Category: crime fiction

It’s Four in the Morning

Tuesday morning and my alarm went off this morning–as well as the cat alarm–and so I am up, swilling coffee, and looking forward to my day. I did stop on the way home yesterday to get the mail and went to the gym to do Rehab. It was remarkably smooth, too–I was able to drive there, park easily, get in and out relatively easily, and get home. I feel a bit tired this morning, which is no doubt due to the unexpected rigorous exercise I put my body through last evening, so there’s definitely some muscle fatigue going on. We watched The Hit Man on Netflix, which was interesting and clever enough, and it was filmed in New Orleans–and that was the way to film in New Orleans; AKA, they just filmed it here like it was anywhere else, and didn’t feel the need to “Nawlins” it up (by which I mean constantly saying New Orleans, sending the characters out for beignets all the time, occasional mention of the Saints, etc etc etc), and there was only one scene where I was like, “if you work at UNO and live in Gentilly, why would you drive home via Liberty Circle?” It was a pleasant way to spend the evening, and it was a cute film; actually based on a true story here locally about an undercover cop (really a side gig) who played hit men in sting operations to arrest the person hiring him, and he’s actually good at it. Check it out, it’s a pleasant way to spend two hours.

I did spend some time writing yesterday, which felt good; I am now going to let that sit for a few days before marking it up with the proverbial red pencil (when I first started, you did use a red pencil or ink to mark up your manuscripts) and I am now going to start pulling Never Kiss a Stranger apart in order to piece it back together as a novel. I mean, why not? I love the main character, I love the minor characters, and the story itself is one I really want to tell and share with the world.

I also picked up the mail, and now have my copy of Summer of ’42, which I am hoping to reread relatively soon.

Hilariously, Harrison Butker (aka Hairy Butt) was in the news again lately for “saving” a teammate’s life, who’d gone into cardiac arrest. Turns out all he did was run for help–which, as someone who has been certified in CPR since 1997, I can tell you is the wrong thing to do. You’re supposed to call for help while starting CPR and ordering someone else to go for help, or to keep calling until someone comes. You’re never supposed to leave the person alone; seconds are critical and the longer before compressions starts the more unlikely it is they will be successful, not to mention the cessation of oxygen flow to the brain. Even if he was the person who was sent for help, it was hardly “his” heroism at play here; it’s really not all that heroic to go look for help when someone is having a medical issue. The irony that he got a female trainer to come out and save the man’s life–while getting the headlines for himself about his “heroics”; in many of the pieces the actual trainer’s name wasn’t even mentioned as they masturbated Butker’s fragile ego, as though saying to all of us who found his graduation antics in incredibly poor taste “see what a great guy?”

Given the other option was to let the man die, he literally did the bare minimum, but we’re supposed to call him a hero? No, heroes are my co-workers who run outside to administer NARCAN to an overdose and save lives. It’s become so routine now that no one even thinks about it, but watching my department immediately slip into crisis mode and work together quickly and efficiently to save a life is very impressive, and way more than Hairy Butt ever would do; he’d probably think the OD was God’s will or something.

The bar really is set low for cishet white men, isn’t it? They need praise for everything.

Sigh. The poor, sad, oppressed straight cis white man, right?

And on that note, I am heading into the spice mines. Wish me luck, and I’ll do the same for you, Constant Reader, and there’s going to be a Pride post later, I’m sure.

Screenshot

Tomorrow Belongs to Me

Ah, Cabaret.

I first became aware of this movie from commercials on television, and it looked very weird to young Greg. I had no idea what the movie was about, other than it was a musical; starred Liza Minnelli; also had the gorgeous Michael York in the cast; and seemed to be set in old pre-Nazi Germany. It also came out in the same year as The Godfather, which sucked all the air out of the year when it comes to film. I had also read that book that year because of the movie…which also got me interested in Marlon Brando, which is a whole other entry. (Not to mention the sex scenes, which were really confusing in a lot of ways…especially Lucy Mancini’s over-large vagina.) But Liza was everywhere that year, too–every talk show, had her own special “Liza with a Z”, magazine covers and newspapers and periodicals like you wouldn’t believe.

I had no clue what the plot was, other than decadence and debauchery?

I remember asking a friend that year if she knew what Cabaret was about–her parents were European immigrants from after the war; her father was Czech and mother German–and she told me her parents had seen it and her mother said, “It’s all about homosexuals”, which naturally got me incredibly interested in the movie. I finally saw it several years later when it aired on television, but everything queer was sliced out of the movie and it was disjointed and didn’t make a lot of sense, so I thought well, that was shit, how did it win all those Oscars?

Because of course, all the queer stuff has been excised from the movie; the movie was basically castrated and to me, seemed like nothing more than a vehicle to move the movie along to the next musical number–many musicals are like this, so I really didn’t understand what the big deal was about this one.

A few years later, I caught the original uncut version on HBO…and have been a fan ever since.

