Thursday morning and I slept really well last night. About time, right? But it’s amazing what a good night’s sleep makes, especially coming after two consecutive nights of insomnia. It’s lovely not to feel tired, you know? I was so tired when I got home from work yesterday that my eyes were almost crossing. I was too tired to think, too tired to write, too tired to do much of anything, so I just collapsed into my easy chair–Scooter actually slept in my lap all evening, and when I got up, he’d curl up in the chair again waiting for me to come back, which was very sweet–and then I watched the documentary God Forbid, which focuses on the Jerry Falwell Jr. pool boy scandal that ended Falwell’s career, from the pool boy’s point of view, which made it a lot more interesting.
It also explored how Falwell’s father led the evangelicals into politics and set us on the downward path that put our entire democracy into the peril it still faces today. The original Falwell was a monster–racist, homophobic, misogynist–and perverted Christianity for money and power. He isn’t the first to do this–look up “Father Coughlin” sometime–and maybe not event the worst (anything is possible), but the damage done to the fabric of the culture and society, predicated on the evangelical desire to make this a Christofascist nation (definitely not what the Founders wanted), by this man and his son may even prove irreparable in the long run. Who knows? Falwell Jr. was important to the election of Trump and the evangelical embrace of this thrice-married ungodly and unChristian wannabe dictator, too. And it got the evangelicals what they’ve wanted since Falwell Senior realized that open racism wasn’t a winning ticket–but abortion could be: the overturn of Roe v. Wade. Would Falwell have backed Trump if Michael Cohen hadn’t known about the sick sexual games the Falwells were playing with a young, naïve young man named Giancarlo Granda? It would make an epic crime novel, truly–I loved John D. Macdonald’s examination of a Midwestern megachurch, One More Sunday, which I really enjoyed.
I have had this idea for a crime novel built around a cult-like church for quite some time. When I was living in Kansas, there was a college in Emporia that was owned and operated by just such a cult-like church. The College of Emporia, a Presbyterian school, had gone bankrupt and closed in 1973. A few years later it was purchased by The Way International and transformed into The Way College of Emporia. The Way College was strange. Their campus was closed to outsiders and patrolled at night by armed guards. There was all kinds of gossip around the county about what went on there and the kinds of things they believed and did; the students always wore name-tags and travelled in pairs–and would often try to corner other young people and proselytize. When I was working at McDonalds, for example, I observed them do this to a girl who was cleaning tables in the lobby. They essentially waited until she was in a part of the place that had only one way out, and once she was back there cleaning tables, they blocked the way out to talk to her. They always had this weird look on their faces, too–their eyes always seemed either glazed or vacant or both, and they always had a zombie-like smile that didn’t reach their eyes. One of the many iterations of the Kansas book took place over two time-lines, one in the 1970’s and the other the present day; where the quarterback’s murder in a sex scandal in the 1970’s gave rise to a megachurch in the town. I have done some research in the Way International (they sold the Way College and its campus to Emporia State University sometime after we left Kansas) and even have a book written by someone who belonged and got out.,,so I would never say never.
Oh, and thank you, Brazil, for ousting your Fascist. Well done!
Unfortunately, my exhaustion last night means that I have fallen another day behind on the book, which isn’t good. But it was really out of my hands, to be honest. I was so tired I don’t even really remember driving home from work last night–which is NOT a good thing at all. But I am hoping that feeling rested and not being exhausted will make a difference tonight. I am halfway done–it’s planned to be twenty chapters, and I finished Chapter Ten on Tuesday–so tonight I am going to go back and reread and edit the first half of the book. It’ll take some serious work–the kind where I have to close the Internet browsers to avoid distraction–because some of the earlier chapters need to be moved around and rearranged; the order in which the story unfolds needs to be switched up a bit–and I need to outline the first half as well as make a character list and due a timeline. I also realized that my usual Scotty thing to do–parody the opening of a famous novel–doesn’t have to be a parody of a famous novel opening–and I’ve always wanted to write something that opened the way Dark Shadows did (“My name is Victoria Winters”), so why not do that? “My name is Scotty Bradley” or something along those lines. I wonder if Victoria’s opening monologue from episode one is on-line anywhere? Better add that to the list.
And on that note, Constant Reader, I am going to head into the spice mines. Have a great Thursday, and I will talk to you again tomorrow.
Wednesday morning and the dark is pushing up against my windows again this morning. This weekend is when the time changes, isn’t it, or is it next? No, it’s this one, and that extra hour of sleep is going to fuck with me for awhile, I know. That’s just kind of how things work, isn’t it? I get used to doing something one way and it takes me forever to adjust to that change, so I figure I’ll get used to the time change sometime around the time it changes again. Yay for being old and cranky and crotchety! Heavy heaving sigh. But part of the fun stuff about getting older is becoming more set in your ways, I suppose.
Ever so much fun.
It is funny how things change, isn’t it? The other day I went on Twitter to just waste some time (really, that’s all it is, no matter how much you enjoy interacting with your friends, it’s still a time-wasting hellscape for the most part) and saw that young Kit Conner, who plays Nick on Heartstopper, has come back onto social media–from taking a break–to tweet the following: Back for a minute,I’m bi. congrats for forcing an 18 year old to out himself. I think some of you missed the point of the show. Bye.
This was followed up with a wave of support and outrage–as it should have been–because what was happening was this young man, who’d previously said in interviews that he was comfortable with his sexuality and fine with it, but preferred not to talk about, was accused of queerbaiting because a picture of him holding hands with someone of the opposite sex had made the rounds. I am not entirely sure what this means, to be honest; but from what I gather it’s a celebrity who “teases” that they may be queer but never comes out and says so in order to gain fans? Other examples given on Twitter were Taylor Swift and Harry Styles. I know there’s a thing about queer roles being played by non-queer actors, and queer actors not getting opportunities because straight actors are getting those roles (and being praised and getting award recognition for their “bravery”–although no one is ever considered brave for playing a serial killer or a mass murderer or a Nazi). But the thing is we don’t know how everyone identifies–that’s just the truth–and is it really any of our business? I have long deplored the culture where fans are hungry and desperate (thirsty, is the term now, I believe) to know everything about their favorite celebrities, but I don’t really care who Taylor Swift is sleeping with, or which Kardashian is now involved with what professional athlete/actor/model. I get curiosity–and of course we queers have been guilty of speculating about the sexual preferences of celebrities, primarily out of a hunger for visibility.. But we older queers need to remember that the world has changed–partly because of all the work we did being visible and so forth–and while speculating isn’t particularly harmful, this whole queerbaiting thing just strikes me as particularly nasty–especially when it’s applied to a person. A person can’t queerbait–unless they are actually pretending to be queer, for whatever reason, for financial or career gain, when they actually are not–queerbait is a term used primarily for movies and television shows that promise queer content to get us to buy tickets or tune in to watch, but don’t deliver. Like oh look there’s a queer character in Star Wars at last! Only to have it be a same-sex kiss between two characters that aren’t even in the main cast, flashed on screen for maybe two seconds. Disney is notorious for doing this. So, going after an eighteen-year-old for queerbaiting is absurd on its face, and the entire point of the show Heartstopper was, in fact, that it’s okay to be confused and not understand everything immediately, but to figure it out for yourself in your own time.
