Oh, I got my final panel schedule from Bouchercon over the course of the weekend; as expected, I got my Anthony nominee panels only–but there are three of them, he typed modestly.
Not bad. I have to get up early on Friday morning, but the others are at times when I am usually coherent and functional, which will be incredibly cool. I also am finished with everything by Friday afternoon, so I had all day Saturday free until the Anthony Awards presentation that night. This year, I get to lose three times, as opposed to my two losses at last year’s. There is, however, no disgrace in losing to any of my fellow finalists, as I like and respect them all very much; they all are great people who do phenomenal work and they all deserve much more recognition than even this will give them. And that Best Humorous panel? I think I shall say nothing and simply sit there being entertained by the quick wits of the four comic geniuses I will be on stage with.
Coming home from work last night was just as sad as I thought it would be. I ran errands after work–mail, grocery, gas–and had bags to carry and so forth. I was putting the groceries away when I realized I was listening for Scooter to come downstairs. I shook that off, put everything away, and then went to sit in my easy chair like always to rest for a moment before doing something else productive–I have a sink full of dishes–and as I flipped through Youtube channels I was bored out of my skull…and then realized there wasn’t any need to sit in my chair because Scooter didn’t need or want my lap anymore. That made me tear up, so I watched highlights of the College World Series, but watching Florida lose (almost as much fun as watching LSU win, which makes the College World Series final from this year almost more than I could hope for as a happy place for me) but it didn’t shake off the gloom… and I also realized I was staying in the chair so as not to disturb sleeping Scooter, who wasn’t there. I cried a bit and got up to start doing some more things around the kitchen. Paul came home from the office, and he was sad because Monday was a work-at-home day for him as a general rule, but he spent the morning missing Scooter so he went to the office after his trainer. I’ve been looking at adoptable cats on-line, but of course I want them all. There’s a gorgeous fourteen-year-old ginger that I am sure is going to be hard to adopt, but much as I would love to give his final years a good home losing another one so soon would be too hard on both of us. We need a cat that’s going to give us at least thirteen years!
But then I think do I have another thirteen years? Which I don’t like to do, because it will talk me out of having a cat because I don’t want to die on my cat. Sigh.
Yesterday turned out to be okay at the office, in case you were wondering how that went. There’s no telling, of course, what is to come down that road, so as Mom always said, why borrow trouble worrying about it? I’ll be coming straight home from work tonight; I have tomorrow off for doctor’s appointments so I don’t have to get up early and there’s certainly no need to run any errands since I can run them tomorrow. It’s a bit weird and awkward around there–I think the entire department is a bit in shock–but we’ll see how it all goes. The only constant is change, right?
I started doing some more research for a short story I want to write about an urban legend–it’s for my Sisters’ chapters next anthology–and I realized yesterday that I don’t have to do something Louisiana based, and it’s not like there aren’t plenty of urban legends in Alabama. I got another Alabama history book in the mail yesterday, Hidden History of North Alabama by Jacquelyn Procter Reeves, which is mostly about urban legends and secrets from the past of the north part of the state. Where we’re actually from is more central than north; the foothills of the Appalachians, if you will. There were some horrible atrocities committed on Union sympathizers in that part of Alabama by the Home Guard–I’ve heard and read some truly horrific stuff, seriously–which might be a good urban legend to write about. I’m having the best time looking into both Louisiana and Alabama history; it’s so much easier to write about a place once you know more about it; the more you know the easier it gets, hence research.
I’ve also been reading Matt Baume’s Hi Honey I’m Homo, which is about sitcoms of the 1970’s and their fledgling attempts at gay representation. I already have been enjoying Baume’s Youtube channel for years–queer rep in culture–and I’m also really loving his book. It’s fun revisiting these shows and remembering how closeted gay teenaged me watched the shows for their queer content, eager to see if that was, indeed, who I was as a human being. I’ll talk about that more when I blog about the book–some of the rep was good, some of it was confusing–but it is fun revisiting these shows from a present day point of view and perspective.
And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again later.
I’ve lost track of how many days in a row New Orleans has been under a heat advisory, but I’m beginning to think we’ve never not been in one. It’s always hot here in the summer time, and I can remember walking to Walgreens years ago and being completely drenched in sweat by the time I got home. When I taught aerobics in the summer time I showered three or four times a day (any wonder I developed psoriasis? Although it makes for an amusing question, I don’t believe that any more than I believe the moon landing was faked; I should probably find out what causes psoriasis at some point), and the city always swelters in the summer time. The summer heat here is unlike anywhere I’ve ever lived before; Tampa and Houston had a very similar type climate to New Orleans, but both of those cities somehow seemed to not ever get as brutally hot as it does here.
I’ve started looking at adoptable cats in the area, and as usual, I want them all. If I had a house as big as my parents’, I’d probably have at least four or five cats. I do love cats (even if I came to it late in life), and I really do want to write Daughters of Bast someday. I don’t know if that’s a story I can actually write and tell–since in order for it to work, the main character would need to be a descendant from a High Priestess of Bast, which means she wouldn’t be (at least not entirely) white. I know the “#ownvoices” movement has seemed to have lost some traction (concerns about who writes what is now taking–rightfully–a backseat to concerns about book bannings), but even if publishing has stopped being concerned that non-marginalized voices are writing about marginalized characters, the lesson was learned at least by me. And while Daughters of Bast is a great concept and idea (in my opinion), I’m not sure I have the right to write that story, but I do not see how I can without venturing into problematic territory. I will write something based in or around Egypt at some point though; Egypt has fascinated for far too long a period of my life (as long as I can remember I’ve been fascinated by ancient Egypt, the pharaohs, the pyramids, and their culture) for me to never write about it….but then again, I’ve not written anything historical, have I? A short story here and there?
Yesterday was actually kind of lovely. I’d cry here and there, of course, when I’d have a reminder–sitting in my chair alone watching Youtube, I started to call for him to come sleep in my lap before remembering was one of those moments–and of course, it feels weird going to bed without him curling up inside my arm. I keep picking up things–toys he’d played with a couple of times before abandoning, water dish, plastic container of cat food–which make me sad, but it’s gradually grew into more of a resigned sadness by the end of the day rather than the emotional kick in the gut. We got caught up on Hijack, with Idris Elba on Apple Plus, which is really quite good; started watching Last Call on HBO, based on the Edgar Award winning true crime about a serial killer praying on gay men in New York; and then moved on to Fake Profile on Netflix, which is, as all Spanish language crime melodramas are, fricking fantastic. We’ll probably finish Fake Profile today, but am not sure what else. We also finished season one of Platonic yesterday, which was also terrific.
