crime fiction – Page 98 – Queer and Loathing in America

Lazy Calm

Monday morning and in Jasper, Alabama. Today is my parents’ anniversary, and the first since we lost Mom earlier this year. Dad and I are going to the grave to put flowers on it, and then we’re going to convoy up to Kentucky. There’s no plan, really, other than having breakfast here and then checking out and so forth. The firsts are always the hardest; both of their birthdays, which are only a day apart, will be rough come October; him being alone on his and then her not being here for hers. Their birthdays are weekdays, so I don’t know if I can make it up here for that–unless he decides to do it on a weekend, but he’s also retired, so his time is his own. I do worry about him, though. It’s very easy to put myself into his place by imagining the horror of losing Paul. I mean, I’ve already had to confront that hideous possibility several times already, but even so it’s not going to be easy. The selfish part of me kind of hopes I go first, to be honest…but I would prefer not to; because I don’t want Paul to go through what my dad is going through right now. I’d rather shoulder that grief and burden then put him through it, if that makes sense? My life would be empty and bleak and there wouldn’t be anymore joy in it, but I’d rather I deal with that than him.

I hate even thinking in terms of “who goes first,” really. Kind of hard not to have thoughts about our mortality when having to go through this sort of thing.

The drive was lovely, but there was a lot more traffic than I am accustomed to; but then I never drive north on a Sunday, either; it’s usually mid-week or not on the weekend. We’ll probably get to Nashville just in time for rush hour (hurray!), and then the rest of the drive up, but at least the drive was broken up a bit. I was able to get Whataburger in Tuscaloosa (seriously, the simple pleasures mean everything to me), and then drove on up through the countryside. Alabama is so beautiful; everything is in bloom and everything is green. I had wondered about kudzu the last time I came up here; I’ve seen a lot of it on this trip so maybe May was too early for it to get leafy and green? The mystery of kudzu is just another one of those things I’ll probably always be interested in and never completely understand.

I’m also thinking about writing about Alabama again.

On the drive, I kept thinking about stories that are in progress–particularly one, which I wrote first in 1983 and have been sitting on ever since–and I was even thinking about my next book to start writing (yes, I have others that have to be finished but…) and I want to write another Gothic. I was listening to Carol Goodman’s marvelous The Widow’s House (and yes, absolutely loving it) which got me to thinking about Gothics again, and a New Orleans ghost story I’ve been wanting to tell, set on Camp Place in my neighborhood and roughly titled Voices in an Empty Room. I’ve had the idea forever, and I love that title–does it get more Gothic than that title?–and I was also thinking about another short story I’ve rewritten and revised and haven’t been able to sell anywhere; I may do another draft and try again, but it will probably just end up in my next short story collection. One of the things I love about being an avid reader as well as a writer is that great craftsmanship in novels is something that always inspires me to be better myself. Carol Goodman does that whenever I read/listen to one of her books; many authors do, frankly. I often am amazed that they consider me a colleague, let alone speak to me. I always feel like a rank amateur when I am reading a master like Carol.

As for the grieving, it’s still hard for me to talk about Mom without getting upset or getting teary-eyed and my voice cracking. I try very hard to hold it together in front of Dad–not in a toxic masculinity sense of “men don’t cry” but more in the sense that he’ll lose it completely if I do; he’s never going to get over this. It’s funny, but I never have ever felt completely comfortable crying in front of my parents. Maybe it’s a holdover from childhood? I cry easily, actually; television shows and movies and books make me cry all the time. I don’t like crying in front of anyone, really; maybe that is a toxic masculinity thing after all? I’ve always wept privately, away from people and by myself. Maybe it’s a vulnerability thing? I don’t like showing my vulnerability–primarily because whenever I have, those I thought were safe enough to let in, eventually went on to exploit it and I have always regretted it.

I’ve always been a magnet for shitty people, seriously. (That isn’t to say I don’t have marvelous, wonderful friends now; the kind I used to dream about having when I was younger.) Maybe, for whatever reason, there’s something about me that makes people be shitty to me? This is a distinct possibility; I am terrible with verbal and physical cues and often misread situations and say or do something inappropriate or unintentionally offensive; if I had a dollar for every person I’ve accidentally offended, I could retire now. I never want to offend anyone–even people I don’t much care about or like (racists and misogynists and homophobes, on the other hand, oh, yes, make no mistake–I am definitely determinedly trying to offend the fuck out of all of you trash). I don’t ever want to make anyone feel bad, for any reason. Even when someone deserves it, I always feel terrible and guilty about making them feel bad later when I’ve calmed down. I know I have a temper, and a bad one at that, so I am constantly trying to not lose it. Knowing that I have a terrible time grasping what is obvious to everyone else and being bad at reading social cues, I am often asking myself do I have a right to be angry about this or am I being unreasonable? Because I also know that when I AM angry, I am completely unreasonable, and I don’t like that because it’s not fair, for one thing, and for another, I prefer to be rational and logical.

It’s a constant struggle, but I do try.

Multifoiled

Sunday morning and I am driving to Alabama later on. Woo-hoo!

I finished the revisions of the manuscript yesterday, and sent it off to the editor and breathed an enormous sigh of relief. I do think it’s a good book, and should there be a second one, I think it will be even better than this one, to be honest with you. I feel like I’ve been operating for a very long time under some sort of dark cloud, which makes things that should be incredibly obvious and apparent mysterious and unknowable instead. It was also an enormous relief to get it finished. I think I caught everything I needed to catch, and added what needed to be added. There might still be some tweaks and/or additions that need to be made, but I think it’s pretty solid right now and that’s a load off my mind, especially with a trip on the horizon tomorrow and not knowing how available I will be over the next week to make changes and/or get things done. I am actually departing on this trip with an actual clear conscience; there’s nothing really hanging over my head. Sure, I’ll have the edits for the Scotty at some point and the proofs/copy edits for this one, but I feel like I have finally gotten out from under everything and can breathe at long last.

