-up day in the office when I usually took care of all the things I started doing between appointments for the last few months because I no longer had Mondays free to catch up on everything. It’s going to take me a moment to get used to this again, but it was nice. I left the office and came home and just immediately collapsed into my chair. I’d intended to spend some more time with the Riley Sager book, but for some reason didn’t pick it up and instead spent the evening doom-scrolling through social media while Tug slept in my lap and I waited for Paul to come down. We started watching a new show on Apple, Inside Man, which had an exceptionally good cast led by David Tennant, and opens with Tennant, as the vicar, getting caught up in a very bad situation due to him not only being the vicar but having to think very quickly on his feet–a member of his flock, who has a horribly abusive and vile mother–pressed a flash drive onto him as his mother was coming for a visit and she “always” found his private stuff. When Tennant’s son’s maths teacher (see what I did there?) arrives and opens her laptop, the flash drive gets connected to her computer and the son claims it’s his, covering for his dad while not knowing what was actually on it–which was child pornography. This puts Tennant into a quandary of faith. It’s not his son’s kiddie porn, but ethically he cannot say where it came from; and the show ends with her locked in the basement and knowing that he’s going to have to kill her because he can’t let her go. It’s very interesting–there’s also a side story with a reporter the teacher encountered on the bus and two men on death row (one of them played by Stanley Tucci) who are also somehow connected to the same reporter. It’s very cleverly done, the interweaving of stories based on random encounters, much as they occur in real life.

I worked on a short story yesterday but of course it’s one I don’t have a market to send it on along to for submission, rather than either of the ones that are being specifically written and/or revised for actual calls–because of course that’s what I always do. I’m beginning to feel like I am falling behind on the publishing of short stories I’ve written, but the truth is it’s just my anxiety spurring my brain along. I’ve published two short stories this year, “The Ditch” in School of Hard Knox and “Solace in a Dying Hour” in This Fresh Hell, two stories of which I am really proud and also skate along the edge of supernatural horror. I don’t think I write actual horror, but more suspense with supernatural occurrences in them. I don’t do jump scares or anything like that, but rather mine are told with mood and setting more than anything else–and of course, voice. I’m also stuck on this story anyway–as always, in the second act–and so will move on to the stuff that, you know, actually has a market/call to send them into. I need to work on my story for the Bouchercon anthology, due by the end of the month, and I also have one for my Sisters chapter anthology that I’d like to get finished and turned in as well. (I love my Sisters chapter, by the way.)

Sigh. Being a writer can be quite a joy sometimes. It’s no wonder so many of us drink to excess.

Tomorrow I am getting a sonogram to see if I have the same heart defect my mom had. She had arterial tortuosity syndrome, which, if you follow the link to rarediseases.org, is described thus:

Arterial tortuosity syndrome (ATS) is an extremely rare genetic disorder characterized by lengthening (elongation) and twisting or distortion (tortuosity) of arteries throughout the body. Arteries are the blood vessels that carry oxygen-rich blood away from the heart.

I don’t remember which artery it was, but I think her femoral artery came out of her heart and inside the chest cavity, instead of being straight it was twisted into a candy-cane shape, which meant when it clogged, it was an extremely complicated procedure to put a stent into it; and when the stent clogged, it was too complicated to put another one in…and then she had the massive stroke and died in hospice. The key words in that paragraph from rarediseases.org are “extremely rare genetic disorder”, with an emphasis on genetic. My maternal grandfather died in his sleep in his forties, and we really don’t know why. Obviously, this is concerning for me, and the fact that my former primary care doctor’s attitude was “we’ll worry about that when we have to”–which, while making sense since nothing can be done about it, isn’t reassuring from a medical professional–and I’d frankly rather know if I have something wrong that could eventually kill me. Since bad cholesterol clogs your arteries, the fact that the cardiologist immediately put me on stronger medication than I had been using for the last fifteen years kind of told me that my primary care wasn’t paying much attention to that, either. It made sense, right? If my bad cholesterol is close to the amount that is concerning, and the medication I am taking isn’t doing more than keeping it from going into the danger zone, maybe give me something stronger after fifteen years? Malpractice doesn’t actually have to be malice; it can also be carelessness.

And yes, I am very aware of the irony of the fact that part of my job entails encouraging my clients to strongly be advocates for themselves with their health care–practice what you preach, right? But I’d been feeling dissatisfied with my primary care provider for quite some time now, and this stuff from this year was the last straw for me.

And on that cheery, uplifting note I am heading back into the spice mines. Y’all have a great Tuesday, all right?

Hold On To Now

Monday and back to the office with me today. Weekends are simply not long enough, ever, and should always be at least three days, methinks. Yesterday I witnessed the dreadful Saints performance, and it was not a good weekend for Louisiana football fans; the only glimmer of light locally was Tulane’s victory. I finished reading Shawn’s book, which was marvelous, and then picked out my first Halloween Horror read: Riley Sager’s Final Girls, and it’s long past time I’ve read this book. It’s rather embarrassing that I’ve not yet gotten to it. I also downloaded the audiobook of The Only Good Indians by Stephen Graham Jones for this weekend’s drive to the Redneck Riviera, and read another Alfred Hitchcock Presents short story, from Stories for Late at Night, “The Ash Tree” by M. R. James, which was delightfully creepy and reminded me of Daphne du Maurier’s “The Apple Tree”–and that in turn made me think about creepy trees as a trope in horror, and thought perhaps I should give the trope a whirl at some point. We watched the Scouts Honor: The Secret Files of the Boy Scouts documentary–which was just as creepy and awful and horrific as I thought it would be, as well as yet another pointed reminder of how straight people have failed to protect children since, oh like forever, and then cover it up as much as possible but then have the nerve to accuse queer people of pedophilia and grooming?