Cabaret never should have been sold to television for airing because it had to be gutted to make it ready for prime time. I only hope no one involved with the film saw that version of it, but it really was a desecration.

By the time I saw the movie as Bob Fosse originally intended it to be seen, I had become aware of the source material: Goodbye to Berlin by Christopher Isherwood, an autobiographical novel about his experiences in Weimar Berlin and witnessing the rise of the Nazis–and how their malevolence was poisoning German society and culture. It had been adapted for the stage by John Van Druten as I Am a Camera (which is the opening sentence of the second paragraph of the book), and the play was also filmed, starring Julie Harris, who may have played Sally on stage, too. I Am a Camera was adapted into the musical Cabaret, but significant changes were made from the stage version of the musical in adapting it for the screen–and the screen adaptation also wound up causing the stage version to revised, remodeled, and reinvented as well. (And to make things even more confusing, Isherwood later wrote a memoir about that time period in Berlin called Christopher and His Kind, which was also filmed.)

I had not seen the earlier film, nor had I read the book when I saw the uncut version of Cabaret.

And you really couldn’t go wrong casting Michael York in the 1970s. Stunningly handsome, and that velvety voice that just dripped syrup.

I mean, really. I think this is from Something for Everyone, which is a great, little-known queer movie also starring Angela Lansbury! (There’s a watchable version uploaded to Youtube, but the sound and picture quality isn’t great.)

I rewatch the film every now and then. I went through an Isherwood phase in the late 90’s/early aughts, when I read everything he wrote, and I enjoyed them all. And when I see some political movements today (hello, MAGAts!), Cabaret is never far from my mind.

It’s astonishing that the film was even made, given that homosexuality was still considered a mental illness in 1972, and the film didn’t judge. It simply presented these alternative sexualities as normal, and while the times themselves weren’t normal, there was also a very strong sense that the Weimar period–which is endlessly fascinating, which is one of many reasons I love Babylon Berlin so much–that filled the German political vacuum between the wars wasn’t very different from the twenties everywhere else, either; a time when the society and culture rejected the old, more conservative times that led to the first war, and everyone just wanted to have a good time because so much was misery. (I often wonder how much the American Stock Market crash of 1929 had to do with the rise of fascism in Germany; it was the economy, after all, that really caused the problems, and wasn’t the global economy heavily impacted by the collapse of Wall Street? We never realize how what happens in our country affects the rest of the world, because the United States is just as narcissistic as the convicted felon the Republicans are running.)

But the underlying message of Cabaret is one that is hard to miss: that living in your own bubble and ignoring the world outside is precisely how garbage like the Nazis rise to power…the assumption that someone else will do something to take care of it, and we’ll just keep having fun. In the late 1980s and early 1990s I thought we as a country we’re headed down that path; the unholy marriage between the right wing and evangelical christianity (I will never capitalize that C because cults don’t deserve that respect) certainly made it very clear to me that there was a very large segment of the American population that would be more than happy to put all racialized people and queer people into death camps. (I even started toying with the idea for a novel about that very thing; I still think about that idea A LOT, and even more so since 2016–which is also when I started rewatching Cabaret again on a more regular basis. Cabaret, and Bob Fosse’s vision of what it should be, was very powerful; and it changed the face of what movie musicals looked like and could be, and has influenced stage and screen musicals ever since. It’s a stunningly shot film, and now I can say that I understand why Fosse won the Oscar instead of Francis Ford Coppola for The Godfather; both films are masterpieces, but Cabaret was more “showy,” and that always wins over diligent and detailed craft.

And no, the movie isn’t “all about homosexuals”–even though there’s a minor character who is a trans woman; the main character is gay and bi-curious, and Max, Sally’s other love interest, is also bi and sleeps with them both cheerily. That was VERY avant-garde attitude to have in a 1972 Hollywood movie made for American audiences.

I wonder how seeing it on the screen in 1972 might have impacted me? But I also can’t imagine my mother and sister sitting through it, either.

Cabaret is a must-see if you’re interested in queer film–or great American cinema, for that matter. And I will judge you for not seeing it. In fact, I’m doing that right now.

Nice To Be With You

Monday morning and back to the office with me today; huzzah? It was a nice, lovely weekend around the Lost Apartment, one in which I felt really good about my writing life and resettling into what is the new normal for my life these days. I’ve kind of gotten off the treadmill of endless deadlines and volunteering, and all this lovely extra free time has been spoiling me a bit, which is why I’ve not really been getting anywhere with my writing lately; I’m not used to the luxury of time, and now instead of scheduling my days to within an inch of their lives…I don’t have to do that anymore, and it’s nice. I need to adapt to reading every evening again, and doing some writing before calling it a day and repairing to my easy chair.

