Category: crime fiction

Near You

Several weekends ago, I did an on-line panel for Outwrite DC. The moderator was John Copenhaver (whom you should already be reading), and my co-panelists were the always delightful and intelligent Kelly J. Ford, Margot Douaihy, Renee James, and Robyn Gigl. The video is actually up on Youtube, if you would like to watch it. John’s questions were insightful and intelligent (as always), and the conversation was marvelous, inspiring, and fun; there’s nothing I love more than communing with other queer crime writers (or any writers, to be certain), and I always try very hard to not monopolize panels because I do have a tendency to talk too much–especially if and when I get going on a topic I am passionate about. So, I thought it might be fun to take John’s questions and turn them into a long form interview, for thoroughly selfish and totally self-promotional reasons.

The panel blurb claims that “queer characters are riveting and necessary material for crime fiction and how those stories can shape (and perhaps reshape) the landscape of contemporary crime fiction.” Do you agree with this statement—and why do the stories of queer characters have the potential to shape crime fiction?

I completely agree with this statement. Queer crime fiction has a very proud history that was never really recognized or appreciated by the mainstream crime writers, readers, organizations, and conferences. That is changing for the better.

New blood is always necessary for any genre–horror, romance, crime, literary fiction–because genres tend to stagnate after a certain period of time. The cultural shifts of the late 1960’s and 1970’s echoed in crime fiction, for example; you couldn’t write crime in those periods without addressing all the cultural and social shifts; Ross Macdonald’s later novels are a good example of this. The 1970’s saw a lot of anti-hero books being written. The private eye sub-genre had grown quite stale by this time, which was when the women really moved in and gave it a shot of adrenaline–Marcia Muller, Sara Paretsky, and Sue Grafton blazed that trail, and revitalized a sub-genre that had kind of lost its way. Queer writers and crime writers of color are currently doing the same to the entire genre. Voices and perspectives we aren’t used to seeing are now getting into print and changing how we see, not only our genre, but each other. Crime fiction has always given voice to societal outsiders and outliers; queer people and people of color are the ultimate outsiders and outliers in this country. Who better to tell stories of societal alienation?

Why did you choose your sub-genre? How do you think the sub-genre has influenced the types of characters you write?

Well, I write in several different ones. Chanse MacLeod was a straight private-eye series; Scotty Bradley was more of an amateur sleuth/humorous series, but he does have a private eye license in Louisiana. A Streetcar Named Murder was a cozy, with an amateur sleuth heroine who gets caught up in a family mystery. I’ve also done young adult and “new adult,” whatever that is (it’s been described as ages 16-25), and Gothics with a touch of the supernatural. I tend to write things that I like to read, and I have a varied reading taste. I started writing the Chanse series because I wanted to do a harder-edged private eye series with a queer twist and set it in New Orleans. I didn’t know about J. M. Redmann’s Micky Knight series when I started writing Chanse; would I have done something different had I known she’d already covered the hardboiled lesbian private eye in New Orleans? We’ll never know, I suppose. Scotty was meant to be a lark; a funny caper novel and a one-off. And here we are nine books later…

As for Streetcar, I had been wanting to try a traditional mystery with a straight woman main character for a long time. When the opportunity presented itself, I jumped in with both feet. I like trying new things and pushing myself. Having to follow the “rules” of a traditional cozy was a challenge–especially because I have such a foul mouth in real life. I love noir so am working on two different gay ones at the moment.

Why do you think amateur detectives are appealing? Do you think there’s a reason queer characters often find themselves in the role of amateur detective?

I think it’s because we all think we’re smarter than the police? We enjoy seeing a character we can identify with figuring things out faster than the cops, especially without access to all the evidence, interviews, and forensics the cops do. Murder She Wrote has been off the air for about thirty years and yet the books based on the show continue coming out every year. If we start out in mysteries reading the juvenile series–Nancy Drew and the Hardy Boys and Judy Bolton and all the rest were amateurs, so we always cut our teeth in the genre with them to begin with. Scotty is basically an amateur, even though he has a private eye license he rarely uses; he and the boys never get hired (although they kind of do in the new one, coming this November.)

Let’s talk about place. Greg, your books take place in the South. Why is place important to the crime novel—why is it especially important to the queer crime novel?

Place shapes who we are–not just as queer people, but as people in general. There are similarities between growing up in a small town in the Midwest and growing up in one in the South, but the differences are very marked. I’ve lived all over the country–pretty much everywhere but New England or the Northwest–and always felt, as a Southerner (despite no accent and not growing up there) like an outsider. Couple that with being gay in a time when it was still considered a mental illness, and you have someone always on the outside looking in. But I have that Southern pull to write about the South–although many would say that writing about New Orleans and writing about the South are not the same; like me, New Orleans both is and isn’t of the South, and I feel that very strongly. I’ve written books set in California and Kansas, even one in upstate New York, but I very much consider myself a Southern writer.

Place is even more important in a queer crime novel because place shapes the queer people so much. As a writer, I think one of my strengths is setting and place, and I think that comes from being very much a fan of Gothics growing up. Gothics are known for place and mood, and I think those are two things I do well.

All of you write wonderfully flawed characters. Sometimes, as LGBTQ+ writers, we feel the burden of representation and the urge to write only positive LGBTQ+ characters as an attempt to undo history’s (the dominant culture’s) demonization of us. Unfortunately, that can be limiting—even flattening. Clearly, you’ve all struck a beautiful balance with your characters. Talk a bit about how you approached this issue.

The flaws, to me, are what make the characters seem real. Nancy Drew and the Hardy Boys always annoyed me because they were so perfect; no one is that perfect, and anyone that close to perfect in real life would be irritating and insufferable. I am am quite aware that I am flawed (one of my biggest flaws is believing I am self-aware because I most definitely am not), but I am not trying to be perfect; I just want to be the best version of myself that I can be. By showing queer people with all their facets and flaws and failures and blind spots, we’re showing the reader that we are human; despite what those who hate us say or claim, we are human beings just like everyone else, just trying to get through life and do the best that we can. The villain in my first book was a gay man–and the entire book was a commentary on how we, as queer people, tend to overlook flaws and red flags from members of our own community. Just because someone is queer doesn’t mean they are a good person–and queers with a criminal bent do exist, and often take advantage of that sense of camaraderie we feel with each other, especially when we don’t know the person well. I tend to trust a queer person more readily than I will a straight person, and that’s wrong–which is why I think we feel so much more hurt when queer people betray us.

Speaking of the demonization of LGBTQ+ folks … Ray Bradbury of Fahrenheit 451 fame said, “There is more than one way to burn a book. And the world is full of people running around with lit matches.” What do you think about the current tactics to ban queer books from schools, libraries, and even bookstores in places like Florida, Arkansas, and Texas? Why are they targeting queer books?