Whew.

Then after that I went into my easy chair and collapsed, ready to watch the finals of the College World Series. LSU defeated Florida in eleven innings, thanks to another home run in the eleventh, and what an exciting and thrilling and nerve-wracking game it was. Props to Florida, they played some amazing defense, stranding a lot of LSU runners on base. After the pitchers’ duel with Wake Forest the other night, all the hits and men on base seemed almost weird, like I was watching a different type of game altogether. But then Cade Beloso blasted one out of the park in that eleventh inning (Tommy White, aka Tommy Tanks, heroically knocked one out to pull the Tigers back to 3-3, causing the game to go extra innings) and Paul and I were cheering and screaming. LSU fans also blasted through the Rocco’s College World Series Jello Shot Challenge, going over thirty thousand before they drank Rocco’s out of jello shots. LSU fans, notorious for traveling and drinking bars dry, has done it again! We did it in Atlanta for the college football playoffs in 2019; we may have done it in Dallas for the women’s final four in basketball this year; I know there’s another place it happened.

Never start a land war in Asia, or challenge LSU fans to a drinking contest. Period.

I am going to be listening to Carol Goodman in the car; the book is The Drowning Tree, which I am looking forward to, and I packed Megan Abbott’s Beware the Woman, Eli Cranor’s Ozark Dogs, and Alfred Hitchcock Presents My Favorites in Suspense to read to take with me; I doubt that I’ll have much time to read, but you never know. Dad and I are going to a minor league baseball game on Wednesday night in Lexington, and he’s made noises in the past about taking me sight-seeing when I come up sometime–so I imagine we’ll go visit the Kentucky Derby museum and the Cassius Clay home (we tried doing this once before when I was there for Thanksgiving, but everything was closed for the holidays or for COVID). I also have to pack and I need to run by the grocery store to lay in supplies; after I finished with the edits yesterday I wasn’t really in the mood to go out into the heat. I also need to clean out the refrigerator before I go; Paul won’t make salads, and even if he did make one, he wouldn’t slice up an onion or cut up a cucumber or use cherry tomatoes, so I may as well toss all of that. When I get back, that Sunday we’re going to have to make a Costco run as well as me making a grocery run. At least that week I only have to go in on Monday before the holiday for the 4th on Tuesday, and then three more days to finish off the week before the next weekend. It felt weird yesterday to be actually caught up on everything at long last; I’ve felt like I was drowning for the last three or four years, and finally now I can come up for air. The books still need work–I am waiting for the edits on Mississippi River Mischief, and of course will have to proof the new one as well–but I am caught up and that albatross (or albatrosses) have been removed from around my neck at long last.

I finished reading that Hilda Lawrence novella yesterday too, and it was really quite good. The premise of the story is a classic from that era (Cornell Woolrich also wrote a brilliant story with a similar premise, whose name I am blanking on right now), and it was interesting how it was constructed; I’m not sure you could publish a story structured the way this one was (“Composition for Four Hands” is the name of the story), because the point of view was constantly changing, but those POV changes made the story seem even more interesting that it already was. The premise of the story is wealthy Mrs. Manson has been invalided–we never are really told what precisely is wrong with her–but she cannot speak and she cannot move….and she’s certain someone in the house is trying to kill her, and she can’t communicate with anyone. While she is certain, she also cannot entirely remember what happened to her–but she knows it wasn’t an accident, which is what everyone else believes, and while she is lying there helpless, trying to figure out who she can trust while trying to figure out a way to communicate–yes, it’s very suspenseful and terrifying and so well-written you can absolutely empathize and put yourself into Mrs. Manson’s dreadful position. It’s fun to read old crime stories of suspense and mystery, to get a feel for the old styles of writing and story construction, plus it gives me a better feel for writing. I try not to “edit” when I read–it’s not as easy to turn off editor mode as one might think–because ultimately I read for pleasure first and foremost; any other edification that comes from reading is merely lagniappe for me.

And on that note, I’d best be signing off here and heading into the spice mines and start getting ready for the trip. I need to pack still, and of course I have to do some cleaning and make groceries. I don’t know how much I am going to be able to post once I get on the road and on this trip; I’ll probably never finish the pride posts I started, but hey, one also never knows. Stranger things have happened, after all. So maybe I’ll be around, maybe I won’t. If not, have a lovely week, Constant Reader, and I’ll talk more with you later.

Sugar Hiccup

Saturday morning and lots to do before hitting the road tomorrow. The lovely thing is it isn’t that much of a drive, about five and a half hours, and there’s a Whataburger in Tuscaloosa. Yay! I have The Drowning Tree by the amazing Carol Goodman queued up on my Audible app and ready to go once I hit the road. I have to make a grocery run today for Paul, and was thinking about dropping books off at the library sale, but I don’t know. It’s hot and the grocery thing is going to be exhausting enough as it is, and I have a lot to get done today. I was exhausted yesterday after work. The escape room thing was quite fun, and then we had lunch at Olive on Carondelet, a Middle Eastern place (sobs with joy! I got to have a gyro) and then I came home to work. The walk home was exhausting in the heat, and of course, I actually drifted off to sleep in my easy chair a bit. I got some more Alfred Hitchcock Presents books in the mail as well, and I started reading this delightfully creepy story I haven’t quite figured out yet, but the suspense and the build is sensational. We also watched the International Male catalog documentary (more on that later), and then I finished doing the laundry before going to bed, exhausted and ready to sleep for an eternity.