I actually overslept this morning. I set my alarm, but forgot completely that the power had been off, taking my alarm setting back to 12:00. Fortunately, Sparky was hungry, and he is relentless when he’s hungry (of course, he has no ability to feed himself, so ignoring him to sleep a little longer is actually kind of mean), and I looked at the clock and was like oh shit that was a close one. So he saved the day, kind of, which is always appreciated. As I sit here swilling coffee, I still have time to get to work on time this morning, despite having to assemble the carrot cheesecake and put the frosting on (I also need to make the frosting; I’m just doing homemade whipped cream–you can never go wrong with whipped cream, ever), and then load it into the cake carrier and hope I don’t have to suddenly slam on the brakes in the car. It’s generally not a great omen to start your work week by oversleeping, but I feel fine and I’ll get to work on time. The morning feels a bit off, but it’ll straighten itself out before long, I am sure. But I made the cake yesterday and pretty much have the mess already cleaned up, so there’s not too much to do once I get home from the gym today. I am thinking about making meatballs when I do, but I don’t know how much trouble I want to go to after the gym (yes, I am stopping at the gym on my way home from work; I even brought clothes to change into), and then it’s home to do some more writing.

I pretty much have decided that the next thing I am going to work on is Never Kiss a Stranger, and I am going to take it from novella to novel. It simply doesn’t work as a novella; one of those “way too much story to condense here” but we’ll see how it goes. I am not limiting myself on how long it’s going to be, and I am also not going to force it to be a novel, either. If there’s only enough story for forty thousand words, I’ll write another and combine them into one book. I also think the Chanse story I was going to write as a novella might actually be a novel, too. I also have another Chanse novel idea that I am going to explore, too. I am also not limiting myself to the Murder in the titles anymore, either.

The “christian” author who came for Dolly last week is really sorry she made everyone mad by claiming Dolly is not a good person because she doesn’t call out sin. Ericka Andersen isn’t sorry for any of her foul, unchristian values and beliefs; she’s just sorry she used Dolly as her example–which is hilarious; her entire piece is predicated on Dolly and her goodness; there’s really no one else she could have used. The backlash is everything she deserves and more; The Federalist also needs to apologize to everyone for running that disgusting hit piece, and whatever editor okayed it is too stupid to work as an editor at any time. Imagine signing off on a piece attacking Dolly Parton for not being Christian enough! Everybody loves Dolly; her icon status is only limited because we haven’t reached the stars yet with the good news of Dolly. Ericka Andersen–an admitted alcoholic who only got sober thanks to God (which begs the question, didn’t God make her an alcoholic? She clearly didn’t learn the lesson She intended Ms. Andersen to learn from her struggle with alcohol)–is the absolute worst kind of Christian, and I hope this follows her for the rest of her life.

Christ, not even Newsmax or OANN would have signed off on that piece. Jesus.

I did have a lovely weekend. It was extremely hot all weekend, so I spent most of the weekend indoors as much as I possibly could. Going to make groceries yesterday was absolutely miserable. I also need to get a window screen thing for my car; it gets so hot inside that it’s miserable getting inside after work, or any time during the summer. The car was so hot yesterday that when I closed the hatch after unloading the groceries I touched the metal and pulled my hand back, almost certain it had been scalded. It was not, but I used the handle after that–and even it was hot to the touch. Yay, and it’s not really summer yet!

We did watch more of The Acolyte last night, and followed that up with Easy A, the movie where I originally fell for Emma Stone, and the movie is very interesting, particularly from a “teen movie” perspective. It owes some to The Scarlet Letter, of course, and maybe what I should do at some point is a “teen movie” blog; how it evolved from the beach movies and Disney family comedies (think Kurt Russell as a teenager) to the teen sex comedies and John Hughes and so forth. But Easy A could have never been filmed back in the 60s and 70s, and probably not even in the 80s or 90s–because female-centered sex comedies are rare, and her character would have been seen as a “bad influence” on teen girls of the time. But the movie also parodies teen rom-coms, too, which elevates it over your average teen movie.

And on that note, I am heading into the spice mines. Have a lovely Monday, everyone, and I’ll probably be back later.

Morning Good Morning

Sunday morning and I slept late, which is fine, really. I keep forgetting that sleeping in on my days off isn’t a criminal act of any kind. After so many years of keeping myself overly busy and so I was always behind on deadlines and so forth, I’ve kind of gotten into the insane mindset that sleeping late is a waste of time that could be better utilized, writing or cleaning or reading. I do have some things I need to get done today–mostly running to the store to get the things i need to make a carrot cheesecake for a co-worker’s birthday tomorrow–but if i manage my day properly, I should be able to get things done.

