Southern Cross

Monday and back to the office.

The time change is always so weird to me, really. I always understood it had something to do with kids and not catching the bus in the dark in the mornings or something like that, but if they’re all walking home after school in the dark, how does that make sense? I always appreciate the extra hour, but always resent giving it back (or having it taken away?) in the spring. I kept finding clocks I hadn’t reset in the apartment (after thinking, wow, time has flown–wait a minute), and I did do some things. I did manage to make it to the West Bank, but it was really a wasted trip; Sundays are clearly not the day to do shopping over there as almost every place was out of almost everything. I got my wagon but couldn’t get the wheels to lock in place (I am so not handy) and I also got the wrong size blinds–so I get to go back. Hurray. But I did get some things for lunch this week, and I made ravioli last night for dinner for something different (I even managed to eat some bread softened with red gravy), which was nice. I watched the end of the Saints game–which they tried very hard to lose–and then another episode of Moonlighting. I found a much later and much more revised version of one of the novellas, “Fireflies”–which needs a lot of work, but is a very good idea and the kernel of a terrific novellas is there, if I can stick the landing–and also was put in mind of Chlorine yet again by coming across Matt Baume’s Tab Hunter1 documentary on Youtube (another great job, Matt!)–and I had a germ of an idea for how a part of the plot would work–another piece fell into place, as it were, and so I scribbled it down in my journal (huzzah for journals!) to wait for the day and time I can get back to work on it and give it my full attention.

I realized yesterday–once again astonishing myself with my own obtuseness–that part of what’s going on with me lately–the moodiness, the surliness, the self-destructive inability to get anything done, and the anxiety that comes with all of the above–has everything to do with my coming surgery. The compartmentalization doesn’t always work, you see, when something is creating a lot of anxiety for me. I have very little idea of what to expect and what it’s going to be like–or how restricted I am going to be as far as movement and so forth or for how long. I know I shouldn’t consult Dr. Google, but in lieu of any other information that I can recall, what else is there to do? And Dr. Google was right when I looked up the information on the injury when it was finally correctly diagnosed, after all. So I can look at about three weeks out of the office on medical leave, and then possibly some limited mobility after that. It sounds like if I am going to be able to type at all it will be one-handed, which is limiting, so I am hoping that if I am not drugged out to the gills I can spend time getting caught up on my reading as well as doing a lot of editing work on my own stuff. I am not going to be able to lift or carry things, which is going to make the whole grocery situation interesting for a couple of weeks, but I guess I can have things delivered. Probably the best way to compartmentalize all of the concern and anxiety about the surgery would be to start planning and preparing so I can be as ready as I can, right? It’s been a year, really. I suppose my end of the year round-up blog post on New Year’s Day will be a bit morose and melancholy.

I think one tends to be a bit more morose and melancholy as one gets older.

I also started watching A Haunting in Venice and while it was shot beautifully and had a great cast–it didn’t really hold my interest. The Agatha Christie novel it’s loosely based on–and I do mean loosely–is not one of the more better known ones; Halloween Party was a perfectly adequate Christie novel but it wasn’t anything spectacular. I do remember it, and I do have a hardcover book club edition of it, too. It probably belonged to my grandmother, or else I picked it up at a second hand store or a flea market or somewhere like that. I took a break about halfway through and then went back…and kind of dozed a bit through the second half. It’s a shame; I watched because I had Venice on the brain after rereading “Festival of the Redeemer” Saturday afternoon, and rethinking how to rewrite and revise and improve it. But it was beautifully shot, and made me wish I could live, even if for a brief month or so, in Venice for a while. I did go back and finish it–but I found it disappointing. Beautifully shot, yes, and Venice is always beautiful on film, but such a waste of so much remarkable talent.

I went to bed early–it was a struggle staying up until ten, which felt like eleven, and slept really well. I feel rested enough to actually face the day and potentially be productive–crazy, I know–but I generally feel well rested on Monday; it’s the rest of the week when my ass starts dragging. I also have to keep pushing forward on some things, too–progress must always be made, even when I don’t feel like making progress on anything. (Watching Tug get used to having his nails trimmed and not being able to use thing to climb–me, in particular–has been rather cute, but then again he is world’s most adorable kitten.) I didn’t read very much this weekend, either, more’s the pity; but I am thinking I’ll be doing a lot of reading once the surgery has taken place and I am no longer living on pain medications–maybe I can even read while on painkillers; I know they are going to give me oxycontin or some version or derivative of it, which makes watching all those movies and documentaries and mini-series based on the crimes of the Sackler family against the American public perhaps not as smart as it seemed at the time; I am terrified of becoming addicted to a pain medication–but that’s also an excellent time to wean myself off the Xanax, too.2

And on that note I am heading into the spice mines for the morning. Have a great Monday, Constant Reader, and I’ll be back to check in on you again later with undoubtedly more blatant self-promotion.

  1. I actually met Tab Hunter, which is something that amazes me to this very day; I actually met him and his husband several times. How cool is my life, really? ↩︎
  2. While I’ve been taking it to control mood swings all these years, it’s really not something you’re supposed to take on a daily basis but rather as needed; now that I know it’s anxiety I can treat it appropriately. Most of my medications are now wrong, and need to be changed. ↩︎

Cover Girl

Drag is a part of queer culture I’ve always known about but has also been something primarily on the periphery of my gay life and world; I’ve only occasionally ever thought about perhaps doing it–as a gag or as a costume at some point; a very dear friend has always wanted to dress me up as Joan Crawford (narrow waist, big shoulders, enormous eyebrows), which is something I would consider doing if it wasn’t so much work–I am way too lazy to ever do drag properly and respectfully. I did a very poor attempt at drag many years ago, for a Showgirls themed birthday party for a friend; the result was far from pretty. I did sometimes used to use mascara and eye liner when I would go out; it emphasized my enormous and expressive eyes which most people have always considered my best feature (although aging has deprived me of my eyelashes). Drag was just another part of the community and culture, like leathermen, bears, and gym queens–another patch on the quilt that makes up our queer world.

My primary interest in drag has always been historical and cultural; drag culture has always been a part of the gay bar scene, since time immemorial, it seems. I have always been interested in every aspect of gay culture since coming to terms with my own sexuality and recognizing that not coming to terms with it meant a lifetime of guaranteed misery, and shouldn’t I really take a chance on being happy? There was always a lot, for me, of misunderstanding about drag culture and its place in the gay community; but that also primarily came from people outside of the community and therefore didn’t have the slightest grasp of it–i.e. ignorant slurs that all gay men dressed like women whenever they had the chance, you know–not “real men.”

But seriously, who wants to buy into the cult of toxic masculinity? No fucking thanks.