Sure, Jan.

We also watched the Jennifer Garner Apple Plus series The Last Thing He Said, which wasn’t great but wasn’t terrible, either; it just kind of evolved and wasn’t very thriller-ish or suspenseful. I also predicted one of the bigger plot twists in the first episode long before it played out in the show, but it was well done and an interesting story; but it wasn’t very thrilling or suspenseful; it never really seemed like there was any danger or stakes. It ws talked about a lot, but never part of the show’s reality? It was interesting enough to hold our interest–although I think I may have approached telling the story in a different manner than they did. It’s an interesting thought, at any rate.

It’s lovely having a kitten in the house, even if it means being more alert and having to get up more regularly because there was a crashing sound from somewhere else inside the apartment–usually followed by a galloping kitten moving at high speed away from the noise and mayhem he caused. He woke me up this morning by knocking my glasses off my nightstand table and then playfully batting them around on the floor, and once I took those away from him he went for the broom. He’s incredibly sweet, though, and I love that he’s so fearless and feels comfortable and at home enough to play. He slept on me for most of the Saints debacle yesterday, through the Boy Scout movie, and then moved back and forth between me and Paul during the Jennifer Garner show.

I also started writing the opening of a short story or a novel or something at any rate while watching the Boy Scouts documentary–part of it and the scandal was in New Orleans–and had an idea for the opening scene for something so I started writing it down; mainly about a college student away from home for the first time who’s obsessed with true crime and wants to be a true crime writer but isn’t sure how to get started chasing her dream other than majoring in Journalism at Liberty State in Liberty Center, Kansas–the town from #shedeservedit, why not reuse it? I don’t know why I started writing this when there are so many other things I should be working on. But that’s also life, you know, when you’re a writer–at least for me, there are always so many other ideas and thoughts and stories banging around in my head that it’s sometimes hard to focus on what I need to get done.

Heavy heaving sigh.

I never did make that to-do list for the week, so perhaps that should be the first thing on the list (I often do this so I can cross something off the list immediately; it’s satisfying and always seems to keep off working on getting the list completed). I also think that once I finish reading the Riley Sager I am going to reread a classic Stephen King that I’ve not revisited in a long time, The Dead Zone, which used to be one of my favorites and is still one that I think about a lot–especially during the rise of the former president, who eerily reminded me of the character of Greg Stillson, written thirty or forty years or so before the rise of the reality host/failed real estate mogul. (I’d considered rereading it in the wake of the 2016 election, but didn’t have the strength; I think now would be a good time.) I liked the opening of the Sager; which was encouraging. I hope to be able to get several books read this month…I think my reading is going to start picking up again, hallelujah. I think having a cat sleeping my lap while I read was what I was missing, and why it was hard for me to read since we lost Scooter. (I promise not to turn this into a Tug stan blog, seriously.) Today is going to be his first day left at home on his own for a while; we’ll see how he handles that.

And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader; I’m sure I’ll be around again later on.

Vegas High

Thursday morning and the bills are paid. Huzzah? But this afternoon I have to leave early to go to the cardiologist–I need to get cleared for the surgery because of my advanced age–and then Friday morning it’s off to the dentist AND WE’RE GETTING A CAT!!! (I may be a tad bit excited about getting a cat. This cat is going to be so loved and spoiled…) I was tired again yesterday when I got home from work, but I did manage to do some laundry and write. I finished the first chapter of yet another book, and will probably continue to futz around with both of these for a little while longer. It’s always important for me to get the first few chapters on a firm footing before moving on to the rest. I’m not sure why that is, to be honest, but it’s true. It’s impossible for me to move on and get deeper into a manuscript until I am confident in the first five chapters; sometimes less. I always forget this whenever I am working on new projects, and then spiral into self-doubt and imposter syndrome…aka anxiety. I have to say, this is so nice and different, such a lovelier way to live. My sleep is improving, my creativity is flourishing, I am being productive–and it’s okay to choose writing over reading, much as I love to read. I will finish my current book this week and this weekend I will start my Halloween Horror Month reading/film festival/television rewatches.

I’ve actually kind of started that already; I’ve been watching those Dark Shadows episodes. The story behind The Haunting of Collinwood is interesting enough; two doomed spirits from the past using the two children at Collinwood to enact vengeance on the Collins family, and everyone slowly comes to realize something is wrong with the children and something strange is going on. The funniest part, to me, is Elizabeth Stoddard, the matriarch played by old Hollywood star Joan Bennett, kept insisting there are no such things as ghosts and witches and so on–was this an ongoing thing for the character of Elizabeth, with every new supernatural storyline? Girl, where do you live?

I’ve also got those Friday the 13th the Series episodes to watch on Youtube. Horror has had a strong influence on my writing, and it’s something I enjoy and have a deep respect for as a genre. I am hardly expert in the field at all, and I try my hand at it here and there now and again with short stories or the occasional book. But I don’t write scary stuff–I like to write creepy suspense, with the tension and fear and adrenaline rising for the reader along with the characters in the story. My stuff is more about atmosphere itself than the supernatural events, which I rarely try to explain–there’s never a handy “expert” in any of my work to explain things to the characters, who are kind of on their own and can’t be sure they understand it themselves. As I said once in an interview, “Shirley Jackson never explained, and neither did Daphne du Maurier.”

Needless to say, Jackson and du Maurier are two of my biggest influences, I think.