Despite the hideous heat yesterday, it actually wasn’t terribly humid and there was also a lovely cool breeze so the walk didn’t seem that dreadful, or at least not while I was doing it. The sun was merciless, though, and it was in the mid-nineties.I also marveled as I walked home a different way than usual–I took Camp Street to Prytania, rather than St. Charles–and I again marveled that not only do I live in New Orleans, but how quickly things change. I was also puzzling out some knots and final corrections I need to make to this manuscript before turning it in tomorrow–a walk is always lovely for things like that; even in the heat, and I need to remember that more often, quite frankly. I was also thinking, as I walked, about how I am always worried about repeating myself, or writing the same book again. It’s easy enough to do when you forget what you’ve already written and published, as I am wont to do at this stage. My editor’s notes were kind of amusing, in some ways, because one thing that he was pointing out was something that I always do–and something that I’ve noticed in the other two active manuscripts on hand–which is a tendency to name the characters with alliterative names. (For example, in the pro wrestling noir everyone, it seems, has a first name that begins with T) I also have a tendency to write hangover scenes, and car crashes. Now that I have this permanent brain fog or whatever it is that’s going on in my head since last summer, it’s even harder for me to remember past books that I’ve written; so I think I am going to have to start blogging about past books I’ve published so that I can remember them. I’ve done some of these posts before in the past, because I like to try to remember what was going on while I was writing the book; what I was trying to do with the book; how long had I had the idea for the book and where did it come from; what changed from the original idea during the process of writing it and what other influences got involved after getting started; and so on. I also like to think about the voice and the tone, how did I do with the setting and scene? What was I going for with the main character, and why? Facebook reminded me yesterday that at some point in the past twelve years the box o’books for The Orion Mask arrived on this date–and I just walked past the house that inspired a part of the book recently, and I was amazed yet again at how much detail I’d gotten wrong.

So, I decided to rent the documentary All Man: The International Male Story last night, for a multitude of reasons. Now that I’m in my sixties my former indifference to nostalgia has lessened (and I do tend to worry that I look back through rose-colored glasses, making the past seem better and more idyllic than it was; I have to always remember yes, but you were also a neurotic mess then, too), and so yes, there was a bit of a curiosity involved with my wanting to watch. I think I only ever bought one thing ever from International Male–a red pirate blouse, a fluffy shirt, if you will, and I got it to go as a pirate for Halloween–but I always got the catalogue, and I often liked their clothes…but was also always very consciously aware that to wear those clothes, you also had to look like their models; the lesson that beautiful people can wear anything and look good I’d learned early in life. I also had no fashion sense because I never was able to develop one–because men’s clothes were hideous, and there weren’t many options when I was growing up. I’ve also have a very mild case of color blindness with certain shades of certain colors–I can’t tell dark blue from black, for example–and I am never entirely sure what colors go with other ones. I do know that red, black and white all work together, so usually my dressier clothes are some combination or variation of those colors. But for the most part, I don’t care about what I wear and I don’t know what’s in style or not. I’m never sure if the clothes I am wearing match and/or look good on me, and I’ve stopped worrying about it. When I was younger, I used to deplore the fact that men’s clothes were so dull and boring. I love hats, for example, but men don’t really wear any hats other than baseball or cowboy anymore. I have some lovely hats, but never have any place to wear them. I have a marvelous fedora I bought in New York many years ago, but I never go anywhere here that I could wear it; it would be perfect for something like the Anthony Awards or something, but it has it’s own special box and that’s another item to take on the plane…so it just sits in its box in the closet. But I used to love the International Male catalogue, because the clothes, to me, looked kind of fun and cool. I’ve never been a cool or fun gay, and I’ve never been a fashion gay. But the International Male catalogues allowed me to escape into a world where I could wear something off one of its pages in a place that was exotic and exciting and fun. (I’ve also always kind of wanted a pith helmet. I had one in college and I loved it) So, it was interesting to watch how the business came to be, and how it really did kind of help change the way men dress and the way we look at men in more sexualized way now than we did when I was a kid. (I’m trying to remember things that resonated with me before I came out finally; that’s my current nostalgia kick) I do recommend it; it’s very well done and it’s kind of a nice story. The catalogue impacted a lot of gay teens in rural places in the 80’s and 90’s, and it should be remembered for that reason alone.

My first exposure to crime fiction short stories came in the Alfred Hitchcock Presents anthologies. My grandmother used to get the Dell paperbacks, and the stories always had a delightful little twist of some sort, always macabre. I’ve always remembered those anthologies, and recently went on an eBay binge of buying copies. Two more arrived yesterday, Alfred Hitchcock Presents My Favorites in Suspense and Alfred Hitchcock Presents Stories That Go Bump in the Night. I started reading a long story in My Favorites in Suspense, “Composition for Four Hands” by Hilda Lawrence, and it’s really quite good; the suspense and tension builds with every paragraph, and I’m still not entirely sure what’s going on in the story–but we have a bedridden woman who cannot speak, and she suspects some of the other people in the story might be wanting to kill her, but we don’t know who and we don’t know why; nor do we know yet how she ended up in this condition. The writing style is quite Gothic in tone, which of course I love, and I am hoping to finish reading the story this morning. I have quite a lot to get done today, but I did sleep marvelously and I feel very alive, rested and alert this morning. Good thing as I do have so much to do. I want to also watch the LSU game this evening (GEAUX TIGERS!) but will be on the road during the game tomorrow, alas.

