Category: diversity

Playground in My Mind

Wednesday morning, and the week is now on its downward slope into the weekend. Paul is going to visit his mother on Monday for a week; I am going on vacation myself starting a week from today through the following Monday–basically a long weekend around the 4th of July. With Paul absent, I am hoping to get a lot–as always–done.

We’ll see how that goes. My track record isn’t the best, after all. But in fairness to myself, I do–frequently–overestimate what I can get done when I am home by myself. But last night I managed another three thousand (terrible) words on the WIP–even though I’ve recognized that this is a story draft, I still wince at how awkward the scenes are and so forth, but the plot is moving forward and I think once I have it all down on paper and it holds together, I can actually make this into something truly terrific. Of course I’m absolutely terrified I am going to put a foot down wrong or something along those lines; it’s a very tight rope one walks when writing about race and homophobia in the South, particularly when one is white–it’s very easy to go wrong, and when one had always benefited from the systemic racism of our society and culture, when one has to retrain and unlearn so much…I’m always worried something will slip through, unnoticed and unrecognized…but I’m also not certain that my work gets enough attention from the world at large to merit a call-out Twitter-storm of fury, either.

There was an interesting discussion on Facebook the other day about sensitivity readers, and whether they are necessary; and what, if any, compensation is due them for reading the work in question. Should it be a professional courtesy, done as a favor and for the greater good, or is not compensating the sensitivity reader for their time and expertise another form of exploitation and devaluing not only their personhood but their experience? I’m hesitant to ask anyone to read my work as a sensitivity reader because I do believe people should be paid for expertise; the biggest mistake made on this issue was branding them as sensitivity readers–the term should be sensitivity editors. Editors, you see, get paid to read manuscripts and find problems, mistakes, errors, things to be corrected; the sense is that readers do it for free, because who gets paid to read? Readers are fans, editors are professionals; the terminology here has been wrong from the get-go (words matter, people!) and this is why the question has arisen in the first place. I can’t afford to pay someone to be a sensitivity editor for me; and I am not the kind of person who likes asking others for favors (the only thing worse than asking for a favor is asking for money), and I certainly would never ask someone to read an entire manuscript for free to give me advice and input. (I have, however, done this before; but I didn’t ask, I merely accepted when other authors have offered to read something for me–and yes, full disclosure, I probably hinted a lot until they offered. Yes, I am a capital H Hypocrite. I will come right out and ask someone to read a short story to get their input; I do this for others as well, so it’s kind of a circle-of-life kind of thing.)  I personally am not terribly comfortable being a sensitivity editor for other writers, to be completely honest; I cannot speak for the entire LGBTQ+ community and say with authority “no one will find this offensive” because my own level of offense is pretty low, and remember, I have been accused of writing gay stereotypes more than once.

So, how could I possibly be a sensitivity editor?

I am also reluctant to ask people for blurbs because I am aware that I am asking for an enormous favor; reading a manuscript takes time–time that could be spent doing something more beneficial to the person being asked–and usually, it’s an electronic file and I, for one, hate reading electronic files….I’m not big on reading print outs, either, to be honest. I don’t want to spend any more time staring at a screen–be it a monitor, a reading device, or a phone–than I already do, which is quite a lot.

Heavy heaving sigh.

This entry sure wound up all over the place, didn’t it?

It’s very strange, because as a gay man, I often get included in discussions about institutional diversity; I served on the board of Mystery Writers of America for four years (which I did specifically to try to make the organization more open to diversity–it was more open than I thought it was when I joined, frankly, and I’m not certain I had much of an impact there but it certainly was an enormous boon to me, personally and professionally); I currently serve on the Bouchercon board (which I joined for that reason and also to assist with the production of the anthologies); and of course, I write the diversity column for the Sisters in Crime quarterly. So, diversity is on my mind a lot; it’s also why I chose to start the Diversity Project this year–alas, I am not reading as much this year as I have in previous years, burn out from being an Edgar judge last year I suspect–but I also cannot escape the fact I am white, with all the privilege that entails; if I were straight I’d have hit the American jackpot, you know: white straight cisgender male. (Which, of course, is infuriating to hear the  you chose to be gay bleatings of homophobes; why would anyone deliberately choose a more difficult path in life, particularly a more difficult path to being a published writer, which is fucking hard enough already as it is?)

