Category: homophobia

Holiday Spirit

Imagine my shock and horror last evening when I realized that Christmas is next weekend. What the hell happened to December? Where did it go? Suddenly, I am almost out of time to do and mail my Christmas cards, and I really don’t want to save the awesome ones I bought for next year. Sheesh. But…I also didn’t/am not get(ting) down on myself about that fact, either; which is a really positive place for me to be in at the moment. Is the reset of my brain that I was determined to get taken care of during my recovery from surgery actually working? Perhaps…and the surgery recovery kind of was a blur where I was lucky to remember what day of the week it was, let alone the date. The new meds seem to be taking care of my anxiety, which is precisely what I needed–it’s so nice to not freak out or spiral about things over which I have no control, and calm Greg is always the best Greg. (I do know people rather enjoy when I go on a Julia Sugarbaker rant, though.) I slept well again last night, which was marvelous, and of course Sparky’s body clock alerted him that my alarm was going to be buzzing away annoyingly soon, so he emerged from his under-the-bed cave around five thirty-ish to climb up into the bed and cuddle until it was time for me to rise from the depths of Morpheus and fill his food bowl.

There’s really nothing quite so comforting as a soft kitten resting on you, purring, is there? I also think it’s kind of amazing that he’s left my injured arm alone ever since the brace went on it. My right arm is a battlefield of scabs and scars from his claws–as is my right leg (that’s the one he likes to use to climb me), but my left arm? Other than the surgery incisions and the purplish netting over them, it’s pristine. He also will stretch out in my lap to sleep–just like Scooter, he wants my lap as soon as I get home from work, and also like Scooter, my desk chair belongs to him and he refuses to sleep in my lap if I am sitting there–and always rests his cute little arm in the crook of my left elbow and purrs contentedly as his little purr engine soothes my soul.

How did I manage to live so long without having a cat? So many years wasted when I could have been saving cats from shelters. Ah, well.

We were super-busy at work yesterday–we’re heavily scheduled today too–but I applied myself and got caught up on most of, if not all, of my desk duties around my clients. I also felt better yesterday–certainly more alive and awake and present than I was on Tuesday, for sure, for sure–and I feel like today is going to be a good day overall as well. I am feeling better about most things, really (though I do wonder if the anxiety and eager-to-please mentality that comes out of it is what has motivated me to write so much over the last twenty or so years), and it’s much easier to stay positive even as the world burns to the ground around us.

It’s weird to be in the midst of the Christmas season, venerating the birth of the prophet/savior of the Christian religion (and why is a religious holiday a legal one?) while at the same time the people who claim to be his followers have put our democracy under attack and are going after everyone else’s rights–because make no mistake, if one group’s rights are under attack, everyone’s rights are under attack. (And don’t #notallChristians me; if you aren’t speaking against your Christo-fascist brethren, you’re a collaborator at worst or complicit at best. Remove the mote from your own eyes before coming for the one in mine, thank you very much….and I bet I know the Christian religion and your holy book better than you do.)

The part I don’t get about bodily autonomy opponents is this: if you believe the government has the right to interfere with women’s health care choices over the recommendations of the medical field, you really can’t at the same time object to government intervention in health insurance and health care, either… yet it’s always the same thing. (And you can’t break the law by claiming you do so because of your faith gives you a fucking free pass. “Render unto Caesar”, remember that Jesus quote? He’s saying the government is an authority to be respected, not that “if you follow me you can use me to do whatever you want!)”) Surrendering bodily autonomy means giving the government a say in your health care–so if you oppose abortion and choice, you better shut the fuck up and get vaccinated and wear masks when the government tells you to; and you need to shut the fuck up about the Affordable Care Act, Medicaid, and Medicare (I’m looking at you, demon-spawn from hell Nikki Haley). You love to talk about slippery slopes when it comes to the Second Amendment, but you’re all about the government telling women what they can and can’t do with their wombs and bodies? The fact they don’t give a fuck about child care and child health and public education and ensuring all children have the basic necessities of life is all the evidence anyone needs to know the “save the precious babies!” argument is shallower than a salad bowl. They don’t care about babies, they don’t care about women, and they don’t care about freedom, period.

They only freedom they care about is the freedom to control–and how is that freedom?

And the real slippery slope is that if the government can tell you that you have to have a child…means that the government also has the right to order you to have one…and the right to not let you have one when you choose.

Funny how the only slippery slope they care about is the one about guns.

And all the hate speech around transpeople and calling all queer people groomers while not going after organized religion–where it seems most of the child-rape happens–is another indicator of cognitive dissonance so powerful that you seriously have to wonder about the functionality of their brains, and people who don’t have a logic-based brain aren’t people I want to listen to about anything.

Rant over…for now, at any rate.

I was, however, thoroughly exhausted yesterday when I got home from work. Adjusting to being back at work is taking a little more time than I would have liked, but it is what it is. Tonight I have to do some errands on the way home from work, so I am hoping I am not as dog-tired when I get off tonight as I was yesterday. I did get some things done once I got home, but not nearly enough, and of course Sparky was very needy after his first long afternoon home alone in almost a month. He’s such a mischievous little brat sometimes. Did I mention he turned the washing machine on the other day? He’s lucky he’s also incredibly cute and sweet–but he is still an evil genius. I’ve always thought the entire point of Lucifer/Satan having been the most beautiful of the angels before the fall was a warning to humans to not be fooled into thinking beauty means good…and the degeneration of what he looked like during the late Dark and early Middle Ages into a horned, red monster with claws and a tail was just another step in the demonization of non-Christian religions; as there are any number of different pagan gods who looked like that who were also not evil.

But here it is, a mere eleven days before Christmas. It’s such a tired and boring cliché to even attempt to add anything to the conversation about the commercialization of the holiday season; that ship has long since set sail. I mean, as I always point out, it was already such a problem in the early 1960’s that Charles Schultz wrote and animated A Charlie Brown Christmas to illustrate the point. What could I possibly add to that? Paul and I have decided not to get each other gifts this year; we both buy anything we want or need whenever we think about it. All I ever want is books, anyway, and I am trying to cut back on adding books to the house unless books are going out of the house–and trying to ensure more are going out than coming in is the optimal at this moment. I’ve also decided to dispose of marked up manuscripts and early drafts of things; everything is digitized anyway, and it will clear up a lot of room in the storage attic and the apartment. Any boxes of books in the attic can also be donated, so that’s the new plan for when I have the full use of my arm again–getting rid of all that shit. I also need to cut back on streaming services I pay for, as they are all jacking up their prices for the holidays; and some of them I rarely, if ever use. It would be cheaper in the long run to simply buy the full seasons from Apple than pay for the service every month…and that would also make me more selective about what we actually watch.