Queerbaiting also consists of pretending to be queer to give your writing about queer people a false authenticity, but that’s a subject for another time. I think it’s great we have reached a place in our culture and society that more and more celebrities are feeling comfortable enough to come out publicly, but we really need to stop speculating about people’s private lives and give them the room to figure it out for themselves. Some may never be comfortable coming out publicly, and that’s okay too. In the early days of the queer equality movement, we urged everyone to come out–power and safety in numbers, and the more visibility we had the more people would stop seeing us a “threat” of some sort. But times change, and they have. And while I certainly hope that everyone has the courage and the ability to eventually live their authentic lives they want they want to, I also understand that some may never do so. It’s a process, and it’s different for everyone.
And shouldn’t everyone be free to come out on their own timeline of comfort?
I had insomnia again last night. I was exhausted after I wrote my chapter last night–I was exhausted when I got home from work. honestly–and eventually went to bed early, around nine. Scooter woke me by caterwauling for no apparent reason right around eleven thirty–woke me from a deep sleep, I might add–and I was never able to fall back asleep. I did get my chapter written, despite being so tired, and after I did that I collapsed into my easy chair for a while. I tried to read to no avail, tried to find something, anything, to watch, and finally as I was dozing off in the chair decided it wouldn’t hurt to go to bed early. The chapter isn’t very good, either–none of this draft is good, to be honest–and last night the stress and anxiety about everything I have to do finally built to a point where it peaked, I had a bit of a meltdown, and I snapped back into normalcy, which I hope will last through the day. It has been building for quite some time now–I found myself getting angry really quickly yesterday and over nothing, really, and that’s a sign–but unfortunately there’s no way around it other than letting it build till it boils over and I get the pressure release and I am fine again. I think last night writing the chapter and knowing it was terrible and knowing I am behind and I have so much left to do and then it’s going to take such a massive overhaul to rework it all into something decent that I just started freaking about everything I have to get done and so I had my little meltdown and hopefully, that pressure won’t start building again for a while at any rate.
And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader.
Quite a number of years passed between the time when I wrote my first vampire novella, The Nightwatchers, and the time I was asked to write another.
I also hadn’t intended to use Todd Gregory, but that was the name I was publishing under with Kensington at the time, and so they wanted me to use it for the novella–and you know me: they were paying me well so I didn’t care. The fraternity books I was writing for them under that name were doing well, and so they wanted some kind of tie into the fraternity stuff. I didn’t want to write a vampire story set in fictional Polk, California; I wanted to write about New Orleans–I’m sorry, I know it’s a cliche, but vampires and New Orleans just go together in my head. What I actually wanted to do was go back to the mythology I’d created for The Nightwatchers, and at first worried that using my “other” name precluded me doing just that…but then I reminded myself you’re both the same person, dumbass and so that’s precisely what I did. For the fraternity connection, I decided to bring four college students from the University of Mississippi to visit New Orleans for Carnival (one of them was from New Orleans), and have them all be brothers from the same fictitious fraternity I used for the fraternity stories: Beta Kappa. (I first used Beta Kappa in Murder in the Rue Dauphine; it’s the same fraternity Chanse belonged to at LSU, so whenever I need a fraternity that’s my go-to; I even used it in my story “This Town” for the anthology Murder-a-Go-Go’s), and of course, one of the boys gets turned over the course of the weekend.
After all, shouldn’t everyone be afraid of coming to big, bad, dangerous New Orleans?
“Happy Mardi Gras!”
The woman was obviously drunk as she threw her arms around Cord Logan and pulled him close and tight to her soft breasts. She pressed her mouth on his before he had time to react and push her away. His entire body stiffened and he winced. Her mouth had the nauseating taste of sour rum and stale cigarettes. He pushed her arms away from him. Repulsed, he pulled his head backward and took a step back, almost bumping into a weaving guy in an LSU sweatshirt carrying a huge cup of beer. She stood there in the middle of Bourbon Street, grinning at him. She looked to be in her mid-thirties, and heavy strands of beads hung around her neck dipping down into her cleavage. Her lipstick was smeared, making her look kind of like a drunken clown. Her hair was bleached blonde with about three inches of dark roots growing out of her scalp, and was disheveled and messy—her hairspray had given up on it hours ago. Her bloodshot eyes were half-shut, and she tilted her head to one side as she looked at him, her sloppy smile fading. She was wearing a low-rise denim mini-skirt over stout legs and teetering heels. Her red half-shirt with Throw me something mister written on it in gold glitter revealed a roll of flab around her middle, and a fading sunburst tattoo around her pierced navel. She tried to grab his head and kiss him again, but he deflected her arms.
She narrowed her eyes, going from ‘happy drunk’ to ‘mean bitch’ in a quarter second. “What’s a matter? Don’t you like girls?” she jeered at him, weaving a bit on her heels. She put one hand on her hip, replacing the smile with a sneer.
What? He stared at her, and froze for a moment as horror filled him.
For that instant, everything seemed to stand still. The dull roar of marching bands in the distance, the rock music blaring out into the street from the bars lining Bourbon Street, the shouting and yelling of the revelers, all faded away as he stood staring at her squinting eyes.
Don’t be stupid, Cord, no one can tell just by looking at you.
The spell was broken when a strand of purple bands flew between them, hitting the pavement with a clatter. Cord involuntarily took another step back. The woman squealed with excitement and bent over, her T-shirt falling open at the neck to reveal a cavernous blue-veined cleavage. She stood up clutching the beads in her fist, a look of triumph on her face. She turned around, Cord forgotten, and lifted her shirt, showing her bare breasts to the crowd of men holding beads on the balcony. She shook her shoulders, making the large breasts sway from side to side, and she started yelling up at the men on the balcony. They all began whistling and cat-calling. The beads began to fly—Cord grabbed a strand of gold ones just before they hit him in the face. He slipped them over his head and moved on down the street before she remembered him and tried to kiss him again.
Something like this actually happened to me at my first ever Carnival, when I flew in from Tampa for it in 1995. I was walking with a friend up Bourbon Street to the gay bars (“running the straight gauntlet” is what we used to call it) when this woman stepped directly in front of me and went through this entire song-and-dance that I later adapted into the opening of Blood on the Moon.