And on that note, I am heading into the spice mines. Have a marvelous Saturday, Constant Reader, and I will check in with you again tomorrow morning, if not later.

The Tinderbox of a Heart

Yesterday I was very tired. I’ve not been sleeping well this week, but at least on Tuesday I felt rested; yesterday I just felt tired, physically and intellectually. I did get some work done last night on the book, and today I feel very rested; I slept wonderfully last night, which was absolutely marvelous, quite frankly, and am very glad for it. Today is the last day in the office for me until a week from Monday–this is the weekend I’m going north to see Dad (I may not be around on here at all once I leave on Sunday) which is yet another reason why I need to get this revision finished. I feel confident that I can get it done before I go on this trip; I keep thinking that I’m almost done…

I haven’t started reading the new Megan Abbott; I’d hoped to spend some time with her new book last night but I was fried when I finished working on the book and just collapsed into my chair to provide a cat bed for Scooter. It was very cool yesterday morning when I left for the office, but the inferno had returned by the time I got off work. A small but welcome respite from the summer’s heat (Facebook memories reminded me that we’d been in a heat advisory at this time of year several times over the past few years–proving yet again the long COVID of last year did affect my memory. I saw an article I meant to read yesterday that said even mild cases of COVID caused a type of brain damage, or brain rewiring of a sort, which needs to be studied. I know my memory changed during the pandemic, but I also turned sixty during it, too. Was it the long COVID experience I had that rewired/altered my brain, or was that an after-effect of the trauma imposed by the shutdown and everything that followed in its wake? I can’t remember if I was having memory issues before I got sick last summer; but if that was indeed the case, it got much worse after I recovered…and was really bad while I was sick. It’s so hard to tell, so hard to remember, you know?

A case in point about my memory has been these last two manuscripts I’ve been working on since last fall. For one thing, it took me a lot longer than usual to write and revise both of them (I must also provide the caveat that the end of the last year and the beginning of this one was a very difficult time, all things considered) but as I am revising this manuscript I am continually amazed at how little I remember of it, let alone remember writing it. Again, this is very alarming, but at the same time I can also honestly say I’ve never stacked books like this before while writing them; going from one to another and then back and forth again repeatedly; I don’t remember much of the Scotty book, to be honest, either–but I remember more of it than I do this one. It’s a good manuscript, though; I like the characters and I like the story, and it seems like they want me to write a sequel to it, which is also kind of cool; I already have a title for the next one and an idea, amorphous yet still an idea, for what the story would be. After I get back from Kentucky, I’ll tell you a bit more about this project; I realize I’ve been very mysterious about it, but there’s not any reason for it other than my own superstition and fear of jinxing things by talking about them–which is just another symptom of my own neuroses, of course.

There are two tropical systems trying to form in the Atlantic right now. One looks like it’s going to head up the Atlantic coast, or will never come near land and just head north before dissipating; the other looks like it’s heading for the Caribbean Sea and the Yucatan. Yay for hurricane season, he typed sarcastically. I was also thinking last night about future Scotty books; I think I am going to cap that series at ten. I think Mississippi River Mischief is the ninth Scotty, which would only give me one more title for the series. No, scratch that; I will make no promises or any commitments regarding the future of that series, and will leave it the way I always have in the past: if I get an idea for one, I will write another one.

What I have been thinking about lately is that I want to write books I feel passionate about; I want to tell stories and write books that will have some kind of impact, or require a lot of emotional and intellectual work on my part, if that makes any sense. Last night Scott Heim tweeted an excerpt from the opening of Jim Grimsley’s beautiful novel Winter Birds, and I remembered again how much I love Jim Grimsley’s writing and his authorial voice (I inevitably default, when it comes to Jim, to Comfort and Joy, which is one of my favorite Christmas stories of all time; but his other work is also lyrical and poetic and beautiful, too). It also made me think about my own writing and my own authorial voice. Do I have a distinctive authorial voice? Can someone read my work without knowing its mine and be able to tell that it’s mine? I know that I can write beautifully and poetically when it suits the story; I know I can do a voice that can sound haunting and sad. I try to always do different things when I write out of series; I want to write different types of stories and use different kinds of authorial voices and write in different styles. I think my best work inevitably tends to be Gothic in voice and style; those are certainly the favorites of my own works that I’ve written (Timothy, Bury Me in Shadows, Lake Thirteen, Sorceress, The Orion Mask), and whenever I write about Alabama, I seem to lapse into this very lovely, literate-sounding voice. I’m not quite sure why that is, but it’s been mostly in short stories; I do want to write more about Alabama and my complicated relationship with my home state. I am passionate about writing both Chlorine and Muscles, which are on deck for me; I am wavering about whether to leave “Never Kiss a Stranger” as a novella or whether to expand it out into a novel; I can see it working either way. I don’t want any of the novellas to turn into novels, frankly; I don’t have the time necessary left to me to write everything that I want to write in the first place. But am I trying to force novels into novellas because that’s how I decided to write them, or are they better off as novellas? These are the things that make you want to load your pockets with heavy stones and walk into the river.

And LSU did beat Wake Forest yesterday, forcing a third game to determine who plays Florida in the finals of the College World Series. GEAUX TIGERS!

And on that note, I am heading back into the spice mines. Have a lovely Thursday, Constant Reader, and I will check in with you again tomorrow.

