Category: essays

Heart of Stone

Another new year. 2023. This year it will have been forty-five years since I graduated from high school. That feels weird to me, but it must be true. Forty-five years. Kids born the year I graduated from high school are full on having mid-life crises already. Not exactly a cheery thought to kick off a new year, though, is it?

I got my writing done yesterday and have a daunting day of more writing ahead of me. I managed to get it all done in a little less than three hours yesterday (what can I say? I was on a roll, and the book is really coming together here at the end), and I was thus able to watch some college football games yesterday, namely TCU-Michigan and Georgia-Ohio State. Both games were completely insane, but I am sure OSU fans are not happy with their unfortunate head coach. I imagine now, after two straight losses to Michigan and no national title wins, they are every more unhappy than they have been with their head coach; it’s almost like Ohio State and Michigan have switched their annual trajectories. I also spent some time reading A Walk on the Wild Side, which I am starting to appreciate more. I am not a fan of twentieth-century straight white male MFA writing, which is what this kind of is (look at me! my book will be taught in universities!) and I’ve never cared for (Hemingway comes to mind) but I’m starting to like it more. There’s a dark, noir undertone to it that I am appreciating, and now that the main character (Dove) is making his way to New Orleans now–well, it’s going to be a lot more interesting to me once the action moves here, which is the entire reason I am reading the book in the first place. We also finished off season two of Sex Lives of College Girls, whose second season didn’t live up to the first, but it was still enjoyable. Tonight we’ll probably go back to Three Pines and watch a movie; there was something Paul mentioned last night that he wants to watch but I’ve already forgotten what it was.

I felt remarkably rested and relaxed yesterday; the writing going so well had a lot to do with it, I am sure. I slept well again last night and feel rested again this morning–I really do like these lengthy weekends, and am going to miss them once they are over–so I feel confident I can bang out the word count i need to get done for today as well. Yay! So, I am going to do exactly the same thing I did yesterday; read this morning over my coffee, then take a shower and get cleaned up before diving into the next chapter I need to write.

As is my wont, I am setting goals for 2023 rather than making resolutions–and while this hasn’t been as successful for me as it should have been over the years (some goals remain the same, year after year after year), I still like goals better than resolutions. So, without further ado, here we go:

Get an agent

This has been at the top of my goals every year since i started setting goals rather than resolutions, which goes back to the beginnings of my blog, way back in December 2004. I have made running lists of potential agents to try for years, always adding someone new whenever I come across their information or someone being excited to be signed by one. Having an agent doesn’t mean a significant change to my writing or my earning potential or the possibilities of my career getting bigger, but none of those things are likely to happen without an agent: I am not getting signed to a major publisher like William Morrow or Random House unless and until I have an agent. I may never sign with one of those houses–I may never get an agent–but I also never really try, either. So, the goal isn’t necessarily to get an agent in 2023, but to at least make an effort.

Finish everything on deck

I have five novellas in some sort of progress, as well as two other books I am at least four or five chapters deep into. I want to finish all of these projects in 2023 and get them out of my working files. I don’t think I will ever finish every short story or essay I’ve begun over the years, but getting some sort of completion here would be really nice. I would love nothing more than to have a working first draft of both Muscles and Chlorine by the midpoint of 2023. I also would like to pull together a second short story collection, which would be incredibly cool (This Town and Other Stories). It would also be nice to get those novellas completed. It is very tempting to turn them all into novels–a couple of them might be able to be stretched out that way–but I know some of them simply do not have the depth or story potential to play out that way. The nice thing about novellas is the length is up to you; I know these stories are all too long to pare down to something readable and enjoyable for six thousand words or less; but some of them need to be longer than the twenty thousand words I was shooting for.

More short stories sent out on submission.

I really do need to finish some of these other short stories I have in progress to try to get them out on submission. I have over eighty stories in some sort of progress, with still others yet to be started and/or finished. I’ve not been doing so great with the short stories as I would have liked over the last few years. I have some really good ones to work on–there’s one I fear that’s going to end up being longer than a short story, because there’s more to the story than can fit in the confines of six thousand words or less, but then you also never know.

Clean like we are moving.

I really need to get rid of things that have accumulated over the sixteen or so years we’ve been living in this apartment. I need to clean out the storage attic and the storage unit; donate a shit ton of books to the library sale, and just in general rid the apartment of all this clutter that seems to be weighing us down and closing in on us. Part of this is my inability to rid myself of books once I’ve read them, but I’ve also become much more ruthless when it comes to pruning them–I still can’t believe I donated so many of my old Stephen King first edition hardcovers, and my Anne Rice first editions as well, but they were just collecting dust in boxes so what use were they? Paul and I set this goal–clean like we’re moving, which in other words means would you move this or trash this? The first few times I pared down the books it literally was painful, but I am getting better. And after being a lifelong book hoarder, well. you can’t just turn that off after decades of doing it.

Volunteer less of my time.

All due respect, I’ve done my time. I have volunteered relentlessly for the overall betterment of the writing community–whether it’s the mystery community or the queer writing community–for quite some time now. I write stories for free for charity anthologies all the time. I step up and judge awards because I think they’re important. I’ve served on the Mystery Writers of America and Bouchercon boards. But now that I’m older, I need to scale back. I don’t have either the time or the prodigious energy that I used to have, and while I’ve enjoyed all the volunteer work, something has to give. I just can’t do all the things that I used to do because things have changed: my day job takes more out of me physically, emotionally, and intellectually than it ever has before (the switch to working early mornings didn’t help); I tire out much earlier than I used to since my COVID situation last July and I can’t write or be productive or even read when I am bone-tired exhausted the way I am when I get home from work some nights. This also includes giving blurbs, I am sad to say; blurbing means reading the entire book, and I just don’t really have the time or mind-space to do much of that anymore; same with judging. I want my reading to be for pleasure or education for the rest of my life. This doesn’t mean I’ll always say no when asked, just that I am going to be more discriminatory. I need to be more jealous of my free time, and I can honestly say few people in the mystery community have done more volunteer work than me. I’d just like to start getting paid for working.

Take better care of myself.

The one-two punch of getting older and having COVID last summer has brought home very clearly to me that I need to take better care of myself and that physical things are just going to get harder. It’s been incredibly difficult over the last few years getting into a gym/workout routine with everything else I had to do plus the exhaustion thing; but the truth is physically I need to start working my body more–and the longer I go, the weaker my body gets and the harder it will be to get back into decent physical condition again. I also need to start paying more attention to my diet now than I am in my early soon to be mid-sixties–my diet needs to be healthier and I need to eat better. I weighed myself last week at the office and I am back up to 218; which is better than 220, but I had gotten myself down to nearly 200 at one point and I’d like to get back there. I don’t like this extra weight on me, and sure, maybe I can carry it and it would surprise people to know how much I actually do weigh, but I’m aware of it. And while it would be easy to think who cares, you’re almost sixty, you’re practically in the grave so why start depriving yourself of things you love at this age? But there’s a defeatist mentality there, a laziness speaking that is far too easy for me to go ahead and give into, and I don’t think that’s perhaps the wisest decision to make? I also need to get some more work on my mouth done–I’m tired of looking like an inbred hillbilly.

