I’ll Be There

Thursday–the last full day of work for me this week; Fridays I only work half-days. The weekend looms on the horizon, and in theory, my life should be settling down into a normal routine next week at the day job after weeks of never being completely certain what I would be working the next day. For someone who is an utter control freak about time and scheduling, this has been torturous for me. For some reason I crave structure; I have to be at the office at this time, I can go to the grocery store here and then I can come home and spend this time writing and this time cleaning and this time watching television, relaxing.

And yet I also don’t like being caught in a routine, a rut, if you will.

I am nothing if not a writhing mass of contradictions.

But, like with audiobooks, an old dog can learn a new trick every now and then.

I am currently rereading Erich von Däniken’s Chariots of the Gods?, which I originally read in the 1970’s. The 1970’s was, for some reason–probably all the upheaval of that decade and attempts to recover from the social unrest of the previous decade–a decade of weird conspiracy theory and even more peculiar science; the Bermuda Triangle, UFO’s, Area 54, ancient aliens, etc. I used to read a lot of these books, mainly because they were interesting, even though there were frequently enormous gaps and huge leaps of logic required to follow the authorial reasoning to the points they were trying to make in those days; and even as a teenager I often spotted these logistical flaws. But the concept behind Chariots of the Gods? was one that I was interested in, and while von Däniken’s writing style (in fairness, the book was written in German and translated) left something to be desired, one thing I took away from the book in the first place was the realization that exclamation points used in non-fiction usually means most of the reasoning is bullshit.

(I also loved the movie Stargate, which can probably be directly traced back to reading Chariots of the Gods?)

I kind of love these theories, though, even as I recognized they are problematic. A lot of human history isn’t recorded, and so we are left, for the most part, to wonder about the origins and rise of Egyptian civilization, or what life was like in Ur, or how the idea for written communication began or where it came from, and so forth. I also remember one of the reasons I was partly drawn into the whole Chariots of the Gods? things in the first place was because one of the “sites” he tried to explain away as being designed for ancient astronauts were the strange lines on the plan of Nazca, in Peru–which I had read about in the forty-fourth Nancy Drew mystery, The Clue in the Crossword Cipher. (In retrospect, I am also horribly disappointed neither Nancy or the Hardy Boys–in the original series–never went to Egypt; both Rick Brant and Biff Brewster did, in The Egyptian Cat Mystery and Egyptian Scarab Mystery, respectively.)

But, as I said, even I, a relatively uneducated and unformed preteen, could spot fallacies in logic and reasoning in the book. It was made into a TV special, In Search of Ancient Astronauts, and then a feature film with the same name as the book. Von Däniken wrote several more books–turning it into a virtual cottage industry–but I never read beyond the first.

I was reminded of this recently when I came across an article on Von Däniken’s racism, and that his theories were based in racism (you can read it here), and as I read through the piece, nodding, I was also amazed at how it never occurred to me that essentially, Von Däniken’s theories were predicated on racism and asserting white supremacy by erasing the historical accomplishments of ancient, non-white civilizations. So, I checked the book out of the library to reread it and look for the racial coding–plus, to see if there are as many irrational and illogical leaps made as I remember.

And I also can’t stop thinking about the Bermuda Triangle and other conspiracy theories that were huge in the 1970’s…and wondering why the 1970’s was such a fertile ground for pseudoscience.

And now, back to the spice mines.

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I Can’t Make You Love Me

GEAUX SAINTS!

So, it’s another chilly Sunday here in the Lost Apartment. It’s sixty degrees now outside, but it dipped into the forties overnight, so it’s going to take awhile for the Lost Apartment to recover–if it ever does. Today I need to pack up for the trip tomorrow morning. I’m not taking the MacBook Air with me, so I am not entirely sure how I’ll be able to crosspost the blog–should I write any entries–to Facebook and other social media because cutting and pasting on the iPad confuses me.

Don’t judge me.

The LSU game last night was a romp; never in doubt from the first snap, and ending with a 42-10 score. It was 28-3 at half-time and was never in doubt. As such, there was very little-to-no tension on my part, so I was able to sit in my easy chair like a millennial, scrolling through apps on my phone while also taking some time to read. I stopped by the Latter Library yesterday to pick up another book I’d reserved (Chariots of the Gods? by Erich von Daniken–more about that later) and also renewed Bibliomysteries Volume 2 for another week. I am taking both books with me to Kentucky, and am also taking A Game of Thrones by George R. R. Martin; I think it’s time I got started writing A Song of Ice and Fire, now that the end of the television series is in sight with this past week’s announcement that the final season will begin airing in April.

I took yesterday as my day off for the weekend; I didn’t clean anything, nor did I organize or file or edit or write. I was basically just a lazy slug, sitting in my easy chair and flipping between football games while reading. I’m still rereading ‘salem’s Lot but have now reached the end game, the final section of the book called “The Empty Village,” and the tracking down of the vampires concluding with Ben and Mark running away to Mexico while Ben writes his book isn’t as interesting to me as the opening of the book; as I said when I discussed the reread initially, I am more interested in how King depicts the town more than anything else, which was the impetus for the reread. And how much do I love this sentence, which opens section 2, “The Emperor of Ice Cream”:

The town knew darkness.

It’s very Shirley Jackson-esque, and the passage that follows is perhaps my favorite part of the entire book.