I like to think my status as outside-the-status-quo, oh-so-close-but-not-quite-hitting-the-privilege-grand-slam, has made me more empathetic and sympathetic than I would be had I hit the grand slam; but I also believe in the butterfly effect; me being straight would have changed, certainly my life, but would have also dramatically altered the lives of everyone around me, and the ripples would have continued to flow outward from there.

I like my life, thank you very much, and I am most grateful for it.

And today’s three thousand words aren’t going to write themselves, so I’d best get back to it.

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Will It Go Round in Circles

  Well, I wrote over two thousand words on the WIP yesterday, so whatever the fuck that was is hopefully over. The words aren’t good, of course; in fact, I suspect they are really quite embarrassingly awful. Not nearly as magical and wondrous as those words I wrote on Sunday, of course, on the project that has to be pushed to the side even though I already know what the second chapter is, and yes, it’s perfectly shaped in my head. Complete, even. I could probably bang it out in an hour or two.

But I must not. I can not. I must go back to the wretched WIP and write some more awful words on it tomorrow. But what was holding me back–the knowing how badly I was botching it, and not wanting to continue moving forward…but also finally understanding that of course this is going to be the case.  This draft isn’t about any of that; it’s about getting the story down and correct, a very complicated and twisty plot, more so than anything I’ve tried before, fixed and correct and down,  before I go back and make everything else right–the dialogue and the characters and the scene and so forth. I hate when I have to write what I call a story draft–a draft where I am working the story out as I go because I am not entirely certain where it’s going to end, so I have to focus solely on that–because I hate not focusing on the things I like the most about reading and writing.

I also resent the time I spend wrestling with story drafts.

But the story is taking shape, and I set the stage with this transitional chapter (I also think I hate writing transitional chapters more than I hate writing anything else; they always seem so forced and tedious to me) for the rest of the book here. Now comes the tricky part; the final act where all the various threads of the book and the subplots have to all start coming together.

Heavy sigh. And you KNOW I am itching to write the next chapter of this Chanse book that I shouldn’t even be thinking about yet. Such is my life.

I finally slept fairly decently again last night after two bad nights; I was on a roll last week, sleeping great every night and even slid into the weekend feeling incredibly well-rested. I do feel somewhat rested this morning, but also feel like another two hours in bed would be the bee’s knees, to throw out another silly cliche.

We watched the third episode of season two of Big Little Lies, and while it seems like the show isn’t getting as much buzz in the second season as the first did, I think the second season is even better than the first. The women are all dealing with the aftermaths of their personal traumas, as well as the big lie they are all concealing–that Bonnie pushed Perry down the stairs, and in their shock and horror after it happens they all agreed to lie to the police and claim he just fell–and the reverberations from that lie, while forming a deeper bond between the women, is also wrecking their marriages and their lives. Meryl Streep is just absolutely stunning as Perry’s mother, come to town and very suspicious about all the lies being told–she also, as a loving mother, cannot wrap her mind around the idea that her son is this monster–and while she reads as terrible (her insensitivity in her own grief is wince-inducing but also understandable as she tries to wrap her mind around the truths of her son’s life, while wading through the lies her love for her son refuses to allow her to believe), her addition to the show was simply genius on the part of the writers and showrunners. I highly recommend this, if you aren’t already watching, and the performances themselves–Nicole Kidman, Streep, Laura Dern, Shailene Woodley, Zoe Kravitz, and Reese Witherspoon–are all award-worthy.

Just stunning television.

And now back to the spice mines. Pray for me as I start to sort out the third act of the book.

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My Love

Monday morning gave me no warning, of what was to be.

Heavy sigh.

I’m still reeling from a highly productive day yesterday that, ultimately, achieved nothing. Writing the first chapter of a new Chanse novel–when I had thought I was finished with the character, outside of short stories–was probably not the smartest way to go with my work, but at the same time I’m not terribly upset by it or see the day as wasted. I did managed to write over three thousand words in less than two hours, and they were actually good words, ones that I probably won’t be discarding if I decide I want to work on this more–I can always keep it there in my back pocket, and if I get stuck on something else I’m working on, I can work on it, and therefore never lose a day to not being able to figure out what’s going to happen next with anything.

Sigh. I told you I have creative ADD. The struggle is real, yo.