I don’t remember if I’d ever written about a young gay man slowly beginning to take baby steps out of the closet before, or i Cord was the first–I think he may not have been the first; Jeff in Every Frat Boy Wants It I think was probably the first–but I really liked the idea of him coming to New Orleans for Carnival with some of his fraternity brothers, and that his best friend in the fraternity is the only other person who knows about his true sexuality–and suggests, in fact, that Cord lose the group during a parade and head to the gay end of the Quarter to explore and be free. Unfortunately for Cord, he runs into Jean-Paul, an incredibly hot older man and his group of really hot older gay men…but the next morning, Cord has some issues with the sun and other things. That evening Cord heads back down to the Quarter to see if he can find Jean-Paul, and instead runs into a Creole named Sebastian; and Sebastian is a male witch with an ulterior motive: he wants to drink from Cord’s blood–Cord is infected, but hasn’t completely succumbed to transitioning into a vampire yet, and Sebastian thinks vampiric-infected blood will make his own witchcraft powers even stronger.
I liked the character of Cord a lot, and I liked that he didn’t really transition into becoming a young gay vampire by any choice–Jean-Paul selected him as a plaything for the night, that’s all, and had no intentions of turning him, until Sebastian got involved–and while this story ended with a definite resolution–I also saw not only how the story could continue, but how I could also weave The Nightwatchers and the mythology I created for that novella into this new story. I eventually wrote another short story about Cord–“Bloodletting”, which was in Blood Sacraments, and when my editor asked me to write an actual vampire novel, I made “Bloodletting” the first chapter and continued it from there…and that became the novel Need–which is a tale for another time.
It’s a work at home Friday and Paul is getting ready to head out to the airport. Heavy heaving sigh. While alone time is something I can always appreciate, it doesn’t take more than a day or two before I start missing him. But I have a lot to keep me busy, so if I just focus and work my way down the to-do list, I should be able to keep busy enough to not miss him while at the same time getting a lot of things done–always a plus, especially given how behind I am on this book–but a Gregalicious at rest tends to stay at rest, so the big thing for me is going to be staying motivated.
Ugh, I hate when Paul goes away.
I was tired again yesterday when I got off work and came home, so spent some time organizing and doing mindless chores once I got home until Paul got home from work. By the time he’d gotten home I’d already finished the chores and given in to Scooter’s demands for a lap to sleep in, and was watching the latest iteration of ESPN’s show Saturdays Down South, which of course is a history of the Southeastern Conference. This episode was for the decade 2010-2019, and while it naturally focused on the Alabama supremacy, it was fun revisiting some of that football history from that decade: Auburn’s runs in 2010 and 2013 (the “Kick Six” win against Alabama included); the runs for both Mississippi and Mississippi State in 2014 that ended disappointingly but had them both ranked in the Top Three at the same time (until they lost to LSU and Alabama, respectively, on the same day), and of course ending with the incredible LSU season in 2019. Much as I would love to climb on board this year’s LSU hype train, I’m reserving that excitement until a week from tomorrow. Alabama is the stumbling block as it always is (only one national champion since 2006 was able to claim the title without having to beat Alabama–hence The Alabama Supremacy), and even the game being in Tiger Stadium means nothing. LSU has beaten Nick Saban exactly four times (2007, 2010, 2011, 2019) with three of those games being in Tuscaloosa. LSU hasn’t beaten Alabama in Baton Rouge since 2010–twelve years.
So, yes, I am a huge LSU fan but I am also realistic. I’ll be cheering for the Tigers, you bet, and I want them to win…but I am not expecting them to win. I am hoping for it to be a great game.
After Paul got home we caught up on American Horror Story: NYC, which weren’t as interesting to me as the first two episodes. In other words, as we get deeper into the season the plot is beginning to derail a little as so often happened with seasons of the show. However, since the story is set so strongly in the gay community of the early 1980’s, I’ll keep watching. I somehow always manage to keep watching this show (Double Feature we bailed out of during the aliens second feature; we also gave up on Hotel but somehow managed to watch both Roanoke and Apocalypse all the way to the bitter end) despite how far off the rails some of these seasons inevitably wind up going–it’s the completist in me, I think–although I feel pretty confident we’ve also given up on A Friend of the Family as well. (Paul: “This could have been a two-hour movie; it didn’t need to be an ongoing series.”) I am now at a loss for what to watch with Paul gone–I can’t watch anything we’re watching together, or something we’d watch together–but I think I am going to revisit the latest Nancy Drew series; I watched the debut episode and kind of was intrigued by it, but Paul wasn’t interested so never went back to it. I checked yesterday and was stunned to see three seasons have aired, which is cool. I hope The Hardy Boys also gets another season, in all honesty; I enjoyed the show. Having grown up on the Hardy Boys and Nancy Drew, I am always interested to see how the characters/stories get adapted for a modern audience (and belonging to several fan groups on social media for the books is equally interesting, particularly in how imprisoning and limiting so many people can make of nostalgia for something from their childhoods), just as I was interested in seeing Riverdale’s approach to the Archie characters.
I wound up going to be relatively early as I started falling asleep in my chair while watching AHS: NYC last night (I will probably have to rewatch the latest one because I kept dozing off; I also rewatched Andor last night for the same reason before Paul got home). I also got a new espresso maker yesterday which I am dying to try out this morning. I also want to finish my reread of The Haunting of Hill House before moving on to something by Paul Tremblay. I didn’t do well with my “October horror reading month”–I didn’t read very much this month at all, which is shameful, especially since I got Wanda Morris’ new book this week as well–can’t wait to dig into that.
Sigh. Am I being overly ambitious with my plans to get things caught up while Paul is out of town? It’s entirely possible, and I could possibly be setting myself up for a terrible disappointment, but there it is.
And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader, and I will check in with you again tomorrow.
Friday and a work-at-home day that is going to be taking up mostly by meetings, alas. I actually have to go into the office for the first one, but the rest I can do remotely from home, which is nice. I slept really well last night–odd how going to bed and getting up one hour later makes such a difference in feeling rested. I have a lot to work on this weekend–so much to work on this weekend–but that’s okay. The Saints played last night apparently–I watched for a while but got too tense so turned it off; getting stressed and tense before bed is never a good idea, really–but then we watched the first two episodes of American Horror Story: NYC, which so far is one of the best and most interesting they’ve done in a long time.