OH! I should reread The Haunting of Hill House. It’s been a minute. And definitely “Don’t Look Now.”

Paul got home in time for us to watch this week’s The Morning Show, and it kind of begs the question: why is the fact that Reese Witherspoon is playing at least a bisexual woman in a relationship with Julianna Margulies not being talked about more? Have we reached the point where we’ve grown blasé about queer rep in mainstream-targeted television shows? Then again, that’s a good place to be–if no one is complaining and we no longer have to champion it? It’s a really good show, and as tired as I am of Jennifer Aniston and her even more tired old straight white lady shtick about cancel culture (“Friends couldn’t air today!” You say that like it’s a bad thing, Jen.), she is quite good in the show. I also approve the addition of Jon Hamm as Elon Musk, er, a Musk-like billionaire buying their network and also as a potential love interest. I also find it interesting that the two female leads–powerful and successful women in the news business–have male first names: Alex and Bradley.

So, hopefully by this afternoon the cardiologist will have cleared me for the surgery next month and I will know if I have the same congenital heart defect my mother had; there’s some question as to whether it’s genetic or not; she made it to eighty, but her father died in his sleep in his mid-forties; her brother also had heart issues and multiple surgeries before he passed. I have to say I have been exceptionally lucky for most of my life; I’ve never had a surgery other than tonsil removal as a child and tooth removal.

And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I’ll be back soon.

Story

Yesterday was a bit of an emotionally challenging one at work yesterday, but handling days like yesterday is the most important part of my job, and part of the primary reason I took the job in the first place. It does get to me sometimes; not as often as one might think, but that’s also having years of experience in doing the work, too. I was emotionally and mentally tired when I got off work, decided not to run any errands and just come home to have some time to myself for a little while instead. There were chores that needed doing, of course, so I put on my big boy pants and went to work. Chores are always lovely when you’re processing things, or when you’re writing something. I like how satisfying it feels to be doing something mindless with your hands while your mind works away at something.

I did manage to do some work on the sequel to Death Drop, and got about 1200 words down, so that’s something. It wasn’t as easy as the work was on Sunday, but I was also better rested then and hadn’t already worked a full day when I sat down to work on the first chapter of the new Valerie, too. Both manuscripts are starting to come together in my mind, which is nice–but I am not sure if this “work on one for a chapter and then switch to the other” is going to be productive or help me at all in getting them both done, either. And the chores helped me assess the chapter and come up with the things that need to be said and written in it, which I will do tonight. So yay for the chores again!

I’ve been toying with the idea for a blog entry for several years now that is actually turning into a longer-form essay. (It’s been sitting in my drafts for a very long time here.) It began as a response to a homophobic op/ed run in a college paper at a major Southern university that was so incredibly offensive on every possible level (there wasn’t a homophobic dog-whistle the little bigot writer didn’t blow) that it was hard to believe a college student in this day and age could write, unashamedly and with such great pleasure and glee, such incredibly bigoted rhetoric disguised as “concern” when what was actually written was nothing more than an uninformed, un-researched, and completely emotional rant, entirely based in nothing factual. All it did was merely give the author a chance to expose their anger and feelings of contempt for queer people. That person should never ever be given any kind of platform again under any fucking circumstance–unless she goes to work for the Murdochs. That post then continued growing, until it became something else entirely, eventually consuming another blog post draft I’d been toying with for a very long time about authenticity and #ownvoices and cultural appropriation. It’s a separate piece from the other essay I’ve been developing (“Are You Man Enough?” about masculinity)–apparently, I’m getting into the writing of essays now, even though no one will want to ever publish them–but it’s something I feel strongly about, especially with that recent nonsensical essay making the rounds about gay romance that erases gay writers almost completely. Yes, yes, we get it, you think straight women invented gay romance.

You can say it a million times, you can even believe it–but that still doesn’t make it true.

Erasure of queer people is an ongoing effort.

The water situation in New Orleans–always dire, no matter how you look at it really–is finally getting national attention (which means I’m hearing about it from friends and family), and this is a question/problem that is going to continue, and not just here, either. Florida seems just as determined to make a quick buck at every moment without any concern for their fresh water supply, which is being steadily poisoned by chemicals and other pollutants; I am sure the rise of the seas is going to also gradually impact the Florida aquifer, too, as well as those of cities along rivers on the coasts. Now imagine a major hurricane coming this way and sending a twenty-foot storm surge of saltwater up the river. It was never a concern before…but it is from now on. Yay! Obviously, Louisiana’s environmental issues are something I’ve always been concerned about, but the concern is definitely ratcheting up a lot lately. This brutally hot summer, the drought, the river level being so low for so long…it’s hard not to think about it. It should be our legislature’s primary concern…but they’re too busy legislating against trans people and banning books because, you know, priorities.

I also started watching, while waiting for Paul to come home from work last night, some old episodes of the original Dark Shadows, which I’ve been thinking about a lot lately. The funny thing about the show and my memories of it are that I don’t really remember a lot of the storylines or characters beyond the original; probably because the “Barnabas is a vampire” storyline was also made into a feature film (House of Dark Shadows) and when the series was rebooted in 1989, they started with that same storyline. Prime used to have the individual episodes; now they have them bunched together with titles–I was watching the episodes when Quentin (David Selby) first came on the show; the grouping is called The Haunting of Collinwood, which made it more fun because I don’t know how the storyline runs–although I know Quentin became one of the stars of the show so this evil persona he’s inhabiting here inevitably must be redeemed. I may have to rent House of Dark Shadows to watch again.

As you can see, I am starting to get into the Halloween Horror Month spirit already!

