Category: diversity

You Keep Me Hanging On

LSU won big yesterday, beating Utah State 42-6 with their lowest point total of the year thus far–and it’s probably an indication of how quickly Joe Burrow and this offense is spoiling LSU fans this year that at one point in the game, I said aloud, they are really playing sloppy this game. The score was 28-6 in the third quarter–and even as the words came out of my mouth I thought, wow, Greg–they have a 22 point lead in the third quarter and you’re complaining that they are playing sloppy. Next week is the first big SEC test of many–Florida, fresh off a 24-13 win at home over Auburn (another future opponent)–and that will probably be a good read on how the rest of the season is going to go.

I was tired yesterday, very tired. I stayed in bed longer than I usually do and my sleep wasn’t that much more restless than usual, but by ten o’clock last night I was dragging. I finally went to be around ten thirty, and got up this morning just before nine. I feel very rested and refreshed this morning, which is lovely–because there’s a lot for me to do today on the agenda. It wasn’t that bad, all told–rather than writing as much as I wanted to do, I instead made some serious progress on cleaning around the Lost Apartment–reorganizing books and so forth. I also started rereading Bury Me in Shadows, which is actually a lot more complete than I thought it was; it’s also a lot more creepy than I thought–see what a different putting something away for a while can make? It still needs revising, though, and there’s more things that need to be added to it along the way, but I am overall pretty pleased with what I’ve gotten down on the page so far. I also did a little bit of work on “Never Kiss a Stranger”–now that I’ve decided it’s a novella more than a short story, it works a lot better because I’m not worried about keeping it to less than six thousand words. I was also thinking yesterday that maybe I could do a collection of novellas. Novellas are hard to place anywhere, after all, and while it’s not a bad idea to self-publish them on Amazon, maybe it does make more sense to put them together into a collection of four, like Stephen King does periodically.

I also started my annual Halloween reread of The Haunting of Hill House by Shirley Jackson yesterday, and even as I marveled at her wonderful grasp of word usage, sentence structure, mood, and character, I couldn’t help but wonder, really, how one would classify Shirley Jackson’s work? It’s not really horror,  although the book is absolutely terrifying; and she didn’t really do much other work that could fall into the horror category. Her short stories are quite marvelous; and while We Have Always Lived in the Castle is also terrific, I don’t know that it could be called horror, either. Eleanor, our main character in The Haunting of Hill House, is probably one of the most fascinating and complex characters I’ve ever encountered in horror; the book is also an amazing character study. I would kill to be able to create the kind of mood Jackson created in this book…I am trying to create a mood in Bury Me in Shadows, and am not entirely certain I’ve succeeded. But just glancing through the pages yesterday, I definitely got the sense that the book is, as I said earlier, in much better shape than I originally thought; there’s definitely some revisions that need to be made and changes, but I am very pleased with it so far.

I am also glad I decided to try to get the revision of this squeezed into October rather than trying the Kansas book, which needs a lot more structured revision and needs to have a new ending. One of the things I’ve realized about the Kansas book is that I have crammed every conceivable stereotype into the book about high school you can imagine. Football players and cheerleaders? Check. Homecoming? Check. Mean girls and jock assholes? Check. Poor kids who see sports as their only way out of the stifling, dying small town they live in? Check. The primary problem with the book is that in trying to upend and subvert those stereotypes I unfortunately played into them, which is lazy writing. There were so many other things I wanted to examine in this book and somehow didn’t manage to do; class and poverty, the haves and the have nots, and so forth. I’ve also worked harder and longer on this fucking book than I have any other that was published, so there’s also that. But it’s that kind of authorial myopia that made me unable to see, all along, what I was doing, and of course there’s the innate stubbornness I always have about trying to make it work when it would be ever so much easier to scrap the shit and start over. There’s a short story I’ve been working on for a while–I’ve sent it out for submission and it’s been rejected every time. It’s called “The Problem with Autofill,” which I think is a genius title, but it’s also the problem with the story. I’ve been trying to make that story fit the title, and the only way to do so is to create a situation that literally makes no logical sense–even I have thought to myself why would anyone do anything so fucking stupid? The answer is obviously to change the title, eliminate the need to make it fit said title, and then turn it into something more creepy and dark and wicked….and yet why am I only now deciding/accepting/realizing this?

Heavy heaving sigh.

Ah, well. And on that note, back to the spice mines.

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Heart and Soul

Friday morning and here we are at the end of the week! HUZZAH!

LSU plays tomorrow morning at the ungodly hour of eleven a.m., which is usually when I run to the grocery store and do my errands, which means they’ll either have to wait until Sunday or until after the game–and I think we all know that means they’ll be waiting until Sunday, don’t we?