I spent yesterday running errands, and trying to get things cleaned up around the house while dipping into two books–The Berlin Stories by Christopher Isherwood and Ode to Billy Joe by Herman Raucher. I ordered the latter from ebay after I started doing my research into Robby Benson for the post I made about the crush I had on him as a teenager; realizing the movie script and novel were written by Herman Raucher made me interested in reading the book, as well as wondering about Summer of ’42, and so I ordered copies of each. Billy Joe arrived yesterday, and I was curious about it. Usually novelizations were work-for-hire arrangements and the author used a pseudonym; some are better than others, of course, but just reading the first chapter of Billy Joe I can tell it’s head-and-shoulders above most novelizations, and it’s probably more thorough in telling the story than the movie was, which has me interested. I’ve also been thinking about The Berlin Stories lately, after watching the film Christopher and His Kind, and may revisit it again, too, for Pride Month; Isherwood is one of the literary gods of the gay canon, and the opening sentences of Goodbye to Berlin are perfect for parodying in the prologue to the next Scotty. I still have to finish my reread of Michael Thomas Ford’s Suicide Notes, and I think I’m going to bump the new John Copenhaver up on my TBR list. It is Pride Month, and I should immerse myself in queer lit for the month, don’t you think, Constant Reader?

I also want to write about Summer of ’42 at some point. Like The Other, it was an early read that was very influential on me, and one I often don’t think about when I do think about influential works I’ve read or make a list. I really do need to sit down and identify the books that really impacted me and the way I write; The Other, Summer of ’42, and so many, many others. I also want to write today; I didn’t really yesterday, but I did spend some time yesterday doing research; i.e. watching Youtube videos on the Oklahoma true crime story that fascinates me still, as well as ones that review the 1970’s and pop culture and what was going on those early years of the decade, which is when the book will be set. I think I am moving in a more historical direction rather than writing about the current day; Never Kiss a Stranger is set in the 1990s (1994, to be exact) and of course The Summer of Lost Boys is going to be set in either 1972 or 1973; I can’t decide which, although I suspect 1973 is going to end up being the winner when I finally have to decide.

We finished Under the Bridge last night, and it’s most excellent; I highly recommend it. Based on a true crime novel about the Reena Virk murder in Victoria, British Columbia back in the 1990’s, Reena was beaten badly by a group of girls–some she thought were friends–and then after the others left her broken and injured and bleeding along the river bank, a boy and a girl came back and basically, finished her off. The show reminded me a lot of Megan Abbott’s work; Abbott always writes about the mysterious world of female relationships, female rage and jealousy, and that’s what Under the Bridge does so beautifully. The acting is extraordinary; a real standout is Javon Walton as Warren, the young boy who kills Reena. Walton is very handsome in that young way, and I looked him up because the performance was so extraordinary, and turns out he also played Ashtray on Euphoria, who was one of my favorite characters on that show. Do watch it when you get a chance. I’m going to get a copy of the book now, too. Yay, more things to read! Just what I need!

We also started The Acolyte, but I was sleepy by the time it started and kept dozing off. No judgment on the show, I was just tired.

And on that note, I think I’ll head into the spice mines. I’ll probably finish the dishes this morning while making a grocery list, and then I’ll dash to the store and get gas. I may even finish one of these other Pride blog drafts, so have a lovely Sunday, Constant Reader, and I may be back later.

American Pie

Saturday! Woo-hoo!

Yesterday was an odd work-at-home Friday. Our power went in and out a few times during the day, and that threw everything off–laundry, work, plans for the day. But it did gradually and eventually all get finished in the end so Paul and I could spend the evening riveted by Under the Bridge. We only have two episodes left and it’s soooo good, and so delightfully queer-which was a delightful and unexpected surprise. Lily Gladstone continues to own the screen, and I can’t wait to see the final two tonight when Paul gets home from tabling at Pride for Saints and Sinners.

I slept really well last night, which was marvelous. I woke a bit later than I originally had intended, but that’s okay. I want to get some more cleaning done around the house this morning before I take books to the library sale, pick up the mail, and make groceries; then I intend to get some more writing done today. I did some more thinking about it last night before Paul got home, and I think I almost have the voice right. I also did some more research while he was at the gym–nothing like reexamining pop culture and the news during a distant time period (note to self: TV Guide archives must be checked as well), because it brings back memories, which also helps put me in the right mental place to write and create the story. I also kind of know how the story is going to go, and I also came up with another idea for the beginning, which I also really like. (I just had one of those imposter syndrome moments, where my brain suddenly panics and thinks, that isn’t going to work. Sometimes I really hate my brain…

During one of the power outages yesterday I decided to use the time productively and walked to the gym to do rehab exercises. It made sense when I thought about it–I mean, without power or Internet I can’t work, so utilize the time, right?–but after getting damp with sweat walking over there on a “feels like 105” afternoon, sweating more during the rehab exercise, and getting soaked with sweat walking home to a house without power that was getting hotter wasn’t perhaps the wisest choice? The power was still out for about an half hour or so at that time, so I took a very quick shower while the apartment began cooling down again and felt ever so much better. I also don’t feel exhausted or tired this morning, so maybe physically I am beginning to get back my stamina and getting back to normal, which is terrific. I was starting to worry that I was never going to do so, and I am nothing if not incredibly impatient.