I also think I am going to give The Shining  a reread; The Shining is, for most fans, critics and readers, King’s best work. I couldn’t get into it when I first bought the paperback, with the boy’s head with a blank face drawn on a shiny silver cover. I picked it up again a few years later and tore through it in one sitting; but as creepy and horrifying as it was, and how nasty the Overlook Hotel was…it was one of the few I never reread completely. I’ve picked it up and started it again, flipped through it and read sections, but I’ve never read it from beginning to end. I think the complexity of Jack Torrance as a character cut a little too close to home for me, but now that I have over fifty books out there with my name (or a pseudonym) on the spine…I don’t have to be too stressed about the failed author character being too close to home for me anymore.

At least one can hope so.

Tomorrow is the dreaded twelve hour car ride through Mississippi, Alabama, a bit of Georgia, and the Smoky Mountains of Tennessee. I need to go get the mail before I leave town and possibly stop by the bank, so I am going to be getting a later start than I would have perhaps wished, but a twelve-hour drive is a twelve-hour drive no matter when you get started, and I am most likely going to shower and go straight to bed when I arrive in Kentucky. I am still trying to figure out what digital book to download and listen to in the car–who says you can’t teach an old dog new tricks?–but none of A Song of Fire and Ice are available as audiobooks from the library, and the library’s app isn’t as intuitive as I would like (translated: I’m too old to figure out the easiest way to use it). I wanted to start Charles Todd’s brilliant series set during the end of the first world war, but the first book isn’t available from my library (BASTARDS!!!!) and so I have to choose something else. I’ll spend some time on there today–maybe on the library’s website, which is easier for a Luddite like me–and perhaps the second Louise Penny Inspector Gamache novel might do the trick.

Or maybe The Shining. Ooooooh.

Most of today is also going to be spent on odds and ends. I may get some writing work done, or I may not. I think after the Saints game we are going to watch either Love, Simon or Call Me By Your Name; both are available for free streaming on one or another services I pay for now. I also am assuming I’ll finish watching Knightfall while I am in Kentucky, as my parents both go to bed early every night.

And yesterday I also managed to read “The Gospel of Sheba” by Lyndsay Faye, from Bibliomysteries Volume Two, edited by Otto Penzler:

Letter sent from Mrs. Colette Lomax to Mr. A. Davenport Lomax, September 3rd, 1902.

My only darling,

You cannot comprehend the level of incompetence to which I was subjected today.

You know full well I never demand a private dressing room when stationary, as the very notion implies a callous disrespect for the sensitivities of other artists. However, it cannot pass my notice when I am engaged in a second class chamber en route from Reims to Strasbourg. The porter assured me that private cars were simply not available on so small a railway line as our company was forced to book–and yet, I feel justified in suspecting the managers have hoaxed their “rising star” once again. The reek of soup from the dining car’s proximity alone would depress my spirits, even were my ankles not confined one atop the other in a padlock-like fashion.

I do so loathe krautsuppe. Hell, I assure you, my love, simmers with the aroma of softening cabbage.

Lyndsay Faye has twice been nominated for the Edgar Award for Best Novel (for The Gods of Gotham, which I adored, and for Jane Steele, which is still in my ever-growing and enormous TBR pile), and she is also a delight to know in addition to her enormous gift for writing. Lyndsay is an enormous Sherlock Holmes fan (Sherlockian?), and even her first novel, Dust and Shadow, was a Holmes tale; she recently published an entire collection of Holmes short stories. “The Gospel of Sheba” is sort of a Holmes story; both he and Watson do appear in the story, but it’s primarily told from the point of view of a sub-librarian, Mr. Lomax; he is married to a professional singer who at the time of the story is currently on a tour–her presence in the story is either through her husband’s point of view or epistolary; we get to see occasional letters from her. Her husband’s point of view is seen through diary entries where he talks about the mystery of the Gospel of Sheba, a grimoire a member of a private men’s club with an interest in the supernatural has discovered and that makes anyone who reads it ill. One of the things I love the most about Faye is she writes in the formal style of the nineteenth century, but it always reads as organic and never forced. There’s never a sense from the reader of Oh I see what you’re doing here or from her as the author of see how clever I am? She’s somehow modernized that formal style, breathed fresh life into it, and uses it to help set the mood and the time and the setting. You can almost hear the hiss of gas in the lamps, and see the flickering gaslight. This is a terrific story, and reminds me of why I loved The Gods of Gotham so much, and also reminded me I need to dive back into her backlist.

And on that note, ’tis back to the spice mines with me.

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Bennie and the Jets

What a lovely weekend this past one was, seriously; the Abomination in College Station aside, and even that was more of a seriously? than anything else.

I got back to New Orleans around seven pm on Friday night; there’s a time zone change going and coming, but it always seems like because of that I make better time coming home than going. It’s a mental thing, obviously; same amount of time, same amount of miles (slightly less than 1500 round trip), and yet…it seems to go so much faster. I always think–and I know this makes literally no sense–that since I am driving south and going from a higher elevation to a lower one, that it’s all downhill.

said it didn’t make sense.

I also somehow managed to wrestle with some ideas and projects-in-progress while I was gone; whether those solutions to the problems will work (or if the problem is a real problem in the first place) remains to be seen.