As always I have a lot to get done this weekend, and an early game time for LSU means probably the entire day will wind up being wasted–there’s also the Auburn-Florida game following directly after–and so I’ll probably wind up sitting in my easy chair for most of the day with Deliverance near at hand for me to read. I need to reread Bury Me in Shadows this weekend as well, but I have to pay very close attention to that one as it’s a revision reread, so watching between plays and during commercial breaks doesn’t exactly loan itself to a thorough, line by line reread. I will undoubtedly be horrified by some of the bad paragraphs and sentences as I do reread it. I think when i get home from work tonight I’ll try to get my cleaning done, and once the laundry is going and the kitchen is free of clutter and dirty dishes, I might be able to sit down with it for a bit before I start making dinner (Swedish meatballs tonight). I’d like to finish reading Deliverance so I can reread The Haunting of Hill House, which I do every October–it will also help me with the rewrite of Bury Me in Shadows to be rereading something so Gothic and scary.

I’m still on the first chapter of Ready to Hang–“Murder in Basin Street”–and enjoying it immensely. I really do like the idea of me writing some period pieces set in New Orleans; the more I read of this city’s dark and morbid history, the more I love the city.

I’m also realizing how much the volunteer project wore me out, and that I’m still recovering from all the fatigue resultant from that work. It’s cool, though, as I said; I’m glad to have done it despite the fact it threw me behind on everything and wore me out so completely. I did some really good work there, and I’m pretty pleased with it all. I started writing again this week, seriously writing, and that felt really good. I always forget how much I actually enjoy writing when I’m not. I always dread it, and try to push it off, but I’m that way about everything that requires effort (see: not setting foot in the gym for months) and am always glad I did it once I have.

Tonight we’re going to get caught up on the shows we’re watching–American Horror Story: 1984, etc.–and there should also be a new episode of Murder in the Bayou and Saturdays in the South, which is always fun to watch. I also want to get some writing done this weekend in addition to the revise reread of Bury Me in Shadows. 

We’ll see. Happy Friday, Constant Reader!

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Only in My Dreams

Sliding into Wednesday and pay day–or as it’s known around the Lost Apartment, Pay the Bills Day. Heavy heaving sigh.

But I sent in two stories for submission yesterday, which is always a lovely accomplishment. One is for a blind read so I can’t talk about that one, but the other is “The Dreadful Scott Decision,” for an anthology I was asked to write a story for. I’m never quite sure if that means we’re taking your story or what, but I tend to never take anything for granted when it comes to this literally insane industry I find myself a part of these days. And even more exciting, I woke up to a very pleased editor and a congratulatory email re: “The Dreadful Scott Decision.” Always lovely, particularly when one has little to no self-confidence when it comes to writing short stories.

I won’t find out about the other one for months. As it is a blind read, I can’t really talk about the story, but it’s for the next Mystery Writers of America anthology, this time being edited by one of my writing heroes, Michael Koryta. Getting into an MWA anthology is one of my bucket list items, and while I’ve submitted numerous stories to them over the years, I have yet to get into one. The competition is fierce, of course; there are only so many slots and lots of entries, which is what makes getting into one a major accomplishment. It probably won’t help in the self-confidence area for more than a day or two, of course, but one also never knows.

I also started revising another short story last night, which I’m probably going to try to get submitted somewhere today. I think this week’s focus is going to be on revising short stories, to cleanse my palette before I dive back into the manuscript of one of the books I’ve got in progress. Since the LSU game is so early on Saturday, I can spend the rest of the day rereading Bury Me in Shadows and making notes while flipping back and forth between other college games–I only have to give LSU my full attention, after all. I think Auburn and Florida are playing Saturday as well; both are in the top ten, and both are on LSU’s upcoming schedule. Auburn looked really good spanking Mississippi State last weekend–their offense looked very much like LSU’s, frankly, scoring at will–which means Auburn-LSU is going to be another one of those heart-stopping shootouts.

Then again, Auburn-LSU has always been a heart attack game, pretty much coming down to the last minute of every game most of the time.

I started reading Deliverance yesterday, but it’s not really grabbing me yet–but then, they haven’t gone into the wilderness so far.

We finished watching The Politician last night, which took a really surprising–and highly entertaining–turn last night, with the additions of Judith Light and Bette Midler to the cast to set up season two, which I wasn’t so sure about going into last night’s episode. but they did a truly terrific job of jumping ahead a few years, and letting us see what was going on with the kids from the high school now that they’re in college…and, like I said, they did an amazing job setting up the second season.

I’m also finished reading Lords of Misrule as well, which takes the history of Carnival (and it’s racial politics) up to the year before I came to my first Carnival, and two years before I finally moved here and got my life started. Since that’s also the approximate time period for my story “Never Kiss a Stranger,” reading this has been enormously helpful. It catches me off guard a little that the 1990’s is now so far away; kids born in the 1990’s are in college now, after all–are old enough to marry and have their own kids.

