Category: errands

Tell Me What You Want Me To Do

Somehow another week has gone past and it’s Friday already. I am halfway through the second draft revision of Chapter Two (still early enough that I am counting baby steps as milestones), which pleases me enormously. It’s not been difficult so far; it’s actually been a rather pleasant surprise to see oh, that actually works and I don’t need to revise/alter/rewrite that, although I am sure that will start coming soon.

Nothing gold can stay.

Or something.

I’m excited about going to the LSU game tomorrow, and as this week of work comes to a close, I am hoping to get a lot of chores done tonight because putting them off is simply not an option since we will be driving up to Baton Rouge tomorrow in the late afternoon, and I will undoubtedly be completely exhausted when we get home from the game. It’s going to be hot, for one thing, in the stadium, plus all that nervous energy and jumping up and down and screaming? Yeah, I’ll be very drained and tired when we finally roll into the Lost Apartment after the game tomorrow night, and will undoubtedly sleep the sleep of the dead Saturday night.

It is still ridiculously hot; the heat and humidity did not break after Labor Day as it so generally does, but the evenings are getting cooler. This is quite lovely as I generally get home from work after dark and it’s nice to not sweat to death while walking from the car to the door of the house. So glad global warming is a liberal conspiracy…I suspect we may not even get winter this year–not that I mind, of course, but still.

Ozark continues to enthrall. We are limiting ourselves to a single episode per night to make it last longer since we’re enjoying it so much, but man, is this second season dark. I thought the first was, but wow. And seeing how the characters are developing and changing is astonishing. The cast is knocking it out of the park, and everything is coming to a boil…there are only three episodes left before we have finished season two, and I can only imagine what hell is going to break loose in that season finale.

I am also hoping to spend some time finishing Circe this weekend. Like Ozark, I’m taking it slow and relishing every word, every sentence. Madeline Miller is such a brilliant writer, and she reminds me some of Mary Renault, whom I should revisit at some time as an adult (I read most of her work when I was a teenager; I am certain I will enjoy it more now); The Last of the Wine is definitely worth a revisit.

I was thinking the other day (well, last night as I washed the dishes) that I should do a definitive (or somewhat definitive) study of gay representation in work written by non-gay writers; it’s one of the reasons I am still holding onto unread copies of A Little Life and City on Fire. Part of my book-hoarding tendencies come from this notion that someday I will write literary criticism; which is why I hold on to my romantic suspense novels from the 60’s and 70’s, for example. I’m getting a little better about that; donating the hard copies once the ebook goes on sale for ridiculously cheap–it’s also part of the same mentality of someday I’ll be able to support myself again as a full-time writer.

Dreams. Never let go of the dreams. I imagine I’ll still be dreaming as they push my dead body into the crematorium.

And now, back to the spice mines.

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Ain’t 2 Proud 2 Beg

I have to go to the doctor this morning; nothing serious, just the bi-annual check-up required for prescription renewals, which is very important.

I’ve been sleeping well this week, but waking up every morning around six. I stay in bed, of course–six is no time for anyone to be out of bed if you don’t have to be–but it’s been kind of lovely. I don’t know if my body adjusted in some way after the Bouchercon trip, or what, but it’s been really nice being able to get some good rest every night–hell, the last two nights I fell asleep in my easy chair, which never happens.

I am now well into the revision of the Scotty book; plugging my way through Chapter One. Rewriting/revising is hard work, I think, much harder than writing an original draft, which is saying something–given how much trouble I have committing to writing first drafts these days. But I am quite pleased with how Royal Street Reveillon is coming along, and I do think it’s going to wind up being one of the best Scotty books ever. If I can get through a chapter a day, the book will be done with this revision by mid-October, and then I can copy-edit and line-edit, and hopefully do major clean up and get it turned in for early November.

One can hope, at any rate.

I’m not quite sure how to understand this not enough hours in every day thing that I’ve been experiencing since getting back from Bouchercon, but there you have it. I haven’t been able to finish reading Circe, for one thing, and we’re watching a single episode of Ozark every night, and I suddenly find that I am falling asleep in my chair and it’s time for bed every night. This is making me panic more than a little bit, of course, because that means my progress on everything I need to get done is taking longer than it needs to, and I still can’t find time to go to the gym, either, which is maddening. I’m certainly not overly thrilled about having to go to the doctor this morning either–why does everything have to be so difficult, you know?

So maddening.

And now it’s back to the spice mines. Sigh.

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Masterpiece

 How bout them Tigers?

I’m still aglow from yesterday’s big upset win over Auburn, and I have to say, LSU not only gave me a heart attack yesterday, but impressed me quite a bit by how well they played. They raced out to a 10-0 lead in the second quarter–and it could have been worse–only to make some mistakes and fall behind 21-10. I am completely ashamed to say that at that point in the game, I honestly thought well, this is going to be a blow out. What happened? They were playing so well. 