This is, I hope, the last gasp of the homophobes who’ve never updated their hate speech in over fifty years. What the hate group “Moms for Liberty” are doing and saying is no different than what Anita Bryant said and did in the 1970’s, what Maggie Gallagher and her evil co-horts at the National Organization for Marriage repeated, then came the One Million Moms…all too often it’s the cisgender straight white women who are the real foes of progressive politics who fight to uphold a bigoted status quo. They always claim they’re concerned moms worried about their children–but are perfectly fine with them being shot up at school; working in a meat factory on the night shift at thirteen (have fun in hell, Sarah Huckabee Sanders, when you get there and French-kiss your Lord and Master Lucifer); or shouldn’t have the right to vote…they know better than a child’s actual parents, you see, about what the child needs or wants. Maybe they should spend more time with their own children than worrying about everyone else’s? Phyllis Schlafly, queen skank of the conservative right, ignored her own family while she embarked on her crusade to strip women of their rights and autonomy–all the while shrieking like a hyena into any microphone nearby that she was fighting progress to save the American family while selling some Leave it to Beaver-like nonsense as reality. I always felt sorry for her gay son. Imagine that as your mother.

As for why, it’s about control and power. I actually respected Anita Bryant more, because she truly believed all the vile, horrible, unChristian things she said and espoused. Most of the others, including the unspeakably vile and disgusting Moms for Liberty, are working a grift for money, attention and power. Hilariously, they’ve sold their souls in the worst possible way in the guise of family, religion and God; if they’ve ever actually read their Bibles, they need to work on their reading comprehension skills as they are both apostates and blasphemers who will spend eternity doing the breast stroke in the lake of eternal fire. Hope they enjoy it.

Sorry your husbands and children don’t love you, but who can really blame them?

What are you working on next? What’s coming up?

I have a short story in an anthology called School of Hard Knox from Crippen and Landru (and somehow got a co-editor credit for the book with Donna Andrews and Art Taylor); Death Drop, the first in a new series from Golden Notebook press, drops in October; and the ninth Scotty comes out in November, Mississippi River Mischief. I am writing a gay noir, and may be writing second books for the new series I started with Crooked Lane last year as well as a sequel to Death Drop, and have a couple of short stories I want to finish to submit to anthologies I’d love to be in.

When My Blue Moon Turns to Gold Again

Saturday morning and my first day of the rest of my toothless life. Ironically, you cannot tell I don’t have any bottom teeth by looking at me, even when I talk; it was more obvious when I was only missing some. I also uploaded my new prescription for glasses to Zenni and ordered three new pair–purple, black and clear. I like my red frames, so I will probably give in at some point and buy a pair of those, too–and even with the four pairs I’ll wind up with this year and the three I got from Zenni last year, I am barely paying more than I paid for one pair at the optometrist’s. Not too shabby. So I go back to the dentist to get fitted for the new dentures in three weeks, so I will have the new ones in about a month or so, which is fine. Eating will be probably a challenge, but I am sure I’ll be able to get used to it, and there’s all kinds of softer type food I can eat that doesn’t require teeth to chew.

So yesterday I just drank protein shakes, and today I may progress to yogurt and ice cream. I need to pick up the mail today, so I am going to stop at the Fresh Market on the way home to pick up some more soft food options (baking potatoes, too). I wound up not doing a whole lot yesterday, but I had oral surgery and nine teeth removed, which is traumatizing to the body. It’s little wonder I was really tired for the day, and of course pain killers also make you drowsy and tired. I did read some more of Shawn’s book–what a fucking opening!–and will spend some more time with it today, I think. I don’t feel any pain–I was pretty much pain free by the late afternoon. Whether that was me healing, or the pain killers, or some combination of the two, I cannot say–but I woke up this morning without pain and after rinsing my mouth out, I’m pretty sure the bleeding has stopped. By tomorrow I’m supposed to work my way back into more solid foods–albeit ones that don’t require biting or chewing much, which kind of belies the “solid food” aspect of it–but I’ll be okay. I need to shed a few pounds anyway, and as long as I am getting calories from somewhere, I should be fine. Today I can have fizzy drinks (aka sparkling water and soda) and I have to start rinsing out my mouth every three to four hours with salty water. My face never swelled, which was kind of a cool thing.

I didn’t really do much of anything yesterday; I mostly sat in my chair watching the US Open and did some laundry and dishes, but that was about it. I am going to read some more of Shawn’s book today–I also need to run some errands, as I need softer food options, as I previously mentioned which means going out into the heat. I also need to get gas. I wonder if it’s okay to have coffee this morning? The instructions don’t say anything about hot drinks after the first day–he did mention something about it but I don’t remember what precisely it was, but I remember thinking so no soup either?A quick check of Dr. Google doesn’t recommend anything hot like coffee for at least two days, if not up to five? Yikes. But okay, we have those frappuccino things from Starbucks that Paul likes, and so that should handle my caffeine needs. I do like iced coffee, it’s just that I don’t have any way to make it here at the house. Then again, it’s also not on the written instructions, which I think means it’s not as important as the other things on the list? Probably best not to risk it. I tend to heal and recover more quickly than most (Paul is practically a mutant, given how fast he recovers from things), so I think I should be okay by tomorrow for coffee?

The weather forecast seems to think that we aren’t going to be in the high nineties/over a hundred this week, which is a lovely break. Then again, it is September, and it starts to cool down a little bit after Labor Day. I am hoping that I’ll have the motivation today to get some work done, but I am not going to beat myself up if I don’t get things done the day after an oral surgery. Sorry, that’s just how it is.

So I think I’m going to finish this, my iced coffee, and get my ice cream before heading back into the living room and spending the rest of the morning reading. Have a lovely Saturday, Constant Reader, and I’ll check in with you again later.

Pledging My Love

Well, that was unpleasant.

Not entirely true. My dentist is very good at what he does and I neither felt or heard anything other than some pressure. Some teeth had to be wiggled out, which was weird as I felt nothing but could tell it was being wiggled. But they are out, I have some pain meds, and in three weeks I will go get fitted for my new upper denture and the new, never had before lower. So, those of you at Bouchercon? You saw me looking like a toothless hillbilly from the holler for the last time. It also wound up being a lot cheaper than I was originally quoted; I was told a ballpark figure of $3000 for everything and it was less than two thousand. I was also originally told my hearing aids would be about that same amount, but thanks to Costco I only paid half. So I went from thinking this would all cost me about six grand in total, but I got everything for slightly more than half of that total, which is amazing. Nothing is ever cheaper than you are quoted, right? I am supposed to take it easy the rest of the day, just relax and lay down and keep my head elevated. I can’t have anything other than soft food for the next three days, and even after that I need to stay away from heavily spiced and/or anything super crunchy. That’s not terrible. I can make meatballs on Sunday in the slow cooker for lunches next week, and depending on how I feel when Monday rolls around–I may just go ahead and go into the office and not use any sick time. Thank you, COVID surge; no one will think anything of my being masked the entire time until I get my replacement teeth.