I don’t know the history of drag, but I did know–from the very beginning–that there was a significant difference between drag and the trans experience; there’s definitely crossover, but the Venn diagram of drag and trans is not a complete circle. I understood this always, even when I knew very little of either. This was always the issue I had with To Wong Foo Thanks for Everything Julie Newmar–the queens in the movie didn’t just do drag for performance or pageants, but dressed as women in their everyday life…which made them transwomen who also did drag. The failure of that film to define the difference between the two, I think and believe, has a lot to do with the current-day conflation by the Right of drag queens with transwomen. Likewise, was the Nathan Lane character from The Birdcage (and the French original) a transwoman or a drag queen?

And the fact that I, knowing as little about gay life and culture as I did in 1994, knew that the Wong Foo movie was conflating two completely different things as the same certainly means that other, better-educated people should have, as well.

But it’s also important to remember that the movie wasn’t made for the queer community–no Hollywood studio film with queer characters is intended for a queer audience, and thus there’s a falseness to them that rings hollow to me (don’t even get me started on Philadelphia); what Sarah Schulman once (paraphrasing) described as “the creation of a fake public homosexuality that will play in Peoria.”

There’s an essay in that, methinks.

The first time I went to a gay bar in Houston is my first true memory of seeing someone in drag performing on the bar in person. She was doing Liza as Sally Bowles from Cabaret, and as I walked in the door with some co-workers from That Airline, the first thing I saw was her up on the bar, with a musclebound dancer on either side of her in bikinis or thongs, and I can remember thinking wow this is decadent like Isherwood’s Berlin–but I liked it. I felt at home there, in a way I never did in gay bars in Fresno (or anywhere else I was able to sneak away and visit one), and felt like that night was when my gay life actually began: I was with co-workers, I was going to a gay bar openly, and the co-workers knew I was gay but had never really experienced being gay as anything but misery and depression and a curse. I don’t remember the name of the queen, but ever since then, “Mein Herr” always brings a nostalgic smile to my face.

But again, I didn’t go out much or do much during those two years in Houston as I still wasn’t completely comfortable being totally out. I moved to Tampa in 1991 and started living as an out gay man…and started spending more time in gay bars. A popular night for airline employees as Tuesday Nights at Tracks, where cocktails were only fifty cents and no cover before ten. There was also a drag show at midnight, with an actual stage in a show room, and that was my first real experience watching drag queens perform. There was a gay paper there–I cannot remember what it was called to save my life; I know the one in Texas was This Week in Texas, called TWIT by everyone–but it often had information about performances and other night life ads and so forth. I began to get a better understanding of drag, its place in the community, and its importance to gay culture, period.

And of course, once I moved to New Orleans, there was Bianca del Rio.

The mainstreaming of drag actually began in the early 1990’s, with RuPaul having a surprise hit record out of nowhere, “Supermodel (You Better Work)”, which started exposing more people to drag who ordinarily would have never seen one. RuPaul was everywhere in the early 1990’s, and even had her own talk show on MTV for a while. The Adventures of Priscilla Queen of the Desert and its homogenized American version To Wong Foo, Thanks for Everything, Julie Newmar were both incredibly popular. (I enjoyed Priscilla, and I’ve already touched on my issues with Julie Newmar–which will probably become an essay at another time.)

There were, of course, other successful queens out there before RuPaul’s big breakthrough and later, comeback with Drag Race, but few had as large a profile in the culture as RuPaul. Lady Bunny, Miss Coco Peru, Miss Richfield 1998, and Varla Jean Merman were all making a pretty decent living as performers before the drag explosion that followed the launch of Drag Race.

I’ve met numerous drag queens on the local scene both in and out of drag–I’ve always been fond of Princess Stephaney and Blanche Debris (who is retired now), and the drag community of New Orleans was always incredibly supportive of the NO/AIDS Task Force. I met Bianca out of drag a couple of times, but I doubt he remembers me…but Drag Bingo at Oz on Sundays with Bianca and Blanche (I just realized their first names both translate into English as white) was always a blast–and I made a point of never trying to get Bianca’s attention because she was always quick and that tongue was sharp as a scalpel always.

I also work with several co-workers who either did drag or have started doing it while I’ve known them, which indirectly helped me with the writing of Death Drop and my original story for a drag queen. Jem is sort of patterned in some ways on one of my former co-workers who actually went to a drag school here in New Orleans–and eventually quit his full-time job to do drag full-time. He’s been in Queer as Folk and numerous other shows filmed here, and has been booking gigs all over the country–check out his Instagram, isn’t he fucking gorgeous? So that gave me the idea to make the first book with Jem his drag origin story.

Learning about drag to write this book–and its sequel–has been an enjoyable learning experience for me. At some point I know I am going to have to do a transformation; I need to know how it feels to have the make-up and the padding and the wig and the dress and shoes on. I can imagine it all from doing theater in high school, but it’s not the same.

And yes, I will share the pictures when and if it does happen.

Born on the Bayou

Whenever I am writing or creating a character, the first step I need to accomplish in order to keep going with them is that I need to know what they look like in my head before I can start. The first step is for me to know what they look like. I generally use real people are models for a starting point for my characters–but they do evolve from that initial “how they look” base and extrapolate the rest of their appearance from there. I also don’t base characters on real people, for the record–because you can’t. You can never base a character completely on someone else because you can’t get inside their head or know all of their life experiences and the things that shaped who they are and why they do the things they do.

This is the base-line physical model for Scotty I used when creating him. Scotty’s evolved since then.

This wasn’t the base model for Frank, but you get the idea; he’s pretty close to what I pictured.
And this is where I started from with Colin.

I don’t base characters on real people because it’s impossible to do–you can only base a character on your perceptions of who that person is; you cannot know every experience they’ve had, every trauma, every event that occurred that shaped and changed and evolved them into who they are. This is why people–even ones you think you know really well–will always surprise you at some point. I’ve lived with Paul for twenty-seven years and he still surprises me. I didn’t know any of these men–all models for BGEast.com–at the time and of the three of them, the one I actually know is the one whom I didn’t actually use as the physical model for one of the three, and I didn’t meet him until the first three books were already in print and available.

But when I was creating Scotty, I wanted the readers to have fun with the books. I didn’t want to write anything dark or tragic or heavy; I already had the Chanse series to do that with. Chanse was a six foot four two hundred and twenty pound mass of neuroses, insecurities, cynicism, and bitterness; I really didn’t want to do that again because what would be the point of doing two series that were exactly the same? I wanted them both to capture the feel and spirit of New Orleans, but from very different perspectives. Chanse wasn’t happy about being a gay man; he was still struggling with it in the first book and slowly became resigned to it, rather than embracing it. Once Scotty told his parents and came out to them, he never looked back and started looking for his joy. Scotty’s family loved and embraced him as he was, and other than both sets of grandparents cutting off his access to his trust funds when he flunked out of college–which has nothing to do with him being gay; that was an attempt to get him to go back to school. The trusts were originally set up to become his when he turned thirty anyway, so he never really had to worry about the future–which is an incredible privilege. Even working as a personal trainer and some-time go-go boy for the money wasn’t that big of a deal; his landladies were family friends who’d never evict him in the first place and his parents would always come through for him anyway.

