Research is always important for a writer, always.
I will generally spend years doing research for books before I start writing them; my scattershot approach to research usually goes something like hey this sounds interesting I should look it up which then takes me down wormholes and I’ll become obsessed with something, I’ll come up with a story idea that I can use the research for, and then it may sit in the files for years, occasionally striking my fancy sometime when I come across something else that might fit in with that, and so on. A lot of my research never makes it onto the pages of my books, either–I could have written chapters on glass-making and the Murano style of Venetian glass in The Orion Mask, but finally decided that, while I thought it was all interesting–Phyllis A. Whitney used to use her books to educate her readers about the area she was writing about, which I loved–but it definitely bogged down the story because there was no way I could figure out to tie the glassmaking to the modern day story.
That was very disappointing, I don’t mind saying.
Likewise, I didn’t have as much time to research drag the way I should have before I started writing Death Drop. Ordinarily, I would have wanted to actually talk to the local who runs the drag school; I would have talked to any number of queens about performing, how they got into it in the first place; and there are so many aspects of drag culture and so many levels and layers to it that it was impossible for me to get the research done and write the book at the same time. Ideally, I would have liked to have actually paid someone–preferably my former supervisor, who went to the drag school and now works full-time in drag as Debbie with a D (check out her Instagram, seriously)–to do the full drag on me–wig, make-up, pads, dress and shoes. (I kind of still need to do this, so I know how it feels; I relied on memories of high school plays for the make-up and wearing a Minuteman costume with real buckled and heeled shoes for walking in heels; I didn’t care for that one bit and have nothing but the deepest sympathies for women or anyone who has to wear any kind of heel on a daily basis. I can still feel how sore my calves were the next day.)
Me with my supervisor’s pageant crown
That was part of the reason I made the book an origin story for Jem and “Joan Crawfish,” the drag name he is christened with at the last minute as he sent down the runway at the Designs by Marigny fashion show. I don’t know drag lingo or slang–outside of whatever I’ve picked up from watching RuPaul‘s Drag Race and having co-workers who do drag and the occasional drag show I’ve caught over the years–and so neither does Jem/Joan. And the second book–set in Florida at the Miss Queer America pageant–will include some of that, as it will have to as he’s already finished the drag school he was considering entering at the end of Death Drop.
It doesn’t hurt that my current supervisor does pageants and was even Miss Gay Mississippi USofA; so I have a good source of information that I see at the office every day, which is….kind of cool, actually.
I do feel pressure to drag it up a bit more in this second book (You Gone, Girl) than I did in the first, but the pageant itself makes for a lot of drama and comedy, and that’s not even taking into consideration all the protests and bomb threats and things and other shenanigans that the evil witches from Moms4Freedom are throwing at the pageant.
And I am going to have some serious fucking fun with those Moms4Freedom bitches, believe you me.
Drag is a part of queer culture I’ve always known about but has also been something primarily on the periphery of my gay life and world; I’ve only occasionally ever thought about perhaps doing it–as a gag or as a costume at some point; a very dear friend has always wanted to dress me up as Joan Crawford (narrow waist, big shoulders, enormous eyebrows), which is something I would consider doing if it wasn’t so much work–I am way too lazy to ever do drag properly and respectfully. I did a very poor attempt at drag many years ago, for a Showgirls themed birthday party for a friend; the result was far from pretty. I did sometimes used to use mascara and eye liner when I would go out; it emphasized my enormous and expressive eyes which most people have always considered my best feature (although aging has deprived me of my eyelashes). Drag was just another part of the community and culture, like leathermen, bears, and gym queens–another patch on the quilt that makes up our queer world.
My primary interest in drag has always been historical and cultural; drag culture has always been a part of the gay bar scene, since time immemorial, it seems. I have always been interested in every aspect of gay culture since coming to terms with my own sexuality and recognizing that not coming to terms with it meant a lifetime of guaranteed misery, and shouldn’t I really take a chance on being happy? There was always a lot, for me, of misunderstanding about drag culture and its place in the gay community; but that also primarily came from people outside of the community and therefore didn’t have the slightest grasp of it–i.e. ignorant slurs that all gay men dressed like women whenever they had the chance, you know–not “real men.”
But seriously, who wants to buy into the cult of toxic masculinity? No fucking thanks.
I don’t know the history of drag, but I did know–from the very beginning–that there was a significant difference between drag and the trans experience; there’s definitely crossover, but the Venn diagram of drag and trans is not a complete circle. I understood this always, even when I knew very little of either. This was always the issue I had with To Wong Foo Thanks for Everything Julie Newmar–the queens in the movie didn’t just do drag for performance or pageants, but dressed as women in their everyday life…which made them transwomen who also did drag. The failure of that film to define the difference between the two, I think and believe, has a lot to do with the current-day conflation by the Right of drag queens with transwomen. Likewise, was the Nathan Lane character from The Birdcage (and the French original) a transwoman or a drag queen?
And the fact that I, knowing as little about gay life and culture as I did in 1994, knew that the Wong Foo movie was conflating two completely different things as the same certainly means that other, better-educated people should have, as well.
But it’s also important to remember that the movie wasn’t made for the queer community–no Hollywood studio film with queer characters is intended for a queer audience, and thus there’s a falseness to them that rings hollow to me (don’t even get me started on Philadelphia); what Sarah Schulman once (paraphrasing) described as “the creation of a fake public homosexuality that will play in Peoria.”
There’s an essay in that, methinks.
The first time I went to a gay bar in Houston is my first true memory of seeing someone in drag performing on the bar in person. She was doing Liza as Sally Bowles from Cabaret, and as I walked in the door with some co-workers from That Airline, the first thing I saw was her up on the bar, with a musclebound dancer on either side of her in bikinis or thongs, and I can remember thinking wow this is decadent like Isherwood’s Berlin–but I liked it. I felt at home there, in a way I never did in gay bars in Fresno (or anywhere else I was able to sneak away and visit one), and felt like that night was when my gay life actually began: I was with co-workers, I was going to a gay bar openly, and the co-workers knew I was gay but had never really experienced being gay as anything but misery and depression and a curse. I don’t remember the name of the queen, but ever since then, “Mein Herr” always brings a nostalgic smile to my face.