So…now I am officially old, bald, out of shape and toothless. This would have been my worst nightmare when I was in my thirties and early forties; I am so glad I aged out of the pointless vanity–which, let’s be honest, stemmed absolutely from insecurity. When I look back at those pictures of me now, I just shake my head. You really thought you needed to lose more weight and tighten up your body back then, I remember ruefully, while surveying the wreckage of my currently aged and debilitated body. Had someone told me back then that by the time I’d be sixty two I’d no longer be able to wear 29-30 waist jeans, hadn’t set foot in the gym in over a year, and even worse wouldn’t care, I would still be laughing.

While I was waiting (I was early; some parts of the anxiety I will never master or control) I started reading S. A. (Shawn) Cosby’s new All The Sinners Bleed and I can already tell it’s going to be his best so far, which is really saying something. It’s immersive and the language is so smart and strong, and his gift for character is apparent from the very first page. It’s amazing that Shawn keeps getting better with every book, which is every writer’s goal–to have your best work ahead of you. This is why I never understand why some writers get jealous of other writer’s careers; success is always a crapshoot in this business. Great writers who deserve huge audiences, sales, and acclaim too often fly under the radar (Vicky Hendricks is an excellent example of this), and no one ever knows whose career is going to take off and whose is not; we cannot control any of that, so you have to write the best book you can and market and promote the best you can and hope for the best. Being jealous of someone else’s success is a fool’s game destined to leave you broken, bitter, and not much fun to be around. The only envy I have for other writers is for their talent, and even then it’s more of a call for me to push myself harder and farther and take bigger risks.

It’s always lovely when kind and generous and talented people like Shawn break out, and I always celebrate the success of others.

I can feel the novocaine beginning to fade, so I am going to take a pain killer and go over to my chair with Shawn’s bed. Enjoy your Friday, everyone.

Sunflower

Thursday and my last day in the office for the week. I slept super-great last night–the first time this week that has happened–and only woke up once. I feel rested and good this morning. Tomorrow, of course, I have to get my oral surgery done in the morning (yay? Well, the end result will be a lot of pain to end the almost constant pain I’ve been living with for years, so that’s better, right?) and then it will be a soft food/mostly liquid (not alcoholic) for I don’t know how long. I weighed myself yesterday, and with even my shoes and belt on and my keys attached to my belt and my wallet in my pocket, I’d lost three pounds since the last time I weighed myself (I would imagine all the eating I did in San Diego made me weight go up dramatically). It would be great if I could get back down to 200 at some point (I remember the days vividly when I would never admit to weighing that much publicly; then again, weighing that much would have completely freaked me out).

I managed to get the page proofing for Mississippi River Mischief done last night after work, and the book’s not bad at all. The writing is strong and the plot makes sense, which is always a plus, and it does move along nicely. I also had forgotten that I had set up the next one in the afterward; or at least had gotten the premise begun–this next one is going to take place while the boys are living in the dower house on Papa Diderot’s Garden District property, and maybe, just maybe, this next one will be the long-awaited and never-written (thanks to Katrina) Hurricane Party Hustle. Then again I am getting ahead of myself, am I not? Let me get all this other stuff done first and then I can worry about the tenth Scotty. But next year Scotty turns twenty-one at last (legal at last! legal at last!) and so I think I may spend a lot of time next year celebrating twenty-one years of Scotty. I think the ebook for Jackson Square Jazz might finally get launched, making the book available for the first time since 2010, and then I can rest easy at long last. I’m not sure how much work I am going to be able to do this weekend–will I be on painkillers the entire time? Will I be too zonked out on painkillers to get anything done this weekend? I guess we shall just have to wait and see. I also don’t know if and when I’ll be blogging again, either. But hopefully I can be lucid enough to read S. A. Cosby’s All the Sinners Bleed or if I can’t read, lucid enough to watch movies.

We watched some of the US Open last night, which was nice. I keep forgetting that it’s happening; we stream now rather than have cable, so I no longer have any idea when anything actually airs or what is actually airing, which is a significant shift in how I watch television. It was nice that so many Americans made it to the quarter-finals–it’s been a long time since the US made such a great showing at the US Open–and sadly, I have to admit that I’ve just not been as interested in tennis since Serena Williams retired. But I do love to watch tennis, as I remembered last night as I proofed, occasionally looking up to watch the action. We watched Madison Keys win, and then watched Carlos Alcazar until I went to bed (Paul of course stayed up watching).

The cover proof also landed in my inbox this morning so that’s what I’ll be doing tonight: filling out the page proof form and proofing the cover. I’m starting to feel creative again, too, which is super-great. I want to get some more writing done, and of course I need to start plotting out the next two books I am going to write while trying to finish a draft of Muscles, which is the plan for this fall (I probably will have to put Muscles aside to work on something else, but might as well get as much done as I can before the arm surgery, whenever that might wind up being).

More and more people who’d been at Bouchercon are testing positive for COVID, which believe me is the worst possible outcome I could have when I swab myself every morning. Sure, it means I’d have to reschedule the oral surgery, but there are definitely worse things that could happen to me then testing positive for it. I would definitely need to be past it when I consult with the Tulane Institute of Sports Medicine. It’s weird because everything is so up in the air until I know what’s going on with my arm, and how long the recovery process is going to be. I don’t know that I want to be doing a lot of traveling with my arm in a soft cast and a sling (and not the good kind, wink wink nudge nudge) because how would i handle the carry-on luggage? Heavy sigh. Again–not going to worry about it because that’s just borrowing trouble.

And on that note, my test is negative and I am heading into the spice mines. Have a great Thursday, Constant Reader.

Out of My Head and Back in My Bed

Y’all, I can hear.

And man, is the world LOUD or what?

I have to say, it was kind of a weird thrill to walk out of Costco yesterday afternoon with the ability to hear things I couldn’t before. When I started the car, there was a weird noise I couldn’t identify before my phone started playing through the speakers. As I sat there in the car, wondering what it could be, I slowly began to realize it was the air blowing through the vents to cool the car down. I’d never heard it before. Walking through the grocery store, I could hear all the things I never heard–the crinkling of packaging in someone’s hand; the belt moving the groceries forward; and on and on it went. When I got home I could hear the squeaking of the ceiling fans, the air conditioning coming through the vents, every squeak of the floor and the stairs, and even when Paul came home–the rustle of his backpack as he slid it off, the crinkling of the packaging of his mail, the sound of him walking upstairs–all things I couldn’t hear before. I turned off the closed captioning on the television and turned the sound down. At one point I eventually grabbed my phone and turned the volume of the hearing aids down.

It’s a whole new world.