You’d think I’d know better by now. LSU came back, and the final score, 22-21, was reached by transfer kicker Cole Tracy putting a forty-two yarder square through the uprights to give the Tigers the win as time ran out and silence a stadium full of people. The LSU-Auburn rivalry, almost always played in September, has resulted in a lot of classic games that went on to be named: the Earthquake Game, the Night The Barn Burned, etc. There have been some blowouts along the way–LSU’s 2011 and 2015 pastings of Auburn come to mind; as well as the 2014 31-7 LSU loss. This is only the third time LSU has won at Auburn this century. Auburn has come back from losing to LSU before–in 2013 Auburn lost 35-21 at Tiger Stadium and played for the national title; last year they lost at Tiger Stadium 27-23, wound up winning the West and playing for the SEC title–and along the way beat both teams that played for the national title (Alabama and Georgia) in the regular season. In fact, Auburn played three of the four teams in the play-offs during the regular season, losing only to Clemson…they played Georgia twice, playing them again and losing in the SEC title game. So, it’s early in the season; far too early to make much of this win–LSU has games against Alabama and Georgia themselves to look ahead to this season; and Mississippi State and any number of SEC games that could rise up and bite them in the ass….but for now, we can relish the likelihood of a Top Ten ranking and showing all the nay-sayers you can’t ever count the LSU Tigers out.

A lot of broadcasters and experts are eating their words this morning, I would imagine.

I think I am back to normal at long last this morning; yesterday I did some chores and dug myself out of most of the mess in my kitchen; filing, making files, putting things away, and working on the laundry and cleaning the living room. There’s still work to be done, of course, but progress was made, and I also made some progress with my writing yesterday. I know, I know, who am I and what have I done with Gregalicious? But I am pretty excited about some things, and I am really excited to get back to work on the Scotty book, as well as the short stories I’ve been toying with for some time. I like the concept of the new one I am working on, “A Little More Jazz for the Axeman,” which I think has a lot of potential; and of course I’m still playing around with “The Blues Before Dawn,” and “Never Kiss a Stranger,” of course; and I need to get organized to keep track of my life again.

And Madeline Miller’s Circe continues to enthrall.

So, for today, I need to take the suitcase back to storage and I need to put air in the tires of the car; and then it’s back home to get some things done before the Saints game, which starts at noon. Then again…it’s always easier to do things out of the house during the Saints game, when tumbleweeds roll in the wind down St. Charles Avenue and the city turns into a ghost town. I also need to get the last few touches of some things done around the house, and perhaps today I can begin the deconstruction of the manuscript I’ve been putting off for quite some time now.

But it’s nice to feel like I fit into my own life again. It really, really is.

And now, back to the spice mines.

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Giving Him Something He Can Feel

GEAUX TIGERS!

I think I have finally, somehow, managed to come back into myself as a Gregalicious, after the long, drawn-out malaise of this past week. Everything conspired against me; I never felt mentally rested,  always felt slightly out of it or disconnected from my everyday life, etc. Bouchercon, and other literary events like it, have that effect on me, but it usually doesn’t take this long to start feeling Gregalicious again. I love my day job–it’s absolutely perfect for me, I can’t imagine doing anything else–and I am very lucky that at least I have a day job that neither makes me crazy nor that I hate.

And having had every shitty job imaginable (or so it seems), this is quite lovely.

I hope that today–since I awoke feeling rested and like myself for the first time this week–will result in me getting a lot done today, around the football games. The LSU-Auburn game this afternoon will be an interesting tell as to how good LSU actually is this year (how good Auburn is as well, for that matter) and has important division implications as well as national ones. The season is young, though, and the Murderer’s Row section of the schedule (Florida, Ole Miss, Georgia, Alabama, Mississippi State, Texas A&M) is yet to come. And after the Saints stunk up the Dome last weekend…GEAUX TIGERS.

We got caught up on Castle Rock, which actually took an incredibly interesting turn that I didn’t see coming, and so now I am really curious to see where it’s going to go from here. (I also continue to be blown away by the ridiculous beauty of Bill Skarsgaard.) We also watched the premiere episode of American Horror Story: Apocalypse, which also is off to a terrific and interesting start–but almost every season started off interesting, and so many of them wound up going off the rails (we never finished watching Hotel, for example) that we can never be sure what we’re going to get with the show. We also finished watching Sharp Objects, which was terrific (I see Emmys in the future for Amy Adams and Patricia Clarkson), and there are so many other shows now to watch, and movies released to Netflix and other streaming services, that it’s hard to believe just a few weeks ago we didn’t have anything to watch. I also want to finish reading Circe.

But the house is a mess, and I need to run the suitcase back to storage, and the car tires need air–but other than that and cleaning and writing, I have the weekend relatively free. Paul is going out shopping and running errands with our friend Lisa today–he has some ideas about turning the area outside our stairs into a sitting area for when the weather is better–and they are launching that project today.

It does feel nice being myself again, and I can spend the day doing some reading and cleaning. I am writing a new short story, and I need to read up a little bit on New Orleans history in order for the story to actually work. We shall see.

And now, back to the spice mines.