But Saturday morning I had coffee with my friend Pat, preparatory to my Costco run; it was actually a most productive meeting. She helped me with some great info for a short story I am writing, and she also gave me some tips on how to do my New Orleans research (and also thought Monsters of New Orleans was a great idea). The Costco trip wasn’t as bad as one might have thought the Saturday after Thanksgiving; I assume everyone burned out on shopping on Black Friday. But Costco is never an ordeal, even when it’s crowded; which really says a lot about their management philosophy and how well they treat their employees. Everyone is always so nice and friendly and polite; compare that to the staff at, let’s just say Wal-mart, and you see what I mean.

This actually set the mood for a rather lovely weekend. I relaxed and recovered from the trip, while getting caught up on things around the house–grocery shopping, cleaning, laundry, etc. It was quite lovely. I actually finished reading End of Watch during the Abomination in College Station, and one benefit of spending time at my mother’s house? I really think my house needs a deep thorough cleaning and reorganization; i.e. my kitchen could be more efficiently set up. I also need to clean out kitchen and bathroom drawers, and as for my TBR pile–well, if I have had it for more than two years and haven’t read it, time to donate it. And if, later, I decide I want to read it…well, I guess I can buy it again if I want to read it that badly. (I’m talking big, but I know once I start going through the books I am my book-hoarding tendencies are going to re-emerge.)

I know myself all too well.

I also read  “The Book of the Lion” by Thomas Perry,  from Bibliomysteries Volume Two, edited by Otto Penzler:

Dominic Hallkyn played back the voicemail on his telephone while he took off his sport coat and hung it up to dry in the laundry room. The smell of rain on tweed was one that he knew some people might say was his smell, the smell of an English professor. The coats–tweed or finer-spun wool in the winter and seersucker or summer-weight fabrics in the late spring or early fall–were his work uniform, no different from a mechanic’s coveralls. He wore them to repel the skepticism of the young.

The first couple of calls were routine: a girl in his undergraduate medieval lit course has been sick, so could she please hand in her paper tomorrow? Of course. He had plenty of others to deaden his soul until that one arrived. Meg Stanley, the Department Chair, wanted him to serve on a Ph.D. oral exam committee. Unfortunately, he would. Reading the frantically scribbled preliminary exam and then asking probing questions in the oral would be torment to him and the student, both of them joined in a ritual of distaste and humiliation, all of it designed to punish them both for their love of literature, but it was part of his job.

Thomas Perry is another luminary of the crime fiction world whose work I’ve neither tasted nor sampled until now. One of the lovely things about anthologies, such as this, is that you can get a taste of an author’s work, a feel for their writing style, without the commitment to reading an actual full-length novel, and you can then decide whether you wish to add the author to your must-read list. “The Book of the Lion,” a tale of academic/rare book intrigue, certainly got Perry added to my list of authors to explore. In this story, our stuffy professor Hallkyn receives a mysterious phone call from a man who claims to have discovered a rare copy of an even rarer work; Geoffrey Chaucer’s “The Book of the Lion,” a romantic history of Richard Couer-de-Lion that has been lost to the ages. The value of such a book, of course, would be in the eight figures at the very least; it’s worth to literary scholarship perhaps even higher. It’s a sort of historical treasure hunt story–this reminds me of William Martin’s Harvard Yard, which involved the search for Love’s Labour’s Found, a long-lost Shakespearean play–and also had several delightful twists.

So, yes, Mr. Perry has been added to my list.

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The Streak

Yesterday was, for the most part, a great day (do NOT mention the travesty/joke that was the LSU game last night; that entire officiating crew, including the booth, should be fired with extreme prejudice. I am not one to blame officiating for losses, but LSU won the game three times and they kept giving A&M just one more chance. Fuck. Off. It’s very hard to not begin–after so much of this the entire season, and not just against LSU–as corruption from the SEC office on down. Greg Sankey needs to resign. NOW.). I got up early and started trying to play catch-up (I was unplugged for most of the week) and then had coffee with my friend Pat, who is a noted historian and a terrific person. I was picking her brains about New Orleans research and she also had an experience I wanted to know about as background for a short story I am writing (“Please Die Soon,” if you must know), and we wound up spending almost three hours chatting, and she also gave me some more ideas for Monsters of New Orleans, which was a lot of fun. We met at the PJ’s on Maple Street in a part of Uptown I’m not sure what to call (Uptown? University? Riverbend?) but it was quite nice to see a part of New Orleans I rarely go to–and discover things–like there’s a lovely breakfast place next door to PJ’s, along with a Christian Science Reading Room (who knew?) and a Starbucks across the street (“Caffeine Alley,” I joked). So after we were finished, I went over to the Starbucks and got some espresso beans for the house, and an insulated travel mug. From there it was about a ten minute drive to Costco, and then back home. I finished reading End of Watch, did the laundry, cleaned and organized the kitchen, and started organizing and doing things in the living room while football games played in the background.

One thing about staying with my family–my mother makes Joan Crawford look like a filthy hoarding slob–was all I can see is how dirty the Lost Apartment is, and how irrationally and inefficiently organized it is. So, yeah…I’m working on that, and probably will today as well.

I need to start digging through all the emails that piled up while I was gone, and I also need to pay bills and update my checkbook. Heavy sigh. But I’ve slept well since coming home, which is lovely, and today I have to make a grocery run, which I will do later this morning.