And on that note I am heading into the spice mines. Have a lovely Wednesday (oh! It’s Pay-the-Bills day!) and I’ll talk to you again later.

10 Out of 10

Paul went out Sunday evening to have dinner with a friend Sunday night, leaving me home to my own devices, and after he departed I pulled up Youtube and did a search I’ve not done in a very long time: for Friday the 13th, the television series. Imagine my delight when I found a playlist of almost every episode from it’s three year run in the late 1980’s in syndication! (It had been briefly up on Amazon Prime a few years ago, so I tagged it for Watch Later…so of course it was “unavailable in your area” when I went back to watch it.) I watched the pilot episode, “The Inheritance,” Sunday night. The video quality wasn’t great; it looked like someone had recorded it with a VCR off the broadcast and then digitized it for upload years later, and of course, the entire show had been done on a shoestring budget for syndication in the first place, so it didn’t hold up as well as I would have liked, but the show was terrific at the time. The premise of the show is that Lewis Vendredi had made a deal with the devil: immortality in exchange for selling cursed objects out of his antique shop. Lewis goes back on the deal and so the devil summons him to hell, and his niece Micky and nephew Ryan inherit the shop. Not knowing things are cursed, they have a big sale to clean out most of the inventory before Jack Marshack shows up, fills them in on the curse, and now they have to get all the cursed objects back before people start dying.

Great concept, isn’t it? In the first episode the object is a doll that can come to life and speak to its owner, and will kill people that harm the child. The little girl’s mother had died and her father has married a horrible second wife (the proverbial evil stepmother), and of course the doll ends up dispatching the evil stepmother before Ryan and Micky can get it back from her. The next three seasons explore the attempts to get the objects back. I know of two enormously successful writers who also loved the show, so there are some of us fans still out there–and this is a show I would love to reboot and modernize; same concept, but with different stories. I also have a book about the show somewhere I always meant to read; perhaps I should dig it out and read it for my Halloween Horror Month celebration–and I should watch the show whenever I am home alone again if I am too tired to read or write anything. Now that sounds like a good plan.

Everything is proceeding apace for my arm surgery. It is scheduled now for the week of Thanksgiving; my MRI is scheduled; and I am going through all of the pre-surgery hoops that need to be cleared. I am getting fitted for the new dentures this Friday, and I have my new glasses and my hearing aids. Not bad for someone who hates dealing with this sort of thing, wouldn’t you say?

We had a heavy rain last night–apparently in the early afternoon through the early evening–so of course, Cox Internet (piece of shit that it is) was spotty for the rest of the evening. Shocking, I know. Cox? Failing to live up to their end of the pay-for-service bargain? Who would have ever thought such a thing possible? It really galls me how bad their service had gotten over the last year. They were completely reliable for years. I never had a single complaint about Cox; when I returned to the apartment after Hurricane Katrina the cable was still working. Now? After a strong storm, it’s garbage. Garbage.

I went back to work on the sequel to Death Drop yesterday, but didn’t get much done on it, alas. Perhaps the jolt of diving back into writing so hard on Sunday strained the muscles, depleting the creative reserves or something because they were out of shape from not being used in so long. So, the evening wasn’t productive–primarily because of the spotty in-and-out internet frustration. I mostly watched another episode of Friday the 13th-the Series (“Hellowe’en”, if you want to know specifics) which kept freezing as the Internet went in and out, and then started watching a documentary I thought I’d seen before, Keep Sweet, that documentary about fundamentalist Mormons (it really is staggering how misogynist even the more modern versions of that religion are); I had seen it before, but when I pulled up Netflix…the Internet was spotty and Netflix recommended it to me like I hadn’t seen it before.

But I was sleepy-tired, and went to bed just around nine as i was nodding off again. I slept well last night–feel rested and good this morning–but am finding it more than a little hard to believe that September is about to be over and it will be October this weekend. So, I need to get Shawn’s book finished before this weekend, and I think I will put off my Halloween Horror Month reading until after finishing Lou Berney’s new one, which actually looks shortish, and Lou’s books always read fast. I should have read last night when the Internet started getting spotty, but my brain was already tired by then. I swung by the post office to get the mail yesterday–my shoes and zipper LSU hoody arrived, as well as a copy of The Adventures of Ellery Queen. I don’t think I’ve read any of the Queen short stories, but have read most of the novels, but can now correct that oversight. I think maybe if it isn’t raining when I get home from work tonight I may take a walk around the neighborhood; the exercise certainly can’t hurt me none, and I want to start looking for Halloween decorations. I also need to swing uptown and check out the skeleton house’s decorations this year. Halloween is such a marvelous season in New Orleans, and I love how we were ll talking about how much cooler it’s been–high eighties–after the brutality of this summer.

Ugh, so stupid, I should have started rereading Jackson Square Jazz last night. Lesson learned; before I leave the house this morning I’m putting a copy in my easy chair so I’ll remember tonight.

Another one of those tiresome women-penned essays about “gay” romance surfaced yesterday, but I’m not going to talk about that now; but it was the usual bullshit about straight women inventing gay romance and how gay men can’t/don’t write it–in general (per the essay), straight women don’t like gay fiction written by gay men because it usually will tackle social issues and/or how difficult it is to be gay in modern America but straight women don’t want to read about that. The essay itself mentions this…but the writer doesn’t see it as a problem? It’s more of the same bullshit it always is; gay men can’t write romance the way the straight ladies like it because it’s too real when they write it (this despite the fact that they also don’t want realistic gay sex scenes, either). There will definitely be more on this later.

