Category: diversity

Erotica

Work at home Friday, woo-hoo! The excitement really never stops, does it? Ah, well.

Yesterday was a pleasant enough day, despite my complete exhaustion by the time the afternoon rolled around. I was fine in the morning, focused and getting things done, but once I went back to seeing clients after my lunch break, I was physically and mentally fatigued. I also had to pick up the mail on my way home–the traffic wasn’t nearly as terrible as it had been the day before; I do NOT know what that was all about, nor do I want to know, frankly. I came home, did some things, and then collapsed into my easy chair. We started watching that new HBO MAX show about the Watergate burglars starring Woody Harrelson and Justin Theroux (and if you would have told me in 1989 that Woody from Cheers would become one of our best character actors, I wouldn’t have stopped laughing until 1992), but while it’s exceptionally well done, E. Howard Hunt and G. Gordon Liddy aren’t the kind of people I want to know better or see anything about as the lead characters of anything. It was eerie how well they reproduced suburban life in that period (also having Cersei Lannister playing Mrs. Hunt was an interesting twist), but again…I couldn’t get a sense of whether this was parody or striving for accuracy (which shows how insane Hunt and Liddy both are/were), so after one episode we tapped out and switched over to The Diplomat, which is amazing. I fell asleep during the second episode (I’ll rewatch it to get caught up at some point) because I was, simply stated, completely exhausted from a week of working and not sleeping well and emotional upset, I suppose. Last night I slept like a rock–completely dead to the world all night, and even slept for nearly ten hours before rising this morning rested and refreshed. It is quite lovely, frankly, and I feel terrific for the first time all week. Of course tomorrow I have to drive to Alabama (and back again on Sunday) but I have already selected Carol Goodman’s The Ghost Orchid to listen to on the ride to and fro, and I am kind of excited at the chance to listen to yet another brilliant book by one of my current favorite authors.

I’ve not had a chance to pick up Lori Roy’s brilliant Let Me Die in His Footsteps, which I was reading on the way home from Malice last Sunday and loving every word. Despite the fact she has two Edgars and another nomination from her first three books (which is pretty amazing on every level), I think her more recent work is even better than her earlier work. This book is also pretty fantastic, and I can see why it did win the Best Novel Edgar. Roy has a very hypnotic writing style, and is a master of voice; this story is told by two very different and very distinct voices with an alternating dual time-line, which is also something I love, love, love. The pity is that when I finally do finish this book, there will only be one Lori Roy novel left that I’ve not read, When She Comes Home, and I’ll have to hold onto that one until she publishes another book unless I want to (sigh) finish her entire published canon thus far.

I dread the day when I run out of Carol Goodman novels to read, for example.

It’s been a tough week, and I think that its my subconscious dealing with the issues of what this weekend means, really. Over the course of my life I’ve become really good at compartmentalizing my life into different rooms in my brain and shutting and locking the door on things, thinking I can’t deal with that now, I’ll deal with it later but some things are too big to be locked away, and they seep out through the cracks around the door in its frame and drag like a heavy stone at my being and emotions. I hit a major wall when I got home from work on Wednesday; I just got overwhelmed out of nowhere with grief and collapsed into my easy chair for some purring cat therapy. I also find that my moods can easily be shifted with essentially a snap of the fingers this week. I am unused to this kind of grief, and periodically wonder–with a sense of dread and horror–how much worse this will be when I lose Dad, as he is the only parent I have left. I know I am lucky. I had my mom for nearly sixty-two years; most people don’t get that long with one parent, let alone two. How much harder would this have been to deal with when I was younger and more immature?

But that is the kind of thing I always dismiss when it comes to mind–the path of regret is one of futility, wasted time and energy and emotion. You cannot change anything, so what is the point of trying to figure out or thinking about how different things might have been had you chosen A instead of B at this point, or D instead of Y then? The ripple effect of every choice we make reaches people we don’t know in ways we’ll never know, so maybe different choices made by me could have resulted in horrible things happening to other people, and why on earth would I wish bad things for people I don’t even know? That sounds terrible, frankly, and nothing I would ever want.

In some ways, this morning I am kind of looking forward to the drive north. I mean, yes, the destination is grim and sad, but it’s a beautiful drive; I have a great novel to listen to, and I really am looking forward to seeing my father. I want to get a good look at him, you know, and listen to him and see how he is doing. It’s so hard to tell via email or text, you know? Nothing like having eyes on someone for a proper assessment. I’ve decided to go up there this summer for a while, keep him company and spend some more time with him. (And yes, hateful little voice inside my head, I am very aware that I should have been doing this when Mom was alive. No sense in regrets, but I don’t want to feel this way when I lose Dad, so…changes in mentality and thinking are necessary going forward. I do wish it were easier to get up there than it is, though. I don’t think anyone can fault me for thinking that, either.)

Ah well, I have work-at-home duties to take care of as well as chores, so I am going to bring this to a close and head into the spice mines. I’ll check in with you again tomorrow before I leave, Constant Reader, and have a lovely day.

Human Nature

Wednesday!

I was tired yesterday. I slept okay Monday night, but not deeply and I did keep waking up so it was a restless night at best–and I sure as hell didn’t want to get up when the alarm went off yesterday morning. I was also behind at the day job when I got there, so had to play catch up a bit between clients. It was all good, but still a bit more stressful than I would prefer; I also kept thinking it was Monday all day which drove me a bit insane.

I also discovered that my insurance actually does not cover hearing aids for adults; I must have missed the part about having to be under eighteen when I looked it up. Which kind of sucks that in order to hear I have to pay for it out of my own pocket. The good news is I’ve made it this far without them, so I guess I can start trying to save up to pay for them somehow, or maybe I can get them financed or something. I’m not entirely sure, but it’s irritating. Our health care system has been fucked up since, well, the Reagan administration (quelle surprise; what modern day horror doesn’t date back to that bastard?), but the decline of the airline industry actually can be dated to Carter; he was the one who deregulated the airlines under the guise of increasing competition so fares would be more competitively priced. We see how well that worked out, haven’t we? American, United, Delta, Southwest and Jetblue are all that are left now from the glory days of air travel–Eastern, Pan Am, TWA, Continental, Northwest and many others having either folded or been taken over by another airline. Glad we have all these choices now, right? (Sorry, I was thinking about how the airline industry has declined over the course of my lifetime while at the airport the other day, and clearly it was still in my subconscious. I love Jimmy Carter, but this was a mistake.)