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Live and Learn

Trying to settle back into the mundanity of every day life again. Dishes piled up in the sink, a load in the dishwasher that needs putting away, books and files and papers and note cards and silverware, bottle caps and letter openers and my checkbook scattered about with reckless abandonment and no discernible pattern other than a concurrent lack of desire and energy and interest to do anything about it. Clothes are strewn across the floor of the laundry room while books gather dust on top of the dryer. For yet another day, I allowed myself to wallow in the malaise aftermath of a writerly weekend; a foot back into the swirling and comforting waters of my writing career. At some point–most likely tomorrow morning–I shall rise and make myself some coffee, answer the seemingly insurmountable amount of emails that have clustered in my various in-boxes, organize electronic photos downloaded and stolen from various social media sites to further document the weekend, and generate emails of thanks and gratitude. But tonight, realizing I didn’t even post a blog entry today, I chose to simply sit down as my tired mind and exhausted body wind down for bed and compose a start to tomorrow’s blog in an effort to maximize efficiency and leave more time in the morning for making lists and figuring out what needs to be done and what needs to be worked on, prioritizing and reordering and stepping full-time back into the day-to-day existence of going to work and running errands and cleaning and writing and reading and trying to stay on top of things and at the very least tread water rather than losing more ground.

Traveling does this to me, and especially traveling for writing; each time I am immersed full time into the writing/publishing/reading community it always takes me a little bit longer to pull back from it, to stop missing it, and get back to the business of being Gregalicious again.

One of the loveliest things about traveling, for me, is being able to read. I don’t know how people travel by air and don’t read, to be honest with you. The time just flies past and you can forget that you’re in a busy airport with some people who don’t care about clipping their toenails or other such horrific things in public, or hurtling through the air in a long metal tube thousands of yards above the ground through the theory of lift, a Physics principle I wish my father the engineer had never explained to me because now it creeps into my head every time I fly. I was not only able to finish reading The Gates of Evangeline by Hester Young as our flight taxied to the gate in Tampa; and I started reading Madeline Miller’s brilliant Circe on the way back and cannot wait to finish it.

But The Gates of Evangeline was truly a stunning work.

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The sky is a dismal gray when I finally go to remove my son’s car seat. It’s raining, a cold autumn rain that feels both cliche and appropriate for a moment I’ve spent more than three months avoiding. I stand by my Prius, peering through the rear window at the empty booster seat, wondering for the hundredth time about the thin coating of mystery grit Keegan always left behind. And then I do it.

I don’t give myself time to think, just proceed, quickly and efficiently. Loosen the straps. Dig into the cushions of the backseat and unhook the metal latches. One tug, and the car seat lands with a thunk on my driveway.

They never end, all these little ways you have to say good-bye. I turn my face toward the drizzle.

The summer has gone, slipped away without my noticing it, and somehow October is here, flaunting her furious reds and yellows. Squinting, I take in the houses of my neighborhood their wholesome front yards: trim lawns, beds of waterlogged chrysanthemums, a couple of pumpkins on doorsteps. And leaves, of course, everywhere, blazing and brilliant, melting into the slick streets, clogging gutters.

These are actually not the opening paragraphs of the novel, but rather the opening paragraphs of Chapter One. I chose to not use the opening of the prologue to share, primarily because, while the prologue is extremely well done and gripping, it primarily serves to set the mood for the story, rather than introducing the reader to the main character, Charlotte Cates–whom everyone calls Charlie–and Charlie is the driving force of the novel; its success with the reader entirely depends on how you feel about Charlie, as a character, as a person, as a woman, and as a mother. That is key to the novel; if you don’t like Charlie, you aren’t going to enjoy the book.

Which is a shame. The plot of the book is powerful, an interesting mystery about a missing small boy of wealth and privilege who vanished from his room on the palatial family estate of Evangeline in Cajun Country, Louisiana. Charlie is a successful career woman, managing editor of a Cosmo-like magazine, divorced her husband for cheating, and was raising her son on her own. Her parents died young and she was raised by her grandmother; her parents were, as we say down here, “pieces of work.” But then her young son dies suddenly of a rare aneurysm, casting her down the road of grief, pain, blame, and horror. Whatever flaws she might have, Charlie is grieving, and her grief is so real and palpable that you start rooting for her as she leaves her job and drives to Louisiana to write a true-crime book about the disappearance of Gabriel Deveau. Many mysteries haunt the plantation, and Charlie has to navigate those while digging into what happened to Gabriel. The book is beautifully written, and how Charlie begins to slowly come out from under the dark cloud of her own grief, through her interactions with the others at Evangeline and the local people she becomes involved with, is even more powerful than the mystery she is trying to unravel. Charlie also has psychic visions she doesn’t understand, sometimes seeing the past and sometimes seeing the future; and one of those visions–of a boy being taken, rowed into a swamp by someone who has sexually abused him and plans to kill him–is the impetus that gets her to shake off her grief and head to Louisiana in the first place. The visions, which easily could be used to move the story along, etc., are intertwined into the story instead in such a way that seems organic and never seems manipulative.