I did spend some time reading Megan Abbott’s Beware the Woman; I only read the first chapter but its hallmark Abbott; the voice, especially, is just as haunting as always and I always marvel at how lyrically she puts sentences together. Her writing style is so evocative; it’s amazing to me how she can create an entire image in your head with a clever turn of phrase. It’s a kind of writerly witchcraft not many authors have, and while I am sure it has a lot to do with her education (she’s incredibly intelligent) and her own influences, she is just kind of a genius, really. I plan to spend some more time with it this morning, once I get some things cleaned up around here–the kitchen is a mess, and as always, dishes dishes dishes and filing filing filing. But I did do some clean-up around here yesterday and I also successfully pruned the books down. I got rid of some of the empty boxes that have piled up around here, and so progress was made on the messy, slovenly hovel I call the Lost Apartment. I slept pretty well last night, too. I also spent some time brainstorming loosely in my journal for the next book I’m going to write. (I also just realized I’ve been listening for Scooter to come downstairs and demand his breakfast; I suppose that’s going to be a lengthy wait this morning…)
I’m not really sure what I am going to do today other than some clean-up and some reading and maybe some more brainstorming. I need to write Dad, among other important tasks, and there’s still some loose ends hanging around I need to get tied up at some point. There’s always something…but at least I am starting to feel creative again, which is always a plus. I was really feeling depleted there for a while, you know? I am also making Swedish meatballs for dinner. It’s been a hot minute since I’ve cooked–I’ve really fallen down on the job as far as that is concerned–and I also have doctors’ appointments on Wednesday so my week is going to be broken up into two parts around that.
And on that note, I think I will repair to my easy chair with Beware the Woman. Have a lovely Sunday, Constant Reader, and I will check in with you again tomorrow.
I realized the other night that, of all things, I take more pride in my short stories than I do in my novels. Isn’t that strange? Novels are, in theory, much more difficult to write than a short story–even at its barest minimum, a novel should be at least fifty thousand words while short stories generally cut off around a thousand. I think it’s because I still carry the scars from that asshole writing professor in college. I always struggle with short stories, and always have; I used to say that if I wrote a successful short story it was completely and entirely by accident. But writing erotica was an excellent tutorial in short story writing; in what other type of short story is “beginning, middle, end” so clearly delineated?
My first short story that got published outside of the realm of erotica was “Smalltown Boy,” which was published in 2003, I think. It’s still one of my favorite stories of my own; it’s an Alabama story and I am still very proud of it. I used to think I’d never get a short story published anywhere that wasn’t erotica, so when my stories started getting acceptances and published in non-erotica markets, it was very cool.
I like writing short stories because I can encapsulate an idea in that short form rather than writing an entire novel. I can also experiment with voice, style, theme, setting and story. I have any number of stories that don’t work but are completed; I have a lot more than were started and stalled because I didn’t know how to finish them. I think I have around a hundred short stories or so in progress; I actually counted a few years ago because someone asked and I didn’t know the answer.\
Several years ago, an Australian crime writer I’ve known for decades reached out and asked me if I would contribute a story to an anthology her publishing company was producing, The Only One in the World, which was a Sherlock Holmes collection–but the only rule was you couldn’t set the stories in London, period; I had never written anything close to a Holmes story and have never really been much of a Holmesian (I do love Laurie King’s Mary Russell series), but it was a challenge so I said yes–because for me, I love writing challenges because they push me out of my comfort zone and make me try things I might not ordinarily try. That story became “The Affair of the Purloined Rentboy” (still one of my favorite titles of all time) and it was a lot of fun to write, and I enjoyed the hell out of myself writing it…to the point I’ve considered revisiting my Holmes and Watson in 1916 New Orleans, several times.
Last year, the Sherlock editor, Narrelle Harris, reached out to me to see if I’d write something for a new anthology, The Fresh Hell, and there was a list of horror tropes we were given to chose from. Being from Louisiana, how could I not pick “haunted bayou”?
And so I started writing a story that became “Solace in a Dying Hour.”
Madeleine Chaisson opened her eyes and knew that the next time she shut them would be the last.
She cocked her head to listen. Even amongst those few (some say blessed, others cursed) who could hear them, most would describe the strange sounds they made as they danced about the dark, still waters as whistling. But Madeleine was special, different, not like the others.
She heard them clearly. She knew they weren’t whistling. They were singing.
But the sound she heard now was just the gulls over Bayou St Ferdinand shrieking as they swooped and flapped their wings looking for morsels of food.
Dirty scavengers, she thought with a scowl. She hated the gulls; had since she was a little girl growing up in this very house.
How much gull shit had she cleaned off the dock during her long lifetime? Papa would backhand her if he saw any of the dried white splotches with black pellets on the dock when he brought the boat back in from a day shrimping out in the Gulf.
‘It rots the wood, you lazy cochon,’ he’d say in his sing-song southeast Louisiana Cajun accent while she rubbed her stinging cheek. ‘And who will have to rebuild the damned thing when it collapses? Don’t I already work hard to keep you clothed and fed?’
Even with him years in his grave, after she began wondering if that was even true, she’d still take the bucket out and scrub the gull shit from the weathered old wood.
If I were a witch like they always said, I could have snapped my fingers and cleaned it, she thought with a snort.
The new anthology debuted today, and it is available on Amazon and other sellers here in the United States; here is the link to Bookshop.org : here. This link is to the trade paper; there’s also a much more expensive hardcover edition as well if you disdain paperbacks.
“Solace in a Dying Hour” is another one of my south Louisiana stories. It took me a long while to get to the point where I was comfortable writing about Louisiana outside of New Orleans (don’t ever ask me about the colossal error in geography I made in Bourbon Street Blues…I SAID DON’T ASK!); I think my first was “Rougarou.” I also wrote and published “A Whisper from the Graveyard” since that one, and this is my third. I’ve started building a fictional world of Louisiana outside of the city over the last seven or eight years or so; it could be longer since I no longer have any sense of time anymore. I have revisited rural Louisiana in books like Need, The Orion Mask, and A Streetcar Named Murder; I have more stories and books I am going to write about my fictional rural Louisiana; I’ve also fictionalized the north shore several times already.
“Solace” is an homage of sorts to two other stories I really loved, “Do the Dead Sing?” by Stephen King and “An Unremarkable Heart” by Karin Slaughter. Both involve someone lying in bed dying, and reliving some pretty horrible things that happened over the course of their lives. I had been studying Louisiana folklore and legends for quite some time, but it was around 2017 or 2018 that I started really doing a deep dive into Louisiana history and culture. A co-worker had moved to Houma, which is deep in the bayou country, and she was doing the same. She was who suggested I write about le feu follet, the swamp lights some see. There are numerous definitions and descriptions of who and what le feu follet actually are; I decided I wanted to use the lights and the whistling aspects of their legend, and I wanted the story to focus on a woman who’s lived a very hard life and been through some things…but who could not only see le feu follet for what they actually are and appear, but could tell that they weren’t whistling, but singing. I also kind of based her on my maternal grandmother, a very quiet woman who never showed emotion and never complained about anything; things were what they were and you just dealt with them, period. I wanted to get that sense of quiet strength that you can usually only find in rural Southern women, that practical pragmatism that has gotten them through hard lives and a lot of tragedy.
My maternal grandmother was pretty amazing, really.
I am very proud of the story and how it turned out; the anthology itself is amazing, and the cover is gorgeous. I hope you enjoy it should you choose to check it out.