I slept better last night. I still woke up a couple of times but I feel very much more rested this morning than I did yesterday. I was tired when I got home from the office so immediately put the dishes away and started another load before the fatigue overtook me. I got caught upon Vanderpump Rules–more on that later–and when Paul got home from the gym we watched this week’s Ted Lasso, which was lovely and melancholy at the same time. (My God, how I love Jamie Tartt! Phil Dunster is killing it in the role this season, too. What an incredible character arc–and now we are seeing a lovely redemption for Nate, who disappointed me but we get to see our Nate again this season, which is so nice)

I did manage to work a little on the book yesterday, and it took me a little while to get reacclimated to the story and everything. I think I’ll be back on track with it again today and thru the rest of the week before I leave for Alabama on Saturday morning; and while the drive up there and back over the weekend will probably be tiring, I think I can see the end of the book coming. It might take me awhile to get there, but the end game is there and I need to really focus at some point to get it done. I may have to take a long weekend in mid-May to get there. Heavy heaving sigh. It’s always about time management for me, isn’t it, and being tired? How did I used to do this all the time? Oh yes, I was younger and hadn’t had COVID yet. *shakes fist at universe*

I need to stay away from Twitter more. I get so angry whenever I go there, and am always tempted to say something snarky or in kind to a troll–I don’t always succeed in deleting the tweet before hitting send, either–and while I am not worried about going viral or getting cancelled (if it happens, it happens, you know, and if I fuck up, I kind of deserve it), I am trying not to be that person. I don’t want to troll trolls on-line, nor do I want to get into tweet-fights with anyone. It’s all just a waste of time and energy that can be utilized better elsewhere (I do, however, reserve the right to troll anyone trolling a friend), and does no one any good. Twitter is the worst of us, really; originally intended for people to connect and interact with each other, it basically evolved into a place for people to complain. Oh, someone cut you off in traffic? Tweet angrily about it! You watched a show you didn’t enjoy? Tweet about it! And so on and so on. Twitter can be fun; I’ve certainly had fun there with friends and of course there’s always my “Greg meme” face, which can be used for surprise, shock, or horror (I actually have the picture saved on all devices for easy access and use as “the horror”); for some reason that always makes people laugh. It is a funny photo, and I will always be grateful that Josh Fegley snapped that shot so perfectly timed to get that expression on my face when the Evil Mark said, well, something evil while we were at Drag Bingo at Oz. I’ve tried repeating that photo without success; it was something in and of the moment, I guess.

Or I’m just older and my face sags so much I can’t replicate the expression. One or the other is the most likely, or probably both.

Heavy heaving sigh.

And on that note, I am going to head into the spice mines. Have a lovely day, Constant Reader, and I will check in with you again tomorrow.

I’ll Remember

Monday morning and I got home from Malice Domestic yesterday afternoon after a rather odd but interesting time at the airport–more on that later. I was very tired–exhausted would not be hyperbole–but also very glad I was home. I had a lovely, wonderful, splendid time; the only regrets I have are that there were times when I was tired and had to go rest in my room for a while and take a break rather than spend that time catching up with old friends while getting to know the new ones. I had trouble sleeping the entire trip, which was unfortunate; even going two days without having any Coke didn’t do the trick (and once it didn’t work, why continue depriving myself?). But what a marvelous, friendly event Malice Domestic turned out to be this year! I also got to thank some people in person for their kindnesses over the last year which was also lovely. I read Ellen Byron’s marvelous Wined and Died in New Orleans on the trip up, so didn’t mind the flight delay or the rush hour traffic my cab from the airport was unfortunately timed to cross paths with. But because of the delay I went for a long time without eating–nothing from my yogurt before I left for the airport until about eight o’clock that evening–so my blood sugar dropped and I never really caught up on it over the course of the weekend. That and the no sleep resulted in a very tired Gregalicious who arrived at the Lost Apartment much later than scheduled–which was yet another life lesson.

On my way to the airport in a Lyft (wonderful, friendly driver named Tyrone who got a 25% tip), just as he dropped me off Southwest texted me of a half hour delay on my flight. No worries–I got to the airport about two hours before the flight, so…an extra half hour, no big deal. Of course, it’s Washington National…small, cramped, overcrowded, and not many options for food once you’re past security. And then it seem like every half hour there was another text with another hour delay. Tired and uncomfortable, I started getting annoyed. But as the delays continued to pile up–along with gate changes, which meant moving and trying to find another place to sit–I moved from irritation to acceptance to amusement, along with a lot of empathy for the airline employees. While they never said what the problem was, I’d assumed it was weather–but now this morning, I am beginning to think it was a mechanical issue. The last text I got extending the delay to make it another two and a half hours after the airport was followed shortly thereafter by another text changing the gate and now moving the flight up from its previous 3:45 departure (originally scheduled for 12:45) to 2:00 pm, which clearly meant they’d exchanged an aircraft and crew for the original one I was supposed to be on. So, that was cool, and the flight was two-thirds empty, so I got an entire row to myself just as I did on the way up to DC. I also hadn’t eaten, and there was nowhere to eat during the delay other than a pizza place (and I wasn’t in the mood for pizza) so was starving by the time I retrieved my bag and car and headed for home. I stopped and got Paul and I dinner–I knew there wouldn’t be anything in the Lost Apartment to eat–and then came home, exhausted and happy to be back home. I love conferences; I love seeing my people and my friends and making new ones and discovering new books and writers to enjoy. My Agatha nominees panel was marvelous, and excellently moderated by Alan Orloff. I was fun being on a panel with Elizabeth Bunce again (and her Myrtle series is marvelous; check it out) and Frances Schoonmaker was an absolute delight. We also somehow all three wound up wearing red and black to the banquet, which was a delightful surprise. I got to sit next to Valona Jones (aka Maggie Toussaint) at the table–she’s lovely– as was everyone else at my table. Didn’t win–so, as per my post the other day, it now seems real to me, and I got my nominees’ certificate which I am going to proudly hang somewhere in the my office space. But there’s also no disgrace in losing to Nancy Springer and Enola Holmes, either. I got to talk about my book, which was nice-–when you’re as prolific as I am, sometimes conferences fall in such a way that I’ve had two out since the last conference, so sometimes I don’t get to talk about a book that I’ve written anywhere publicly other than here and social media. I also loved the questions Alan asked us on the panel; I’m thinking I may answer them at length on here because they were that great kind of question that you could literally spend an hour talking about instead of just the limited time we had for the panel. (I was also thinking I should maybe talk more about the book again? I don’t know. It was lovely. I had a lot of people tell me they’d read it and even more telling me it was a great title…so maybe I should talk about it some more? I don’t know.) I got to sit next to Mariah Fredericks at the signing, so I got to meet and talk to her a bit and she’s delightful (her latest, The Lindbergh Nanny, sounds amazing). I am glad I got to spend some time with friends, too–there was lots of laughter, which was wonderful–and I never got over-served, which was also a first for me at a mystery conference! Maybe that was why I couldn’t sleep? Nah, definitely not that. I also got to talk about being banned for the first time in years; for one thing, it’s hard to believe it happened eighteen years ago and now everyone is dealing with the shit I dealt with back then, too….so it occurs to me that in light of the return of the banning, I should probably write about it again from the perspective of how things are now. I also was thinking I should write about how much I love Elizabeth Peters/Barbara Michaels after going to the appreciation panel; she helped found Malice, which always puts Malice into a special place in my heart already because I loved her work.