And on that note, I am staggering back to the spice mines. Y’all have a great day, okay?

Padam Padam

And here we are at a manic Monday yet again, and shortly I will be heading into the office for yet another exciting week of the day job. Hurray and huzzah? I slept really well on Saturday night, getting up just after seven yesterday despite not going to bed until almost midnight; I found myself reading some things Saturday during the games that I shouldn’t have started–one of them being Queen Margot by Alexandre Dumas; I have the ebook–and I was also reading legends and stories about Louisiana’s past as well as Alabama’s; I have an ebook called Warrior Mountains Folklore: An Oral History by Rickey Butch Walker (which is an Alabama name if I’ve ever heard one); which isn’t necessarily about the Alabama county I’m from, but the ones directly north, including notorious Winston County, which contains the Bankhead National Forest. It also tells stories of the indigenous people of the area, and reminded me that Tuscaloosa actually is the Creek words for “black warrior,” meaning the Black Warrior River is actually the Tuscaloosa (tusca loosa); this will all go into the construction of my fictional Alabama county, which is ongoing. (And yes, the irony that one of the greatest–if not the greatest–college football programs is in a town named Black Warrior in the native tongue is hilarious.)

(It has occurred to me that I don’t necessarily have to connect all of my Alabama stories just as I don’t need to connect all my Kansas stories–which I realized while writing #shedeservedit–which was kind of freeing. I need to think in terms of multiverses rather than one single interconnected universe with my writing, don’t I? It certainly makes things easier than trying to keep the continuity and so forth going.)

Anyway, I am sure my Alabama just-for-fun research will undoubtedly pay dividends in future writing, no doubt. I also have been having ideas for more stories set there; I may give Jake’s boyfriend Beau his own story at some point; I keep going back to the legend of the Blackwood witch from antebellum/early statehood days, because the witch story is one I’ve always wanted to tell. Beau, being an archaeology major with a minor in Alabama History, is just the perfect person to tell the story of the witch I’ve always wanted to tell. But is it weird to have another vengeful spirit in the woods behind the Blackwood place, and the Civil War ruins? Or could it be tied to the lost family cemetery, still out there in the woods somewhere? As you can tell, I’ve been thinking about it lately.

I managed about a little more than twenty-five hundred words on the new Valerie yesterday, which felt great to do, really. I wanted to write some more on the Jem sequel, too, but after finishing the Valerie chapter I just felt mentally fatigued. I’m not used to writing this much in a short period of time anymore (just over an hour or so) and it’s going to take me a while to get back up to the proper writing speed I cannot maintain year-round. But it felt great to be creating again, and I do love the plot of this book. I also spent some quality time with Shawn Cosby’s marvelous All the Sinners Bleed, which is going in a direction I did not see coming and one that I am really enjoying. Shawn is such a master story-teller! I can’t wait to finish this so I can write about it–and I hope I finish it in time to read Lou Berney’s new one before I switch to October Halloween Horror Month. I think I may try out a Grady Hendrix novel for one of my horror reads and of course, I am terribly behind on Stephen King, and there are also some other lovely horror novels and collections in my piles of books to be read that could make for a fun reading month: Stephen Graham Jones, Silvia Moreno-Garcia, Paul Tremblay, Christopher Golden, Sarah Pearse, and Katrina Monroe, among so many others–I need to get back into the habit of reading for at least an hour every day. The only way to get through all the books i want to read is to make a daily time allowance for reading and stick to it.

After the abysmally disappointing Saints game, I went back to my easy chair and rather than delving back into Shawn’s book, I decided to start reading Jackson Square Jazz, the finished and published edition, to get a better handle on the story again. It’s been a long time, and I knew it had to do with a young figure skater, the Napoleon death mask, and the Cabildo fire, but not really much beyond that–although I think it’s actually the book where Scotty is in his first canonical car accident. Again, I am distant enough from it now not to immediate go into editing mode as I read it–ironic, since I need to re-edit it–and just read it. I really need to stop being so hard on myself. I know I’ve already made great strides in that direction, and I like my new positive attitude toward writing and publishing. I think analyzing why I am so hard on myself, recognizing the mentality I defaulted to when reading my work meant needing to flip a switch in my brain and going into a different mode other than editorial and doing it consciously makes a lot of difference. I was pleased rereading my short story collection, and was pretty pleased with rereading Jackson Square Jazz, particularly since it’s an early book in my canon and it’s been over twenty years since I wrote it.

(It’s kind of awe-inspiring and terrifying at the same time to realize just how long I’ve been doing this. Bill Clinton was president when I signed my first book contract.)

Well, that made me feel rather elderly.

I slept super-well last night, too. I was very tired and falling asleep in my chair, so I went to bed around nine and only woke up once, around two, and then woke up again half an hour before the alarm (as usual). Hopefully, I will not be too tired to function later today.

And on those two rather sad trombone notes, I am heading back into the spice mines. Have a lovely Monday, Constant Reader, and I will be back before you know it.

Hell is for Children

Years ago, there were things you’d never write about in books for teens and pre-teens. Now, though, many more topics are fair game. BUT are there some things you’d never write about? Because of your own feelings, or because you don’t think your audience is ready for it?

On the panel I said I’d never write about cannibalism, but of course ever since then I can’t stop thinking about cannibalism–and that’s entirely on me. I can’t even imagine writing about that.

I’m not going to say there’s anything I won’t write about because I don’t want to limit myself. If I can think of some way to write about something that isn’t pandering or exploitative or offensive, I will. I was recently reading some of my short stories because I am pulling together another collection and one of the stories–I was like, oh yeah, you can’t publish this without a major revision.

