Category: diversity

Tumbling Dice

Monday morning and all is quiet and dark in the Lost Apartment this morning. I slept well again last night–I’m getting rather spoiled by all this good sleep, really–and yet it’s weird to be up again when it’s so dark outside. Today is my first full week of work this entire year–not bad, really, since it’s the last week of the month–but it’s also going to be weird to be working every day. I have that event this Saturday at the Convention Center, but other than that my entire focus this entire week is going to be writing (just like always). Everything is going the way it’s supposed to –I’ve already started questioning my choices about the story, so we’re right on track–and I am not getting stressed about anything, so that’s also working for me this year. I’d love to have another day off, though.

And parade season is literally right around the corner.

I didn’t write as much this weekend as I would have liked to, unfortunately; that seems to be very much par for the course, sadly. I’ll have a lot to get done this weekend, of course–that’s how it always seems to work, doesn’t it? That last minute push–but it’s fine. I guess the Joey Burrow and the Bengals won again yesterday–I really only pay attention to the Bengals and the Saints; I pull for the Bengals because of Joe Burrow and Ja’Marr Chase, of course. I wish the Saints could have gotten him, seriously, but we had a really good run as Saints fans and so I am not going to complain about their return to mediocrity.

We watched two more episodes of Mayfair Witches and there are some substantial changes to the story from the book, but it’s enjoyable watching and there was one point last night where I kind of had to laugh; one of the most vivid and poignant things in the book is how they always parked drugged out of her mind Deirdre on the side porch every day for everyone and anyone walking past the house to see–it wasn’t until last night that it dawned on me how uniquely New Orleans and Southern Gothic that actually is; of course they put her out on the side porch on display for the entire world to see rather than keeping her hidden away inside the decaying mansion. I’m enjoying the show, much like how I enjoyed Interview with the Vampire. I am not one of those people who inevitably are disappointed with adaptations of novels I enjoyed; I long ago sensed that you can’t compare a television series or movie to a novel as they are completely different media and differences are inevitable–they should be viewed and valued for what they are rather than what they should have been. Changes have to be made–just like how the house they used for filming and converted to look like the house at First and Chestnut isn’t exactly the same; Deirdre’s porch wasn’t the main gallery of the house but a completely separate and different side porch, coming off the living room windows. But you have to adapt to what you are working with, and since they couldn’t use the actual house–obviously there would be differences.

I also have a doctor’s appointment in the afternoon on Wednesday, which means having to leave early that day (so I guess it’s not really a full week of work after all), so I can finally get my arm looked at and possibly start the process of getting hearing aids. Yay for health insurance! I am tired a bit this morning–more like still sleepy more than anything else, it’s funny how the meaning of tired has changed over the years–and could easily climb back into bed and sleep for another two hours or so. I like that I am getting good sleep so that I feel rested; weekend after next will be the weekend in Alabama which means I won’t be sleeping again relatively soon, sigh. (It’s getting to the point where I don’t even want to travel at all anymore because the lack of sleep becomes debilitating.) But I won’t be traveling again after that weekend until San Diego and Bouchercon in August/September, unless I have to go to Kentucky for something in the meantime, and I am really looking forward to the build up of accrued time off. I really do think I may just take a week off in May or June just to stay home and work on things around the house–which will inevitably lead to me being lazy and doing nothing for most of that time, which is not good. I am hoping that the arm check-up will go well and will eventually lead to me being cleared to return to the gym, but I also fear I am being overly optimistic. Visually the arms look vastly different from each other now, which really has me concerned about something like a torn muscle or something like that–but you’d think that would be more painful and wouldn’t have stopped hurting as quickly as this did? It’s always something. I guess I should check into the yoga schedule at the gym and see if there’s any classes that work with my schedule. Stretching, riding the bike, walking on the treadmill…these are all things that don’t require me to actually use my arms much, so….no excuses.

And on that note I am heading into the spice mines. Have a lovely day, Constant Reader, and I will check in with you again later.

Promises in the Dark

I grew up loving both horror and crime stories–those wonderful old black and white Universal monster movies used to scare me to death, not to mention all the marvelous ghost stories and mysteries that got filmed back in the day. I also watched a lot of the 1950’s paranoia horror monster movies–Godzilla and its ilk–and those also used to give me horrible nightmares. I also liked how twisted horror comic books like The Witching Hour, House of Mystery and House of Secrets were. I’ve always wanted to write those kinds of stories, but if you think I have zero confidence in my abilities as a crime/mystery writer, there’s even less when it comes to my writing of horror. I never feel like I ever get it right, you know, and my stuff is macabre and peculiar and slightly twisted, but it’s not really scary. But like I did with the mystery novels and movies I watched as a child, I was always looking for myself in those tales and not finding myself. Oh, every once in a while there would be some homoeroticism in some horror I would be reading (Peter Straub’s If You Could See Me Now comes to mind), but for the most part, there wasn’t much. Thomas Tryon’s The Other resonated with me–it wasn’t until decades later that I learned Tryon was gay, and that sensibility infused all of his work, hence my connection with it–but usually when gays showed up in horror they inevitably were effeminate and soon to become victims. (Kill your gays has always been a thing, clearly.)

