Welcome Back

I managed fourteen hundred words today, and then came up blank. I hate when that happens, but I just can’t force the creativity, you know? And those fourteen hundred words were hard to do, frankly. But I printed out the next chapter (Chapter Seven, to be exact) and will reread that at some point before getting to work on it, perhaps later, before Game of Thrones airs. I am planning on making this weird combination Swedish meatball/beef stroganoff dish for dinner (I’ve made both, and then one time when I was making Swedish meatballs later I realized I’d used the stroganoff recipe, but you know what? I also liked it. A lot. And I’ve made it that way ever since) later, and the kitchen is relatively clean already (and my goal is to leave it clean when I finish cooking; the worst thing is to go into my two long days at work with a messy kitchen, knowing it will most likely stay that way, getting worse, until Thursday–unless I somehow have more energy during the week than I usually do). I’ve filed stuff, cleaned the floors, paid the bills, made groceries, mailed things that needed to be mailed, and I wrote fourteen hundred words on the WIP today before running out of steam. Perhaps someday I’ll work my way back up to those halcyon days of three thousand or more I used to do routinely, but having a nice, relaxing weekend where I am actually able to get started writing and get caught up on things and have a clean home is a lovely way to start, don’t you think?

I certainly do.

I’m going to miss Game of Thrones when it ends, and I doubt very seriously I will ever go back and watch the entire series again. It’s a tempting thought, to be honest, to devote several months to rewatching it in full, from episode one to its conclusion, in one massive binge and think about what I am watching, in terms of what I know is going to happen and watching for possible foreshadowing. I’ve always loved history, and that’s part of why I love Game of Thrones so much; it’s kind of like history where you don’t know how it all ends. When I was a kid I used to redraw maps of Europe and create countries and change the way wars ended and try to create my own Eurocentric history of the world; who knew that what I was actually doing wasn’t simply a waste of time but rather an incredibly creative experiment in world building via alternative history. Every so often, when I’ve been caught up in a science fiction or fantasy epic series, I wonder at the world building/universe building creativity of the author and think I could never do that. I’ve always wanted to, but never have; but perhaps that was simply a failing of my own. Of course I could do it, but whether I could do it well would be an entirely different thing.

I don’t read as much science fiction and fantasy as I would like–I’ve always geared more towards crime and horror–but I’ve certainly read and enjoyed the Dune series, The Lord of the Rings, The Belgariad, The Shannara Chronicles, and Azimov’s science fiction novels about the robots and the empire and the Foundation, which wound up in the end all being one great big long series. There are writers out there now that I am looking forward to reading–I am not only diversifying the types of stories I read by race, gender, gender identity, ethnicity, and sexuality, but I am also trying to read more broadly across genres. Reading science fiction, fantasy, romance, even what is condescendingly called “chick lit”, and even some literary fiction will influence me and help make me a better writer in the long run. I read primarily for enjoyment, yes, but I also want to be a better writer, and reading different stories and different perspectives can only serve to make me a better writer.

I guess in reality when the show ends I won’t be saying goodbye completely to Game of Thrones; I still have the books to finish reading, and there will undoubtedly be spin-off shows–but seriously, is anyone at HBO listening? Your next big series should be Anne McCaffrey’s The Dragonriders of Pern. Her dragon books would be fantastic television, and for that matter so would Naomi Norvik’s (which I need to read; I started reading one a long time ago and was completely enthralled; something came up and I never finished and I never got back to it, and I’ve always regretted that).

I am also, in case you haven’t noticed, not only in that stage of writing where I never want to do it, have to force myself to do it, but when I finally do I am not happy with what I have done. I am completely convinced this book isn’t going to be what I want it to be, what I envisioned it to be, and its entirely due to my own various shortcomings as an author. It’s all part and parcel of the same neurosis, really; the endless cycle of Imposter Syndome, where you think you’ve somehow managed to con people for years that you can write but eventually the gig will be up and the marks you’ve been conning all along will finally wise up. This all too frequently translates I need to work today into what’s the point of writing? This book is shit, anyway, and no one is going to want to read it which very easily becomes let me get watch Youtube videos of Game of Thrones fan theories and listicles or highlights of exciting LSU football games or really hot well built muscular professional wrestlers or old music videos or clips from old episodes of All My Children–yes, those downward Youtube spirals can be quite frightening sometimes.