It’s also the gayest season I’ve ever seen–with elements of Cruising and hints of the coming HIV/AIDS crisis as a serial killer is apparently stalking the gay community of New York. I wasn’t out at that time and had never been to New York before 1991, so I can’t say if the show is accurately capturing the time and feel of what it was like to be gay in those times in the big city; I’ve certainly read enough books to feel like the show is capturing the same vibe as the books I’ve read either written or set in that time period. I also like the idea of the serial killer stalking the gay community in a time when not only would no one give a shit, especially the cops; there’s a closeted at work gay cop character played by Russell Tovey who, at least so far, has done an excellent job of capturing that duality, that horror of living/leading two completely separate lives and having to really, split in two. I know that’s been explored exhaustively in fiction; but it’s something I’d like to explore a little bit more deeply in something. (I am now thinking about crime fiction about doubles, like Mary Stewart’s The Ivy Tree and Daphne du Maurier’s The Scapegoat; and somehow factoring in that kind of duality into such a story) The show has been a pleasant surprise so far–and the cast is actually quite good (Murphy’s primary strength lies in casting): Russell Tovey, Charlie Carver, Zachary Quinto, among others, and the best is Patti LuPone as the bath house singer. bedecked like a proud drag queen in flowing gowns and tiaras singing for the towel-clad gay men between their hook-ups. (Note: I’ve been told this may be based on the same case Elon Green wrote about in Last Call, which won the true crime Edgar Award earlier this year–so now I really want to read my copy of that soon!)
See what I mean? Here it is late afternoon and I am done for the day at last, worn out and a bit tired, but glad to have made it through another day. I am meeting a friend for drinks later this evening, which will be lovely–it’s nice to get out of the house periodically for something besides work or errands–but yes, I am tired. I want to work on the book a bit before I have to leave this evening; I am trying so hard not to freak out or get stressed out about everything I have to get done, but I am hopeful that I’ll be able to get somewhere with everything this evening, and make even more progress this weekend. Paul is also going away to visit his mom for over a week, leaving a week from today–and there’s not an LSU game that weekend, either so I have no excuse for not getting a lot of shit done next weekend, do I?
Heavy sigh.
But there’s naught to do but put my head down and head into the to-do list and the spice mines, is there? I find that while it is often easy to get discouraged and depressed and overwhelmed when thinking of everything I have to do and get done and how behind I am on it all (I am often singing that same old song, am I not?), the best way to deal with it is the ever popular, almost always works magical to-do list. That organizes everything into one neat and tidy place, and even when it is lengthy there’s something about having everything numbered, sub-categorized, and written down in one place to fool my mind into thinking oh, sure I can get all of this done in no time at all. Email, of course, being the worst chore and the one that has the most variables involved so it can never ever be finished or completed–which is one reason why I stopped putting “empty inbox”on my to-do list. I am looking forward to the day when my email becomes manageable again…
I also weighed myself the other day and was delighted to discover that I actually only weigh 214, so give or take a pound here and there, I still weigh the same as I have since I put weight back on after getting down to 202 for that all-too-brief period of time when I thought 190 was a possibility again…I’d like to get back down to 200 and then decide if I want to try for 190 again…I’m not even sure that it’s possible anymore, given the energy limits I now operate under and how tired I am most of the time these days; although maybe recalibrating and resetting the way I eat again might help–I usually eat the same when I am working out than when I am not; i don’t change up that much other than adding protein shakes to the mix after workouts. But ugh, going back to eating ground turkey instead of hamburger and subsisting on salads and greens and chicken and brown rice….just makes me think you’re too old to be that vain and if you drop dead tomorrow…defeatist thinking, I know, but welcome to my brain.
It’s been a week, for sure, and I am really glad–despite the loss of time to get everything done–that this one is in the books now. I am going to work on the book now for a while and clean the kitchen and do some other things that I can do when I need to get up from the computer, and will check in with you again tomorrow, Constant Reader. Have a lovely Friday.
It is insanely early to have a kickoff in Tiger Stadium at eleven in the morning–I think I actually went to a game that started this early; I remember we had to get up at eight to get ready and barely managed to get into the stadium and into our seats as the band took the field for Pre-game (always one of the highlights of a game there; if you don’t know what LSU’s Pregame is, it’s that song the band plays that has those four notes–bah, BAH bah bah! (to me it always sounds like Hold That Ti-ger!)–and the entire stadium erupts. I mean, it really does. If you ever have a moment to kill, go to Youtube and search for LSU Marching Band Pre-game–you should immediately recognize the music. But having the game so early for me means I’ll most likely be emotionally and physically drained after it ends, and I’ll probably get sucked into the chair watching games all day (I mean, I should watch the Georgia-Auburn game, even if it is going to be a bloodbath), but hopefully I’ll find some time to make notes and do some reading as well.
I slept very well last night (again), which was really super nice, and we finished Your Honor last night–didn’t see that ending coming, apparently it’s been renewed for a second season–and also started watched this past week’s episode of Bad Sisters–God, how I hate John-Paul–and also caught this weeks Queer for Fear, which focused primarily on James Whale and Alfred Hitchcock, with a lovely section on Anthony Perkins (my God, what a beautiful man he was) and how Psycho essentially ended his career–to this day his failure to even be nominated for an Oscar for that performance is a crime; he should have won; it’s one of the best screen performances of all time–which both Paul and I enjoyed tremendously; I’m also looking forward to more of this documentary series. Yesterday I got my work done and ordered groceries to pick up tomorrow morning; I’m beginning to see this as a marvelous convenience rather than as simple laziness now and I kind of like this because it also keeps me from making impulse buys, which always drives the price up. I did pick up the mail and make a quick stop for a few things at the Fresh Market (they carry Clearly Canadian, which I used to love back in the day, but they never have strawberry, just cherry and blackberry–I always get blackberry), and I made Shrimp Creole for the first time in a very long time; I’d forgotten how marvelous that is. There’s plenty left over for me to take to work this week as well, which is even nicer. Huzzah!
I’m hoping for a lovely, restful, relaxing day today. I’ll probably do some cleaning and organizing during the games–have to do something with all that nervous energy, after all–and tomorrow is going to be a massive work day. I am going to finish Chapter Five tomorrow if it kills me, and possibly do Chapter Six; I have some other things to do as well that I need to add to the list so I don’t forget and wind up fucked. I’m also getting my booster shot on Monday; hope that doesn’t make me feel unwell. If it does, or is anything like the last one, I should just feeling mildly unwell for a day and be over it at that time.
I also picked up Interview with the Vampire to reread again, since it’s Halloween season and all, and the show is airing. I’ve not read Mrs. Rice’s work in a long time–I kind of want to go back and finish reading The Feast of All Saints, although I am sure it’s problematic now, as it is about the Free People of Color before the Civil War–and I’d forgotten how lushly stylized her writing is; I am also probably going to want to revisit The Witching Hour as well before it’s television adaptation starts airing in January. I rather famously didn’t care for this novel the first two times I read it; I finally was enthralled with it upon my third reading, in Hawaii. I read all of her work after that until she switched to Jesus and angels; I never really came back to her when she turned to werewolves before finally coming back to Lestat and vampires. At some point I intend to read the final Lestat novels, and I should probably read The Mummy sequels she co-authored with her son.