I don’t think I would ever write from the perspective of a person of color or a trans-identified individual because while I know I have a very vivid imagination and am capable of empathy, I am also a sixty-two year white cisgender male. I think I could probably do it, with help from a sensitivity reader and my editor, sure; but we need more trans writers and writers of color, not another old white man writing from their perspective. I will include those characters in my work, but not as point of view characters, because we need to make room for those with the lived experience to write those stories. I may not live long enough to see it, but hopefully in about thirty years we’ll have reached the point where exclusion of non-white non-straight non-cisgender writers will no longer be an issue, and what a wonderful world tht will be.

No offense, but none of you is in your target demographic any longer. What challenges does that present and how do you overcome them? How do you ensure that the language your characters speak is reflective of how teens and pre-teens speak today?

How very dare you! I am still a sprightly young man of…um, sixty-two. Point taken. I try to avoid slang and current language because it becomes dated very quickly; akin to how, when I was a child, I saw books and movies and television shows that tried to appeal to the youth market by trying to use current slang and it never turned out well. I mean, once The Brady Bunch kids are saying “groovy” excitedly every other sentence…it kind of killed the word and I never heard it in real life ever again. The time between when a book is written and when it’s released is long enough for current kids’ language to change. My sister’s grandkids are always saying things I don’t understand…but the next year they are speaking a different language, so I don’t try. It’s hard enough keeping up with technology, which also gets dated very rapidly.

What percentage of your readers do you think are adults? Do you consider these crossover readers when writing?

I honestly don’t know, but I wouldn’t be surprised if mine were primarily adults. I don’t set out to write books for kids, really; I write novels where the characters are teenagers. They get marketed as young adult books, which is something I have no control over. I’d like to think both adults and younger readers can enjoy my books that are so classified. If I think about the audience I am writing for when I am writing, it makes the writing more stressful and harder. I trust my editor to make sure I don’t write anything offensive or way off-base or too adult for a young adult audience–which is where my books would be shelved in the library. No one’s complained about mine yet.

Greg, your book tackles multiple contemporary societal problems. How do you balance writing about such tough topics with ensuring that your work is compelling and hits the right mystery/suspense notes?

The objective, for me, when writing about societal problems and issues is to put a human face on them, by making it personal. Societal problems are easily dismissed or ignored when they are simply abstract principles. If my characters are fully rounded, are relatable and seem real to the reader, then the reader will see, through the characters, what it is like to experience and go through these issues; and to develop a sense of empathy, so we aren’t so quick to judge and blame and not try to understand. #shedeservedit was very important to me, because with the Steubenville/St. Marysville rape cases, it made me look back over the course of my own life and remember situations I witnessed or heard about in a completely different light. For example, one of the cheerleaders at a nearby town had an experience similar to what the girls in Steubenville and St. Marysville went through…but in the 1970s, the blame solely went on the girl. When I heard the story she was a willing participant–the story was told to me in hushed whispers by another girl–and all the elements of the modern stories were there: pretty and popular cheerleader; a party with alcohol and football players; the town football team was successful and beloved in the town; and a bitter ex-boyfriend. As the story was told to me, she got drunk and “pulled a train” (a disgusting phrase, really) with five of the football players, including her ex. I was shocked at the time– to think she’d done this willingly, at a party where it was bound to get around (as it obviously did). But now, looking back–how willing was she, really? But that was how things were back then. I’d like to think things are changing, that we are valuing young girls and women as human beings more now…but are we?

Technology changes very rapidly, and teens—and younger children—are often at the forefront of these changes. How do you handle that in your writing?

Like slang, I try to use as little of it as possible. I do realize everyone is addicted to their phones now, and spend most of their lives texting and facetiming and everything else, but while I will use some basic technology–texting, emails, DM’s–I try not to get into the entire app/social media weeds too much because it may change before the book is published and I don’t want to publish a book that’s already dated. I think that if the reader really cares about your characters and the story…they won’t care so much about the slang and tech.

How has your writing evolved since you first got published? If a reader is new to your work, which book would you recommend starting with?

I’d like to think I am a better writer than I was back then. I know I’m a different writer than I was when I started; more life experience, with the concomitant increased empathy, understanding, and sympathy that comes with it. I try to push myself with every new work; it’s the challenge of doing something new and different I really enjoy.

If we’re talking my y/a, I’d started with the first, Sleeping Angel, and go from there. If we’re talking my career in general, I’d say Bourbon Street Blues or Murder in the Rue Dauphine. It’s always good to start at the beginning. If the length of both series is daunting, try either A Streetcar Named Murder or Death Drop (drops October 31!) and then move into the stand alones.

There are a small number of popular writers who spark controversy in their “real” lives. How do you reconcile a great writer with a bad person? Do you read that writer’s work?

Ah, the old “artist vs their work” question. There are writers with enormous talent whose books I’ve loved that social media has exposed as incredibly horrific people with “values” (I have a hard time using that word in reference to such abhorrent beliefs) and I have stopped reading them. I will never have time to read all the books I want to read, and if I’m able to prune my stack by removing racists and homophobes and misogynists and transphobes? Thank you for making my choices easier. I’ve always believed one should be widely read–I used to read nonfiction books about politics and social issues by conservatives because I thought it was important to listen to and evaluate their positions. After we were lied to as a government and a nation to drive popular support for a war we didn’t need to be fighting in order to drive more profits for military suppliers and oil corporations, I no longer needed those perspectives. I don’t need to read excuses and rationalizations for bigotry and prejudice and other indefensible positions for any human being to hold.