I also realized, last night as I was reading after we finished watching The Politician, that it’s October, which is when I usually read horror fiction–and since starting the Diversity Project, I was waiting for October to read some diverse horror. So, I will try to get Deliverance finished this week, do my annual reread of The Haunting of Hill House, probably over this weekend, and then next week I am going to read Silvia Moreno-Garcia’s Certain Dark Things, or her more recent Gods of Jade and Shadow.

And since today is Pay Day, I should probably go pay the bills. Have a lovely Wednesday, Constant Reader!

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Notorious

Hello, Thursday!

I finished reading Lisa Lutz’ amazing The Swallows last night, and I am still processing the experience. There will be more to come on this score, but for now, suffice it to say you all need to buy this book, everyone. It’s extraordinary. The voice, the characters, the story, the setting, the plot…and it’s wickedly, darkly funny, too. It’s one of those books that makes me question myself and my own work, and makes me want to do better.

This has been a particularly exceptional year for crime novels, so much so that I can’t even recall all of them off the top of my head.

The women are killing it, guys. Up your game.

I’m also greatly enjoying the campy ride that is American Horror Story: 1984. I wasn’t sure if I was going to like it or not–no matter how off the rails a season of this show goes, I always end up watching it; the only season I bailed on was Hotel–but I’m pretty pleased with it so far. I was wondering how they were going to manage to get a season out of a slasher style tribute–after all, the main cast can’t be killed off from the very beginning, because you’d soon run out of cast–and last night I realized, ah, yes, every new character who is introduced in each new episode is going to die horribly. And yes, that’s what we have going on with this season, but it’s amazingly camp and funny and witty, and very much done in the style of the slasher films that were so popular in the late 1970’s/early 1980’s (have they ever gone out of style, though, really?).

Today I have to really get back on track with things. It looks like other than a nudge here and there, the massive volunteer project is finally over; just in time for some new volunteer projects, but none of those will be as time-consuming or all-encompassing as this one was–which is a very good thing, because I will need to use every minute available to me to get some things done before the end of the month. Hello, weekend–no rest for the wicked this week, alas. But it’s fine; primarily what I need to do is get these two stories finished. I also need to get back to the Diversity Project; next up is Michael Nava’s Lay Your Sleeping Head, which is actually a rebooted revision of his first Henry Rios novel, originally published as The Little Death. 

I am also moderating two panels at Bouchercon next month in Dallas, and so I need to start getting my shit together to be prepared for that, as well. I also have to write my column for the Sisters in Crime quarterly. Heavy sigh, it never ends, does it?

Make a list, Gregalicious, make a list, or you’ll never get any of this back under control.

Last night, as I was drifting off to sleep, I also got an idea I didn’t need to have. I’ve written a noirish short story about a teenaged male figure skater–it needs work–and last night it popped into my head how to turn it into a novel, and that the story would work far better as a novel than as a short story. While it’s an excellent idea, this presents another problem for me. First of all, when on earth would I ever have time to write such a novel,  and secondly, I made a decision quite a while ago that I needed to stop thinking about stories in terms of novels when they would work as a short story. Maybe this is one that would be better as a novel rather than a short story; it’s hard to say, and the more I think about it this morning, the more I am leaning toward leaving it as a short story. Maybe I should just take another look at it again this weekend, since I am devoting the weekend to short stories and articles and essays, and decide then.

I made shrimp ‘n’ baked potatoes last night, so the kitchen is a horrific mess this morning, which I should get cleaned up before I head into the office–I hate coming home from work to a filthy kitchen–and then I’m going to try to get all my emails answered.

Have a lovely day, Constant Reader!

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Don’t Dream It’s Over

Saturday, and LSU is taking on Vanderbilt at eleven a.m. on the SEC Network. GEAUX TIGERS!

I feel pretty good this morning. The massive volunteer project is now over but for the shouting, and I feel pretty damned good about it. I’ve been sleeping well, and starting to feel more rested–the emotional and creative hangover I’ve been experiencing has been absolutely horrific–so hopefully this weekend I can focus and get more work done. I am soooo far behind where I need to be with everything right now; but that also seems to be where I am at all the time, regardless of what else I am doing. I tend to always fall behind.

ALWAYS.

But I am taking today as a day of rest from everything–don’t worry, I’ll still be cleaning during the football games today (LSU-Vanderbilt, Georgia-Notre Dame, Florida-Tennessee) and maybe get some reading done; I also will have my journal perched on my end table so whenever an idea or thought comes to mind, I will be able to jot down notes whenever ideas come to me–and they almost always do, without fail. It really is a good idea, for the record, to write stuff down. I often go back through my journals and find jewels I’d completely forgotten about secreted in there.