I’ve not worked on the WIP now for two solid weeks, which is completely insane. I’d hoped to have the first draft finished by the end of June–which now is not very bloody likely–so I could move back to the Kansas book and get it revised by the end of July. I’d like to keep to that schedule somewhat; if I can somehow manage a chapter a day on the WIP I’d be awfully close to finished by the end of the month, and the revisions on the Kansas book might actually allow me to go back and forth between the two throughout July. It would be awesome to have both finished by the end of July, although not very probable; the heat here is going to start picking back up again (it’s already in the nineties every day) and the heat and humidity are such energy drains. My preference for a New Orleans summer would be to never go outside unless absolutely necessary; that unfortunately isn’t possible, so I try to deal with it the best I can…which is changing my socks regularly, washing my face every few hours, and praying for October to arrive.

Football season is also just around the corner, and experts are predicting terrific seasons for both LSU and the Saints; we’ll see how that goes.

I started reading Howard Zinn’s The Twentieth Century over the course of the weekend; while I still want to keep up with the Diversity Project–which has been amazing so far–I think I might spend the summer reading mostly non-fiction. I have all these books about New Orleans history, as well as Louisiana history, and I really should start making my way through those as well. The primary problem, of course, being that reading nonfiction often kickstarts my creativity genes into gear and I start coming up with other ideas for stories and novels–as it is, if I spent the rest of my life writing the ideas I’ve already had, I’d never be able to finish writing them all, so having new ideas all the time is hardly the best thing for me…although don’t get me wrong, I don’t ever want my creativity to ever just completely shut down on me, either.

I can’t imagine ever having my creativity just completely shut down.

I hope it never happens–although I always worry it will.

And on that note, tis back to the spice mines.

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Crocodile Rock

Oh, Louisiana.

My beautiful, beautiful state. Louisiana is basically a lush, fertile state chock full of important natural resources, and also sports the nickname “Sportsmen’s Paradise,” because outdoor sports–hunting, fishing, etc.–are abundant here. Lots of hunting, lots of fishing, that sort of thing.

But Louisiana also is known for corruption, being backwards in many ways, and some truly bizarre politics/politicians. It’s easy to say that Louisianans have a very cynical view of politics and politicians–no one is really surprised when one of our elected officials is caught doing something criminal or morally questionable; the basic presumption is that they’re all crooks and liars unless proven otherwise. We can never forget that one gubernatorial election featured bumper stickers and campaign slogans that read Vote for the crook, it’s important–when Governor Edwards, convicted for taking bribes in office, was running again after serving time and his opponent was notorious racist and former Klan Grand Wizard David Duke.

And for the record, that election was in the early 1990’s–not that long ago.

As I said yesterday, I watched a four hour documentary on Hulu this past week called Murder in the Bayou, about what is called the “Jeff Davis 8”–eight women murdered over a period of less than three years in and around the Jefferson Davis Parish village of Jennings. The women all  had issues with drugs, and also came from really poor backgrounds. The documentary was interesting, and seemed geared to the idea that there was a serial killer operating in the parish–and for some reason, the cops simply couldn’t track said killer down, and eventually the killings stopped.

I also remembered that there was a book about the murders, with the same title, by New Orleans journalist Ethan Brown, and I had a copy. So, after I finished watching the documentary Friday afternoon, I got the book down from the shelves and looked to see if there were any photographs included. There weren’t–just the flyer with the reward posted, with photos of all the victims on it. I started reading…

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On May 20, 2005, Jerry Jackson, a soft-spoken slim African-American retiree with a short salt-and-pepper Afro, prepared to cast a fishing line from a hulking bridge over the Grand Marais Canal on the outskirts of Jennings in southwest Louisiana. Jackson peered down at the muddy rush below, the corroded, cylindrical rain pipes along the canal belching water, the collapsed pedestrian bridge far out in the distance. As he prepped his fishing line, Jackson imagined the catch that day, white perch, a small bass with a strong spine that’s so abundant in Louisiana it’s the state’s official freshwater fish. In low-lying southwest Louisiana, where rain is constantly siphoned to prevent flooding, drainage canals are as common as the perch. These canals provide sustenance for poor Louisianans for whom fishing is both a generations-old tradition and a day-to-day necessity. For hobbyists such as Jackson, who made the approximately ten-mile trip to Jennings from his cramped trailer on a dead-end street in nearby Welsh, drainage canal democratize fishing. Expensive shrimp boats and fishing equipment aren’t necessary–all one needs to do is drop a line into the water.

As Jackson peered deeper into the Grand Marais Canal, he spied the outline of a human body. “It had come up on the news that someone had stole some mannequins,” Jackson told me, “so I thought that one of the mannequins ended up in the water somehow.” Jackson focused his eyes on the figure. “I saw flies, and mannequins don’t attract flies.”