I’ve not been feeling terribly creative this past week, despite the need to work on the book as well as the little work I have done on the book, and I am hoping that changing my work schedule will help me to feel somewhat less off-kilter in my life than I’ve been feeling since I started coming in on Fridays and staying home on Mondays. I’ve never really adjusted to it, honestly, and this feels so right, you know? I feel like my life has sort of gotten back on track since this switch was made again. I could be completely wrong; who knows? By Tuesday it’s entirely possible that I might be so tired and exhausted I won’t be able to function the way I should be able to when I get home from the office. But I am hoping that won’t indeed be the case, obviously, and thus far it has made a significant difference in how rested I feel.
Which is a good thing, really.
And on that note, I am going to head into the spice mines. Have a lovely Saturday, Constant Reader–I may be back later, you never know; if not, I’ll chat with you tomorrow.
Tuesday morning with dark pressing against the windows. When does this hateful Daylight Savings Time shit happen this year, anyway? The extra hour of sleep in the fall is always lovely and nice; it’s the paying it back in the spring that totally sucks. Ah, well. I slept well last night and feel fairly wide awake (I actually wrote wild first; wild awake sounds like it should be a thing, really) and am looking forward to another exciting day at work. I recently had my job changed a bit–I got a substantial raise and a new job description, that I have to sign today at the office–and the new stuff goes into effect with the start of the new pay period on Friday. It was very nice–it was the meeting I had yesterday–to have years of dedication to my employer acknowledged and appreciated (I knew I was appreciated, but it’s nice to get financial and employee level recognition as well). It will help me get these bills paid off faster as well, which is kind of nice. I’ve not made enough progress on that front as I would like this year, but it looks like I’ll get further ahead by the end of the year.
I also wrote about 1677 words yesterday; the first work on the Scotty book in weeks, and yes, it was literally along the lines of pulling teeth. The gears had rusted and were most definitely creaking as I tried to get them moving yesterday. It wasn’t easy, but I am hoping that getting started will help grease the wheels somewhat and will help me get more done, bit by bit, day by day, until it is finally finished. I always, every time, forget that things don’t have to be perfect the first time through–even though time is running out already–and I am trying to not to let the impending deadline make me crazy.
We watched a few more episodes of Your Honor last night, which completely changed course and direction in a completely unexpected way in last night’s two episodes; I’m not really sure what is going on with the show–it’s almost like they took on a new show-runner and writers after episode 4. It was a significant change in tone and direction, and a new character was added out of nowhere in a weird transitional method of getting to the new direction/new story. It’s clever enough–although we did have to laugh because (and yes, it’s a New Orleans thing) that he was trying to drop off the extortion/blackmail money during the Red Dress Run, which is always on a Saturday in August which means it’s hellish outside, temperature wise…but on the show, it was clearly a weekday for some reason because he went to the bank first to remove the money, and no one was hot or sweating and it looked kind of chilly out, to be honest. (For the record, I put the Red Dress Run into Garden District Gothic as the opening sequence; Scotty taking Taylor to his first Red Dress Run.) But it’s entertaining enough, and yes, I am aware how snooty we who live here are about shows and movies set and filmed here but not in a bad way; I personally just get amused by the bizarre geography they use for them. But like I said yesterday, it’s about shots that reflect New Orleans to the viewers, and to do that sometimes you have to create a new geography that makes no sense to us, but works for everyone else.
There has been an endless on-going thing on social media over the last few days about Billy Eichner’s tweets about his disappointment in his new film Bros not performing as well at the box office as he had hoped and the studio had projected; basically, it boiled to him saying straight people didn’t show up for a gay movie. I get his frustration as a queer artist; queer authors could all easily say we would be more successful if straight readers bought our books, too; it’s not like a lot of straights show up for us, either. But…I don’t know how true that is. I don’t know who reads my books or who my core audience is; I assume it’s gay men, with a smattering of lesbians and straight women thrown in for good measure, based on social media interactions and responses to my blog posts. (And yes, I know I am being heterophobic in assuming there are very few, if any, straight male readers of my work. I am okay with this completely because I really don’t write with straight men in mind, to be honest.) Again, I get the disappointment–and some people on Twitter do miss the point entirely; Bros was the first major studio film release about gay men starring gay men and employing almost entirely queer people behind the scenes, which does make the movie groundbreaking in some ways (bringing up the success of other gay films from big studios is an apples to oranges thing; since most of those were straight written, straight produced and starred straight people in a queer film targeting to straight people). So, yeah, I get why Billy Eichner is disappointed…I don’t know that I would have taken the disappointment to social media, though. (Oh, I know the answer to that, who am I fooling? You never take disappointment to social media unless you enjoy feeling like a carcass being picked apart by vultures.) I’m not a particular fan of his; as someone whose persona also is drily funny sarcastic bitch, he always seems angry to me, and anger makes me uncomfortable rather than amused. I’ll watch the movie when it’s streaming, but I do think the lower box office than predicted might have to do with people not being comfortable going back to a movie theater just yet; and while I recognize this as an assumption, I feel pretty safe in concluding that the Venn diagram of people who would tend (or be interested potentially) to see a gay rom-com in the theater and those who are still taking COVID precautions seriously is pretty much one big circle, you know? I think Fire Island did really well for Hulu over the summer, and we don’t know that Bros is a flop yet, either. I don’t see the underperformance of Bros as necessarily the death knell of queer cinema from the major studios, either; yes, it won’t help the next film get produced but I don’t think it will stop the next one from being produced. And for the last time, it’s impossible for any queer film to represent every queer experience in the world because every queer person has a different experience. No one film (or television show, for that matter) can adequately represent the entire community, and we need to get past that kind of thinking–was Who’s Afraid of Virginia Woolf? representative of all straight married couples?
I don’t know why we hold queer films (and television series, for that matter) to higher standards than we do straight films and series, but probably because there are fewer of them, and less still that are written, produced and star actual queer people. My usual issues with queer film isn’t that they aren’t representative, but mainly because they just aren’t very good (the few that are good are quite marvelous, actually–I will always hold that the best gay movie is Beautiful Thing)…but that’s a discussion for another time.
And on that note, I am going to head into the spice mines. Have a lovely Tuesday, Constant Reader!
LSU is playing New Mexico this evening (GEAUX TIGERS!) in Tiger Stadium–it should be an easy win but when it’s LSU you can never take anything for granted–and I have a lot I want to try to get done today before the games get started. I have errands to run, Costco to order for delivery; it just never ends for one Gregalicious, does it? It would appear that way.