And I have a veritable plethora of choices for my next book to read. The TBR pile around here has been out of control for quite some time, and I’ve got to start reading some of these books. I have some more reading to do to prepare for Bouchercon–I’m moderating two panels–and of course, there’s the Diversity Project, but I think I am going to read Lisa Lutz’ The Swallows next. I’ve also got to start preparing for those panels, thinking up good questions that will stimulate a healthy, vibrant discussion. Moderating panels is a lot of work, but I always try to think of them in terms of being like talk shows; like as moderator I’m Oprah and they are my panel of guests to talk about books. Loving books and authors as much as I do, it’s not much of a reach for me, and I am moderating some panels with some pretty smart, amazing, and talented people.

I seriously know some of the most amazing people. I have the most fantastic friends. I am so lucky.

And on that note, tis back to the spice mines–LSU kicks off in half an hour.

GEAUX TIGERS!

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Everybody Have Fun Tonight

Well, we made it to Wednesday and survived, did we not? It’s payday, aka pay-the-bills day (yay) and I also only have to work a half-day, which is lovely.

I didn’t want to get up this morning; the big project I was working on was officially finished yesterday and turned in; and I was amazed at how much it had taken out of me. I was exhausted when I went to bed last night; emotionally and physically. Today I get to start digging out from under; my email inbox is completely out of control, and I’ve been trying to keep up with it as much as I can lately, but also haven’t really wanted to face some of them while I was so vested in something else, frankly. Today I have my half-day, and tomorrow I have the day off because I have to deal with some personal issues that will involve me driving all over New Orleans and Metairie–and no, none of it is anything that will resolve any issues I’ve been having with other things; I still need to figure out when to get to the dentist and to the Apple Store with my laptop and get the oil changed in my car. But as most of tomorrow will be spent driving somewhere and then waiting, I can hopefully get a lot closer to finished with Rob Hart’s wonderful The Warehouse, which I am greatly enjoying but have been too tired to read.

The goal for the rest of this week is to get some good work on writing done, get the email inbox cleaned out from top to bottom, and figure out what I can get done the rest of this month before I have to work on another project. I started some prep work for the Kansas book yesterday, which is basically being completely overhauled, just brainstorming name changes as I realized I used many of these character names in Sara (which is also a Kansas book), and therefore really can’t use them a second time. There’s definitely a couple of short stories that need to be finished, and of course, the Lost Apartment really needs to be cleaned thoroughly from ceiling fans down to the floor.

Something to do while college football games are on Saturday, I guess. LSU is playing Vanderbilt, but I don’t know if it’s a day or evening game–haven’t had the time to look it up, but definitely will, obviously, before Saturday–and other than that, I don’t know what other games are on tap for this weekend. But it’s lovely to know that I can have my usual Saturday again–writing in the morning before errands, then cleaning while watching football games the rest of the day, and reading as well–after several weeks of not having normal weekends.

I do rather think that once my brain has rested, it’s going to probably explode into another episode of mass creativity; which is daunting to think about, quite frankly, but always winds up being fun of some sort, and who knows what creative efforts might come forth. I’m still so discombobulated from all this work that I don’t know whether I’m coming or going to be honest; it’s kind of like that time after the Great Data Disaster of 2018, when I was literally on fire with creativity and balancing multiple projects and having a great time with everything…until the betrayal of my electronics.

I am now up to the lynching massacre of Italians in New Orleans that took place after the chief of police was murdered in the 1890’s in Lords of Misrule; another disgraceful period of history but at least one that wasn’t memorialized like the Battle of Liberty Place. I’ve read about this mob violence against Italians before, in Gary Krist’s Empire of Sin (which I highly recommend), and I know there’s a story in there somewhere for Monsters of New Orleans, but I can’t quite figure out what it is.  But I will get there someday.

And oop–there it is. I just figured it out. See what I mean? This is how my mind works. It’s seriously crazy. But it also solved a problem for me with one of the short stories I have in development; ah, if I just tweak this and add this bit, now the story works much better and maybe I can now sell it. How cool is that?

Pretty fucking cool, methinks.

Okay, time to get to the spice mines. Have a lovely Wednesday, everyone.

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Alone

GEAUX TIGERS!

LSU plays Northwestern State tonight; I’m sure it’s being televised somewhere. I just haven’t had the chance to look it up yet. This has been such a crazy and exhausting week I’ve barely had time to think, let alone plan or get anything done. I need to make certain I avoid being overwhelmed, because that is the surest path to not getting any of it done. I have a lot of writing to get caught up on, not to mention how filthy and disgusting the Lost Apartment’s current state is. Heavy heaving sigh. I didn’t sleep well again last night; for the last two nights I’ve not been taking the medication that puts me to sleep because, as always, I fear dependency issues arising. I also have to get my email under control; because it is completely out of control.