When I was going through my “I want to be the gay Stephen King” phase in the 1980’s, I didn’t put gay characters or themes in any of my stories–although rereading my attempts at horror from then now, I can see the sensibility was always there–but the horror novel I started writing in about 1986 or 1987, The Enchantress, had a gay point of view character, even though I didn’t really know what I was doing. I was always afraid, you see, to include gay characters in anything I hoped to get published because I was so busy keeping my two lives completely separated that I feared writing sympathetic gay characters would out me. (During my many writings about my high school students from Kansas, one of them was actually gay and was probably the most realistic and honest character in all of those writings) Trying to salvage those stories now, decades later, I sometimes will revise one and make the point of view character gay–which inevitably makes the story work better, incidentally–and they see publication eventually; “Crazy in the Night” was one of those stories, and another morphed into Bury Me in Shadows, actually. Just this morning I was thinking about some more of those old stories and how to make a couple of them work–partly because I spent the last two mornings reading Other Terrors: An Inclusive Anthology from the Horror Writers Association, edited by my friends Vince Liaguno and Rena Mason. The point of the anthology was to focus and highlight horror stories from marginalized writers–where they are marginalized by race or religion or sexual orientation or gender identity, and it includes stories from some of the top names in horror publishing today.

As with any anthology, some stories stick with the reader more than others; this isn’t a dis on any of the contributors to the anthology–every story was incredibly well-written–it’s just that everything is subjective and some stories stick with the reader longer than others. For me, the standouts were Jennifer McMahon (“Idiot Girls”); Alma Katsu (“Waste Note”); Gabino Iglesias (“There’s Always Something in the Woods”); Hailey Piper (“The Turning”); Larissa Glasser (“Kalkriese”), Michael Thomas Ford (“When The Lovelight Gleams”); M. E. Bronstein (“The Voices of Nightingales”); and S. A. Cosby (“What Blood Hath Wrought”). These were the ones that really resonated me, with the connections of strong writing, three dimensional characters, and completeness of the story. For many of the contributors, this is my first experience with their work, and I will definitely look out for more of their work. These were the ones that made me start thinking about ideas and stories and characters; stories that not only were enjoyable and immersive to read but also kick-started my own creativity and inspiration.

And what more can you ask from a reading experience, as a fellow writer?

Now I want to write more horror.

Definitely check the book out, Constant Reader, I think you’ll enjoy it.

Little Queenie

Thursday! I survived Pay-the-Bills Day with little incident–by some mysterious quirk of the calendar and pay periods, I only had two bills to pay this time around (which means almost everything will fall due after the next Pay-the-Bills Day) and I also managed to get three thousand words written yesterday–yep, I got back on the horse and was able to dive headfirst into the writing of my next book again. I know it’s silly, but I always manage to do so despite all my worrying to the contrary yet that doesn’t ever stop me from worrying the next time around. I’ve also reached a point where I am no longer dreading having to do it; once I get started I just dig down into it and go for it, you know?

Which is kind of lovely, really.

I was exhausted after I finished writing yesterday, and even dozed off in my chair for a little while (having Scooter sleeping in my lap and purring in his sleep had a lot to do with it). Paul worked late again last night and wasn’t home before I went to bed so of course Scooter was super-needy and wanted to just be in my lap all night–even staying in the chair and waiting for me to come back every time I got up. I slept great again last night, too–I’ve been sleeping marvelously ever since my return home on Sunday (other than Sunday night which is odd), and hope the streak will continue again tonight for my work-at-home day tomorrow. It’s kind of weird that it’s the weekend again (almost) already; this week has kind of flown past, and that’s fine, I suppose. It’ll be February and Carnival before we know it again, which is wild. I’m not in good enough shape for standing at the corner this year, either, but we’ll see how it all goes, won’t we?

I’m still listening to the Hadestown cast recording and I am really enjoying it still. It’s perfect for the car on the ride to work–especially the song “Way Down Hadestown”, which seems particularly appropriate for the drive to work, you know? I also was reminded yesterday that I am appearing at the ALA event here in New Orleans a week from Saturday, and then the next weekend its off to Alabama for my twofer weekend, at the library in Birmingham and then again on Sunday in Wetumpka, which is becoming my favorite town in Alabama (I keep thinking it would be fun to write a cozy series based on Wetumpka), and then after that, of course, we’re in the midst of Carnival madness. Next thing you know it’s March and the Festivals are here…which is how time flies when you’re my age. Next thing you know it’s summer again, and then I’ll be sixty-two and then it’s football season again and so the cycle of time goes. My life generally is measured in terms of deadlines, which makes the time fly even faster. Heavy sigh.

I do think I am going to take a week vacation at some point this spring and not really go anywhere or do anything much other than clean and organize, maybe go see the World War II museum and the Chalmette battleground, or even just take a day to go exploring the river and bayou parishes. The only trips after Alabama at the end of this month I have planned currently are Bouchercon in San Diego and later Kentucky for the holidays again. I am thinking I may go to Boston to visit some friends I’ve not seen in a very long while–way overdue–and I am not sure how my vacation time got so whacked and out of control this last year, but I also traveled a hell of a lot more than I had in the two previous years.