Anyway, I got home while it was still light out, unloaded my suitcase into the washing machine and got that started; put my dress clothes in a pile to take to the dry cleaner’s; and then spent the evening relaxing with Paul and Scooter while we watched Ghosted (the new Chris Evans/Ana de Armas action/adventure rom-com which was actually kind of cute and fun–the two stars are likable and charming and have good chemistry) and then more episodes of The Watchful Eye, which is quite strange and oddly entertaining. We’ll probably finish off the series tonight. I do have a lot to do today–I took the day off, and am very glad I did, as I was exhausted and OMG, I slept so good; there’s nothing like your own bed, seriously–and then we’ll need to find something new, although I think there are some shows we watch dropping new seasons this month. I have to get the mail, pick up a prescription, gas up the car, have a doctor’s appointment, need to get groceries, and have a ZOOM meeting tonight. I also have to dig back into the book; I am so horribly behind on this revision it’s not even funny. ANd it’s May already. Jesus. I also started reading Lori Roy’s marvelous Edgar winning Let Me Die in His Footsteps from 2015; Constant Reader, it is quite wonderful and I honestly can’t wait to finish reading it. Lori Roy is one of my favorite current authors, and doesn’t get nearly the attention she should. (She’s also one of those rare authors who hit the ultimate dual–Edgars for Best First Novel and later for Best Novel.) The kitchen is a mess, as always, but I’m glad I spent some time before the trip trying to get that shit caught up because it isn’t nearly as bad as it could be (and was).

And now I have a day to get caught up on life after being in my author bubble for a few days to ease my reentry into my regular life. I won’t get to be AUTHOR again until Bouchercon in San Diego. But that’s okay, you know. I like the balance of the two different parts of my life, and there’s nothing like working in an STI clinic to keep you not only humble but grounded in the real world.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and thanks again to everyone at Malice Domestic for a simply marvelous weekend.

Bedtime Story

Saturday morning of Malice and I am up at this ungodly hour because I have a very early (for me) panel, the Agatha Awards Best Children’s/Young Adult nominees panel. I still don’t believe I’m an Agatha finalist–that won’t sink in completely until after I lose tonight at the banquet (the noms never seem real to me until I lose). I am very grateful to everyone who voted for me to be nominated, and yes, it is absolutely 100% true that the nomination in and of itself is an honor. I’m definitely not the first queer author with a queer themed book to be nominated for an Agatha; there are two of us this year for sure (yay for Rob Osler!), but the past? Hard to say with any certainty without going back and reading everything that has ever been a finalist, but I’m still pretty proud of myself. The queer kid who used to dream big in his bedroom in Kansas has now been nominated for four Anthonys, a Lefty, a Macavity, and an Agatha, among others, and all of these have been a shock and a surprise–very very pleasant ones, at that–because it never even crossed my mind that any of that was even potentially possible for me, ever. Awards aren’t something I think about when I write anything (the very idea of hmm this might win me some awards is a completely alien concept for me; I think that’s the case with every writer. I could be wrong), but they are absolutely lovely.

And I try not to let the egomaniacal narcissist at the core of my being to get caught up in the competitive mindset. I learned that lesson the first time I was ever nominated for anything, when Murder in the Rue Dauphine was nominated for a Lammy. Oh, how I wanted to win that goddamned Lammy! I was still new to the business and very raw; still adjusting to the reality that everything I’d ever wanted in and for my life was happening, and I was still scarred from years of thinking (and being told, repeatedly) that my dreams were unrealistic and would never happen. I think I wanted the validation of winning an award more than the award itself; it was another opportunity to flip off the people who’d always tore me down and belittled me, made me feel unworthy of anything good. But when my name wasn’t called after the ritual opening of the envelope, I was overcome with disappointment and the thought still not worthy flashed through my head as the winner walked up on-stage to accept his award. But as I sat there, listening to the winner thank people, seeing how genuinely moved he was, and remembering he’s such a nice guy, I realized I was genuinely happy for him. The dark clouds parted and the sun started shining again. I’d been a finalist. Many writers are never nominated for anything; I’d say the vast majority of us are never finalists for any kind of award. Some only get nominated once and then never again. My little debut mystery novel that no agent wanted to represent had been picked by judges as one of the best five gay mysteries published in that year. It earned out and sold well. I should be grateful, not competitive. I don’t really like that competitive mentality that springs up in my head around this kind of thing, so I always try to stomp that mentality out whenever it rears its ugly head.