But I did make myself get those fourteen hundred words done today, even though I didn’t want to do it, even though I thought I should do three thousand, even though I currently think the words I wrote are crap and the chapter is crap and the character is two dimensional and I don’t know what I am doing, I FUCKING WROTE THOSE GODDAMNED WORDS TODAY.

And that’s fourteen hundred more words than I did yesterday, or Friday, or Thursday.

And I bet tomorrow I can do more than fourteen hundred.

Watch closely now.

What do I say to the God of Imposter Syndrome? NOT TODAY, MOTHERFUCKER, NOT TODAY.

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Fooled Around and Fell in Love

It’s Sunday morning in New Orleans and I am already awake and swilling coffee. It looks kind of gray outside my windows this morning. The sun is trying to come out from behind the cloud cover so I don’t think today is going to be one of those rainy days like yesterday, but it’s kind of nice. The humidity has returned–Friday was miserable–and it’s only May. The true dog days are yet to be upon us. Heavy heaving sigh.

Yesterday I was moving stuff around, trying to lessen the appearance of clutter as well as to figure out where to put all the extra paper towels (thank you, Costco!) and put the things I was moving into places that I would remember when I discovered a copy of the first anthology I ever published a short story in, released way back in August of 2000: Men for All Seasons, edited by Jesse Grant, and from Alyson Books. It’s an erotic story, of course; my first two published short stories were erotica an d I don’t think I published a story that wasn’t erotica until “Smalltown Boy” in Rebel Yell 2, several years later. It was also interesting to look at the table of contents and see that my original by-line for fiction was Gregory Herren, not Greg; I do think I switched to Greg for the second story that was published that same month in Men magazine. Going through the list of contributors, I was struck by how many of those writers are no longer writing–or if they are, they aren’t using their “erotica” pen names anymore.

Back in the day, if you worked really hard you could make a lovely little income writing gay erotica. I was paid $300 for the story in Men; I published a second story there a few years later for the same pay. I think I got $75 for the story in Men for All Seasons. I started writing erotica primarily as a lark; Alyson’s publicist advised me to start writing short fiction for their anthologies, primarily for the publication credits and the money, as well as to make my name better known and more familiar to the Alyson editorial staff. He was right; Alyson wound up buying my first novel Murder in the Rue Dauphine, and I stayed with Alyson for the first five Chanse books, as well as several erotica anthologies I edited for them. I always called myself “an accidental pornographer” because it wasn’t anything I’d ever wanted to do, but the money was nice and the books actually did very well. But now…now there’s no market for actual gay erotica. Anthologies don’t sell and so no one is doing them anymore; the only market for erotica is novels, and reality is most of those are written now by straight women for other straight women, and that’s not the kind of erotica I write. (This is not to say straight women cannot write gay erotica geared toward gay men; in my editing days I worked with a lot of straight women who wrote horny, nasty, raunchy men on men erotica and you’d never know the author was a woman.) But the women who like to read the m/m stuff don’t like the erotica I write, and so I don’t really write it anymore.  I don’t miss it, to be honest–there are only so many ways to write about male on male sex originally, only so many words–and I even at one time wrote a column for the Erotica Writers Association on how to write good porn. I think my favorite column title was “Sometimes A Cock Is Just A Cock.”

I didn’t do much writing yesterday–actual physical writing–but I did do a lot of thinking and rehashing and going over my notes for the WIP. I doubt very seriously I will get as caught up as I had wanted to get this weekend, but you know, that’s just how it goes sometimes. Today is May the 5th, and I am going to dig into Chapter Six again in just a moment, with the hopes that Chapters 7, 8 and 9 will fall into place as I go…and then maybe I can start with Chapter Ten. I got so far off track with this WIP that I don’t really remember the story I was trying to tell in the first place, which is terrible–my memory, once so incredibly dependable I didn’t really need to take notes, in now completely unreliable. Part of the reason I decided to go back and redo the chapters I’d already written was to get myself immersed back into the story, get a feel for the characters, and maybe find the flaws and mistakes and holes in the plot. I’ve managed some of that, of course, which makes it all worthwhile, and I did find the outline for Chapter Ten in my journal (which I’d completely forgotten I’d written down), so yes, not actually spending time at the keyboard yesterday while actually simply reviewing notes and rereading things was a pretty smart thing to do.

Going through the current and previous journal also reminded me of some short story ideas I’d had that had somehow slipped, unbidden, from my memory. I also managed to page through The Gulf by Jack E. Davis yesterday, and I believe it will be a rich source of ideas and materials for me to write another book–my spring break murders novel, Where the Boys Die–and many others. Nonfiction is a great source of material for fiction, in case you were wondering.