Bouchercon is beginning to look more and more like a super-spreader event, with people I was around and having hugged several times testing positive since the weekend. I tested negative again this morning, and hope I continue to do so since I am having a major dental procedure done on Friday morning. I paid all the bills yesterday, and did a lot of catching up on emails and so forth. After I left work early, I went by the post office to get the mail before getting the hearing aids, and then made groceries. I masked all day yesterday at the office and will probably do so again today and tomorrow, just to be safe. I’m not as concerned about getting it as I am about giving it to someone; to be clear. If I have to reschedule Friday I have to reschedule Friday, and there’s no sense in wasting time or energy worrying about it. I have some proofing I need to get done by tomorrow, so hopefully tonight I will be able to get home and just plant my ass in the easy chair and tear through it so I can get it turned in no later than tomorrow night. I have some other things to get done this week, too–so I am going to need to really update the to-do list so I can make sure things get done and nothing falls through the cracks; the trick is remembering everything when I make the list. I know I have some short stories that need to be finished, revised and polished; I’m still not sure the revision of my forty year old story works, to be honest. I also want to get this other one, “The Blues Before Dawn,” finished for another call. There are some other stories I need to follow up on that have been languishing in their files, and I need to start plotting out some more stories and books, too. I also want to start reading Shawn Cosby’s new book, All the Sinners Bleed, which is a great title and an even greater story, I am sure; Shawn is ridiculously talented and one of the most genuinely kind writers I know.

I am still digesting Laura Lippman’s Prom Mom, which is the mark of a great novel. I was thinking her work has slowly and slyly started critiquing gender roles, particularly the way men are shielded from consequences and inevitably fail upward. Rob Simpson, the main male in this book, from the outside appears to be a golden boy who has it all…but the truth is he’s a pretty face and an empty suit. His business success is all due to his uncle’s nepotism, and his wife actually makes more than he does. All the women in his life shield him from reality, when they are all smarter and stronger and more successful than he is, and he’s so privileged and entitled he never notices that he’d really be nothing without the women in his life–from his mother to Prom Mom herself to perfect wife Meredith.

I didn’t sleep great last night, despite being super-tired. I fell into bed around ten and then woke up at two, and never really fell back deeply into sleep, instead just dozing into a half-sleep before waking up again. Like yesterday, I got up at five (an hour earlier than usual) and figured might as well get a jump on the day and get up. I’ve had a cup of coffee and will undoubtedly have at least one more before leaving the house; I am tempted to make a cappuccino. Readjusting to reality has been a little harder this time than it usually is–the weird and wonky sleep patterns making the least amount of sense of anything–but I am slowly getting caught up, I think.

The weird thing about my hearing (circling back around to our original topic) is that I’ve always had trouble with it, even as a child. Mom and Dad always insisted I only hear what i want to hear, and there could be some truth in that. My hearing has always been erratic, and while I’ve always passed a hearing test (barely; I was always about this close to needing hearing aids before) there were things I couldn’t hear and if there was ambient noise, forget it: I heard nothing. This is why I stopped participating in dinner parties in restaurants of more than six people; anything bigger than that and there’s no point. I can’t hear anything in a bar, and so I smile and nodded a lot. I often joke on panels that I must agree to do things when I’m drunk in the bar at a Bouchercon, but the truth is I didn’t have to be drunk; it just had to be in a bar and I probably agreed without hearing because I would just smile and nod and say things like “sure” and “sounds great” and would never admit to being hard of hearing. This last hearing test confirmed everything: talking to someone in a one on one situation, I only hear about eighty percent of what is said. Add another person and the percentage drops, and keeps dropping with the addition of more noises and sounds. And if you need hearing aids do not get them from your doctor. Costco was about half the price I was quoted at the doctor’s office; Costco will also give you a hearing test as part of the purchase price; there’s a two year warrantee as well as a six year in total plan for servicing. It’s really nice to be able to hear again. It’s going to be strange being able to hear everything at work, too. I think part of the denial I was always in about my hearing–the not telling people–was because I didn’t have a confirmatory test result before and just not wanting to admit to a disability–which is incredibly stupid. Without my glasses I can’t see anything; how is hearing any different than seeing? The Shame Monster is a sly creature.

And on that note, I am heading into the spice mines. I’ll check in with you again later, Constant Reader, and have a great Wednesday.

I’ve Already Loved You in My Mind

Yesterday was a great test for me when it comes to fighting my anxiety.

I slept incredibly well, finished reading Laura Lippman’s Prom Mom, wrote three blog entries, and started doing laundry. I also spent a lot of time on social media, stealing pictures from the weekend because I never remember to take any myself, and just was kind of taking it easy for the day. We had a thunderstorm blow through right after Paul left for the gym, and therein came the test. I did all the laundry, and when the sheets were finished I took that basket upstairs (Paul hates putting on the fitted sheet and I hate shoving the pillows into their cases, so I put on the sheet and he does the pillow cases, if you were wondering) and only wearing socks–which I never do because the stairs were varnished and are insanely slippery and steep, and they make two ninety degree turns on the way up–when I stepped into a puddle after the first turn. What the hell? I thought as I stepped onto another puddled step, and still another–only to get hit on the head with several drops of water. I looked up and just before the second ninety degree turn is a light fixture–the primary one for lighting the stairs–and the water was coming from the fixture! Fortunately it was off–I don’t even want to think about if it had been on–and I put on the sheet, changed my socks, grabbed my slippers, and a handful of towels. I mopped up the mess with one towel before covering the rest of the steps that had been wet with towels, going down a few more steps with the towels just in case.

Immediately, I thought oh my God we have a leak from a big thunderstorm that caused street flooding, which means that water has probably been pooling somewhere inside the house somewhere; we haven’t had a downpour that caused flooding most of the summer (its usually a weekly occurrence in the summer time), which further led to oh no what about mold and will the wall have to be ripped out again to well at least we know where the problem is to great termites love wet wood before I was able to take a breath and recognize that I was spiraling and the anxiety was starting to spread to a physical and emotional reaction. I took a deep breath, and remembered that it’s out of my control. Getting worked up and emotional will not stop the leak or repair the wall. I was borrowing trouble and letting my mind start to control my narrative and I don’t want that. I sat down at my desk and thought, “Okay. When Paul gets home I’ll tell him to call the landlady. She’ll need to come see it, then call someone. So I have to get the living room picked up and make it look better. I still need to put away the dishes and I need to make a to-do list because I have things I need to get done this week. Will this be convenient with everything I have going on this fall? No, but when has life ever been convenient?