It didn’t take me long to get into the book to realize there was information, crucial information, about the victims in the book that wasn’t included in the documentary; in fact, the documentary left a lot of important information out. Yes, the women all had addiction issues, but they also were sex workers–turning to sex work to either get drugs, or to get the money to buy drugs. The police didn’t cooperate much with Mr. Brown, and the sister of one of the victims played a very prominent role in the documentary; she was only mentioned by name once in the book. Brown also shared the information that many of the victims were witnesses to other crimes, and theorized they were all killed to silence them–and that it wasn’t a serial killer after all. Brown also isn’t convinced completely that the police were so inept and incompetent to handle these kinds of investigations (something that came up a lot in the documentary), but that the parish police were actually corrupt, involved in the drug trade, and connecting all the dots also led to a peripheral involvement by a powerful politician. Naturally, the police and the politician disagree with Mr. Brown’s theories and conclusions…but he also includes, in the book, other crimes in the parish that may or may not have been connected to the murders, as well as corruption within the police department; things that were not in the documentary.

One of the things that struck me, while watching and again when reading the book, is how tragic the cycle of poverty is in these small towns, not just in Louisiana, but across the country. The class divide–marked in Jennings by literally railroad tracks that separate the good part of town from the bad–is truly staggering; I would imagine it’s much the same in big cities only not as obvious. The poor and uneducated people in places like Jennings are trapped in a terrible cycle of poverty that they cannot seem to break, which is truly sad, and the disruptive nature of the families they were born into doesn’t help much, either. And once someone starts spiraling down into drug addiction, there’s nowhere to turn to for help getting off the drugs…and there’s no money for rehab, which is incredibly expensive.

I can’t imagine how horrible it would be to stuck like that, with no hope for the future.

The book is very well written, and it’s not terribly long; I read it in one day, and it’s a terrific read. I do recommend it, and I also recommend watching the documentary as well. I’m curious about why they chose to leave some stuff out of the documentary that’s in the book–perhaps it has something to do with both using the same title but not adapting the book or using it as source material, or something along those lines–but it’s very interesting to see the two very different takes on the murders.

And yes, learning more about these murders did, in fact, give me an idea for another Chanse novel; the first idea I’ve had for a Chanse novel since I wrote Murder in the Arts District. I can easily see fictionalizing this story, with Chanse as the investigating private eye…or someone else, really; it doesn’t have to be Chanse, and the issues at play here–the disposability of drug addicted sex workers, class distinction, and corruption in the parish power structure–are things I would love to explore in a novel.

Like I don’t have anything else to write already, right?

And now back to the spice mines.

Killing Me Softly with His Song

Strumming my pain with his fingers…

Much as I love this song, I’ve always found it a bit odd. I mean, that opening line alone! And I have to admit, when I was twelve and I first heard this song on the radio–it was played a lot–it took me a long time before I realized the sentence wasn’t strumming my thing with his fingers…which is an entirely different meaning.

My week of deep and restful sleep continued last night. It’s odd, but I think adding Breathe-right strips to my nightly routine–those things that you put on the bridge of your nose and they help you breathe better–this week might have made the difference. Between breaking my nose as a teenager and having it never re-heal properly (the cartilage is detached from the bone; I can literally flatten my nose by pushing on it), years of drug abuse in my twenties, and the sinus issues I’ve had since moving towards New Orleans, breathing during my sleep has become more of an issue, and since the nose strips seem to help me sleep better, it makes me tend to think that is the real answer to my sleep issues.

Whatever may be the case, it’s lovely to have slept well every night this week. I cannot recall the last time I had an entire week of sleeping well. We’ll see what, if any, difference it makes in my life and my productivity–and never fear, Constant Reader, I will keep you posted as things develop.

I have a three day weekend this weekend, which is why I am not already at the office and instead am at my desk, swilling coffee and getting the laundry (it’s Bed Linen Friday) accomplished. I had thought about running errands today–I need to go to Costco, get the mail, and do some grocery shopping–and while it’s somewhat easier to do those things on Friday while most people are at work, I am thinking today might just be a good day to stay inside, clean, edit, write, organize, and etc–and I can run the errands tomorrow, when I am fully recovered from a week of work.