And now I am going to sign off with this entry as I have another, Game of Thrones specific one I started yesterday that I would like to finish this morning.

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Lowdown

I woke up to a major thunderstorm around seven this morning, and quite frankly, curled up under my blankets even more and went back to sleep. I didn’t wind up getting out of bed until after nine, which felt lovely and now I feel wide awake while well rested at the same time, which is actually quite nice. I need to run to the UPS Store today, pick up the mail and a prescription, stop by the bank, and make groceries at some point, but ugh, how horrible to do this in the rain. It’s supposed to rain here all day, alas. But that will certainly encourage me to get them done as quickly as possible so I can get home.

Today I need to also do some more cleaning around the house, and at some point I am going to close the browsers so I can focus on writing. I want to push through these revisions of these chapters of the WIP, and I’d also like to push through and get a strong revision of “And the Walls Came Down” done, so I can submit it to some markets this week. My short story for next week will be the “The Problem with Autofill,” which is a strong story but the ending needs to be altered and changed somewhat. I still like the concept of the story–it’s kind of a Sorry Wrong Number thing, only with email–but I’m still not sure how to make it work completely.  But I still persist in trying to make it work. I also would like to work some more on “Please Die Soon,” which I think is a terrific idea for a story, and I’ve done the requisite research to make it work, methinks. I really want to stick to this goal of either revising a short story or finishing an incomplete first draft of one every week.

Goals. Must stick to goals.

I survived Costco yesterday, my checking account less scathed than usual–although it easily could have become Sherman’s March to the Sea. Yet I was able to resist, and came very close to staying within the budget I set for the trip–and had I not bought two books off the book table (Where the Crawdads Sing by Delia Owens, and The Gulf: The Making of an American Sea by Jack E. Davis; the Owens was nominated for an Edgar while the Davis won the Pulitzer Prize) I would have stayed under budget.

The book table is always my downfall.

And while I didn’t accomplish near as much as I probably should have yesterday, I did manage to get some chores done, some of them loathsome, so that’s a win for the end of the week, methinks. The key is what I can get done today and tomorrow…and my primary focus has to be on writing. Once I get the writing gears dusted off and oiled, I am hoping I will be able to get the first draft of the WIP finished by the end of May (there’s a three day holiday this month as well, which I am really looking forward to enjoying).

The Gulf itself looks interesting. Most American histories, of course, focus on the Atlantic colonies and the spread westward from there; there really isn’t anything taught about the history of the Gulf of Mexico–which, once Florida, Louisiana and Texas passed into American hands, basically became an enormous American lake–and I am very interested in becoming better acquainted with this history. It can, after all, only help, since most of my fiction work is focused on the Gulf states. The more Louisiana history I know, and read, the better I feel my fiction will become.

I think once I finish Jamie Mason’s The Hidden Things my next book will be either Rachel Howzell Hall’s All the Way Down or Joseph Olshan’s Lambda nominated mystery, Black Diamond Fall. I’m greatly enjoying the Mason novel, and perhaps at some point today, once I’ve run the errands and done the cleaning and written all I need to write today, I might curl up in the easy chair with The Hidden Things and make some serious headway on it. I also have an article to write and another column to start planning for. And yes, it does all seem a bit overwhelming, but what I need to do is make a list and just start checking off boxes.

And on that note, tis back to the spice mines. Have a lovely Saturday, Constant Reader.

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That’s the Way (I Like It)

Friday and we have made it to the end of the week, Constant Reader!

I am most pleased, and am even more pleased that I woke up before my alarm this morning. This, as you can imagine, doesn’t happen as often as I would like, and I was not only awake but functional, so I went ahead and got up. The kitchen is a mess this morning, primarily because I made dinner last night after cleaning when I got home yesterday afternoon, so I should probably do something about that before I leave for my half-day this morning. I am hoping to run to Costco after work today, and then come home to my usual Friday chores–primarily washing the bed linens–and perhaps getting back on track with writing. I really need to get back into the habit of writing some fiction every day. I do have other errands to run this weekend–making groceries being the most important of those–and I absolutely have to clean the Lost Apartment. I’ve not done the floors in forever, and the kitchen windows are filthy, absolutely filthy.