Never. And that’s what Paul and I discussed last night: getting frustrated, irritated, and upset by things you have no control over is a waste of time and energy. Dealing with the anxiety is a big part of this with me; I can’t control the physical reaction, but I can the emotional and mental, and as long as I keep that under control and don’t spiral, I will be okay. Things have to be taken care of, and that includes what I always call “odious chores,” or what other people might call “adulting” (I hate the turning nouns into verbs that don’t need to be verbs, and so I try not to ever use that word–it’s always grated on me. When you’re not adulting, are you childing? Of course not. That’s why it grates.). I don’t like conflict, and this is also a part of my anxiety–the fear of conflict creates anxiety and keeps me from doing things that might cause conflict, even though they rarely do. At one point last night as we caught up on our shows, I said, “I wish today was Saturday because I don’t want to get up in the morning” and Paul replied, “let it go”–we’d had a conversation about all of this and stopping being negative about things we can’t control and etc.–and I said, “you’re right. I have to get up early and moaning about it won’t change it, so why bother? It just is.” So I came back downstairs and watched this week’s My Adventures with Superman (it really is a. great show) and then Paul joined me for Only Murders in the Building, Ahsoka, and then we started a MAX (that is weird to me, just like saying X instead of Twitter–but fuck Elon, that I will never do) documentary called Telemarketers which is incredibly fascinating. There will be more on that later, once we’ve finished it (and I remember getting calls from these people back in the day; I always felt sorry for the callers as I always do with any kind of telemarketer–but after watching the first episode I don’t feel as sorry for them as I used to).

Ironically, my body clock is also all screwed up somehow. I was exhausted last night and was falling asleep in my chair by nine; so I went to bed early and am up and awake at five am this morning. It was a very good night’s sleep, too. So here I am last night whining about getting up early briefly–and this morning I voluntarily got out of bed an hour earlier than normal because I was awake and clearly wasn’t going to fall back asleep at any time. So here I am at my desk, swilling coffee and blearily thinking about all the things I need to get done before Friday. Tonight I am picking up my hearing aids after work, getting the mail, and running by the grocery store. I have to finish paying the bills. I have a million emails to respond to as well as numerous to generate.

It’s also funny that, after years of not thinking about the past or revisit it, I’ve started doing that more and more, especially since Dad is now telling me things I didn’t know before. Since I turned sixty, I started looking back over the years, which I had always seen as pointless before. You can’t do anything about the past, after all, and we also have a tendency to view the past as better and rosier than it actually was the further in the past it becomes. Sure, Mom dying earlier this year and talking to Dad about the past certainly has something to do with it all–but I had already started down that path. What is it, I wonder, about that particular milestone that resonated with me so deeply that I turned philosophical and decided to start unpacking my past? I don’t know. But I saw something on Facebook the other day about someone’s first words, and that made me remember that my parents always said I didn’t start talking until I was almost three years old (Mom would always add “and you haven’t shut up since”), but I was walking at nine months; they also always said that ruefully and with regret, because they believed the issues with my leg joints–the rolling ankles, the ease with which my hips will pop out of joint–is because I started walking too young. I never really thought anything about it, really, other than well thanks a lot for those issues…but this time I thought, “that must have really been weird and scary for them as parents barely out of their teens,” and you know every other adult and parent they knew privately judged them while offering all kinds of unsound advice and old wives’ tales from the country that made no sense and had no basis in any kind of science. Such a shame about their boy, you think he’s retarded? (Yes, that word–preferably not used anymore–was in common usage when I was a child, and yes, I heard adults talking about when they thought I was out of earshot. I think that was about the time my “selective hearing” started; being able to hear clearly for the first time in my adulthood tonight after getting the hearing aids did make me wonder do I really want to be able to hear everything?)

And yes, my primary takeaway from Bouchercon this weekend was feeling something I’ve not felt in a long time, and definitely not since the pandemic: ambitious. I told Paul last night (and someone over the weekend, probably my poor friend Teresa, aka Carsen Taite) “I kind of feel like life is happening to me, rather than me living my life, and I don’t like that feeling.” So, it’s time for me to start planning and mapping things out and deciding what I want and setting goals and figuring out how to get what I want again. I also realize I have to be very careful with what I agree to do this fall–not knowing how long some of these recoveries from procedures will take, for one thing–and I need to stop having anxiety about not having books under contract and then throwing out a bunch of proposals and getting deadlines. No, I need to plan. I need to strategize. I need to get my shit together and set some goddamned goals.

And on that note, I am going to head into the spice mines so I can make this week’s to-do list and start tackling the email inbox. Have a lovely Tuesday, Constant Reader, and I will be back later without doubt.

From Graceland to the Promised Land

I love being an author.

But my first true love was reading. I love to read; I love nothing more than to spend some time with my mind fully engaged and my imagination completely immersed in a good book. I love books, and I always wished I had friends who read as voraciously as I did and also enjoyed talking about what they read. I love when people enthusiastically talk to me about a book I should read, or mention that they love a book that I loved so we wind up discussing what we loved about the book. That’s why I like to write about books I’ve enjoyed here; while the conversation is inevitably one-sided (which far too many would say is my preference and/or default), I love talking about books, and here I have a place where I can do it whenever I want. I’m not a reviewer; I haven’t written an actual review in over twenty years. Nor am I a critic; I do not have the education or training to deconstruct fiction and how it is a reflection and exploration of some philosophical aspect of life, culture, and humanity.

No, I just like to tell you how much I liked a book and why I did.

And I absolutely loved Kelly J. Ford‘s The Hunt.

By the time Nell Holcomb pulled up for her shift at Mayflower Plastics, the KAOK news van had parked in her spot. Adding insult to injury: Maggie, the office manager, stood in front of the camera, chatting them up. Wearing her new bedazzled Hunt T-shirt that clashed with the fake tan she’d maintained since her sorority days that still showed her white skin in the underarm creases. Talking about how “causation does not equal correlation” and “accidents happen.”

Tell that to the families, Nell thought. Maggie never would, though. Not to her face or anyone else’s. But she’d go on TV and tell the world and call herself and other people like her “Eggheads,” like they were a fun little group and there weren’t any deaths associated with the Hunt every year, serial killer or not. If Nell didn’t know any better, she’d guess that Maggie worked for either the radio station or the Chamber of Commerce.

Nell walked on by Maggie and the news crew without saying a word, hoping they wouldn’t recognize her as the little sister of Garrett Holcomb: white, young, handsome, smart and dead.

The Hunt is Kelly J. Ford’s third novel, after an impressive debut with Cottonmouths and its Anthony nominated follow-up, Real Bad Things (which I’ve not gotten to yet; I always try to hold one back per author I love so I know I always have something of theirs to read yet). The premise of the story is a small community in northeast Arkansas has an annual “Hunt for the Golden Egg” sponsored by the local radio station. The station records clues that the participants have to decipher in order to find the egg, and whoever finds it gets a cash prize. Over the years the prize money has increased, and in a fairly working class/fairly impoverished area, that kind of money can be life-changing. The problem is, the annual Hunt has become haunted by tragic death, and rumors circulate that a serial killer “hunts” people hunting for the egg–and Nell’s beloved older brother was the first victim. That alone would be enough to make Nell hate the hunt, which is what everyone thinks; but Nell has her own, much darker secret: the night Garrett disappeared, she had a fight with him because they both were interested in the same girl, who chose Garrett. Nell kicked him out of the car…and that was the last time he was seen alive. The girl, Tessa, gave birth to a posthumous child, Elijah, whom she abandoned. Nell has taken over raising him as an atonement for her own guilty secret, and he is the center of her life. (She is also keeping another secret–she has been seeing and messing around with Tessa for a few months already at the start of the book.)