Read more.

It’s incredibly easy to come home and collapse into my easy chair and flip on Youtube videos–whether its football highlights, lists, music or military or European history, or reaction videos–it’s easy to just mindlessly lay there in the chair while watching endless videos, one after the other, about whatever subject catches my fancy. But I could read instead–and there’s plenty of nonfiction lying around the apartment. Over the past few days I’ve been reading either Bad Gays or Lost Heirs of the Medieval Crown by J. F. Andrews–about heirs to thrones that got supplanted by people with more spurious claims in the Middle Ages–or Holy Wars by Gary L. Rashba (about crusades and ancient wars in the Holy Land, going back to Biblical times); and there are plenty of other non-fiction books lying around here that I could get to more quickly if I read rather than watched Youtube videos. But at the same time, when I am exhausted, it’s almost therapeutic. I guess we’ll see how it goes, but I don’t think it’s a bad thing to try to read history or other nonfiction while trying to rest, relax and decompress from a day in clinic.

Be more assertive and less self-deprecating.

In general, this is a good idea. I need to break the conditioning I was raised with, in which you never praise yourself and simply wait for others to notice and do it for you. No, this just doesn’t work and it’s not a good trait for a writer to have. I need to stand up for myself, my work, and my career because let’s face it, nobody else is going to do it for me.

New years can be daunting as they are not only full of potential for either good or bad but they are unknown. You can’t know what’s coming, so all you can do is be hopeful things will always work out in the end. I want to also try to be more positive, and try to enjoy the good things without fear of the inevitable bad things that will inevitably come along. I also need to get out of the mindset that enjoying good things that happen will trigger bad things to happen as punishment; I need to learn to navigate that line between self-confidence and arrogance, which isn’t an easy task.

And on that note, I am going to go read for a little while before i dive into today’s writing. Happy New Year, Constant Reader!

Not Fade Away

And here it is, Sunday morning already, and where did my weekend go? I am not sure, but somehow yesterday managed to get away from me somehow, and I didn’t get nearly what I had hoped done–or at least looked at, at any rate. I allowed myself to sleep in yesterday–today too–and it felt really nice. I got some things done around the house and then ran my errands. When I returned, I realized I had something to do that I’d forgotten about–I remembered right when I was leaving to run the errands (okay, I saw the reminder email before I left to run those errands)–and so I had to prepare something to eat. A friend had offered to let me guest blog at Mystery Lovers’ Kitchen, where you promote yourself and your new book by sharing a recipe. No problem, I thought, forgetting that I don’t really use recipes after the first or second time I make something, and then I never ever make it the same way twice again. I love cooking, I really do, and I think I’m good at it. I’m not a chef by any means–I cannot identify flavors by taste, and I am not familiar enough with tastes and textures to think of combinations that would work together into something delicious without a reference or a starting place. And truth be told, I subscribe very heavily to the notion that if you base your cooking in the basics of Louisiana-style food, it’s always going to be delicious. You can never go wrong with anything that starts with a roux as the base, let’s be honest. Many years ago I had a recipe in the Mystery Writers of America Cookbook, which was way fun; it was a recipe I’d been making for years and years and years and tinkered with a lot, going through many delicious and delightful variations–so I knew I had it written down somewhere. But after I got the reminder email I looked at what was required–and saw to my horror that I also needed pictures. I am not one of those people who regularly documents their food preparation, so I realized that I was going to have to actually make it so I could take the needed pictures; and there were things I would need from the market as I didn’t have them on hand. I also found the recipe and realized I’d improved on it quite a bit since I wrote it down for the cookbook, and I had to rewrite and revise it.

Constant Reader, those meatballs were goddamned delicious.

And I documented their making, as well as took a photo of the plated end product.

LSU got beaten yesterday, 50-30, in the SEC championship game. Georgia was better, as I expected, and none of the breaks really went LSU’s way; and for them to win, they needed all the breaks they could get, Georgia to not play well, and the Tigers needed to play out of their ass. Back-up quarterback Garrett Nussmeier looked amazing, frankly–the future of LSU football clearly on display; a little more control and better chemistry with his receivers and he could become Joey Burrow 2.0. Am I disappointed? Sure, a little, but mostly I am proud of this team and have far they have come since last January and that bowl game, or how far they’ve come since the start of the season. But they won the toughest division in college football, and did some things no one could have predicted. The future looks bright, and LSU is going to be elite again, very soon. (And a shout out to Tulane for winning their conference and winning a trip to the Cotton Bowl. No one saw that coming, either.) TCU lost, which, along with USC’s loss, will cause enough of the chaos I was hoping to see this weekend…although I do think Georgia and Michigan are without question the two best teams in the country, and there’s really no need for a third or fourth place seed. Now we just have to see which bowl game LSU ends up in, and the season is over–far better than anything I had any reason to expect back in August, so thanks again, Tigers. It was an interesting, up and down and exciting season, with some amazing games.

Today I have to go pick up the groceries I ordered; I think the meatballs will get me through the week for lunches, and so I don’t think I need to cook anything else today. I’ll probably have to stop at the market on the way home from work on Monday, after I get a better sense of what we need after putting everything away today (don’t ask, it makes sense in my fevered brain)–I may want to get a salad, or the produce necessary to make one.

As I have been writing my Blatant Self-Promotion posts for A Streetcar Named Murder I have also been realizing that a feeling I’ve been having for quite some time isn’t actually accurate. I have posted a few times over the last few years about feeling disconnected from New Orleans in some weird way, that something had changed and I wasn’t sure what it was, if it was the city itself–which has changed–or something in me or some combination of the two. But in writing these posts about New Orleans, I find myself smiling as I write them–I certainly was smiling when I was writing that guest post the other day for the Wickeds blog, “The Orange Cone” (which could also be the seeds of a longer comic essay about life in New Orleans)–that what has actually shifted is that I’ve kind of gone native. For years, I wrote about the wackiness and silliness and delicious little ironies of life in New Orleans, the eccentricities and oddities, because they stood out to me. They no longer do. I take that stuff for granted now, and it doesn’t even register with me anymore because I’ve become so accustomed to it. Writing about potholes and orange cones, and how they are easily not only in the Top 5 for conversation material between total strangers in the city made me laugh, made me shake my head at the wackiness and strangeness, and well–the whole New Orleans of it. That’s the thing. I never thought I would get to the point where the oddities of New Orleans life would become so commonplace as for me to pay it no mind, but here I proverbially am.

And I kind of love that for me. I love this city. I am by no means an expert on New Orleans; what I do not know about this city, its people, its history and its legends and lore could fill the Great Library at Alexandria. I continue to learn more every day, and with the more I learn the more I realize I don’t know and that I will never become expert, no matter how much I learn and read and absorb and experience. I always kind of smile to myself when people say that I am an expert on all things New Orleans because I am all too aware of how little I actually do know. I don’t know that I will ever stop writing about New Orleans. Writing that historical Sherlock Holmes story set here was so much fun to write and research–and I’ve also discovered an enormous flaw in my research and writing for that story since writing it, which serves as yet another example of the limits of my knowledge and how much deeper you have to go when researching a period of history here (one of the biggest hurricanes to ever hit New Orleans came through the year before the story’s setting; no commentary on rebuilding or about the disaster is a glaring omission). I want to write about Madame La Laurie; I want to write about the Sultan’s Palace and the trunk murders and the kidnapping of that little boy back in the late nineteenth century. I want to write about Storyville and musicians and Prohibition and bootleggers. I want to write about the Axeman, and the grinch, and other legends and lore; every time I find something new in a history or an a New Orleans history website, I immediately start thinking of ways to write about it. I will never run out of material to write about here, never.