I also would love to finish reading Jamie Mason’s quite marvelous The Hidden Things this weekend. This is Jamie’s third novel; her first, Three Graves Full, was quite a stunning and brilliant debut, but I’ve been holding on to her second until she’d published another so I would always have one of her books that I’ve not read on deck. It really is quite odd that I do this; but I never want to run out of authors I enjoy’s books. (I’m still holding back on some Mary Stewarts, Daphne du Mauriers, and Charlotte Armstrongs)

I’ve also had a strong breakthrough on my short story “And the Walls Came Down,” which I reread this week, and think I can fashion with another revision into something quite marvelous. So, that’s also on the agenda for the weekend–and I’ve decided that each week I am picking one of my short stories for a reread and a final revise. At one story per week, it’s going to probably take me the rest of the  year to get them all done–I had no idea precisely how many short stories I have that are in some sort of progress–but at some point I am also going to have to finish the ones I’ve started and never finished the initial draft for–I also need to go through my journals and start digging out the short story ideas I’ve jotted down over the last year, because there were quite a few of those as well.

Paul and I watched the first season–there were only seven episodes–of a Netflix show called Bonding–which was actually quite funny at times and rather clever. The premise of the show is two former close friends from high school run into each other as adults; she is now a dominatrix and he’s an aspiring stand-up comedian who has too much stage fright to ever actually get up and do his act. He winds up working as her assistant, and they begin to bond and learn from each other while negotiating their own hang-ups and possible new relationships. I’m not entirely certain this is an accurate depiction of the BDSM community, or even of what a dom is like; but it was clever and cute and funny; and up till the last episode, we greatly enjoyed it. (The last episode got kind of weird.)

I also got some new books in the mail yesterday: They All Fall Down by Rachel Howzell Hall; Miracle Creek by Angie Kim; A Darker Shade of Magic by V. E. Schwab; and Upon a Burning Throne by Ashok Banker. I’ve bumped Rachel’s book to the “on-deck” position on my TBR pile; so I am hopeful I can get Jamie’s book finished this weekend so I can dig into Rachel’s.

I am also bound and determined to get caught up on the WIP this weekend, so I can start writing new chapters next week.

Or…I might just be a slug and lay around and not do a goddamned thing all weekend. It happens.

And on that note, tis back to the spice mines with me. Have a lovely Friday, everyone.

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Sweet Thing

Wednesday, and the downward slide into the weekend begins.

I somehow managed to pull out another 700 words on the WIP and have now progressed to Chapter 6, so I call that winning. It’s also payday, so at some point I need to continue paying the goddamned bills. Huzzah.

As you can see, paying the bills is not one of my favorite things.

Yesterday was an interesting day. It was a long day at work, and as is my wont, periodically I check social media between clients, to see what’s going on in the world and so forth. Twitter usually is only good for raising my blood pressure–honestly, what a fucking cesspool it usually is–but I stumbled into something that reminded me of what social media could be, and actually can be: The Writer magazine (which I used to read, back in the day; I even subscribed for a few years) had done a joint interview with Lee Child and Paul Doirot. Well and good, but the take the magazine chose to take when tweeting about the piece–and ostensibly what the piece was about–was about how these two male thriller writers were creating women characters that were three dimensional. Again, all well and good–except the tack taken by the tweet, and slightly less so in the piece itself–is that the crime fiction genre primarily traffics in female characters who are little more than either a femme fatale, a damsel in distress, or a combination of the two.

Whoa.

As you can imagine, crime writers were having a field day with this on Twitter. I think the reason I got pulled into this amazing and fun thread was because Jessica Laine, one of my fellow contributors to Murder-a-Go-Go’s, brought up me, and my story “This Town,” as an example of a man getting female characters spot-on correct. This naturally made my day–the rare occasions when one of my short stories gets some love are moments I cherish, as I am incredibly insecure about short story writing–and several other women writers whom I respect also were highly complimentary about the story. Sisters in Crime wrote a wonderful response to the piece, as did Nik Kolokowski in a response essay for Mystery Tribune. And while many of us were having a lot of fun on Twitter making jokes, cracking wise, and finding new ways to use sarcasm, the truth is more serious: the very idea that a major writing publication could be so way off base and uninformed about an entire genre (which has always been heavily populated by women writing about women), shows how much work remains to be done within the genre itself.