I also watched Ode to Billy Joe yesterday (the film is on Youtube for those inclined to watch it again) because I’d been looking into Robby Benson for a Pride post, as he helped me understand that I liked men instead of women–so, so beautiful–and I realized I’d never watched this movie….and the movie, it turns out, is what fleshed the song out to give us a reason why Billy Joe jumped off the bridge; he’d been with a man, and the shame drove him to it because it was such an ugly thing to be that suicide made the most sense as an option. I’d heard the theory that he killed himself for being gay before, but didn’t realize it came from the movie…and the novelization of the script was written by Herman Raucher, who’d also written Summer of ’42, a coming of age novel and movie that were also kind of formative for me. Looking into it, it was released in the summer of 1976. We moved to Kansas that summer and the movie didn’t play locally, and I’d never watched any of its television airings. Anyway, the movie was interesting but there were lots of parts to it that didn’t play well for me today–I am always prickly about the way films have rural Southern people talk–but keep an eye out for my Robby Benson post if you’re interested in him.

I do feel good this morning, which is nice. I’ll go get cleaned up in a bit, but am going to work on either entries or the prologue this morning. I also plan on doing some rereading of my own work today–I am definitely moving Never Kiss a Stranger to the top of the to-write pile, because I am not entirely sure about the y/a I want to turn from novella into novel; I’m not entirely sold on the plot, to be honest. I also want to work on the kitchen this morning, too; I did buy the wrong vacuum cleaner (mine is a rug cleaner; so I can put water and shampoo in it to clean the carpets too, but it does work as a very powerful vacuum, so I’ll go ahead and use it–and maybe next weekend, I’ll clean the Oriental rugs with it.

Yesterday the right, through The Federalist, decided to come for Dolly Parton and basically call her a false prophet and a “danger” to Christianity. The recovering alcoholic who wrote the hit piece, Ericka Andersen, is about what you’d expect: a self-righteous born-again Christian who thinks she knows the faith better than anyone who ever lived or ever will live, which of course is apostasy, but she’s a soulless troll who got the attention she wanted. Andersen’s social media is now completely shut down as she is in the find-out phase of coming for Dolly. Dolly has not only given the world decades of amazing music and entertainment, she is also one of the most generous people alive, using her money and her fame to do good works in the world and is always kind and understanding and sympathetic; the woman literally loves everyone even her harshest critics. If ever there was an example of what it is like to truly follow the Christian path, it’s Dolly Parton–but you know, giving kids free books, donating millions of dollars to charity every year, and her incredible generosity to her employees at Dollywood? Sorry she won’t condemn people you don’t like, cosplay Christian piece of shit. And for the record, Megan McCain is married to the head of the Federalist Society–which is all anyone needs to know about what utter and complete garbage they are.

Seriously, they’ve come for Taylor Swift and now Dolly. Next thing you know they’ll come for Cher–which is something I would love to see them try.

And on THAT note, I am heading into the spice mines. Have a lovely Saturday, and I’ll be back later, okay?

Open Up Your Heart

Friday work at home blog! I do have to ZOOM into a department meeting this morning, but other than that–I am home for the day. It’s also a co-worker of whom I am rather fond’s last day, and everyone is going with him to happy hour, and I may join them; we’ll see how I feel later this afternoon. The way I am feeling this morning, though–like something the cat dragged in–I may not. I did sleep very well last night; I did get the laundry done last night but didn’t go near the dishes, and I haven’t assembled the new vacuum cleaner yet. I was tired when I got home from work last night, but did do a little bit of writing. I am very pleased with the work I am doing, if not thrilled about how long it’s taking me to finish, but I really don’t want to move on from this until I have it correct.

We watched another episode of Under the Bridge, which is extremely well done. I had wanted to watch this as soon as I’d heard of it, and then it was mentioned on the Facebook page about the Oklahoma true crime I’m moderately obsessed with, saying there were similarities in the two cases. (Under the Bridge is based on a true crime novel, which I am going to read at some point.) But the best part of the show is Lily Gladstone as Cam, the investigating cop. I never saw Killers of the Flower Moon, primarily because I am tired of Leonardo diCaprio, and didn’t think I could sit through three hours of him acting, but I was curious about Gladstone, and she is fantastic in this, as is Riley Keough and the rest of the cast, and it’s very well done. Not sure where it is going or how it’ll end–I am resisting the urge to look up the case–but as of two episodes I can highly recommend it.

After all the rain this week it looks like we’ll be having sunny weather all weekend, which also means heat and humidity. I want to get to the gym twice this weekend, need to make groceries (I promised to make a co-worker a carrot cheesecake for their birthday Monday), get the vacuum cleaner together and do the floors, and get the car washed. I want to get this prologue finished, and I’ve also realized that the project I wanted to work on next probably isn’t the project I want to work on next after all–so the choice is to read what’s already done, hoping it will trigger interest in working on it, or i am going to move it to a back-burner and move another project up…I mean, both have been on the back-burner for years, so does it really matter which one gets finished first? No, not really, only to me, and I really need to not get too rigid and inflexible (as I tend to do, grasping onto something and stubbornly refusing to see reason) about any of this stuff. It’s also heading into the second or third week of June or something, which is nuts.