And on that note, I am heading into the spice mines for the day. I am going to read for a little while as I drink coffee and wake up, and then I am going to write until it’s time to go get the groceries…and then come home to write some more. Have a lovely Sunday, Constant Reader, and I will check in with you again later.

Tusk

Monday and a work-at-home day, for data entry and other things. I also have a meeting at one (yay) and I am hoping to get some things delivered today so I don’t have to leave the house. Yesterday started out well; I wrote my entry and did some writing planning and then repaired to my easy chair to read; but then Paul got up and came downstairs and I decided that as long as I kept my notebook/journal handy, I could make notes while thinking and watching television. We missed the Saints game; I’d forgotten it was in London and by the time I checked what time it was starting it was already over so I can’t even blame the Saints for my complete (well, pointed, at any rate) failure to get as much done yesterday as I had wanted to–which means it’s entirely my fault.

I did watch the first two episodes of the new Interview with the Vampire series, and it put a lot of thoughts into my head. I thought it was remarkably well done and well-cast–I would have gone for a Skargaard for Lestat, but that could be True Blood’s fault as well–and it was beautifully filmed. The changes made to the original book (I liked that it’s structured as a follow-up interview to the original interview) and story were barely noticeable. It’s also amazing how different Jacob Anderson looks as Louis as opposed to Greyworm from Game of Thrones. It also made me start thinking about vampires and how/why they are so popular with queers–this show has no gay subtext, it’s right there in your face–and also remembered how incredibly disappointed I’d been when I first read the book, as a teenager. At that point in time, I’d forgotten that Dark Shadows had turned a vampire into a romantic leading man–my thoughts about vampires were entirely shaped at that time by Dracula and ‘salem’s Lot, and that was what I was expecting from Interview…and that is most definitely not what the book was. I read it again about ten years or so later, and still didn’t care for it much; I didn’t come into an appreciation of Anne Rice’s work until the 1990’s–a friend told me to read The Mummy so I did and enjoyed it, and then I read and loved The Witching Hour, so I took the first three volumes of The Vampire Chronicles with me to Hawaii on a vacation and that time…well, that time I got into the books and enjoyed them. Mrs. Rice soon became a “buy in hardcover on release” author for me, and remained that way for a very long time. I do think there’s a line from Barnabas Collins in Dark Shadows to Lestat/Louis to True Blood/the Sookie Stackhouse books; I once described True Blood as “Dark Shadows with sex, violence, nudity and blood.”

We then watched the first episode of Queer for Fear, a documentary series on Shudder about queer themes and subtexts in horror films, which was fun and certainly fit the theme of the day, but then we moved on to Your Honor starring Bryan Cranston, filmed and set in New Orleans (again, we marveled a lot about the geography–“oh, look, they’re transporting him from the courthouse to OPP but for some reason are coming in from I-10 which means they somehow detoured through Metairie”–and we can’t quite figure out where Cranston and his son live; they are always taking the bridge across the river, but Cranston can go jogging from his front door down St. Charles Avenue down to the lower 9th ward (clearly, training for a marathon of some sort) and back, so I am not sure why they have the need to go back and forth to the West Bank (Paul: this would only make sense if they lived in Algiers, but why would he cross the river to go jogging?). I know, I know, it’s fiction and make-believe and has everything to do with shots and visuals that remind the viewer it’s New Orleans; both the Crescent City Connection and the Huey P. Long bridges will do that, as will the drawbridge over the Industrial Canal, and nothing says New Orleans quite like the streetcar. I also know it’s being nit-picky and “more New Orleanian than thou”, but I can’t help it when I watch something filmed here (I was also identifying where scenes were shot in Interview with the Vampire as well). I’m sure New Yorkers do this a lot, too. We also watched this week’s House of the Dragon, which I am enjoying–there’s really no good characters to root for in this one; they are essentially all terrible people; at least in Game of Thrones we could root for the Starks as the only decent people in Westeros. We also watched the new episode of The Serpent Queen, as Catherine is now slowly coming into her own. I really am enjoying this series; I hope it doesn’t go off the rails at some point.

But now it’s October already–yikes; it seems as though this year has sped past but on the other hand January also seems like it was a million years ago already–and I’ve really got to start getting things done.

As I’ve been doing my entries about writing my books, it’s been a fun journey down memory lane, as I remember things I wanted to do and plans I had that somehow were either forgotten or pushed aside as other things crowded them out of my brain. Watching Interview and Queer for Fear reminded me of my own world of the supernatural I was trying to create with some of my horror writing (I don’t really consider my vampire writing as horror; yes, vampires, but the primary focus of them was the eroticism), and somehow I’ve managed to stick to the rules of that weird world of the supernatural I was creating through short fiction that spilled over into the erotica; so far I’ve done vampires and witches, rougaroux and le feu follet, all tied around parishes on the other side of the river and west/south of New Orleans. I have a couple of short stories to write still, and a book to get done–and I want to read more. I want to finish reading my current book and I think the first book for Horror Month will be a reread of Interview with the Vampire, perhaps followed by a reread of ‘salem’s Lot; why not explore the vampires?

And on that note, I am heading into the spice mines. Have a lovely first Monday in October, Constant Reader, and I will be checking in with you again tomorrow morning before the sun comes up. Yay.

What Makes You Think You’re The One

And now it’s Saturday.

LSU is playing New Mexico this evening (GEAUX TIGERS!) in Tiger Stadium–it should be an easy win but when it’s LSU you can never take anything for granted–and I have a lot I want to try to get done today before the games get started. I have errands to run, Costco to order for delivery; it just never ends for one Gregalicious, does it? It would appear that way.

I did feel a little tired most of the day yesterday; not sure what that was about, to be honest, but there you have it and there it is. But I also got this lovely review in Publisher’s Weekly; another industry journal I’ve not been reviewed in for quite some time now. I am getting more excited AND nervous as time ticks down to the official release date…but it’s really lovely getting all this pre-publication love from industry journals, early readers, and bloggers. I’m quite sure I don’t know how to act anymore! I’m very happy that everyone seems to be embracing the book, which I thought may be a big departure from what I usually do, but maybe it’s not? I don’t know, I’m not the best judge of my own work. It really never occurred to me that my Scotty series was technically a cozy series–despite the weed, swearing, violence and sex–but Scotty, despite being licensed, never actually had a client (the guy up on the fourth floor in Vieux Carré Voodoo does actually hire him before he is murdered) but usually, he’s just going about his day to day existence when he stumbles over a body or some kind of criminal conspiracy. But when I got home from work yesterday I puzzled over that bad bad chapter, and so this morning I am going to try to get it fixed up once and for all before diving headfirst into Chapter Four. I have some errands that must be run today–and I am going to order a Costco delivery–and I also have some cleaning around here that simply must be done; but I am hoping to avoid the allure and pull of college football as much as I can today to try to get as much done as I can on the Scotty today.