Yesterday after I got off work I met my friend Lisa for a drink. Lisa is in town for the weekend from Atlanta–we’re having coffee again tomorrow morning before she leaves town–and I never get to see Lisa nearly enough. I met her at the Elysian Bar in the Marigny, which is part of the Hotel Peter & Paul complex, which used to be a Catholic church and convent. Paul had actually been there earlier in the week–they might be using the place for a Williams Festival event–and came home raving about how lovely and cool the place is. It actually is quite lovely, and I had a lovely time hanging out with Lisa. I also got to meet her friend Audrey, whom I only know through Facebook, and local television anchor Sheba Turk (both, along with Lisa, are absolutely gorgeous women–intelligent and talented and smart). It was absolutely lovely, then I stopped at Rouse’s on the way home. I started watching a BBC series on Netflix, The A List, which is just weird, yet oddly entertaining, and each episode is less than half an hour.

Paul and I then watched the first episode of Showtime’s Murder in the Bayou, based on Ethan Brown’s book. I’d already watched a similar docuseries on the murders on Hulu earlier this year, only that was called Death in the Bayou: The Jennings 8, and was very different than Brown’s book (which I read after watching the series on Hulu); it left out some crucial details about the women’s lives, but that was undoubtedly because the show was produced with the cooperation of one of the victim’s sisters; if you remember, this show and book inspired me to consider writing another Chanse book, based on the case, which I still might actually–probably will–do; it’s just such an interesting and fascinating case, and still unsolved.

We have to take Scooter to the vet for his annual physical later this morning–he always loves getting into the carrier so much–and he’s also going to get his razor-sharp claws trimmed. I probably should get over my fear and reluctance to trim his nails myself; I just remember a friend doing that once and cutting them too close and the poor kitty was bleeding and in pain, which of course I wouldn’t be able to ever get over the guilt if I were to do the same thing. It’s probably not that difficult, and Scooter is passive enough to probably sit still for it–it only took him about eight years to get used to his flea medication application enough to not fight it anymore–but again, I’m too afraid of hurting him to go through with it. I’ve noticed on-line that have nail caps for cats; I’ve considered getting those. He loves to knead bread when he’s purring, and of course the claws come out and go right through my clothes to the skin. He doesn’t understand, naturally, that he’s hurting me in his show of affection, and I always feel bad that I have to stop him because those fucking claws are sharp.

This weekend I have to finish an essay and a short story, at the bare minimum, and I’d like to get a chapter of Chlorine written if I can. I feel rather defeated this morning, quite frankly, and I am not sure how to get around that other than actually getting things done, you know? I mean, what better cure for feeling overwhelmed with work than making progress, right? And perhaps if I can get a lot of work done today, I can reward myself with Rob Hart’s The Warehouse, as I’ve also fallen horribly far behind in my reading. And the books keep piling up.

All right, I am going to get to work on the kitchen and doing the laundry, opening my essay file and try to get some work done this morning.

Happy Saturday, Constant Reader!

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Nothing’s Gonna Stop Us Now

It’s going to take me a while to get used to getting off work early on Wednesdays. Yesterday as I left the office, I felt like I was skipping school or something, and I also had to catch myself periodically from thinking oh tomorrow’s Friday.

So today I have an eight hour shift ahead of me, and lots to do in the meantime. I made shrimp-n-grits last night, but rather than making the grits I made baked potatoes instead, sauteed some mushrooms, and used the shrimp-n-grits recipe to make the shrimp. Oh my God, was that ever delicious; the baked potatoes were the perfect starch to replace the grits.

I’ve simply got to get caught up on everything. The volunteer project continues to run on, but I am fairly certain today it will be finished–but I think I’ve been thinking that every morning since it started. It’s a long, detailed, immensely complicated process, but I do think that we are doing a good job on it–but details keep popping up that require changes, and like most things, when one thread gets pulled…other threads also start unraveling and you have to stanch the bleeding. But I think the work we did yesterday loans itself to being finished today, and at least I am heading into today with my fingers crossed that a good strong push today will get everything done, once and for all, which will be absolutely lovely sliding into the weekend, so I can get caught up on everything else. I am frankly so far behind on emails it’s not even funny, and I’ve barely written anything at all over the last few weeks. That essay is still due on Sunday and I still have that short story to whip into shape, but this has been so all-encompassing I haven’t been able to get anything else done in the meantime–when I call it quits for the day, I am too mentally exhausted to do much of anything else. Last night, for example, I finished the final season of the Scream television series; they’d done a third season that never aired on MTV but was instead released to Netflix. It wasn’t particularly good–entertaining enough, but the backstory that created the Ghostface character in this season didn’t really make sense, so the whole thing kind of unraveled at the end. It’s a shame; it had some very good moments, and it had a lot of potential.