That first book started a career that now spans over twenty-one years, forty novels, fifty short stories, and over twenty anthologies edited. I’ve been nominated for so many awards over the years that I can’t even remember them all. I’ve even won a few times, which is incredibly humbling. I’ve shared a table of contents in anthologies with major writers whose work I admire and respect–and can call some of them friends. I am so incredibly lucky and blessed, and sometimes (frequently) I forget that. I have an amazing life. I live in a city I love with the man I love doing the work I love–both writing and the day job. The day job can be exhausting, but I actually do work that makes a difference in people’s lives, and I am not the kind of person who can be happy doing a job that I don’t feel makes positive change in the world. My day job has also been an incredible education; I’ve learned so much from my co-workers and my clients that it kind of seems wrong that I get paid. I have the most amazing friends in the world; incredibly smart and talented and kind and supportive people, the kind of friends I used to dream about having when I was that lonely kid in Kansas that everyone whispered about (some said it to my face, but while painful and awful at the time, I kind of respect them more than the ones who pretended to be my friend while mocking and laughing at me behind my back. For the record, it was a very small school and everyone talked, so I knew then who you all were and I still know it now. Have never once regretted getting out of that shit-hole state.). I know so many wonderful people now; so many that I really want to get to know better–what a marvelous problem to have, right? I know so many amazing people that I can’t get to know them all as well as I would like.

The kind of problems I never dreamed I’d ever have. Lucky, blessed, and charmed. Awards are really just lagniappe.

And on that note, I am going to get ready to go forage for coffee and get ready for my panel. Have a great Saturday, Constant Reader–and I will be very happy and proud for whoever’s name gets called tonight.

Bad Girl

Ah, Malice Domestic.

My flight was a bit delayed yesterday–weather between New Orleans and Fort Lauderdale–and then got stuck in a lengthy cab ride in horrific DC traffic (which is why I never drove that miserable year we lived here), but over all it was pleasant. The flight wasn’t full, I had a row to myself, and the screaming infants on the other side of the aisle weren’t too obnoxious, and I got to read Ellen Byron’s Wined and Died in New Orleans, which I’ve been calling the wrong name for quite some time now, which is more than a little embarrassing (it’s because I’ve always wanted to write something called To Live and Die in La.–which is a play on the title of a crime film from the 1980’s I remember nothing of other than the title song was recorded by Wang Chung and I kind of liked it; and I think–could be wrong–Willem Dafoe was in the cast (I don’t care enough to look it up; you can access the Google just as easily as I can). Other than that, I don’t really remember a whole lot of it.

But I did make it to the hotel, got my registration packet, and then started running into friends–first up were Barb Goffman and Dina Willner; always a treat when the first people you run into are lovely people you enjoy–and then that first night became a bit of a blur; I wound up having dinner with Julie Hennrikus and Sherry Harris, then ran into Ellen Byron (see above) and then I wound up sitting in the bar with her, Vicky Delaney, Leslie Karst, and a couple of other lovely people whose names I do not recall. Then, very tired, I repaired back up to my room and actually slept decently (for a hotel; it would have been a ‘meh’ sleep night if I were at home). The bed is actually very comfortable, the room itself is nicely sized, but cannot comment on the shower yet, as I’ve not had one but no worries–it’ll be happening very soon.

It just feels very good to be around book people again. I kind of need that, you know? Writing is such a weird profession, in that you spend most of the your time isolated from your colleagues (co-workers, really) and even if you like near other writers…everyone is busy. We all have jobs on top of our writing, we all have families and homes to keep up and errands to do and the everyday minutiae that has to be done every day…and then you have to carve out time from all of that to do your own writing. I try to be very jealous of my writing time and always try to protect it, which was always an issue before. And yes, there are many times when I’ll find something else–anything else–to do other than write, I really don’t understand it, but almost everything I love to do is something I have to make myself do. I have to make myself go to the gym. I have to force myself to write…although that usually happens when the other option is so odious that writing is preferable. But once I get started–when I finally get started–I love it. Just like the gym. I always feel so good afterwards (that endorphin rush is so marvelous)…which reminds me, I want to start taking walks every day when I get home from work, even if it’s just around the block or down to the park and back, I should spend more time outside, really.

I should do a lot more things.

But I already feel invigorated and inspired, which is really the primary benefit (for me) of coming to these things. Even yesterday on the flight I was putting Ellen’s book aside from time to time so I could scribble an idea into my journal. That’s very cool. I think this morning I’ll probably take a shower and then spend some time editing the new Scotty because I may not get another chance to work at all and I am running (as always) out of time,

So on that note, Constant Reader, I will bid you adieu. My panel tomorrow morning is early, and I have to leave for the airport relatively early on Sunday morning, too, so…this may be the last you hear from me until Monday. Can you go two days without me, Constant Reader? Chin up! You can do it. And besides, you know me. I’ll probably post something anyway.

Hanky Panky

I honestly believe that a lot of our problems in this country are a direct result of an attempt to enforce some national prudery standard that relentlessly tries to shame any and every one of us for the perfectly natural and normal human functions of our body. We are seeing this again in this modern age, as the Morality Police (who are all-too-frequently hiding some horrific skeletons in their own closets) try to get books banned, discussions about sex and sexuality and gender stifled and silenced, and entire segments of the population erased from public view and hidden away again because it makes them, well, uncomfortable.

Well, semi-automatic weapons, religion, and bigotry make me uncomfortable, but that doesn’t matter, apparently, as I am (to borrow a phrase from John Irving and The World According to Garp) a “sexual suspect.”

Ironically, I distinctly remember what television was like back when it was heavily censored and what was considered wholesome family entertainment was aired. It didn’t mean sex wasn’t talked about, it just meant that it had to be implication rather than outright said–which led to incredibly stupid phrases to stand in for sexual contact, or sexual intercourse, that were completely transparent and frankly, kind of stupid. That was the kind of television I grew up with, where everything was plastic and phony and created a false sense of what the country was really like (where, for example, are Mayberry’s Black people?), and some people watch those old shows and think, oh, what a better and simpler time we lived in then! We must get back to that world of innocence!

Which, of course, is complete and utter horseshit. Television of the 50s and 60s most certainly were not reflections of culture and society as a whole, no matter how much someone might want that to be the truth…it was not.