I also made his siblings the same as Chanse’s–I don’t know if that was intentional or not, but while Scotty is the youngest with an older brother and sister, Chanse was the eldest with a younger brother and sister he isn’t close to. Scotty’s family was tight, while Chanse’s was not. Chanse’s sister is married to an accountant for an oil company and lives in Houston; his brother still lives in their hellhole of a small city, Cottonwood Wells (small city, large town; I am never sure which is the right one) and I broached their relationship in the short story “My Brother’s Keeper.”

And I had Scotty live in the French Quarter as opposed to Chanse’s apartment on Coliseum Square; Scotty is that rarity in New Orleans–someone born and raised in the Quarter. Chanse was an import from Texas who moved to New Orleans after graduating from LSU; Scotty has always been here other than the two failed years in Nashville at Vanderbilt.

I wanted him to have absolutely no hang-ups or issues about being a gay man. I wanted him to embrace his sexuality and enjoy his sex life and have that Auntie Mame mentality of “life’s a banquet and most poor suckers are starving to death”; Scotty wants to have fun and enjoy his life. He doesn’t think he’s ever destined to find a boyfriend or life partner in the first book–he’s too unabashed a slut1 who loves getting laid and doesn’t want to tie himself down, plus most men he meets tend to be too serious for him. Scotty has no hang-ups or issues about his body, either. As a wrestler in junior high and high school his body became strong, muscular and lean; he never says whether he thinks he’s attractive or not–he says other people seem to find him irresistible in the first book, and he admits he doesn’t see what others see but they see it so okay. He’s become more serious as he’s gotten older and as he’s dealt with bad things–but he doesn’t go into a depressive state or withdraw from the world when bad things happen; he faces them head-on, and his motto (life doesn’t give you anything you can’t handle–it’s how you handle it that matters) is one we could all aspire to, really.

While taping Susan’s show last week I did say that Scotty was the idealized version of myself and the life I would love to have–sans the murders and kidnappings and shootings, of course–and naturally a lot of his traits have come from within my own mind; but while I find his mentality and life view aspirational, I often fall short. Scotty has a genuine kindness to him as his inner core that I don’t always default to, much as I wish I could and did. I am a lot more like Chanse than Scotty, even if they are kind of different aspects of my personality and who I am.

It’s sometimes hard for me to wrap my mind around the fact that I’ve been writing Scotty now for twenty years. Bourbon Street Blues came out on May 1, 2003. Twenty years of Scotty books, but only nine–like one every other year rather than every year.

And I also sometimes wonder if my subconscious somehow keeps track of Scotty, because I keep discovering things about him that I wrote years ago that were just kind of throwaways that now I can circle back to and create story arcs for these character traits and personal histories for the newer books.

  1. There’s also a scene in Bourbon Street Blues where he proudly states he doesn’t have sex for money because he “prefers to keep (my) amateur status.” ↩︎

The Girl Is Mine

I have always loved to read. I always escaped from the world into the pages of books, and quite often thought and/or believed that the world as it appeared in books was a much better place than the world I lived in. Being different from other kids, on top of all the other chemical imbalances and so forth going on in my head (hello anxiety!) left me constantly on edge; never knowing when the next unkindness or disruption to my life was going to happen. My parents worried often that I read too much instead of playing and doing little boy things–which never held much interest for me–but never knew that it was my life, and those societal little boy expectations, that I was trying so hard to withdraw from. I don’t know how old I was when I began realizing that the world was nothing like the books I read; and that interpreting and viewing the world from a perspective primarily gained from the reading of books for children–which were very much about establishing norms and behavioral expectations of kids–was a mistake. Even books for adults–which I started reading when I was about ten years old–didn’t really help me in dealing with the world.

But books were my solace and my job as a child, as a teenager, as a young adult, and even all the way through my thirties. I also drew comfort from rereading favorites over and over again; if I didn’t have the time to start something new I’d just take down an old favorite and reread it again. I recently realized I don’t do that anymore and haven’t in a while; on the rare occasions when I do reread something it’s a choice–“it’s been a while since I reread Rebecca, I should give it another whirl”–and just assumed it was because I have little time to read so I don’t reread anymore. That’s not the actual case; I could reread things instead of going down Youtube wormholes, but I don’t…because my life isn’t so horrible that I need that escape from it anymore and I don’t need the comfort from revisiting the familiar. This is progress, after all, and I am very happy about that realization.

But I digress. I read a middle grade ghost story recently, and it was exactly the kind of book I used to look for at Scholastic Book Fairs and at the library.

“Ouch!”

Ava peered at her fingertip, where a bead of blood was forming. She stuck her finger in her mouth and glared at the rosebush she had been hacking away at with a pair of clippers. Her blood tasted coppery on her tongue and made her feel sick. She took her finger out and pressed her thumb against the spot where the thorn had pricked her. There was a little sliver of black visible beneath the pale pink skin.

“You need to get that out,” Cassie said. “You could get sporotrichosis.”

“Sporowhat?” Ava asked.

Her sister swept her long, dark hair out of her face and tucked it behind her ear. She, of course, was wearing gloves. “An infection caused by the Sporothrix schenskii,” she said. “It’s a fungus that grows on rose thorns. among other places,” she added when Ava stared at her with one eyebrow cocked. “Named after Benjamin Schenck, the medical student who first discovered it, in 1896.”

“Oh, right,” Ava said. “Benjamin Schenck.” She pointed at Cassie with the clippers. “Why do you know these things?”

“I was reading up about roses,” Cassie said. “Because of the garden and the Blackthorn roses. It just came up.”

“Most girls our age read about pop stars,” Ava teased.

I’ve debated about trying to write for middle-grade readers most of my life. While there were books I enjoyed when I was a kid, as I mentioned before, the stuff classified as “juvenile” in those days rarely depicted kids who were anything like kids I knew in real life; often-times the books always featured kids who never broke rules, never got annoyed or frustrated or angry; paragon children that the authors wished real world children would be more like. (The Hardy Boys and Nancy Drew are perfect examples in their revised versions) I enjoyed the mysteries (and the historicals), but never could really relate much to the characters.

The Lonely Ghost isn’t one of those books, and as I mentioned earlier, had Mike Ford been writing these types of books when I was the right age for them, he would have been one of my favorite writers. Look how great that opening scene is–we meet the two sisters, get a sense of who they are and what their relationship is like predicated on how they speak to each other (sisters who love each other and are fond of each other but also are very different). This book follows the classic horror trope of an unsuspecting family moving into a spooky old house–either inherited, or purchased very cheaply–where they hope to make a new life for themselves, only to find the house isn’t what they expected. What we don’t learn about Ava and Cassie in that opening scene is they are fraternal twins–which is also incredibly important to the story. Ava’s more worldly and outgoing, a soccer star; while her sister is quieter, more studious, and into Drama Club, where Ava also ends up because they didn’t get her application for soccer in on time. But there’s something going on in the house that has to do with the previous owner–who also had a fraternal twin–and strange things start happening; and Cassie also starts acting strangely. Ava and her new friends have to get to the bottom of the haunting of Blackthorn House before it actually harms Cassie.