I also did the laundry once I was home, and finished clearing the dishes piled up in the sink–which even now are awaiting me to unload them from the dishwasher and put them away once and for all–and once Paul was home we settled in for Dahmer, which continues to be disturbing and hard-to-watch and almost documentary-like in style, tone, look, and story. Evan Peters and Niecy Nash should each take home Emmys for their work here; Niecy is absolutely stealing every scene she is in, and Peters looks so much like Dahmer…it’s also disturbing to watch as a gay man who went home with a lot of people he had just met for the first time. It really is a wonder there aren’t more serial killers in the gay community, and they certainly wouldn’t have much difficulty in finding potential victims thanks to the casual hook-up culture always so prevalent in gay male communities (which has always been something I want to write about; either in essay or fiction form); a sort of Looking for Mr. Goodbar sort of thing only with gay men. (I should reread that book; I haven’t in years–not since it was a thing anyway. I was thinking lately I should reread all the “thing” books from the 1970’s–Jonathan Livingston Seagull, Coma, Looking for Mr. Goodbar, Jaws, Love Story, etc.–to see how they hold up and what, if anything, they have to say or can be said about the culture and society of the time and why those books, all so disparate, were so successful and popular at the time.)

I slept wonderfully last night, which is always a delight and a plus, and my coffee is tasting rather marvelous this morning. It is most definitely hitting the spot, that’s for sure. I feel rested and good this morning, which makes it a great day for getting things done. I am also thinking about taking my car to the coin-operated self-wash while I am out and about today (reminder: check projected path for Tropical Storm Ian; the one off the Cape Verde Islands formed first and took the name Hermine), and I also want to do some cleaning around the writing. We should be able to watch the LSU game tonight, even though it is on a lesser ESPN/SEC Network sub-channel, which is annoying–but I get it; LSU-New Mexico is a “who cares?” game outside of Louisiana.

I also spent some time last night with Every Frat Boy Wants It, my first erotic novel under the name Todd Gregory, and it’s not that bad. I realized that the three “fratboy” books I wrote are of a type, really, and rereading that long-ago written story (I would swear to God it’s been almost since I bought the new car, which was 2017, so it’s been about five years or more since I wrote it in the first place) made me realize that the concordance I want to put together for Scotty needs to be a part of an even larger concordance of all my work; all the different Louisianas I’ve written about and fictionalized over the years, which is even more important now that this Scotty is going to be driven so much by action outside of New Orleans.

I also need to revisit My Cousin Rachel at some point today before tomorrow morning’s podcast taping; I don’t want to rely on my ever-decreasing memory and should at least be somewhat refreshed in my recollections of what is one of my favorite Daphne du Maurier novels, possibly even more favorite than Rebecca. Big words, I know; but while I am certainly more familiar with the text of Rebecca, having read it so many times, I’ve only read My Cousin Rachel once–and came to it within the last decade or so, on the recommendation of Megan Abbott. I’ve seen neither film adaptation, tempting as the original (starring Olivia de Havilland and marking the screen debut of a young Richard Burton) may be; simply because while I know both films are very well-regarded, it’s hard to imagine a du Maurier adaptation finer than either the Hitchcock Rebecca or Nicholas Roeg’s adaptation of Don’t Look Now; with the bar set so high on du Maurier adaptations, how could either version of My Cousin Rachel stand up to them? I recently read a new-to-me du Maurier long story or short novella called “A Border-line Case,” and like all things du Maurier, it is rather marvelously well-written and twists the knife with something obvious that was there in front of you all the time but du Maurier pulls her usual authorial sleight-of-hand that makes the reveal startling and shocking despite being right there in front of the reader the entire time.

I also had wanted to spend some time with my Donna Andrews novel Round Up the Usual Peacocks, but not sure that I’ll have the time necessary. Ah, well. And on that note, I am going to head into the spice mines. I need to brew a second cup of coffee, and there are odds and ends around here that need attention. Have a lovely Saturday, Constant Reader, and I will check in with you again either later today or tomorrow morning.

That’s All For Everyone

Yesterday I made a to-do list, and this odd sense of calm came down over all of my neuroses. Sure there’s a lot to be done and not much time to do it, but at least yesterday I felt like I could get it all done…now that I had made a list. I have a lot of writing to do, a lot of promotion to plan, and endless endless emails to send and reply to–and of course it’s football season and the heat is beginning to break a bit. I do like the fall, even though I don’t like it getting dark earlier.

I had to proof the galleys of an anthology I am in (just my story, fortunately) and it was quite an odd experience. I barely remembered anything about the story itself; I know how it came to be and how much money they offered me (seriously, y’all, I am very easy. Make me an offer) and I had a vague sense of what it was about, but I’d forgotten most of it, and I don’t really remember much of writing it, either. I know the anthology took a long time to come out, but the cover is lovely and they’ve done a really nice job of art on the interior of the book as well. It was interesting rereading the story, and weird–it’s very weird to not remember something you’ve written, but I guess I have finally reached that point in my life where I can’t remember everything I’ve written or said or done, for that matter–but it’s not bad. It was supposed to be a pulpy sort of story with a horror bent to it, and “A Whisper from the Graveyard” is what I came up with. They also had instructed us to “write something only a gay man can,” so I went back to 1994 or 1995 and had my big gay private eye hired to find a dead man the same day he finds out he is HIV positive. I’ve never written anything like that before; I’ve never written about HIV/AIDS, which is probably another one of those “I should write an essay about this so I can sort out all of my unresolved and long-buried traumas and fears and potential PTSD from those years” things–especially since I’ve worked as a sexual health counselor for the last fourteen years (my first four years I worked on research projects for NO/AIDS before becoming a counselor). I am also trying to address this in my novella “Never Kiss a Stranger,” which I hope to finish in the next year sometime.

I wasn’t terribly tired when I got home last night, and so I did the dishes and cooked dinner (so I would have something for lunch the rest of this week) before Paul and I settled in to watch Dahmer on Netflix (Paul came home all excited because “the new Star Wars show dropped!” and became even more excited when I replied, “And Dahmer dropped on Netflix”–Paul has long been fascinated by serial killers), which was really good and horribly disturbing; Evan Peters is fantastic as Dahmer, and Niecy Nash is golden in anything she does, but yeah–bleak and disturbing, and of course addicting. (When I get home tonight it’s this week’s Real Housewives of Beverly Hills before Paul gets home.) I slept well again last night, and since I had a productive day yesterday (finished pulling on some loose ends, even started working on the book again–Chapter Three is a mess, and I need to fix it before I can move on to Chapter Four and the rest of the story) and made some progress on my to-do list as well. Tonight I can come straight home from the office, and tomorrow of course is “I don’t have to get up at six Friday”, which is marvelous; one good thing about these “get-up-at-six” mornings is that it makes getting up at seven or eight seem almost vacation-like.