So, I am hopeful that today the volunteer project will be finished, once and for all, and my life will return to some slight semblance of normalcy. I am far behind on writing goals with some deadlines looming that I should probably start panicking, but panicking is the worst thing I could do as it will bring with it that horrible paralysis which results in me never getting anything done. Which completely and totally sucks.

So, probably best not to go down that road, don’t you think?

Anyway, my friend Lisa from Atlanta will be in town this weekend, so I am going to go hang out with her when I get off work on Friday for a good little while. That’s good news, as I adore Lisa and she’s always a lot of fun to be around. I’m not even sure that LSU’s game will be on television this weekend–it’s a nobody game, I think Northwestern State, from Natchitoches (pronounced nakadish), so that frees up my Saturday almost completely. Sure, I’ll probably tune in to some other games that day, but most likely not. WHat I should do is spend the day writing, and then when I’ve burned out on that, curl up with Rob Hart’s The Warehouse. I hate that I’m getting so much further behind on my reading as well…and of course I wanted to finish the final draft of the Kansas book this month–but it’s already the twelfth and that means only eighteen more days to get it done. I probably could, with a strong push, but I don’t know. Scream did remind me, though, of some more horrible high school cliches I included in the Kansas book–the poor quarterback who wants to get a scholarship to get out of the dead-end town, the bitchy mean-girl cheerleader, and so forth. I think the primary problem I’ve had with this book all along is I never really learned who the characters were beneath their surface appearance; if I can do that (maybe I should focus on that this month, if I’m not going to be able to finish writing it this month at least maybe I can lay the groundwork for getting it finished in December) it will probably go a long way towards reclaiming the book and making it good rather than yet another cliche-ridden book filled with stereotypes. I was so concerned with the story itself, maybe I never really dug into the characters deeply enough.

Which is a recipe for disaster–and the book kind of is one at this point. I think I nailed the main character, but everyone else is simply a facade and a shell; so yeah, I should probably get that done. Always, always so much to do.

All right, I think I’m going to clean up the mess in the kitchen I left overnight from the shrimp ‘n’ baked potatoes from last night, and the get some work done this morning before I head into the office.

Have a lovely Thursday, Constant Reader.

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C’est la Vie

Wednesday morning and I’ve made it thru the long days of my week. Today is a short day; I am free after three thirty, and then it’s back home to the spice mines and getting the house cleaned, organized and so forth, all around me not only writing at my desk but preparing a new taste treat for dinner–shrimp and baked potatoes–which is the same as my shrimp-and-grits, only substituting a baked potato for the grits. I saw this somewhere on social media recently, looked at the recipe, and realized it simply meant making baked potatoes instead of the grits…and realized that with a baked potato, timing the meal isn’t quite as important as it is when you’re making grits at the same time as the shrimp.

I managed another good night’s sleep last night, which was incredibly lovely; it’s amazing what a difference that makes to your quality of life–and productivity. I’m still behind on everything this morning, just as I was last night when I went to bed, but this morning I feel like I can do anything and everything. We’ll see how long that lasts, won’t we?

But as I face my computer with my first cup of coffee this morning, I do feel almost as though I can do anything and everything.  I had a slight minor panic attack last night about everything I need to get done this week, but it passed quickly, as I remembered my favorite mantra: sometimes, it just is what it is. Simple, but helpful and rather wise; there’s only so much one can do, there’s only so many people one can please, and sometimes you just have to let the worry go–because it just is what it is.

I sat down with Royal Street Reveillon last night, and opened the book up. When Paul got home he told me that someone whose opinion I deeply value had told him to  let me know she’d read and loved the book, and invited me to be on her radio show. Yes, it was Susan Larson, the long-time books editor of what was once the Times-Picayune and now has her own show on WGNO, “My Reading Life.” This naturally made my day, if not the week or month; Susan has read practically everything and everyone, has been a Pulitzer Prize judge (!!!!!), and is one of the most respected reviewers in the country. Her opinion means, obviously, a lot to me. As I sat in my chair last night holding a copy of the book–and it’s a beautiful looking book, probably my favorite cover of all time–I thought about how it never gets easier, no matter how many books you write; at least for me, it’s like the first one every single time. Will people like it? Will people hate it? Is it any good? Writing the books never gets easier over time, either. If anything, the only thing that’s changed with the actual writing is efficiency; I am more efficient in the use of time when I write now. But the self-doubt, the insecurity, the imposter syndrome–all of that still plagues me, even after all this time and all these books and all these short stories.