When I was a child, I hated the stupid, coy euphemisms screenwriters employed to mention sexual activity and escape the censors; “hanky-panky” is perhaps one of the worst. “Making love” is another one that puts my teeth on edge; “making whoopie” still another, and perhaps the worst offenderof all was ‘vo-dee-oh-doe’ from LaVerne & Shirley. Even when I was a kid that kind of “nudge-nudge wink-wink” kind of thing annoyed me; I can remember thinking, many times, “just say fuck, for Christ’s sake.” “Making love” is one that was really popular on soaps, and it’s always said tearfully; it also made me want to slap the speaker (and of course the movie Let’s Make Love really should be Let’s Fuck). The fact that we don’t have a common, easy to use word to substitute for fucking that delicate sensibilities won’t consider profane is part of the problem in this country, frankly. Oh, no! Sex is dirty, we can’t talk about that! We can’t come up with a non-offensive word for it because just thinking about sex upsets some people. God forbid we actually have a realistic, honest conversation about sex and sexuality. I hate to break it to you prudes, but sex is normal and healthy. The fact that our culture has tried so desperately to appease the prudes by turning sex and sexuality into something we’re just not supposed to talk about has put braces on our brains, and anchored fear and loathing to our sexuality; if our mightiest God in this country is Money, the second mightiest is SHAME. Having your body react to stimulation by getting aroused? SHAME ON YOU.

When I was growing up–and granted, things have gotten a little better since then–even masturbation was considered something shameful that no one would ever admit to; nothing like learning repression when you’re going through puberty. It was an insult to call someone a jack off; you mocked boys by talking about them jacking off…which was something I did pretty regularly, so even more SHAME. And when you take into consideration the fact that even as young and sheltered as I was, that I knew my sexuality–my physical and intellectual and emotional attraction to other men–was wrong and something else to be ashamed of; not only was I masturbating but I was thinking about men while I was doing it: DOUBLE WHAMMY.

It took me years to shake off that prudish conditioning, and it wasn’t until I stopped feeling shame about sex and my sexuality that I finally started to actually live my life, rather than having a life that just happened to me. Fear and shame had made me passive; afraid that being myself and living the kind of life I wanted to would cost me friends, family and employment; afraid that embracing having sex with other men (and exploring every element of what that meant) would lead to an infection that could kill me; afraid afraid afraid.

I often say that I refuse to live in fear, but that I am also sensible; I always am acutely aware of my surroundings and everyone around me–while that may have developed from being gay and knowing that made me a target, I think it’s prudent and smart to always be aware, regardless of who and what and where you are.

Given my prudish upbringing and conditioning, as well as the shame and fear I lived with for so long, it is kind of interesting that I started write erotica in my late thirties. Writing erotica for me was an education in many different ways. I learned a lot about myself while writing it, for one thing; for another, I taught myself how to write short stories by writing erotica (beginning, middle, end is never as apparent or obvious as in an erotic short story), and I was also able to work through a lot of my own issues with shame by writing erotica. The first erotica story I ever wrote, “The Wrestling Match,” was a liberating experience for me; I found myself blushing with embarrassment as I wrote it, which was an interesting (to me) phenomenon. Why was I so embarrassed to write about desire, lust, and sex?

Because years of conditioning to associate shame with desire and sexuality had taken firm root in my mind. It was an interesting experience–and the next time I wrote an erotic story, tit was an entirely different situation; there was no shame or embarrassment. Apparently, all it took was writing that first story to work through it…it was also interesting, because around that same time I was trying to get caught up with all the queer fiction and nonfiction I hadn’t known existed for such an extended period of time, and reading has always been how I learned about anything. I was reading Dorothy Allison’s essay collection Trash (which should be required reading, really), and Dorothy’s point that if we spoke honestly and openly about sex and sexuality (and other aspects of human life that for whatever reason we’ve been conditioned to think we can’t talk about) a lot of the stigma and shame most people feel would be eliminated. As long as your fantasies don’t involve hurting anyone or children–if everyone involved is able to give informed and full consent–there’s nothing to be ashamed of, really. But we’ve been conditioned in western civilization since Catholicism conquered the Roman Empire to consider anything of the body to be sinful and shameful; things of the mind and spirit are what we are supposed to focus on while denying the earthy sinfulness of our sexual desire. (This also goes for other bodily functions, like waste and gas) This is particularly true when it comes to kink. We’ve been conditioned in this country to think anything besides missionary position between a man and a woman is something so beyond that it must be shamed, and reacted to with revulsion. Why? As long as no one is being hurt and everyone is on board, I don’t care if you like being spanked, or lashed with cat o’nine tails; or if you like to wear leather and get a thrill from it. My own kinks primarily are focused around the domination/submission play of wrestling; I’ve written about that extensively enough to not feel the need to go into it again here (but check out my erotic pro wrestling novel, Going Down for the Count, available at any bookseller on-line!).

We don’t have honest conversations about sexuality and desire in this country. Writing an erotic short story was incredibly freeing for me; it broke the bonds of shame that indoctrination had built up in my brain. It may not be the case for everyone else, but it’s always interesting to me that people never question themselves when it comes to their own prudery, lusts and desires. (The way they depict it on the hilarious animated comedy series about puberty, Big Mouth, is particularly genius: the Shame Monster.) If you feel shame about your sexuality and your desires, shouldn’t you examine that? Where did it come from? Why do you feel this shame, and what is its root cause?

I do spend a lot of time gazing at my own navel and trying to figure out where all of my phobias and fears and so forth come from, so it’s always interesting to me when people don’t and seem to have no interest in self-examination. Maybe it’s just another form of my own narcissism and self-absorption; that could easily be the case. I sometimes wonder if the reason others don’t reflect on themselves and self-evaluate is because they are somehow more comfortable in their own skins than I am in mine. It’s certainly possible.

But the only way we can stop a lot of the bigotry and hatred in this country is to start being open and honest about sex, sexuality, and desire. To stop shaming people for being interested in sex, and exploring their fantasies and desires. Almost all of our prejudices are rooted in this fear of sex and sexuality; white supremacy is, in some ways, about protecting the “purity” of their blood and “womanhood” from the sexual predation of non-whites. (That was really what the trial in To Kill a Mockingbird was about; but interestingly enough Harper Lee, in illustrating Southern white bigotry through a rape trial, was also unintentionally sending a very strong message to her readers about class structures in the South; but that’s a subject for another time. White people really love that book….)

Banning books and discussion of sexuality and gender doesn’t make those things go away; instead, it just makes them even more enticing as forbidden, things that are dirty and we aren’t supposed to talk about.

Then again, if we are going to talk about these things, people also need to listen–and the ones who need it most? Never are the ones listening in the first place.