Yesterday’s post about erotica writing and my “sordid” past as a gay porn writer also set me to thinking about a lot of things about my past and my career and the direction it has gone. There’s probably a lot more to be said about it, definitely more to unpack, but I also really need to think some more about it and also, reread some of my earlier erotica writing. Revisiting my past works, as I have done a bit over the past few months, has been much more reassuring than worrisome; I had been concerned that the writing wouldn’t hold up or I would be appalled by its amateurishness or something, I don’t know (I don’t need a logical reason to be concerned about my work, really, especially when it’s old, published long ago work) but was pleasantly surprised to see it’s nowhere near as bad as I had convinced myself it was (it’s really a twisted and strange place here inside my head) and there’s always the possibility that I may have written something that could be seen as problematic by today’s standards…and, for the record, I do not think that is a bad thing; it simply means that culture and society continue to evolve to a place where past prejudices and bigotries are being overcome, albeit slowly, and hopefully we’ll gradually get to a place where no one is ever made to feel less than or that they are not welcomed or embraced in society. If that means periodic corrections, and acknowledging mistakes made in the not-so-distant past so be it. We are all learning more and more every day, and I certainly hope that neither my heart nor my compassion will ever become ossified and stop learning, growing and trying to be better.

So, on this glorious and unusual Thursday morning (because I am not walking around in a coma this morning waiting for the coffee to kick in, and I can also tell it’s humid outside this morning, yay), I am looking at the positives and looking forward to getting things stricken from that to-do list I made yesterday afternoon. I am looking forward to getting some writing done this evening, and some reading this weekend–I need to reread My Cousin Rachel so I don’t sound like a fricking moron on that podcast recording on Sunday morning–and maybe, just maybe, I can get my email inbox down to something that doesn’t make my heart sink and my soul diminish just by looking at it.

Have a lovely Thursday, Constant Reader, and I’ll check in with you again probably tomorrow morning.

Think About Me

Wednesday morning and all is sort of well in the Lost Apartment. It’s dark outside still, but the sun should be rising soon over the West Bank (don’t ask) and my coffee should start kicking in soon. I’ve continued testing negative for COVID, so I think I escaped Bouchercon and the trip unscathed, which is actually kind of lovely. I don’t think I could handle yet another week of being knocked out and unable to do anything. Although the enforced rest–first with the COVID and then with my back more recently–was also kind of nice.

I was very exhausted when I got home from work yesterday, so kind of just headed right to the sweats and the easy chair. The kitchen is still a mess from Monday night’s dinner, and I really need to get that cleaned up tonight after work, if I have the energy. I have adjusted to these early mornings in some ways–it’s not painful to get up anymore, and I am not groggy and half-asleep most of the mornings anymore–but I do get tired a lot earlier, and sleepy too. I dozed off a couple of times in the chair last night while watching Making it Big, which is a lengthy video on Youtube about the growth and development of the gay porn industry, from its humble beginnings with Bob Mizer and physique magazines/videos to what it is today–free and almost everywhere you look on the Internet. I started in this industry writing gay porn–my first two published short stories were gay porn, and they paid rather well, thank you very much–and I had a very nice sideline until around 2009 editing and writing it. It was around 2009 that the bottom started falling out of gay porn writing and editing–and within a few years that sub-genre of the industry was gone for good. I miss the money, although I don’t miss doing the writing or editing. I produced some terrific anthologies along the way, and some really terrific short stories as well as erotic novels.

I’m not in the least bit ashamed of my past writing and editing gay erotica–writing is writing, and there’s an entire gamut of quality in gay erotica, as there is in every sub-genre in publishing; some was terrific, some was great, some was competent, and some was garbage. I am also often been told, throughout my career, that admitting to, and talking about, writing gay erotica was an error, that I shouldn’t talk about it or write about it ever or should put up a firewall between it and my “serious” writing. My response to that was always puzzlement; I take all of my writing seriously so why would the gay erotica be any different than that? But there is a stigma, still to this very day, about pornography and erotica (although it’s always been around; archaeologists have been finding erotic art in ruins going back thousands and thousands of years), which probably has a lot to do with the bizarre and deeply-rooted American societal and cultural bias about sexuality in general. It’s dirty, it’s private, it’s something you shouldn’t talk about openly with other people and you should be embarrassed if it comes up and therefore need to change the subject immediately.

This puritanical societal mentality is the root cause of a lot of our problems, in my opinion. A society and culture where sexuality is no big deal, where no one is judged for their sexual needs and desires and activities, and where the topic can be discussed openly and honestly, would be a much healthier one. But talking about sex and desire and need embarrasses most Americans and makes them uncomfortable; I believe that writing about eroticism and passion and desire and sex was maybe the best preparation for my day job as a sexual health counselor that I could have asked for.

The first time I wrote an erotic short story I was embarrassed almost the entire time I was writing it. I embarrassed myself, because in order to write an erotic short story I had to write about a desire of my own, a kink, if you will; something I had always been interested in, had experienced a few times, and wanted to explore much further than I had already. It’s hard to get younger people, who grew up with the Internet and smart phones and hook-up apps how difficult it was to find other gay men who were into the same secret fetishes and desires–now all you have to do is a Google search, really–but there was serious isolation back in the day, and with all the shame we learn through society about sex and desire, it was very easy to believe that you were the only person who was into whatever it was you were into. But once I had written one, I found that the more of these type stories that I wrote, the more free I felt; the more open, the more accepting of kinks and other people’s desires and what they were into. One of the great gay erotica writers said in the introduction to a collection of his own work you can’t write great sex unless you’ve had great sex, which I didn’t think was true at the time–creativity and imagination being what they are–and while I don’t necessarily think that’s true any more than I did then, I will say having great sex makes it easier to write about great sex…and when you can look at sexual experimentation as research…

Write what you know, indeed.

But early on in my career I was both naïve and stubborn. Don’t use your own name for writing erotica, I was told, over and over again, because it will damage your non-erotica work and people won’t take you seriously. That really wasn’t the threat that my well-meaning friends and colleagues thought it was; at that point in my life no one had ever taken me seriously about anything; and especially when it came to my ambitions with writing. So, my first short stories were published under my own name, and I edited two erotica anthologies under my real name, as well. The great irony was under my own name I became known for writing a certain kind of a gay erotica, rooted in one of my own fantasies and desires, but it also wasn’t the only thing I wanted to write about–but I had become typecast as an erotica writer and those were the only stories editors wanted from me; so I started using Todd Gregory so I could write erotica about other fetishes and desires and needs, other than what everyone wanted Greg Herren to write about. Which was actually, in retrospect, kind of funny.

It was also around this time that my traditional short story-writing problems–which I still have; I am never really certain if there’s an actual story in my stories, if you know what I mean–were sort of solved, because I realized that erotica is the perfect illustration of beginning, middle, end: two people meet, have sex, and then there’s an ending bit. I was having trouble publishing short stories–genre wasn’t ready for openly gay characters and themes, I didn’t write literary fiction–and so I decided, you know, you have this idea for a story–add a sex scene to it and see what happens. The story was published, and I became more experimental with my own erotica–one of my favorite stories I wrote was about a merman who was also an empath, “The Sea Where It’s Shallow”–and I became more and more known for erotica writing as Todd Gregory started editing anthologies and writing more and more stories.