The other point of view character of the book is Nell’s best friend, Ada. Ada’s son Anthony was Elijah’s best friend, but they seem to have fallen out–and Ada herself has conflicted feelings about Nell. She loves her friend, wonders occasionally if they might be able to move further than that in their relationship, and she also loves Elijah. The conflicting feelings of love and aggravation at the bad choices Nell seems impossible to keep herself from making over and over again as part of her inability to forgive herself.

The hunt is coming up again, Nell’s having to deal with all the horrible memories and makes some more bad choices…and then another person disappears. Has the serial killer struck again? Is it a coincidence? Are all the deaths coincidences?

Ford has no weaknesses as a writer and a lot of strengths. As a Southerner myself, she writes in a way that reaches deep inside my soul and twangs its guitar strings. I know these people, I know these claustrophobic small towns where everyone knows everyone else and their business and has opinions. She captures the despair and misery of working class life, but her work isn’t depressing but uplifting and hopeful. Nell’s grief and guilt are the fuel that drive the engine of this story, and if I had to give a capsule elevator pitch description of her work, I would say “she writes the novels Dorothy Allison would if she wrote about crime.” The language, the poetry and musicality of the words leap from the page, and she also is capable of writing the kind of suspense scene that raises your hackles and makes the downy hair on the back of your neck stand up.

If you haven’t started reading Kelly’s work, what on earth are you waiting for?

I Can’t Love You Enough

No matter the fact that civilization is crumbling and the world is on fire, the one bright spot of these interesting times in which we find ourselves is that this is the Platinum Age of Crime Fiction. There are so many incredibly gifted and talented and amazing writers publishing in this time that I’ll never catch up. There are, however, a few writers that I will always move to the top of the stack once it arrives and I’ve finished the current book I am reading.

For over twenty years, one of those authors has been Laura Lippman.

And this new one? Chef’s kiss.

The lights were off in the bathroom, but the door was ajar and light had begun seeping into the room. The day came at Amber in a series of unpleasant sensations. Hard–she was lying on the floor. Cold–she had on only her strapless bra, the floor was tile, the air conditioning had been set low.

Sticky. That was the blood. So much blood. She didn’t know a body could lose this amount of blood without going into shock. Maybe she was in shock? She had taken a first aid course at the Y and remembered what to do for someone else in shock–get them to lie down, elevate the legs–but no one ever told you how to know if you yourself were in shock. Besides, she was already lying down.

“Joe? Joe?”

No answer. He wasn’t here, of course. Why hadn’t he tried to check on her? Was he so busy mooning over his ex-girlfriend that he couldn’t be bothered to see if Amber was going to rally and make it to the after-party? He must have gone without her–fair enough, given how she had demanded the only room key and bolted from the prom, never to return, but couldn’t he at least pretended concern?

He doesn’t really like you, her mother had said when Amber had told her about the invitation. Not in that way. That’s okay, Amber had replied, and it had been okay, because she believed it was only a matter of time before he realized that he did like her. She had thought it would happen last night.

Thematically, Laura Lippman’s incredible new novel explores the Bryan Stevenson quote, “we are more than the worst thing we have ever done”, and what does it mean and how does it feel to be defined and always characterized by the worst thing you’ve ever done. The “prom mom” of the title is Amber Glass, a lonely but intelligent teenager who is a non-entity at her high school. Amber was a volunteer student tutor, and she worked with golden boy Joe Simpson, whose grades have slipped since his long-time first love girlfriend dumped him for a college guy. Amber is of dazzled by him and falls for him (the book cleverly makes a She’s All That reference here). Her exit from the prom is because she is experiencing cramping and feels sick…and gives birth prematurely in the bathroom. She didn’t know she was pregnant because she was ignorant about her body and its functions, and just thought she was gaining weight. The baby is dead, and Amber becomes known as “prom mom,” and is sentenced for matricide as a juvenile; sealed records and release at eighteen. Joe becomes “cad dad” (not checking on his sick date, and the real reason why is even worse than the tabloids print). Both Joe and Amber are damaged by the events of their prom night, and spend the next twenty-two years trying to get past their past and move on, always terrified that it’s going to come back into the news sometime and wreck their now comfortable existences.

Flash forward twenty-two years to 2019, and Joe is a successful realtor (thanks to some handy nepotism) married to a brilliant plastic surgeon (originally from New Orleans) and they live in a huge beautiful old home–they have no children, by choice (both have their own reasons, and this character building here is incredible) and has a perfect life on the surface. Meredith is very Type-A and rational, she and Joe are each other’s entire world–but Joe is also having a sordid little affair with another, younger realtor, and he is also taking an enormous business risk with their financial security without consulting or even telling her. Both Joe and Meredith are point of view characters in the present; there are occasional flashbacks to how the Joe/Amber dynamic began, how they came to go to the prom together, and how both were very similar beneath the enormous surface differences.

But Amber, our title character, is perhaps one of the most intriguing and interesting characters Lippman has created in her best-selling, critically acclaimed and award-winning career, which is saying something. Lippman has no flaws as an author, only strengths, but one of the things she is capable of that I truly envy is her consummate skill at character, all the incredible little details and touches she gives them that provide so much insight into who they are as people and, no matter how bad the decisions they make or whatever horrible things they may do (or are capable of doing), those little incisively precise details make them relatable and understandable, if unlikable. Meredith seems very cold, for example, yet her own tragic backstory explains who she is and how she became who she is so brilliantly that you can’t help worrying about what may happen when she finds out the things her beloved (and always forgiven husband) is hiding from her.

Yet Amber….Amber is the unabashed center and beating heart of the book. Her backstory, putting her life back together and keeping her past hidden, takes her many places before she lands in New Orleans (oh, my heart); and her New Orleans world is just as beautifully crafted as I knew it would be if and when she ever wrote about New Orleans. The little touches of local tribalism (chess pie, anyone?) were simply perfect without the slightest hint of cliché. A perfect example of this is her incorporation of the Muses shoe. The shoes are always beautiful and deeply coveted; adding in one would be a trope in the hands of a less skilled author. But Lippman adds that little unique touch that takes it from trope to brilliant detail–the dust. The shoes are fricking dust magnets that are impossible to clean because of the glitter, and that’s the kind of touch only a local might know to add, so much so that I thought why the fuck have I never talked about how goddamned dusty those gorgeously decorated shoes get?

It made me, with at least seventeen New Orleans novels to my credit and countless short stories, feel like an amateur New Orleans novelist.