And on that note, I am going to head into the spice mines. Have a happy Thursday, Constant Reader, and I’ll check back in with you again later.

Arizona

Holy. Shit.

Lefty Award Nominees

Our thanks to all who submitted their nomination forms. The Lefty Awards will be voted on at the convention and presented at a banquet on Saturday, March 18, at the El Conquistador Resort in the Oro Valley of Tucson, Arizona. We are delighted to announce the Lefty nominees.Lefty Nominees for Best Humorous Mystery Novel

  • Ellen Byron, Bayou Book Thief (Berkley Prime Crime)
  • Jennifer J. Chow, Death by Bubble Tea (Berkley Prime Crime)
  • A.J. Devlin, Five Moves of Doom (NeWest Press)
  • T.G. Herren, A Streetcar Named Murder (Crooked Lane Books)
  • Catriona McPherson, Scot in a Trap (Severn House)

Lefty Nominees for Best Historical Mystery Novel
(The Bill Gottfried Memorial) for books set before 1970

  • Dianne Freeman, A Bride’s Guide to Marriage and Murder (Kensington Books)
  • Catriona McPherson, In Place of Fear (Severn House)
  • Wanda M. Morris, Anywhere You Run (William Morrow)
  • Karen Odden, Under a Veiled Moon (Crooked Lane Books)
  • Ann Parker, The Secret in the Wall (Poisoned Pen Press)
  • Iona Whishaw, Framed in Fire (Touchwood)

Lefty Nominees for Best Debut Mystery Novel

  • Erin E. Adams, Jackal (Bantam Books)
  • Eli Cranor, Don’t Know Tough (Soho Crime)
  • Ramona Emerson, Shutter (Soho Crime)
  • Meredith Hambrock, Other People’s Secrets (Crooked Lane Books)
  • Harini Nagendra, The Bangalore Detectives Club (Pegasus Crime)
  • Rob Osler, Devil’s Chew Toy (Crooked Lane Books)
  • Jane Pek, The Verifiers (Vintage Books)

Lefty Nominees for Best Mystery Novel
(not in other categories)

  • Kellye Garrett, Like a Sister (Mulholland Books)
  • Laurie R. King, Back to the Garden (Bantam Books)
  • James L’Etoile, Dead Drop (Level Best Books)
  • Gigi Pandian, Under Lock & Skeleton Key (Minotaur Books)
  • Louise Penny, A World of Curiosities (Minotaur Books)
  • Alex Segura, Secret Identity (Flatiron Books)

The Power of Goodbye

At 3:00 pm, Saturday, January 14th eastern time, I officially (and symbolically) turned over my gavel as Executive Vice President of the Board of Directors of Mystery Writers of America.

It’s going to take some getting used to, methinks.

As you get older, your perspective changes on things when you look back. I’ve never been one to look back at my past–I’ve always tried to focus on the present and the future–but once I hit sixty, it was inevitable. January 20th this month is the twenty-first anniversary of the release of my first novel, Murder in the Rue Dauphine, and with the closing of this chapter–my service to MWA–it’s hard not to look back and remember.

When I was first published, my mystery writer friends kept urging me to pursue mainstream markets and join mainstream organizations. A lot has happened since 2002: Lawrence v. Texas still hadn’t been decided so my sex life was still a crime; “don’t ask don’t tell” was still in place; and it’s not like you could get married to your same-sex partner when our sexuality was criminalized. That was a completely different world and society and culture than the one we currently live in. For one thing, for a gay mystery author, there were queer newspapers and magazines and bookstores. It was entirely possible to make a living and a career for one’s self outside of the mainstream–and this situation developed because of the mainstream’s rejection of most things queer. There had been some queer publishing booms, but I came in at the tail end of the last one–as all the New York publishers had started canceling queer imprints and slowly but surely removing queer writers from their lists. I decided that I would try to arrange signings and appearances at mystery bookstores as well as queer ones, and that was a lesson in homophobia I’ve never forgotten. One mainstream bookstore actually hung up on me after nastily cutting me off to say we don’t carry those kinds of books in our store–some variation of which I heard from all of them except one (which is why Murder by the Book in Houston will always hold a place in my heart). A friend bought me a membership in an organization as a gift (I won’t name it) but it was made abundantly clear to me that mainstream spaces weren’t welcoming or safe for a fledgling queer writer, so I didn’t bother joining any others or going to any mystery conferences–my concerns were always poo-poohed by straight mystery writer friends, which now, in reflection, was a kind of gaslighting, but I was inevitably always proven right (it’s always nice to be told you’re “nobody”). But when I emerged from the haze of the aftermath of Hurricane Katrina and the wreckage it made of my life, publishing had significantly changed, as had the rest of the world. The queer stores were closing, and our newspapers and magazines were shuttering–as were some of our publishers. I took a look around and thought, what am I going to do now?