Wednesday and we’ve made it halfway through the week, Constant Reader. Didn’t think it was quite possible, did you, when Monday dawned so early and ugly? We expecting thunderstorms today in New Orleans–it feels cooler and damp this morning, but I don’t know when we are supposed to have said storms; probably this afternoon. I slept really well again last night–it’s been lovely getting good sleep lately. I felt a bit tired yesterday when I got home from work, and so took it a little easier on myself when I got home. I managed to get caught up on my emails (such a weird feeling) and did some writing last night. I think I’m still a bit in the post-book malaise phase of things, so writing anything isn’t easy (not that it ever is) but Paul got home late so was left to my own devices once I finished writing for the evening. I did watch some documentaries on Youtube about the Hapsburgs last night (I also discovered an English-language biography about her–Margaret of Austria–which I added to the my list of books to buy…which is almost as out of control as my TBR stack, which is now essentially the entire living room), and I read a short story in Hitchcock’s My Favorites in Suspense anthology; a dark little Charlotte Armstrong story called “The Enemy.” Armstrong was a writer I discovered as a tween, when Mom let me join the Mystery Guild Book Club; I got an omnibus by her (The Witch’s House, Mischief, The Dream Walker) which I greatly enjoyed. I rediscovered Armstrong thanks to the work of both Sarah Weinman and Jeffrey Marks, which enabled me to continue reading in her canon.
Armstrong won an Edgar for Best Novel for A Dram of Poison, a charming if dark little story of suspense; maybe the rare Edgar winner where there’s no dead body but the plot has to do with preventing an accidental death? It’s very clever, and incredibly charming, but beneath that clever charming surface it says something dark and awful about human nature and character–people who are unhappy spreading their misery to others. Armstrong was also made a Grand Master by Mystery Writers of America. Her work may seem a bit dated in the modern day–technology and society have moved on from the times she lived and wrote in–but I think it’s well worth the read. “The Enemy” is that same style of writing as Dram, a serious subject presented charmingly, and the death of a child’s dog the catalyst for an exposé of something darker and nastier…and yes, the plot also hinges on the darkness a human being is capable of creating. It’s a really clever, if slightly dated, story–and you can’t help but smile or laugh at the last line of the story. I am really enjoying these time capsules into the past, to tell you the truth. I bought a few more of these anthologies on eBay yesterday, too. It’s nice to have short story collections around for those times when my brain can’t really focus on reading an entire novel.
I have been listening to Carol Goodman’s The Drowning Tree on Audible, but I may have to break down and finish actually reading a physical copy because I can’t keep listening every day and with my memory a literal thing of the past these days, I’m not sure I remember enough of the story to pick it up again this weekend. I also picked up copies of her new novel, The Bones of the Story, along with Paul Tremblay’s new short story collection, The Beast You Are. I do like Tremblay’s writing–A Head Full of Ghosts was one of the best horror novels of the last decade, and I’ve liked everything else of his that I’ve read–and I think this may even be his second collection. I am also hoping to pull together another collection myself this year–This Town and Other Macabre Stories–but I am not sure if I will have the time. I also got the copy edits for a short story I contributed to an anthology in my inbox last night, so that has to go onto the to-do list, and I still have page proofs to get through. But for the most part, it seems as though I have a guilt-free free weekend, which one can never truly go wrong with, either. I’ll have some errands to run, of course–I always have errands to run–but there’s no stress or pressure on me either, which is kind of nice. I think maybe that’s the reason I’ve been sleeping so well this week? No pressure and my schedule has kind of normalized, gotten back to normal, settled back into the routine my body is used to, perhaps?
Yes, that makes total sense to me.
I also have ideas and thoughts pinging around in my head. I’m itching to get back to the works I have in progress; I want to get a strong first draft of two different novels finished before I leave for Bouchercon next (!!!) month. I actually, finally, made a to-do list yesterday; I am hoping that I can get my life back on track the way it was before the pandemic and the madness of the last few years. That doesn’t mean that my blood pressure won’t continue to go up predicated on the constant assaults on everyone who’s not a cisgender straight man from the demons on the right–which is part of the reason my interest in the Civil War and the 1850’s, that terrible lead-up to the split, has been heightened these last few months. I do see a lot of similarities in the split between conservative v. progressive today, which was predicated along the lines of abolitionist/pro-human trafficking back then. One of the books my father gave me to read was called Southerners in Blue, which was a novelization of the true story (albeit poorly written) of a Union sympathizer and others like him in Winston County, Alabama. (If you’re not familiar with Winston County, the easiest way to explain it is this county did not vote for secession and essentially stated that if Alabama had the right to secede from the Union, the county had the right to secede from Alabama. They did not secede from Alabama, just said they had the right to predicated on the secession arguments being presented, but have gone down in Alabama history and lore as having actually seceded even though they most certainly did not) Basically, in some of the northern counties of Alabama there was basically a second civil war, between the “secesh” and the “Unionist” supporters, and the mountains of north Alabama were filled with deserters from the Confederate Army, This was also novelized into a book called Tories of the Hills by Wesley Sylvester Thompson, which is incredibly rare (my uncle has a copy, which my aunt won’t let be removed from her house–wise, as I would totally steal it). I had read another book also while I was up there, about the Kansas-Missouri border war–which had a decided “secesh” slant to it, of course, while complaining that all previous histories were “unsympathetic to the Missouri slave-owner point of view”. I’m sure he had a point, but simply because there are two sides to every story doesn’t mean each side deserves to be heard, or that each side’s opinion has equal weight. It did spark my interest, though, and I really think there’s a book in this little-known history of north Alabama. Again, it would be difficult to write–lots of potential landmines there–but it’s also, as I said, not very well known and with today’s tribalism mentality–not to mention how loud the Lost Cause fanatics are–it’s hard to wrap one’s mind around the notion that the South wasn’t monolithic in its thinking.
Because no group of people are, really, which is why I don’t like being asked for a gay perspective on anything; I can only speak for myself.
But while I continue to research this aspect of history and try to figure out a way to get a novel out of it, I am going to map out two others. One is already in progress, and the other is a New Orleans ghost story I’ve been wanting to write for quite some time now. The trick is to make it different from every other ghost story I’ve already written. Good luck with that, Mr. Repetitive!
Heavy heaving sigh.
And on that note, I am heading into the spice mines. Have a great Wednesday, Constant Reader, and I will check in with you again later.
Sunday morning in the Lost Apartment and how the hell are you, Constant Reader? I slept super well last night–much better than Friday night, which felt really great–and am a-rarin’ to go this morning. Yesterday was a good day, frankly and surprisingly. I woke feeling rested and well, managed to get some things going in the morning, and kept getting things done for most of the day. I also took it a little easier than I usually do, resting and relaxing for a bit before getting up again to do something else. Thus I managed to get some things accomplished.