But again, I didn’t go out much or do much during those two years in Houston as I still wasn’t completely comfortable being totally out. I moved to Tampa in 1991 and started living as an out gay man…and started spending more time in gay bars. A popular night for airline employees as Tuesday Nights at Tracks, where cocktails were only fifty cents and no cover before ten. There was also a drag show at midnight, with an actual stage in a show room, and that was my first real experience watching drag queens perform. There was a gay paper there–I cannot remember what it was called to save my life; I know the one in Texas was This Week in Texas, called TWIT by everyone–but it often had information about performances and other night life ads and so forth. I began to get a better understanding of drag, its place in the community, and its importance to gay culture, period.
And of course, once I moved to New Orleans, there was Bianca del Rio.
The mainstreaming of drag actually began in the early 1990’s, with RuPaul having a surprise hit record out of nowhere, “Supermodel (You Better Work)”, which started exposing more people to drag who ordinarily would have never seen one. RuPaul was everywhere in the early 1990’s, and even had her own talk show on MTV for a while. The Adventures of Priscilla Queen of the Desert and its homogenized American version To Wong Foo, Thanks for Everything, Julie Newmar were both incredibly popular. (I enjoyed Priscilla, and I’ve already touched on my issues with Julie Newmar–which will probably become an essay at another time.)
There were, of course, other successful queens out there before RuPaul’s big breakthrough and later, comeback with Drag Race, but few had as large a profile in the culture as RuPaul. Lady Bunny, Miss Coco Peru, Miss Richfield 1998, and Varla Jean Merman were all making a pretty decent living as performers before the drag explosion that followed the launch of Drag Race.
I’ve met numerous drag queens on the local scene both in and out of drag–I’ve always been fond of Princess Stephaney and Blanche Debris (who is retired now), and the drag community of New Orleans was always incredibly supportive of the NO/AIDS Task Force. I met Bianca out of drag a couple of times, but I doubt he remembers me…but Drag Bingo at Oz on Sundays with Bianca and Blanche (I just realized their first names both translate into English as white) was always a blast–and I made a point of never trying to get Bianca’s attention because she was always quick and that tongue was sharp as a scalpel always.
I also work with several co-workers who either did drag or have started doing it while I’ve known them, which indirectly helped me with the writing of Death Drop and my original story for a drag queen. Jem is sort of patterned in some ways on one of my former co-workers who actually went to a drag school here in New Orleans–and eventually quit his full-time job to do drag full-time. He’s been in Queer as Folk and numerous other shows filmed here, and has been booking gigs all over the country–check out his Instagram, isn’t he fucking gorgeous? So that gave me the idea to make the first book with Jem his drag origin story.
Learning about drag to write this book–and its sequel–has been an enjoyable learning experience for me. At some point I know I am going to have to do a transformation; I need to know how it feels to have the make-up and the padding and the wig and the dress and shoes on. I can imagine it all from doing theater in high school, but it’s not the same.
And yes, I will share the pictures when and if it does happen.
Whenever I am writing or creating a character, the first step I need to accomplish in order to keep going with them is that I need to know what they look like in my head before I can start. The first step is for me to know what they look like. I generally use real people are models for a starting point for my characters–but they do evolve from that initial “how they look” base and extrapolate the rest of their appearance from there. I also don’t base characters on real people, for the record–because you can’t. You can never base a character completely on someone else because you can’t get inside their head or know all of their life experiences and the things that shaped who they are and why they do the things they do.
This is the base-line physical model for Scotty I used when creating him. Scotty’s evolved since then.
This wasn’t the base model for Frank, but you get the idea; he’s pretty close to what I pictured.And this is where I started from with Colin.
I don’t base characters on real people because it’s impossible to do–you can only base a character on your perceptions of who that person is; you cannot know every experience they’ve had, every trauma, every event that occurred that shaped and changed and evolved them into who they are. This is why people–even ones you think you know really well–will always surprise you at some point. I’ve lived with Paul for twenty-seven years and he still surprises me. I didn’t know any of these men–all models for BGEast.com–at the time and of the three of them, the one I actually know is the one whom I didn’t actually use as the physical model for one of the three, and I didn’t meet him until the first three books were already in print and available.
But when I was creating Scotty, I wanted the readers to have fun with the books. I didn’t want to write anything dark or tragic or heavy; I already had the Chanse series to do that with. Chanse was a six foot four two hundred and twenty pound mass of neuroses, insecurities, cynicism, and bitterness; I really didn’t want to do that again because what would be the point of doing two series that were exactly the same? I wanted them both to capture the feel and spirit of New Orleans, but from very different perspectives. Chanse wasn’t happy about being a gay man; he was still struggling with it in the first book and slowly became resigned to it, rather than embracing it. Once Scotty told his parents and came out to them, he never looked back and started looking for his joy. Scotty’s family loved and embraced him as he was, and other than both sets of grandparents cutting off his access to his trust funds when he flunked out of college–which has nothing to do with him being gay; that was an attempt to get him to go back to school. The trusts were originally set up to become his when he turned thirty anyway, so he never really had to worry about the future–which is an incredible privilege. Even working as a personal trainer and some-time go-go boy for the money wasn’t that big of a deal; his landladies were family friends who’d never evict him in the first place and his parents would always come through for him anyway.
I also made his siblings the same as Chanse’s–I don’t know if that was intentional or not, but while Scotty is the youngest with an older brother and sister, Chanse was the eldest with a younger brother and sister he isn’t close to. Scotty’s family was tight, while Chanse’s was not. Chanse’s sister is married to an accountant for an oil company and lives in Houston; his brother still lives in their hellhole of a small city, Cottonwood Wells (small city, large town; I am never sure which is the right one) and I broached their relationship in the short story “My Brother’s Keeper.”