It’s nice to feel good about myself and my life again, despite the state of the world, you know?

And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I’ll check back in with you again later.

Walking to New Orleans

I really need to start taking walks around my neighborhood in the early evening to look at, photograph, and document the Christmas decorations. New Orleans loves holidays, loves costuming, and loves holiday-themed decor; everyone just goes to town for every holiday, and it’s one of the things I love about New Orleans. New Orleans always feels somehow more Christmas season-y than any place I’ve ever lived before, even though we very rarely have a white Christmas here (we did back in 2004); the only place that seems more Christmassy to me is New York–and that has everything to do with Miracle on 34th Street and Macys. When I worked for the airline I used to go to New York for a day every December and buy my mom an ornament from Macys–their Christmas floor was so amazing, always–but now I don’t work for an airline and Mom is gone, so that’s just another one of those nice but bittersweet memories now.

I’ve really been falling down on the job since the surgery about doing blatant self-promotion for Mississippi River Mischief; having major surgery within a few weeks of having two new books drop was perhaps not the smartest decision I have ever made. I always feel weird and uncomfortable doing self-promotion, anyway; I always think people don’t want to hear about this constantly and as you can tell, I’m not really good at it. I know I should be out looking for reviews that are positive and sharing them; but looking for positive reviews inevitably leads you to finding negative reviews, and at this point in time especially I have no interest in reading about how I’ve failed at my job. My books aren’t for everyone–but that doesn’t mean they suck, either. (If I don’t like a book I’m reading, I don’t finish it and I don’t talk about it; I simply say it wasn’t for me when/if asked.)

This enforced rest from the surgery has been an interesting time. I’ve read a lot–mostly short stories, some novels–and streamed a lot of things to watch, but I’ve also been going down a lot of wormholes in my own brain; trying to remember things with a memory that was already starting to fade a bit with age, but it accelerated dramatically after my COVID experience in the summer of 2022…I had already come to realize, recognize, and accept that my memories were faulty all along anyway; we always remember things differently than other people remember the same things because of who we are and how our minds work and how our experiences–and all those little things that make up our personalities and our perspectives–shape us into who we are. I like to paraphrase Joan Didion and say we tell ourselves lies in order to live–we don’t see ourselves as bad or as the villain in any given situation; we reshape events and remember them in ways that exonerate ourselves and push the fault onto others. Over the last years–pre-pandemic, I know that is the case if I can’t remember precisely when–I know I’ve been trying to look at occurrences in my own personal history and trying to be more objective about them all.

In some ways, that was where the story of Mississippi River Mischief came from; I wanted to deal with something from Scotty’s past that I’d brought up in one of the first books in the series (the long out of print Jackson Square Jazz, which hopefully will be available again in time for its twentieth birthday next year) and I’d always wanted to go back and reexamine that incident from Scotty’s past, with an older and much wiser Scotty reflecting on it and how it shaped and developed who he is–only to have it not be how he remembered it in the first place. It crossed my mind briefly while writing Royal Street Reveillon that “oh, the aftermath of this is a good place to deal with this thing from his past1,” and given how and why the underlying case in the new book comes to the Scotty and the guys, and what happened in the last book, this was the book where I had to go there and bring it all back. Yes, Jackson Square Jazz had been out of print since 2010, so the only way anyone could get it was from second-hand sources or libraries, so a couple of pages about Scotty’s past in an unavailable book–well, I did think for a while I wouldn’t have to dredge that up in this most recent book, but it didn’t take long for me to realize that I had to–it was cowardly not to deal with it and pretend I never wrote about it in the first place (especially since I’ve always intended for the book to be rereleased), and it fit in with not only the new story but what happened in the previous book.

And the fact that it was an extremely loaded subject made it all the more important that I address Scotty’s past–being seduced by his wrestling coach in high school–so that he could see it for what it actually was rather than what he remembered it as.

And the fallout will continue into the next one. (Yes, there are going to be at least three more, and I promise not to go four years between Scotty books again.)

  1. Sorry, I’m trying not to give spoilers on a book that is almost six years old! ↩︎

New World Man

I am up earlier than I have been since before the surgery (no, I don’t want a cookie–never been a cookie fan, even as a kid), and feel pretty good this morning. Yesterday was a pretty good day, over all. I didn’t really leave the house at all, but I worked on getting things more under-control around here–the kitchen has been a mess since the ceiling collapse, and the cabinets and drawers need some serious organizing–and also spent most of the day doing other chores around here, while thinking about getting back to work writing. The brace is still awkward to work around, but it feels like I’m getting more used to working with it on–and having a cleared and cleaned off desk surface also helps with that as well. I am going to run some errands this afternoon, but there’s not college football today to distract me or send me to the easy chair for the day, so I have little choice about blowing the day off, methinks, which is not a bad thing. I also did laundry and more dishes yesterday, and I have some other things I need to do here in the kitchen/office today as well. I also spent some time reading the second book in Raquel V. Reyes’ delightful Caribbean kitchen cozy series (Calypso, Cooking and Corpses), which is just as delightful as the first, and then…well, I fell down a Youtube/Twitter wormhole that was eye-opening and shocking before Paul got home from the gym and we watched this week’s Fellow Travelers, which, interestingly enough, kind of tied into the wormhole in some ways; as you may recall, just the other day I was talking about how these stories (Fellow Travelers), while sad and depressing, were necessary to remind people of how awful the past was for queer people not that long ago; we don’t have much of a societal memory for things that happened as recently as twenty years ago. There’s a large gap in our community that was created by the HIV/AIDS pandemic, so the oral traditions within the community of passing along our history was horrifically interrupted and many younger queers–and those that aren’t that young–have no way of connecting to the past, and don’t even know where to start looking.