After doing some kitchen organizing yesterday (and filing), I started going through that box of clippings and magazine copies, to better organize them in another box, and found all kinds of things that are marvelous. I’ll do some scanning today, so that there’s an electronic version of everything preserved for all time. The Queer Crime Writers group has expressed some interest in archiving some of the articles and reviews of crime authors and their books…it was funny, but it’s been a long time since I looked at those old issues of Lambda Book Report, and while I am still proud of them, it’s been long enough that I can look at them critically and see the mistakes and flaws and so forth. It was also kind of interesting because I forgot, for one thing, that I interviewed Margaret Cho for Lambda Book Report, or that Paul used to do author interviews, and so forth. It was kind of cool experiencing the nostalgia of seeing them, or the old Saints & Sinners programs from the first years, when I had to do the layout and design for them (which is why they all look so amateur hour) but I also used to do that for Lambda Book Report too. There were also clippings from other gay papers, including the local IMPACT News which then became Southern Voice-New Orleans before folding completely, the Times-Picayune, Gambit, and St. Charles magazine. It’s hard to believe, really, that I’ve been in and around the publishing business for as long as I have. It’s also kind of eerie. I’m trying not to be a cliché, but seriously, where did the time go?
I also walked to the Office Depot during the afternoon rainstorm yesterday to get ink for the printer and some notepads. I live for the 5 x 7 legal pads, and I’ve been down to my last one for quite some time, which inevitably throws me a bit off-balance, as I use them for everything, from grocery lists to “what to do today” lists” and making notes to myself to remind myself of things. I just feel better knowing there are eleven notepads in the cabinet, next to two blank journals, for me to use if and when I need one again. It’s odd how comforting that knowledge is, so it’s clearly one of my (many) neuroses.
I also started watching a true crime series on Hulu–Paul was meeting a friend for dinner and drinks last night, so I was left to my own devices–about Billy Milligan, a serial rapist who had dissociative identity disorder at a time when not much was known a bout it; many people to this day don’t believe Milligan actually had the disorder, but was simply a very good actor (The Crowded Room series on Apple Plus is based on his story), but I stopped watching by the fourth episode. Do I believe DID is a thing? Sure, why not? Even if the Sybil case turned out to be a fraud, I do think the mind is capable of splintering like that when faced with a horrific trauma; ironically, this illness was depicted beautifully over the years for Victoria Lord on One Life to Live (winning her portrayer, Erika Slezak, a ridiculous amount of daytime Emmys over the years); it began when first shown as part of the melodrama with some research done into it; as more information about it became available and more studies were done, that was also explored over the years as it reoccurred, finally culminating with the truth that she was molested by her father–that was the initial trauma that shattered her mind. I’d like to write about this sometime myself, because it’s interesting to me, but it would take a lot of research because I’d want to do it right, you know?
I got a lovely compliment on a story I contributed to an anthology yesterday, which was unexpected and lovely–especially since I hadn’t felt confident about the story when I sent it in. It’s another Alabama story, which makes me happy, and I pulled up the electronic last version I had with me here at the house and…it’s full of mistakes. I just hope that wasn’t the version I sent in. But it’s a story I wrote a long time ago, based in some sort of reality. When we used to visit Alabama in the summer time, my aunt and uncle lived in the county seat in a nice brick one-story three bedroom house whose back yard gently sloped, gradually ending in what my cousins (and everyone) just called “the ditch.” I never really knew how it was created or where it came from–in the story I referred to it as a branch of the river that was dammed up and so it dried up–but it was about twenty feet wide and fifteen foot deep; and the bottom was just as I described it–littered with rusting cans and broken glass and other debris. But it was also cool down there as it was completely shaded by all the trees lining the sides (that’s what gave me the idea that it may have been a branch of the river; it does kind of look the shores of a river); there was also a path from the back of the house to an ancient wooden footbridge to cross to the other side. I wrote the story “The Ditch” originally years ago, I think possibly for a Horror Writers Association anthology, and it was rejected. I liked the story but knew it needed more work, and when I dragged it out to use for this anthology I did a strong revision. It is a much better story now than it was, but please God, tell me I didn’t turn in this error-riddled version. More on that anthology as it develops.
I also made a list of things I need to get done today (yay for little legal pads!) and am feeling pretty good about everything this morning. It really is amazing what a difference sleep makes, isn’t it? I woke up early this morning, am enjoying my morning coffee, and I finally feel like I am part of my own reality again (it always takes a while for me to readjust to my normal daily routine). I also have some writing and reading to do today, and I hope to get to work on the page proofs either today or sometime this week.
And on that note, I am heading back into the spice mines. Have a lovely day, Constant Reader, and I’ll check in again at some point, no doubt.
When I was writing about rereading “The Birds” the other day, it brought Alfred Hitchcock to mind again. I have been revisiting the old Alfred Hitchcock Presents anthologies lately, and slowly (finally) realizing what an enormous influence on my writing Mr. Hitchcock was. Obviously, there’s the films, and the television series, of course, but even more so in books–books he had little to do with other than licensing his name–because hands down, no questions asked, my favorite juvenile series was The Three Investigators. I loved those books, and still do. The Hardy Boys, Nancy Drew, the other series–they don’t really hold up well for me now, but I can still enjoy the The Three Investigators as much today as when I first read them. The books are incredibly well written, and the three boys themselves are very distinct from each other yet not one-dimensional, and that holds true for all the members of their supporting cast–Uncle Titus, Aunt Mathilda, Hans and Konrad, Hitchcock himself, Worthington the chauffeur–as well as the primary settings, the Jones Salvage Yard and Headquarters, a wrecked mobile home hidden in plain sight, beneath and behind piles of junk, with secret tunnels leading to it.
What I liked the most, though, was that the plots of the mysteries themselves were very intricately plotted, and the criminals were actually pretty smart, so it took a lot of good detective work, thinking, and intelligence to outwit them. Many of the books were treasure hunts, which of course I love love love, and often required the solving of a puzzle, which I also loved. The three boys who formed the investigation were Jupiter Jones, Pete Crenshaw, and Bob Andrews. Jupiter (First Investigator)had been a child star on a Little Rascals type television show as “Baby Fatso”, which he doesn’t like being reminded of, or being called fat (this was actually one of the few kids’ series that dealt with fatphobia and flat out said making fun of people for being overweight was cruel; think about how much Chet Morton gets teased for being fat in The Hardy Boys and the same with Bess Marvin in Nancy Drew); he is also the brains of the outfit. He has a quick deductive mind, pays attention to details, and has read a lot so he’s got a lot of arcane knowledge in his mind that comes in handy quite often. Pete (Second Investigator) is strong and athletic and not nearly as bright as Jupiter. Pete also gets scared easily, but an ongoing theme in the books is how Pete always overcomes his fears to come to the aid of his friends. Bob Andrews is Records and Research; he works at the local library so can do research for them, and he also is the one who writes up all their cases to present to Mr. Hitchcock, to see if it’s worthy of his introduction. When the series begins, he has a brace on one leg from a bad fall down a nearby mountain–so he doesn’t get to get involved in any legwork or in-person investigations for several volumes until the brace comes off.
And of course I loved learning from Jupiter’s vast stores of knowledge.
“Help!” The voice that called out was strangely shrill and muffled. “Help! Help!”