If I wrote about even a fraction of the women writing superb crime fiction, I would be here for the rest of the week, month, year, my life. The dismissal of the contributions of stellar women writing powerful books isn’t just a problem in the crime genre, but in fiction, period. (Romance is written primarily by women; thus the entire genre is frequently written off as unworthy.) It’s also indicative of the misogyny that pervades our society and culture; women have been fighting misogyny for millennia. Women writers are often asked about work/life balance, whereas men never are; women often write movingly and powerfully about social injustice and rarely get recognized for it. (Two really good examples of this are Dorothy B. Hughes’ The Expendable Man and Margaret Millar’s Do Evil in Return, both from the early 1960’s and tackling racism and abortion, respectively.) Stories by men about men are seen as “universal” stories, big stories tackling major themes and making commentary on the state of humanity and the world; women’s stories are considered to be insular, small, and in many cases, domestic.

One can almost look at the publishing world as a microcosm of society. Crime fiction is wrestling with the same demons that we are as a culture and a society; the clamor for full equality for women, people of color, and queer people is being pushed back against by those who feel they are being displaced by equal opportunity for all. The loss of an unfair advantage gained simply as a side effect of one’s gender, sexuality and color isn’t really a loss; but for those who are disadvantaged and sometimes disqualified based on any of those things, losing that disadvantage and being judged equally and fairly can make an enormous world of difference.

And now,  back to the spice mines.

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Do You Know Where You’re Going To?

Hello, Tuesday! How you doing?

I managed another not-quite-a-thousand words yesterday on the WIP; which was lovely. I am still not writing as quickly as I used to–I think I am still a bit on the rusty side, naturally–but I am getting back into the swing of it. Today is the last day of April, and I’d intended to have the entire first draft finished by tomorrow. Instead, I am halfway through a rewrite of the first ten chapters, with fifteen more to write. Epic fail, perhaps? Or just the usual Greg can’t make a deadline to save his life nonsense?

TBF, I was sick twice in this last month, and that certainly didn’t help in the least.

I did finish reading Kellye Garrett’s Hollywood Homicide, and today I am moving on to Jamie Mason’s The Hidden Things. Such a plethora of riches in my TBR pile, y’all. And I still have two Donna Andrews novels in there, too! I was also tired most of yesterday; not so much physically as mentally. I managed to get through the entire workday without feeling either sleepy or exhausted, and while I slept fairly decently last night, I did wake up a lot–usually an indication that I am going to be somewhat tired today. It’s another long day, but stranger things have happened, you know?

We got caught up on Veep as well last night, which is killing it in its final season. The show has always been funny, but this season is a bit more topical than usual…to the point I said, several times during the episode, “I can’t believe they’re doing this.”

Tomorrow is payday, and i really should start working on getting the bills paid. Yay. These are a few of my favorite things. *snark*

Okay, I paid some of the bills but also got a pleasant surprise: an electronic payment for the talk I did with Jean Redmann at the Jefferson Parish library a few Saturdays ago. I’d forgotten we were getting paid for that, so that was an incredibly pleasant surprise. Another pleasant surprise was checking Twitter (I know, right? A PLEASANT SURPRISE ON TWITTER are words I never thought I’d type.) and seeing, in a longer discussion about an article in The Writer about men writing strong women (don’t get me started) some love for my story “This Town” in Murder-a-Go-Go’s, and some love for me personally.

Aw. That’s always nice.

And now, back to the spice mines.

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Hollywood Nights

I used to be obsessed with Hollywood when I was younger.

That should have been the tip-off to my family, right? My obsession with old films, the Oscars, and superstar actresses of the past? I lived for awards season; read tons of books about Hollywood history and the making of movies and biographies/memoirs of stars; I read People and Us magazines (Us was a biweekly years ago). I wrote about movie stars in Murder in the Rue Ursulines, and my first Phyllis A. Whitney novel that wasn’t a y/a that I read, about a haunted Hollywood legend (Listen for the Whisperer) remains my favorite of hers to this day. I’m not sure when I stopped being interested in celebrities and gossip about them, and the entertainment industry; but while the interest has somewhat waned (I often skip the Oscars now), I do still enjoy reading fiction set in or around the industry.

So, it’s strange that it took me so long–and that it also took the Diversity Project–for me to finally sit down with Kellye Garrett’s terrific debut novel, Hollywood Homicide.

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He stared at my resume like it was an SAT question. One of the hard ones where you just bubbled in C and kept it moving. After a minute–I counted, since there was nothing else to do–he finally looked up and smiled. “So, Dayna Anderson…”

He got my name right. The interview was off to a pretty good start. “So what in your previous experience would make you a good fit for this position?”