I got off early yesterday, as I do on every Thursday (except this coming one; it’s National HIV Testing Day; know your status, New Orleanians!) and stopped at the grocery store on my way home from the office, and did some straightening and cleaning up around here before venturing out to the neutral ground to catch the streetcar, so I could meet an author in from out of town for work at the Aloft Hotel on Baronne Street, Alexia Gordon (you can check out her books here, they sound interesting! Can’t wait to dive in myself), and a good time was had by me–although I’m not sure about whether she had a good time or not; as is my wont, I babbled nervously almost non-stop, barely giving her a chance to get a word in edgewise–which is why I have so few friends…well, one reason at any rate) but it was lovely. I love taking the streetcar, and I had some serious streetcar luck; the streetcar downtown was almost completely empty–just me and one other rider, and then the one uptown’s money machine was broken so the ride was free! It was also, once the sun went down, a lovely warm night with a delightfully cool breeze, and walking the two blocks home from the streetcar stop was lovely as a result. There was also a drunken white woman in cut-off jeans standing in the street as I turned the corner to my block. She looked terribly confused and was weaving a bit, her cell phone in hand, and as I drew nearer she said, “My car was towed and I don’t know who to call.”

“You should ask them at the bar,”  I said, gesturing back to the corner. “They can probably help you.”

Perhaps not very gallant or gentlemanly, but she was clearly intoxicated. Also, cars are rarely, if ever, towed from our street, and they certainly wouldn’t be after dark. So, my best guess was her car had either been stolen, or in her intoxication she’d forgotten where she’d actually parked it. And when last seen, she was walking back to the bar, so I am sure she was able to get assistance in figuring out where her car was.

I didn’t have the heart to tell her that if her car had, indeed, been towed by the city, she wouldn’t be able to get it until today (been there, done that).

Life in New Orleans.

But as I walked home from the streetcar stop, enjoying the warm evening and the cool breeze, I thought what a lovely evening this was, and it is lovely to get out and enjoy my city, albeit briefly, I should get out more and try to be more social–which I think whenever I am social and have enjoyed myself. But then the iron gate closed behind me and I unlocked my door and was safely back inside the Lost Apartment, and my tendency to be a shut-in hermit came rushing back…as I watched The Real Housewives of New York (again, the gold standard for reality television), I began planning my weekend so I can leave the house as little as possible.

Some things, you see, never change.

And so now, it’s back to the spice mines, and getting this apartment under control.

Have a lovely Friday, Constant Reader.

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Let’s Get It On

A half-day today before a three-day weekend.

Huzzah!

So, I started rereading short stories yesterday that I thought were finished and had sent out to markets only to suffer cruel rejection….and as I read the first one, catching mistakes as I went from beginning to end, I literally cringed to think other people had read it as it was. Heavy heaving sigh. I do love the story, and I love the idea behind the story, and I love what I was trying to do with the story; I just need to work on it a little harder. Short stories are so my Kryptonite. I don’t know how or why I struggle with them so much, but I do, and it really sucks.

Heavy sigh.

But I keep writing them, keep struggling with them, and keep hoping that I am going to someday find the magic key that will somehow make writing them easier.

And yes, I’m still looking for that magic key to make writing novels easier, as well.

Hopefully this weekend I’ll find the time to revise these stories–maybe work on the WIP as well–and get things finished. I feel right now like I have all of these pending things hanging over my head– some things I do remember and other things I keep forgetting about and then remember, with horror–and so I need to get sorted. I slept really well again last night–this week has been odd in that I’ve pretty much slept extremely well every night this week; here’s hoping this turns into a regular trend–and maybe it means I’ve at long last reset my body clock.

I also want to get a lot of cleaning done, as I always do. I think tomorrow will be my “run-the-errands/clean-the-house” day, and then I can spend Saturday and Sunday actually, you know, writing and getting some things done. I also am going to sit down (probably tomorrow afternoon, after the errands are done) and reread the WIP. I’ve not worked on it or touched it or done anything to it in several weeks. This is a concern, of course; and the longer that goes the more likely it is to get shoved into a drawer and join other aborted manuscripts which I will not allow to happen. Like I’ve said before, the WIP is a struggle for me, but it’s also a book I’ve been wanting to write since the late 1980’s (which is when I wrote the original short story the book developed from) and I do think/believe that what is holding me back on writing this, why I am struggling with it so much, is fear: fear that addressing the issues I am trying to address in this book are out of my wheelhouse and things that I am not good enough to write about, if that makes any sense? In other words, it’s a crisis of confidence, but I also believe strongly that the books and stories that are the hardest to tell, the ones that trigger all these things, are the ones that need to be told. If I fail at what I am trying to do, I fail.