One thing about driving across country is one is reminded precisely how beautiful this country actually is, or how incredibly vast. New Orleans to Kentucky is over seven hundred miles and takes about twelve hours to drive; and that’s not even close to being halfway across the country. As I drive through Mississippi, Alabama, a small piece of northwest Georgia and through Tennessee–particularly Tennessee–I cannot help but marvel at how beautiful it is; the Smoky Mountains of Tennessee between Chattanooga and Knoxville in particular at this time of year as the leaves are turning. Every time I drive through there I wish I had more time, so I could stop at Scenic Lookout points and take photographs so I can share the amazing beauty with you, Constant Reader.

On the other hand, one cannot help but notice the Confederate flags mounted on the front license plate frames of pick-up trucks and BMW’s and Hondas. This always saddens me when I see it; this clinging to a horrible past and ignoring what that flag actually means to most Americans. Its use, to me, is basically saying fuck you, slavery was a good thing to everyone who sees it, and rather defiantly, at that. As I drove home on Friday, after seeing a proliferation of these on the highway between Fort Payne and Birmingham, an idea for an essay came to me (“Song of the South”) about the “heritage not hate” mentality, and developed that thought even further after talking to Paul about the trip when I got home.

I have so much to write, and so very little time to do it in. Heavy sigh. Sometimes it feels to me that time is nothing more than sand held in my cupped hand on a windy morning at the beach; the grains slipping out of the palm and through the fingers as I desperately try to cling to it.

Heavy sigh. I also want to write up A Game of Thrones and End of Watch.

But I did read short stories while I was gone, and next up is “Mystery, Inc.” by Joyce Carol Oates, from Bibliomysteries Volume Two, edited by Otto Penzler.

I am very excited! For at last, after several false starts, I have chosen the perfect setting for my bibliomystery.

It is Mystery, Inc., a beautiful old bookstore in Seabrook, New Hampshire, a town of less than two thousand year-round residents overlooking the Atlantic Ocean between New Castle and Portsmouth.

For those of you who have never visited this legendary bookstore, one of the gems of New England, it is located in the historic High Street district of Seabrook, above the harbor, in a block of elegantly renovated brownstones originally built in 1888. Here are the offices of an architect, an attorney-at-law, a dental surgeon; here are shops and boutiques–leather goods, handcrafted silver jewelry, the Tartan Shop, Ralph Lauren, Esquire Bootery. At 19 High Street a weathered old sign in black and gilt creaks in the wind above the sidewalk:

MYSTERY, INC. BOOKSELLERS

NEW & ANTIQUARIAN BOOKS

MAPS, GLOBES, ART

SINCE 1912

As you can clearly see, Constant Reader, Mr. Penzler only recruits the upper echelon of crime writers for his Bibliomysteries, and few literary names have as much luster as the highly-acclaimed Joyce Carol Oates. Again, Ms. Oates is an enormously prolific and gifted writer; I’ve barely scratched the surface of the Oates canon but her work often leaves me awestruck and inspired and more than a little humbled.

“Mystery Inc.” is another one of her toothsome tales of darkness; the main character in this story owns several mystery bookstores in New England and has decided that this lovely bookstore in a small town on the New Hampshire coast is the next one he wants to acquire. The loving descriptions of the store, the artwork and rare books for sale make it sound, in Oates’ delightful prose, like a place I’d certainly wish to visit and somewhere you would have to pry me out of with a crowbar. The main character covets the store, and rarely have I ever read such a story of covetousness I could identify with so completely. But the main character not only wants the store, but has a dark plan for acquiring it. And, as always in an Oates story, things in the store might not be what they seem on their surface; the store has a dark, ugly history which the present owner shares…terrific story, absolutely top tier.

And now, back to the spice mines.

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That’s What Love Is For

Well, another week is in the books. I stopped on my way home from the office at the library to pick up my first-ever checked out book from the library (I even requested it on-line and they held it for me), picked up the mail, and stopped at the grocery store.

I don’t think I even have to leave the house now over the weekend. How awesome is that?

Pretty fucking awesome, if I do say so myself. The older I get, the less I want to leave the house. If I could possibly manage it, I would probably become a recluse. How I miss the days of working at home! Going to the gym whenever I felt like it, going to get the mail and grocery store when I was in the mood or stuck on whatever I was writing or editing; when the only pressing things were deadlines and the due-date of bills. I hope and I pray that someday, someday, I will be able to return to those halcyon days of yesteryear.

I am stuck with the book. This morning before I went into the office I opened a word document for Chapter 4, and literally just stared at it blankly. Nothing. Not a single word. I had no idea where I wanted to take the story and the characters next. And now that I’m home, I’m still in that same mindset. So…given that I’ve done about ten thousand words on it thus far, give or take, I think I am going to take the rest of the night off from writing. Maybe reread the first three chapters again, get an idea of where I was going, maybe jot down some notes in my journal…and hopefully will get kick-started again tomorrow when I wake up; hopefully well-rested and refreshed and raring to go.

One can hope, at any rate.

Well, I now have the groceries and a load of dishes put away; the second load of laundry is in the dryer, and I am making some sort of progress on getting everything straightened in the Lost Apartment; cleaning and filing and so forth, so I can spend the weekend relaxing and reading and writing. I also have a freelance editing job I should get out of the way this weekend. Huzzah!

And now ’tis back to the spice mines. A Gregalicious’ work is never done.

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Just Take My Heart

Hey hey hey, it’s Friday! Constant Reader, we did it again–we made it through yet another week. Huzzah for us! We rock.

The weather is supposed to get down into the fifties over the course of this weekend; it’s been humid and wet most of this week already. Some colder weather is probably overdue, particularly since Thanksgiving is in less than two weeks now.