I took a deep breath and joined Mystery Writers of America. Within a year I was asked to run for my chapter board, and then was asked to run for chapter president, which would also give me a seat on the national board. I remember going to New York for my first board orientation, staying at the Roosevelt Hotel–I always loved staying there; it made me feel like an author the way I only really feel when I am in New York, to be honest–and walking into the room where the meeting was being held. I had already met MWA staffer Margery Flax (at the time administrative director, now Executive Director), who had made me feel not only welcomed but like I belonged, which was something I had only rarely ever felt outside of queer publishing. I remember being awestruck that I was in the same (proverbial) room where it happened; the same board meeting that giants of our genre had attended in the past. I was stunned when a beautiful woman asked me if the seat next to me was taken and I was like oh my god, that’s Harley Jane Kozak! (I knew her from my long addiction to daytime, but also from other films she’d done.) I sat there quietly, overwhelmed, absorbing it all, and that night at dinner I had the thrill of sitting next to Jess Lourey, and as we talked over dinner we became friends–something that has lasted to this day; I will always love Jessie–and over the next four years I slowly found my voice and began taking on more and more responsibilities. It became a huge part of my life, and I kept working, as is my wont, to try to achieve equity for everyone in MWA, specifically with the goal to make queer writers feel welcomed and a part of the organization as a vital part of our community. I made a lot of friends that I cherish to this day, and it felt very weird when my time there was finally up and I stepped away. Being involved with MWA, and making friends in the organization (which led to making even more friends in the genre) was what got me to start attending our genre conferences, getting involved and being more active in the community, and becoming better known than I was before.

It would have been easy to give up after the collapse of queer media and outlets. Mystery Writers of America gave me hope that my career could and would continue, and that the best part was yet to come.

So one can only imagine my surprise when four years after I left the board I was asked to return and serve as Executive Vice President (basically, chairman of the board). I was thrilled, flattered, and honored, particularly for being the first openly gay one in the history of the organization. What better way, I thought, to let queer writers know they were welcome than by being in a leadership position? There was admittedly some hubris involved in saying yes–the making history thing, for one, as well as thinking I could handle all that responsibility while maintaining a full time job and a full time writing career. I will never regret saying yes; the only regrets I have are the mistakes I made (there were plenty) and not having as much time to devote to the office as was needed so I could get everything done that I wanted to get done while I served. But I am not going to focus on the regrets, ever; instead I shall take pride in the things we were able to accomplish.

And now, it’s over. I could have served five years total, but bowed out after three. Were we still living in the same world we were in when I was initially approached in the fall of 2019, I probably would have stayed for the full five. But we’re not living in that same world–the pandemic that shut down the world within two months of my taking office overwhelmed every aspect of my life, from day job to running errands to my writing and publishing career to helping to oversee the operations of the organization. (I like to joke about how I was not only the first gay EVP in history but also the first EVP to cancel the Edgar banquet) Navigating an organization through the unknown waters of a pandemic and a changing world, where there was no previous experience to draw from was challenging, especially since I had to worry about my day job, adjust to working from home on some days and helping with the COVID testing at our office, exposing me to something that could quite possibly kill either Paul or myself every day I was there. The years between 2020 and now are all kind of blurry to me now; sort of the way everything from the Katrina evacuation through about 2009 is either a blank or blurry.

It’s going to take some getting used to, and it’s going to take a while before it sinks in that it’s no longer my responsibility.

I wouldn’t trade the experiences–both good and bad–for anything. Even though sometimes it was stressful and disruptive, and there were times when I got incredibly frustrated because I was very short on time and in the middle of a book that I needed to focus on, it’s going to be weird for me for awhile. It was very weird checking my emails this morning and seeing that there were none with (MWA) in the header line. I worked with some great people and made some friends–at least I like to think so, their mileage might vary–that I would have never made had I not served. I learned a lot about myself, and strangely enough I also think serving somehow has made me a better writer somehow; I know the work I am producing now is vastly superior to the work I did before I served. I know I have a stronger sense of the genre after my total of seven years of service.

The hardest part, I think, is going to be remembering that I no longer have anything other than an opinion and that I am now just one of the many members.

Thanks to everyone I served with, the membership, and the community. I no longer feel like an outsider looking in at the community, and maybe, just maybe, I made a small difference.

I can live with that.

We Love You

I got home last night around seven, exhausted, bone-tired, and delighted to be able to sleep in my own bed after four nights of insomnia. I got some sleep while in New York, but not much–and I also exerted myself a lot more than I have in, well, years. Mt Fitbit would let me know every day that I’d reached the goal of ten thousand steps (which never happens, but I do need to start taking walks more regularly, as it’s disturbing how physically out of condition I am–my legs are achy and sore from all the walking), and of course I had cut my heel accidentally the morning I left, so it’s kind of achy and painful. But I slept deeply and well last night, the sleep of the exhausted, and I actually feel rather rested and awake as I re-acclimate to my normal reality. As I expected, I didn’t write hardly anything while I was gone, so I need to climb back up on that horse today. It’s a work holiday–there’s no way I could be functional at the office today (I always take an extra day off to recover from the trip upon my return home), and now I have to figure out what I need to get done to get back in control of my life.

First thing on the list is to get back on track with my writing–so hallelujah for a day off! I don’t even want to think about the horror that is my email inbox just yet, and I may avoid it for another day so I can get my proverbial shit together (oh, my OWN coffee that I made myself just is so much nicer than buying it somewhere). I am most likely going to have to hit the grocery store today, as well as pick up the mail and a prescription and put gas in the car. There’s some filing and sorting that needs to be done this morning, and of course I need to think about what to take for lunch to the office for the rest of the week. So much to think about, so much to do, so much to remember. I believe this may even call for a to-do list. Yay!