Each time a cry from within the mouldering old house pierced the silence, a new chill crawled down Pete Crenshaw’s spine. Then the cries for help ended in a strange, dying gurgle and that was even worse.
The tall, brown-haired boy knelt behind the thick trunk of a barrel palm and peered up the winding gravel path at the house. He and his partner, Jupiter Jones, had been approaching it when the first cry had sent them diving into the shrubbery for cover.
Across the path, Jupiter, stocky and sturdily built, crouched behind a bush, also peering toward the house. They waited for further sounds. But now the old Spanish-style house, set back in the neglected garden that had grown up like a small jungle, was silent.
“Jupe!” Pete whispered. “Was that a man or a woman?”
Jupiter shook his head. “I don’t know,” he whispered back. “Maybe it was neither.“
Jupe and Pete are on their way to call on a prospective new client, referred to them by none other than Alfred Hitchcock himself. Professor Fentriss had bought a parrot from a peddler, primarily because he stuttered and was named Billy Shakespeare (Fentriss is an English professor). The parrot says “to-to-to be or not to-to-to be, that is the question.” But this is in and of itself mysterious, as Jupe points out, because parrots don’t stutter; they have to be taught to stutter. Why would anyone teach a parrot to stutter? But the stuttering parrot is just the start of a bizarre and unusual case, with twists and turns and surprises everywhere the boys turn. Their detecting soon leads them to the revelation that there were six parrots and a mynah bird the peddler was selling, and they were all taught specifically to say one phrase. The phrases are clues to a treasure trail, and the prize is a magnificent and incredibly valuable painting by a master.
This book is an excellent example of precisely why I loved this series so much. The pacing is always excellent, the characterizations are three-dimensional, the mystery is intricate and puzzling and hard to figure out, and the conclusion of the book, where the boys have to beat several bad guys to actually find the painting, which takes place in a spooky abandoned cemetery on a foggy night, is some of the best atmospheric writing I’ve ever encountered. You really feel like you’re lost in the fog with bad guys you can’t see out there somewhere.
I’ve never understood why these books never achieved the popularity of the Hardy Boys and other series like them. They were better written, better stories, and just over all vastly superior to the Hardy Boys in every way. The first book in the series, The Secret of Terror Castle, remains one of my favorite kids’ books to this day (several books from this series make that same list). The problem with the series was time, really. Alfred Hitchcock eventually died, and they had to get someone else to fill in for him. Eventually, recognizing that Hitchcock’s name alone dated the books, they removed the references. The books themselves were never updated, which is also a shame because it dates the books but at the same time gives them a kind of nostalgic charm, as well. The Secret of Terror Castle was about the home of a silent film star whose career was ended by talkies, who turns out to be still alive. That was a stretch for me even when I first read it in the early 1970’s, let alone today. Whenever I think about writing my own kids’ series, I always think of it in terms of being Hardy Boys-like, but really what I would want to do is emulate the Three Investigators, whose books were well-written and a lot of fun to read.
Be sure I will talk about them again another time.
I was born in Alabama but didn’t grow up there. I was two years old when my parents migrated north in search of work, good jobs, and a better life for our family. My parents, however, were very Southern, so I was raised with their values and beliefs (which were very Southern and of their time) but being confronted with very different values and beliefs at school every day opened up my mind in ways that it may not have been had I grown up in Alabama. Our neighborhood in Chicago, near Lawndale Park (our nearest major cross street was 31st and Pulaski), was the perfect representation of America’s vaunted ‘melting pot’; our neighborhood was filled with first or second generation European immigrants; many from eastern Europe, who fled either before or after the war. There were Czechs, Poles, Austrians, Hungarians, and Serbs; in the fourth grade we even had a Muslim girl from Yugoslavia. She had the most delightful first name which I’ve never forgotten–Zlatiça–even as her last name is lost in the clouds of memory. It was also very confusing trying to figure out where the immigrant kids (either they were born in another country or their parents/grandparents were) came from, given that the maps of Europe had been redrawn barely twenty years earlier. The Czech children I knew didn’t identify as Czech but rather as Bohemian; they also called their language that. It took years of study and reading up on history to realizing Bohemia became Czech after the first world war; for many years I believed Bohemia still existed under that name but had somehow been folded into another country or something; I don’t remember. I do remember being confused. Until I finally wrapped my mind around the post WWI renaming of the region, I always just assumed Bohemia was a German region. Reading history didn’t help much in that regard, as Bohemia was part of the Holy Roman Empire for centuries (in fact, the Thirty Years’ War kicked off in Bohemia).
But there was a lot of racism in our neighborhood too; the white European immigrants detested the brown immigrants from Mexico and Central America; I vividly remember the way our babysitter would sneer the word Mexican when referencing anyone brown. There was also a lot of strife in Central America at that time; I think both Guatemala and Nicaragua were enduring civil wars of some sort, hence the influx of Central American refugees and immigrants. I remember Martha, a girl in the sixth grade, telling me about how soldiers came and shot up her village, killing dozens of people she knew and members of her family. She was very calm and unemotional as she told me about it, which is pretty remarkable for a child who couldn’t have been more than ten or eleven, talking about a trauma she witnessed when she was six or seven. (Now I know she was dissociating; and I do remember her telling me calmly that she felt like she wasn’t even there as it happened; like she was watching it all happen from a distance.) Ironically, we became friends because we exchanged Nancy Drew or Hardy Boys mysteries; this conversation came about because we were reading a Hardy Boys book set in Central America; I want to say Footprints Under the Window, but it may have been something else….but she wanted me to know that the depiction of Central America in the book was nothing like the reality.
My grandmother used to tell me wonderful stories when I was a kid about my family history and the history of the county we’re from in Alabama. As a wide-eyed innocent and naïve child, I believed everything she told me, and always wanted to fictionalize those stories. I was in my early twenties when I wrote a short story based on one of those tales; about the Lost Boys and the evil renegade Yankee soldier who burned the house down and presumably murdered the two boys of the house. The story was called “Ruins,” and while I was pleased with the story I felt the story was too short; there was more to the story than I could fit given the length restrictions. I always thought of the story as a kind of an abstract or lengthy synopsis of the novel I would write someday. But it was also a Civil War story, and I wasn’t sure how I could write a Civil War ghost story without being, frankly, offensive. I tucked it away in a drawer and would think about it from time to time–usually when driving through Alabama on my way north–but still couldn’t wrap my mind around it. I worried and fretted and feared and doubted myself constantly. I told the story once to another writer friend of mine, and she urged me to write it…in fact, she hounded me about it for about twelve or thirteen years before I decided to take a deep breath, put on my big boy pants, and take that risk.
“Was this an accident, or did you do it on purpose?”
I opened my eyes to see my mother standing at the foot of my hospital bed, her heart-shaped face unreadable as always. The strap of her Louis Vuitton limited edition purse was hooked into the crook of her left arm. Her right hand was fidgeting, meaning she was craving one of the rare cigarettes she allowed herself from time to time. Her dove gray skirt suit, complete with matching jacket over a coral silk blouse, looked more rumpled than usual. Her shoulder length bob, recently touched up as there were no discernible gray roots in her rigid part, was also a bit disheveled. She wasn’t tall, just a few inches over five feet, and always wore low heels, because she preferred being underestimated. Regular yoga and Pilates classes kept her figure slim. She never wore a lot of make-up, just highlights here and there to make her cheekbones seem more prominent or to make her eyes pop. Looking at her, one who didn’t know better would never guess she was one of the top criminal attorneys in the country or that her criminal law classes at the University of Chicago were in high demand.