During the shutdown I spent a lot of time in my easy chair making condom packs for the day job to justify getting paid for being at home–there were other job duties I could do at home, but mostly I made a shit ton of condom packs–and so I spent a lot of time looking through streaming apps on my Apple TV for things to watch while my hands worked. This was how I discovered the endless wormholes of Youtube video essays and documentaries; and of course, algorithms started suggesting other videos and channels of “influencers” similar to the videos I had watched and was finding on my own. Discovering Matt Baume’s delightful channel about queer rep in popular culture was a joy for me; he named sources for his information, was very clear about what was fact, what was unknowable, and what was his opinion–and since most of it was stuff that aired or happened while I was alive, it was a lovely trip down memory lane for me, reminding me of the few things that resonated with me growing up as a lonely queer kid and what shaped my views on what it was like to be a gay man in America. (Also, once I discovered there was such a thing as queer books and queer publishing, spent most of the 1990’s reading mostly queer stuff…and I’ve always been a voracious reader.) Anyway, watching Matt’s videos and subscribing to his channel shifted the algorithms, and I started getting other videos and channels suggested to me….and one of those belonged to a queer video essayist named James Somerton, and one of them–called Evil Queens and having to do with Disney–I don’t remember the actual name of the video, and he has since scrubbed his entire Youtube channel (more on that drama later)–and thought, interesting–a long time ago I read and reviewed a book called Tinker Belles and Evil Queens by Sean Griffin, but you can’t copyright a title and can you talk about queer coding and such in Disney and not use the words “evil queens”? Disney has always fascinated me, since I turned into a Disney queen after The Little Mermaid (I was never a big Disney kid; that waited until my adulthood and coming out, oddly enough), and Griffin’s book was so astonishing and good and insightful that I never forgot it. I watched Somerton’s video, and it all seemed incredibly familiar to me–and I did note he said some things that were wrong; mainly Gay Days/Gay Nights at Disneyworld were never official, Disney-sponsored events…which I know because I lived in Florida and used to go for Gay Day. I also thought it was odd that he left out how the Southern Baptists tried to boycott Disney to stop Gay Days…and were ground completely into the dust by the Mouse. But it didn’t fit the narrative of the video essay–how Disney queer baits us for money then betrays us by not giving us rep in their films1. I also thought it was weird that the book–which so much of the video’s content was dependent on for its facts; the stuff that was wrong I assumed was from Somerton himself–wasn’t credited for anything, or even mentioned as a companion reading piece to the video itself. Periodically, after that, Youtube would suggest other videos to me from him, and I’d watch them, mainly out of curiosity…and began noticing things.

Like how his entire video about queer coding in Hollywood film seemed incredibly familiar–like I’d read it all already in the uncredited The Celluloid Closet by Vito Russo, which had already been made into a documentary in 1996…so much so that I bought an e-book of it to see and yes, it was used almost word for word with no attribution. And some of his other videos…were not only offensive but just bald-faced lies, things he’d made up, or okay, let’s be fair–conclusions he drew were from cherry-picked facts and broad speculations made from those facts; it seemed, in his video on gay body image issues, that he took the old 1990’s term for gym and body culture (the “you have to be a ripped muscle god to have any sexual currency”), which was “body fascism”, and somehow extrapolated from there the bizarre notion that Nazis created body culture and American GI’s brought it back from Europe after the war…and even weirder, somehow we didn’t get it from the Soviets because they were so “bundled up” we couldn’t see their bodies. (Maybe he should have read Michelangelo Signorile’s Life Outside, which explored how body culture morphed into something even bigger after the advent of AIDS because a strong, muscular, defined body was the antithesis of the wasting most people dying from AIDS experienced at the time; fit body= not infected; seriously, dude.) He was also horribly misogynistic at times–he didn’t like lesbians, and he hated straight women, and was also borderline transphobic at times despite trying to champion transpeople? It was all very weird, but I would periodically put on one of his videos that sounded interesting, even as he made claims that didn’t make sense or was simply restating things I’d already read somewhere. I didn’t think much of it, but I was idly curious–the way I often am; periodically I think about influencers and how to write a crime novel around one, and Youtube influencers seemed like the way to go if I were going to do that, and so I always chalked it up to research…and sometimes, the wrong things he said would send me off in search of the actual facts, so it was kind of educational by reminding me of things I’d forgotten about.

Turns out, he plagiarized almost all of his videos, never credited or named sources unless called out for it (he took down the videos about Disney and queer coding and put them back up as “based upon” the books he literally was quoting verbatim); the scandal dropped this week–I only found out yesterday–with two other Youtube influencers making really long videos about the plagiarism and the harmful lies he was spreading, as well as the self-loathing, misogyny, and transphobia. I went down that wormhole yesterday, watching both videos–which were long as the crimes were plentiful–and now his Youtube channel is gone, completely. As I said, I didn’t put a lot of thought into it–but he had a Patreon, and his Youtube channel was monetized, which meant he was profiting from the work of other queer creators that he was plagiarizing and stealing, then playing victim when caught…until he was literally destroyed by these other two Youtubers this week. He was apparently making a shit ton of money–and you know, there’s the plot for an influencer crime novel.

It was very eye-opening.

But it extrapolates further to what I’ve been thinking about since starting to watch Fellow Travelers–dark and sad and depressing as these stories are, they are important because our history is always erased; how are queer kids supposed to feel pride and understand where we’ve come from and what we’ve fought for, if they never hear about it, can’t find it, and are never told? The kids I work with (with an age range from early thirties to early twenties) don’t remember how horrible HIV/AIDS was because they hadn’t been born yet or weren’t old enough to really pay attention before the cocktail and the new meds changed it from a fatal disease to a chronic one (with treatment). There’s SO MUCH bad information out there about sexually transmitted infections, and so little education, that it frightens me on an almost daily basis as I work with my clients.

Obviously, this is what I’ve been wrestling with lately, with myself and my own artistic work (yes, I am starting to think of myself as an artist, which I should have done all along); what responsibility do we have to the younger people who don’t know our history, the history I lived through? It’s part of the reason I started writing “Never Kiss a Stranger”, and set it in 1994; I wanted to show what gay life in New Orleans was like during the time when HIV/AIDS was still a death sentence, and the city was also crumbling and dying itself before the wave of renewal and gentrification that started before Katrina and kicked into high gear; who is going to write that story if I don’t?

And what responsibility do I have to current and future generations of queer people as an artist? Do I have any? Or is my only responsibility as an artist to myself?

Something to think about, at any rate.

And on that somber note, I am heading into the spice mines. Have a marvelous Sunday, Constant Reader, and I’ll probably be back later; I can never stay away for long.

  1. Uh, I guess he never saw the Disney documentary about Howard Ashman, who was partly responsible for the Disney animation renaissance and who died of AIDS before the release of the last film he completed, Beauty and the Beast; to date the only animated film to be Oscar nominated for Best Picture, and won three other Oscars, including two for Ashman? ↩︎

Used to Be

Up earlier than I’ve been since the surgery to go to physical therapy at nine this morning. I don’t mind getting up earlier, to be honest; I’ve been sleeping so much since coming home from the hospital I was actually getting worried that I may not ever want to get up early again. Six next week for work is definitely going to be an adjustment, but in some ways I am really looking forward to going back to the office and getting back into that routine. I slept well last night–Sparky of course was looking to be fed around five, but I went right back to bed. I think Sparky will work as my first alarm, before the actual alarm starts blaring at six. It feels a bit chilly this morning in the apartment, and I do need to shower before I head uptown for my appointment.