And I had Scotty live in the French Quarter as opposed to Chanse’s apartment on Coliseum Square; Scotty is that rarity in New Orleans–someone born and raised in the Quarter. Chanse was an import from Texas who moved to New Orleans after graduating from LSU; Scotty has always been here other than the two failed years in Nashville at Vanderbilt.
I wanted him to have absolutely no hang-ups or issues about being a gay man. I wanted him to embrace his sexuality and enjoy his sex life and have that Auntie Mame mentality of “life’s a banquet and most poor suckers are starving to death”; Scotty wants to have fun and enjoy his life. He doesn’t think he’s ever destined to find a boyfriend or life partner in the first book–he’s too unabashed a slut1 who loves getting laid and doesn’t want to tie himself down, plus most men he meets tend to be too serious for him. Scotty has no hang-ups or issues about his body, either. As a wrestler in junior high and high school his body became strong, muscular and lean; he never says whether he thinks he’s attractive or not–he says other people seem to find him irresistible in the first book, and he admits he doesn’t see what others see but they see it so okay. He’s become more serious as he’s gotten older and as he’s dealt with bad things–but he doesn’t go into a depressive state or withdraw from the world when bad things happen; he faces them head-on, and his motto (life doesn’t give you anything you can’t handle–it’s how you handle it that matters) is one we could all aspire to, really.
While taping Susan’s show last week I did say that Scotty was the idealized version of myself and the life I would love to have–sans the murders and kidnappings and shootings, of course–and naturally a lot of his traits have come from within my own mind; but while I find his mentality and life view aspirational, I often fall short. Scotty has a genuine kindness to him as his inner core that I don’t always default to, much as I wish I could and did. I am a lot more like Chanse than Scotty, even if they are kind of different aspects of my personality and who I am.
It’s sometimes hard for me to wrap my mind around the fact that I’ve been writing Scotty now for twenty years. Bourbon Street Blues came out on May 1, 2003. Twenty years of Scotty books, but only nine–like one every other year rather than every year.
And I also sometimes wonder if my subconscious somehow keeps track of Scotty, because I keep discovering things about him that I wrote years ago that were just kind of throwaways that now I can circle back to and create story arcs for these character traits and personal histories for the newer books.
There’s also a scene in Bourbon Street Blues where he proudly states he doesn’t have sex for money because he “prefers to keep (my) amateur status.” ↩︎
As if you weren’t sick of my self-promotion already, now I get to start promoting Mississippi River Mischief!
It’s hard to believe that this is Scotty’s ninth adventure. Not bad for someone who was just supposed to be a one-off, a stand-alone comic madcap adventure that took place during Southern Decadence. The idea for it came to me at Southern Decadence in 1999; on Saturday afternoon I somehow managed to get a prime spot on the balcony at the Parade to watch the massive crowd of sweating shirtless men partying down below at the intersection of Bourbon and St. Ann. I noticed a really hot guy wearing sweats and carrying a gym bag fighting his way through the crowd to get to the Pub downstairs, and I recognized him as one of the dancers for the weekend. In that instant, I had a mental flash of a dancer being chased through a crowd of shirtless sweating men at the corner by bad guys with guns and the dancer only wearing a lime-green thong. I held that idea in my head, and sometime later that weekend Paul said to me, “you know, you should write a book set during Decadence,” and I grinned and replied, “I already have the idea.” I had started writing a short story called “Bourbon Street Blues” a year or so before this; but realized that would make a better title for the stripper crime caper during Southern Decadence, so I made a folder for it and kept it in my files and in the back of my mind. Several years later, when talking with an editor about something else when I worked at Lambda Book Report, I asked if that might be something he’d be interested in. He said send him a proposal, which I did–having no clue what I was doing–and they offered me a two book deal, turning my stand-alone into a series. Having no idea how to write the second book in such a series, the money was too good for me to say no or to quibble, figuring I’ll figure it out when I need to–which is really the motto of my career.
The Scotty series has always had a bit of a “pantser” feel to it for me because I’ve always pantsed it. I knew that the first adventure–Bourbon Street Blues–was going to be that Southern Decadence story, and I also knew I was going to fictionalize a governor race, basing it on a senate race that occurred when we first moved here and we couldn’t believe that one of the candidates was actually a serious candidate (sadly, he was just a harbinger of what was to come in Louisiana; now he’d seem like one of the fucking sane ones), and I kind of borrowed, a bit unconsciously, from the Stephen King character of Greg Stillson from The Dead Zone. Bourbon Street Blues was a prescient novel in so many ways–and I had no idea of that at the time, seriously. There’s a scene where the Goddess shows Scotty the potential flooding of New Orleans after a levee failure (in the book it was deliberate though) and of course I predicted the Right’s move into full-bore hardcore neo-Nazism as well in that book…never dreaming it would become a reality.
Scotty has always been a fly-by-the-seat-of-my-pants series; I’ve never really outlined or planned the books or the series in any way, other than an amorphous idea that the love triangle situation I created in the first book would take three books to resolve. During the course of the third book I realized I needed at least one more book to resolve that story, and so it went from stand-alone to trilogy to quartet…and then Katrina happened. Katrina created an unplanned gap in the series, and I never really knew how to do Katrina from a Scotty perspective. It struck me that they wouldn’t have evacuated, but Scotty wouldn’t have ridden the storm out in his apartment, nor would his parents have done so at their place; they would have all gone to the Garden District where Papa and Maman Diderot have a generator. I just didn’t see how I could write a funny Scotty book about the levee failure and the city’s destruction. Also, we learned something about Scotty in the second book (Jackson Square Jazz) that I meant to deal with in the fourth book. By the time I was ready and able and willing to write that fourth book in the series…well, I forgot that I’d planned on dealing with that issue from Scotty’s past in it, and never did ever circle back around to that resolution of something from his youth.
I did remember when I decided to write Mississippi River Mischief, though. I kind of wrote myself into a corner with Royal Street Reveillon, in which something happened in Scotty’s personal life that was tied into the case, but I couldn’t write another book and pretend that never happened, even though it would be hard to deal with in the text of the book and story. But then, as I was trying to work it out in my head, I realized now you can circle around back to that issue from Scotty’s teen years because this is the right place and time for him to be reminded of it because of what happened to Taylor.