The book flows really well, and the girls–and their friendships–seem absolutely real. It’s been a minute since I’ve read something middle-grade, and aside from language and situations, the primary difference between it and young adult seems to be lower stakes in every way–no murders or sexual assaults or anything that might be too much for younger readers. It’s easy to get lost in the story because of a strong and compelling authorial voice, and the girls are all distinct enough within who they are and what they look like–which isn’t always the case–and it reads very quickly.

Mike Ford is the middle-grade authorial name for my friend Michael Thomas Ford, by the way, and yes, we’ve been friends for a long time but I also believe he is one of the best gay writers of our time and doesn’t nearly get the recognition or rewards that he deserves. I’m looking forward to reading more of these stories!

You Don’t Want Me Anymore

Monday morning after a relatively relaxing and stable weekend. I did a lot, mostly chores that needed to be done and reading, but it was also very nice. The Saints won their game yesterday, which was a very pleasant surprise, and we finished watching this most recent season of Élite, which I realized yesterday I’ve always put the accent on the wrong e, but it’s pronounced ah-lee-tay, so it made sense to me for the accent to go there.

Or maybe I’ve been saying it wrong.

Anyway, this seventh season was disappointing, as the storylines and the crime focused on parents rather than the students–which was a major error, I felt. The season did end with a murder–I’d wondered how long that character, an abusive and controlling lover, would last without being killed or redeemed; I got my answer in the finale–but the primary issue with the season is I don’t really care very much about any of the characters anymore. One of the show’s greatest strengths in those early fantastic seasons was how well the characters were developed (and the talent of the actors playing them) was that they were multi-faceted; even when they were being bad or doing terrible things, you understood them and why they were doing it so they were sympathetic. Now they are all just kids who bad things happen to who have no control over anything that happens or what they do–which is the problem. Before, in the earlier seasons, the kids had agency, and while originally the show was the Gossip Girl we all deserved, it slowly turned itself into Gossip Girl, which was fun but had little depth. A pity. We’ll stick around for the eighth season, which is the last one, while mourning its former glory.

Tomorrow is Halloween, and I signed up to make a cheesecake. The mistake I made was forgetting that I have to go to the dentist tomorrow morning before work, and the other was I must have gotten rid of my cake carrier during one of my pandemic decluttering purges, so I have nothing to carry it to work with–and I don’t like the idea of it sitting in my car while I am at the dentist. Going back home to get it after the dentist isn’t an option, either, because I am trying to spare paid time off as much as possible with the surgery coming, as I also have to run off to UNO after lunch to record “My Reading Life with Susan Larson”. Big day indeed. I guess I can just put the cheesecake into a box and bring it while still in the springform pan? AH, well, all I know is when I get home from work tonight I have to make a cheesecake and figure out the rest tomorrow.

These difficult life decisions, seriously.

I did manage to read Mike Ford’s The Lonely Ghost yesterday which I quite enjoyed; middle-grade books tend to read a lot faster than those for older readers and there will definitely be more on that to come. I will say for now that had he been writing when I was a kid, Ford would be one of my go-to authors, like Phyllis A. Whitney.

We also watched a hilarious (to us, anyway) movie on Prime yesterday, Totally Killer, which starred Kiernan Shipka in the lead of a hilarious mash-up of Back to the Future with a slasher movie playing Jamie, whose mom was the final girl of a spree killer thirty-five years earlier, who comes back in the present day to kill her mom. Her mom is obviously very into self-protection and more than a little paranoid–which of course makes Jamie even more sullen and distant. Her best friend is trying to build a time machine as a science project out of an old photo book, and for some reason the science fair takes place at an old, abandoned amusement park. Anyway, the killer kills her mom and chases her into the amusement park, she ducks into the photo booth and accidentally turns it on, and then the killer stabs the console with his butcher knife–which activates the time machine and sends her back to 1987, with a new task and mission: catch the killer before he kills anyone and thus save her mother–and with the benefit of her knowledge of the history, she knows who is going to be killed and where. A great plan, of course–but her being there slowly starts changing the future. It’s very clever and funny, and the juxtaposition of a modern teenager into a teenager back in the highly problematic 80’s and the cultural/societal differences are absolutely hilarious–especially to those of us who lived through them the first time. It’s light and fluffy, fun and entertaining and not to be taken terribly seriously. Also, because it’s Halloween Horror Month, I’ve been reading a lot of books that would fall into the slasher versions of horror–Clown in a Cornfield, Final Girls–so I’ve been thinking about the trope a lot lately too.

Maybe my next y/a should be a slasher novel? It could be fun.

And on that note, off to the spice mines! Have a lovely All Hallows’ Eve Eve!

Johnny Be Good

I love Stephen King, and have since I first read Carrie when I was thirteen.

I will also go out on a limb and say that while he has written some amazing fiction and novels in the last forty years, the run of novels between (and including) Carrie and Misery in the 1970s and 1980’s was probably one of the greatest runs of incomparable work ever accomplished by any writer in any sub-genre or genre of fiction, period. There wasn’t a single stinker in that run, and even the one I personally dislike ( Pet Sematary) isn’t bad–it’s actually a testament to King’s skill that I’ve refused to reread it since that first time; it made me incredibly uncomfortable in so many ways viscerally that I’ve really never wanted to read it again.

And isn’t that the real point behind horror?

I also saw something recently about how people who suffer from anxiety often rewatch movies/television shows and reread books when they are anxious because there’s comfort in knowing how something ends. It had never occurred to me that this was a thing, but I used to reread books all the time when I was younger, often picking one up and just opening it at random and diving into the story again. I reread most of the earlier Stephen King novels countless times, as I have also reread books like Gone with the Wind and kids’ series books and other particular favorites. I still reread some periodically, like Rebecca and The Haunting of Hill House. When I picked up The Dead Zone to reread it–I realized that I don’t really reread the way I used to when I was younger. On the rare occasions when I thought about it, I figured it was because I don’t have the time and there are so many unread books around the house that I shouldn’t revisit something when I have unread books collecting dust and moldering on the shelves. But reading that about people with anxiety made me recognize myself and I also realized that I don’t reread as much as I used to (or rewatch) because I don’t have as much anxiety as I did when I was younger. (Don’t get me wrong, I still have too much of it for me to be comfortable going forward without doing something for it, you know.)

I’d thought about rereading The Dead Zone in the wake of the 2016 election; I had posted on social media early on during that campaign season, “Is anyone else reminded of Greg Stillson?” But I couldn’t, just as I couldn’t go back and revisit Sinclair Lewis’ It Can’t Happen Here or The Handmaid’s Tale or any of the other great collapse of American democracy novels. But this reread…made me truly appreciate all over again what a literary genius Stephen King actually is–and an American treasure.