They finished the ceiling yesterday, thank heavens. All that is left to be done is rehanging the ceiling fan and painting, and I think that’s not going to happen until I am back to work. The roofing guys (I think they are construction of all types, actually) are super nice and helpful–you never know what you’re going to get with blue collar workers, but they didn’t seem to have any issue with Obviously Homosexual Greg; they even rigged a temporary fix for the soft spot in the living room floor–and shared with me that eventually they will be getting around to reinforcing the floor with steel so we never have to be worried about falling through the floor (one of the great and many joys of old homes in New Orleans), which is kind of a relief…although we had gotten used to that soft spot in the floor, I sure as fuck won’t miss it if and when it’s gone.

While they were working, there was naught for me to do except sit in my chair and read, so I finished Donna Andrews’ Let It Crow! Let It Crow! Let It Crow! yesterday, and greatly enjoyed it. (It really doesn’t feel like Christmas until I’ve read Donna’s annual Christmas murder mystery.) Paul also worked from home yesterday, so we got all caught up on Fellow Travelers last night, which is really quite excellent, if horrifically sad and tragic–but as I said to a friend in an email yesterday, these stories still need to be told–if for no other reason than to remind people that what conservatives and right-wingers call “the good old days” weren’t so good for anyone who wasn’t white or straight. The story is built around the Lavender Scare of the 1950s–we all know about the Red Scare, but not about the full throttle purging of queer people from government employ–and it was, indeed, a horrible time of lives being ruined and people committing suicide. A lot of the things that happen in the show (and probably in the book) really happened; I think they fictionalized some people so they could easily maneuver around their story without having to stick to facts or create a potentially false narrative.

And as someone who spent longer in the closet than he needed to, and spent so much time completely terrified that someone would find out and my life would be ruined–I can understand and relate to these characters completely. The closet punished everyone–and it certainly punished the wives and children of these closeted, terrified men. I actually wrote a story set in that time period called “The Weight of a Feather”–my first ever historical fiction–about a State department employee targeted by someone working for McCarthy for blackmail, and how he handles the situation. John Copenhaver also writes marvelous novels set in the DC of the fifties with queer characters, Constant Reader, so if you haven’t checked out his work you really should, especially if you are interested in the period and even if you aren’t; these stories are important and need to be known. He’s also a marvelous writer; I do envy and admire the way he bends and twists language to create images and story.

After PT today I have errands to run–prescriptions to pick up, groceries to make, the mail–but it’s all going to depend on timing. The postal service doesn’t open until ten, but I suppose I could swing over to Midcity and get my prescriptions and groceries and swing by the mail on the way back home; after all, other than the PT appointment I don’t have to be anywhere by a certain time. And since there’s not going to be anyone doing construction work in my workspace today, I should be able to get some writing done, too. I’m behind, as always, but I feel like a strong push over the course of the next few days before I return to work can get me right back on schedule. And I haven’t yet picked out my next read–turns out my Christmas reading isn’t going to work because I don’t have a lot of Christmas books in the TBR pile; Donna’s was the only other one I had on hand. I’m thinking I should read cozies, to keep my mind in that world since that’s what I am writing–but my word, I have so many great books to get to! A delightful problem to have indeed, right?

And on that note, I am going to get cleaned up and head into the spice mines. I need to make a grocery list, and I need to list everything I am going to do today, too, so I don’t forget anything. I paid the bills yesterday, so everything is caught up at least that I am aware of, and so that was quite a relief. Enjoy your Thursday, Constant Reader–I’ll be back later to write up my thoughts about Donna’s latest two mysteries at some point.

Baby, Come to Me

Today’s hunk is probably going to get flagged for “sensitive content” on the various prudish social media sites, but so be it.

The roofers came in yesterday and worked on the kitchen ceiling, and of course day one, I was able to close Sparky up in the bathroom until they left. Yesterday, he figured out how to open the bathroom door, which meant I had to crate him and he did NOT like that at all. But apparently, our cat is an evil genius and super smart–not a bad thing, it just means our only option when the apartment is being worked on is to crate him, and I really don’t like doing that…but he’s so curious about everything I fear if he got out we’d never catch him and he’d be so excited by all the new things to explore and investigate…sigh. Hopefully they won’t be here long; they just have to do some caulking and rehang the fixture. We will see.

I survived my first physical therapy session–which wasn’t bad at all. They gave me some exercises to do, which don’t take long, and I go back again tomorrow morning for round two. I will be able to schedule it around my work schedule, so that’s also a plus, and I really like my therapist. I have to say, having not had a lot of experience with medical stuff other than when Paul was having some procedure and my primary care visits (and having heard horror stories from other people about hospitals, treatments, insurance, etc.) this was extremely easy and simple. I have really gotten amazing care on every level, despite the misdiagnosis from my former primary care physician, and the insurance (knock wood) has been easy every step of the way; if there were any issues with it, it was handled by the medical staff and I didn’t have to deal with any of it.

The worst part of this entire thing–once I was able to disconnect all the things I was attached to for 72 hours after the procedure–was the antibiotics, which made me nauseous; they had also giving me an anti-nausea medication so I could handle those. But I absolutely hated them. The anti-nausea medication kept me from vomiting it all back up, but I could also tell when the nausea was occurring. I never had to throw up, but I could tell my body was fighting it with the help of the other pill, and while not as unpleasant as actually throwing up would be, it was unpleasant.

And you know, if that’s the worst thing to experience after this kind of major surgery, that’s pretty impressive. I got amazing care.

So, yesterday from shortly after I got home from PT until about six last night I was exiled from my workspace, and so I simply sat in my easy chair and read this year’s Christmas murder mystery from Donna Andrews, Let It Crow! Let It Crow! Let It Crow! and am enjoying it–Meg participating as a last minute replacement in a television reality competition blacksmithing show (which is actually a brilliant idea) was an excellent way to shut down listening to Sparky howl from upstairs while they worked on the ceiling. I didn’t get as far into it as I should have, or would have under ordinary circumstances, but I was often going upstairs to try to calm him down and there was a lot of sawing, drilling, and hammering noises. I got about a hundred pages in, which wasn’t bad at all, really, given all the distractions, and the book flows so smoothly…that’s one of the things that I love about Donna’s books–they are so smooth, everything flows nearly and cleanly into the next scene, chapter, clue, strange occurence, and that feeling carries back and forth between books. I counted the books listed at the front of this volume, and by my count, this is book thirty-three in the series; how many other series have exceeded that number? Ellery Queen? Nero Wolfe? Perry Mason? And all at the same publisher, too. That’s really a skill that should be respected.