This Used To Be My Playground

Monday morning of Malice week. Ugh, all the little things one has to do to get ready for traveling. Make a list of what to pack, take inventory of the kitchen to make sure Paul has what he needs while I’m gone, and so on and so forth. Heavy heaving sigh. But my flight Thursday isn’t super early; eleven-ish, if I recall correctly, which means I don’t have to be at the airport until around nine, which isn’t bad. I’m going to take some books with me to read for pleasure at the airports and while in flight; I will be editing when I can in my room periodically trying to get this revision finished by the end of the month. The weekend wasn’t nearly as productive as it could have been–there was another wave of depression and grief to be gotten through this weekend, unfortunately–but I did make some progress, which I am taking as a win. I did also make a to-do list for the week; that should help in some ways.

We watched A Knock at the Cabin last night, which I enjoyed; a lot more than I usually enjoy an M. Night Shyamalan movie. I had also enjoyed the book on which it was based, The Cabin at the End of the World by Paul Tremblay, who is one of our best horror writers today; I’ve enjoyed everything of his I’ve read thus far. The film follows the book very closely; it’s one of those claustrophobic horror stories where some city folk take a vacation in the country at a remote cabin–but remote and country are very much staples of horror; someone really should do a look at the trope of “city folk in the country” horror–and things of course go very south. The film is very well cast; Jonathan Groff and Ben Aldridge play Eric and Andrew, a gay couple who’ve adopted a young Asian girl they’ve named Wen and they make an adorable little family group. The location of the cabin is idyllic and tranquil and beautiful; the perfect spot for some city folk who want to get away from the every day and rest and relax. Wen collects grasshoppers in a jar because she wants to study them; the movie opens with her catching grasshoppers and then catching a glimpse of a very big man coming through the woods to talk to her. This is Leonard, played very well by Dave Bautista, who is the leader of a group of four people who have seen visions and have concluded that in order to stop the apocalyptic end of the world, they must come to this cabin and present the family with a horrible choice: they have to sacrifice one of their own in order to stop the end of the world. Are they crazy? They sound like it, as they try to reason with the family…but what if they aren’t? The movie’s ending is different than the book’s–there was no way they could film the book’s ending, really–but I do prefer the book’s ending than the film’s; it seemed like the inevitable outcome, and made the most sense. It’s a good movie, I do recommend it, but one thing I’ve always been curious about since reading the book and was only heightened by viewing the film: why a gay family? I gave Tremblay props when I read the book, because they were very real and didn’t seem forced or stereotypical at all; I thought it should stand as an excellent example of someone who is not gay writing gay characters. The politics of the representation–gays in peril–is one I am not going to give any time to; sure, the gay family was in danger almost from the minute the credits rolled, and it was nice having a gay couple to root for in a horror film. Horror by its very nature is disturbing and tragic; you cannot have gay representation in horror and then not expect the gay people to go through some things, you know? And having gay characters also adds another dimension to the home invasion situation–are they crazy, are they telling the truth, or did they target a gay family purposely? There’s an essay to be written about the book and the movie from a sociopolitical and sociocultural perspective, but I don’t know that I am the right person to write such a thing; I’m not an academic, after all, and have very little desire to ever be an academic.,.although that sometimes can explain my insecurities about thinking deep and heavy thoughts and wanting to write deep and heavy essays picking apart and deconstructing gay representation in modern fiction, with an emphasis on horror and crime.

I also read some academic treatises this weekend, one about being gay and the gay rights movement’s intersectionality and how it got away from that in the beginning only to circle back around to it in the present day, and the other about the television show Dark Shadows, which probably had more influence on me, my writing, and my preferences when it comes to reading, film, and television than anything else I’ve watched or read in my life. I know I used to watch classic black and white films with my grandmother (she was a big fan of the gay icons, ironically: Bette Davis, Joan Crawford, Barbara Stanwyck, and Katharine Hepburn; she also liked horror and noir, and she was a fan of Dark Shadows, as was our babysitter down the street, Mrs. Harris), so pretty much my course was set when I was a little boy–gay writer was my future. I should write more about Dark Shadows–I was actually thinking last night that I should write a memoir of being a writer; my influences and how they shaped my creativity and what I actually write–not that anyone would be interested in reading such a thing, of course; which is partly why I don’t write more personal essays. Just as I’ve never really been interested in writing a writing manual, or one of those Greg Herren teaches you how to write a novel things. I always feel like a fraud when I talk about writing; never does my Imposter Syndrome strike as hard as it does when I am talking about writing or teaching a workshop. I don’t know.

It’s back into the office with me today. It’s a light day for me; mostly busy work, like data entry, filing, resupplying testing rooms, that sort of thing. It’s always nice to ease back into the week with an easy day in the office. It’s also weird to know that I am leaving on Thursday morning; the trip doesn’t seem real to me yet even though I’ve already made plans to meet up with people while I am there. Looks like I’m going to have to take a Lyft or an Uber from the airport once there, which is fine. And then of course when I get home I have to make up for lost time with the manuscript. Heavy heaving sigh. It wasn’t a good weekend for working, really; I kept spiraling and had to finally, on both days, remind myself that my mental health was more important than a deadline and so focused on positivity and and worked when I was able to get things done. The house isn’t nearly in the kind of shape I would like for it to be in when I am leaving for a weekend (two in a row; the next weekend I am off to Alabama) but seriously–when is it ever? I just need to make sure everything is in order before I go away on Thursday morning. Heavy heaving sigh.

And my books that I’ll be taking to read with me are going to be That Summer Night on Frenchmen Street, Wined and Died in La,, Let Me Die in His Footsteps, and Monday’s Lie. I am not going to get through all of these, of course; I may even cut it down to two–like I won’t be buying books in the book room, please–and I will also be working on the revision while I am there, too. (I so wanted to be finished before I leave…)

And on that note, I am going to get cleaned up and head into the office. Have a lovely Monday, Constant Reader, and I will check in with you again tomorrow.

Justify My Love

It’s a bright and sunny morning in the Lost Apartment today and I feel rested. I slept deeply and well, only waking once to deal with a hungry caterwauling animal before going back to bed for some more sleep. It’s funny how eight can feel like sinfully slothful sleeping in when your body has gotten sort of used to being untimely ripped from the clutches of Morpheus at six.