I did feel a little tired most of the day yesterday; not sure what that was about, to be honest, but there you have it and there it is. But I also got this lovely review inPublisher’s Weekly; another industry journal I’ve not been reviewed in for quite some time now. I am getting more excited AND nervous as time ticks down to the official release date…but it’s really lovely getting all this pre-publication love from industry journals, early readers, and bloggers. I’m quite sure I don’t know how to act anymore! I’m very happy that everyone seems to be embracing the book, which I thought may be a big departure from what I usually do, but maybe it’s not? I don’t know, I’m not the best judge of my own work. It really never occurred to me that my Scotty series was technically a cozy series–despite the weed, swearing, violence and sex–but Scotty, despite being licensed, never actually had a client (the guy up on the fourth floor in Vieux Carré Voodoo does actually hire him before he is murdered) but usually, he’s just going about his day to day existence when he stumbles over a body or some kind of criminal conspiracy. But when I got home from work yesterday I puzzled over that bad bad chapter, and so this morning I am going to try to get it fixed up once and for all before diving headfirst into Chapter Four. I have some errands that must be run today–and I am going to order a Costco delivery–and I also have some cleaning around here that simply must be done; but I am hoping to avoid the allure and pull of college football as much as I can today to try to get as much done as I can on the Scotty today.
I also did the laundry once I was home, and finished clearing the dishes piled up in the sink–which even now are awaiting me to unload them from the dishwasher and put them away once and for all–and once Paul was home we settled in for Dahmer, which continues to be disturbing and hard-to-watch and almost documentary-like in style, tone, look, and story. Evan Peters and Niecy Nash should each take home Emmys for their work here; Niecy is absolutely stealing every scene she is in, and Peters looks so much like Dahmer…it’s also disturbing to watch as a gay man who went home with a lot of people he had just met for the first time. It really is a wonder there aren’t more serial killers in the gay community, and they certainly wouldn’t have much difficulty in finding potential victims thanks to the casual hook-up culture always so prevalent in gay male communities (which has always been something I want to write about; either in essay or fiction form); a sort of Looking for Mr. Goodbar sort of thing only with gay men. (I should reread that book; I haven’t in years–not since it was a thing anyway. I was thinking lately I should reread all the “thing” books from the 1970’s–Jonathan Livingston Seagull, Coma, Looking for Mr. Goodbar, Jaws, Love Story, etc.–to see how they hold up and what, if anything, they have to say or can be said about the culture and society of the time and why those books, all so disparate, were so successful and popular at the time.)
I slept wonderfully last night, which is always a delight and a plus, and my coffee is tasting rather marvelous this morning. It is most definitely hitting the spot, that’s for sure. I feel rested and good this morning, which makes it a great day for getting things done. I am also thinking about taking my car to the coin-operated self-wash while I am out and about today (reminder: check projected path for Tropical Storm Ian; the one off the Cape Verde Islands formed first and took the name Hermine), and I also want to do some cleaning around the writing. We should be able to watch the LSU game tonight, even though it is on a lesser ESPN/SEC Network sub-channel, which is annoying–but I get it; LSU-New Mexico is a “who cares?” game outside of Louisiana.
I also spent some time last night with Every Frat Boy Wants It, my first erotic novel under the name Todd Gregory, and it’s not that bad. I realized that the three “fratboy” books I wrote are of a type, really, and rereading that long-ago written story (I would swear to God it’s been almost since I bought the new car, which was 2017, so it’s been about five years or more since I wrote it in the first place) made me realize that the concordance I want to put together for Scotty needs to be a part of an even larger concordance of all my work; all the different Louisianas I’ve written about and fictionalized over the years, which is even more important now that this Scotty is going to be driven so much by action outside of New Orleans.
I also need to revisit My Cousin Rachel at some point today before tomorrow morning’s podcast taping; I don’t want to rely on my ever-decreasing memory and should at least be somewhat refreshed in my recollections of what is one of my favorite Daphne du Maurier novels, possibly even more favorite than Rebecca. Big words, I know; but while I am certainly more familiar with the text of Rebecca, having read it so many times, I’ve only read My Cousin Rachel once–and came to it within the last decade or so, on the recommendation of Megan Abbott. I’ve seen neither film adaptation, tempting as the original (starring Olivia de Havilland and marking the screen debut of a young Richard Burton) may be; simply because while I know both films are very well-regarded, it’s hard to imagine a du Maurier adaptation finer than either the Hitchcock Rebecca or Nicholas Roeg’s adaptation of Don’t Look Now; with the bar set so high on du Maurier adaptations, how could either version of My Cousin Rachel stand up to them? I recently read a new-to-me du Maurier long story or short novella called “A Border-line Case,” and like all things du Maurier, it is rather marvelously well-written and twists the knife with something obvious that was there in front of you all the time but du Maurier pulls her usual authorial sleight-of-hand that makes the reveal startling and shocking despite being right there in front of the reader the entire time.
I also had wanted to spend some time with my Donna Andrews novel Round Up the Usual Peacocks, but not sure that I’ll have the time necessary. Ah, well. And on that note, I am going to head into the spice mines. I need to brew a second cup of coffee, and there are odds and ends around here that need attention. Have a lovely Saturday, Constant Reader, and I will check in with you again either later today or tomorrow morning.
My back, while still a little tight, is more irritating than painful; it’s at that stage where it is so close to not hurting at all anymore that it’s annoying that it hasn’t stopped, if that makes sense at all? I ran errands on my way home from work yesterday–mail and a prescription–and then came home, did a load of dishes, and then collapsed into my chair with the heating pad. I am taking it to work again with me this morning–more heat can’t hurt, after all, and the office is cold–and hopefully will wake up tomorrow morning feeling ever so much better. We got caught up on House of the Dragon last night–it’s getting better, but man was it ever getting off to a slow start–and it’s not as big and epic as Game of Thrones was; it’s more contained, with fewer characters and fewer story-lines, for one thing–and then we watched Archer (it really misses Jessica Walter; Mallory Archer was too great of a character for the show to do without) before calling it a night and heading for bed. I slept well again last night–only woke up a few times–and my back felt better when I got up…but it is slowly starting to make itself known, so yes, definitely bringing the heating pad to the office with me this morning.
I was thinking, last night as I waited for Paul to finish working (whenever he comes home earlier than usual, he inevitably spends a few hours making calls and sending emails once he’s home), about something that has been sticking in my mind for quite a while–and last night it hit me between the eyes.
People talk a lot about crime in New Orleans–it’s usually code for people to be racist without being outright racist; I always laugh at people in the comments section of the local news stations or newspapers, talking about crime in New Orleans and ‘that’s why they left New Orleans’ for the suburbs/West Bank/North Shore, etc. I laugh at this because they will always claim to other people Not From Here that they are, indeed, from New Orleans (bitch, you’re from Metairie) and I always want to ask them, “was it really crime in New Orleans that drove you out of the city, or was it the desegregation of the schools, hmmm?” Every neighborhood in New Orleans, you see, is mixed; the Garden District neighborhood at one time also included the St. Thomas Housing Projects. And sure, crime has been on the rise here lately. But I have lived in New Orleans since 1996, and white people are always talking about crime here and shaking their heads about how the city “has gone downhill.” Um, if you study the history of New Orleans, the city has always been filled with crime; IT’S A GODDAMNED PORT CITY.