My troubled sleep patterns continue; I sleep deeply for about two to three hours, wake up, and for the rest of the night go into light sleep with occasional wake-ups. I would dearly love to sleep through an entire night at some point, but luck has simply not been on my side on that account this week. It’s troubling, but I’ve not been sleepy nor tired during the day, so I suppose I am getting rest? It’s workable, though; it’s the dreaded being tired and sleepy all day that bothers me the most about my chronic insomnia.

I wrote another chapter of Bury Me in Satin last night; it’s really bad, if I am being completely honest, but that’s why it’s called a rough draft. The story is taking shape in my head, though, which is kind of nice. I do think this is going to be, as I said, a very rough draft; but I am hoping to get this draft almost 2/3rds finished before I head to Kentucky for the holiday. (I also need to give Royal Street Reveillon another going over, which I am hoping to do whilst in Kentucky as well.)

This weekend LSU is off to Arkansas, and I’m not sure where or who the Saints are playing, but here’s hoping their winning streak continues at least for another week. I have some things to do this weekend; I’m not sure what time I’ll be getting off today. I am working at the main office today, helping them pack since they are moving to the new building on Monday. Also, a book I requested is being held for me at the library–look at me, using my new library card! I’m terribly excited about this, needless to say.

I also need to finalize some short stories for the collection as well. I have decided to pull “Don’t Look Down” and replace it with two others; I am going to rework “Don’t Look Down” and publish it, methinks, as a Kindle single.

And on that note, it’s back to the spice mines.

Have a lovely Friday, everyone.

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Wildside

Well, Monday has yet again rolled around, and I am staring down yet another work week.

The weather changed again yesterday–it was in the low sixties when I woke up–so there is hope now that perhaps fall has actually, finally, arrived in the Crescent City. I don’t mind the heat, but I do get weary of it by October–particularly when it’s late October and usually it starts cooling down in mid-September. I’m choosing not to look further ahead in the weather forecast; if it’s going to get unseasonably warm for us again, I’d rather not know ahead of time.

I got another short story rejection the other day; the masochism of being a writer is kind of like when you have an aching tooth and you can’t stop irritating it with your tongue. It was a lovely rejection–something I’ve noted lately from markets I’ve submitted to has been the return of the lovely, well-worded, take the sting out of it rejection emails. I no longer get angry or depressed or wounded when a story is rejected; as a long time anthology editor myself I know what the process is like and rejection doesn’t necessarily, if ever, mean you really suck at this do us all a favor and stop, okay? It is what it is. I continue to try to write the stories I want to write, say the things I want to say, figure out what it is I want to figure out, with each and every story I write. Sometimes the longer a story sits without being finished, or without being revised, is better. I had another couple of thoughts yesterday, for example, for “Never Kiss a Stranger” that I think are going to be key to making the story richer and deeper, more powerful to read, and hopefully connect with potential readers better. I’m glad I’m not rushing this story, but letting the characters and the time live with me a while is helping me to know them better and is turning the story into something much better than I’d originally envisioned for this tale.

And that’s a lovely, lovely feeling.

I opted not to watch the Saints game. The LSU game on Saturday evening was enough stress for me to voluntarily take on over the course of a single weekend; I chose to have s relaxing day of getting things done and cleaning up little chores I tend to put off; making the house more neat and tidy always helps clear the cobwebs from my brain and allows me to free-associate; I make lots of notes and also identify problems in stuff currently in progress that I hadn’t thought of or noted before.

(Okay, I did tune in for the last two minutes of the game. I mean, wow. Seriously, Saints? WOW. I swear, both the Saints and LSU will be the death of me this season.  A missed extra point sealed the win? Oh, my heart…

I am savoring my reread of ‘salem’s Lot, taking it slowly so I can get to know the characters and the setting all over again; enjoying how King builds his slow burn of a novel and sets everything up for the heart-pounding non-stop tension of the second half of the book.

I was also thinking that October is here, and usually I pay tribute to the books and movies and short stories in the horror genre that I’ve enjoyed and have had some kind of influence on me, as both a reader and a writer. And here it is, with only ten days left in the month and I have yet to even acknowledge October and horror; despite having watched (and greatly enjoyed) The Haunting of Hill House this month.

This coming weekend is the bye week for LSU before the Alabama game, so I will be at loose ends on Saturday. I do want to watch the Georgia-Florida game–crucial to determine who will win the SEC East–but other than that, with no LSU game to watch I will most likely have to entertain myself in other ways on Saturday; which means perhaps going to the library at long last and finally getting a New Orleans Public Library card–something I’ve been intending to do for a very long time. The Latter Library on St. Charles is very close to my post office; I can simply make a quick detour there after picking up the mail on Saturday and get my card. The Latter Library is, if you are not acquainted with it, one of the most beautiful libraries I’ve ever seen. It’s housed in an old St. Charles mansion, which supposedly is not only haunted but was at one time home to a silent screen star–but it also has an enormous plot of land., taking up an almost entire block of St. Charles.

And now, back to the spice mines. I have a lot to get done this week, as the end of October looms large on the horizon.

Have a great day, Constant Reader!

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Do I Have to Say the Words?

GEAUX TIGERS!