Yesterday wasn’t a good day, which caught me by surprise but I rolled with it. Grief can sucker-punch you when you aren’t expecting it, and last night was one of those nights. Days, really; the sucker-punch came while I was working but managed to hold off on the emotional crash until I finished my day job duties. I managed to get the laundry and dishes done, but not much of anything else the rest of the day once my day went off the rails. We did finally watch this week’s Ted Lasso last night together, and it was even better the second time; I think that’s what had been missing the previous episodes–that sense of, to be corny and play into the episode some, “everything’s going be all right.” The Jamie-Roy scenes were particularly lovely, and I’m hoping that Rebecca’s encounter with the boat man has made her regain some of that sense of self she really needs to get back. And of course, the Trent-Colin scenes were particularly lovely. We then watched the season finale of The Mandalorian, which was the best episode of the season, and then started our way through P-Valley again before retiring for a good night’s rest. This morning I feel good and balanced; I am going to have to run errands today, which will make today’s working on the book interrupted and a bit messed up. I am way behind on this, and really can’t allow myself to get sidetracked and/or distracted at all, because I have other things I need to be working on that I am not working on and that cannot be allowed to continue. The ability to juggle and keep many plates spinning at the same time has kind of slipped these days; I don’t know if it’s a skill set I’ve lost for good or if it’s a temporary thing; I hope it’s a temporary thing, quite frankly.

If it is, I’m going to have to rethink a lot of things about how I get shit done. Yikes. Adaptability is always important…even if I am fucking sick and tired of having to adapt all the time. Heavy heaving sigh.

I still haven’t selected my next book to read. The choices are Ellen Byron’s Wined and Died in LA; Lori Roy’s Let Me Die in His Footsteps; Jamie Mason’s Monday’s Lie; and Chris Clarkson’s That Summer Night on Frenchmen Street. I am leaning toward the Clarkson simply because it’s not a crime novel, and I feel like I need to take a little break from crime fiction for awhile. That Summer Night is a young adult romance novel, and it’s probably the only one I know of set in New Orleans (I know that can’t be right, but right now on my second cup of coffee I simply can’t think of another one–I know there was a really bad one about a ghost from Lafayette Cemetery #1 that i read about a decade ago whose name I cannot recall, and it did make me think writing y/a set in New Orleans was probably not the best idea, even though I had an idea for one or two because of course I always do), and I really liked Chris when we were on the panel together at Saints and Sinners…plus it’s a New Orleans book. I am really making an effort to get through the TBR pile before adding more to it–although I will always be adding more to it–and I think 2023 is a good year to do that. Now if I can only stay motivated….

It’s weird to think that I’ll be leaving town on Thursday, too. I definitely need to make a to-do list and start working my way through it. At this time next Saturday I’ll be signing in the book room at Malice Domestic, dealing with exhaustion, and trying to find some downtime to get work on the book done. I am flying home on Sunday, so I also took Monday off so I can recalibrate and get caught up on things like groceries and so forth. It’s almost May, Christ. I need to get this fucking book revised and out of my hair so I can move on to writing something the fuck else.

I also saw this morning that Alex Segura won the LA Times Book Award for Best Mystery/Thriller for Secret Identity, an award which I whole-heartedly endorse. It was one of my favorite books of last year, and Alex also happens to be one of my favorite people in this business. Yay! I love when this sort of thing happens to wonderful people who write wonderful books. Yay!

And on that, I should probably head into the spice mines. Have a lovely Saturday, Constant Reader, and I may be back later. If not, tomorrow.

Like a Prayer

For me, one of the great joys and pleasures of being an author and being part of the business is getting to meet and discover new-to-me talents. I am very quirky when it comes to reading; I do things like always leave one book by an author unread so I know I still have one more book of theirs to read–there are a couple of authors I am caught up on completely and waiting for another title is agony (looking at you, Laura Lippman and Megan Abbott and John Copenhaver).

I had heard of Scorched Grace before this past Saints and Sinners; Paul had asked me if I knew the author and explained everything about her and her debut novel several months before the event. I was of course completely fascinated; how can you not be fascinated by “her main character is a chain-smoking tattooed lesbian former punk rocker who is now a nun”? I immediately ordered a copy–isn’t that cover amazing?–and then at Saints and Sinners, I heard Margot read from it, and then attended a panel she was on and was terribly impressed. I decided it absolutely had to be my next read. It took me a lot longer to read than it should have–particularly since I was enjoying it so much–which has more to do with other obligations and pure exhaustion so shouldn’t be used as a gauge of the book’s quality.

Because this book deserves your full attention.

The devil isn’t in the details. Evil thrives in blind spots. In absence, negative space, like the haze of a sleight-of-hand trick. The details are God’s work. My job is keeping those details in order.

It took me four and a half hours to do the laundry and clean the stained glass, and my whole body felt wrecked. Every tendon strained. Even swallowing hurt. So, when my Sisters glided into the staff lounge for the meeting, folders and papers pressed against their black tunics, I slipped into the alley for some divine reflection–a smoke break. It was Sunday, dusk.

Vice on the sabbath, I know. Not my finest moment. But carpe diem.

An hour to myself was all I needed. An aura of menace taunted me all day. The air was thick and gritty, like it wanted to bare-knuckle fight. Sticky heat, typical in New Orleans, but worse that day. The sun, the swollen red of a mosquito bite. Slow simmer belying the violence of the boil. I couldn’t sit through another reprimand.

Sister Holiday is easily one of the most compelling, and interesting, main characters to come along in crime fiction in quite some time. And while there is a good and involving mystery at the core of this novel–who is setting the fires at the convent school? Who killed the maintenance worker? Was the fire set to cover up the murder or are they part and parcel of the same thing?–the absolute strength and power of this book comes from the narrative voice of this peculiar, not your average not-taken-her-vows-yet nun. She’s fascinating, and the voice is so strong and powerful: cynical yet innocent, bitter yet hopeful, Christian yet not. Her back story, which we learn through her progression of following clues and interviewing suspects and trying to put all the shifty pieces together, is enough in and of itself to keep the reader involved and turning the page.