Anyway, as I was standing in line waiting to board my flight out of Minneapolis, the woman in front of me turned out to also be from New Orleans (River Ridge). She was absolutely lovely, and we chatted the entire time we waited and as we went down the jetway to the plane–which, for someone whose default is always social awkwardness, was something–and ironically, she was the person in front of me in line for the flight from Chicago to New Orleans. She began talking to me about the crime and I did my usual shrug “there’s always been crime in New Orleans” and when she asked me if I wasn’t afraid, I just shook my head and said “no–no more than usual.”
That, of course, started a thread in my head about why are you not afraid of the rising crime in New Orleans and I realized, as I had also said to the nice lady, “I’m just always hyper-aware of my surroundings and what’s going on around me.” And then last night it hit me: as opposed to the nice straight white people of New Orleans, the rising crime rate doesn’t really bother me because I have never felt completely safe anywhere or anytime in my life–that’s what life is like for queers in this country.
I had to train myself as a kid to always keep my eyes moving and always be aware of what’s going on around me–I look ahead, I look behind, I always am looking from one side to the other and am always on hyper-alert because you never know when the gay bashers are going to come for you. I’m no more afraid now than I have ever been throughout the course of my life, and I had decided a long time ago that I would not live my life in fear anymore–but to always be vigilant.
Straight white people aren’t used to not feeling safe and they don’t like itwhen they don’t.
Welcome to what it feels like to be a minority in this country–and let’s face it, I still have white male privilege; I can’t imagine what it’s like to navigate this world as a black lesbian or transwoman.
But straight white people? This is their world and it is the world they made. While straight white women are oppressed terribly by straight white men, many of them have been gaslit into thinking they are less than straight white men and it is simply their lot in life, and they accept that in exchange for protection by the patriarchy. So while it is true that for women, car-jackings and muggings are just one more thing to add to their backpack of oppressive fears–usually sexual assaults (physical or verbal) or harassment. Interesting, right?
But for those Stockholm Syndrome suffering straight white women, crime is outrageous and horrifying to them because the system is theoretically set up to protect them from crime.
And what’s a little sexual harassment if it means you won’t get mugged or carjacked by that scary Black man? Boys will be boys, after all; they’re just wired that way.
I’ve always wanted to write from the perspective of someone like Brock Turner, the Stanford swimming rapist–but I don’t think I can. I can’t imagine what it would be like to be so blind about your own child, especially since I don’t (and never wanted) any of my own.
And yes, this is yet another subject for an essay.
But the fog of exhaustion seems to finally be lifting from my head–hallelujah–and so I think–if I am not too tired when I get home tonight, that is–I am going to be able to get back to work on my writing either today or tomorrow. I also want to start reading my new Donna Andrews novel, and I want to read Nelson Algren’s A Walk on the Wild Side before October, when I have to turn my attention to the horror genre again for Halloween.
And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader.
That’s not entirely true, you know. Yes, Bourbon Street Blues was always supposed to be a stand alone (I know you’re tired of the story) and they offered a two book series deal and I took it, thinking I would just figure it out later. Well, I did figure it out later; and when I started writing Bourbon Street Blues I already knew there would be a second book and so I had to set it up in the first as well as plant seeds for the next one after that–if there was going to be another one after that. I didn’t know for sure or not whether there would be a third, so when I was writing the first I kept the personal story as simple as I could in case there wouldn’t be a third and I could wrap it all up with the second if need be. But by the time I finished writing Jackson Square Jazz I was already pretty confident there would be a third (the first had just come out and was doing extremely well) so even if the third still ended up not being contacted, everything wrapped up as nicely as possible at the end of Jackson Square Jazz.
I decided the main mystery plot of the book would have to do with the Cabildo Fire of 1988.
When Paul and I had first moved here, sometime within that first year we saw a documentary on our local PBS station (WYES, for the record, thanks for asking, you there in the back) about the Cabildo Fire. I can only imagine how the city reacted to the news that a fire had broken out in one of our most beautiful buildings and recognizable landmarks–especially given its proximity to the landmark of the city: St. Louis Cathedral, and on its other side, the Presbytere. The documentary focused on the remarkable methods the New Orleans Fire Department went to, not only to fight the fire and prevent its spread to other historic buildings nearby, but to preserve the contents of the inside. The Cabildo is the Louisiana State Museum, and it’s filled with all kinds of artifacts and art documenting the history of New Orleans and the Louisiana territory. They brought fire-fighting boats to the levee, and borrowed more from the Coast Guard. They began hosing down the buildings around the Cabildo so they’d be too wet for the fire to spread.
And firemen were sent inside to remove as much of the contents before they turned the hoses on the Cabildo itself.
They literally lined paintings, framed historic documents, and various other historical artifacts with a variety of values along the fence surrounding Jackson Square, delaying until they had no other choice but to turn the hoses onto the Cabildo.
How easy it would have been to walk off with something priceless in its historic value, I thought, thinking of Robin Cook’s marvelous Sphinx and its opening with the tomb of Tutankhamun being robbed before flashing forward to the present day where a young female Egyptologist happens upon a magnificent statue from antiquity; a golden statue of Pharaoh Seti I. I pictured another young woman, in an antiques shop in the Quarter, happening upon something that looks like an artifact lost during the Cabildo Fire (they saved over 80% of the museum’s contents, by the way), and decided upon the Louisiana Purchase treaty. I could also call the book Louisiana Purchase (which also is the name of the state’s food assistance program; you get a Louisiana Purchase card with an amount loaded onto it every month), and possibly weave something about a food assistance program scandal of some sort woven into it as well. I viewed this as a spin-off stand alone for my character Paige Tourneur from the Chanse series (I had always wanted to write about her), and I thought, you know, the Cabildo Fire and some McGuffin gone missing from the museum would make a great plot for the second Scotty book.
The more I thought about it, the more I liked it.
And, being a dutiful writer, I contacted the administrative offices of the Louisiana State Museum and made an appointment to discuss my book and the fire with Executive Director Jim Sefcik.
And when I met with Jim, I discovered, to my great surprise, that not only had he been working there the day of the fire…it was his first day on the job.
“I was sitting in La Madeleine having coffee and a pastry,” he said (where Stanley is now used to be a La Madeleine; I used to get coffee there all the time during the Williams Festival), “when I heard a fire engine. I looked out the window and saw a firetruck pull up onto the pedestrian mall and stop in front of the Cabildo. As I thought that can’t be good another one pulled up from the other direction and THAT was when I saw the smoke.”
He gave all the credit to the fire chief for how everything was saved–“I just kept saying yes yes, whatever you think is best”–and I remember saying, “Well, at least you got it over with on your first day.”