Which is the issue I have with another short story, another one of the ones I am rereading. I’ve not sent this one out to any markets; I am again attempting to address a social issue in this story, and I am worried that telling it from the point-of-view I am telling it from might be problematic. But problematic stories are sometimes necessary, I think; maybe I am crazy for trying to be so ambitious and should stop chasing waterfalls, sticking to the rivers and the lakes that I am used to….oops, sorry for getting sidetracked there; had a TLC moment.

And on that note, it’s time to get back to the spice mines.

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Squeeze Box

I didn’t write a goddamned thing yesterday.

I did a podcast interview yesterday; Eric Beetner and S. W. Lauden very graciously invited me to be on their Writer Types broadcast, which I had been on briefly before–they’d gone around on Saturday afternoon at St. Petersburg Bouchercon to talk to people, and they caught up to me in the bar where I was drinking with Chris Holm, his lovely wife Katrina Niidas Holm, Stephanie Gayle and I don’t remember who else was around at the time (read: drinking in the bar). I was impressed with the questions they asked me; usually interviews tend to be rather softball and don’t require me to actually think a whole lot. But the questions they asked me put me into a reflective mood, and I kind of spent the rest of yesterday thinking, and remembering. My career as a published author of fiction (I don’t say writer because I started in publishing as a journalist in 1996; and while I continued to write for newspapers and magazines until around 2003 or so, I never really considered myself–and still don’t, to this day–a journalist).

When I started out all those years ago, it was possible to be a gay writer of gay mysteries and stay cloistered away from the mainstream mystery community. There were gay bookstores, newspapers, and magazines; those no longer exist and the publications that do aren’t really interested in books–at least ones that aren’t written by celebrities. I got some local press in the Times-Picayune, thanks to the divine (and still missed) Diana Pinckley and Susan Larson, but I was able to build my career entirely within the gay community. I don’t think that career path is possible for anyone today; I have no idea what to tell young gay writers just starting out nowadays because they can’t do what I did, back in the day–the bookstores I used to always do appearances at (Outwrite in Atlanta, A Different Light in West Hollywood and San Francisco, Lambda Rising in DC and Baltimore, Oscar Wilde in New York, and I forget the names of others) no longer exist. Talking to Eric and Steve, I remembered those days when I used to show up to signings in a baseball cap and shorts and a tank top; and I kind of missed it. I’ve not done a book signing in an actual bricks-and-mortar bookstore since Rebecca Chance and I both appeared at Murder by the Book in Houston, which was either 2012 or 2013? But book signings aren’t as effective a promotional tool for a writer like me, in a niche market–but going to conferences and appearing on panels gets me more bang for my buck and exposes me to a lot more potential readers than appearing in a store ever would. I would love to do another signing at Murder by the Book; John McDougall and McKenna Jordan are two of my favorite people in this business and I have friends in Houston as well…but then I worry about all the trouble a signing would be for the store and worry no one would show up to make it worth their while to have me in the store.

Plus, I have a new car so the drive over wouldn’t be terrifying the way it always used to be.

Well, newer car. I guess now that I’ve had it for two years it’s not really a new car anymore.

Ah, well. As you can tell, Eric and Steve sent me down memory lane. Who knows what blog entries that might lead to?

And now back to the spice mines.

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Who’d She Coo

Here it is, a lovely Saturday morning, and I am steeling myself to go to the gym. I have things to do this weekend–writing, and a manuscript to edit, and I’d also like to get some short stories out for submission as well, around cleaning the house–and going to the gym is an errand that has been put off for far too long. The excuses and rationalizations I can come up with for not going to the gym are legion.

Thanks to a Scott Heim post yesterday on Facebook, I had a blissful moment remembering one of my favorite TV shows of my youth, The Snoop Sisters, and the glorious ABC Movie of the Week Do Not Fold, Spindle, or Mutilate–which was, actually, the original catfishing story. Four elderly women (played magnificently by Helen Hayes, Mildred Natwick, Myrna Loy, and Sylvia Sidney) as a joke sign up for a computer dating service–back in the days when computer programs were ‘written’ on hole-punch cards; computer dating was actually a new and exciting thing in the 1970s, with all the newfound freedom of the sexual revolution, the pill, and feminism. Of course, the young man their “perfect woman” is matched up with is deranged, and he begins stalking and terrorizing the women. I watched that movie every time it aired, and guess what? It’s on Youtube! (Isn’t everything, really?) So, I am going to try to carve some time out in my schedule to rewatch it…because I, of course have so much free time.