And you know what? I think it made for a better story now than it would have almost fourteen years ago.
Scotty has grown a lot over the twenty or so years (!!!) I’ve been writing him, but who he is at his core has never changed. Scotty is a good person, with a genuine sense of kindness, and is pretty level-headed and never really lets things get to him the way I let things get to me–and God knows, he’s dealt with a lot more shit than I have in life. I like his sense of humor, I like his spirituality, and I like his untrained, he-doesn’t-know-how-it-works psychic abilities, and of course, I love his family. His parents are amazing, his older brother and sister are also pretty cool characters, and of course Frank and Colin are also fun to write. I also never knew how subversive I was being by creating a throuple long before anyone ever talked about these kinds of relationships within the queer community–and it’s lasted all these years. There have been ups and downs, of course, but they always wind up coming back together again no matter what happens–and a lot has happened. Both Scotty and Frank have been shot a few times, not to mention all those car accidents–and he’s also helped cover up a crime (no spoilers here, no worries!).
Friday morning work-at-home blog, and the weather is supposed to get more back to normal for this time of year—highs during the day anywhere from the lower 70s to the mid 80s, dropping to the 60’s at night. It makes it even harder to get out of bed in the chill of the morning–and my blankets are incredibly warm and comfortable, as is the bed. But li’l Tug expects to get fed every morning around six (and is more than happy to let me know six is nigh by leaping over Paul and landing on me, before curling up next to my head while waiting patiently for me to get up and feed him and give him fresh water), which is going to make the time change this weekend a bit irritating. I also hate going to work and coming home in the dark, which is also soul-destroying because you feel like you’ve lost the entire day at the office.
But I slept well last night and let myself go back to sleep after the daily six a.m. feed-me Tug attack, which felt great. There’s a mail run to do and Tug’s first vet visit to fit into the day, and we’re going to Costco after I finish my work at home chores later. The constant, on-going kitten-proofing of the apartment can also prove challenging because you never know what’s going to catch his inquisitive must-play-with-that eye, and he is very curious and adventurous about anything. Cabinets can’t be left open. He’ll climb into the dishwasher as I am loading it–but no curiosity about the dryer yet. He’s also fascinated by water, like Skittle was–but the shower was uninteresting to him; not the case with Tug. He’ll tightrope around the rim of the tub while I’m showering and also walk between the shower curtain and the liner. He’s adorable and completely in charge around here, if you haven’t figured that out yet.
And I love having a purring kitty donut sleeping in my lap while I watch television or read.
Last night we watched this week’s The Morning Show, which absolutely felt like a season finale; I’m not sure if it was or not but it felt like it. I wasn’t super-tired when I got home, but Tug was especially needy so I repaired to my easy chair where I watched this week’s Real Housewives of Beverly Hills–which was kind of dull; but the fun of watching these shows is watching and reading the reactions of the fans and the recaps and so forth. I was thinking yesterday that these shows create community within their fans, as people want to talk about the cast and what’s going on with them, happily judging their lives, their behavior, their clothes, their make-up, their hair, their homes and their families. I was thinking this was unique to reality shows–remembering how everyone used to talk about Survivor and The Bachelor and American Idol back in the day, similar to how soaps would have group watches on campus where everyone talked about the storylines and the characters and their interactions. But we also did that with Glee and Lost and Desperate Housewives and various other shows. I do wonder what is it about film and television that drives people with the urge and need to talk about it with other people?
Then again, I always wanted to talk about books with other people–so I guess I can get it.
I was realizing the other day that this year in December will mark nineteen years of this blog–first on Livejournal and then moved here when I’d finally had enough of the Russian propaganda and spam over there–which is a longer commitment than most straight relationships and marriages, which is an interesting way to look at it. I started keeping it around Christmas of 2004, while we were still living in the carriage house–we wouldn’t move into the main house until June or July 2005; only to be moved back into the carriage house by Hurricane Katrina later that year. It’s also hard to believe sometimes that Katrina–and the Incident with Paul–was so long ago now; just like the Virginia Incident was a long time ago. Time inevitably passes, and just going through your every day routine living your life as best you can one morning you realize a lot of time has passed. The pandemic shutdown was almost four years ago, for fuck’s sake. We are now in year three going on year four of the COVID-19 pandemic, although no one really talks about it anymore. I am going to write about that whole experience at some point–there are at least three more Scotty books I want and/or need to write, which will take New Orleans through the cursed Carnival of 2020 (and the Hard Rock hotel collapse) and the shutdown and then afterwards. I think that’s been part of the creative malaise lately; knowing that the Scotty series, about to debut its ninth volume, is finally winding down. There are a lot of things I’ve wanted to avoid with these books but with the series continually going, I don’t have a choice. Scotty’s grandparents are all in their nineties by now–so death is going to have to come to the family. On the page or off the page? I do think it might be interesting to explore the Bradley side of the family a bit more; perhaps the death of the Bradley grandparents and a struggle over the will or something could be the basis for a book; perhaps COVID-19 might claim them, I don’t know. But I know I’ve not written about the shutdown or the pandemic, and it feels kind of cowardly to not address it in fiction yet.
Maybe I should finish that pandemic short story I started, “The Flagellants.”
I’m also thinking about getting blinds for the kitchen windows at long last; a do-it-yourself project I think I can handle.
And on that note, I’m getting another cup of coffee and heading into the spice mines. Y’all have a great Friday, and I’ll be back later with more blatant self-promotion.
Sunday morning and I managed to get a lot done yesterday while watching games occasionally. I got bored watching Georgia throttle Florida, laughed about the Kansas win over Oklahoma, watched Tulane almost blow a significant lead and lose to Rice, and got bored with Tennessee-Kentucky so switched over to Elité on Netflix–and this seventh season is simply terrible. We have one more episode in this season and it’s over, and I can’t say I’m sorry to see it go.