She also managed to work the pandemic into it so that it becomes pivotal to the plot, which I was beginning to think wasn’t possible and something I’ve wanted to do, but have been afraid to try.

This book is an exceptional, compulsive read–and an excellent addition to the Lippman canon. Every book is different–which is amazing–so it’s impossible to say one is better than the other, but her continual growth as a writer and the risks she is willing to take is just another one of the reasons she will be known as one of the greatest writers, let alone crime writers, of our time.

Get this book NOW.

East Bound and Down

Labor Day Monday, and time to readjust from “Greg Herren Author” back to my everyday life here in New Orleans. There’s really nothing like your own bed–but the bed I had at the Marriott Marquis in San Diego was probably the most comfortable bed I’ve had in a hotel to date. I had trouble sleeping the whole time I was there, but the bed was so comfortable that I always slept some and always managed to feel, if not completely rested, but at least recharged. But oh what a lovely time it was!

I flew home yesterday from San Diego, where I’ve been since Wednesday. My apologies for being lax in posting while I was away, and I hope you didn’t miss me too much, Constant Reader. But it was also nice being in a bubble for several days practically cut off from the outside world. I didn’t write a single email since Wednesday morning; I only deleted junk. I didn’t write anything, nor did I read anything once I’d checked into the hotel. But what a marvelous time it turned out to be. I love going to Bouchercon–it’s a marvelous escape from the everyday and being around writers (so many writers!) and readers (so many readers!) and it’s just so much fun. There are so many marvelous people in this business that I so rarely get to see in person, and I never have the opportunity to spend time with everyone that I would like to.

There’s also this weird thing about Bouchercons. You can go the entire time without seeing some of your friends who are there; and you never seem to bump into them. Last year in Minneapolis I hardly ever saw Christa Faust, and even then only in passing or from across a very crowded room. This year I bumped into her almost every time I turned around, and it was an absolute delight because I adore Christa. You also get to make new acquaintances and discover new writers, too. I love debut authors! It’s always amazing to find new authors and make new friends, see old friends–and yet there were so many people I only saw fleetingly in passing, or didn’t see at all. But it was incredibly lovely, really. I resisted temptation in the book room (some of the collectible booksellers had some old editions of the kids’ series–including the super-rare ones no one’s heard of–but I knew if I bought any books I’d have to pay to have them shipped home, and so that extra step was enough to trigger my laziness (and miserliness–I can be extravagant to a fault when I really shouldn’t be) to step in and say, no, you don’t need more copies for your collection even if you can replace some damaged ones with ones that look pretty new for a reasonable price. And I don’t regret not buying those books, either. (I will probably get the ones by new acquaintances, though.) I also had four tickets to get free books in the book room, so I picked up Death by Bubble Tea by Jennifer J. Chow; Her Last Affair by John Searles (who I interviewed for Lambda Book Report back when his first novel came out, and that leads to a great story I will save for another time); The Quarry Girls by Jess Lourey (whom I adore); and one other that I can’t remember, and I can’t seem to find it this morning. Oh, well. Mindy Carlson, who was on the panel I moderated, gave me a copy of her debut, Her Dying Day (which has the best ever opening!) when I ran into her in the lobby on my way to the airport. I can’t wait to read it!

I finished reading Kelly J. Ford’s marvelous The Hunt on the flight home to Dallas yesterday, and then moved on to Laura Lippman’s Prom Mom, both of which are superb. I am almost finished with the Lippman, and when I am finished with this I am going to my chair so I can finish it.

I am pretty much taking the day off from everything and resting. I had planned on going to the grocery store–I still might; it depends on how I feel later–but I am going to relax today. I did get home last night in time to watch LSU embarrass itself on national television last night, but it’s okay. It’s nice to have any expectations for the season gone after the first game, and now I can watch the national title race with idle curiosity while watching LSU get through it’s season with no expectations from them. I was very concerned that they were being over-hyped (everyone seemed to forget that after the big win over Alabama last year, we barely beat Arkansas and lost to Texas A&M before being embarrassed in the SEC title game by Georgia), but this is yet another example of when being right isn’t what you want and brings absolutely no satisfaction–Cassandra was hardly smug as Troy burned around her, after all. I am exhausted, despite the fantastic night’s sleep I got last night, so I think resting up is indeed the way to go for today. We have shows to catch up on, after all, and maybe I’ll even splurge on a movie.

It was a wonderful time. I love my friends in the crime fiction community, and I love that I am sort of known in it now more than I was? I had several people come up and ask about my books, or tell me how fun I am to watch on panels, but I am also beginning to think that I need to be maybe a bit more professional when talking about my own work on panels. Something to ponder as I move into the adulthood of my career (it turned twenty-one this year, after all, which is staggering). I am inspired, reinvigorated, and ready to prove myself worthy to be a part of the community again. I want to get back to my writing and dig into it and keep going and do really good work. Reading Kelly and Laura’s books are inspiring because they remind me to work harder, do better, dig deeper, and aspire for greatness more. I have broken down the barrier that was keeping me from reading novels, or at least was making me unable to focus, and now I hunger to read more. Once I finish Laura’s book I am moving on to S. A. Cosby’s new one, with Alison Gaylin’s marvelous new take on Robert Parker’s Sunny Randall series. (I will never stop marveling that I am friends with, or at least know, my writing heroes.)

And definite shout-outs to all the people who won Anthonys this year, and were nominated. It’s surreal to me to see how many nominees are friends; and it’s absolutely lovely to see that. Only a few winners weren’t friends–and how can you not be happy for friends to get recognition? I adore Catriona McPherson and S. J. Rozan; how delighted was I to lose to writers whose work I’ve admired for years and how thrilling to be in the same category with them? I don’t know Nancy Springer, the other to whom I lost, but I love Enola Holmes. And Kellye Garrett and Wanda Morris are not only incredible writers but wonderful women I am very proud to know. I love Barb Goffman, who has always been so kind and lovely to me ever since the first time I met her. I don’t know Martin Edwards, but from all accounts he is a very kind and lovely and generous person, and I share the TOC of School of Hard Knox with him. The Debut winner, Nita Prose, wasn’t there and I don’t know her, but I do have her book The Maid, and I hope to read it before the end of the year.