I greatly, greatly enjoyed this book. As I said, it’s a crime novel but it’s really about coming to terms with grief, accepting tragedy, and moving on. I cried at the end. I will say I had a couple of quibbles, but over all, a great read.

There’s apparently a sequel, which I will definitely seek out.

This Used To Be My Playground

GEAUX TIGERS!

I watched the Auburn-Washington game yesterday while I cleaned the downstairs. I did a lot of chores and errands yesterday; and also did some reorganizing and cleaning so the living room doesn’t look quite so…book hoarder-ish. 

I’m getting better about it. I’ve realized that the true value, for me, of the ebook is that if I read a book I really like and think I’ll want to hang on to for one reason or another, I can donate the hardcopy and buy the ebook; if I’m patient enough and pay enough attention to email alerts and so forth, I can usually get it at a much discounted price. I don’t feel quite so bad about buying ebooks at low sale prices as I would had I not paid full price already for a print version. So, I’m really buying the book twice.

(I also find myself taking advantages of sales on ebooks by a particular author whose books I loved and would love to revisit sometime. I have the entire canon of Mary Stewart on my iPad, and a shit ton of Phyllis Whitneys. I’m also occasionally finding books by Dorothy B. Hughes and Charlotte Armstrong and Dorothy Salisbury Davis, which is lovely; I’ve also managed to get some of Susan Howatch’s lengthy family sagas, like Penmarric, The Wheel of Fortune, and Cashelmara. There are many treasures to be found through e-retailers.)

And I also find that, once I’ve let go of the hard copy, I’m not usually all that anxious to buy the e-version. Most of the books I want to keep is because I think it might be something I’d want to write about in a broader, nonfiction sense; like a book about the Gothic romances of the 1960’s thru the 1980’s, what they were inspired by, and how they were books about women’s fears; yes, there was romance involved, but they were also about the dark side of romance. Or a lengthy essay or study about how gay men are portrayed in crime novels written by authors who aren’t gay men, like the rampant homophobia in James Ellroy’s Clandestine or the male/male relationship in James M. Cain’s Serenade or any number of gay male portrayals over the decades of American crime fiction. Then there are, of course, the nonfiction tomes, about periods of history that interest me that I hold onto because I may need them as research for a book or story idea that I have.

I also keep copies of books by my friends, and whenever a friend has an ebook sale I will always grab a copy if I can.

I still haven’t really shifted from reading hard copies to reading electronically, but I am slowly but surely getting there. Anthologies are really helpful in that way; short stories are, of course, self-contained and by definition can usually be completed in one sitting.

I also finished reading James Ziskin’s wonderful Cast the First Stone, and am now eighty percent of the way finished with my Bouchercon homework.

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Monday, February 5, 1962

Sitting at the head of runway 31R at Idlewild, the jet hummed patiently, its four turbines spinning, almost whining. The captain’s voice crackled over the public-address system to inform us that we were next in line for takeoff. I’d noticed him earlier leaning against the doorframe of the cockpit, greeting passengers as we boarded the plane. He’d given me a thorough once-over–a hungry leer I know all too well–and I averted my gaze like the good girl that I’m not.

“Welcome aboard, miss,” he’d said, compelling me to look him in the eye. He winked and flashed me a bright smile. “I hope to give you a comfortable ride.”

I surely blushed.

Now, just moments after the handsome pilot had assured us of our imminent departure, the engines roared to life, and the aircraft lurched forward from its standstill. Juddering at first as it began to move, the plane rumbled down the runway, gathering speed as it barreled toward takeoff. I craned my neck to see better through the window,  holding my breath as I gripped the armrest of my seat and grinned like a fool. I sensed the man seated next to me was rolling his eyes, but I didn’t care. Of course I’d flown before–a regional flight from LaGuardia to Albany on Mohawk Airlines, and a couple of quick hops in a single-engine Cessna with a man who was trying to impress me with his derring-do. Alas, his derring-didn’t. But this was my first-ever flight on a jet plane.

This is a terrific start to a terrific novel. The fifth book in James W. Ziskin’s highly acclaimed and award-winning Ellie Stone series, it is, alas, the first Ellie Stone I’ve read. I met the author at a Bouchercon some time back (I don’t recall which one) and of course, I’ve been aware of the awards and the acclaim, and have been accumulating the books in his series for my TBR pile, but just haven’t gotten to them yet, much to my chagrin. So while I am not a fan of reading books out of order in a series (a crime I committed earlier in my Bouchercon homework with Nadine Nettman’s wine series), I certainly didn’t have the time to go back and read the first four.

Now, of course, I am going to have to–and what a delightful prospect this is.