I did have a lovely time in New York; it’s always invigorating to spend time in the company of other writers. It was a bit cold for my liking, but I think I walked all over Manhattan, had some amazing food, got to reconnect with friends (some I hadn’t seen in years in person), and of course, the highlight was seeing Hadestown. I’ve already downloaded the cast recording to Spotify; it may be different to listen to than when watching it performed live, but I am looking forward to listening to it on walks–because I’ve decided that walks are de rigeur in my future–and maybe, just maybe, i could also start listening to audiobooks when I am taking my walks. I want my heel to heal first, of course–all that walking in New York probably wasn’t optimal for that, but one of my goals this year to become more physically active, and what better way to get that going than by taking walks? I can also, you know, take pictures with my phone, too, of my neighborhood and the Garden District or wherever I may go for a walk. It also occurs to me that one of these weekends I should spend a day exploring the World War II museum (which could help with some backstory for Chlorine).

As you can see, the trip has rather invigorated me, even as I am physically worn out as I type out these ambitious plans.

I started reading the Horror Writers Association’s latest anthology, Other Horrors (edited by Vince Liaguno and Rena Mason) on my flight home, and am quite enjoying it. The premise of the anthology is for it to be inclusive and to highlight diverse authors and voices; and so far it’s been fun. There are stories I like better than others, of course, but that’s any anthology and it’s very fun to discover new authors and voices that I wasn’t aware of–again, the point of the anthology–and there’s nothing I love more than discovering new voices, you know? Plus, reading it has me itching to write some more short stories–which of course I really can’t do because I’ve got to get this book finished–but I also want to map out the rest of my writing year and come up with a plan for my future. I think I am going to take the plunge and write that romance I was thinking about the second half of last year–just for something different to do and something to sharpen my skills; I think we should always try to write outside of our comfort zone as often as we can, which is why I dabble in horror sometimes. And why not give romance a try? I’ve always liked romance, even if I don’t read very much of it (I can’t keep up with my crime and horror reading, let alone anything else), so why not give a whirl?

And on that note, I need to go fold some laundry and start organizing my life and kitchen and office space again. Have a lovely Martin Luther King Jr. Day, Constant Reader, and I’ll check in with you again later.

Dandelion

I am soon to depart for the airport, where I am catching a flight to LaGuardia for a weekend in New York; I am flying back home on Sunday. It’s going to be a short but busy trip, where I will get to see all kinds of people i really like and run all over the island and do all sorts of things. I also need to carve out time to write while there as well–I have gotten really bad about writing when on trips over the years, but I really can’t go without writing the entire time. I made quota again yesterday–it was a little harder to get motivated and not quite as easy to get into a proper rhythm, but it was also a transitional chapter and my first goes at those are always stilted and awkward and people don’t really talk like that, do they? But I got through it, the transition was made, and the stage has been set. Now we move on to act 2, which is why it really cannot wait. Hopefully, if I am not too tired when I get to the hotel, I can spend a few hours working.

My flight is already delayed, I see–so I don’t have to leave quite as early for the airport as I had originally thought, which is fine. Our Internet was spotty last night, going in and out, so we ended up not finishing watching the Golden Globes and I went to bed early. It seems to be working fine this morning, so I am not going to worry about it–I’m the one who always has to deal with it, the Cox bill is in my name, etc. etc. etc. It would suck for Paul to have no Internet for the weekend, but I am going to assume that last night was an aberration. Our cable box is also so old they can’t even service it anymore, so I need to go get a new one at some point; the Cox office is near my office, so I can run by there during lunch someday when I get back. Sigh, it’s always something.

I am taking A Walk on the Wild Side with me to read on the plane and at the airport, along with a rather short book by Harry M. Benshoff, Dark Shadows, which is a kind of academic breakdown of the original show that I am kind of looking forward to reading. Dark Shadows probably had a much bigger impact on me than almost anything else–my preference for Gothics, supernatural stories, murders–and I should probably do an entire entry about Dark Shadows and its influences and impact on me creatively. I am also trying to decide what other books to take on the trip with me–I need at least one more for the flight home–and am kind of torn as to what to read next. I’ve got some great cozies stacked up in the TBR pile, but I also have some books by other favorite authors and some other books that have gotten some high praise from either reviewers or friends on social media. Maybe someday I can get the TBR pile under control but it won’t be anytime soon, I can promise you that. I am really looking forward to reading more this year than I have in past ones.

I’m also looking forward to writing a lot more this year, too. I can’t believe what a roll I’ve been on since Christmas (or just before); I’ve written at least three thousand words a day on average ever since (some days I skipped, others I did from four to six thousand words), which is quite a bit, really–somewhere between forty-five and fifty thousand words, which is kind of impressive, I must say. It’s also not been wearing me out, or making me very tired. I think some of that has to do with the lessening of outside pressures and stressors–I’ve been sleeping very well (well, last night was kind of spotty) for the most part, feeling rested, and not letting things get to me the way they always seem to have been doing for the last three or four years. I really hate stress and anxiety, and I really need to make sure I continue to focus on reducing those thing. Staying off social media more has done a good job of that, too–nothing can quite raise the blood pressure the way reading something racist or homophobic or misogynist or transphobic from people who should know better, and I’ve started unfollowing and/or blocking people who are, for wont of a better word, assholes. And it actually feels good to hit unfollow or block, knowing you never have to interact with that person or read their shitty screeds ever again.