So no, I didn’t win any of the Anthonys I was nominated for. What a fucking honor for a gay man to be nominated for three (mainstream, MAINSTREAM not queer-specific) Anthony Awards in the same year for three different books, for anyone, really. I think the only other person to ever be up for three in the same year is S. A. Cosby (and what amazing company to be in, right?); others have been up for two in the same year before (as I was last year; this year Catriona McPherson was a double nominee). I have been nominated for seven Anthonys in total now, and so what if I have lost six times in a row? Awards are lovely, but I honestly don’t mind losing. I love to act like a bitter loser because, well, it’s funny to me. I did start realizing sometime during the pandemic that my “bitter loser” shtick might be insensitive–some people would kill to lose six times; some are never nominated once–and maybe the “bitter loser” shtick doesn’t play as well now as it used to? I don’t know, but it’s such a thrill for me to be nominated, and retrospectively, I’ve had a pretty amazing run: fifteen nominations from Lambda Literary nominations, seven-time Anthony nominee, and once each for the Lefty, the Agatha, the Macavity, and the Shirley Jackson. That’s pretty fucking amazing, and maybe I should finally recognize that maybe, just maybe, I’m pretty damned good at this writing thing? I do need to be better about the other aspects of the business–marketing and promotion and so forth–and since my brain doesn’t juggle as well as it used to, I need to start getting focused and figuring some things out. The rest of this year is going to be taken up mostly with dealing with medical issues (I get my new hearing aids tomorrow!) and I don’t know how much I am going to be able to do or what I can and can’t do; and everything is kind of up in the air now for the rest of the year.

That would have triggered my anxiety before, but I am at peace with it. My decision to override the anxiety and remain calm while traveling worked in both directions, and it was lovely to not get worked up or upset or irritated about anything. I managed to even get my bag from baggage claim, the shuttle to the parking lot, and then drive home without losing my cool–I didn’t even swear at a single driver–and I kind of want to keep that level of calm and cool going forward. I did experience some anxiety before I moderated the Humor and Homicide panel yesterday; I was brought in–not at the last minute, but far too late for me to get copies of the panelists’ books and read them to prepare–late but my word! What a group of amazing professionals I was blessed to moderate! You need to read their books; they are talented and funny and marvelous and I was totally blown away by them–and three of them were debut authors! There was J. D. O’Brien, whose debut novel Zig Zag, about a marijuana dispensary employee who plans to rob her employer, only for Westlake-like hijinks to ensue; the delightful Mindy Carlson, whose debut novel I already mentioned; the always wonderful Wendall Thomas, a seasoned pro whose latest, Cheap Trills, sounds incredible and I can’t wait to read; the witty and charming Jo Perry, who has a marvelous series from the point of view of a dead man and whose latest, Cure, sounds great; and Lina Chern, whose debut novel Play the Fool is about a tarot card reader trying to solve her best friend’s murder and sounds amazing. I had them read their book’s opening few sentences, and once I heard them, I knew it was going to be a breeze. It was wonderful! What a great break for me to get to moderate this panel and find even more great books to read. I could have talked to them about their books for hours. Afterwards, I realized I hadn’t even used half of the questions I had–always the sign of a great panel!

Speaking in public has always been difficult for me and always ramps up the anxiety (which I always thought was just stage fright). But now that I know what it is, I can sort of control it. I can’t control the adrenaline spike and what comes with it–the shaking hands, the talking too fast, the shakiness of my brain, the upset of my stomach–but I can control the mental part and not allow the anxiety to take over. It was very strange knowing I can’t control the physical response to the chemical imbalance but I can control the mental/emotional response, so instead of freaking the way I usually do before going on–I focused on making sure pre-panel that they were all comfortable, that I wanted them to talk themselves up with the goal of selling a book to everyone in the room, and basically, asked questions and got out of the way and let them shine like the stars they are–and did they ever! Especially when you remember I hadn’t sent them questions in advance to prepare; they each were speaking extemporaneously, which is impressive as hell. The nervous energy I handled by walking around briskly before the panel and talking to each of my panelists individually and staying hydrated. Yes, I drank water, limited myself to one cappuccino per day, drank iced tea for lunch instead of Coke, and tried very hard to remember to slow down and get over the FOMO I always feel. I did have some cocktails every night, but never enough to get more than a bit tipsy and paced myself more.

And now, I am going to head back to my chair and finish reading the new Lippman and maybe start reading the new Cosby. I have laundry to do, a dishwasher to empty, and basically, I am just going to relax as much as humanly possible today. I should probably make at least a minor grocery run; maybe not. But what a marvelous, marvelous time I had.

I am truly blessed.

I Can’t Help Myself

I write to you from a very lovely hotel room at the Marriott in foggy San Diego this morning. My room is quite nice; I have a lovely view of the marina and harbor and a balcony, and the room is actually quite large. I am already dehydrated, which means I need to drink water today rather than Coke–which is just as well; I always have trouble sleeping when I travel and the caffeine doesn’t help very much–and have already run into some people already; some of the Queer Crime Writers, and various other crime fiction friends and writers. I am still on central time, so I woke up at four my time like always–it was two here, so of course I was terribly confused, because I’d left the bathroom light on and in my sleepy confusion I thought it was the sun and thought how did I not close the curtains last night? But after a few moments, I remembered where I was and what time it actually was and the curtains were closed.

I posted yesterday that I was trying out a new thing called Stress-Free Traveling, or something like that. Now that I know that I have anxiety, and can recognize those feelings as what they are, I can handle and control them. My flight was at one thirty, so I scheduled an eye exam in Metairie on the way for 10:20, figuring I’d be that much closer to the airport and I could still get there in plenty of time to make it through security and so forth and have lunch. The focus was on remaining calm and not getting upset at anything that was out of my control. Airports and airplanes are huge triggers for me, primarily because I worked in one for so long and I get tired of being around inconsiderate and rude people; and every time I fly it seems people’s behavior gets worse. But I remained calm. I didn’t get annoyed or fidgety in the security line; I didn’t get worked up about boarding and the line and all of that stuff. I got my lunch at Shake Shack–it was quite tasty–and the flight to Dallas wasn’t even half full so I had a whole row to myself. The flight out of Dallas was delayed for an hour because of a mechanical issue and an equipment swap (the jargon still flows naturally out of me), but it was fine. It was lovely meeting Carsen Taite at the Dallas airport, and we managed to get an empty seat between us on the flight to San Diego. I did get a bit impatient–hot, sweaty, traveling all day–at the over-long wait to get checked in, but the young woman was lovely and gave me this lovely room. I went to the Cozies and Cocktails event, which was fun, and then I went to the bar and hung out with the Queer Crime Writers, which is always delightful, and also ran into other friends, equally delightful before calling it a night and coming up to my nice, properly cold room, and slept like I do at home–deep periods of sleep interrupted by wake-ups, some of which were disorienting (it was two not four a.m.; the light was on in the bathroom so I thought the sun was up which was odd at two because I couldn’t have slept around the clock, on and on and on). But I feel rested this morning, if a bit dehydrated and hungry–part of the anxiety-free travel plan is to be good to myself and remember to eat and hydrate and give up on FOMO, which always keeps me up until late and then I can’t sleep and it just builds from there.

But these entries–if I manage to make any–will be short, most likely. I am heading downstairs to start conferencing. Talk to you soon!

(Oh! I was able to read about 150 pages of Kelly J. Ford’s The Hunt and it is marvelous.)