By the time he graduated from college, John Smith had forgotten all about the bad fall he took on the ice that January day in 1953. In fact, he would have been hard put to remember it by the time he graduated from grammar school. And his mother and father never knew about it at all.

They were skating on a cleared patch of Runaround Pond in Durham. The bigger boys were playing hockey with old taped sticks and using a couple of potato baskets for goals/ The little kids were just farting around the way little kids had done since time immemorial–their ankles bowing comically in and out, their breath puffing in the frosty twenty degree air. At one corner of the cleared ice two rubber tires burned sootily, and a few parents sat nearby, watching their children. The age of the snowmobile ws still distant and winter fun still consisted of exercising your body rather than a gasoline engine.

Johnny had walked down from his house, just over the Pownal line, with his skates hung over his shoulder. AT six, he was a pretty fair skater. Not good enough to join in the big kids’ hockey games yet, but able to skate rings around most of the other first-graders, who were always pinwheeling their arms for balance or sprawling on their butts.

Now he skated slowly aruond the outer edge of the clear patch, wishing he could go backward like Timmy Benedix, listening to the ice thud and crackle mysteriously under the snow cover farther out, also listening to the shouts of the hockey players, the rumble of a pulp truck crossing the bridges on its way to U. S. Gypsum in Lisbon Falls, the murmur of conversation from the adults. He was very glad to be alive on this fair, winter day. Nothing was wrong with him, nothing troubled his mind, he wanted nothing…except to be able to skate backward, like Timmy Benedix.

So begins the prologue to The Dead Zone, a King classic that doesn’t get nearly the respect it probably should–especially in wake of the 2016 election. Johnny does, in fact, learn how to skate backwards, but is so excited about it he doesn’t notice he is heading right into the hockey game, where he gets hit broadside by a teenager and sent sprawling, hitting his head on the ice and knocking himself out. As he slowly comes back to consciousness, he starts muttering things that make no sense to the worried kids and adults gathered around him, including saying to “stop charging it’ll blow up”. But then he wakes up, is fine, goes home and doesn’t even tell his parents what happened (imagine a child knocking himself out and the parents not even being told today–never happen). A few days later one of the men’s car battery is dead, he jumps it–and it blows up in his face; only no one remembers the things Johnny was muttering; everyone’s forgotten about it.

The second part of the prologue introduces us to the other main character of the book, or the person who is fated to have the biggest impact on John’s existence, which also begs the question of fate and destiny; these two men’s lives are going to intersect, and the rest of the book follows their lives–primarily focused on Johnny’s, with the occasional swing over to see what’s going on with Greg Stillson and his climb to power and success. That prologue introduction to the traveling Bible salesman in Oklahoma who kicks a dog to death lets us know who he is right from the very start–he’s the bad guy, the reason all these things are happening to Johnny so their lives will cross.

Johnny’s story has three acts: first, the car accident that leaves him in a coma for five years (and introduces us to him, his love interest Sarah, and his parents) and inevitably ends with him catching the Castle Rock Strangler, using the abilities that he woke up from the coma with; the second, which concludes with the vision about the graduation party ending in fire and mass death; and the third, where he realizes he is the only person who can stop Stillson’s political rise, the country’s descent into fascism and a final cataclysmic nuclear war (which was an every day reality for us all back when this book was written, by the way).

The most interesting character to me, always, from the story of The Trojan War (I loved mythology and ancient history as a child) was Cassandra, the princess who was given the gift of prophecy accidentally (her ears were licked by one of Apollo’s temple snakes; he cursed her by having no one believe her and this frustration drove her mad); I always wanted to write from her perspective. John Smith is a modern-day Cassandra, a young man who unwillingly was given the gift to see the future as well as have psychic visions, and his story plays out very similarly to Cassandra’s, and asks the big question: if you had the knowledge and foresight to stop Hitler in 1932, even if it meant killing him, would you do it? The personal good vs. the collective good?

I thoroughly enjoyed this reread, and it definitely holds up, even if it is a time capsule of the 1970s, which also made it a big more fun.

(Oh, and that fall he took as a child? While it is never really explained where his abilities come from, King implies that that first head injury awakened the talent in him; the later head injury and coma woke it up again and gave it more power.)

She’s Out of My Life

Sunday morning and it’s below sixty today in New Orleans, which is fine. I slept super-well last night, which was great, and feel pretty rested this morning. I have a lot of things to do today before I meet my friend Ellen at San Lorenzo (the restaurant in the Hotel St. Vincent, which used to be an orphanage and then a very inexpensive hostel in the Lower Garden District for a very long time but has been gentrified into a lovely boutique hotel with a café, fancy restaurant, and poolside bar) for dinner. And having left the house yesterday for a wedding last night…that’s two nights on a weekend where I’ve left the house. Peculiar, isn’t it?

Yesterday was a very good day. I woke up feeling rested, did some chores, finished reading Angel Luis Colón’s Infested, which I really enjoyed (more on that later) and then did a reread of Daphne du Maurier’s marvelous long story “Don’t Look Now” (more on that later) before watching some football games before it was time to summon my Lyft and head over the bridge to the wedding. Today I am going to start a reread of The Dead Zone–which might not be as thorough as it could be–and I need to get to work on some things. There are also some chores I never got around to yesterday that need to be addressed this morning and I really should write today since I didn’t anything yet this weekend. I worked on “The Blues Before Dawn” a bit on Friday after finishing my work-at-home chores; I’d like to work some more on that today. I also should work on the mess in the laundry room and should finish the organizing and filing, etc. I haven’t ever finished reorganizing the files at all; and I really need to get back on top of that. I need to finish the dishes and run the dishwasher too; and I am going to make potato leek soup in the slow cooker today–I can’t believe it’s never crossed my mind with this soft food diet to make a batch of that soup. It’s incredibly filling, for one thing; usually one bowl is all it takes, and it will last for a week at least. Same with my white bean chicken chili–all soft, will last a long time, and it’s both filling and delicious. Obviously, I didn’t think this soft food diet through beyond “oh, no burgers or pizza.”

The wedding was lovely. One of my co-workers (whom I absolutely adore) married his partner in their backyard on the West Bank last evening, which was marvelous. It was nice seeing my co-workers outside of work in their fancy clothes (they all looked fantastic) plus it was nice to spend time with them outside of the work environment. I had some nice conversations, and I realized that I’ve kind of isolated myself from them because of my age; I feel the age difference far more than they actually notice it. I do like them all, and find them all very interesting; it’s my loss more so than theirs. Anyway, it’s something to think about going forward anyway. I am glad I went for any number of reasons–I will only attend same-sex weddings pretty much now, as they are an act of defiance now more so than ever–but not the least of which is spending more time with my co-workers, or as I like to always call them, “the kids at work.”