We watched some more of Fellow Travelers last night and the show is very good; high production values, excellent writing, superb acting (Jonathan Bailey deserves at the very least an Emmy nomination, but I doubt he’ll get it; gay men playing gay parts seldom get recognized) and it’s an important story–showing how horrific it was to be gay back during the days of Eisenhower and McCarthy, and working in Washington; I’m glad Thomas Mallon wrote the book and even gladder Showtime made it and clearly spared no expense. But…it’s hard to watch sometimes. I won’t say it’s triggering, because that’s not the right word, but as i told Paul last night, this isn’t going to end well. The story flashes back and forth between the 1950’s and the 1980’s, in AIDS-devastated San Francisco in 1985, so…yeah, not exactly going to end on a high note, is it? As I was watching last night, I couldn’t help but think of Felice Picano’s Like People in History, which similarly flashed back to the past from the present–AIDs-ravaged New York in the early 1990s–through the entire progress of queer rights and the arrival of HIV/AIDS. That would also make a terrific mini-series, and these stories, hard as they are to read and watch and relive, are important because the memories of living through that time, and what it was like, are fading…and as those of us who survived the plague years get older and die from causes other than HIV/AIDS, I worry those stories won’t be told, or remembered, anymore. It’s bad enough that it’ll be thought of as distant history and not as horrific as it was, something that happened to other people a long time ago.

I remember when I first started writing, and in that time period for queer people there was always the question–do I write about HIV/AIDS? Does everything–all of our art–have to center HIV/AIDS? Even now, I wonder about whether I should or not in a book; do I have a responsibility to my readers and my community to talk about HIV, PrEP, undetectable viral loads and so forth? Or is that something people don’t want to read about, would find intrusive to the narrative? I’ve never wanted to write anything that even remotely hinted at that heavy-handed “a very special episode” way so many television shows handled social issues in the 1980s.

Heavy thoughts for a Wednesday morning before heading into the spice mines. Have a great day, Constant Reader, and I’ll be back probably later, depending on the workers.

Blame It on the Edit

I love Alyssa Edwards. She’s the perfect reality star; a completely delusional human living in her own reality, yet also funny and witty with a highly expressive and thoroughly meme-able face, and basically harmless. I’ve always meant to catch her reality show on Netflix about her dance studio–which is so fricking cool that she does that–but have never gotten around to it. I was amused by her on her initial season, but really hated her feud with Coco Montrese, and of course that was also the season won by the marvelous Jinkx Monsoon. Alyssa was also terrific on All Stars 2, which made the rigging of the season all that much more disappointing. (We also gave up on Project Runway after one season where it was clear they’d already decided who was going to win at the start of the season. Don’t give me a rigged competition, thank you very much; if I want that, I’ll watch professional wrestling, thank you very much.)

Which makes it interesting for me to write a book about a drag pageant. I already have tons of ideas for the book, and it’s going to be very brutal in how it approaches the homophobes who have wrested control of Florida from the sane people (hey Moms4Liberty, how’d those elections turn out for you, you pathetic soulless pieces of shit? Your tears are as delicious as mimosas at a gay Sunday drag bunch, you miserable fucking bitches.) and have taken the state, once a beautiful place with scenic beaches and lovely weather, on its final steps to a complete and utter hellhole. Bravo, by the way; nicely done.

Anyway, back to drag; sorry about that sidebar. But that kind of shit will always enrage me. Nothing makes me angrier than misplaced self-righteousness. I may no longer be a practicing Christian, but I know that faith far better than many–if not most–of its most ardent public proselytizers and purveyors.

Gender-bending, of course, is nothing new. For centuries, women weren’t allowed on the stage so female roles were always played by men. This was certainly true in Shakespeare’s day, and often he wrote plays with characters pretending to be the other gender. So there’s a long, proud history of men doing drag in theater and performance art. Who decides what is masculine and what is feminine, anyway? As I have said numerous times, I love this new young generation of leading men and actors who are abandoning traditional black-tie male drag for new and inventive outfits that showcase their youth, beauty, creativity, and personal style; there’s nothing quite so stifling as toxic masculinity and it’s regular insistence that there is only one way to be a man–which is not only stultifying but incredibly limiting. Film and television (and theater, to a far lesser degree) have long influenced what is considered masculine in this country–the prototype being, of course, John Wayne. (Probably the funniest scene in both La Cage aux Folles and it’s American version The Birdcage is when the more butch of the gay couple tries to get the more feminine partner to be more masculine–telling him to walk like John Wayne…which was the first time I ever noticed how peculiarly John Wayne walked. Also amusing is that Mr. American Macho Man John Wayne–and Mr. Patriotism Ronald Reagan–didn’t serve in World Was II…but played war heroes in movies about it. Style over substance.)

But the history of the colonizing of this continent is very queer. Do we really believe those frontiersmen, trappers, hunters and explorers simply went for months and even years without having sex? There weren’t enough women to satisfy the need–and cattle drives? Pshaw. In any purely male society like that–the cattle drive, the explorations, etc.–there is always male/male sexual contact; “helping a buddy out.” This has been erased from history as effectively as if it had never happened–as though homosexuality is some modern thing that never existed before.

It’s always struck me as odd that the masculine ideal (as shown to us by Hollywood, at any rate) inevitably is depicted in all male environments–war movies, cattle drive movies, Westerns–with the occasional token female thrown in as a supporting love interest. These women are often set up to be abused–spanking was often popular in these films; how many times did John Wayne spank a woman in a movie?–and mocked and made fun of; if they had any kind of mind of their own, well, they had to be tamed.

Anyway, I digress.

I also know there are women who despise drag, see it as mocking women and misogynistic. I can actually see how they could feel that way, and far be it from me to tell a woman–any woman–how she should or shouldn’t feel about something, particularly when it comes to misogyny. (I sure don’t want anyone telling me what to think is homophobic or not.) I don’t think drag is misogynistic; if anything, it’s critiquing the misogyny of society. Dolly Parton also exaggerates femininity to the point of being a drag queen–she even says it about herself. Mae West was so good at this exaggeration that people believed she was an actual drag queen for years. Marilyn Monroe, Jayne Mansfield, and Jane Russell became sex symbols (and stars) by exaggerating their bodies and the way they dressed and their make-up and hair; how is that not female-drag as the converse of over-exaggerated masculinity (John Wayne, Charles Bronson, Clint Eastwood); establishing exaggerated norms of masculine and feminine that subconsciously altered what the over-all culture thought in terms of gender roles.

If I had a dollar for every time someone has told me to be more manly…

But the reason gender roles exist are because they are more comfortable for most people than thinking about it at any great length. You were born with a penis, so you should be interested in sports and guns and hunting and wear pants; your parents don’t have to think about it and neither do you. But for those of us who weren’t comfortable in those comforting boxes society so gladly constructed for us all to fit into–it’s not quite that easy. I hated having to do “boy” things and hated the expectations that since I was a boy I should like something in particular–and being incredibly stubborn, being told that I should like something was much more likely to make me disdain it. I didn’t want to play sports or even watch them when I was a kid; I just wanted to read. My struggles with wrapping my head around my gender and my sexual identity as a child were difficult, and those scars are still there–some of them are still scabbed over and not healed. All the messages I was being sent through popular culture, school, and society were telling me that something was wrong with me–and you don’t get over that overnight. I’m still unpacking a lot of that to this very day.