The vast majority of my one-star reviews on-line are from conservatives deeply offended by the “politics” of my books. Yes, because a book about gay men by a gay male author is where you should go to get your bigoted world-view validated. If you want that, read Andrew Sullivan. His nonfiction diatribes about social and political issues is some of the best fantasy being published currently.

Who are some of your biggest writing influences?

God, there are so many. I think my y/a is very strongly influenced by Lois Duncan, Christopher Pike, R. L. Stine, Caroline Cooney, and a long forgotten y/a crime writer named Jay Bennett. He won two Edgars for Juvenile, and was nominated a third time. His work is extraordinary; I’ve not read many other writers with that same extremely tight, terse, and taut style. Jay’s books put teenagers in terrible situations where they had to decide what is right and wrong and what to do. They read very quickly, too. I describe him as the y/a James Cain.

As for adults, everyone I read is an influence; even the books or writing styles I don’t care for, because they make me think how would I have done that differently? But definitely John D. Macdonald, James M. Cain, Charlotte Armstrong, Daphne du Maurier, Phyllis A. Whitney, and the old Alfred Hitchcock Presents anthologies, which I am revisiting. The old Three Investigators and Encyclopedia Brown series for kids, too.

Latest trends in Middle Grade and YA fiction?

Diversity, which is fantastic, and hot social issues!

The Anthony nominees panel for Best Children’s/ Young Adult panel at Bouchercon, with moderator Alan Orloff, Fleur Bradley, your humble author, and Lee Matthew Goldberg.

Broken Down in Tiny Pieces

I will spare you, Constant Reader, the trials and tribulations of my medical travails; I have to see another specialist, and we’ll leave it at that for now.

I also had to research whether either of these specialists he referred me to actually take my insurance (they do) and then get to hope they can see me at some point before this gets even worse and more difficult to take care of. I spent the rest of the day cleaning and trying to put this bullshit out of my head, because all it did was make me angry all over again and, unless I am putting that anger to productive use, it’s just wasted energy. But I’m glad I’m making progress on this at any rate, and I suspect that a doctor will be the murder victim in a book I will write at some point in the next few years. I also made an appointment on Sunday to get the hearing aids process moving along–it would be so great if I could get them before the trip, wouldn’t it?–and so at least soon I’ll be able to hear again, and in about a month I’ll be able to chew again. Yay!

Always look at the positive. Life doesn’t give you anything you can’t handle; it’s how you handle it that matters.

I took a shower to wash the blech of the day off me–it’s amazing to me how that always seems to work and put me into a better mood. The symbolism of washing the negativity off of me is actually effective and works to somehow reset my brain. I also had a great mail day–picking up the mail on the way home and made groceries, too–in which I got the ARC of the new Margot Douaihy Sister Holiday crime novel (her debut, Scorched Grace, is fantastic) and Duane Swierczynski’s short story collection Lush and Other Tales of Boozy Mayhem, which I am looking forward to digging into. Paul got home rather late last night, but we did have time to watch an episode of Turn of the Tide–but I think I actually have lost the thread of the plot. But it’s entertaining enough, still. I do want to start watching Ahsoka on Disney–I’ll try anything Star Wars; so far Boba Fett is the only Star Wars series we didn’t finish.

I’m still behind on talking about the Alfred Hitchcock Presents stories I’ve read lately; but yesterday at the specialist’s office I started reading Brett Halliday’s story “Pieces of Silver” from Stories to Be Read Late at Night, and it was an interesting tale, if dated, and more than a little bit guilty of racism. I’d not read Halliday before, but I’ve heard of him; I remember seeing his Mike Shayne novels on the wire racks at Zayre’s when I was a kid, and i have one of his books Hard Case Crime reprinted, but haven’t read yet. It’s a very typical tale of its time, though–complete with the colonialist mentality toward the indigenous people of Latin America. The story is set in Mexico, and is about an ugly American-type who has come to the region looking for oil. I will say the ugly American is the villain of the story and every step of the way Halliday is very quick to point out the classism, racism, and toxic masculinity of Thurston, the American–the way he treats the locals he hires to take him up river into the jungle; the way he ogles and wants the teenaged daughter of an American expatriate who married a local girl–but while there is absolutely no question that Thurston wound up getting exactly what he deserved…it’s very hard to be sympathetic to the author’s view of Mexico as a still wild, exotic and extremely primitive place; he certainly doesn’t view the Mexican working class with the same respect as Katherine Anne Porter. (On the other hand, I’ve always been bored by Porter’s Mexico stories–because even in them there’s still an element of the privileged white woman viewing the plight of the poor Mexican working class from her lofty perch at a safe distance.)

Reading this story only served to further emphasize to me how tricky this short story from the past that I am currently trying to revise and finish will be. Originally set in the Yucatan (I wrote it after I visited the Mayan ruins there), it was one of those Alfred Hitchcock Presents/ Tales from the Crypt kind of stories, but in reviewing the story as I wrote it, I fell into the trap Halliday did with his story–making the native people exotic and othered; mysterious and primitive. I am sure there are still poor people living in remote places in Mexico, but this isn’t the way to write about them. I’d been thinking of moving the setting of my story from Latin America (in this revision, I created a fictional country) to the Aegean–like there aren’t plenty of Greek myths to build the story around, make it seem real, and of course I can create a mysterious remote Greek island no one ever visits and no one would blink twice. I just haven’t been there myself, but I need to snap out of the mentality that I can only write about places I’ve been. It does help, of course, but…when you’re creating a fictional place, you’ve never been there. No one has.

And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I will check in with you again tomorrow.