Football was interesting yesterday; I’ve not really looked at the results from yesterday much. LSU was ahead of Army 14-0 when I got into my Lyft and checked my phone; by the time I got home it was 28-0 and still the first half. It wasn’t much fun–I only enjoy LSU games where they score 62 points if they are playing an SEC opponent–and so I didn’t feel guilty for switching over to Auburn-Mississippi (Auburn ended up losing), or for watching Skate America once Paul came back downstairs (he got bored with the game as well). Checking the scores and results, it looks like this could be another chaotic year like 2007–which will make the play-off decisions interesting once the season concludes. LSU can still win the West with a win over Alabama if Mississippi stumbles again–they have to play at Georgia, so chances are good that will happen–and winning out. I also realized this is the fourth year of LSU’s championship cycles: they won in 2003, 2007, and 2019; played for it and lost in 2011, with 2015 being the only four year cycle that didn’t end in them playing for the national title. Perhaps this will be the second time that cycle is broken.

Twitter continues its slow death spiral, and I am checking it less and less these days, and staying there very briefly. I do have some friends still there that I like to interact with, but of course the others are slowly becoming what Twitter became as well. Yesterday a straight white man came barging onto a thread of George Takei on Threads, in which George was talking about how difficult it is for queer people–for any minority–to deal with elections, when our rights hang in the balance every fucking time, and how sometimes as a queer person or a person of color, you have to grit your teeth and vote for the Democrat because no matter what or who, the Republican option isn’t an option for queer people or people of color—unless we really hate ourselves to the point that we hate other people like us, or only care about our money rather than our rights. The example George was using was campaigning and voting for Bill Clinton after he signed both DADT and DOMA into law during his first time despite his avowed belief in the rights and dignity of queer people in 1992 on the campaign trail. Fox News and the right used his support of queer rights–along with a ridiculous scandal with no evidence of wrong-doing by either Clinton (remember Whitewater? I sure the fuck do)–to take back the House in 1994 and handicap any attempts at being progressive. I also remember Bill Clinton trying to get a form of the Affordable Care Act passed–the right also used that battlecry of “socialism” to scare people into giving them that House majority with Newt Gingrich as speaker (I remember it all too well). The reason I remember this all too well is because HIV/AIDS was still killing people and there was no cure as of yet; a positive test meant a very good chance of death relatively soon. I fucking lived through the 80s and the 90s, thank you very much.

I also remember that Bill Clinton was the first presidential candidate to mention HIV/AIDS, and to notice that queer people actually exist–so you can fucking miss me with the Hillary hate, thank you.

Anyway “straight white man” (hereafter referred to a Mr. Mediocre) barged into George’s thread to lecture him about compromise voting and how if we would all just really get behind true progressives, change would be that much easier and how he could just never ever bring himself to the point where he could vote for someone who ever voted for a war.1 That told me everything I needed to know about Mr. Mediocre–the “ally” who couldn’t bring himself to vote for Hillary in 2016 because she voted for the war, believing the lies the Bush Administration and his fully supportive Congress were pushing on us all, calling those of us who didn’t want the war cowards and/or traitors, questioning our very patriotism. Blaming Hillary for believing the lie so you threw your vote away in 2016 so you could remain “pure” fucked over your so-called “allies,” you miserable piece of shit. And instead of ignoring and blocking, which is what I usually did, the audacity of Mr. Mediocre lecturing George fucking Takei, a gay Japanese-American who grew up in an American concentration camp for American citizens of Japanese descent on purity politics just didn’t go down with me, so I replied, Oh, look, another straight white man who will be okay no matter who is in power lecturing those whose rights are on the line with every election about his purity. Don’t hurt yourself patting yourself on the back while you screw over minorities over some purity test that we don’t have the privilege of applying to our votes. “Allies” like you gave us Bush in 2000 and Trump in 2016. Thanks for that, by the way.

If you think Mr. Mediocre would let that go, let me introduce you to The Progressive Straight White Man. They can never let that shit go. You know he read my response and climbed back up on his High Horse–how dare a gay man call him out and speak to him that way! He told me “You should want better, but I’ll still keep working for women and minorities.2

I replied, I do want better but am realistic as a minority in this country to know that no matter what I have to vote for the least damaging candidate because my rights are actually on the line with every election, so don’t condescend to me about your purity tests and progressive bonafides when a real ally will show up, hold his nose and vote for the Democrat. We warned you the Supreme Court was at risk, but her emails! That pesky vote for the war! So forgive us for not applauding you for your purity. Now the Supreme Court is poised to take us back to 1860 but hey, at least you can sleep at night for not voting for the warmonger.

Asshole. After all, Dobbs didn’t affect him–and when his daughter is forced to carry her rapist’s baby, I hope he remembers that purity vote in 2016 with pride.

And on that note, I am heading into the spice mines. I need to eat something and make another cup of coffee and get the potato leek soup started, no easy chore. Plus I want to write up what I read yesterday and the impressions they left with me. Have a great Sunday, COn

  1. which means he wouldn’t have voted for the two most progressive presidents we’ve ever had, I might add; FDR declared war, and LBJ voted for it, as well as intervention in Korea. Some progressive this dude is, right? ↩︎
  2. Love that pathetic attempt at progressive shaming, which again tells me everything I need to know about his politics–if he doesn’t get the perfect candidate that aligns with everything he believes (a pipe dream that will never happen), he won’t vote for them no matter what that means for women and minorities. Some ally. ↩︎

Breakdown Dead Ahead

Wednesday and the middle of the week, with the weekend inching ever so much closer with every passing minute. The excitement never stops, does it?

The other day when I was reading I just put some music on Youtube on the television and let it auto-play. At one point when I was putting the book down to write down another bit of really strong writing (furniture being embarrassed) when I realized the song that was playing was “Silver Spring” by Fleetwood Mac, one of my favorite songs of theirs (definitely in the top five, if not the favorite) and while I’ve loved the song since first hearing it and have even seen the exorcism performance live for “The Dance” television concert when it originally aired, I’d never really thought about or analyzed the lyrics in any great detail or in depth–but had always known it was a bitter break-up song, never really grasping just how bitter of a break-up song it is; it’s not about heartache at all; it’s a really resigned, “I tried everything I could but nothing was ever enough” type of song…but on Sunday it hit me right between the eyes: it’s not a fuck you break up song, it’s a “Oh, but no–I said fuck you and I meant it” song.

Those lyrics are chilling, seriously.