He smiled again, this time readjusting the Joey, Manager, Ask me about our large jugs! name tage that was prominently placed on his uniform. Since I was sitting in the Twin Peaks coffee shop interviewing to be a bikini barista, said uniform happened to be a Speedo. I pegged him for twenty-two, tops. And it wasn’t just because he didn’t have a centimeter of hair anywhere on his body. I made a mental note to get the name of his waxer.

And so opens Kellye Garrett’s terrific debut novel, which I hope is the first of a long series I will be able to continue to enjoy over the years (the second, Hollywood Ending, was published last year before the publisher, Midnight Ink, announced that it was shutting down, thus orphaning many a terrific crime writer: SOMEONE ELSE NEEDS TO PICK UP THIS SERIES).

Dayna, our main character, is a retired actress with no source of income and running out of cash pretty darned quick. To compound her financial problems (spoiler: she doesn’t get the bikini barista job) her parents are underwater on their house payments and she needs to come up some cash to prevent them from being evicted. One night while out on the town with friends they are almost hit by another car…and as they continue driving, find out that someone has been killed by a hit-and-run driver. As the financial woes continue to compound, Dayna decides to solve the crime in order to win the offered reward  and bail her parents out.

Far-fetched? Maybe. But it’s not the worst premise for an investigation for the first book in a series where the main character is not a professional investigator (cop, PI, reporter, lawyer), and it’s actually much more of a clever take than the standard trope of “stumbling over a dead body/I have to solve this crime because everyone thinks I’m the killer,” which most authors use* (holds up hand–GUILTY AS CHARGED).

And the supporting cast is as interesting and fun as Dayna herself; we don’t get a lot of background on any of them, really–Garrett is guilty of playing her cards close to her vest, as it were–which gives her the opportunity to delve into them all more deeply in the future volumes I hope are coming for us all. The plot twists and turns and winds up very very far from the hit-and-run accident the book opens with…and every step of the way I was rooting for Dayna. She’s likable, has a great sense of humor (not only is she funny but she also has a sense of humor about herself, and about Hollywood as well), and then there’s that love interest–a friend from back home who is just now breaking big on television.

SO MUCH FUN.

COnstant Reader, get thee hither to the book merchant with credit or debit card in hand.

*This isn’t a bad thing, by the way–most authors who do use this trope are incredibly creative and smart in how they use it; the point I am making is I greatly appreciated the originality of Kellye’s methodology of getting her amateur sleuth involved.

Love to Love You Baby

Paul’s flight was delayed a bit, but he got home last night just after nine pm and all is right in the Lost Apartment. I have ceased to exist to Scooter except as a conduit for treats, food or water–he hasn’t even gotten out of bed yet this morning to demand food! I also woke up this morning feeling much much better than I have in days, which means I think I should be able to return to work tomorrow. Huzzah!

I’m sure it’s an utter coincidence that Paul’s return home cured me.

Yesterday I ran some errands over to the West Bank that simply couldn’t be put off until next weekend–and, I figured, it was better to try to get it over and done with while still feeling slightly unwell than wait until today when I might have relapsed–and so I have Paul’s birthday present ready to give to him when he wakes up, for yes, today is Paul’s birthday. He was honored with the Leadership Award from the Publishing Triangle on Thursday and today is his birthday, so he’s had quite a lovely long weekend of it. I also spent some time reading Kellye Garrett’s delightfully fun Hollywood Homicide yesterday, while I also did some odds and ends cleaning up around here. I still have some cleaning to do today, and I want to get that pesky chapter written once and for all today so I can move on to the next and try to get this entire pesky thing finished soon enough. I am behind, of course, as I always seem to be, but I am hoping/hopeful that I can get this first draft finished by the 15th of May. That’s basically two weeks, and there’s absolutely no reason I cannot be finished by then other than sheer, utter laziness.

Everyone who thinks I won’t be done by the 15th, raise your hand.

Bitches.

And so I shall spend this morning cleaning and working on the WIP. I suspect Paul, who was exhausted when he got home last night, will sleep till about noon–if not longer, which gives me a free morning to get all of this done. I am planning on going to the gym (I know, right?) around noonish/one, to get started again with my regular workouts and getting my body back into shape. We’ll see how it goes, but that is my plan at this moment–although there’s also a stray thought that I should go now, this morning, to get it over with and get my day kick-started, but no, I think I’ll spend the morning doing precisely what I said I was going to spend the morning doing. I need to get that fucking chapter finished, and maybe even get started on Chapter Five while I have Word open.