I’d also like to do some reading this weekend. My TBR pile has always been out of control, but now I have so many great new ones on hand–John Copenhaver, Kellye Garrett, Amina Akhtar, Celeste Ng, Scott Carson, Stephen King, Lori Roy–that I cannot decide what to read next and it really is an embarrassment of riches, is it not? I also saw that Megan Abbott will have a new book next year, and so will Laura Lippman, I think. I really do wish I could just take some time off and spend it reading but even then I don’t think I’d even make much of dent in anything. I’ll take some books with me to Florida later this month when I go over to see Dad, and of course I am going to go up there for a week in October–more reading! Huzzah! I also think I’m going to stay here for Thanksgiving, but take that whole week off, which would be a really nice thing.

And on that note, I think I’ll head into the spice mines for now. Have a lovely Friday, Constant Reader, and I’ll try to get some of these other Pride entries done over the weekend.

Sylvia’s Mother

Thursday last day in the office blog, and how are you this morning? I slept really well last night again, and am a bit groggy with my coffee thus far but things are starting to clear up, which is lovely. Yesterday was a pretty decent day. I was tired when I get off work last night–I actually had to do walk-in testing yesterday as the clinic was slow, and I’d gotten so used to my regular clinic clients that I’d forgotten what it was like to do that, and it was a bit draining. I think that was because I was out of practice with it? Anyway, I ran some errands after work (my vacuum arrived!) and I also picked up my copy of John Copenhaver’s new book, Hall of Mirrors, which is a sequel to The Savage Kind, which I really enjoyed. Paul was late getting home, and of course Sparky was a terror last night. He turned off the power cord to the wifi, and took me a while to figure out that he’d committed such an egregious sin. Sigh. I even reset the modem. Gotta love a Big Energy Kitten.

I was also delighted to see a list of “must-read” queer crime novels for Pride Month, compiled by John Copenhaver, which included me and my Bury Me in Shadows, which was a lovely and delightful surprise. You can read that here. It’s a very impressive list to be included on, and I was enormously flattered and got a bit of an ego boost from it, in all honesty, and it kind of felt good. Writers live in so much of a vacuum, for the most part, and get so many blows–and those are what we remember–that when something nice like that happens, it’s always a delightful surprise and it makes my day. God, what amazing books I have in my TBR pile, and how on earth am I ever going to decide which one to read when I finish my current? It also occurred to me last night that maybe my recent disinterest in reading has something to do with still trying to find the voice for this prologue–I can never read when I am still in the weeds with something I’m writing, because I don’t want to try to mimic the voice I am reading with what I am writing, if that makes sense? I’m getting closer to the right voice, and hopefully this weekend I can get that all finalized and cleaned up once and for all. Paul is going to be at Pride all day Saturday, manning a table for Saints and Sinners, so I’ll be home all day by myself, which will give me lots of time to get things done. After I finish working tomorrow, I’ll run errands so I won’t have to over the weekend, and so if I get everything done on Saturday that I need to, I can enjoy Sunday with Paul streaming things all day. I’m very excited for this new Star Wars show on Disney….but then I am always excited about anything new and Star Wars.

I do feel a bit tired today–physically, not mentally–so I think after work tonight I am just going to come home and finish the chores. I started laundry last night, and I have dishes to put away. I still need to try to repair the garbage disposal, which I should try to do tomorrow night/afternoon after work. I also need to try to clear out my email inbox again–I have fallen behind on a discussion that I will need to catch up on–but I also think I am going to assemble the new vacuum cleaner when I get home and finish the other chores, and will then do a trial run on the kitchen rugs. My word, the exciting life I lead, right?

And on that exciting note, I am going to head into the spice mines for the day. I may be back later; you never know. Have a happy Thursday, Constant Reader!

Look at this shot–tell me wrestling isn’t soft core gay porn!

Song Sung Blue

Pay the Bills Wednesday. Hurray.

I don’t think I’ll ever get old enough to be thrilled about paying bills. It is satisfying to be able to do so and not ever worry about them–oh, those dark days when it was hard to pay the bills, or I didn’t make enough to cover them, or…yeah, let’s not go there. Deeply unpleasant, and why I endlessly empathize with people who struggle financially; been there, done that, no desire to ever go back there, either.

I slept well last night again. We started watching Under the Bridge last night, which we are really enjoying; it dovetails in with the Oklahoma true crime case I am following in real time with some similarities. Paul got home late, so I spent most of the evening sitting in my chair reading The Rival Queens while trying not to get chewed up by a playful kitten with Big Kitten Energy until he got home. I was tired–I gradually grew more tired the longer the work day went on, but since school’s out (thank you, baby Jesus) traffic isn’t nearly as awful on the way home as it usually is. I went uptown and got the mail as well as picked up two prescriptions, and by the time I’d fed Sparky and let him chase the red dot for a while until he got bored with it, I was pretty much done for the day. I did write for a while last night (and am very pleased with what I did write, which is super cool), so that felt pretty good. It’s not coming along very quickly; I’m trying to find the right voice for this section (the story will be told in two similar, but very different, voices) and that’s why it’s taking me longer than usual to get this bit finished. It’s at about 2500-3000 words right now, and I need to add more. It’s still not completely right, nor am I super-satisfied with it–it’ll need to be gone over a few more times–but I am very close, and that’s probably good enough for me to put it aside. I think I am also going to write a synopsis that breaks the book down into the sections I am going to use to tell it–there’s no guarantee I’ll remember the story I have in my head right now, so best to get it down.