In the Gold Dust Rush

Hoping to get another “adult content” warning on Twitter with today’s post picture. I’ve been getting them a lot lately; trying to figure out what precisely sets off the prudish bigoted algorithm? I’ve certainly enjoyed being told by Twitter services that derogatory slurs aren’t a violation of their new Musk-like terms of service. Twitter was always a shitshow, but while it did raise my blood pressure on occasion for the most part I enjoyed engaging with friends on there; but since the Muscadine takeover, it’s not even fun to use for the sake of simple entertainment. I am really curious how people think he’s some kind of genius businessman. Dudes, he inherited a fucking emerald mine. GENIUS.

Honestly.

But it’s Wednesday and Pay the Bills Day again; always a joy and pleasure. But at least I can pay them, as I always like to remind myself when the horror of paying the bills rolls around every two weeks. I am hoping to get further caught up on paying the bills down (or off, what a precious dream that is!) this summer; I’m getting my teeth fixed in September and that’s not going to be free or cheap, and you don’t even want to know how much my hearing aids are going to cost. So, paying down the debt is very important because I am about to be taking on a lot more of it, alas. But I am happy to get my mouth taken care of, and hearing…well, it can wait a little longer because I am not entirely sure not being able to hear 100% is necessarily a bad thing anymore. I haven’t slept well this week, and feel tired and achy this morning. I still have this bug or whatever it is that Paul gave me over the weekend, but now that I’ve been awake awhile I am feeling somewhat better than I did when I first arose from the shallow depths of Morpheus this morning. I hate waking up and spending the first few moments out of bed coughing and gagging, but…I do feel better now. Just tired and achy a bit this morning. The COVID test yesterday was negative, thank you, baby Jesus, so whatever this is, probably has something to do with summer cold/heat wave/barometric pressure fucking with my sinuses.

LSU won again last night, beating Tennessee, but now in order to stay in the College World Series they have to beat Wake Forest twice, since they lost to them the other night. The score was 3-2, so it was close and LSU led most of the game, so there’s a chance they can do it. It’s really now just a matter of seeing who Florida is going to play for the championship, either LSU or Wake Forest. Gah.

I got some more work done yesterday on the book–I need to get a lot more done, as I am way behind now–but I am thinking I can iron these thorny problems out mostly today, and thus get it turned in. Obviously, I wanted to get it in already but being sick and not sleeping isn’t helping. Hopefully tonight I’ll be so exhausted that I’ll have a lovely nice deep sleep tonight. One can hope, anyway. We finished watching the 100 Years of Warner Brothers documentary last night–I still think cramming the first fifty or sixty years of the studio’s history into one episode (which didn’t even mention Joan Crawford!) was a mistake, but it was also produced in house for HBO MAX, so…it’s a fluffy promo piece. We then watched the third season premiere of The Righteous Gemstones, which was okay, and this week’s episode of Platonic, which is one of the funniest shows currently airing. I am really becoming a very big fan of Rose Byrne, who is excellent in everything she does and can play a wide range of characters and styles and is perfectly at home in any of them.

And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I will check in on you again tomorrow.

Five Ten Fiftyfold

Tuesday and back to the office with me today blog.

Yesterday was a bit of an off day for me; I didn’t feel good for most of the day. Paul’s been sick since Thursday–coughing, lots of congestion and post nasal drip–to how crappy I felt yesterday was at least not as bad as he was at his worst; and this morning I feel fine. Not sure if it was some twenty-four hour thing, but hope that feeling better lasts through the rest of the day. We had some amazing thunderstorms last night while I was sleeping; it’s kind of gray and icky looking outside right now. The forecast is the usual–hot, humid, chance of thunderstorm–so I’m hoping my sinuses remain under control for the rest of the day as well.

Yesterday morning I finished reading Chris Clarkson’s delightful That Summer Night on Frenchmen Street, which I really enjoyed, and have selected Megan Abbott’s Beware the Woman as my next read. I’m not sure when I’m going to have the time to actually spend reading it thoroughly and enjoying it–probably will go with me to Kentucky as my “before I go to sleep” read. LSU lost a heartbreaker to Wake Forest yesterday 3-2, so now have to fight their way back out of the losers’ bracket if they want to win the College World Series. Hope springs eternal for an LSU fan–we did break the Jello Shot Record at Rocco’s yesterday–but I’m just delighted they made it to the World Series this year. GEAUX TIGERS!

I have some more work to do on this manuscript before I turn it in. This is the revising/fixing phase of the edits; where I have to do the more macro things. I had hoped to get this done yesterday but I wasn’t feeling well, and as such couldn’t really focus the way I needed to–I did try, of course–so tonight after I run my errands on the way home from work (there’s always something, really) I hope to sit down and bang out the rest of this to get it finished and out of my hair and out of my way. We started watching a documentary series about the history of Warner Brothers last night, which is always fun; I always like learning more about Hollywood history. The documentary didn’t really provide me with anything new or insightful about the history of the studio, other than further confirmation that Jack Warner was an asshole. There are two more parts, so that takes care of our television watching needs for this evening, at the very least. I figure with show episodes dropping this week and me being gone next week will help our shows build up back episodes to watch.

It’s also weird that it’s Tuesday already. I feel like I am going to be off this entire week because of it, then I’m out of the office for a week, and then I come back to the abbreviated 4th of July holiday week. As much as I love having extra time off, it’s always a weird week when the work week is truncated this way; I always feel kind of somehow off my game no matter what. But it’s a short week, I’m off next, and I need to get organized. I need a to-do list, most importantly, and to figure out where I’m at with everything. I always have this tendency to be as laser-focused as someone with (undiagnosed) ADHD can be; which means the book is the biggest priority and everything else is an incredible inconvenience that I don’t pay much attention to other than the occasional yeah yeah I know I need to work on you, but give me a minute.