But I did get a lot done yesterday. I cleaned. I ran errands,,,and I worked on the filing. Yes, there’s still work to be done, but my workspace no longer looks like I need to. just take a flamethrower to it, and even the laundry room is beginning to look like it’s more together than it should be. I do have to do some refiling, but everything is properly sorted and where it needs to be, if not alphabetized properly. I also discovered a lot of duplicate files–I am sure there are even more to be found, once the filing truly starts getting compiled and sorted properly. I also need for some of these files to just go away; I am never going to get to all of these ideas and I am never going to write all these stories and novels or essays and nonfiction books, either. But which ones to keep, which ones to abandon for good? I’ve been saving ideas and files and stories and scenes and characters for well over forty years now; you can only imagine how much I’ve forgotten about that are buried deep within this insane file-hoarding situation; it’s almost as bad as my book situation.
But getting all this clutter and debris sorted and put into a semblance of order also helped me get focused more–I think perhaps that’s been part of the problem with focusing on writing anything, really; knowing how out of control the filing had gotten and not knowing where anything was, or what I was working on could be found, and so forth. I’m going to try to get back to work on my next book today–after I get some more of these blog entry drafts completed and posted–and I am also going to try to work on the files some more. I decided that I am not, after all, going to be able to get my story “The Blues Before Dawn” finished in time to submit to the Bouchercon anthology, so it’ll go back into the files for now for a while. I never could quite get the story write, but that opening–my main character walking home in the misty morning hours of the Quarter while listening to someone playing the blues on a saxophone on a balcony, hidden away in the fog. I love that image, and I know that my main character is an apprentice waiter at Galatoire’s and sometimes turns tricks for money at Ma Butler’s bordello in Storyville; I also know it’s a Sherlock Holmes story from the perspective of someone who has a crush on Mr. Holmes–and now has to depend on Sherlock to save him from wrongly being accused of murder. The rest? Not so much…and it’s due on Tuesday, so that’s not going to happen. A pity, yes, but a Sherlock story from the perspective of a sometime male harlot was a long shot for the Bouchercon anthology anyway.
I did start reading The Lonely Ghost by Mike Ford, which is quite delightful, along with a reread of Ammie Come Home by Barbara Michaels (also one of my favorite books of all time, and definitely one of the greatest ghost stories of all time) when I had a few down moments to spend (I’ll get back to The Lonely Ghost later on this morning), and I also have to make a cheesecake this morning and get the white bean chicken chili started so it’ll be ready for tonight and the rest of the week, of course. Halloween is going to be one of those frantic unsettling days, but that’s okay; I can make it through it all.
I slept really well last night, which was lovely; my sleep lately has been pretty marvelous, honestly. Relaxing in the evenings last week, letting the anxiety not get to me, and getting good night’s sleeps this past week was really kind of lovely and nice. I also slept late this morning, opting to stay in bed later than I usually do because it frankly felt nice, you know? Today I am also planning some self-care and grooming, which will be nice. Maybe even take a walk later in the day, when it starts cooling down? Although without the humidity yesterday’s low eighties felt marvelously and delightfully cool.
And on that note, the spice ain’t gonna mine itself, so off I go. Have a marvelous Sunday, Constant Reader, and I’ll check in with you again.
Work-at-home Friday and here we are. Tug is still snoozing upstairs, and I have to go to my appointment at the pain management clinic later this morning during a break from work-at-home duties. I managed to somehow make it through the entire week without being completely worn out and exhausted by last night–a first–and I’m not entirely sure what that means? Am I getting used to this schedule? Was going in at eight on Monday better than going in at seven thirty? Maybe, but it may have been the evenings spent with a kitten donut sleeping in my lap while I watch an episode of Moonlighting and reread The Dead Zone. It’s actually been kind of a lovely week, honestly, one of the better ones in recent memory.
Last night’s episode of Moonlighting was “The Dream Sequence Always Rings Twice,” one of the more legendary episodes and one that really made everyone stand up and pay attention to what they were doing. (I’d be curious to know if the guy who created The West Wing was influenced by it as well; while the shows were vastly different they also had a lot of similarities–the rapid fire overlapping dialogue, for one.) It’s a very simple premise; in the course of a job Maddie and David hear a story about an old LA club where a very noirish type murder grew out of a love triangle, in which the band’s singer and the horn player have an affair and eventually her husband is murdered. Naturally, David and Maddie put their own spin on it–Maddie convinced she loved the man who killed her husband and it was all for love, while David is convinced the woman was a Phyllis-type from Double Indemnity type femme fatale who suckered her lover into killing her husband and taking the fall. They argue, go home, and both fall asleep–to dream their own versions of the story. The episode was also introduced by Orson Welles–which I’d forgotten–and this is probably one of the best episodes of television ever produced. (I also realized, while watching “The Lady in the Iron Mask” episode, that the entire plot of my aborted fourth Scotty book, Hurricane Party Hustle, was directly lifted from this episode.)
I have to say, I am enjoying the hell out of my rewatch of this show, which is exceeding my wildest hopes and memories that it was as good and classic as it was when I originally watched and fell in love with it back in the 1980’s when it aired. It’s definitely one of the three most influential television shows on me and my writing–along with Dark Shadows and Scooby Doo Where Are You?–and I am so delighted that it’s streaming at long last.