I do feel good this morning, like I can get everything done that needs to be done, and that’s always a nice feeling. I am not tired, maybe a little bit out of it and maybe a step slower than I was yesterday morning physically, but mentally I am awake and raring to go. Another cup of coffee will undoubtedly finish the job. I have to pick up the mail and make a grocery run on the way home this afternoon, and then I can relax into my evening. We’ll see how I feel when I get home, but there are chores that will need to be done as well as the usual bonding with Sparky (after he eats; he’s a big fan of food and cuddles after eating). Tomorrow is my last day in the office for the week (I think; there’s a department meeting on Friday but I am not sure if it’s mandatory-in-person or if I can call in from my computer at home–fingers crossed), and I plan to get some things done this weekend around the house. I broke down and ordered a new vacuum cleaner that should arrive today, actually; so I can do the floors. I am still going to try to see if I can fix my current one, and if not, I am throwing both of the old ones–neither of which work very well–out.

Such the exciting life I lead, right?

And today I get to call the IRS–hurray–to check on my return (it was filed almost a month ago, and should have processed already; maybe it was because it was late? I don’t know), and I need to make an eye exam appointment, which means seeing if Costco takes my vision insurance. I’ll be meeting Dad over in Florida later this month, so I’ll need some kind of sunglasses–when I went in October it was so blindingly bright it hurt my eyes–or at least find some clip-ons to go over my glasses; I certainly don’t give a shit if it looks ridiculous or stupid or not, which is one of the great joys of getting old…not giving a shit about what other people think. To quote Bette Davis, “other peoples’ opinions of me are none of my business”–which is great life advice, really. It’s so freeing.

And on that note, I am heading into the spice mines. Have a lovely Wednesday, everyone, and I’ll check in with you again probably later.

You Are Everything

Tuesday morning and trying to get awake fully; my mind is awake and my body is, but I still feel a bit groggy. I slept well, which was absolutely lovely, and am sitting here swilling coffee and getting mentally prepared to face the day. I have to run errands tonight after work (prescriptions, mail, gym), and then I am going to come home and just chill for the evening, maybe do a little writing. I didn’t do any last night, because I wanted to watch the regional final (LSU lost in extra innings to the fourth ranked team in the country and could have won), after which I didn’t do much of anything just puttered around the kitchen doing chores until it was time for bed.

The LSU loss was disappointing, of course, but the Tigers made a helluva run in the post season. Just three weeks ago, no one thought they’d even make the post season, let alone get to a regional final. But then they had their amazing run in the SEC tournament, eliminating top ten teams left and right before giving Tennessee a run for their money in the final. So, well done, guys! Sure, another world series run would have been fun this year, but not having one does in no way diminish or undermine how magical last season was, or make it any less wonderful to remember. GEAUX TIGERS, and we’ll see you again next spring….and now it’s time to start gearing up for football season, which isn’t that far off. Woo-hoo!

I’ve been posting my Gay Moments in Greg’s Life entries, which has been kind of fun doing. Right now, I have several drafts in progress about dancing in gay bars, circuit parties, and body culture–which all will be interesting to write–and of course at some point I will probably write about HIV/AIDS. I enjoyed writing my Pride entry and the ones about The Other and Starsky and Hutch; probably will do Robby Benson, Playgirl, and Gordon Merrick at some point, too. I also will probably do some others, but right now I can’t think of what they might be. I’ve also started posting these longer form posts to Substack, too–if you’re reading them here, I don’t imagine there’s any need to read them there–but I think I need to start building up things; I don’t know if social media numbers or Substack followers or anything like that will matter in the long run in publishing. No one ever really knows what publishers are looking for or want; their criteria is ever changing but what isn’t is that the accountants also have their thumb on the scale. It is to my everlasting disappointment that my career started right when the industry began to substantially change from what it had been since the Depression to the disheveled mess it is now. At any rate, I think Substack is the place for me to post my personal essays, which is much easier than trying to find a place to publish any of them. Set a goal of perhaps one per week after the Great Moments in Greg’s Gay Life, or my pride celebratory posts are completed.

Something to consider, any way.