Despite not feeling well yesterday–I also was feverish most of the day–I was able to get chores done around the house so it looks a little neater and a little less fraternity dorm room. I do want to drop books off for the library sale this coming weekend before leaving town, and I also want to get the car washed and cleaned out–chores for Saturday! Huzzah! I think we’re doing an escape room team bonding thing on Friday morning and then having lunch, then I can go home and do data entry–woo-hoo! It doesn’t get much more exciting than that, does it? And then of course Sunday it’s up to Alabama to meet Dad. I had a bad day one day last week about Mom; when the grief came back and I wasn’t able to reason or breathe or mind-clear my way out of it, so I just gave in and had a nice, good cry for a few minutes, and then I was able to get moving again. It’s been four months since we lost Mom, and I don’t think it’s something I’ll ever get used to but rather something I will gradually just be able to live with. I don’t think any of us can expect more than that, really.

And on that note I am heading out in the thick heavy air of a hot summer day in June. I’ll catch you later, Constant Reader; hope you have a lovely day.

Southern Nights

I have a confession to make that is more than a little shameful. You see, I occasionally write books that are classified as “young adult fiction” because the protagonists are young; usually high school students, sometimes college. The shameful confession is that I write and publish young adult fiction without reading very much of it. Most of my reading time is devoted to crime novels for adults, the occasional horror novel, lots of history and non-fiction, and the occasional short story. My biggest influences on my y/a are Christopher Pike, R. L. Stine, and Jay Bennett (there will be much more on him at another time); and sometimes I do manage to slide a young adult crime novel into my TBR stack. But outside of crime and/or horror? I don’t read any y/a that can’t be classified as either of those genres.

I’ve also not had the pleasure of reading a great deal of young adult fiction set in New Orleans. The one thing I’ve not actually done–despite writing a lot about New Orleans and a lot of young adult novels–is write a young adult novel set in New Orleans. I read one about a decade ago that I simply loathed; it was a ghost story set around Lafayette #1 in the Garden District, and it just didn’t click with me. I kept thinking the whole time I was reading it, this could have been so much better. It’s not like I don’t have any ideas for young adult fiction set here; I’ve any number of those ideas sitting in my files–everything from Maid of New Orleans to Daughters of Bast, among others–but I think I am resistant to writing New Orleans-based y/a because I didn’t grow up here. It’s hard enough to have Scotty reminiscing about his days at Jesuit High School when I didn’t go there, let alone writing an entire book about a teenager in New Orleans.

So, imagine my delight this past year at Saints and Sinners when I discovered that one of my co-panelists on the y/a panel was a local named Chris Clarkson who’d just published his first young adult novel set in New Orleans. Naturally, I got a copy–I really liked him, and I owe him a text message–and have really looking forward to digging into it.

Constant Reader, it did not disappoint. And it’s neither crime nor horror.

I absolutely loved it.

Solange’s snakeskin pumps were abandoned by the door, one standing proud, and the other playing possum on its side. Beside her, crumpled in a heap of lavender and lace, was the dress we shopped for on Magazine Street last week. The dress she had been so thrilled to find.

“Excuse me, ma’am. You sashayed in here serving body and hair teased to the gods. Why did you change? I demand an encore! Body. Dress. Wig. Grace.” I pointed at the sad taupe button-down shirt she was wearing. “Put your high heels back on and act like you got some common sense.”

Solange wiped at her tears. “Jess, I’m not in the mood to fool with you.”

“Good, I’m not in the mood to fool with you either.” I sank down on the floor beside her. She sniffed and wiped at her nose. “Why’d you change?”

That Summer Night on Frenchmen Street is, of all things for me to read, a romance–on several different levels. Our two main point of view characters are Tennessee and Jessamine–great names for a couple, don’t you think–and they initially are in the same orbit because they are both having meals at Commander’s Palace when the book opens. Tennessee’s full name is Tennessee Rebel Williams, and he’s a child of wealth and privilege from Oxford, Mississippi. His dad is an alcoholic douchebag and his mother is a narcissistic author. The marriage is a non-stop battle royal, with Tennessee doing most of the suffering. His mother has decided she needs to move to New Orleans to finish her next book, and she brought Tennessee with her; they have a big house on St. Charles Avenue, and he’s enrolled in Magnolia Prep–the rich kids’ private school in the book. Tennessee also wants to be a writer but he’s also a bit adrift; getting ready for college but still not mature enough or strong enough to stand up to his awful parents.

Jessamine is a native New Orleanian with a twin brother and a deceased father. Jessamine also has some issues from her own past that are troubling her, making her behave in self-destructive patterns that could affect her future and college choices. She feels drawn to Tennessee–their developing relationship is one of the strongest parts of the book itself–but cannot commit. She cares about him but keeps him at arm’s length because she’s afraid she’ll just end up hurting him. As the story progresses, we slowly become aware that Jessamine suffered a horrific trauma as a child, one that she’s never really confronted or dealt with, and that trauma is the key to her self-destructive behavior. Her twin brother, Joel, is gay but not out yet; he’s not really sure who he is and what his sexuality is, which causes trouble for him and his love interest, a wealthy young Black kid named Saint Baptiste (who deserves a book of his own, really) goes to school with Tennessee and becomes one of his best friends–since they are falling for twins, how could they not?

There’s also a fantastic trans character, Joel and Jessamine’s cousin Solange–who also deserves her own book–that I couldn’t get enough of, either. Clarkson also does an excellent job of exploring–even if casually–the generational divide between the teens and their parents, through Solange’s tradition; the elders still dead name her, and the teens are always pleased whenever one of the older generation gets Solange’s gender and pronouns correct.