It’s been a long time since I wrote anything erotic–and who knows if I ever will again? I have an idea for a gay romance novel I would like to write, but I also know that the kind of sex scenes I write–grunting, sweating, messy, and loud–aren’t the kind of sex scenes romance readers tend to like, but on the other hand, I may be making assumptions and who knows what they like? It’s one of the things I want to write over the next two years because I think it’s a fun challenge (yes, yes, I still manage to fool myself into thinking writing challenges are fun; I never learn), but we’ll see how everything goes.

I also kind of want to reread my erotica to see how it holds up, and I also kind of need to (heavy sigh) start making a list of characters and places and so forth that I have already used, so I won’t have Chris Moore or Eric Matthews showing up in yet another book (although it’s not impossible in the real world for different people to have the same name, either) and besides, maybe by doing so I can see the way to connect the books all together even more closely.

And on that note, I am heading into the spice mines. Happy Wednesday, Constant Reader!

Oh Daddy

I am not doing well this morning.

Yesterday morning when I got up my back felt like it was on the mend; it was still a bit painful and tight, but better than it had been the day before so I thought, oh thank you baby Jesus–there’s an end in sight. Unfortunately, as the day progresses it began to hurt more and more until the end of the day, when picking up my back pack was agonizing, as was the drive home. I immediately changed into my sweats (which was painful) and repaired to my easy chair. Scooter climbed into my lap and went to sleep immediately while I caught up on this week’s episode of Real Housewives of Beverly Hills (which really deserves its own entry or an essay; the phenomenon of these shows fascinates me–which is probably why I explored it in Royal Street Reveillon) and then…I don’t remember much of the rest of the evening, really. Paul came home, gave me a pain killer, and I know we watched the final two episodes of Five Days at Memorial (which posed some pretty interesting ethical questions that I don’t know the answers to) and then another of Bad Sisters (which I really like) before collapsing into bed and praying that this morning would be the same as yesterday….

…for naught. The painkiller didn’t really help all that much (although I can see why the drugs with oxy in their name are so addictive) but made me comfortable–I was still aware of the pain, but it was slightly more bearable. Yesterday afternoon I made the right decision–I told my supervisor I was taking a personal day to let my back get better; all that getting up and sitting down yesterday was no help at all–and so I am literally going to spend the day sitting in my easy chair, slathered in generic Ben-Gay with the heating pad attached to my back.

Getting old really and truly sucks. But I do have some reading to get caught up on–I need to reread everything I am working on, I also need to reread My Cousin Rachel as I am being interviewed on a podcast about it and du Maurier in a couple of weeks (seriously, how fucking thrilling is that?) and of course, I want to read the new Donna Andrews. I never did make the to-do list I’ve been talking about on here all week–the back pain really is excruciating–so maybe I can gather everything around me that I need to get to today while sitting in the chair and letting highlights of old LSU games stream on Youtube in the background (oh yes, I rewatch highlights of old LSU games–only big wins, of course–and it always puts me in a better mood, and yes, I am aware how weird that actually is. Sue me.), and hopefully Scooter will sleep in my lap for most of the day. I need to order groceries for pick-up (and Costco for delivery) but I am a little worried about carrying everything into the Lost Apartment.

I also slept later than usual this morning; I’ve been feeling exhausted all week and figured the world wouldn’t end should I stay in bed for an extra hour or two. The good news is I do not feel tired this morning–I am so tired of feeling tired–but, of course, the back is aching. My desk chair feels much more comfortable than my work chairs, for some reason it just seems to fit my back better so it’s not painful to sit here. I cannot explain it, it makes absolutely no sense, but I am going to take advantage of that fact not only to try to get this entry written but do my reviews of Gabino Iglesias’ The Devil Takes You Home and Laurie R. King’s Back to the Garden, both of which are SUPERB. (5 out of 5 stars, get copies NOW)

I’ve also realized I’ve not done much of a Bouchercon round-up–primarily because all of it was a blur, and maybe, just maybe, I hurt my back from laughing so hard for so long. A laughing injury! It is entirely possible, of course; I noted many times how much it hurt to laugh when I was in the midst of a laughing fit because of something hilarious someone said (I really do know the funniest people), and also all the standing; several times in the evening in the bar I noted that my back was getting sore–so naturally instead of sitting down or doing anything to baby it (because that would be admitting that I am too old to stand for long) I continued doing what made it hurt in the first place.

The uncomfortable airline seats on the flight home also did not help much in that regard.

So, that is the state of the Gregalicious this morning. I just made groceries for pick up tomorrow–I’ll cross that bridge when I come to it–and at some point tomorrow I’ll order Costco for delivery. But for now, I am going to take my heating pad and my aching back to my chair so I can chill for a bit.

Have a happy Friday, Constant Reader.

Songbird

Thursday!

My back, while still a little tight, is more irritating than painful; it’s at that stage where it is so close to not hurting at all anymore that it’s annoying that it hasn’t stopped, if that makes sense at all? I ran errands on my way home from work yesterday–mail and a prescription–and then came home, did a load of dishes, and then collapsed into my chair with the heating pad. I am taking it to work again with me this morning–more heat can’t hurt, after all, and the office is cold–and hopefully will wake up tomorrow morning feeling ever so much better. We got caught up on House of the Dragon last night–it’s getting better, but man was it ever getting off to a slow start–and it’s not as big and epic as Game of Thrones was; it’s more contained, with fewer characters and fewer story-lines, for one thing–and then we watched Archer (it really misses Jessica Walter; Mallory Archer was too great of a character for the show to do without) before calling it a night and heading for bed. I slept well again last night–only woke up a few times–and my back felt better when I got up…but it is slowly starting to make itself known, so yes, definitely bringing the heating pad to the office with me this morning.

I was thinking, last night as I waited for Paul to finish working (whenever he comes home earlier than usual, he inevitably spends a few hours making calls and sending emails once he’s home), about something that has been sticking in my mind for quite a while–and last night it hit me between the eyes.

People talk a lot about crime in New Orleans–it’s usually code for people to be racist without being outright racist; I always laugh at people in the comments section of the local news stations or newspapers, talking about crime in New Orleans and ‘that’s why they left New Orleans’ for the suburbs/West Bank/North Shore, etc. I laugh at this because they will always claim to other people Not From Here that they are, indeed, from New Orleans (bitch, you’re from Metairie) and I always want to ask them, “was it really crime in New Orleans that drove you out of the city, or was it the desegregation of the schools, hmmm?” Every neighborhood in New Orleans, you see, is mixed; the Garden District neighborhood at one time also included the St. Thomas Housing Projects. And sure, crime has been on the rise here lately. But I have lived in New Orleans since 1996, and white people are always talking about crime here and shaking their heads about how the city “has gone downhill.” Um, if you study the history of New Orleans, the city has always been filled with crime; IT’S A GODDAMNED PORT CITY.

Anyway, as I was standing in line waiting to board my flight out of Minneapolis, the woman in front of me turned out to also be from New Orleans (River Ridge). She was absolutely lovely, and we chatted the entire time we waited and as we went down the jetway to the plane–which, for someone whose default is always social awkwardness, was something–and ironically, she was the person in front of me in line for the flight from Chicago to New Orleans. She began talking to me about the crime and I did my usual shrug “there’s always been crime in New Orleans” and when she asked me if I wasn’t afraid, I just shook my head and said “no–no more than usual.”