Ellie is a delight, for one thing. The book/series is set in 1962/early 1960’s; and Ellie is a report for the New Holland Republic, not taken terribly seriously by the men she works with or for (with the sole exception her direct editor), even though she is the best reporter and the best writer on her paper. (It kind of reminds me of Mad Men in that way.) The opening is terrific; Ziskin captures that excitement of your first jet flight in a time period where it wasn’t terribly common to fly beautifully, and using that experience to not only showcase how adventurous Ellie is but to introduce her to the new reader as well as give some of her background. She is flying out to Los Angeles to interview a local boy who’s gone out to Hollywood to be a movie star, and has recently been cast as the second male lead in one of those ubiquitous beach movies the 60’s were known for, Twistin’ at the Beach. But he hasn’t shown up for his first day of shooting on the Paramount lot, placing his job in jeopardy, and soon the producer has been murdered…and the deeper Ellie gets into her story and her search for Tony Eberle soon has her digging through the seaming, tawdrier side of the Hollywood dream and system. Saying much more would be giving away spoilers, but Ziskin’s depiction of the secretive side of Hollywood, what studios were willing to do back in the day to protect bankable stars, and what that meant to those on the seamier side of the business is heart-wrenching and heartbreaking, and sympathetically written.

I can’t wait to read more about Ellie Stone.

And now I have moved on to Thomas Pluck’s Bad Boy Boogie, the last part of my homework. LSU plays tonight (GEAUX TIGERS!), and I want to go to the gym, do some more cleaning, and do some more writing today.

So it’s back to the spice mines with me.

I’m Too Sexy

How lovely to wake up to a terrific review of Florida Happens on the Mystery Scene website! You can read it here.

Huzzah!

I have to say I am very proud of this anthology, but even prouder that my story “Cold Beer No Flies” was also singled out for praise, which is lovely. As Constant Reader is aware, I don’t have a lot of confidence when it comes to my short stories, so those rare occasions when they get mentioned by reviewers is always a treat for me. (Which reminds me, I need to work on some this weekend. Sigh.)

It’s been a long week; I had trouble sleeping in the middle of the week but bounced back really nicely in the latter part of the week. Last night’s sleep was wonderful, long-lasting and deep and relaxing; I am still in sort of a rest-coma this morning. My kitchen is a mess–and something will have to be done about that sooner rather than later–and other than a social obligation today and a couple of errands that must be run (mail, prescriptions) the rest of the day is mine to do with as I please. The clock is running out on my Bouchercon homework, so I am going to need to curl up with James Ziskin’s Cast the First Stone in order to have time to read Thomas Pluck’s Bad Boy Boogie before Bouchercon, so I am prepared to discuss their books with the fine panelists on the Best Paperback Original panel. I also booked my rental car and paid for the  early check-in on Southwest–which apparently now is automatic; you don’t have to do anything and it checks you in thirty-six hours before your flight, which is actually kind of lovely. I need to read “A Whisper from the Graveyard and “This Thing of Darkness” aloud this weekend, and I want to start working on the revision of Royal Street Reveillon which I’ve been avoiding all month (now that the month is almost over, sigh).

So. Much. To. Do.

We started watching Kim’s Convenience last night, which is, simply put, a very endearing and funny show about a Korean family–the Kims–who own a convenience store in Toronto. I was worried, of course, that the show might deal in stereotypes, but the family dynamic and the relationships between the characters is very complex, and underlying it all is a deep sweetness; there is more to the Kims than you think at first, and the show is actually funny but not at the expense of the characters. Of course, I’m not Korean, so I can’t speak to its authenticity or to its not being offensive, but Paul and I are both really enjoying it. And Jung–the son who is estranged from his father for being a bit of a juvenile delinquent when a teen, even serving time in juvie–is sexy.  I highly recommend it.

The next story in Florida Happens is  “Frontier Justice” by John Floyd.

John Floyd’s work has appeared in more than 250 different publications, including Strand Magazine, Alfred Hitchcock’s Mystery Magazine, Ellery Queen’s Mystery Magazine, Woman’s World, Mississippi Noir, and The Saturday Evening Post. A former Air Force captain and IBM systems engineer, he is also a three-time Derringer Award winner, an Edgar Award finalist, and a three-time Pushcart Prize nominee. One of John’s stories appeared in the 2015 edition of Best American Mystery Stories, and another is forthcoming in the 2018 edition.

John is also the author of six books: Rainbow’s End, Midnight, Clockwork, Deception, Fifty Mysteries, and Dreamland.

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The car was waiting in the alley, with Eddie Stark at the wheel and half a dozen cigarette butts littering the pavement below the driver’s-side door. Eddie had flipped a seventh out the open window and exhaled a lungful of smoke when he saw Charlotte Baxter stroll around the corner and head in his direction. Even from a distance, Baxter’s face looked as calm as always. Eddie Stark’s was sweating.

Baxter climbed in, set a thick brown attache case on the seat between them, and peeled off her honey-colored wig. She also took off a pair of glasses and removed two wads of cotton from inside her cheeks. Eddie hefted the case up and over into the back seat. It didn’t feel as heavy as it had been, twenty minutes ago, and he knew why: half its contents had been left in the building across the street.