All the main characters, despite their faults and flaws and past traumas, are completely likable and people you can’t hope but root for; you want their love to conquer all, get their lives settled, and grow from their traumatic pasts. It was fun seeing New Orleans through teenaged eyes; I’ve always wondered what it would be like to grow up here, where New Orleans is your default to normality.

Highly recommended, and one of my favorite books set in New Orleans.

Glass Candle Grenades

Monday and a holiday; it’s lovely to have another day at home to work on these edits, which I am hoping against hope to complete today. Yesterday was lovely and relaxing; I worked on the micro edits–the lines/copy edit–which is always a long and tedious process. The macro edit, to me, is more fun if more creatively taxing. I’ll be digging into that a little later, when my mind is more awake and I have more caffeine in my system. It’ll be a weird and short work week for me, and then of course next week I am on vacation. I’ll be taking lots of books with me on that trip, although I’m not sure I’ll have much time to read. I’m not really sure what Dad and I will be doing in Kentucky. I know when I’ve been up there before he’s mentioned going sight-seeing; like to Cassius Clay’s home (the original, the one Muhammed Ali was named for at birth; he was Henry Clay’s brother and one of Kentucky’s leading abolitionists) or to the Kentucky Derby museum. Which is fine, I love history and while horse racing history isn’t something I’ve ever looked into much before, but you never know. I had thought about writing a mystery around the horse racing at the Fairgrounds…I knew a horse trainer back in the day–but never got around to it. I mean, Dick Francis kind of cornered the horse racing mystery market, did he not?

Of course, I’ll come home to another short week because of the 4th holiday, too–so it’s going to be three weeks before i do another full five day work-week. I slept decently last night–not great, but not bad, either–and so this morning feel a little bit dragging around, but that’s fine; coffee, a shower, and some time reading should get me over the hump. We abandoned City on Fire last night; we just had no enthusiasm for watching, and so moved on to The House of Hammer, which is about, of course, the twisted history of the Hammers through the lens of Armie Hammer, the actor, getting canceled for his abusive sexual preferences. It was interesting–I am always fascinated by twisted rich families that hate each other so passionately–but we need to find something meaty, like a good crime series, to dig into. It’s amazing how we can hve so many options yet can never find anything to watch, isn’t it?

I spent some time yesterday with Chris Clarkson’s adorable That Summer Night on Frenchmen Street, which is charming and fun and delightful to read, and may even be able to finish reading it today, with any luck and some strong motivation, at any rate. I think from that I will move on to either Megan Abbott or Eli Cranor; I can’t decide which of the plethora of great 2023 new releases to select from, to be honest. I know I’ll be listening to Carol Goodman in the car next weekend on the way up and I’m not sure who I’ll listen to on the way home.

A quick glance at Twitter has shown me that LSU fans have now surpassed eleven thousand shots in the Rocco’s College World Series Shot Competition, and are well on pace to break the record (just over eighteen thousand) set by Mississippi last year. Oh, how the bars and restaurants in Eauxmaha must love LSU fans! I mean, even if the shots are only a dollar, that’s over eleven grand in receipts on those shots alone, not counting everything else being sold there. LSU is playing Wake Forest tonight, and it will take a strong effort for the Tigers to pull off the win. If they do pull out a win, I’m thinking the shots record will fall tonight.

I also read an old short story yesterday that I remember from when I was a kid. Periodically, Mom let me join a book club. The first one I joined was the Mystery Guild, and those selections i received from the Mystery Guild really kind of shaped my future both as a reader and writer. I still remember the books–still have some of the original copies–and over the years, I’ve tried to replace the ones lost over time to cross-country moves. Recently I repurchased a copy of Alfred Hitchcock Presents a Month of Mystery on eBay, and there was a story in it I read as a kid that I never forgot; and I wanted to reread it. It was called “The Queen’s Jewel” and was written by Robert Golding (I’d forgotten the name of the author). I took the book down yesterday afternoon to reread the story, and it was amazing to me how much of it I still remembered, the details. The main character, Jane Farquhar, owns a small hotel of sorts with guest cabins in the brush in Africa. One of her ancestors was a server for the imprisoned Mary Queen of Scots, and before her execution she gave him the pendant of a ruby set in a heavy gold chain with four carat blue-white diamonds surrounding it. It is very valuable, and Jane’s father raised her to be prepared, always be prepared, because someone will eventually come to try to steal it from her in some way…and thus the story is about her defending herself against a criminal pretending to be an American cousin. The story holds up and works, but it opens with Jane discovering the body of her poisoned guard dog–which did make me wonder, would this story be published today? Opening with a dead dog?

I also didn’t know much about Robert Golding, so after reading the story I used the google to find out he was one of the many Ellery Queen ghostwriters (I only recently found out that many Ellery Queen novels were ghostwritten) and it turned out Golding wrote two of my favorite Ellery Queen novels, The Player on the Other Side and Calamity Town, which is one of my all-time favorite mystery novels; little wonder his short story connected so well with me. I don’t remember The Player on the Other Side other than that it was one of my favorites; but Calamity Town? I remember a lot of that novel, and it was primarily about the Wrights, the first family of Wrightsville–a location so popular that Queen kept returning there for more murder mysteries (The Murderer is a Fox was another great Wrightsville mystery). He also apparently wrote a lot of the juvenile Ellery Queen mysteries–published as Ellery Queen Jr.–which I also enjoyed as a kid; Ellery Queen Jr. and the Jim Hutton 1970’s television series Ellery Queen (which I loved) were what originally brought me to reading the adult Ellery Queens; the first I read was the one they actually filmed for the pilot, The Fourth Side of the Triangle, which was marvelous, and then I started buying his books or checking them out from the library. So thank you, Robert Golding, for being an influence on me and my writing without my knowing it. I’m really looking forward to reading some more of these old short stories. I got another Hitchcock (Alfred Hitchcock Presents Stories to Be Read with the Door Locked) and an old MWA one, edited by Robert L. Fish, With Malice Toward All, which also looks rather fun.