Yesterday was another “feeling off” day; primarily because of Monday not being a normal day. We were also busy in the clinic, which I don’t mind–but I was very tired when I was finished with my shift yesterday and it was time to go home. I picked up the mail–I had ordered forever stamps for Christmas cards (feeling ambitious, like I am actually going to buy some, address them, and really send them this year), so those had came, along with my replacement Pyrex glass storage container lids and Elizabeth Hand’s Hokuloa Road (I’m really becoming a big fan) and some stuff for Paul came–but by the time I pulled up in front of the house I was worn down and tired and primed for some Tug lap time. The little guy slept in my lap for most of the night while I watched Youtube documentaries about the Byzantine Empire. I even wound up going to bed earlier than I usually do. I hope today feels a bit more normal; it kind of does already since I woke up this morning. And it’s midweek; and while I was sort of feeling sulky about having to do things in the evenings this weekend, it’ll be fine. This Friday I have no medical things going on–at least not so far–but I do have to run by the office for a benefits meeting, which is kind of important. Our insurance carrier is leaving Louisiana after this year, so they are presenting us with our new options this week…why do I have the sinking feeling that our insurance is about to get a lot worse?

It’s not like things ever really get better on that front, do they?

And now I am getting bills that are due in November. My God, how has this year already flown by so quickly? It’ll be 2024 before we know it…I mean, I am already thinking about Christmas cards, for fuck’s sake, and not letting the time escape before it’s too late to send them. I also kind of need to get them done before my surgery, too–I am going to be one-handed for a while, which is going to majorly suck for a while. I was thinking about this very thing yesterday, to be honest (and that could be why I was so tired and drained when I got home; it’s a lot when you think about it) and started paying attention to what I was using my hands for as I drove home and picked up the mail. The guys at the post office are amazing–they’ll carry stuff out to the car for me if I’m unable; I’ve seen them do it for other infirm people before, but how does one grocery shop? Carry in the groceries? I think I need to buy a wagon or something, an old lady cart or something, to make that easier for myself.

I didn’t start reading Angel’s Infested last night because I was mentally fatigued, but am hopeful that tonight I’ll get home from work and feel not only inspired to do some writing but to do some reading as well. I did read the first few pages, and it drew me right in–Angel Luis Colón is a very good and very underrated writer–but my mind simply couldn’t focus last night very much (hence watching new videos about the Byzantine Empire last night). I just hate feeling scattered, you know? And I feel scattered this week–partly because of the difficult and different days both Friday and Monday were, and trying to settle back into the routine gets harder and harder the older I get, which I am not terribly fond of. Oh, and yesterday wasn’t normal by any means, either–our nurse was out and a new program started yesterday so things were kind of frantic around the office with this weird manic energy that I also don’t like–the sameness of routine at the office is one of its primary saving graces, and when that feels unstable….well, there you go.

It was also cold yesterday–colder, at any rate–and even right now. it’s not even sixty degrees outside. It’s going to be into the eighties later on in the week during the day, but at night it’ll be in the sixties, which is always pleasant.

And on thar note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I will check back in with you again later.

Cupid/I’ve Loved You For a Long Time

My, what a gorgeous day it was yesterday–the kind that reminds me why I love it here so much and helps me forget the horror that is July-August (although I believe the summer horror began in late May this year). I made groceries in the morning and also retrieved everything from the carriage house to put in the new refrigerator; it’s lovely. I hadn’t realized what a pain in the ass it was making do with the shitty old one. I didn’t get all that filing worked on, but I did make some material progress that will help get me started working on it all again this week. I have more appointments this week–primary care doctor on Wednesday afternoon, and I have to actually go into the office on Friday for a benefits meeting. Our insurance is changing to a new carrier in the new year, which is why it was so important for me to get all this medical shit out of the way while I still have insurance that will take care of everything, or at least I understand how it operates. I absolutely hate the idea that I will have to relearn all my insurance stuff again in the new year.

It makes me tired.

I slept well today, and don’t have to go into the office at all. We’re having a “professional development day”, which starts at City Park at ten this morning and goes all day, from place to place–we go to Dillard University and later to Ralph’s on the Park–before coming home at six pm. Tomorrow goes back to normal. I didn’t want to get up this morning–Tug also wanted me to stay in bed; he followed me downstairs and is sleeping in my lap while I am typing this (Paul has started calling him Sparky, which kinds of fits…) but is also very sweet. He spent most of yesterday either chasing the laser light, playing with an old catnip toy of Scooter’s (catnip didn’t affect Scooter; Tug/Sparky is an entirely different story), or sleeping in my lap. I spent most of the day in my chair finishing Elizabeth Hand’s marvelous A Haunting on the Hill, which I will talk about in more detail in another entry. I also started reading Rival Queens as my new non-fiction read; it’s about Catherine de Medici and her daughter Marguerite de Valois, Queen of Navarre (aka Queen Margot) and of course, this is one of my favorite periods of history and two of my favorite, most interesting sixteenth century queens; Catherine de Medici is fascinating. A version of Game of Thrones played out in France between 1559 and 1594, and I’m always kind of amazed that it’s not written about more–but Americans are always more interested in English history, if they have any interest in history at all.

It’s a pity, because I’ve always found French history more interesting.

While I was reading A Haunting on the Hill yesterday an old idea of mine–a sort of sideways sequel to Bury Me in Shadows started developing in my mind; another Corinth County novel, only this time with Beau, Jake’s boyfriend from the University of Alabama and an archaeology/Alabama history major, as the main character. I’ve had this idea for a short story for a very long time–set in Corinth County–called “Children of the Stone Circle”, which I think I may have even written an entire first draft a long time ago; just could never tell how to make it work and make it real. It came to me while reading the Elizabeth Hand–I always get inspired when I read books that are well-written that I enjoy–and I made copious notes in my journal. That felt good–it felt good to power down my brain for most of the weekend and kind of relax. I am delighted to have finished the Hand–and for reasons that I will explain when I write about the book, I decided the reread of The Haunting of Hill House–which I still want to do–wasn’t a necessary follow up to the Hand. I am going to read Angel Luis Colon’s Infested next, and perhaps some more y/a middle-grade horror. I do want to reread King’s The Dead Zone, too; it’s been quite a while.

I also watched another episode of Moonlighting last night, which I am really enjoying the rewatch of. There were some cultural references to the time that don’t work–last night’s episode had Addison make a reference to a highly popular ad campaign that was already over but still very much a part of the zeitgeist when the show started–but overall, it’s still a great show. Cybill Shepherd was just stunningly beautiful, and she made a great straight man character for Willis to bounce his antics and humor off, and the chemistry between the two of them was simply off the charts. I had also forgotten how utterly charming the character of Miss DiPesto (“My name’s Agnes, but my friends call me Miss DiPesto”) as played by Allyce Beasley was; I was already a fan of hers when the show started because of her turn in one of the best episodes of Cheers, where she played Coach’s daughter.

“But Gregalicious, I thought you were rewatching Friday the 13th the Series this month in honor of Halloween?” I was, but the episodes are on Youtube, the quality of some are terrible (they were clearly uploaded and digitized from old VCR recordings, and for those of us who remember using VCR’s, we also still remember how bad some of those recordings were–especially when you were re-using cassettes) and it became annoying, and then Moonlighting dropped. So yes, I am not devoting myself to all things horror this month the way I had intended to, and no, I’ve not been taking the walks every night like I wanted to when the weather turned. Partly because I am tired when I get home every night from work, and partly because Tug/Sparky needs attention when I walk through the door and I am more than willing to give the adorable little kitty whatever he wants. He fell asleep in my lap yesterday once while still sitting up–his head was still up, not resting on anything, and he was sound asleep, which I’ve never seen anyone or anything do before.