Writing Death Drop forced me to start thinking about these things again–gender markers, gender identities, the duality of our natures (no one is 100% one or the other, I think; I will always believe that gender and sexuality are a lot more fluid than anyone thinks)–and what makes one male and what makes one female. I hope, in writing more about Jem in the future, that it will help me understand myself better as well as society.

And what more could a writer ask for?

The Look of Love

It truly is incredible what a shithole of a site The Site Formerly Known as Twitter has become under the tenure of that brilliant modern thinker Elon Musk (Narrator voice: those adjectives were meant as sarcasm). Every time I go there to cross-post the blog or something, it only takes a moment or two before I am getting the fuck out of that hellish place. I know I should probably just deactivate and be done with it as it fades away into memory like MySpace did once upon a time, but something keeps me there–despite knowing its immoral to even scroll a little bit, and definitely against my own personal ethics–but I think it’s more along the lines of watching a slow-motion disaster movie, frame by frame.

If only it would bankrupt him financially, to go along with his moral and ethical bankruptcies.

Yesterday wasn’t a very good day around the ranch. I was low energy all day, and while i did get all of my work-at-home duties taken care of and handled, after running errands and having a ZOOM call with three very dear friends (who undoubtedly are sick of me talking too much on ZOOM calls), I was just flat out exhausted and simply collapsed into my easy chair with my purr kitty for the evening. I did watch a lengthy documentary about the Eastern Roman Empire, and how the Holy Roman Empire was western Europe’s attempt to recapture and regrasp the legacy of Imperial Rome, to the point of rebranding the real Roman Empire as the Byzantine, or Greek, Empire. (The history of “western” civilization is full of these sorts of reclaimings and rebrandings, as the West sought to basically claim the history of civilization in general.) It just goes to show you–the history we all learned in public school was biased and written to enhance and create a foundation for white supremacy to rest upon. There’s a rather lengthy personal essay to be written about having to relearn everything I learned as a child as an adult because it was all wrong–or people could just read Howard Zinn’s work.

Today I do have some errands to run and vaccines to get injected into my arms; I also have things around the house I need to get done. I am going to make Swedish meatballs today in the slow cooker, I think; that’ll be a nice treat to go along with the LSU game tonight against Georgia State. There really aren’t many great games today–everyone has an “easy” game scheduled for the weekend before the Thanksgiving rivalry games, many of which this is the last go-around for. It’s weird to think LSU won’t be playing their most hated rival, Florida, every year any more (but how delightful to go out with a five game winning streak over them, ha ha ha ha and fuck off, Gators), or that other classic games won’t occur anymore. I don’t know why or when LSU’s Thanksgiving rivalry weekend opponent changed from Arkansas to Texas A&M; that was a fun rivalry with the Razorbacks pulling off some upsets over the years–why is it that everyone plays lights-out when they play LSU?–but that was also a manufactured rivalry that didn’t exist before Arkansas joined the SEC.

I also want to spend some time reading this morning; Lou Berney’s Dark Ride is calling my name and I am really enjoying it. The fun thing about Lou’s work is everything is always different; no two books are ever the same, or even the same kind of voice or style. Every book is an original in every way, and I will go to my grave with The Long and Faraway Gone as one of my favorite crime novels of all time. The one thing I am looking forward to after this surgery is more time to read, and if need be, I can read on my iPad–it’s not like I haven’t downloaded hundreds of books over the years. I’m still enjoying The Rival Queens–man, I love that period of French history–and I think my next read after Lou’s will be Zig Zag, by J. D. O’Brien; since it’s about a weed dispensary heist, coming after Lou’s stoner noir seems like the proper pairing, and then after that I am moving on to the new Angie Kim.

I was exhausted last night so I slept incredibly well. I even slept in this morning, not getting out of bed before eight-thirty like a slag. I feel much more rested and emotionally even this morning, which is a very good thing. I want to get a lot done today–I really need to move furniture and figure out how to make my work station more Big Kitten Energy proof, which is possible but will take some figuring out, and I won’t be able to move anything after Tuesday’s surgery, after all, so I have to get all this stuff done before hand. I don’t feel like I’ve had the chance to think everything through the way it needs to be thought through, nor do I feel like I am prepared for the aftermath and recovery period–which I think was the explanation for yesterday’s low energy; created and maintained completely by my anxiety.

I also want to read this original text version of The Mark on the Door, a Hardy Boys mystery.

We watched Blue Beetle last night, and I really enjoyed it. First, it was lovely seeing a Latinx family centered in a super-hero movie, and to have a super-hero of Mexican ancestry. It had some really funny moments (as well as some that made me go huh?), and as far as DC/Marvel movies go, it was one of the more solid plots and origin stories, but I’m also not terribly familiar with the Blue Beetle character. I primarily remember/knew him from the Justice League comic books of the late 1980’s/early 1990’s, and he was often teamed up with Booster Gold for comedy. I don’t know what has happened to the character with all the reboots since then, but I appreciated seeing something different from a comic book movie. The lead actor, young Xolo Maridueña, was handsome and appealing and charismatic, and the rest of the cast is fine other than the old witch who gave us Presidents Nader and Sanders because she doesn’t vote with her vagina (maybe you should have, you fucking piece of trash, since your mouth and going everywhere all over 24 hour news to trash Hillary helped give us the current Supreme Court, and you should be shunned and forced to take a Game of Thrones walk of shame down Pennsylvania you fucking hateful bitch–I will carry that grudge to the grave, skank). Seeing that fucking trash was in the cast made me seriously reconsider watching, frankly, and her “acting” was a joke and so horrific that Paul and I spent a good hour recasting with actresses who wouldn’t have just cashed the check and phoned it in the way she did.) The movie is actually strongest when it focuses on the Reyes family and their dynamic (Nana is the absolute best), and while it didn’t pull down the kind of financial numbers a movie like this is intended to (and odds that it’ll be blamed by Hollywood on centering a Latinx family are pretty strong), I do think this is one of the movies that in the future will be reclaimed as a classic and one of the best in the field. I hope there will be a sequel, as was teased at the end.

But I think they’re rebooting the movie universe for DC, so who knows.

And on that note, I am heading into the spice mines. Have a marvelous, marvelous Saturday, Constant Reader, and may whatever teams you’re rooting for today have a nice win–unless you’re a Georgia State fan, of course.