I slept fairly well last night, all things considered, and woke up before seven this morning–but stayed in bed until about seven thirty. There’s still a mess in the kitchen–something I’m going to have to do something about this morning, because I won’t be able to do anything in this mess I can see when I turn my head in any direction, so it’s fortunate that I did, in fact, wake up so early. Last night I tried watching Bad Times at the El Royale, which looked like a fun, twisty, noirish thriller–but about forty-three minutes into it, I gave up. The cast is terrific, and there was a lovely 70’s vibe to it (it was set in the 1970’s, at a motel that straddles the California/Nevada line in Lake Tahoe), but after forty-five minutes of nothing happening, I couldn’t sit through another hour and forty five minutes. The movie was, frankly, certainly too long, and if the first half of your movie is basically just backstory and set-up…you need to re-edit your film. Sorry not sorry. I even gave up before Chris (THOR!)  Hemsworth showed up–which should tell you how bad the film was.

Which is a pity, as the cast was amazing.

I think tonight we will watch Always Be My Maybe. I do love Ali Wong.

My Pride Month posts and tweets about queer crime writers are getting some lovely traction, which is always nice, and I do marvel at the way things have changed over the the course of my lifetime. It does occur to me that I am not celebrating or talking about things on here for Pride Month; perhaps I should rectify that, and perhaps I will. It’s been a long journey, and a long life for me–I certainly never thought I would live this long, even when I was a kid–and I do think, from time to time, about the fatalistic way I viewed my life after I came out and started living–rather late–as a gay man. One of the many, many stories I have in some sort of progress is set in the early 1990’s in New Orleans; and deals with some of that sort of the thing. It’s a long story, and probably will wind up being a novella which I will either self-publish on Amazon or include in my next collection of short stories (which I can also self-publish on Amazon if my publisher doesn’t want it). It’s called “Never Kiss a Stranger”–I mention it from time to time–and it’s also a way for me to recapture what New Orleans was like at that time–sleepy and crumbling in the sun.

And yes, at the end of the month, I will post the list of queer crime novels and authors here, so people can use it as a reference. I also think it’s going to be published somewhere? Maybe the Mystery Scene blog? Anyway, someone asked if they could use it and post it someplace like that, and obviously, I said yes to it.

And now, perhaps it’s time to get back to those old spice mines.

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Breaking Up Is Hard To Do

So, this came this week:

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Pretty cool, right? I really like the cover.

This, on the inside, is also kind of cool.

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Yes, that’s the two page illustrated title page for my short story, “Neighborhood Alert,” which is in the spring issue of Mystery Tribune magazine.

I know, right? Gregalicious is breathing some rarified air these days!

Wonder of wonders, Trish found a parking space in front of her townhouse on Euterpe Street, which hardly ever happened. A good omen, she thought as she grabbed her purse and the reusable cloth grocery bag from the passenger seat. It was cold for New Orleans, down in the thirties. An overnight rain with a cold front right behind it had dropped the temperature thirty degrees. The city was in a hard freeze warning overnight. She wasn’t sure if her pipes were in danger, but always ran the water to be on the safe side. She couldn’t imagine the hell of busted pipes. She lived in constant fear of something going wrong with her townhouse—termites, ants, broken pipes, the ground shifting. She had some money put aside, but not enough for any of those catastrophes.

She clicked the key fob to lock her car and frowned. Her gate was ajar. She would have sworn she’d closed and locked it, but it was such an automatic habit she couldn’t be sure. She’d been having trouble sleeping, which made her foggy in the mornings. She wasn’t sure what was causing it; her doctor said to cut back on caffeine, but if she didn’t sleep well at night and was groggy in the morning, how was she supposed to do her job without drinking some coffee? She’d compromised, giving up on extra shots of espresso and just having regular coffee…but was still restless at night, tossing and turning and waking up to stare at the ceiling. She shut the gate and locked it with the key. The wrought iron fence was tall, spikes on the top, and since she started living alone, she made sure the gate was locked whenever she was home. Anyone wanting in had to ring the buzzer, and she could check from the safety of the house to see whether she wanted to let them in. She grabbed the catalogues and junk mail from the mailbox, wondering who still used catalogues and slipped it all into her grocery bag. She tried to reduce her carbon footprint by recycling and not using the disposable grocery bags, but she still felt guilty driving to and from work every day. It wasn’t even a mile, but she rationalized that her company paid for her parking space whether she used it or not, and the St. Charles streetcar was two blocks from her front door and four blocks from her office—not bearable in heels or the heat of the summer.