And when he gets comfortable and is deep in dreamland, he sprawls in the most adorable ways. He also was happy in his sleep at one point, too–he started making biscuits on the arm of my easy chair while purring, but was sound asleep.

Yes, he’s adorable and yes, he is now master of the apartment.

And on that note, I am going to head into the spice mines. Have a lovely Monday, Constant Reader, and I will see you later.

Call Me

Wednesday morning pay-the-bills day blog, and how are y’all this morning?

Yesterday was ever so much better than Monday (low bar) but I slept really well Monday night and felt very rested and centered yesterday as I went to work. Hilariously, as I walked out to the car in my Prevention T-shirt, I felt a bit chilly. When I got into the car it felt downright cold, and once I started the car the a/c started blowing and YIKES! So I quickly switched it over to heat…and as the lovely warm air began blowing through the vents, I saw the thermostat on my dashboard reading 70–it was seventy degrees and I felt cold. But…for well over a month–an endless summer–of temperatures that felt like 110-120; 70 degrees is a forty to fifty degree drop. That is actually a significant drop in temperature, and one that would certainly be felt as cold anywhere.

I have to go uptown to get a sonogram this morning (and no, I am not pregnant). This has to do with the genetic heart defect Mom had; they want to see if I have the same problem (technical term: Arterial tortuosity syndrome) so if things start going haywire with my blood pressure and so forth, they’ll know where to start (it took weeks for them to figure out what was wrong with Mom after her initial stroke). I think part of the reasons I feel so off this week, while exacerbated by the lack of sleep and driving this weekend, has been subconsciously felt anxiety about all these medical tests and things I am having done; plus Dad’s birthday was yesterday and Mom’s is tomorrow; these are their first birthdays with her gone, so it’s going to kick a little harder, which is only natural, I think. I was also productive in that I ordered our new refrigerator this morning to be deliverer on Saturday (yay!) and I registered for jury duty. Of course this is the perfect time to be called for jury duty–when I have a million doctors’ appointments and a surgery scheduled–and of course, you have to show up in person to try to get out of it, which means getting a doctor’s note and showing up at the courthouse on Friday. I can do that, of course–but it’s just more pain in the ass shit to do on a day when I already have a doctor’s appointment. I suppose I could just go there after the appointment. I don’t know. It’s just more irritation on a week where I’d rather not have more irritations. (The MRI is scheduled for Friday morning, that’s what it is.)

Heavy heaving sigh.

I wasn’t terribly tired when I got home yesterday from work, but I didn’t seem to get very much done. I did spend some time reading more of the Sager novel; I’d like to get that finished this weekend at the latest so I can move on to the Elizabeth Hand, the reread of Shirley Jackson, and Infested by Angel Luis Colon. I should, I think, be able to get them all read by the end of the month; I may even have the time to revisit The Dead Zone by Stephen King, which I’ve been meaning to do since the 2016 election. I’m still trying to get a grip and handle on everything, but it’s hard to do with all of these tests and appointments and everything to stress about, even if I try to let it all go it’s still there working away at my subconscious. I also don’t understand why I am so reluctant to face the fact that I am still grieving my mom, seven months later, and her birthday is tomorrow; something else I need to unpack, I suppose. But progress is being made on everything, and of course I am delighted to be getting a functional refrigerator at long last.

Which means I get to spend Friday partly getting the apartment ready for a refrigerator delivery and installation and removal of the old one; which means moving all the food over to the carriage house Friday evening.

I was also thinking back to precisely when I lost the reins of my life and when I started being discombobulated and losing control of my own narrative. I think the stress truly began taking off after buying the car in 2016; the car payments wreaked havoc on my finances and put me even further into debt, which was something I was very concerned about for several years, obviously (still am, but am paying it all down and feel a lot better on that score). Then came the Great Data Disaster of 2018, when I lost all the back-ups and my desk top computer stopped functioning properly; I wasn’t able to afford a new one (thanks to the car payment wreaking havoc on my finances) which also didn’t help–a computer that was super slow, crashed and/or froze up all the time, and was barely functional for what I needed didn’t help–and of course by the time I paid off the car and was able to buy a new computer we were deep into a pandemic and I was doing all that volunteer work while barely holding onto my own sanity by my fingernails. That was also the period of time (2016 on) when the filing got out of control as did my computer files; so now trying to climb out of the wreckage is a Sisyphean task, apparently; I never feel like I am caught up on anything because there’s so much fucking mess to straighten up and organize, and I can never just take a few days to even try to dig out from under the mess because there’s always something else going on that needs attention right now.

These are the things I was pondering as I sat in my easy chair last night watching videos on Youtube–documentaries about the Hapsburgs again–and waiting for Paul to come home. I find that I’ve become a lot more introspective about my past lately (since turning sixty, really) as well as working on unpacking things and understanding why I am the way I am a lot better. I’ve spent most of my life trying to work on myself and become a better person–reading, thinking, watching, etc.–and admittedly, not always succeeding; but a lot of that is because I’ve not looked back and unpacked things I’ve experienced or went through. I’ll give you a case in point: one night during Boucheron I was sitting with my friend Teresa at the pool bar during happy hour enjoying their amazing nachos when Lou Berney joined us. As we talked, he asked us both if we’ve ever come close to death before–close calls. I’d never been asked that before and I really had to think. And while Teresa was answering about a car accident situation where she was almost killed, I remembered an experience I had when I was twenty. I related the story and they both looked at me, eyes open wide, and were like “Jesus fucking Christ, Greg!” I hadn’t really thought about that incident in a really long time; I had started writing a blog entry sometime in the last ten years (it’s still in drafts) where I talked about that experience–it is one of the reasons I am so anti-gun–but other than that…no. But having that brought up into the forefront of my mind, I realized something.

I had never expected to live this long, and I’ve always had the feeling that I would die young. I don’t know if this is a common thing for people or not, but I have just always had that thought in the back of my mind for most of my life–when I’d think about the future, I would always stop because why think about it when you’re going to die young? I gradually began to believe that was because I lived through the 1980’s; the HIV/AIDS thing. But after remembering and talking about that incident back in 1982, I realized that after going through that was when I began thinking I wouldn’t live very long; the arrival of the “gay plague” right around the same time didn’t help much in that regard either. I’m not being coy in calling it the incident–tl;dr: the husband of one of the managers at the Burger King I worked at went over the edge and came into the place and shot her multiple times (today he would have had an automatic weapon and I would have died that day, or been wounded–because that’s not what this post is about and I do want to finish my draft post where I go into more detail.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again tomorrow, if not later.