Looking Good, Feeling Gorgeous

As I was saying in my other blatant self-promotional post of today (for Mississippi River Mischief) I rather jokingly mentioned that perhaps my childhood fandom of celebrities like Cher, Bette Midler, Liza Minnelli, Katharine Hepburn, Bette Davis, Joan Crawford and Barbara Stanwyck was an early sign of my destiny as a gay man; and yes, I know that’s a stereotype but as I always say, “stereotypes have to start somewhere“–there’s occasionally some kernel of truth in a gay stereotype. (Example: Jack on Will & Grace got some grief for being a stereotype–but I’ve known any number of gay men who were very similar to Jack; imagine being told you’re a stereotype.)

RuPaul’s genius idea to kind of create a Project Runway and American Idol hybrid reality show started out very slow–it was on Logo, I believe, and the budget was incredibly bare bones that first season or two or three; part of the fun of the show was how much it looked like a cable-access do-it-yourself reality show. And as usual with any art form created by gay men, it was popular with gay men and straight women; the show slowly started building an audience and then WHAM! One day it seemed like drag had taken over the world.

Katya from RuPaul’s Drag Race, whom I find hilarious–and beautiful.

Paul and I lost interest in the show after the Bianca-Courtney-Adore season, because that season was so good we both felt that anything after that would be anti-climactic. I know there have been other good seasons and incredibly fierce queens since then, but we came back for All Stars Season 2 (when I became a fan of Katya, actually) and were bitterly disappointed at how scripted, staged, and unfair the entire season was to everyone who wasn’t Alaska, Detox, or Roxxy. And just like with Project Runway, once we saw a season that was clearly predetermined from the start, we stopped watching.

I have zero interest in watching a “competition” with a predetermined winner, which is kind of why I don’t watch WWE much anymore. (it’s also very cartoonish, but that’s a subject for another time.)

I know there are cisgender women who have issues with drag, and I know there are transwomen who do as well; I think the transwomen’s issues primarily have to do with the conflation between the two–which was clearly prescient, given the rise of the raw sewage known as LibsofTikTok and “Moms4Liberty” (how’d that election go for you on Tuesday, you miserable soulless contemptible bigoted shrews? CRY MORE BITCHES, your tears are like Mimosas to us gays), who see no difference (because the harpies are as ignorant and uneducated as they are bitter, soulless, and unChristian). I’ve never seen a lot of criticism for drag from the straight cisgender women as a general rule, but I know there are concerns and critiques from the feminist community, which I do not dismiss or take lightly.

But since the primary straight cisgender woman who used to scream at me about the “misogyny of drag” also has turned out to be a sociopathic TERF who is dead to me (shocker, I know; a feminist who hates drag is a bigoted disgusting piece of shit TERF? Who could have seen that coming?), I don’t necessarily take those feminist critiques as seriously as I used to. If your feminism is about cisgender white women only, go fuck yourself. (This is the same woman who claimed to be a gay ally because she loved going to gay bars where gay men made much of her…the irony that it was primarily because she acted like an over-the-top drag queen completely escaped her–but then, drag queens competed with her for attention in gay bars, and I’ve also come to recognize that the poor bitch is so fucking thirsty for attention that she probably needs intense therapy for at least a decade.)

I’ve always seen drag as a critique of the societal notions of what a woman is supposed to be; drag is that expectation taken over the top to the nth degree. This is why they have the exaggerated everything–from wigs to shoes to gowns to make-up to hip padding and fake boobs. (I also think that the reason drag kings never attained the same level of popularity and mainstreaming as the queens is because it’s harder to over-exaggerate masculinity; it’s not as easy to create the illusion of a thickly muscled body, a super-deep baritone voice, and thick body hair–and besides, who wants to watch women performing toxic masculinity? And as a general rule, men don’t wear make-up when they are cosplaying masculinity.) They’re also loud, funny, and crude–all the things women aren’t supposed to be in proper society–and when they are hyper-sexualized, it’s to make a point about the hyper-sexualizing of women by the dominant culture. Women aren’t supposed to have control of their bodies and sexuality; they aren’t supposed to be crude and crass and vulgar. They aren’t parodying women; they are parodying the cultural expectations (that still exist) for women by over-exaggerating everything and reflecting back to the overall societal culture about how we limit and control women.

I tried explaining this several times to my former friend, but she was also sociopathic in her narcissistic belief that she was never wrong. She was exhausting, frankly, and when I cut her out of my life like the cancerous tumor she was, it was amazing how much better I felt knowing I would never see any of her ignorant bigotry anywhere on my social media ever again, and sorry–you come for transpeople, you’re coming for all of us.

Keep your conditional allyship, bitch.

It’s called intersectionality, use the Google.

And yes, there are misogynistic gay men and drag queens. Some of the common language of drag is misogynist; “fishy” and so forth are questionable–but again, it plays into that critique of societal feminine archetypes; women would never talk about themselves that way and would be furious if a straight man did; so why is it okay for gay men and drag queens to do so? It’s not really; but if you’re going to come for drag with honest concerns about misogynist anti-woman language, that’s one thing; when you come for the entire community because of it, fuck you with a cheese grater.

So, part of the reason I wrote Death Drop was for the same reasons I write y/a about rape culture and homophobia and racism; to put a human face on an issue that might help the reader develop more empathy about the subject than they may have felt before reading my book. Death Drop is not going to convince drag-haters or TERFs that their beliefs and values are trash and they need to rethink and reevaluate; but maybe, just maybe, someone who doesn’t know much about the subject and the issues around it might learn something.

That may be hubris, but you can’t be a writer without some level of hubris in your personality.

So, feel free to click on this link and order several copies! They make great gifts for homophobes, and Christmas is coming!

Dark Lady

The fortune queen of New Orleans, stroking her cat in her black limousine…

Ah, Cher’s 1970’s musical career. This one was always a big hit at Tea Dance at both Cafe Lafitte in Exile and the Pub on Sundays; there’s really nothing like a gay sing-along, is there?

I suppose being a fan of Cher as a child was kind of a sign? What is it about performers like Cher and Bette Midler and Liza Minnelli that draws young boys into their fandom who are going to wind up gay? Why was I drawn to actresses like Joan Crawford, Bette Davis, Barbara Stanwyck, Katherine Hepburn, and Doris Day before I knew I was gay? It’s something I’ve often wondered about–what is it about those women that draw us in like Formosan termites to a lit chandelier on a Monday night after Mother’s Day?

Ah, Formosan termites. That brings me around to today’s blatant self-promotional post for Mississippi River Mischief.

Isn’t this a cool, spooky looking shot? I took this out one of my kitchen windows one Sunday afternoon during a mighty New Orleans-style thunderstorm, and love how spectral and haunted-looking it turned out.

I still can’t believe that it took me this long to write about the swarming termites.