So, I opened the book and started skimming through it. My goal when I wrote it was to make it the best Scotty book thus far; I don’t know if I achieved that goal, but I am pretty pleased with the book. I think it turned out well. I also realized, as I was reading through it last night, that the reason I don’t like to reread my work–why I never go back once its published and look at it again, isn’t because I always wind up dissatisfied and disappointed with it (although that’s some of it), but primarily because I only reread my work to correct, edit and fix it. So, I am so trained from revising and editing my work that when actually reading it in a print format my mind automatically switches into editorial mode and I want to fix things and oh this sentence could have been better or look at this, you used the same word twice in the same paragraph and so on and so forth; it’s impossible for me to read it as a reader coming to it for the first time. And with Royal Street Reveillon, I don’t feel like I rushed the ending the way I inevitably feel about most of my books–which is a direct result of deadlines. So, I’m kind of glad I don’t write on deadline anymore; it’s relieved that bit of stress from my life, thank the Lord.

I also got out a copy of Bourbon Street Blues last night, because one of my co-workers wants to read it. She was reading the latest Janet Evanovich, and we got into a bit of a discussion about Evanovich, mystery novels, and so forth. SHe eventually said, “I really need to read one of your books”, and me being me, I said, “I’ll bring you a copy” and then realized, hey, I can give her a copy of Bourbon Street Blues,  my first Scotty!

So, I actually looked through it as well. I remember so little of the story now; I barely remember writing the book now. It was all so long ago; I turned the book in to Kensington on May 15th, 2002. Christ, we were so broke then, cobbling together an income from Paul working part time and teaching aerobics, me writing, doing some part time work for a friend as their assistant, and eventually getting a part time job at the LGBT Community Center to supplement the writing income, as well as doing some freelance editorial work. I was mostly working for Bella Books then–yes, I got my start as an editor working for a lesbian publisher–before moving on to Harrington Park Press and then Bold Strokes Books. Bourbon Street Blues is, of course, the Southern Decadence book I’d been wanting to write ever since I first came to Decadence as a tourist back in the early 90’s. I was also writing the book, ironically, on 9/11–I didn’t actually work on it that day, but I always associate 9/11 with Bourbon Street Blues because I can remember being glued to the television in horror all day, and glancing over at the pile of pages on my desk and wondering if I could distract myself by working on the book. I never tried…I didn’t get back to working on the book for a few days. As I looked through Bourbon Street Blues last night, thinking about how Southern Decadence had just passed and how much the world, the event, the city, everything had changed since the days when I was writing this book.

My career as a published writer of fiction dates back to 2000, with the publication of two short stories in the month of August, one in an anthology and the other in a magazine. It’ll turn twenty the month I turn fifty-nine; but I of course started getting paid to write (journalism) in 1996. I moved in with Paul and within a month had published my first column in a local queer newspaper in Minneapolis; as I used to say, Paul was my lucky charm for my writing career; it truly started when we moved in together.

So yes, he never has to worry about me going anywhere, since I do emotionally consider him entirely responsible for my career–and all of it tied up in a nice New Orleans bow. New Orleans inspired me, and I knew I would become a writer if I moved to New Orleans. I met Paul here, and while I was already writing before we moved here, New Orleans made it possible for me to meet the love of my life and create the career I’ve always dreamed of and wanted.

And you know what? As I paged through Bourbon Street Blues, reacquainting myself with the original story I came up with for Scotty all those years ago, I thought, this is a pretty decent book, really. There’s never really been a character like Scotty in crime fiction–and certainly not one like him in gay crime fiction. I also never dreamed that people would connect with him the way they did–I may not sell books in Harlan Coben or Stephen King numbers, but the people who read the Scotty books love him, and that means I did my job well.

I also realized, looking through both books last night, that the occasional charges of “political agenda” I get on Goodreads and/or Amazon are accurate. I never really think of the Scotty books as having an agenda or being political, but I forget that any book centering a queer character is still radical and political; let alone a book centering a queer character who is perfectly happy and loves his life and has some terrific adventures, finding love to go along with the wonderful loving family he already has. This is still, sadly, for some a radical concept; as is the idea of having Scotty never change the core of who he is,  no matter what happens or how awful a situation he’s in might become. The Scotty books were never intended to be, nor ever will be, torture porn. Bourbon Street Blues was all about homophobia and the religious right. Jackson Square Jazz, long before Johnny Weir and Adam Rippon, looked at homophobia in figure skating and Olympic sports…and on and on it goes. Royal Street Reveillon actually goes into several things–familial homophobia, for one, and date rape/sexual assault for another–and ultimately, I am pretty pleased with it.

And yes, for those of you worried I may never write another Scotty book–there will be at least one more. Hollywood South Hustle is already taking shape in my head; I have several disparate threads of plot to weave together for it, but never fear, they are most definitely there. I don’t know when I’ll get around to writing it–I have several books to write before I can even think about starting work on it officially, and yes, that includes a new Chanse–and so it goes, on and on forever and ever without end, amen.

And now I should perhaps return to the spice mines. This shit ain’t gonna do itself.

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Here I Go Again

Facing down yet another Monday like a beast.