And at least, she reasoned, she did feel guilty about it. Most people didn’t even think about it.

As she unlocked the front door, a sheet of paper sailed out and came to rest on the third step of the hanging staircase. She frowned, shutting the door and turning the deadbolt. There was a mail slot on the front door that wasn’t used anymore; not since she’d installed the big fence, buzzer and gate lock after the divorce. She’d left the gate unlocked and someone had slipped something—a sales notice, probably, or a lost pet flyer—through the mail slot.

I wrote “Neighborhood Alert” last year, during that period of time when I was focusing on writing short stories, early in 2018, and I’d originally intended for it to be included in Survivor’s Guilt and Other Stories. I honestly don’t recall why I decided to submit it to Mystery Tribune, but I did one day and then kind of forgot about it. (I do have a spreadsheet where I keep track of submission dates and markets, but I wasn’t making notes on the calendar yet–which I now do, so I can check on the submissions and so forth; I am trying to get better organized, Constant Reader, I AM!) As I was pulling everything together for Survivor’s Guilt and Other Stories, I always included “Neighborhood Alert,” so you can imagine my surprise when I got the email from Mystery Tribune that they wanted to publish my story! Huzzah, indeed! I then had to put a different story in the collection, but I got a rejection from Ellery Queen’s Mystery Magazine  and I swapped that story in for the this one, and problem solved.

“Neighborhood Alert” first came to me as an idea years ago, when someone put one of those ‘registered sex offender in the neighborhood’ flyers through our mail slot when we lived on Camp Street. On the one hand, I certainly understood the neighborhood’s right to know there was a convicted predator moving in; on the other hand, he’d served his time and how can you move forward with your life when everyone in the neighborhood knows about your crimes? I wrote the idea down in a journal, and when I was going through my journals last year during that manic short story writing period, it occurred to me, what if you’d lost your only child to a predator, and then a few years later you get a one of these alerts?

This was the story that resulted from that thought. And I am very proud that it’s my first publication in Mystery Tribune.

And it will be in my next collection.

And now back to the spice mines. Happy Friday, everyone.

Walk Away from Love

Wednesday and I am being betrayed, left and right, by idiotic technology.

I had to take my fucking phone back to factory settings because despite updating my phone the other day, last night my computer didn’t fucking recognize my phone again. (You can certainly tell Steve Jobs died…the quality of Apple’s overpriced products has gone into steep decline since his death. This kind of shit never happened on his watch.) And my email inbox is also having some issues today as well.

I don’t have time for this nonsense.

Seriously.

I’ve not written hardly at all this week, because I got sucked down into a rabbit hole regarding the crime fiction community these last two days–yet another train wreck I can’t look away from. I hope to get back in the writing saddle again today, though; fingers crossed there won’t be any more developments of nonsense! But the way things have been going…it certainly wouldn’t surprise me in the least.

I watched another episode of Chernobyl last night, and seriously, this is some extraordinary television. It’s depressing and horrifying as all  hell, but like the crime fiction kerfuffle or a train wreck, I simply can’t stop watching. The fourth episode–if you’re a pet lover, do not watch. The show is doing a terrific job of showing the disaster from the point of view of every day citizens affected, and what the disaster has done to them and their lives; episode four is particularly ghoulish and while true, it was awful and heartbreaking to watch: you see, all the people had to be evacuated out of the hot zone, but they didn’t take the contaminated animals with them…including pets. So, a team of people were assigned to go around and shoot all the cats and dogs the citizens had to leave behind–they were contaminated and it was a mercy, rather than letting them die a horrific, slow painful death from radiation. The part of the episode dealing with this was all shown from the point of view of an eighteen year old newly inducted soldier who volunteered to help out in the hot zone. I had to pause and get up and walk away several times during the episode because it was, frankly, too much. There’s one scene in particular…Christ, I can’t even write about it.

Chernobyl, despite the incredible acting, writing, and production values, is not an easy thing to watch. It’s filmed like a horror movie–very bleak and hopeless–and what makes it worse is something I realized after Hurricane Katrina; that no matter how bad something looks on television or in a film, the reality is so much worse. I will never get the images of what the lower 9th ward looked like that October of 2005, and how television didn’t even capture a fraction of the actual horror and devastation.

And on that note, I am heading back to the spice mines.

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