I know Substack is evil, but isn’t everything nowadays? The glory days of social media are, I think, finally past us; Twitter (fuck you, Musk) and Facebook aren’t nearly as much fun as they were over a decade ago, and kind of feel like some pointless obligation and reflex activity that really isn’t what’s cracked up to be anymore. It never really was, to be honest, and it was a horrible waste of time more than anything else, really. It also creates a bizarre illusory reality that bares no resemblance to real life. How many times have I been excited to meet someone because we’ve had a lot of fun interactions on-line, only for them to be like “who are you?” I noticed this early on, back in the days of Livejournal’s heyday when everyone blogged (and here I am, twenty years later–this blog will turn 20 on 12/26/24); you don’t really know someone from on-line social media interactions, and you’re certainly not friends. Needless to say, it was a learning experience (I never have really understood friendship, in all honesty; what I think it is clearly is not what other people think it is, and maybe that’s a me problem–which is why I always have so many walls I can withdraw behind, so many masks I can slip on; when you grow up queer in a homophobic society, you develop lots of coping mechanisms), and I always now just say “we know each other on-line” instead of “oh I love her! We’re friends”.

Now that social media has turned into what it is, I am not on it as much and…I don’t really miss it? And it’s very noticeable how much time I used to waste on it.

And on that note, I am heading into the spice mines. Hope you have a lovely Tuesday and who knows? I may be back later.

Behind Blue Eyes

So, in honor of Pride Month, I’ve decided to do things a little bit differently than I usually do when it rolls around every year. Usually, I’ll share book covers by queer authors that I either enjoyed or influenced me, either personally or professionally, in some way–or could be used for that hoary old cliché this made me gay. In a way, it’s a trip down memory lane for me, going back to my childhood, my teens, and twenties; places I am currently revisiting as I plan out The Summer of Lost Boys.

Thomas Tryon’s debut novel, The Other, is often heralded as one of the books (the others being The Exorcist and Rosemary’s Baby) that kicked off the horror craze of the 80’s and 90’s; Stephen King’s Carrie was released in 1974 and shifted the craze into four-wheel drive. I read this book when I was in the seventh grade, and it resonated with me in ways I didn’t fully understand or comprehend at the time. It drew me in, and fascinated me in ways I’d never been fascinated with a book before. Part of it was the transition I was making from reading kid’s books to more adult fare; I was already reading at a collegiate level by the seventh grade. (The Ken Holt series also resonated with me, as did the Rick Brant–which are getting their own entries.)

I wouldn’t learn until years later that Tryon was gay–although I should have known, were I more mature and gay wasn’t one of those things people didn’t talk about when I was a kid; it’s certainly there in his books–and then it made even more sense to me why the book resonated so much with me, why it intrigued me so much, and why I identified with it so much. Niles Perry, the point of view character, is a shy, reticent boy who mostly lives in his own head and world and doesn’t really interact a lot with people. He’s a nice kid who is always worried about getting in trouble and doing the wrong thing; his identical twin brother, Holland, is more of what we would now call a sociopath. But Holland has no fear, has no dread of consequence, and is more outgoing and adventurous; he’s more of a troublemaker and relishes getting revenge on people who’ve done him, in his mind, grievous wrongs. Niles loves his brother–adores him, wants to be like him, wants to be less timid–but is also afraid of him. He knows all Holland’s secrets and he knows everything that Holland does, and often he figures out Holland’s schemes and even tries to stop him…but Holland always outsmarts him, and leaves Niles to clean up his mess.

This brotherly dynamic–the closeness and the dominant/submissive relationship between the twins spoke to me. I saw myself as more of a Niles type than a Holland; shy and quiet and mostly keeping to myself–and always being drawn to flashier, more outgoing types as friends, to whom I was both devoted but also jealous of–a pattern I followed for most of my life. This is the same reason certain books drew me in as a teenager in most cases; A Separate Peace has that same underlying relationship theme–the flashier more outgoing more popular friend, and the quiet best friend content to live in his shadow but also being a bit resentful and jealous.

And then about two-thirds of the way through the book comes a plot twist that changes everything you’ve already read and processed and you have to see the book in an entirely new way–every time I reread it (which is every year or so since I got a hardcover copy off eBay), I try to find the clues to the twist in the first two-thirds, and they are there, but cleverly disguised so you don’t put it together until it’s literally revealed in such an incredibly powerful scene that just thinking about it–and its creepy conclusion–makes the hairs on my arm tingle a bit.

I didn’t have a brother, so I wasn’t sure about the brother dynamic Tryon explored so beautifully in the book; is that the way things work in real life between brothers? Probably not, as every set of brothers is different, of course. (I’ve rarely written about brothers, now that I think about it. Chanse has one who turned up in a short story and Scotty has Storm) But the relationship interested me, and it’s a trope that is often used in every style of fiction; two people, either siblings or close friends, one is more outgoing and daring and likes to take risks while the other is more nervous and afraid and namby-pamby, and that weird combination of love/jealousy that can often get involved in those stories.

It’s also a strong dynamic that can play out within gay couples, as well.

The Other is also written in a lyrical, beautiful, dream-like style; that lovely sense of remembering the past nostalgically, when everything was magic and the world seemed full of wonder.

I was paging through the book the other day and I began to realize that it’s impacted and influenced me as a writer far more than I had ever realized.