I also want to start doing something with all these short stories I have just lying around here in one form or another. Maybe after the gym I can read some of them, or something. They aren’t doing me any good sitting in my computer as files, that’s for certain.

And I also need to steel myself for tonight’s Game of Thrones. It’s certainly going to be a bloodbath, with characters whose lives I’ve been following since the very first season an eon ago certain to die tonight. Perhaps I should take a Xanax before watching? I also want to read some more of Kellye’s book, so I can move on to Jamie Mason’s The Hidden Things, which is up next in queue….although I am very tempted by Marlon James’ latest, an epic fantasy set in Africa which is being called “an African Game of Thrones“, although I am certain that’s simply a marketing gimmick to try to appeal to George R. R. Martin’s fans, and fans of the show. Marlon is a terrific writer, and he won the Mann Booker a few years ago for his A Brief History of Seven Killings, which I’ve not read, but have wanted to for quite some time. My TBR queue is quite something, I have to say, and I am really looking forward to reading all the books in it at some point.

At some point.

There will never be enough time, will there, to read everything I want to read and write everything I want to write. I think that’s why I get so caught up in falling behind and the sense of time slipping through my fingers, which gets more intense the more I age, which is, of course, every fucking day.

And now back to the spice mines, my friends. It’s already ten and I’ve gotten nothing done other than writing this.

And that shall not stand.

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Only Sixteen

I woke up this morning with no fever and no congestion, huzzah! I still have a sore throat, however, and a little bit of medicine head, but I also went to bed early last night and woke up at a relatively decent, respectable hour–not too early, not too late, which of course is quite lovely. Paul returns home this evening (or sometime in the late afternoon). Therefore I have to run some errands this morning–it cannot be helped–which include going to the West Bank (on a Saturday! Madness) to get him a birthday gift, for his birthday is tomorrow. Since I am over there, I am going to stop at Sonic for lunch (it will be lovely  eating something other than soup, let me tell you) before heading back over here. I need to vacuum downstairs before I head out for the errands, and then until he gets home I am either going to write, or read Kellye Garrett’s wonderful Hollywood Homicide.  I wanted to do both yesterday, but my head was too foggy and medicine-y from all the DayQuil and the final spike of whatever it was that was wrong, and I couldn’t focus. I wound up mostly falling into a Youtube vortex on my television for most of the day–it’s really amazing how many fan videos/theories of Game of Thrones are out there–and I also rewatched last week’s episode of Game of Thrones again. It was, of course, the first and perhaps only episode of the show where someone, anyone, didn’t die–and you know what that means: CAST BLOODBATH TOMORROW. It was so emotionally manipulative, but at the same time genius: by giving the audience these incredibly touching moments, it makes this weekend’s deaths all the more heartrending and poignant. And yes, I cried several times during the rewatch; knowing what was coming didn’t change that: I cried when Jaime asked to serve under Brienne; when Theon offered to fight for Winterfell if Sansa would have him; when Sam gave the sword of his family to Ser Jorah; and of course, the ultimate tears came when Jaime knighted Brienne. Gwendoline Christie deserves an Emmy for that scene alone.

I can’t wait for tomorrow’s episode, even though I know I’ll probably have to take to my fainting couch after.

And those were the scenes that made the tears come; there were others that came close. It was probably one of my favorite episodes of the show, from start to finish; primarily because it was all about character. And that’s what Game of Thrones does so well; character. It’s an epic show to be sure, and even without the strong character development it would still be great to watch…but the character arcs, for me, is what makes the show spectacular.

I am terribly behind on the WIP. April slipped through my fingers somehow; there are only three days left in the month and there is simply no way I am going to be able to get this entire first draft completed in three days. Hell, I haven’t finished the revision of Chapter fucking Four yet, and I still have fifteen new chapters to write. I think it is fairly safe to assume I am off-schedule a little bit (a lot of bit) which means I won’t be getting to the final draft of the other WIP in May the way I’d planned. Meh, it happens. I also need to check my project schedule; I am not sure when exactly I have to step away from all of this to work on another one; it’s sometime this summer, I know, but I don’t remember the date off the top of my head. But I feel so much better this morning than I have all week–I think whatever was wrong with me these last few days clearly started earlier in the week; I was lethargic and fairly low energy since last weekend–and so maybe, once I get home from the errands today I can sit down here at the computer and get Chapter Four finished and maybe even make some headway on Chapter Five. And perhaps work on a short story.