It wasn’t a pretty win by any means, but a win is a win–and LSU is now the only team to have beaten four teams that were ranked at the time of the game. With Ohio State’s stunning blow-out loss to Purdue, the Tigers should be ranked in the top four (probably number four) when the rankings come out..and also setting up a huge game against Number One ranked Alabama… look completely unbeatable. Regardless, this has been a wonderful dream season so far–particularly when you take into consideration everyone had LSU dead and buried before the season started. The defense looked amazing against Mississippi State last night; the offense moved the ball decently at times, but for the most part looked sluggish and off. But on a night when the offense wasn’t clicking, we still managed to beat a top 25 team 19-3.

Yes, this season has been joyous, for the most part.

I did all my chores and ran all my errands yesterday. I was too nervous about the game to get much else of anything done, other than random tasks that don’t require much thinking; filing, organizing, cleaning, dishes, putting groceries away, and so forth. I did some thinking about writing while my  hands were busy, which sort of counts, and I did look over the Scotty book. I do like getting organized and preparing my thoughts. I am going to try to get my revisions done this morning before the Saints game; knowing I will become completely useless afterwards. But at least I don’t spend as much time as I used to parked in front of the television, flipping back and forth between games I don’t care very much about.

That’s something, at any rate, isn’t it?

The Saints game isn’t until two this afternoon, so I have plenty of time to answer emails and do some editing/revising/cleaning in the meantime. This is actually kind of nice; I slept later than I’d intended this morning but again I feel amazingly rested, which is kind of nice; and I remain hopeful that I’ll be able to get everything done that I need to get done today. It would be lovely to get three chapters finished; but I’ll have to see how that goes as I start writing. I’d also like to get my floors done today, and maybe some more reading of Empire of Sin; I also need to mark up my old journal with sticky notes for ideas on works in progress so I don’t forget about those notes. I used to have such an amazing memory; it’s almost tragic how much my brain has slowed and how overloaded it has become in my late fifties. Tragedy, truly.

Yesterday, in the afternoon lull before the LSU game, rather than reading something new I took down my hardcover copy of Stephen King’s ‘salem’s Lot, which is one of my favorite novels of all time, and dipped into it again from the beginning. If The Stand is my favorite King novel–of several to choose from; if pressed I name it as my favorite but it’s on a pretty equal par with several others, including Christine, Carrie, The Dead Zone, It, Misery, The Eyes of the Dragon, The Talisman, and Firestarter, to name just a few–‘salem’s Lot also holds a special place in my heart for any number of reasons. For one, it’s a book I bought solely because of the name of the author–the first time I did this with King, and from this one on I anxiously awaited the new King novel every year–because I’d never read anything remotely like Carrie before, and I was curious to see what he would do in this new book. I was living in Kansas when it was released in paperback; I actually saw in the grocery store line at Safeway with my mother and I asked if I could have it. She said yes in this instance–I always was asking for a book whenever we were anywhere shopping; whenever we went to malls she would send me into a bookstore while she shopped; the most exciting thing my mother could ever say to me was You can have a book–and I started reading it in the car on the way home. I remember it was a Saturday; I  remember retiring to my room with a bag of taco-flavored Doritos (also a treat; my mom would either get me a bag of those or barbecue Fritos whenever she went to the grocery store and I would spend the afternoon methodically eating the entire bag while reading in my bed), and starting to read. Living in Kansas I had no idea what books were about–there were no book reviews in the Emporia Gazette, the only paper we had access to–and so I could only go by the blurb on the back of the book or on the first page inside the front cover. I had no idea what was going on in this little town in Maine until King revealed it halfway through the book. Also, when you bear in mind that Jerusalem’s Lot’s population at the beginning of the book was just over a thousand and I was living in a small town with a population just under a thousand; it was raining that day and as I read, the rain turned into a thunderstorm that seemed to last for hours; and right at the time King revealed that the secret supernatural thing going on was vampires the wind blew a tree branch against the screen of the window directly next to my bed–well, you can see why I may have uttered a half-scream and dropped the book. I remember my heart was racing and I was breathing hard; I had to go wash my face and take some deep breaths before I could pick up the book, find my lost page, and finish reading it. I stayed up until three in the morning finishing the book. ‘salem’s Lot has always had a place in my heart as the first book I ever read that truly terrified me; I’d read horror fiction before but I’d never had such a major physical reaction of sheer terror and shock as I had in that book. (I had also barreled through Carrie in one day, but it didn’t terrify me so much as suck me into a fast-moving train of a story about a horrible tragedy; I’d never read anything like it before–and this would prove to be the case with so many of King’s novels for me.) Reading ‘salem’s Lot made me a King fan for life; a Constant Reader, if you will. Eventually, other distractions and changes in my life also changed my King fandom; I don’t always necessarily buy his new novel the day it is released and put everything else on hold as I read it in a day or two, shutting everything else in the world out. (I just, for example, bought The Outsider yesterday; I still don’t have a copy of Sleeping Beauties, and I’ve never finished reading The Dark Tower series, haven’t read Bronco Billy or The Girl Who Loved Tom Gordon or Black House or Doctor Sleep or 11/22/63 or End of Watch yet; I know, I am a terrible King fan.)