That, of course, started a thread in my head about why are you not afraid of the rising crime in New Orleans and I realized, as I had also said to the nice lady, “I’m just always hyper-aware of my surroundings and what’s going on around me.” And then last night it hit me: as opposed to the nice straight white people of New Orleans, the rising crime rate doesn’t really bother me because I have never felt completely safe anywhere or anytime in my life–that’s what life is like for queers in this country.

I had to train myself as a kid to always keep my eyes moving and always be aware of what’s going on around me–I look ahead, I look behind, I always am looking from one side to the other and am always on hyper-alert because you never know when the gay bashers are going to come for you. I’m no more afraid now than I have ever been throughout the course of my life, and I had decided a long time ago that I would not live my life in fear anymore–but to always be vigilant.

Straight white people aren’t used to not feeling safe and they don’t like it when they don’t.

Welcome to what it feels like to be a minority in this country–and let’s face it, I still have white male privilege; I can’t imagine what it’s like to navigate this world as a black lesbian or transwoman.

But straight white people? This is their world and it is the world they made. While straight white women are oppressed terribly by straight white men, many of them have been gaslit into thinking they are less than straight white men and it is simply their lot in life, and they accept that in exchange for protection by the patriarchy. So while it is true that for women, car-jackings and muggings are just one more thing to add to their backpack of oppressive fears–usually sexual assaults (physical or verbal) or harassment. Interesting, right?

But for those Stockholm Syndrome suffering straight white women, crime is outrageous and horrifying to them because the system is theoretically set up to protect them from crime.

And what’s a little sexual harassment if it means you won’t get mugged or carjacked by that scary Black man? Boys will be boys, after all; they’re just wired that way.

I’ve always wanted to write from the perspective of someone like Brock Turner, the Stanford swimming rapist–but I don’t think I can. I can’t imagine what it would be like to be so blind about your own child, especially since I don’t (and never wanted) any of my own.

And yes, this is yet another subject for an essay.

But the fog of exhaustion seems to finally be lifting from my head–hallelujah–and so I think–if I am not too tired when I get home tonight, that is–I am going to be able to get back to work on my writing either today or tomorrow. I also want to start reading my new Donna Andrews novel, and I want to read Nelson Algren’s A Walk on the Wild Side before October, when I have to turn my attention to the horror genre again for Halloween.

And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader.

Cheaper Than Free

Friday and my last day as a sixty year old.

I am working at home today, which is kind of nice. I do have an errand to run this morning–or rather, on my lunch break–but have lots of data to enter and so forth, so I will be ensconced in the home workspace for most of the day. I am also laundering the bed linens–an every Friday chore–and have some odds and ends to clean up around here. I am going to try to get the chores done today so I don’t have to do a damned thing tomorrow; I think I’m allowed on my birthday to take an entire day off–not wash a dish or do any laundry or run any errands or do anything I don’t want to do. I want to spend all day tomorrow reading and relaxing and just chilling out; that’s my favorite kind of birthday. Paul is going to get us Chinese food for a birthday dinner treat, which we haven’t had in an extremely long time..one of my favorite things to do whenever I go to New York is to get good Chinese food. (I know it’s Americanized, don’t @ me.)

I was tired yesterday, the usual Thursday “I’ve gotten up at six a.m. four mornings in a row” thing more than anything else. I didn’t get nearly as much done as I would have hoped, but as I said, I felt tired all day–both body and brain fatigue–so when I got home from work yesterday I just kind of allowed myself the evening off. I finished rereading the first two Sandman graphic novels–Preludes and Nocturnes and The Doll’s House–which the first season of the show covered, and they were just as marvelous and well-done as I remembered. Hopefully, this weekend I will be able to get back into reading–which is my entire plan for my birthday; I want to finish reading the book I started two weeks (!!!) ago, and move on to the next book on my list. Sunday I will write and edit; and then of course Monday is another work-at-home day as August slowly but surely slides back into September. Whew. At some point–Sunday, most likely–I will need to run some errands, but I’m not going to worry about that today…although I do need to update ye Olde To-Do List.

Last night we couldn’t decide what to watch. I started watching a documentary series about British cinema while I was waiting for Paul to finish working, and when he came downstairs we just started chatting while the documentary continued streaming–and when it got to the part about James Bond, Paul remembered seeing something about the young woman who played Rosie Carver, the first Black Bond girl (who also turned out to be a double agent) and as we chatted, we both confessed that we had a special soft spot for that Bond film (Live and Let Die), which led to me remembering that watching that movie (the first Bond I saw in the theater, and why Roger Moore was always my favorite Bond–although I’ve really come to appreciate Connery’s a lot more and of course, DANIEL CRAIG) and I said, “I bet that movie doesn’t hold up anymore–I watched it a couple of years ago while making condom packs and I was a little surprised at how racist it actually was; why don’t we watch it again and see what we think?” I had also read the book when I was a teenager–very very little in common with the film, I might add–and had reread it sometime in the last decade and, like rewatching the film, more than a little taken aback about how racist it was. (Live and Let Die will probably be an essay I’ll write at some point, both book and movie.) There are some funny moments in the movie–Moore had a much lighter take on Bond than Connery, and the switch in actors resulted in a dramatic switch in tone for the films–and it’s highly entertaining…but yes, it definitely traffics in the worst 70’s stereotypes of Black people and the voodoo aspects of the story on the fictional island of San Monique are pretty bad, as well. Live and Let Die was also filmed and released during the “blaxploitation” period of film, which saw movies like Superfly, Cotton Comes to Harlem, Cleopatra Jones, Shaft, and Coffy being made and released–the time when the incredibly marvelous Pam Grier’s career took off. Was it an attempt to be relevant and possibly try to reach the audience for blaxploitation movies? Probably, but one of the few things that carried over from the book to the movie was that the villains were Black.

And yes, when we finished watching we agreed that the depiction of Black characters were, at the very least, problematic. The movie does have one of the best theme songs of the entire series of films, though (probably the best song Paul McCartney and Wings ever recorded, for that matter).

I had always kind of envisioned Colin from the Scotty books as a kind of cross between James Bond and Indiana Jones–one of the reasons I originally decided to never really talk about what Colin was doing when he wasn’t in New Orleans is yes, even back then I was thinking about spinning Colin off into his own action/adventure series before realizing can you write an action/adventure novel, Greg? I still would like to try–part of the reason my career is so strange and all-over-the-place is me trying new things to see if I could actually, you know, do it–but action has always been difficult for me to write (and now that little voice in my head is saying which is precisely why you should try to write one, jackass) and of course, an international intrigue plot would require a lot more planning than what I am used to doing. I might still do it, you never know–I have a plot in mind that involves the 4th Crusade and the sack of Constantinople; one that’s been in my mind now for several decades–but there are so many things I want to write, and time is running out…

Which, of course, is why I think I’m lazy and am taken aback when people say I’m prolific. My novels and short stories published are maybe about a fifth (if that much) of all the ideas I’ve had or things that are in some sort of progress; that’s what I think about when someone calls me prolific–the files and files of incomplete stories and ideas and characters and scenes languishing on the back burner and collecting dust.