With trembling hands Eddie started the engine and steered the big Lincoln out of the alley and into the downtown Tallahassee traffic. Finally he turned to look at Baxter.

“How’d it go?”

“Fine.” Baxter leaned back and closed her eyes. “Mission accomplished, package delivered.”

“Sure nobody recognized you?”

“Would you have recognized me? What they saw was a blonde with a chubby face.”

John Floyd is one of our best short story writers; I first met him at the Edgar Symposium several years ago when he was on a panel I moderated. He was nominated for the Edgar for Best Short Story for “The Ledge,” which I thought was simply brilliant. His work has been nominated and/or won many awards, and I am always excited to read a new story from him. He contributed a great story to Blood on the Bayou, “The Blue Delta,” and I am more than thrilled to have “Frontier Justice” in Florida Happens.

“Frontier Justice” is about a heroin ring’s decision to kill the investigating district attorneys by planting a bomb in their office. Charlotte Baxter, as seen in the opening excerpt, is the woman they hired to blend in and plant the bomb. But as always with a Floyd story, there’s more going on beneath the surface than is readily apparent to the reader, and the way the story flips on itself in the closing pages shows just how much mastery Floyd has over the form.

And now, back to the spice mines.

Just Another Day

So, the Saints have added a male Saintsation this year, which pleases me to no end. And of course, he’s been targeted by trash on-line; you know, the ‘keyboard warriors’ who insult and tear into total strangers from behind the safety of their computers. I am looking forward to watching Jesse perform this season, as well as the two men who are performing with the Rams. I was a cheerleader in college, and know all too well the abuse you can get from other men (and some women) for putting yourself out there. I enjoyed every moment of cheering, and that trash would have called me fag even if I wasn’t a cheerleader.

And I’d still like to see any of them try to do a string of back handsprings.

Both Animal Kingdom and Sharp Objects continue to enthrall us; both are coming to their inevitable season finales soon, but hopefully all the other shows we enjoy watching will be airing again by then; there are also some other shows I’d like to watch currently on Netflix. I watched To All The Boys I’ve Loved Before or whatever it’s name was the other night; it was adorable and sweet, if a bit predictable. But it was great seeing a young Asian-American girl in the Molly Ringwold role for a change; I also enjoyed seeing her family dynamic. I imagine the film is going to draw the inevitable haters, as such things are wont to do; but I love this new trend of representation of characters without making a big deal about it. I am, of course, conditioned to notice the minority characters–as are we all, really–but representation does  matter, and presenting it like it’s not a big deal is the best way  to go because it shouldn’t be a big deal.

I hope and pray future generations will see it that way and won’t notice.

Next up for Florida Happens is Alex Segura’s “Quarters for the Meter.”

Alex Segura is the author of the Pete Fernandez Miami Mystery novels, which include Silent City, Down the Darkest Street, Dangerous Ends, and Blackout, all via Polis Books. Blackout was listed as one of the most anticipated mystery novels of 2018 by CrimeReads, MysteryPeople and Bookbub, and included in The Boston Globe’s Summer Reading List.

He has also written a number of comic books, including the best-selling and critically acclaimed Archie Meets Kiss storyline, the “Occupy Riverdale” story, and the Archies Meet The Ramones one-shot and The Archies ongoing series.

Alex will be co-writing Lethal Lit, a new fictional crime podcast launching this fall from iHeart Media.

His work has appeared in the anthologies Protectors 2, Waiting To Be Forgotten:  SStories of Crime and Heartbreak Inspired by the Replacements, Unloaded 2, Apollo’s Daughters, and Florida Happens,  the Bouchercon 2018 anthology, and in publications including The Daily Beast, The Los Angeles Review of Books, Literary Hub, The Strand, Mental Floss, LitReactor, and more.

A Miami native, he lives in New York with his wife and son. Check out his website here.

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“I had this weird dream,” Pete Fernandez said. “I was in a boat, but there weren’t any paddles.”

“That is weird,” Mike said, sipping his Heineken. The jukebox was playing Waits. The Bar—a grungy gastropub located in the heart of Coral Gables—was mostly empty. It was just past six in the evening. They were in a booth a few steps away from the main bar area.

“That’s not all of it,” Pete said. He took a sip of his drink—a vodka soda—before continuing. “But then my dad showed up. He was standing in front of the boat.”

“On the water?”

“Yeah,” Pete said. The thought of his dad put a clench in his throat. It’d been only a few months since they had to put the old man in the ground, forcing Pete and his fiancé Emily to return to Miami from their home in New Jersey. “He was just standing there. Looking at me.”

“What’d you do?”

The question hung over them for a moment. The bartender, a fit blonde named Lisa, nodded at Pete politely as she walked by. He’d been back in Miami for less than six months, and he already felt unhinged.

Emily.

She had left a few days ago. He was living in his father’s house and he was pretty sure the only reason Mike, his best friend, was tolerating him tonight was because he was worried Pete couldn’t last very long alone.

“Nothing,” Pete said. He couldn’t bring himself to tell Mike he’d woken up to find his pillow wet from tears.