I also read more of The Dead Zone last night and have reached the third and final act, in which almost all of the storylines introduced throughout the course of the book have wrapped up to set up the final denouement between Johnny Smith and Gregory Stillson, the monstrous populist politician. It’s really remarkable, you know, that King was so amazingly gifted and able to structure a novel so brilliantly so early in his career. I also remember that King wasn’t taken very seriously either by critics or the Academy in the those earlier days of his career; he got roasted pretty regularly by critics even as he was selling books in the millions; horror not being taken seriously as a genre, for one, and the enormous popularity he enjoyed naturally meant “well, he can’t actually be any good, can he?” But he was. Yes, there are some problematic stuff in his earlier work (the depictions of queer people aren’t great–but are there; he seriously has an issue with overweight people; and he does have a tendency to only use people of color as “magical” characters), but the world-building, the character building, the internal monologues of the characters, and the completely realistic way he develops and reveals the characters to the readers all the while telling a very compelling and fast moving story you cannot put down is all there from the very beginning. (Of course, the Straight White Male Literary Icons were the only people getting critical acclaim back then, your John Updikes and Saul Bellows and John Gardners and Philip Roths and William Styrons and so on…and the bestseller lists were peopled with mostly straight white men like Harold Robbins and Sidney Sheldon and Arthur Hailey and Irving Wallace and Herman Wouk–things are better now, I ‘d say) I’ve just finished the second act, in which Johnny is working as a private tutor for Chuck Chatsworth, with the inevitable call back to the lightning rod salesman’s futile foreshadowing attempt to sell the owner of Cathy’s, a steakhouse/hang out that always hosts Chuck’s high school graduation party. Johnny has a vision of the place being struck by lightning and burning rapidly to the ground with celebrating teenagers trapped inside. He tries to convince Chuck not to go, and even Chuck’s father, not quite believing, offers to host everyone at the Chatsworth house instead–getting about half the crowd…and it is during this get-together that Johnny’s horrible vision comes true and the news of the tragedy breaks. It’s really an incredibly powerful, well constructed scene, and the character of John Smith, the victim of fate who never really understands why he has been so cursed, is really one of King’s best.
I wish I could write a novel half as good as this one, which I am looking forward to finishing tonight. I think next up will be Clown in a Cornfield by Adam Cesare.
And on that note, I need to get back to work and. get cleaned up for my appointment. Have a lovely Friday, Constant Reader, and I’ll check in on you again soon.
Wednesday Pay the Bills day has rolled around yet again! I slept well again last night–I’ve been getting very good sleep lately, which has been lovely–and I don’t feel tired the way I generally do on Wednesdays, which is kind of nice. I have a doctor’s appointment this afternoon so I have to leave work a little early, but not a big deal–this is a routine follow-up to all the tests she had ordered when I switched primary care physicians, which was a huge relief to my mind about everything–and I am going in for my next fitting for my teeth on Halloween morning. We’re having a pot luck at the office that day, so I am making a cheesecake–which I will probably do on Sunday so I don’t have to mess with it on Monday night, which I won’t want to do, guaranteed. It has been a hot minute since I’ve made a cheesecake, and I think this weekend I am going to make white bean chicken chili, too.
And no, I am not wearing a costume to work that day. I also have to go tape “My Reading Life” with Susan Larson that day, and yeah–not wearing a costume to the studio at UNO for this. I also can’t believe that it’s already almost November. LSU has a bye week this weekend, so technically there’s not any real reason to watch games this Saturday, but I will have it on in the background as always and hopefully there will be some good games on this weekend; I haven’t looked yet to see who is playing.
I also spent some time with The Dead Zone again last night, and marveling at the way the novel is constructed; I don’t think anyone today (other than perhaps King) could get away with structuring a book the way he did this one, but it actually, absolutely works 100%. One of the things I’d forgotten in the years since I’ve read the book the last time is how many point-of-view characters there are, and how King uses them to build the structure of the book. I don’t think it’s a spoiler to say the main character–John Smith, the most simple and basic male name of all time, no middle name, either–is in a terrible car accident and is in a coma for nearly five years, only to wake up with some psychic abilities. This is compelling and interesting enough–the concept of losing five years, how much the world and society can change in that short a period of time (even now, if you think about it, if someone went into a coma in October of 2018 and just woke up this month…think about everything that happened in that five year span, and then imagine having to get caught up on all of that after suffering a traumatic head injury and spending five years in a coma–with a psychic gift/curse of some sort on top of it. But that structure he uses–the first person point of view of the Castle Rock Strangler (Castle Rock’s first appearance in a King novel, too); the lightning rod salesman, and of course the book’s big bad, Greg Stillson (and yes, the similarities between Stillson and a real life politician struck me as far back as 2015)–all of these things are set-ups for story that comes later–the Castle Rock Strangler pov was something else–even all these years later the the words I’m so slick raise goosebumps on my skin. I’d also forgotten how sad the story actually is; Johnny’s mother’s descent into religious mania, in part triggered by his accident; his broken father, crushed by his son’s accident and losing his wife to insanity; Sarah, who was falling in love with him and would have married him but for the accident; and so on. As a teenager reading the book I marveled at how real all the characters were, how fully realized and actualized and developed; they seemed like people I would know and King’s marvelous skill at depicting the conflicting thoughts and impulses through internal monologues was something that blew me away, something I as a writer wanted to try to emulate.
I worked briefly on a short story last night; I wasn’t really tired when I got home, but Tug wanted to sleep in my lap and the story was a struggle, so it wasn’t hard for me to walk away from the computer, in all honesty. Tonight I am going to let him play with the red dot; he needs to play and exercise as he is a kitten, and I have to break myself of the oh Scooter just wants to sleep and never wants to play mentality; he had the zoomies again this morning and it amazes me how he can just leap and bounce off surfaces to launch to a new spot and then flies off the counter and gallops into the living room. My arms and legs are, of course, all scratched up (I also have a long scratch next to my nose; he launched onto my face from the ledge above the bed one night last week), but he’s so cute and adorable; it’s hard to stay mad at him even as he scampers over my keyboard and fucks things on the screen up.
And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and sorry I am so dull this morning. My life generally tends to be not all that exciting, really. Maybe tomorrow will be better.
When I was a kid, I lived for the Scholastic Book Fairs. There were always more books I wanted than I can afford (still a problem for me with books to this very day), and it was through them that I discovered my love for mysteries as well as deepened my love of history. I bought anything that was history or mystery; very rarely did a book combine both.
This is part of the reason I was so appalled and disgusted by Scholastic’s cowardly abandonment of its commitment to education and diversity by giving book fairs the options to opt out of carrying books–you know, the ones that teach kids empathy for people who are different from them or show kids that they aren’t alone or books they can see themselves in–because they might upset some bigoted parents in Brotherfuck, Arkansas or Sisterfuck, Tennessee.