I could tell she was unnerved because she’d allowed her Alabama accent to creep slightly back into her speech. She’d worked long and hard to rid herself of that accent when she was in law school, because she said no one took her seriously when she spoke or else thought she was stupid once they’d heard it. The only times she used it now was when she wanted someone to feel superior to her, or she’d been drinking, or she was upset.
It worked like a charm getting her out of speeding tickets.
I hadn’t been asleep, nor had I been awake either, hovering in that weird in-between state where it seemed like I’d been living for the last three or four days.
“It wasn’t on purpose.” I managed to croak the words out. My throat was still raw and sore from having my stomach pumped. My lips were dry and chapped, and my eyes still burned from the aftermath of the insane drug-and-alcohol binge I’d gone on in the aftermath of the break-up with fucking Tradd Chisholm. “It was an accident.” I shifted in the hospital bed, trying to sit up more, the IV swinging wildly. The memory of that last and final fight with Tradd flashed through my head.
The main character in the original short story was only twelve, and the cousin he shares the adventure with was supposed to be fourteen. I was writing a lot of short stories at the time set in Alabama, with the idea to tie them all together in some ways–and was also reading a lot of Faulkner at the time, so yeah, a fictional county in Alabama where all the stories were set and were interconnected was kind of derivative; I kind of smirk to myself now when I think about the hubris of aspiring to be Faulkner-esque, especially at that time, when everything I wrote was pretty much garbage. Ah, the hubris of youth. But I did write a lot of “Corinth County” short stories back in the day, and while the writing may have been atrocious, the idea behind them and the core themes were good and had potential.
When I started thinking about turning the short story into a novel, I soon realized that the characters were too young, so I aged them. I originally aged them to teenagers, and in the first attempt at a rough first draft, I got about two chapters in with my main character, Jake, being banished the summer before his senior year to help take care of his dying grandmother back in rural Corinth County. The original first line was something like The summer before my senior year my mother ruined my life. Properly self-absorbed, narcissistic, everything’s about me teenager, right? My original thought was he was a student at a Catholic all boys’ school, was openly gay, and had a crush on a classmate…and having just found out said classmate had gotten a summer job lifeguarding, managed to get himself and his female best friend jobs at the concession stand at the pool, so he could be around his crush and see him all the time. His banishment for the summer had to do with his lawyer mother accepting a co-counsel role in a major trial in California and being gone; she has also kicked out her fourth husband (a much younger tennis pro) and so she can’t leave him alone in Chicago for the summer. The other option was staying with his father and his second family in the suburbs, which was equally unappealing, so he choses Alabama…and is picked up at the airport in Birmingham by another teenager who’d been taken in by Jake’s grandmother when his own mother died. This character, Kelly Donovan, was originally meant to become close with Jake and participate in all the mysteries Jake encounters at his grandmother’s. I also wanted to play with Jake’s being strongly attracted to Kelly, who is some kind of distant cousin, and straight.
But I scrapped that beginning, too. Would a young senior in high school in rural Alabama, a star athlete, be so accepting and open to Jake’s sexuality? Probably not…and he would also be worried and nervous about his patron’s grandson coming to stay there. As I delved more deeply into Jake’s character and who he was, I started thinking it made more sense for him to be older. Why not have him be a student at Tulane, and living in New Orleans? But if he was living in New Orleans, what would make his mother exile him to rural Alabama for the summer? And the more I thought about Jake…the more I realized there was underlying trauma in his life. I didn’t want his mother to be homophobic, but her mother, the dying family matriarch? Yes, yes, that worked better. I made him a loner, but someone who didn’t want to be a loner. He didn’t ever feel like he had friends at his Catholic school; and coming to Tulane he met his first, real boyfriend…which ended up being a disaster. And then realized, what if he goes on a binge–easy enough to do in New Orleans–after a bad break-up and winds up in the hospital? And if he had tried once before to kill himself…yes, yes, this is a MUCH better backstory and pulls the actual plot of the book together much better.
I also knew I wanted to touch on themes of homophobia in the rural South, as well as the horrors of modern-day Southern racism and the South’s racist past.
When I started doing research for the book, I soon learned that many of the old family/county stories my grandmother used to enthrall me with were all apocryphal; almost every region of the South has some version of the stories she told me; the story of the Lost Boys, a local legend which was the foundation of the book, pops up all over the old South–almost every state and every region of the old Confederacy has a version of the story, complete with renegade Union soldier (think Gone with the Wind), and so I decided to address that trope in the book while also using it. But I also added another layer to the story–the Lost Boys may not be the only ghosts at the old Blackwood place, which has a tragic and bloody and horrifying history, as does the entire county. I also started lessening Kelly’s importance to the story–he’s still there, he’s still a character who also gets a big reveal later in the book–but Kelly’s behavior to Jake is abominable and homophobic, establishing some conflict between the two of them as well. Part of this was because of the change in the story, but then I needed to partner-in-crime as well as potential love interest, so I came up with Beau Hackworth (the Hackworths are a large and poor family in the county; I’ve used that family before in stories; my main character in Dark Tide was a Hackworth from Corinth County).
And of course, when you’re writing about a Southern rural county and the Civil War, you cannot avoid the issues of race, prejudice, Jim Crow, and enslavement. I wanted to make it very clear that this wasn’t some “Lost Cause” romantic fantasy that perpetuates the lies and mythologies that sprang up in the South decades after the actual war ended. Jake’s mother raised him not to be racist or prejudiced, as she tells him several times, “We do not take pride in the fact our ancestors enslaved people. The heritage is hate, and don’t ever forget that.” I did wonder if I was being too generous to white people with this, but on the other hand I wasn’t interested in writing from the perspective of someone racist. I will be the first to admit that I worried about being offensive in this book; the last thing I would ever want to do is be insensitive on the subject of race. But I also knew and trusted my editor enough to know she wouldn’t let me get away with anything, and I also had to trust myself to handle it all sensitively. There were a couple of things she saw in the manuscript that could potentially be considered problematic–but they were also easily fixed.
I was very pleased with the end result, and I do think it is one of my best books. I was absolutely thrilled when it was nominated for two Anthony Awards last year at Bouchercon.
And it also goes to show that you cannot play it safe, and things that scare you are precisely the things you should write about .
(For the record, I will add Cheryl A. Head’s Time’s Undoing is one of the best crime novels ever written about racism in Alabama. Beautifully written and brilliantly told, it should really be required reading.)
Happy Second Class Citizen Independence Day, Constant Reader!
I am so tired of being Cassandra on the walls of Troy, warning people of the impending doom from the consequences of their narcissistic privilege, only to be either ignored or patted on the head condescendingly and told I don’t understand or am being terribly overdramatic. Well, too many of you didn’t listen and here we are.