This is a terrific story, from beginning to end; a kind of crime slice-of-life tale that made me hungry to read more of Alex’s work. I have the ebook of the first Pete Fernandez novel, and an ARC of the most recent one, and haven’t managed to get to either as of yet. Pete and his buddy are having a couple of drinks in a bar at the end of their workday, which just happens to be when some masked bandits rush in to rob the place. The rest of the story details what happens during the robbery and how the two of them manage to avert a tragedy; and the closing line is pitch perfect.

And now, back to the spice mines.

All 4 Love

So, yes, it’s my birthday. I took the day off from work and am staying home for the most part. But I do have to go to Costco AND the grocery store today; living large, right? This might be my wildest birthday ever! (Sarcasm.)

I mean, do I know how to celebrate a birthday or what?

But this is the fifty-seventh, and I wasn’t really raised to be overly sentimental about birthdays; I’ve never really made a big deal out of mine, and now all it really is, is simply an excuse to take a day off from the office. I didn’t get nearly as much done this weekend as I would have liked; yesterday was lovely–I don’t think I went outside even once, which to me is of course a lovely lovely day.

I really  do want to become a recluse. I remember someone asked me on a panel once to describe what my dream success would be, and I replied, to make enough money to  not only not have to have a day job but to be able to pay someone to run my errands for me so I’d only have to leave the house to go to the gym.

Is that really so much to ask? Apparently. Ah, well.

I hope to do some writing today as well. We shall see how that goes.

Next up in Florida Happens is Neil Plakcy’s “Southernmost Point.”

Neil S. Plakcy is a U.S. writer whose works range from mystery to romance to anthologies and collections of gay erotica. He has twice been a finalist for the Lambda Literary Award for Best Gay Men’s Mystery Novel.

Plakcy began his professional publishing career with the first of his Hawaiian mysteries, Mahu, acquired and edited for Haworth Press by mystery author Greg Herren. With the second book in the series, Mahu Surfer, Plakcy moved to Alyson Books, which continued the series with Mahu Fire and Mahu Vice, and published their own edition of Mahu in 2009. After the close of Alyson, MLR Books picked up the series, publishing new editions of the first three and then continuing the series.

Plakcy and long-time friend Sharon Sakson co-edited a collection of stories by gay men about their experiences with their dogs, entitled Paws and Reflect: A Special Bond Between Man and Dog. A frequent contributor to gay anthologies, Plakcy has also edited numerous collections of gay erotica.

With the publication of GayLife.com in 2009, Plakcy entered the M/M romance genre, basing the book on his own experiences in software and web development and his familiarity with Miami Beach.

Plakcy has been a finalist for the Lambda Literary Award three times: twice in gay mystery, and once in gay romance. He won the “Hawaii Five-O” award given by attendees at the Left Coast Crime fan conference and his work has been enthusiastically reviewed by mainstream and specialty publications as well as by many fans.

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It started with a selfie, and the drag queen who photo-bombed my boyfriend Lester and me.

Lester represents single-batch whiskeys, based out of Fort Lauderdale, where we both live. His region extends all the way to Key West, and one weekend in January he had a couple of promotions set up at bars on Duval Street, in the center of the entertainment district. I had a couple of days’ vacation coming to me from the FBI, where I work as a Special Agent attached to the Violent Crimes Task Force, so I took them and went along for the ride.

And a beautiful ride it was, once we ran out of highway, then cleared the urban congestion of Key Largo. All of a sudden there was water on both sides of the road, the dark blue-green of the Atlantic to our left, the lighter green of the Gulf of Mexico to the right. The long emptiness of the Seven Mile Bridge was liberating, even with the skeleton of the old railroad bridge beside us.

We made it to Key West late on Sunday afternoon, and after we checked into a bed-and-breakfast on Duval Street, we rented bikes and cycled over to the Southernmost Point, a big marker striped in yellow, orange and black that indicated we’d reached as far as you can go on the US mainland.

“Imagine living down here,” Lester said. “Only ninety miles to Cuba, and nearly twice that back to Miami.”

“I think there’s a kind of person who likes to live at the edge,” I said. “So far from everything else. Like you can leave all the troubles you had wherever behind you and kick back with a margarita and a pair of flip-flops.”

“Thank you, Jimmy Buffett,” Lester said. “Come on, let’s get a picture of us with the marker in the background.”

This is a fun, suspenseful tale about, interestingly enough, what happens when you get photobombed by a stranger and post the picture on social media; a sly commentary, really, about how social media has reduced the size of the world and shows us, sometimes daily, how many degrees of separation we really are all from each other–which isn’t as separated as one might think. Neil does a deft job of keeping the action moving, as well as developing his vacationing gay male couple with just a few quick lines here and there, and their relationship as well through the couple-dialogue speak they share. It’s a fun story, with lots of Key West color, and I’m very glad to have it in the book.

And now, off to the spice mines.