When I think about what a difference a book like Annie on My Mind by Nancy Garden or Trying Hard to Hear You by Sandra Scoppetone or Rainbow Boys by Alex Sanchez would have made for young Gregalicious, this Scholastic decision makes me shake with rage. (I have pointed out any number of times that Scholastic also publishes the Bitch-Queen of TERFs, so their cowardice is really no surprise. Can’t piss off their massive cash cow, now can they?)
I was thinking about this as I read Angel Luis Colón’s book, Infested, because it would probably be one of the books shoved into that Diverse Books To Not Be Included box Scholastic uses to warn schools about “subversive” and “dangerous” books. The book, by the way, is not only is superb but something any kid who enjoys horror would love.
However, it centers a main character who is a teenager of Puerto Rican descent, and while it never disparages white people…it doesn’t center them, so I can easily some Daughter of the Confederacy getting her panties into a nasty twist over her precious child reading something that doesn’t uphold White Supremacy. How dare young Hispanic readers have an option to read about a Hispanic teenager’s hero’s journey?
The NERVE of MTV Fear to publish such a book!
I can’t remember a time I hated my mother and my stepfather more than the summer before my senior year.
And it wasn’t the normal kind of Oh man, these people don’t understand me bad Disney movie kind of throwback hate. This was mortal-enemy-level hate. It was deep and pitch-black and enough to make me nearly consider getting into death metal.
While I knew I’d change my mind as the emotions scarred over, the laundry list of offenses was too much to bear.
Let me start by saying how much I really enjoyed this book. The main character, Manny, is very realistic and both relatable and likable. The pacing is excellent, and it builds beautifully to its thrilling climax and resolution. The stakes are high but grounded in reality, and the authorial voice is so strong and memorable that I was sorry to finish and bid Manny and his friends and family farewell.
I was also a little amused because the original opening line of Bury Me in Shadows–back when it was called Ruins still–was My mother ruined my life the summer before my senior year.
Obviously, that changed–a lot changed as Ruins morphed into Bury Me in Shadows–but great minds, right? I’ve admired Angel’s work for a very long time–I really need to go back and finish his backlist–and so was excited to see what he could do with a young adult horror thriller.
Great things, it turns out.
The story focuses on the first person perspective of Manny, a seventeen-year-old with a baby half-sister whose stepfather has taken a job in the Bronx managing an apartment building that’s about to open. Manny doesn’t want to leave San Antonio, but it’s more resentment that he wasn’t consulted (no one wants to change schools before their senior year; I can relate because I changed high schools after my sophomore year) rather than anything else. He doesn’t really have a lot of friends back there, but it was home and familiar to him. He also struggles with identity issues; he’s Puerto Rican, but a blanquito–someone who is Hispanic but white (which could lead into all kinds of sidebar conversation which would be inappropriate for now)–and he doesn’t really speak much Spanish anymore; he did when younger but is losing it as he gets older, which is also concerning to him. He’s angry about the move–they didn’t discuss anything with him, just told him it was happening, and he really didn’t want to leave San Antonio–but once he’s in the Bronx, he begins to see that it’s really not a bad thing to have moved there. There’s a variety of Hispanic/Latinx cultures there he can learn about, and he likes that. There’s also other issues touched on here–gentrification being a major one, and as there are no easy answers to that question in real life, one isn’t provided here but both sides of the issue are addressed and Manny sees the good and bad in both.
But the building has a roach problem–and it’s not just your usual roach problem, either. Something very strange is going on in that building, and Manny isn’t entirely sure if these things are really happening, or if he is losing his mind. If you’re like me and hate insects of all shapes, sizes and varieties, your skin will crawl repeatedly throughout this book. It’s up to Manny and his new friend Sasha to figure out the truth about what is really going on in the building, and as I said, it’s terrific and fast-paced and very hard to stop reading once the story starts going great guns.
Highly recommended–unless you’re truly squeamish and triggered by insects. Colón made my skin crawl–no small feat!
Sunday morning and it’s below sixty today in New Orleans, which is fine. I slept super-well last night, which was great, and feel pretty rested this morning. I have a lot of things to do today before I meet my friend Ellen at San Lorenzo (the restaurant in the Hotel St. Vincent, which used to be an orphanage and then a very inexpensive hostel in the Lower Garden District for a very long time but has been gentrified into a lovely boutique hotel with a café, fancy restaurant, and poolside bar) for dinner. And having left the house yesterday for a wedding last night…that’s two nights on a weekend where I’ve left the house. Peculiar, isn’t it?
Yesterday was a very good day. I woke up feeling rested, did some chores, finished reading Angel Luis Colón’s Infested, which I really enjoyed (more on that later) and then did a reread of Daphne du Maurier’s marvelous long story “Don’t Look Now” (more on that later) before watching some football games before it was time to summon my Lyft and head over the bridge to the wedding. Today I am going to start a reread of The Dead Zone–which might not be as thorough as it could be–and I need to get to work on some things. There are also some chores I never got around to yesterday that need to be addressed this morning and I really should write today since I didn’t anything yet this weekend. I worked on “The Blues Before Dawn” a bit on Friday after finishing my work-at-home chores; I’d like to work some more on that today. I also should work on the mess in the laundry room and should finish the organizing and filing, etc. I haven’t ever finished reorganizing the files at all; and I really need to get back on top of that. I need to finish the dishes and run the dishwasher too; and I am going to make potato leek soup in the slow cooker today–I can’t believe it’s never crossed my mind with this soft food diet to make a batch of that soup. It’s incredibly filling, for one thing; usually one bowl is all it takes, and it will last for a week at least. Same with my white bean chicken chili–all soft, will last a long time, and it’s both filling and delicious. Obviously, I didn’t think this soft food diet through beyond “oh, no burgers or pizza.”