But I am not going to talk about the fraud perpetrated on this country recently by six illegitimate and corrupt justices on the Supreme Court. This is the date designated as the nation’s birthday, and it’s a day of celebration as well as contemplation.
Despite its flaws and faults; its checkered history and immoral lapses in policy; and the current turmoil of bigotry and hatred and divisiveness, I still love my country. Despite the slanders and slurs hurled against people like me, I am a citizen just like anyone else in this country. I pay taxes like everyone else. There is nothing in the Constitution prohibiting my existence or my life or my reality; yet religious zealots, over and over again throughout our history, keep trying to seize control of the government in order to legislate their version of morality, theoretically based in their religion. I was raised in that religion, read the Bible and went to worship and prayed and Sunday school and all of that–as a child and without my consent. I know the Bible. I’ve read it, many times. I’ve studied it, read religious philosophy and religious studies. I’ve studied and read up on the history of Western civilization, which is forever yoked to the history of the rise of Christianity. I know when doctrine was decided as legitimate and what was heresy; what texts were left out of the Christian Bible and why; as well as the relationship of the New Testament and law to the Old. I’ve read up on the basic messages of many religions, from Islam to Hinduism to what most would call “voodoo” to the mythologies of ancient civilizations. The conclusion that I came to, from my reading and studying and so forth, was that the modern religions I considered all have, at their core, the same fundamental principle: be kind, be helpful, have empathy and compassion for others, and most importantly, do not judge. Judgment is reserved for God, however you choose to see him, and He is very jealous of that privilege. None of us are perfect and we are all sinners–but our sins are between us and God and are none of your fucking business.
Winston Churchill once said about the United States, “You can always count on Americans to do the right thing–once they’ve exhausted every other possibility.” It’s true. In his farewell address George Washington warned of our nation being dragged into “the broils of Europe” (which would make a great title), and that was the cornerstone of our foreign policy for generations. American soldiers did not fight a war in Europe until the first World War–and even then we only came in during the third year of the conflict. Likewise, we stayed out of the second World War, as the world erupted into flames, until we ourselves we attacked two years into the war, and the European allies of Japan also declared war on us. We have been participating in the broils of Europe ever since.
Those are realities. But our entrance into each war changed its course, and enabled the Allies to emerge triumphant. Defeating the Nazis is something we can be proud of, even as we essentially had an apartheid system of our own at home. Defeating the Japanese and putting an end to their war crimes is something we can also take pride in–even though there was a very strong element of revenge to the war–but using nuclear weapons on civilians to bring a close to the war is still morally and ethically questionable. (The horrific racism against the Japanese during the war was also abominable, and that’s doesn’t even take into consideration the horror of the unconstitutional incarceration of thousands of Japanese-Americans, while also robbing them of their belongings and destroying their businesses.)
But the ideals on which this country was founded–freedoms essentially from the potential tyranny of the Federal government–are very high-minded and noble. We have not lived up to those ideals too many times, and the fact that people who are straight, white, and cisgender have always been given priority over everyone who doesn’t fit into that demographic isn’t something we should be proud of–our system is flawed because human beings are flawed. Loving your country doesn’t mean turning a blind eye to its faults and problems, and critiquing and discussing moral, legal and ethical failures in our history, in my mind, is further proof that you do love the country and want it to live up to its ideals of equality and justice for everyone regardless of any adjectives that can be placed in front of the word American. My country has disappointed me, never more so than recently with a renegade Supreme Court discarding precedent, accepted law, and essentially pissing on the very idea of equality while pursuing what can be best be called a completely unAmerican agenda to undermine the basic principles of justice and liberty for all. Patriotism doesn’t require blind obedience and loyalty; which is why the Founding Fathers tried very hard to protect dissent.
I seriously doubt Benjamin Franklin or John Adams would ever agree that corporations are people, entitled to all legal protections of the individual while also not being held accountable legally than the individual; therefore the “citizenship” of corporations is also higher class than that of the individual.
But how can you not love and admire and respect the ideals the country strives to achieve? We haven’t always lived up to those ideals; many times we have failed, horribly.
I have always believed that the arc of justice always bends towards justice, and that we as a country can and should always be looking for ways to make things better, pass legislation to correct flaws and defects in the system, and always keep a wary eye out for corruption. The Founding Fathers also could not conceive of anyone making a career out of politics, either, which is why they established no term limits, which was a huge mistake. We have a presidential term limit now, but none for either house of Congress or the Supreme Court, or any federal bench for that matter. That was a major flaw and oversight in the drafting of our remarkable Constitution, with the end result we have a corrupt system where our politicians are often up for sale, and aren’t even ashamed. How does someone middle class or from a poor background go into politics and retire wealthy?
But, like Churchill, I have faith that my fellow Americans will always, inevitably, do the right thing–once every other possibility is explored and exhausted.
May you have a fabulous fourth of July, Constant Reader. I’ll probably make several posts today; who knows?
Monday, and the 3rd of July. It is back to the office with me today, but of course tomorrow is a day off with pay so this week is going to be weird and off-kilter too. Yay? But this week I have page proofs to go over, errands to run, and a life to get back on track. I feel rather disoriented from being gone for an entire week for a change, which was weird. I did wind up feeling much better yesterday as the day progressed; we made a Costco run in the midst of that dreadful heat advisory (felt like 114) and I also did a lot of laundry. I emptied the dishwasher and reloaded; it isn’t full yet. I am going to try to stay efficient this week, and hope that efficiency–doing the dishes when I get home from work every night, keeping up with the laundry, putting things away rather than let them pile up–is maintained as we move sluggishly through the rest of this blazing hot summer.
We started watching a true crime documentary series last night called The Suspect, and got two episodes in (out of four total). The show is from CBC, and is about a murder and trial in St. John, Nova Scotia. It’s always interesting to watch these shows and see how the police and prosecution actually operate as opposed to the way they do in fiction. It’s actually kind of terrifying, really, and of course, it gave me an idea for a book to go with this great title I came up with in the car the other day.
I’ve also been thinking about my writing and what I want to do with it and where I want to go. I really am not in a place where I should be coming up with new concepts and structures and characters for a new novel when there are already so many in progress around here that I need to finish at some point, not to mention the short stories, too. Heavy heaving sigh.
But I slept so deeply and well last night. I woke up a few times, always afraid that’s the end of the sleep for the night, but I was literally out like the power after a hurricane. And I had no resistance to getting up to the alarm, either. I feel rested, which is wonderful. I wish I could figure out a way to get sleep like that while I am traveling, but I also think I over-caffeinate when I travel, too. I don’t nearly follow my necessary daily routines when I am traveling; I don’t drink nearly as much water and, like I previously said, over-caffeinate. This inevitably results in me becoming dehydrated, and when I am dehydrated I generally don’t get hungry, either, and I often wind up skipping meals and so forth, which means my blood sugar drops precipitously as well. In other words, I need to retrain what I do when I am traveling and/or on the road and take care of myself better than I usually do while away.