But one of the things I loved the best about King–one of the reasons I always felt, back in the days when he was dismissed as simply another hack genre writer–was the way he depicted small towns and the people who populate them; Jerusalem’s Lot was the first of his great small towns, to be followed by Castle Rock and later, Derry. King’s small town, and the people who populate them, are so realistic, so real, so these are my next door neighbors, that I’ve always loved his work and characters and their reality, their realness. This is why his horror works so well–the reader is invested emotionally with his characters–which is also one of the reasons why my least-favorite King novel, The Tommyknockers, is my least favorite. (I also want to revisit that novel at some point; just as I want to reread Pet Sematary again. Both are amongst the few earlier King novels that I’ve only read once and never went back to; I used to reread King all the time.) This is also, I think, why Netflix’ adaptation of The Haunting of Hill House was so powerful, and why I enjoyed it so much: so much was done with character and their relationships with each other that I became vested; I cared what happened to the Crains.

And isn’t that, ultimately, what makes any work resonate with the reader? The ability to identify with, and care about, the characters?

I am really looking forward to continuing my return visit to Jerusalem’s Lot.

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Everything About You

Saturday morning. A good night’s sleep had me up earlier than I would have thought this morning, but I feel rested and good; I was exhausted last night for some reason; Friday, perhaps? I don’t know. But I feel good this morning, I only have one errand to run–which is the grocery store, and I’ll try to get that out of the way momentarily–and some cleaning and organizing needs to be done. I also need to do some writing and editing today; yesterday I was too tired to work on the Scotty revision when I got home, so I need to get caught up on that today.

GEAUX TIGERS!

LSU plays their fifth ranked opponent today, Mississippi State. The Bulldogs roll into Tiger Stadium tonight ranked 22nd in the country. They have some nice wins under their belt, and some losses to quality teams–last week they surprised Auburn–and so this is by no means going to be an easy game for LSU. There could be a let down after last week’s huge, physical win over Georgia; Mississippi State is going to come in hungry; and LSU has to be careful not to be over-confident, must stay focused, and try not to look ahead to the big Alabama game in two weeks–which won’t be as important should LSU lose to Mississippi State. I will undoubtedly be extremely tense during the game, but am going to try my best not to get overwrought and overly involved in the game. It’s supposed to be fun to watch for Christ’s sake.

I also have some reading to do, and some editing that needs to get done, and an author interview I need to get started. My intent is to clean out my email inbox before leaving for the grocery store, as well as get some morning cleaning done here in the kitchen/office. My day job is moving at the end of this month, and I will no longer, in the new building, have my own office; I shall be in a cubicle like everyone else–and so have had to empty the bookcases in my office as well as take down all the pictures from my walls. I do not have the wall-space here in the Lost Apartment to adorn my walls with these pictures–mostly of our trip to Italy–and I’ve been trying to squeeze the books in wherever I can, which for obvious reasons has not been easy to do.

I’m still reading Empire of Sin, and am hoping to get further along in that this weekend as well; it may be in my lap during the game tonight. My reading has slowed down dramatically; and I still haven’t done a blog entry about Alice Bolin’s Dead Girls. Maybe later today.

I finished watching season three of The Man in the High Castle last night, and by far and away, this third season is the best of the show so far. It is interesting to me how well they’ve done with the character of John Smith, an American who fought against the Axis during the lost war and has switched sides, climbing the ladder in the American nazi hierarchy and also being groomed for leadership by Himmler himself. Underplayed beautifully by Rufus Sewell, the personal journey of this monster has sort of humanized him–which is, in and of itself, terrifying; this man is a monster and the antithesis of a patriotic American; everything a true American patriot would despise–and yet, those personal problems and tragedies and little heartbreaks in his family life make him almost win the audience’s sympathies…then he does something monstrous and you remember, there are no good Nazis. This show, and its message, are particularly real and powerful and important, given these times in which we live.

In the early 1990’s, I has an idea for a dystopian series of novels, built around the collapse of the American republic and the rise of a totalitarian state in its place; which I was going to call There Comes a Tide. I have all my notes and ideas in a folder somewhere, which means I might take a look at them sometime soon and see if it’s something I want to write in the next year or so. I have a y/a on deck to write after I finish the Scotty revision, and I am also going to be working on the WIP in the meantime as well; I kind of wanted to try writing a cozy after the first of the year and I also have a noir I want to write, in addition to a paranormal suspense thriller I’ve been toying with the last few months. There’s simply never enough time to write everything I want to write, and all the procrastination doesn’t help.

Heavy heaving sigh.

I’ve also decided to pull a long story from my collection and replace it with two shorter stories; the longer story will probably go up as a Kindle single at some point, and I also am in the midst of another long story that will probably turn into a Kindle single as well: “Never Kiss a Stranger.” I’ve recognized that story needs to be longer but it’s not enough of a story to be a novel…and there’s always Kindle single.

And now, back to the spice mines. I need to wash the bed linens, put some dishes away, get these floors cleaned, organize and file….and stop procrastinating.

Have a lovely Saturday, Constant Reader!

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People Everyday

Hulu is streaming a two-part true crime documentary about a string of unsolved murders of women in Jefferson Davis Parish, Murder in the Bayou. I have a copy of Ethan Brown’s book of the same title, released a few years ago, but haven’t read it yet (instead, it’s sits on a shelf in the mini-bookcase to the right of my desk, where I also keep other nonfiction–histories, true crime, cultural studies–about both New Orleans and Louisiana; books which I delve into periodically in order to come up with ideas for stories (novels and short stories and novellas, etc.), or background for the same. (One of the many reasons I laugh when people refer to me as ‘a New Orleans expert’ is because I am everything but an expert on the city; there are literally hundreds of volumes of reference books information about New Orleans I’ve not read and know nothing about)  Mr. Brown came to the Tennessee Williams Festival a few years ago, but I didn’t get to meet him or see any of his panels, but I did pick up his book that weekend.