And it’s not required that I follow every crime writer on social media, either.

I went to a lot of events last year, and will be scaling back dramatically on that this year. Probably Bouchercon in San Diego is all I am going to do involving air travel, and yes, I’ve been offering my short stories and books up for Lefty and Agatha consideration, but I won’t be attending either event so even were I to score a nod, not being present doesn’t help your odds of winning. (For me, being present isn’t enough, either.) It’s weird to think that after this weekend’s trip I probably won’t be flying anywhere again until Labor Day weekend for Bouchercon, and I’m actually feeling kind of iffy about that, to be honest. I hate the thought of traveling over Labor Day weekend, but at least if I fly home on Sunday I’ll have Monday off to recalibrate and recenter and recover from the conference.

I just hope I can sleep this weekend. Let’s focus on getting through that first, shall we? LOL.

And on that note, I am going to bring this to a close and start packing. I made a list of everything I need for the trip, and I got the big black suitcase out last night so everything is in place and ready to go. I may check in with you tonight from the hotel–stranger things have happened–but one never knows. I was actually thinking the other day that I’ve gotten into a bit of a rut with this; I always write it in the morning with coffee and maybe, just maybe, sometime during the day I may write another entry, usually about a book I’ve just finished reading or something–and there’s really no reason for that other than habit. Maybe the blog entries that require a more awake brain, for logic and reasoning and making a rational argument either for or against something, can be worked on during the day or in the early evening or around my writing for the day. I have any number of entries I’ve started over the years–dealing with things like racism and homophobia and all the other, irrational bigotries and prejudices that run rampant in our modern world, and it would be nice to finish them all, get them out there into the world to be read by the two or three people who actually check in with me every day and read these meanderings of my mind.

Ruby Tuesday

Tuesday morning before the sun rises blog.

I have to say, it’s really difficult sometimes to be a pro-New Orleans person the way I am, but it’s not New Orleans that is the general problem, it’s some people. After the massive debacle around the Krewe of Nyx and it’s problematic and racist leadership (they defiantly paraded last year to non-existent crowds; maybe some tourists who didn’t know better were out there, but after the parade before theirs, everyone left the parade route), I thought it would be hard for any krewe to do a worse job of public relations or, for wont of a better word choice, reading the goddamned room. However, this past weekend the leadership of the Krewe of Endymion basically said to Nyx, “hold our beer” and named noted anti-Semite, misogynist, and homophobic racist Mel Gibson as celebrity monarch (co-monarch, to be precise).

I don’t go to Endymion–it doesn’t go past our corner; we’d have to walk to Harmony Circle (I keep calling it Liberty Circle since it was renamed, anything is better than Lee Circle) to see it–and I’ve only ever seen it on the rare occasions when it does come down St. Charles Avenue (rained out on Saturday; abbreviated route after Katrina), or when we used to go out that Saturday night, walking to the Quarter up the route (and getting buried with beads on the way)–so it’s not like I would be boycotting it anyway; but they did rescind the invitation but rather than admitting they made a HUGE mistake, decided to blame the outrage and cite concerns for their safety as the reason.

Fuck all the way off, Endymion, seriously. Yes, blame the outrage instead of your incredibly poor decision-making skills.

Nyx, by the way. went from 3500 members and riders to less than 200. And yes, that will wind up in a book someday–it’s too good to not use it, you know? Also of note: that last pre-pandemic Mardi Gras, back in 2020? Two people were killed by floats during parades that season–at Nyx and Endymion. Perhaps the gods of Carnival were letting us know in advance?

Then again, Carnival has a horrifically exclusionary and racist past we tend to gloss over a lot here (read Lords of Misrule sometime).

It’s dark out this morning and I didn’t sleep as great last night as I would have liked, which is fine. This is my last day in the office this week, and of course tomorrow morning I’m off to New York, so if I’m tired, I’m tired. I did manage another three thousand words on the book yesterday–it really is going well, and I am actually enjoying writing it, to be completely honest–and I managed to get some chores done yesterday when I got home from work–the dishes, mostly. Tonight I’ll need to pack; the flight isn’t until 12:15 tomorrow, so I don’t have to leave for the airport until almost ten, so I can sleep a little later than usual on a Wednesday; which will prepare me for the insomnia of the hotel…which I honestly am hoping won’t be the case this time. After doing the chores last night and writing, I watched a documentary about the Eastern Roman Empire for a while before switching over to the national title game–which was kind of boring and not much fun to watch; I mean, what the hell, TCU? And how on earth did they beat Michigan? Ohio State was a missed field goal in the closing seconds away from playing in the title game; and they lost to Michigan at home. I know it’s pointless to do comparative scoring and so forth because every game day is different, but I can guarantee you neither Alabama nor Tennessee would have gotten rolled 65-7. Hell, even LSU played Georgia better in the conference championship game and they played terribly. I guess the only teams capable of stopping Georgia from doing what no one else has ever done–three in a row–are from our conference.