The wedding was lovely. One of my co-workers (whom I absolutely adore) married his partner in their backyard on the West Bank last evening, which was marvelous. It was nice seeing my co-workers outside of work in their fancy clothes (they all looked fantastic) plus it was nice to spend time with them outside of the work environment. I had some nice conversations, and I realized that I’ve kind of isolated myself from them because of my age; I feel the age difference far more than they actually notice it. I do like them all, and find them all very interesting; it’s my loss more so than theirs. Anyway, it’s something to think about going forward anyway. I am glad I went for any number of reasons–I will only attend same-sex weddings pretty much now, as they are an act of defiance now more so than ever–but not the least of which is spending more time with my co-workers, or as I like to always call them, “the kids at work.”
Football was interesting yesterday; I’ve not really looked at the results from yesterday much. LSU was ahead of Army 14-0 when I got into my Lyft and checked my phone; by the time I got home it was 28-0 and still the first half. It wasn’t much fun–I only enjoy LSU games where they score 62 points if they are playing an SEC opponent–and so I didn’t feel guilty for switching over to Auburn-Mississippi (Auburn ended up losing), or for watching Skate America once Paul came back downstairs (he got bored with the game as well). Checking the scores and results, it looks like this could be another chaotic year like 2007–which will make the play-off decisions interesting once the season concludes. LSU can still win the West with a win over Alabama if Mississippi stumbles again–they have to play at Georgia, so chances are good that will happen–and winning out. I also realized this is the fourth year of LSU’s championship cycles: they won in 2003, 2007, and 2019; played for it and lost in 2011, with 2015 being the only four year cycle that didn’t end in them playing for the national title. Perhaps this will be the second time that cycle is broken.
Twitter continues its slow death spiral, and I am checking it less and less these days, and staying there very briefly. I do have some friends still there that I like to interact with, but of course the others are slowly becoming what Twitter became as well. Yesterday a straight white man came barging onto a thread of George Takei on Threads, in which George was talking about how difficult it is for queer people–for any minority–to deal with elections, when our rights hang in the balance every fucking time, and how sometimes as a queer person or a person of color, you have to grit your teeth and vote for the Democrat because no matter what or who, the Republican option isn’t an option for queer people or people of color—unless we really hate ourselves to the point that we hate other people like us, or only care about our money rather than our rights. The example George was using was campaigning and voting for Bill Clinton after he signed both DADT and DOMA into law during his first time despite his avowed belief in the rights and dignity of queer people in 1992 on the campaign trail. Fox News and the right used his support of queer rights–along with a ridiculous scandal with no evidence of wrong-doing by either Clinton (remember Whitewater? I sure the fuck do)–to take back the House in 1994 and handicap any attempts at being progressive. I also remember Bill Clinton trying to get a form of the Affordable Care Act passed–the right also used that battlecry of “socialism” to scare people into giving them that House majority with Newt Gingrich as speaker (I remember it all too well). The reason I remember this all too well is because HIV/AIDS was still killing people and there was no cure as of yet; a positive test meant a very good chance of death relatively soon. I fucking lived through the 80s and the 90s, thank you very much.
I also remember that Bill Clinton was the first presidential candidate to mention HIV/AIDS, and to notice that queer people actually exist–so you can fucking miss me with the Hillary hate, thank you.
Anyway “straight white man” (hereafter referred to a Mr. Mediocre) barged into George’s thread to lecture him about compromise voting and how if we would all just really get behind true progressives, change would be that much easier and how he could just never ever bring himself to the point where he could vote for someone who ever voted for a war.1 That told me everything I needed to know about Mr. Mediocre–the “ally” who couldn’t bring himself to vote for Hillary in 2016 because she voted for the war, believing the lies the Bush Administration and his fully supportive Congress were pushing on us all, calling those of us who didn’t want the war cowards and/or traitors, questioning our very patriotism. Blaming Hillary for believing the lie so you threw your vote away in 2016 so you could remain “pure” fucked over your so-called “allies,” you miserable piece of shit. And instead of ignoring and blocking, which is what I usually did, the audacity of Mr. Mediocre lecturing George fucking Takei, a gay Japanese-American who grew up in an American concentration camp for American citizens of Japanese descent on purity politics just didn’t go down with me, so I replied, Oh, look, another straight white man who will be okay no matter who is in power lecturing those whose rights are on the line with every election about his purity. Don’t hurt yourself patting yourself on the back while you screw over minorities over some purity test that we don’t have the privilege of applying to our votes.“Allies” like you gave us Bush in 2000 and Trump in 2016. Thanks for that, by the way.
If you think Mr. Mediocre would let that go, let me introduce you to The Progressive Straight White Man. They can never let that shit go. You know he read my response and climbed back up on his High Horse–how dare a gay man call him out and speak to him that way! He told me “You should want better, but I’ll still keep working for women and minorities.2“
I replied, I do want better but am realistic as a minority in this country to know that no matter what I have to vote for the least damaging candidate because my rights are actually on the line with every election, so don’t condescend to me about your purity tests and progressive bonafides when a real ally will show up, hold his nose and vote for the Democrat. We warned you the Supreme Court was at risk, but her emails! That pesky vote for the war! So forgive us for not applauding you for your purity. Now the Supreme Court is poised to take us back to 1860 but hey, at least you can sleep at night for not voting for the warmonger.
Asshole. After all, Dobbs didn’t affect him–and when his daughter is forced to carry her rapist’s baby, I hope he remembers that purity vote in 2016 with pride.
And on that note, I am heading into the spice mines. I need to eat something and make another cup of coffee and get the potato leek soup started, no easy chore. Plus I want to write up what I read yesterday and the impressions they left with me. Have a great Sunday, COn
which means he wouldn’t have voted for the two most progressive presidents we’ve ever had, I might add; FDR declared war, and LBJ voted for it, as well as intervention in Korea. Some progressive this dude is, right? ↩︎
Love that pathetic attempt at progressive shaming, which again tells me everything I need to know about his politics–if he doesn’t get the perfect candidate that aligns with everything he believes (a pipe dream that will never happen), he won’t vote for them no matter what that means for women and minorities. Some ally. ↩︎
Queer and Loathing in America 