And on that note, I am heading into the spice mines. Happy Greg’s Birthday Eve, everyone!

Everybody Loves You

Monday morning, and the shopping days left till my birthday are slowly but surely getting crossed off my calendar. Yesterday was a lovely relaxing day at home; I did some on-line shopping (ordered a new pair of glasses from Zenni; we’ll see how they work out once they arrive; I may order a few other pairs to be more color-conscious; and yes, I know how weird that is for me–I didn’t get the fashion gene that most gay men seem to be born with, and so I’ve never really cared much about clothes other than their function–especially glasses

) and then spent some time doing the fun part of writing: thinking about the book(s).

I love that part. I actually realized yesterday that I was flying without a navigator (as usual), which is probably a mistake. I hadn’t spent any time really thinking about the story of Mississippi River Mischief and how it would impact the characters and how they interact with each other, etc. I had some basics down; I knew how I was going to start the story and open the book, and what I was going to include in it–I also recognized that another subplot is too big a story to be included in this book, and so I had to put it to the side for now, for use at a later date in a different book. But beyond that I hadn’t really thought much about it, and that was problematic for me and would inevitably cause problems for me down the line as I struggled to write a strong first draft. I also realized that a lot of what I was writing was going to take place outside of New Orleans, and yes, I know it’s anal of me, but my fictional Louisiana was far too amorphous. My work has always centered New Orleans and I’ve always been a stickler about getting that correct–I know I’ve made mistakes, I got Orleans and St. Louis Streets reversed in one book, or example– but over the course of forty-odd books, inevitably parts of some of them had to take place outside New Orleans. (I had, oddly enough, no qualms about completely fictionalizing the entire state of Louisiana for the most part outside of the metro area.) And being anal, I realized I had no real “map” or idea of what fictional parish or city or plantation was where and what names I’d used where and so on and so forth. And yes, I know it probably doesn’t matter–no reader would ever take the time to go through all of my books and try to piece Greg’s fictional Louisiana together and point out contradictions and errors, but it would bother me knowing that it was a mess outside Orleans and Jefferson parishes.

Something clearly had to be done.

So, I spent yesterday afternoon doing Scotty research–namely, checking every book I’ve ever written with scenes that take place outside of the metro area and try to assemble all of those places into a coherent and cogent “world” of Louisiana, strictly of my own making. I did allow myself to get sidetracked a few times with research into other projects, current or upcoming (the Great Hurricane of 1915, and the legend of Julia White were Internet wormholes I happily went down yesterday; I think a story I am going to write for an anthology call will be based in these two events), which is always a delight; Louisiana and New Orleans history are literal treasure troves for thoughts and ideas and so forth (another wormhole: the German Coast of the Mississippi River) and also humbling at the same time, because these wormholes always remind me how little I actually do know and understand about New Orleans and Louisiana.

Revisiting old books–especially Scotty ones–inevitably bring back memories of the time period in which the book was written, where the idea for it came from, what I was trying to do with it, and so on and so forth…not to mention how the character himself has changed and grown along with my writing styles and skills. It also reminds me of other things, too–plans I used to write the books, ideas and thought processes for the characters and their futures, and so on; things I had forgotten over the passage of time. I also sent the pdf of Jackson Square Jazz to my iPad; so I can slowly start copy-editing it so I can put up the ebook on Kindle at long last–there was also a part of that novel, part of Scotty’s long-forgotten past that only appears in this particular book that I want to circle around back to for this one. There are, I suspect, any number of sub-plots and character arcs that have been left hanging within the series over the years, and I don’t think it’s such a bad idea to reread the entire series again from start to finish since I am writing another book in the series. Obviously, I love Scotty and he is a part of me, and I don’t have a hard time slipping into his voice again (one of the things, I think, that makes writing a series a bit easier than writing a stand-alone–or starting a new series–is that ease of finding the character’s voice again. I’ve written eight Scotty books now, it should be easy to find his voice again), but there are a lot of other things I need to revisit and remember from the previous books in the series, so as to avoid continuity issues and things like that which plague me constantly.

For the record, the books I had to consult to map out my fictional Louisiana included not only Scotty books, but Murder in the Arts District (Chanse), The Orion Mask, a pseudonymous book or two, and some short stories. If A Streetcar Named Murder indeed becomes the launch of a new series for me, I’ll need that fictional map of Louisiana for that series as well–I’d already brought up one of my fictional parishes in the text of Streetcar, so…

I also reread the first four chapters of something else that is currently in progress to also kind of sort of make sense of it as well (and a good thing, too–I had two completely different sleazy gay dive hustler bars in the same neighborhood in two different chapters; easy enough to fix of course, and another continuity issue). This is going to sound weird–what else is new with one Gregalicious–but I am writing another book at the same time as this Scotty; I am sending a chapter a week to a friend, kind of like a serial novel, but I had not gone back and reread what I had already written on it (hence the two sleazy gay hustler bars in the same area of the fictional city) and so it went off the rails slightly (I suspected it was doing so and even remarked on it when I sent the email with the most recent chapter attached), and I am going to have to go back and clean that all up before proceeding–because it’s too big of a mistake to leave in the draft for correcting in another, later draft (plus, it will bother me to no end knowing those big mistakes are there), so I think I am going to have to make those fixes before I write Chapter 5–which is a good thing, because I am not really sure how to write chapter 5 or what to do in it; revisiting and fixing the first four chapters is always a good idea in these situations.

The problem with not outlining is because sometimes you get stuck.

We also binged a lot of The Sandman last night. What an extraordinary show–the visuals are absolutely stunning (I keep thinking how visually breathtaking it would be on the big screen), and the costumes, the art and set design, everything is just stunningly perfect, and the stories themselves (as well as the over-arcing storyline) are depicted and acted and written beautifully. This is the adaptation of the series I always wanted to see but never dared dream we would get; Paul and I are both just completely blown away by its brilliance (I also loved that Cain and Abel, from the old comics House of Mystery and House of Secrets, are a part of this universe; I loved those comics back when I was a kid–note to DC: make an anthology series of both of those comics, please.) We only have three episodes left, but by the time we finish this show–probably Wednesday, given how our weekday evenings seem to go–there should be some other amazing shows dropped for us to watch–I am particularly looking forward to The Serpent Queen; I’ve been asking for a Catherine de Medici series for years and now we are getting one that seems to embrace and encompass her manipulation and dedication to the acquisition of power, and of course House of the Dragon looks like it could be very fun, and other shows will be returning soon as well with new episodes.

So, overall it was a great weekend; I cannot complain. It was productive–perhaps not as productive as I would have liked, but I do feel like some seriously good work was done this weekend, and that’s all that matters. I have some work-at-home duties today–trying to decide whether to run errands today or on the way home from work tomorrow (on the way home is currently winning the debate in my head), and about the only real disappointment in the weekend was not being able to make time to read.

And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader, and I’ll check in with you again later or tomorrow; depends on when I finish writing these other blog posts that are more essay-driven than the norm.