But it will be fun watching Georgia fans become even more hated than Alabama’s this coming year. And they play in Knoxville this next season. The 2023 season, I think, is going to be even more interesting to watch than this year’s.

You heard it here first.

I need to make a packing list today, too. I already checked the weather for the weekend and it won’t be much worse than it is here when it gets wintery, so that’s bearable for me. Hat, jacket and gloves are all I need, and I think I can manage without getting super cold and whiny, so we’ll see how all that goes. I’m actually more than a little excited about the trip, to be honest. This may be my last trip to New York for quite some time and I am not going to be there for very long; That Bitch Ford has done an absolutely marvelous job of Julie McCoy-ing our weekend up there; we’re going to see a play (Hadestown), to Chinatown, and we’re going to a noodle place, too–I love noodles–and I am meeting others for drinks and so forth–it’s quite marvelous, really. I just hate the drudgery and getting to and from the airport, and the flights themselves–although usually once I am on the plane and have my book open in my lap, I don’t mind the flights quite as much–and I have no plans for tomorrow evening, so hopefully once I am checked into the hotel and unpacked, I can write for a while and then read myself to sleep…or watch a movie on my laptop, or something. It should be a great trip, and I even have the Monday holiday off so I can recover as well as do things to get ready for the week without having to do it around going to the office.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I’ll check in with you again later.

She’s a Rainbow

Monday morning and back into the office. I only have two days in the office this week and three next, thanks to the holiday next Monday–huzzah! I had an incredibly productive weekend, Constant Reader, thanks to some terrific sleep every night and no college football. I know that tonight is the national championship game but I won’t be staying up to watch it again this year–that’s three consecutive years I’ve not watched–because I have no skin in the game and can always watch highlights tomorrow. My preference would be for a TCU win; they’ve not won anything since the second world war and it would be a fun change to see a program come from nowhere to win it all this year. (LSU was 10-3 in 2018, so we knew they’d be good in 2019; we just didn’t know how good they would be.)

I slept well again last night. I think I may have finally found the right mixture of things at night to help me sleep, so hopefully the big test–New York and a hotel bed–will be passed with flying colors.

Yesterday was a good day. I spent most of it working–I wrote six thousand more words yesterday, bringing the weekend’s total to ten thousand, which is pretty damned good–and after I was done working for the day, we finished watching The Rig, which was kind of interesting and weird and way different than what we thought it might be–again, there’s no greater suspense than people being trapped and isolated somewhere and there’s some kind of threat, especially when group dynamics and politics start getting involved. I am enjoying writing again–the last book I wrote was nightmarish to try to get done for some reason, but I am back into a writing groove again and it feels terrific. I only needed to rest for a day or so, too, between different writing projects before diving back into it. I kind of let my emails pretty much go, though, over the course of the weekend so it’s going to take me some time to get that back under some kind of control today. But I feel pretty good this morning, my coffee continues to taste marvelous, and while I do have a lot to get done before leaving for New York on Wednesday, I am neither daunted nor bowed by the amount of work that needs doing; rather, I feel very empowered this morning.

I also spent some more time reading A Walk on the Wild Side, which I am sort of enjoying a bit more than I did originally. I am probably going to try to read some more when I get home from work tonight and after I get my quota for the day. I also need to make some lists about what to take on the trip with me and I need to check what the weather is going to be like up there; there’s also a weird bit of sadness associated with this trip as well, since it will be my last official trip for Mystery Writers of America. It’s hard to believe it’s been three years, but two of those years were sucked up into the pandemic and no traveling, so there’s that. That probably won’t completely sink in until I am back home from the trip this weekend, either.

I also need to make a to-do list for this week. I have errands to run after my day at the office as well. Heavy heaving sigh. I know I have some short stories I need to get written and some other things that have to be done at some point soon–and I really need to dig through my email inbox to make sure everything’s been put on the calendar so I don’t forget anything. I also want to watch The Pale Blue Eye, but that may have to wait until after I get back from this trip and get all settled in again here in my own life. I also need to decide what to take with me to read on this trip. Obviously, I am not going to finish the Algren before I leave, so that’s going with me, but what to read while there and on the trip home? I think I am going to continue immersing myself in cozy mysteries for a while before going back to a different sub-genre; on the other hand, I could also take either a Carol Goodman or a Ruth Ware with me, so I can continue working my way through their oeuvre…decisions, decisions, always decisions to be made.

And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader, and I will check in with you again later.

Darkness at the Edge of Town

I’ve kind of slowed down on my blatant self-promotion for A Streetcar Named Murder, mainly because the enormous thrill and rush of Release Day/Release Week has already come and gone. It isn’t like I’ve run out of things to say about New Orleans by any means; I could be here blogging for the rest of my life about New Orleans and never do more than scratching the surface. The depth of my lack of knowledge about New Orleans is bottomless. One thing, for example, that I can never completely wrap my head around is where the train tracks and stations were in the city, back when rail was king and vitally important to the operation of our port. I know there was a station in Storyville; part of the reason it ended up being closed was because so many men went through New Orleans on their way to serve in Europe during World War II, and the Department of War looked askance at the soldiers disembarking in a red light district (can’t say as I blame them, but on the other hand, they were heading off to the miseries of the trenches and what was, at the time, the bloodiest and deadliest conflict in human history, so why not let them get laid and party it up before getting on their troop transport?