And on that note, I think I am going to head into the spice mines and read for a bit while my brain continues to wake up before tackling the manuscript. Have a lovely holiday, Constant Reader, and I’ll check back in with you later.

The Hollow Men

Sunday and the midpoint of the holiday weekend, as New Orleans swelters in what is, even for here, an unusually potent June heat wave. I stayed inside as much as I could yesterday, in the marvelous cool of the Lost Apartment. I slept well Friday night, which was great, and while I wasn’t feeling especially motivated yesterday morning, I did get my daily blog entry done as well as a Pride post. I read more of That Summer Night on Frenchmen Street, which is just absolutely charming (you should get a copy, Constant Reader), and then I did some more cleaning chores around the house before digging into the edits of this manuscript. I got the macro edit along with the copy edit, so I can get it all worked through, hopefully this weekend; I would love to be able to get this to the editor on Monday. We shall see how it goes. I did get some progress made yesterday; we’ll see how things go today. Yesterday was kind of nice, actually. I got some rest, too–today I feel really rested–and we finished watching Butchers of the Bayou, got caught up on The Crowded Room, and started watching City on Fire, which…is interesting, but I guess we’re supposed to believe Manhattan is an incredibly small town? It’s based on an “it” book from a couple of years ago that I never read; I had a copy but eventually donated it in one of my many purges. I’m not sure we’ll continue watching, to be honest; it’s okay but not riveting. There was no disappointment last night when I called the evening after a couple of episodes.

LSU won their game yesterday at the College World Series (GEAUX TIGERS!). We watched part of the game before switching over to The Crowded Room once I was sure the Tigers had the game under control. I have to say, it’s very fun living in Louisiana and being a sports fan. I of course always will root for any team based in Louisiana, with the Saints and LSU having my deepest loyalties, but part of the fun is how different Louisiana sports fans are from fans in other parts of the country. Tiger Stadium and the Superdome can get loud enough that it hurts your ears, but the thing I love the most about Louisiana sports fans is that they are also fans when it’s not easy, if that makes sense? It’s why Saints players become so attached to New Orleans; we’ll turn out to welcome them home from away games at the airport even when they lose. When the Saints were in the Super Bowl, the city of New Orleans decided to have a Saints parade that Tuesday night before the second weekend of Carnival, where they won or lost; a celebration if they won and a thank you for a great season and making it to the Super Bowl if they lost. Maybe the turn out for that parade might not have been quite the mob scene it was had they not won, but I like to think that it would have been pretty close to the same thing. I also love all the stories about how Omaha (which we’re calling Eauxmaha the way we always Louisiana-ize everything) loves our fans and hope we make it to the College World Series every year. There’s a bar in Omaha that has a shots contest for all the fans of the teams there–LSU is of course way out in front of second place, and at one point you could combine the other seven schools and LSU still won. It also reminds me of how when LSU played Oklahoma in the 2019 college football play-offs in Atlanta, a lot of the bars around the hotels and stadium ran out of beer and bourbon the first night (this was NOT a problem when LSU played in New Orleans for the national championship; New Orleans never runs out because we’re Louisiana too). I also imagine that the servers and bartenders must make a ton of money in tips from LSU fans, who are also as generous as they are friendly. (I was also thinking the other day as I rewatched highlights of this past year’s LSU-Alabama game, what a night for recruiting that must have been! As a high school football player, visiting Tiger Stadium on a night like that, when the entire stadium was rocking (the stadium’s reactions to the over time touchdown and the two point conversion both registered on the campus Richter machine), how could you not sign with LSU? I’m trying not to get overly optimistic for football season, but LSU and the Saints (and Tulane, even) are poised to have great seasons.

Fingers crossed!

It looks kind of hazy outside the windows this morning. The heat advisory/heat wave is supposed to last until Tuesday; I’ve not checked the weather yet this morning to see how bad today is going to be. AH, yes, heat advisory, partly cloudy, and the potential for a severe thunderstorm later this afternoon. I was hoping to barbecue today, so here’s hoping the thunderstorm either holds off until I do or is over before I want to. I’m not going to run errands until after work on Tuesday, on my way home from the office. We have plenty of stuff on hand to eat without me having to go to the store, and I’m not going to be getting a lot when I do make a grocery run because I will be out of the house all next week. The reason I am coming back on the following Saturday is so that I can do a grocery run before heading to work on Monday.

And on that note, I am heading into the spice mines. Have a lovely Sunday of your holiday weekend, Constant Reader, and I’ll be back before you know it.

Don’t Leave Me This Way

One of the biggest amusements I get in life is from looking back at my past and marveling at my incredible, almost child-like naïveté. Sometimes I shake my head in embarrassment, wondering, how could I have been so naïve? From the perspective of an over twenty-year career in publishing (technically we could say twenty-seven years, because I was first paid to write in Minneapolis in 1996), and being an openly out queer man now for thirty-three years or so, how did I ever expect to be treated as an equal member of the mainstream mystery community in 2002? I suppose there’s something to be said for my innocent, almost child-like belief that being gay wouldn’t impact my writing career–beyond not making as much money as my straight colleagues–in any meaningful way. Constant Reader, I was very wrong. In the months before my first book came out, my publisher’s publicist tried to set up signings for me in mystery bookstores (bless his heart, he didn’t think it would be an issue, either).