Alabama Pines

I sometimes wonder how dramatically different my life would be had my parents not migrated to Chicago when I was a child to provide us with a better life than we could expect in Alabama. I’ve always been somewhat grateful to them for this, because I can’t imagine or fathom what growing up in the rural South would have been like for teenaged gay Greg; Kansas was bad enough. But my heart will always have a place in it for the state I was born and where my parents grew up (and will both eventually be buried), and whenever I mine Alabama for fiction, it always comes up roses.

I was enormously pleased and flattered to be asked to participate in the Crippen and Landru anthology School of Hard Knox, and the last thing I was expecting was to get a co-editing credit. Art, Donna, and publisher Jeffrey Marks (a fine writer in his own right; check out his novels and short stories) did the majority of the heavy lifting; my contributions were more along the lines of sending an email cheering the others on or giving a thumbs up/thumbs down to a design question.

If you’d like, you can preorder a copy right here.

The premise of the anthology was that Father Ronald Knox, a scholarly clergymen, had come up with the ten commandments for writing crime fiction during the Golden Age, and each of us could chose a commandment and write a story breaking it. Obviously, it was pretty clear to me that Rule 2 was perfect for me:

All supernatural or preternatural agencies are ruled out as a matter of course.

And I knew precisely which story in the archive I could revise and rework to break this commandment and fit perfectly into the book, “The Ditch.”

I also cannot believe who I am sharing the table of contents with. Check out this talent!

Now THAT’S a table of contents! Not sure what I am doing there with these amazing writers, but I am most pleased to be there.

And this is how my story, “The Ditch,” opens:

I‘d just finished reading my book–The Hardy Boys, The Secret of the Lost Tunnel— and was reaching to turn off my bedside lamp when my phone chirped on my nightstand to let me know I’d gotten a new text message. I frowned. It was just past ten on a weeknight. Sure, it was summer, but Mom and Dad were strict about phone usage after eight o’clock. My orange-and–-blue Auburn Tigers clock, hanging just over my desk, read a few minutes past ten [on a weeknight]. I picked up the phone and looked at the screen. My wallpaper was a photo of me standing on a white sand beach on the Florida gulf coast.

I need your help. Come over! Please! Emergency!!!

It was from my best friend, Zane Tidwell.

I closed my eyes and exhaled.  Classic Zane, always sending desperate–sounding text messages expecting me to drop everything and rush right over. Everything was an emergency to Zane, from not getting his homework done to failing a test to not having any clean underwear to having a nightmare of some kind—all of these things qualified as emergencies in Zane’s brain. He worked himself up into quite a state over the stupidest things.

“The boy who cried wolf” was all Mom would say.

The problem being, sometimes it was an emergency, like that time he broke his arm when he was home alone, or when his mother fell and hit her head, or when his dog ate rat poison.

He always counted on me keeping my head on straight and not panicking and solving the problem for him. We’d been best friends ever since we were little boys in Bible study, and things had always been this way.

I was the calm one and Zane–well, Zane was a drama queen.

He knew I wasn’t even supposed to use my phone after eight, let alone leave the house after ten.

I typed out you know I can’t it’s too late to leave the house and if I get caught they’ll take my phone and ground me forever with my thumbs.

Please you have to come I don’t know what to do I am really in big trouble now PLEASE!!!!

I stared at the screen. In big trouble? What did that mean? But if the needle on the Zane drama-meter was going up, he wasn’t above calling me on the landline.

And that would send Mom and Dad over the edge.

I sighed. I was going to have to go over there.

“You’re more trouble than you’re worth, Zane Tidwell,” I whispered, typing out Be there soon and hitting send.

“The Ditch” is an Alabama story, of course, and has a teenaged protagonist (I’m not sure why I always write about Alabama from a young person’s perspective; probably because most of my memories are from childhood, I suppose) whose name we never really know. The ditch is actually a real place; my main character’s house is based on where my aunt and uncle lived–which is where we would visit–and about twenty or so yards behind the house was this ditch–or rather, what they called ‘the ditch.’ (I’d share a photo from Google Earth, but all it looks like from the air is a line of trees.) We used to spend a lot of time playing down there, and of course to me as a child it seemed enormous, but it’s probably a lot smaller in reality than I remember (everything seemed enormous to me when I was a child). I never knew what created the ditch, or why it was there, but it’s very similar to what I describe in the story, if smaller. There was all kinds of garbage down there–broken bottles, rusting cans, and so forth, so we were never supposed to go down there barefoot. I also remember that when we were in the ditch we weren’t visible to anyone not standing on the edge–which was a bonus for us as kids. The rope swing was also there (and now I think how fucking insane was it that adults let kids play like that? You could break your neck falling off that thing!) and I’ve also included the ditch in another, unfinished longer piece. There was something creepy yet idyllic about the place, and of course whenever I think about it as an adult it’s always what a perfect place to hide a body! What a perfect place for a ghost! and so on.

I wrote “The Ditch” originally for another anthology’s open call, but I knew when I finished it and turned it in it wasn’t going to get selected. (I was right.) I also knew it needed to be revised and the ending changed as well as some other things (minor but important) but had never gotten around to getting the revision done. So when this opportunity presented itself, I was going to use a different story but had some trouble with its ending and then was despairing when it hit me: you know how to fix “The Ditch” you just haven’t done it yet, so stop spinning your wheels with this one and do that instead, so I dug back into it and really had a great time with the revision. I’m very pleased with how it turned out, and I hope you will be, too!

(Ironically, this week the ending to the other story popped into my head, so I will be working on that this week, too.)