I have always considered New Orleans to be a dark city–despite its many charms and enticements–not just because of the history here (which is plenty dark) or even the crime “problem” (which goes back over three hundred years), but because it really gets dark here at night; not quite as the true dark you can get out in the country, but for an urban area? New Orleans is the darkest city where I’ve lived. I’ve never experienced an urban area that gets so dark at night once the sun has set.

It’s like all the lights from houses and street lamps and businesses just \gets somehow sucked into the darkness and vanishes. When I come home after dark and park on my street, it always catches me by surprise when the inside of my car is lit up by one of the street lights. This happens, I think, because the massive live oaks everywhere inevitably block out the lights with their enormous branches. Oddly enough, cloudy nights generally are lighter than cloudless ones–because the cloud cover reflects back the neon of the French Quarter, turning the night sky clouds reddish-pink; it’s a phenomena unique to New Orleans that I really love. And the street lamps here seem to only cast light downward rather than up and out; it’s very hard to read street signs in New Orleans after dark.

See how dark it gets at night? It’s like the light gets eaten by the night.

Then again, that could be my eyes getting worse with age. My sister can’t see hardly at all after dark now, which worries me a little, but not a lot: her eye issues were different than mine. I was horribly near-sighted while she had an astigmatism, but my mother also has trouble seeing at night, too and she never had to wear glasses (she has reading ones now) so that doesn’t bode well, does it?

Another part of the reason it gets so dark here at night also has something to do with how many of our street lights are out, too. New Orleans street lights aren’t the kind that go up and then hang out over the street, either. Ours are the old-fashioned kind, with a bulb and its cover going up in a straight line–I think they were the old gas ones, adapted for electricity; I am not sure one way or the other. But I do like the antique, old timey look to ours. Now that I think about it, we couldn’t have the ones that hang out over the street, either; because of parade clearance! The low hanging branches of the live oaks that line St. Charles are also a problem for the larger floats, too; which is why so many of them are festooned with beads riders accidentally toss into the trees instead of to the outstretched hands of eager parade-goers–it’s going to be Carnival here sooner rather than later.

New Orleans’ haphazard approach to street lights and keeping the city lit up and visible at night also plays, interestingly enough, a role in A Streetcar Named Murder, actually; that darkness has a very strong hand on the finale of the book. When I was driving back from Kentucky after Thanksgiving, I noticed that once you got over the twin spans from Slidell and are back in Orleans Parish the lights on I-10 either don’t work or weren’t on, which gave the busy highway an eerie, almost hypnotically haunted feeling as I arrived in New Orleans East and climbed the bridge over the Industrial Canal. It even feels like the headlight beams of my car also get swallowed up into the darkness.

Is that darkness metaphorical? Maybe.

But I can only imagine how dark it must have been here at night when there wasn’t any electricity or gas, for that matter. And of course, it was very dark here after Katrina when most of the city lay in ruins. That was such a weird time.

I read a great review of Gary Krist’s Empire of Sin yesterday, which pointed out that the book was about a thirty year battle between the city of New Orleans and its brand of lawlessness, debauchery, and sin; which really is spot-on accurate. New Orleans has always been fighting that branding almost from the day the French settled on the high land along the river here. There has never been a time in her history when New Orleans has not drawn in tourists due to the branding with debauchery and sin. Someone was telling me the other day that the primary problem with dating apps in New Orleans is they are always full of tourists looking to get laid and not wanting to pay for it–which made me laugh; it reminded me of the old gay truism about not looking for hook-ups on-line the week before Decadence, Halloween or Carnival–because the chatrooms etc. were full of people coming in for the weekend and looking to make hook-up dates in advance…which was so patently absurd because seriously, back in the day if you couldn’t get laid just by going out during those events…well, you should just hire an escort and be done with it. People come here specifically to have the kind of good time they can’t have at home.

So, yes, the city has always had that kind of reputation and branding, which is why I always roll my eyes when the whites who fled the city for the suburbs and/or the north shore clog up the comments on social media and news articles about crime in New Orleans, clutching their breasts and casting their teary eyes up to the heavens as they bemoan how New Orleans has somehow slid into the gutter and how crime has gotten completely out of control. Fuck off, racists–we know what your dog whistles are because we’ve listened to them ad nauseum, ad infinitum: crime is a stand-in for oh no the black people and don’t pretend like you left New Orleans because of “crime”; you left New Orleans because of desegregation, so fuck all the way off. (The people who were protesting the removal of Confederate monuments in New Orleans were not from New Orleans, either.)

So, yes, there is crime in New Orleans–always has been, always will be–and I don’t know what the answer to reducing it or bringing the numbers down. But you can be the victim of a crime anywhere–the Clutters were murdered in rural Kansas back in the 1950s, after all–and it just means always be aware of your surroundings–which is always good advice for anywhere, really.