Go Home

Sunday morning, with lots to do and a long, relaxing day ahead in which to do it all. I woke up relatively early this morning, which was a wonderful and pleasant surprise, and feel rested. I have a short story to work on, a reread of Royal Street Reveillon to get through, and I’d also like to make some progress on my reading of Eryk Pruitt’s What We Reckon. I cleaned and did errands and read yesterday; along with some note taking on various projects as well as filing. This coming week should be interesting, to say the least; I am doing some testing on Monday and Thursday at the Blacks in Government conference at the Riverside Hilton, which will be a lovely change from my ordinary routine, and I have a three day weekend next weekend in honor of my birthday.

Yes, the old man officially turns fifty-seven next weekend; although I always change my age on New Year’s. After this next New Year’s, I’ll be telling people I’m fifty-eight. Age has never mattered  much to me; for the early portion of my life I was always younger than everyone else around me; later on I was always older than everyone else I hung around with. I learned early on that age is a relative concept.

Yesterday was kind of a lovely day for me. It rained off and on most of the day, and there really is nothing lovelier than being inside and dry while it rains outside, and our rain is do torrential and tropical–so lovely to deal with when you’re inside rather than when you’re actually outside dealing with it. As the bed linens agitated in the washing machine and the wool blankets tumbled dry in the laundry room, I was filing and getting my desk area organized, listening to the rain and looking out my windows to see all the leaves outside glistening and wet, and water cascading out of the rain spout on the house next door when a phrase formed in my head, and I scribbled into my journal, standing up at the kitchen counter: It was one of those lovely summer Saturdays New Orleans gets sometimes in August–where thunderstorms roll through the city all day, the dark clouds creating an artificial twilight at three in the afternoon. Perfect for staying inside and cleaning, the washing and drying and folding of clothes. The cat sleeps lazily in the desk chair, waking up every now and then to groom before curling up again into a tight ball of differentiated ginger stripes.

I may never use that in something I write, be it a short story or a novel, but it’s a nice piece of writing nonetheless. My notebooks and journals are filled with such scraps of writing, of ideas and thoughts and fragments and character descriptions or settings.

And next up in Florida Happens, for the Short Story Project is “The Fakahatchee Goonch” by Jack Bates.

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Goonch is just another name for a catfish. A really big catfish.  Sometimes it’s called the Devil Fish or Black Demon because it lurks deep down there in the murkiest part of the Fakahatchee Preserve. Bottom feeders mostly. They eat gator leftovers or anything else that might get tossed into the swamps. Back in the mauve and neonMiami Vice days, legend had it the Everglades was a good place to dispose of a problem quick.  People think that’s how the goonch developed a taste for meat.

Of course, the guys who trawl for catfish say those fish are just as apt to eat water weeds and such if the pickings are slim.  Sometimes they feed on their own.  Had some guys drag in twenty to thirty pounders, about three feet long. That ain’t no fish tale.

Neither is this one. The catfish I’m talking about is an eight-man goonch. Know what that is? That’s when eight grown men stand in a line, shoulder to shoulder, and that goonch lays across all of their extended hands from tip to tail. That’s how big the Fakahatchee goonch was said to be. Had a mouth like the gaping orifice of hell, or so I’m told. I ain’t never seen it, but I know it’s there.

There have been nights when I’m frog hunting where the frog croaking will go quiet and the swamp gets real still. Something big enough to rock my aluminum skiff passes through the water. Up ahead in the dark there’ll be a splash and a few ticks off a clock later my skiff will rock a second time except maybe a little more treacherously on the creature’s return pass. and I’ll have to sit down, clutch the sides so I don’t tip out. Only way I know it’s safe to leave is when the frogs start croaking again.

Sometimes though, a frog will puff its chest and blowout its braggadocio regardless of the danger it’s in.

Jack’s bio reads “Jack Bates writes some pretty good crime fiction from the comfort of his loft office. His stories have appeared all around the web, in various anthologies, and in a few magazines. Three have been finalists for the Derringer Award from the Short Mystery Fiction Society. He’s also written award-winning scripts for stage and screen including a short-lived web series. An incomplete list of his works can be found on his blog http://flashjab.blogspot.com/.   When not writing, he plots or travels or runs errands or chats it up with other old movie buffs on twitter. He pens the Harry Landers, PI, series for Mind Wings Audio Books. He’s also released several ebooks with Untreed Reads which launched the Hack Ward PI series with Monkey See, Monkey Murder. In 2012, his YA Steampunk novel, Colt Buchanan and the Weather Walkers, was released by Red Willow Press.”

This short story is quite fun, and in the classic mold of slightly off, wacky Florida noir. Set in a dive bar on the west coast of Florida in a nothing town on the edge of a swamp, a stranger walks in with a wad of cash and an air of mystery about him; two tough rednecks are playing pool with their girlfriends when the two men decide to win some of the stranger’s money off him–and things continue to spiral downward from there. It reminded me of John D. Macdonald with maybe a dash of Hiassen thrown in for good measure, and is a very fun and satisfying read; one that I’m glad is in the book.

And now, I have spice to mine.