I feel terrific this morning and my mood has also significantly improved. I don’t think I’ve completely rehydrated yet, either; but I feel so much better today than I did yesterday that it’s almost like I’m an entirely new person. This is always lovely, frankly. There’s nothing like a good night’s sleep; I just wish I could unlock the secret to getting good rest every night, but no such luck.
We also watched Rock Hudson: All That Heaven Allowed, which was okay. If you’ve never read a biography of Hudson, or seen any previous documentaries about his life, there’s nothing much new here. I’ve learned a lot about Rock Hudson doing research for Chlorine–if you’re writing a novel about a closeted gay actor in the 1950’s, who better to read about than Rock?–so this documentary was nothing new for me. It was well done, and I liked that they interviewed his surviving gay exes or gay friends (for the record, I’ve also researched Tab Hunter–whom I met a few times–and Montgomery Clift, Anthony Perkins, and several others. I find that I really like doing research, to be honest. The whole time I was gone at Dad’s I was reading and learning more about Alabama history, which I think will make my future Alabama novels much better than they would have been, and also inspired more ideas for Alabama books.
And on that note, I am heading into the spice mines for the rest of the day. It’s been so long since I’ve been at work…anyway, have a great pre-holiday Monday, Constant Reader, and I’ll check in with you again later.
I drove back this morning from Kentucky. The drive isn’t hideous (other than the hell that Chattanooga always is, either direction, no matter the time of day or day of the week or time of the year); it’s actually quite a lovely drive. The mountains of Kentucky and Tennessee are stunningly beautiful. There’s a brief jog into Georgia’s northwest mountains before I connect to I-59 south and cross the Alabama state line, returning to the central time zone at the same instant (being on Eastern time seriously fucks with my body clock, and it’s getting worse). Alabama is–well, Alabama is beautiful. I will always feel that tug and tie to the state of my birth, where my people are from, where my mother and ancestors are buried. It isn’t easy sometimes to love the land of my birth; it’s complicated, as so many things that don’t need to be actually are. I think I am probably going to write about Alabama again, because I find myself wrestling with that complicated, sometimes agonizing tie, trying to understand and unravel and perhaps finally find some kind of peace rather than just mournful acceptance.
It also always interests me how little traffic there is through Mississippi. Maybe a bit in Meridian, but nothing more than a slight irritation, ever. Once I pass Meridian, I am in the home stretch and start to get antsy, anxious and tired and ready to just be home. I start watching the mileage markers alongside the highway; and I always feel a bit of a little thrill the first time the milage to New Orleans is on a sign; that means soon and the countdown is in its final stages. It always surprises me a little how quickly I can get home once I reach Slidell, though I start getting antsy to get through Bayou Sauvage and start relaxing again because I am almost to the East and then the high rise; and when I reach the top of that I see the CBD and the Superdome and I release a lot of tension I didn’t even realize I was holding in my shoulders. It’s always lovely to come home–even if getting out of the car in front of the house was oppressive. My God, it was lovely in Kentucky; I’d forgotten what a heat advisory in New Orleans feels like–which always makes me laugh: how can I always forget? For fuck’s sake, I write about it all the fucking time.
It was an interesting week. I don’t think I’ve had an entire week off from work since we went to Italy (willing to freely admit that might be incorrect; my memory banks are currently fried and I am beginning to suspect they aren’t going to repair themselves). It was incredibly hot in Alabama, Lord, was it hot in Alabama. But…I also don’t spend a lot of time outside in the summer in New Orleans, to be fair, and I spent a lot of time outdoors whilst in Alabama. Monday was Mom and Dad’s anniversary, so that’s why I took the trip. I met Dad in Jasper, where we stayed, on Sunday; we went to the grave on Monday and drove around the county, visiting other graves of ancestors. We also went to the county courthouse at 2:00, which was when they were married…and then we departed for Kentucky. There was a horrific thunderstorm Sunday night in Jasper; there was an even worse one in Kentucky–a derecho–and so a lot of trees and tree limbs came down, and of course my parents’ house had lost power on Sunday night, and it hadn’t been restored by the time we got there on Monday night. It came back on Tuesday night, but my sense of days and dates and so forth was already screwed up by then, and I’d lost track of everything. I spent a lot of time with Dad, which was great and I am very happy I was able to do this with him so he didn’t have to do it alone; and it was great spending time with him up north.
I got my love of history from my dad, which is something I am forever grateful for, and so of course we talked a lot about history, not just the family stuff but the county and Alabama in general. I read a couple of history books while I was up there–more on those later–and Dad gave me some terrific ones about Alabama, which of course started triggering my fallow creativity. I did a lot of creative thinking while I was up there, and of course, as I said, I was also wrestling with my complicated heritage and complicated feelings about it. I may not agree with many of my father’s takes on history–particularly US History and the Civil War–but I enjoy listening respectfully to his (wrong) opinions, and of course, it got me to thinking about my complicated heritage and how I feel about it, which naturally made me want to write some more about it. I have an idea germinating, but I am going to do some more research and reading before I even start spitballing ideas (and titles) for the next Alabama book.
Talking to my dad about my mother and the rest of the family also made me realize some things about myself. Mom hated conflict and avoided it at all costs and she also suffered from anxiety. I hate conflict and avoid it at (almost) all costs, and I also suffer from crippling anxiety sometimes; I am always anxious, but sometimes…it’s horrible, really. The Xanax helps somewhat, but not always. I even have anxiety about having anxiety. So of course, the perfect job for someone with anxiety is being a writer, which is almost non-stop anxiety triggers.
I listened to Carol Goodman’s The Widow’s House on the way up, and her The Seduction of Water on the way back. I haven’t finished the second–about an hour or so left–which I will probably finish listening to while I do chores. There will, of course, be more on them later. I also missed the second game of the College World Series final on my way up to Jasper, and you can imagine my horror, Constant Reader, to see that after winning the first game against Florida, my Tigers got spanked in the second 24-4. This would ordinarily have made me a bit tense about the final, winner takes all game; but was also delighted to arrive in Kentucky to see that LSU pounded Florida 18-4 to bring home LSU’s seventh national championship on baseball (GEAUX TIGERS!!!).
I started writing this last night, hoping to post it before I went to bed, but I just got overwhelmingly exhausted, so I went to bed…and was unable to fall asleep. Yay. SO I finally got tired of just laying there and got up and finished this, am doing some laundry, and have a load of dishes soaking in soapy water in the sink. I have a lot of errands to do today (well, it may only be 4:53 am, but it is Sunday), chores around the house, and so I figured I should get up and get going on the day rather than just staying in bed, hoping to get a nap or something before sunrise. Yet here I am. Sigh. But I only have to get through Monday at the office (and run errands on the way home) and then have the 4th off. It’s going to be a very somber 4th for me this year, as the Supreme Court decided, in their bigoted bought and paid for opinion, that I am a second class citizen that “Christians” can essentially spit on.
How fucking Christ-like. There will be more on that later, as well.
And on that note, I am going to go fold some clothes and get some things done. I’ll be back later, no doubt.
Queer and Loathing in America 