I went to bed early last night–just watching the Nadal-Medvedev final in the US Open was exhausting, in addition to the emotional rollercoaster of the LSU-Texas game the previous night, and putting finishing touches on the volunteer project (we’ll be tying up loose ends all week, I suspect), and around nine-ish last night I was just worn out, and went to bed. I slept off and on all night–not sure how that’s going to play out today–but I guess we’ll see. I have two long days in a row for the first time in a few weeks, and I fear my body is no longer used to that abuse…but I guess we’ll see. Now that I have a half-day on Wednesday instead, it might make things easier for me in the middle of the week.

Here’s hoping, at any rate.

I printed out the first four chapters of the final rewrite of the Kansas book last night, and it’s better than I thought it would be–the chapters I’ve already done need some work, and I need to seed the rest of the story a bit more. I’m trying something different with it–just as I did in Bury Me in Shadows, which is first person present tense–I am trying to do this in a remote third person point of view in the present tense. I noticed that despite my attempts to keep it in present tense, I slipped into the past tense a number of times out of force of habit, which is one of the reasons why I am writing this in the present tense; I want to not only shake things up for me as a writer, but break the habits of doing things the same way every time. I want to continually push myself as a writer and as a story-teller, and the best way to do that is to expand and try different things, different styles, different methods of storytelling, different ways of presenting the narrative and writing different kinds of crime novels. Laura Lippman is a master of this; her last few novels have all been dramatically different in style, voice, tone, and presentation–After I’m Gone, Wilde Lake, Sunburn, and Lady in the Lake–there’s definitely a Lippman sensibility to them, but the stories and storytelling and construction of the books are all dramatically different. That’s kind of what I want to do with my own stand-alone novels; I’ll probably always come back to Scotty, and as I’ve said recently, there’s another Chanse novel I’m probably going to try to write sometime next year–but the entire point of the stand alones was to do different things and experiment with style as well as story and writing.

But now that all that’s left is wrap-up on the volunteer project–thank the Lord, you have no idea what an enormous venture this was–I can start getting caught up this week on everything else that has slid while I focused all of my prodigious energy on getting it finished. I love doing volunteer work; I often take things on that I shouldn’t, as they interfere with my writing and staying on top of everything else in my life, but I like helping out. One of the primary reasons I love my day job so much is because I feel like I’m helping people make positive changes in their life, and at the very least I am helping people get STI’s cleared up, if nothing else. I need to finish an essay by this weekend, and I have to finish a first draft of a short story that’s due by the end of the month. I’d also like to get some work on the Kansas book done–it may not be finished when I want it to be finished, but that’s also life, and I am certain I can get it finished, at the latest, in December. I also remembered I have a novella a publisher is interested in that I need to get to work on; it’s a long short story but there are any number of places where it can be expanded easily, and so I should be looking at that as well.

This has been, all in all, a pretty good year for me–I had a short story collection come out in the spring and a novel this month–and while I’d like to get both of these novels that are in progress finished and out by next year as well, I don’t think that’s going to happen, which is perfectly okay. Bury Me in Shadows took me a lot longer than I intended to get finished, and that’s perfectly okay; it happens. But I also think I can get a strong revision of it finished this December, and then I can get it turned in for January; a strong push and the Kansas book can be turned in at the end of January, and hopefully by then, doing a chapter a week,  I can also have a strong first draft of Chlorine finished as well. I also want to get more short stories written, as I would love nothing more than to have another collection out sooner rather than later. I’m also nominated for an Anthony Award for my short story “Cold Beer No Flies” from Florida Happens, which is pretty awesome; I sold my short story “This Town” to Murder-a-Go-Go’s (and the story was received pretty well by most reviewers; probably the most, and best, feedback after publication I’ve ever had on a short story) and I also sold my story “Moist Money” to Dark Yonder, which I’m pretty pleased about.

I’m still reading both Rob Hart’s The Warehouse, which I hope to have more time to read now that the volunteer project is under some sort of control, and  James Gill’s Lords of Misrule, which is giving me a rather pointed history of racism in New Orleans, and it’s not pretty. We New Orleanians know there’s still systemic racism here in the city, as well as individual racism, but the history of slavery and racism in New Orleans is unique to this place and different than everywhere else; we had an entire middle-class of free people of color before the war, who weren’t obviously slaves but had to show deference to white people and were segregated out of places frequented by whites; Barbara Hambly’s brilliant Benjamin January series, beginning with A Free Man of Color, and Anne Rice’s The Feast of All Saints, are excellent fictional representations of that weird second-class citizenship the free people of color of New Orleans and Louisiana experienced. It’s still appalling, though, to read about lynch mobs and murderers never brought to proper justice for their crimes. Stained in blood as it is, New Orleans has a fascinating history, and has always been one of the more interesting places in this country.

And tomorrow is officially my new book’s birthday! Huzzah!

And now back to the spice mines.

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