And the language! My word, the power of Douahy’s language choices, sentence and paragraph structure! Here are some examples I marked:

Revenge is a stupid way to feel in control. Like all drugs, it doesn’t last, but it sure is fun in the moment. (p. 75)

Most boys couldn’t be trusted. Testosterone poisoning, Moose was fond of saying about guys and their bluster. I imagined the cartoon poison flowing through boy veins whenever my brother said that. (p. 79)

There is a sublime wholeness in holding one another, fitting into other bodies. We eat the body of Christ. We drink the blood. So many years later, Nina’s taste still laced my mouth–champagne, sweat, graphite licked off a thumb. (p.106)

New Orleans was ornate in every way, especially in its punishment. Like wispy fiberglass, the city doesn’t feel like it is of this world. (p. 107)

Everything in New Orleans is overdue, overgrown, dripping. The oak trees decked with boas of Spanish moss. Frogs creaked and peeped until the moon set. Morning glory vines strangled pink roofs and wisteria tentacles swayed in the cross breeze. A row of traditional, one-level shotgun homes: bright orange window frames, mint-green wooden shutters, and bright white columns A cat meowed on a nearby porch. (p. 123)

We are all like stained glass, beautiful and complicated and fragile as fuck. We all need care. And some of us don’t get what we deserve. (p. 233)

What a glorious read this was. I look forward to the next in the (planned) trilogy; and will probably revisit this one, too. Get a copy now.

Dear Jessie

Thursday and my last day in the office for the week, with no health fair to drop in for tomorrow morning. I can just sleep late and can relax with no worries about getting to the office. Our schedule is full today, for the first time since pre-pandemic, so it’s going to be a day where I probably won’t have time to breathe much.

Paul worked late last night writing a grant, so I did go ahead and watch this week’s Ted Lasso without him, and yes, I will definitely be happy to watch it again. I usually watch each episode twice anyway, and what a delight this episode was. I know there’s some grumbling out there about this season, and I will admit so far this season hasn’t been quite up to the high standard the first two seasons set–it is still quite excellent–but this week’s episode? Chef’s kiss, perfection, no notes. (If you haven’t already seen it, stop reading right now and skip to the next paragraph.) The sequence where Jamie teaches Roy to ride a bike, set to “Raindrops Keep Fallin’ On My Head”? (People who’ve never seen Butch Cassidy and the Sundance Kid might miss the reference, but it made me smile.) Absolute perfection. It never ceases to astonish me that Jamie Tartt has become one of my absolute favorite characters on the show; his journey from self-absorbed narcissist to a kind, caring and considerate person has been one of the best character arcs I’ve ever seen done on television. Then add in Trent and Colin’s scenes, where Trent comes out to him and tells him he already knows about Colin? That conversation was filmed in front of the Homomonument in Amsterdam that commemorates the queer people killed in the Holocaust or those who were later prosecuted and persecuted for the crime of being themselves, which made it all the more touching and moving. Colin’s whole thing about two separate lives, wanting to just be himself, being able to kiss his fella after a win like the other guys kiss their girls, and live his life and not be a spokesperson? Oh, darling Colin, that’s really what we all want, and it broke my heart just a little as I realized, once again, that no matter how far we’ve come, we still haven’t made it to home base. It was so heartfelt and real, I got tears in my eyes. And then Higgins and Will at the jazz club; Rebecca and her boat man; and of course the vast silliness of the team trying to decide what to do for their free night in Amsterdam, while Ted shrooms? Absolute perfection, from the very first scene to the last. It warmed my soul and when the closing credits rolled, I felt satisfied and happy. I am really going to miss this show when it comes to an end. Thank you to the writers, because that scene with Trent and Colin easily could have become maudlin and melodramatic; instead, it was honest and real and a little heartbreaking. The writers of the episode deserve an Emmy for that scene alone.

I did get some work done on the book last night. I was tired when I got home–I guess I should be getting used to that by now; getting up early means flagging energy later in the day, which does make sense–but I slogged through some of it, anyway. I feel pretty good and lively this morning, though; but we have a full schedule which means I will be exhausted by the end of the day. Paul’s grant gets turned in today, so he should be home this evening, so I’ll get to revisit this magical episode of Ted Lasso before we dive in and get caught up on both Yellowjackets and The Mandalorian. I also managed to put away the clean dishes from the dishwasher and then reloaded it; so that will need to be unloaded tonight and reloaded again; we’ve gone through a lot of dishes this week for some reason. Go figure. Tomorrow is a work-at-home day, which will be lovely. I keep hoping that someday I’ll get caught up on the housework, but it never seems to happen. I really need to focus on revising the manuscript this weekend, too–it’s horrifying how far behind on it I actually am. I really wanted to be lazy this weekend, but that’s clearly not going to be an option. I need to get up every morning, do some cleaning and organizing, and then open up the manuscript and dive in headfirst. It sometimes feels like I’ve been working on this book for-fucking-ever; and I long for the day when it is finished, once and for all. It’s also supposed to rain tomorrow, which should make for a very cozy at home day.

I guess I still feel a little off-balance, more than anything else. I don’t really feel like I’ve been able to find my center in a very long time, and as such, my life has felt off-kilter for about three or four years now. I remember joking when the pandemic first shut down the world in March 2020 that “LSU had a perfect football season and broke the world,” but in a very real sense, that’s kind of what happened–they weren’t connected, simply sequential–and even that Carnival in 2020 felt wrong somehow; people got killed at the parades by falling under floats; the Hard Rock Hotel construction site had collapsed, closing down several streets around and including Canal; and of course, racism and homophobia have been running rampant during these times. It’s been a very tiring period, frankly, and getting older during it hasn’t helped matters much. So many changes, so many adjustments, so much exhaustion. I do sometimes think I am getting too old for this life. Slings and arrows, slings and arrows, slings and arrows.

However, the irony that the United Kingdom and the United States, the two countries that led the world in the war against fascism in the 1940’s, are currently sliding headfirst into fascism needs to be noted regularly. As I say to Paul all the time when the latest insanity breaking news flashing across our phones and TV screens, “I’m glad I’m old and don’t have any children to worry about.”

Anyway, I am going to bring this to a close now. Not quite as fiery as yesterday’s post, of course–I was in quite the mood when I wrote yesterday’s, but it still stands as truth–but that isn’t going to happen every day anyway. I’m so tired of being outraged and aggravated, you know?

And I do sometimes wonder how different my life would be had I not been born into a homophobic society and culture.

And on that note, I am heading into the spice mines, Will check in with you again tomorrow, Constant Reader. Have a lovely Thursday!