Paul will be home tonight and tomorrow is his birthday, so perhaps I’ll take a look at the movies available to rent on iTunes. I got a giftcard in the mail–when I bought the new Air I also got an Apple Mastercard (ugh, like I need more credit) and I’ve already earned a reward; a $25 gift card for iTunes or the Apple Store. So…maybe I can rent a movie for us to watch tonight for his birthday. There are still plenty of other movies still on both Prime and Amazon that I want to watch, but…since tomorrow is going to be all about Game of Thrones, tonight will be the only option. I think I am also going to get us a deep dish pizza from That’s Amore for our dinner this evening (and it will take care of all our food needs for tomorrow as well).

And on that note, I need to get things done around here before departing for my errands, so I’d best get started on that now.

Happy Saturday, Constant Reader!

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All By Myself

Friday morning sliding into the weekend…and woke up still sick. The throat is still sore and my voice is a Kathleen Turner-like whiskey-soaked rasp; my eyes still ache and so do all my joints, and the fever is still upon me. I just swigged some DayQuil, so am hoping for some relief; this knot of phlegm lodged into the top of my lungs has to loosen and come out at some point, right?

Ye Gods, how I hate being sick. And the older I get, the more susceptible to these things I seem to be.

The weather was horrible yesterday afternoon, but for once, it was lovely to be covered in blankets while the storm raged outside, with a constant downpour of rain and the occasional blast of lightning and thunder. It is, really, the best time to curl up with a good book, and so yesterday I finished reading Alison Gaylin’s next novel, of which I am fortunate enough to have an advance copy. Never Look Back is probably her best book to date, and given she won an Edgar last night, that’s saying something. I then proceeded to start reading Kellye Garrett’s award-winning debut Hollywood Homicide, which I am also greatly enjoying. I really like her main character, and her voice.

And now that the Edgars are over and the program has been printed and distributed, I can now out myself as a judge for Best Paperback Original. That was the book award I was reading for all of last year–and I do mean reading for all of last year. Once again, the Lost Apartment was buried in an avalanche of books, and since electronic editions of books could also be entered, my Kindle is also incredibly full. Led by our distinguished panel chair Alex Segura, my fellow judges (the always delightful and talented Susanna Calkins and Gwen Florio) read and discussed, read some more and discussed some more, and finally narrowed our choices down to our top five and the winner. I do believe our category this past year just might have been the only (if not the only, but one of the few) times in Edgar history where all the finalists in a category were women; that wasn’t our intent, either; it just played out that way, but it was still amazing and cool. Last night’s batch of Edgar winners was also perhaps the most diverse in Edgar history; with Walter Mosley taking home the statue for Best Novel and Robert Feiseler taking home the award for Fact Crime for his Tinderbox, which is about the Upstairs Fire lounge fire in New Orleans back in 1973; the biggest mass murder of gay men until the Pulse shootings in 2016. I wrote about the Upstairs Fire in Murder in the Rue Chartres, and am really looking forward to reading Robert’s book. Sujata Massey also won the Mary Higgins Clark Award, and I feel that Sara Paretsky’s winning the first Sue Grafton Memorial Award would definitely have Sue’s approval.

And huzzah for the wonderful Art Taylor’s Edgar win for Best Short Story! Art is one of the best short story writers around; I keep hoping he’s going to put out a short story collection–I think he’s won every conceivable mystery award for short story now, which is an indication of just how good he is. He’s also one of the nicest people I’ve ever met–in general, not just the mystery community.

Needless to say, the illness has kept me from doing any writing or pretty much anything, really. Yesterday I spent most of the day swilling chicken soup and sitting in my chair under blankets and reading. I watched the live-stream of the Edgar Awards on my television through the Youtube app on my  Apple TV, which was very cool and surreal at the same time. I felt sorry for the young man with the long hair at the front table who was on camera almost the entire night and probably had no idea! Today I am going to probably swill some more soup while again retiring to my chair with Kellye’s book, and then I have an ARC of Jamie Mason’s The Hidden Things which I will tackle next.

And I did have two ideas for stories yesterday, through the DayQuil and fever induced fogginess of my brain. So that’s something, at any rate.

And now back to my blankets.

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