No one warned Paul and I about them, for the record. We had no idea that first May we lived here on Camp Street that the city was infested with swarming Formosan termites whose breeding season was the few weeks past Mother’s Day every May, and they are a scourge. We were swarmed, and had no idea what to do with them or how to handle the situation, or anything. We were running around the apartment spraying Raid everywhere, swinging at them with brooms, and they were everywhere. When the swarm finally passed, the apartment was filled with wings and corpses. It was horrible. We talked to the property manager, who apologized for forgetting to warn us–and the primary problem with the apartment on Camp Street (which was where Chanse also lived) was we had a very bright security light mounted on the front corner of the building–which drew them, and our apartment was right there. We learned to turn off everything that gave off light–including the television–when the first scout flew into the apartment, the mad dash around turning off everything, and then sitting there in the dark with maybe a couple of candles lit, waiting for the fury of the swarms to die down.

But that damned outside security light…ugh.

They are quite literally like one of the Biblical plagues of Egypt, and you see why the Egyptians constantly cried to Pharaoh to let the Israelites go.

But now that we live in the back of the house, we’ve been pretty insulated from dealing with them. Sometimes when I walk the garbage out in May, I can see a small swarm around one of the street lamps, but all the lights in the front of the house are off. We usually turn everything off if and when a scout flies into the television screen and immediately light candles and sit in the dark until we feel the coast is clear.

So when I started writing Mississippi River Mischief, I thought the best way to open the book was with the line It was the Monday after Mother’s Day and the termites were swarming. I posted this on Twitter, and local meteorological icon Margaret Orr replied “what a great opening line!” which kind of made my week (I am a big Margaret Orr fanboy) and helped me realize I was on the right track in writing something about New Orleans that rarely makes it into fiction. (Author’s note: That isn’t the opening line anymore; I added Scotty asking the guys a question about the renovation, and then after he talks, that’s where the line is. I just couldn’t get the prose to work with that as the first sentence; it read awkwardly, so I moved Scotty speaking up.)

Nature, and the natural world, is all around us here in New Orleans; the occasional alligator will sometimes lumber into the city limits; snakes and nutria and squirrels are all over the place, and of course there are the insects–the flying cockroaches (aka palmetto bugs), the swarming Formosan termites, the stinging caterpillars–peculiar to here. The tropical climate makes everything over-bloom and grow and expand and try to reclaim the natural balance of the region before it was settled. This is NOT the place for you if you have pollen allergies or have sinuses sensitive to the air pressure (I do); and I swear by Claritin-D for allergy and/or sinus relief (not the over-the -counter kind, but the kind you have to ask for at the pharmacy because you can make meth with it). OH–and the gecko lizards, always darting around and running up the side of buildings or fences or trees.

So, yes, since Scotty had finally bought the building he’s lived in all these years, I thought it was time to talk about termite swarms, as they would be an enormous headache for a property owner, and what better way to start a book where Scotty is now a landowner than with swarming termites?

And I remembered the buy link! Maybe I’m getting better at this.

Sexy Drag Queen

Today’s blatant self-promotion for Death Drop image is of one of my favorites from the world of Drag Race–Manila Luzon. I fell in love with her during her initial run on the show, and wanted her to win. (She didn’t, alas, but I also like Raja, who did win that season.)

When I was a personal trainer, I always asked new clients what their fitness goals were. Straight women inevitably wanted to lose an average of ten pounds or so; gay men always wanted to look like underwear models or Olympic athletes; and lesbians generally just wanted to be healthier. I tried to educate the women on the fallacy and dangers of “dieting”, and that the best thing to do was restructure and rethink how and what they ate and when. I used to always tell the gays, “can you afford a personal chef and nutritionist, and can you exercise three to four hours a day every day? Because they don’t look like their photos most of the time…they usually maintain their bodies regularly but go on ridiculously limited diets that aren’t healthy and also dehydrate themselves to look more cut for pictures. And it’s also their full time job to look like that. Now, let’s realistically talk about a plan that can make your body fit and toned in a healthy way that will be easier to maintain.”

Jem, my main character in Death Drop, is a professional hair stylist and make-up artist, and also has a good eye for fashion. His job is to make women, as he says, feel beautiful and confident, and as a gay man, he also can see the endless pressures from every direction that are put on women. Part of his issue with Marigny Mercereau, whose fashion show he is hired to work in the book, is that he hates the clothes she designs because the silhouettes are unattractive and they don’t flatter women’s bodies. Add to that the fact that the last time he worked for her, her check bounced, and yeah, she isn’t one of his favorite people. But so much is going on that night of the fashion show that Marigny’s clothes–and his dislike of her–aren’t in the forefront of his mind.

I mean, he does have to do drag for the first time that night–in front of a bunch of wealthy or upper middle class women he would love to have as glam clients. And Jem has stage fright.

That is one of the keys for me with Jem and the whole drag thing: he has stage fright, like I do. I’ve never really written about that much in my fiction–I know I’ve talked about it on here ad nauseum ad infinitum–but despite mining almost every experience I’ve ever had in my life into my fiction at some point, it’s kind of odd that I’ve never written about stage fright. I have it, bad. I am sure it’s a symptom of my anxiety–as everything is–but I have it, and I’ve always had it bad. When I was in plays in high school, it was torture. I liked being in the plays–I used to dream, as a kid, of being in show business, and yes, practiced award acceptance speeches in the mirror while clutching a shampoo bottle–but the actual performances? Absolutely not. I generally shake so much when on panels that I usually try not to use my hands when I talk–which I always do–because I don’t want anyone to see that I’m literally trembling in terror; I am also usually sweating a lot and my heart is racing and there’s a massive adrenaline rush…panels aren’t as bad as moderating one is; but now that I know it’s anxiety I try to handle it. Before I moderated that panel at Bouchercon this past year, I walked around a lot before the panel to burn off the adrenaline and try to get my heart rate down to something passing as normal. Also knowing it was based in anxiety gave me a handle on it; when I know what is going on I can try to cope with it better than what I did before–which was just grit my teeth and get through it.

Jem didn’t have stage fright while walking in the fashion show–and he also knew it was because of the lighting and it being after dark, he couldn’t really see the people in the audience. He knew they were there, but as long as he couldn’t see them it didn’t phase him. His fears of performing, of getting on stage, is going to be something he is going to have to work on in future books–of which I am hoping there will be at least three, if not more. He probably won’t have to deal with it in the second book either–because while he has graduated from drag school and performed in the graduation show, that was for friends and family and not the general public–because the second book takes place at a national drag pageant…which is being protested by a hideous hate group called Moms4Freedom…which I am having a lot of fun with, rest assured.

And on that note, I will bring this to a close–there will be more blatant self-promotion to come!