So, you can imagine my surprise the other night when I opened the Hulu app on my television (ten years ago that sentence would have been as unintelligible to me as Latin) and I saw it listed as a show I might be interested in. “Huh,” I thought, clicking on it, “I wonder if this is the same story as the book I’ve not read?”

Sure enough, it was.

I finished watching the show yesterday afternoon, and then of course, got the book from the bookshelf and started reading it…and didn’t stop until I was finished. I hadn’t intended to do that; I actually started writing this post after I finished watching the documentary series and simply reached over to the bookcase and pulled it out–mainly to see if there were photographs in it–many true crime books do–and since it didn’t, I started reading…and then couldn’t stop. I’ll talk some more about both the documentary and the book in another entry; I want to think about it some more, and the issues that came to mind while watching/reading–but again, as I said earlier, it was yet another example of how little I know about not just New Orleans, but Louisiana in general. As I read more New Orleans history, and get to know my city better with each read, I find myself expanding my former-tunnel vision view focusing on New Orleans only to expand out into Louisiana as well. It’s a truly fascinating state, really–as someone said in the documentary, there are three Louisianas: New Orleans; north Louisiana; which is really part of the Protestant Bible Belt and could just as easily be part of Arkansas; and south Louisiana, which is overwhelmingly French and Catholic; heavily Cajun, in all honesty. I’ve been thinking a lot about the Atchafalaya basin, too; I sort of have an idea about writing about that area. Most of my Louisiana fiction has been confined to writing about New Orleans, or places on the I-10 corridor between New Orleans and Baton Rouge, and sometimes dabbling on the North Shore. I am sure every state has just as rich and diverse and colorful a history as Louisiana/New Orleans; but I also don’t live there, and Louisiana with its strange mix of Creoles, Cajuns, Spanish, and Americans, with the attendant cultures, brews up a strange and endlessly fascinating gumbo.

I realized also yesterday while going through my blog drafts that I have never published my blog entry about reading Gary Krist’s Empire of Sin, which was what sent me down the Louisiana/New Orleans history rabbit hole in the first place.

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“The crime,” as detectives would later tell the newspapers, was “one of the most gruesome in the annals of the New Orleans police.”

At five a.m. on the sultry morning of May 23, 1918, the bodies of Joseph and Catherine Maggio, Italian immigrants who ran a small grocery store in a remote section of the city, were found sprawled across the disordered bedroom of the living quarters behind their store. Both had been savagely attacked, apparently while they slept. Joseph Maggio lay face-up on the blood-sodden bed, his skull split by a deep, jagged gash several inches long; Catherine Maggio, her own skull nearly hewn in two, was stretched out on the floor beneath him. Each victim’s throat had been slashed with a sharp instrument.

A blood-smeared ax and shaving razor–obviously the murder weapons–had been found on the floor nearby.

The book opens with an examination of the strange case of New Orleans’ most famous serial killer: the Axeman. Julie Smith wrote an entire novel  based in the story called The Axeman’s Jazz; it might be the second or third Skip Langdon novel. Poppy Z. Brite wrote a short story with the same name, and of course, American Horror Story: Coven also included the Axeman in its litany of past New Orleans horrors–in the Ryan Murphy version, he stumbled into the Robicheaux School for Girls (read: witches) and they killed him; his ghost haunting the house ever since. The mystery of the Axeman’s identity, of course, has never been solved–as well as the why.

Empire of Sin, however, isn’t about the Axeman entirely; it’s really a history of the Storyville district (again, another notorious part of New Orleans history, probably best known for its appearance in the Louis Malle film Pretty Baby, which probably, with its creepy pedophilia, wouldn’t hold up too well today), and really focuses on the man known as the mayor of Storyville, Tom Anderson, who rose to great wealth, notoriety, and political power through his successful bordellos there–even going so far as to providing the district with its own police force. It’s a story of immorality, the struggle between reformers trying to turn New Orleans into a city free from sin (they won small victories but New Orleans remains New Orleans to this day) and Anderson’s struggle against those “virtuous reforms.” He eventually failed, and Storyville was shut down, but Krist tells a fascinating story, extrapolating his tale of Storyville’s struggle to stay open and functioning (the money being made there brought with it the ability to, of course, buy off the police and politicians), along with the stories of corruption, murder, prostitution, violence and racism extant in the city at the time. It’s also a story of how Storyville also, surprisingly enough, gave birth to jazz music, and provided a way for musicians of color to make a successful living playing music. Storyville was the incubator that provided sustenance to the musicians playing this new form of popular music, enabling them to make a living while developing a wholly American form of music.

Reading Empire of Sin is what sent me down the road to reading history, as I said before, and as I love history, it also made me aware of just how little about New Orleans I actually do know. Discovering little throwaway bits in the book–that there were male prostitutes who serviced men with “more exotic tastes”–reminded me of how frequently, and almost completely, queer history has been successfully erased, and that made me start thinking about, well, doing something more about it. Reading this book inspired two short stories I’ve not finished–“The Blues before Dawn” and “A Little More Jazz for the Axeman”–and also inspired a potential series set during the time. It’s also what gave me the idea for my collection of noir/crime/horror stories that I want to write, Monsters of New Orleans.

I cannot recommend Empire of Sin highly enough.