He laughed, and replied, “Yes, now whenever there’s a crisis of any kind I just think well, at least the Cabildo isn’t on fire and that kind of puts things into perspective.”
He even gave me Polaroid snapshots of the aftermath of the fire; they’d scanned the originals long since to archive them. I just found them again Saturday when I was cleaning out cabinets, you can imagine my delight to stumble over them all these years later.
He also explained to me why the Louisiana Purchase treaty wouldn’t work as the MacGuffin (the original is stored in a vault at the Library of Congress; the display in the Cabildo is a copy and it is multiple pages long) and suggested the Napoleon death mask as a suitable alternative–even telling me a wonderful story about how the one in the Cabildo (there were four or five made) disappeared and then turned up in trash dump about thirty years later.
And he was right. It worked perfectly.
Danger is my middle name.
Okay, so that’s not strictly the truth. My middle name is Scott. But when you’re first name is Milton and you’re last name is Bradley, you’ve got to do something. Yes, that’s right, my name is Milton Bradley, and no, I’m not an heir to the toy empire. My parents, you see, are counter-culturalists who own a combination tobacco/coffee shop in the French Quarter. They both come from old-line New Orleans society families; my mom was a Diderot, of the Garden District Diderots. Mom and Dad fell in love when they were very young and began rebelling against the strict social strata they were born into. The Bradleys blame it all on my mom. The Diderots blame my dad. My name came about because my older brother and sister were given what both families considered to be inappropriate names: Storm and Rain. According to my older brother, Mom and Dad had planned on naming me River Delta Bradley. Both families sat my parents down in a council of war and demanded that I not be named after either a geological feature or a force of nature. After hours of arguing and fighting, Mom finally agreed to give me a family name.
Unfortunately, they weren’t specific. So she named me Milton after her father and Scott, which was her mother’s maiden name. Hence, Milton Scott Bradley.
My older brother, Storm, started calling me Scotty when I was a kid because other kids were making fun of my name. Kids really are monsters, you know. Being named Storm, he understood. My sister Rain started calling herself Rhonda when she was in high school. Our immediate family still calls her Rain, which drives her crazy. But then, that’s the kind of family we are.
So, yeah, danger really isn’t my middle name, but it might as well be. Before Labor Day weekend when I was twenty-nine, my life was pretty tame. I’m an ex-go-go boy; I used to tour with a group called Southern Knights. I retired from the troupe when I was twenty-five, and became a personal trainer/aerobics instructor. The hours were great, the pay was okay for the most part, and I really liked spending a lot of time in the gym. Every once in a while I would fill in dancing on the bar at the Pub, a gay bar on Bourbon Street, when one of their scheduled performers cancelled—if I needed the money. That Labor Day weekend, which is Southern Decadence here in New Orleans, I was looking forward to meeting some hot guys and picking up the rent money dancing on the bar. I certainly wasn’t expecting to be almost killed a couple of times or to have my apartment burn to the ground. I also didn’t expect to wind up as an undercover stripper for the FBI.
It’s a really long story.
The one good thing that came out of that weekend was I met a guy: Frank Sobieski, this mound of masculine, hard muscle with a scar on his cheek, who also happened to be a Fed. They don’t come any butcher than Frank. We hit it off pretty well, and he decided that once his twenty years with the FBI were up, he’d retire and move to New Orleans. I’ve always been a free agent. It’s not that I didn’t want to have a boyfriend, I just never thought I would find one. I enjoyed being single. I mean, young, single and gay in New Orleans is a lot of fun. It doesn’t hurt that people find me attractive, either. I’m about five nine, with wavy blondish hair that’s darker underneath. I wrestled in high school, mainly because the other kids were bullying me because they sensed I was gay. I’ve been working out ever since. Anyone who tells you being in shape doesn’t make a difference in your life is lying. It does.
But I needed a reason for the death mask-MacGuffin to come across Scotty’s path.
So, I turned back to the personal story of Scotty again.
It’s October now, been about five or six weeks since Labor Day and Halloween looms. There’s not been another word from Colin since the end of Bourbon Street Blues and Frank has put in for his retirement while he and Scotty are doing the long-distance thing; Scotty is finding it a bit restraining and having never really wanted or care about being in a relationship, is starting to have second thoughts about giving up his freedom. He has just come back from visiting Frank in DC and that visit has set his teeth on edge and made him even more nervous about Frank moving to New Orleans. David picks him up at the airport, hands him a joint, and Scotty goes on a bender…
…and wakes up with a massive hangover in bed the next morning, realizing to his horror that he is not in bed alone.
How relatable is that? I know I’ve been there more times than I care to remember.
And I realized, the trick is the key linking Scotty to said MacGuffin and the mystery, and as a big figure skating fan I decided to make him a figure skater, in town for Skate America. Scotty doesn’t know he’s a skater until he’s actually at the event and sees him warming up on the ice–and then he gets a note to meet him at his hotel room at the Hotel Aquitaine later that evening, along with the room’s key card–but Scotty shows up only to find a dead man with a knife in his chest.
This one was fun, and having Scotty’s weird ‘psychic’ power allow him to commune with the ghost of a long-dead fireman who knows the answer everyone is looking for was also a lot of fun. (I liked the concept of having Scotty and his mom go down to watch them fight the fire when he was a little boy.)
What a fun book this was to write!
I introduced a very fun Texas millionaire who collects things and doesn’t care how he acquires them (I even brought him back in Baton Rouge Bingo); was able to bring Colin back only to find out he’s not really a cat burglar but actually an international agent-for-hire working for the Blackledge Agency and thus created the “who will he wind up with” romantic triangle; and even had Scotty living in half of David’s shotgun while his home on Decatur Street was being rebuilt (which I had forgotten about until the skim-rereads and changes something with the new book). I also had Scotty get kidnapped again, and this book had the first of his many car accidents. It also contained Scotty’s first trip (in the series) to the West Bank.
One thing I forgot to mention when I was writing about Bourbon Street Blues the other day was how the series (books) were always intended to be insane and over-the-top*; always. The problem I always have with writing this series is stopping myself because something strains credulity and then I have to remind myself, “this series was always intended to be like New Orleans itself: completely unbelievable until experienced personally, and always over the top and ridiculous.”
Which is part of the fun, you know?
*For one example, Bryce Bell, the young skater, lands a quad-axel at Skate America. To put that in the proper perspective, to date no one had landed one competitively, although there’s a young American skater who can land them in practice….eighteen years later.
PS: When this book was released, I got asked a lot if I had posed for the cover; the same thing happened with Bourbon Street Blues; I was always apologizing for not being the cover model. With this book, I assumed it was the same thing…but later I realized they weren’t asking about the guy in front with this shirt open but the guy in back kissing his neck. At the time, I had a goatee and shaved head; this guy also has this and he does kind of look like me. What can I say?
Queer and Loathing in America 