Baby Blue

Monday morning, and back up before dawn to get ready to head into the office. Huzzah! I slept really well last night, and had no trouble getting up this morning, which I was a bit concerned about given how much sleep I was getting over the weekend. But I feel awake and conscious and good this morning, so that’s very promising.

LSU won both games yesterday (13-6 over Wofford; 8-4 over North Carolina) which puts them in the regional final, winner take all. I flipped between the games and whatever we were watching yesterday (we finished Anthracite, and caught up on Interview with the Vampire), which was nerve-wracking as always whenever LSU plays (I don’t stress or get anxiety over the games anymore–thank you, new meds–so I can enjoy it more, but yesterday I couldn’t bear the tension). I”m not entirely sure I am going to watch tonight’s game, either; I guess it depends on when it is. I also spent some time yesterday reading (The Rival Queens) and writing. I managed to get two or three blog entries posted yesterday, too, and I like that I am doing this “Great Gay Moments in Greg’s Life” type thing. I did Starsky and Hutch and an overall, general “meaning of Pride” post, and I feel pretty good about both of those this morning. I also worked on the prologue to The Summer of Lost Boys, which I will try to get more work done on that today.

The weekend was good, to be honest; I felt good all weekend (if lazy–the thunderstorms had something to do with that, and yes, we had them yesterday too), and while I didn’t get everything done that I would have liked to, I’m pretty okay with it. Today is forecast to be cloudy but without rain, which hopefully will make it cooler–or at least not feel as hot. I spent most of yesterday under my blanket in a chair, which was marvelous. When Sparky wasn’t being Demon Kitty he would sleep in my lap, which was very sweet. It won’t take me long to catch up on my emails, either–I’m doing a pretty good job of staying on top of those, too–and I’m pretty much caught up on my day job duties, too. I’m behind already on the writing schedule I set for myself this year–but the beauty of that is that it’s my deadlines, and no one else’s, so missing them isn’t affecting anyone other than myself.

I also scribbled in my journal a lot this weekend, which is very cool to be doing again. Overall, I am feeling good again these days, which is great. I’m starting to feel connected to my writing again, and remembering that I don’t have to kill myself to get some done is not a bad thing, either.

This morning’s coffee is quite tasty, too, I might add.

All right, it’s time for me to get cleaned up and head into the office. Have a lovely Monday, Constant Reader, and I’ll most likely be back later. If not, GEAUX TIGERS!

Nothing’s Going to Stop Us Now

Ah, Starsky and Hutch.

As I have been reviewing things that helped confirm to myself as a child that I was a big old homo (for my book The Summer of Lost Boys), I found myself remembering a lot of things, memories from the darkest dusty and cobwebbed chasms of my memory banks.

But as a kid, realizing that I was drawn to men more than women was difficult and weird, and not in the least because I didn’t understand what women saw in men; their sex symbols, to me, left a lot to be desired. I grew up on the cusp of some societal and cultural changes, and not the least of which was the fact that in the 1970s, men finally began being sexualized and held to a kind of male beauty standard that gradually changed that standard–which for a burgeoning young gay boy, was perfect timing. I never understood, for example, what girls saw in teen idols–sure, Bobby Sherman and Davy Jones and David Cassidy were cute…but I didn’t think of them as sexy or sexualized; the Tiger Beat crowd was very into guys who were not sexually threatening–these weren’t guys they wanted to fuck but rather ones they wanted to hold hands with and go on dates to malt shops and movies with, and chastely kiss good night. I never really got the sense that women ever wanted to fuck their sex symbols, either–there was an odd chasteness to women (the old madonna/whore paradigm) in their fandoms. You never heard a woman saying she wanted to fuck Paul Newman or Robert Redford or Burt Reynolds; there was more to it than just sexual energy.

But “Women’s Lib” began taking flight in the 1970s, as did queer rights, and a gradual shift in the paradigm of what is sexy in a man and what isn’t began changing. It was the decade Playgirl launched (more on that later), Jim Palmer began doing underwear ads, and the poster of Mark Spitz and his gold medals wearing a speedo sold like cheap beer on a payday.

And it also began the rise of the himbo shows; the male equivalent of all those jiggle shows with big breasted girls without a bra jumping up and down; those shows were almost guaranteed ratings in the Top Ten. Starksy and Hutch was the first real himbo show that I can remember; David Soul and Paul Michael Glaser were very good looking with great bodies that were very masculine as well–and the show showed them shirtless as much as possible, or in towels, or–you get the idea. They drove a fast car with an odd but distinctive paint job (cars were also stars that decade) and the show also not only was a hit but a part of the zeitgeist, too. I watched every week–as did my sister and almost every girl I knew–but it being a macho cop show, it was okay for men to watch, too.

And if there was an Internet and fan fic, a lot of people would have been writing erotic romances about the two of them.

Their closeness as characters as well as their chemistry, and their willingness to appear half-naked at the drop of a hat certainly made the show popular with gay men–and the stars also didn’t mind playing into the gay interest in the show, as you can see by the picture of them running hand in hand on the beach.

They also did a lot of those kinds of promo photo shoots.

Glaser’s wife later contracted AIDS from a blood tranfusion, and the two of them spent a lot of their time and energy working for AIDS treatment, education, and a cure.

Proud

What have you done today, to make you feel proud?

That M People song was released in the mid-1990’s, and has become kind of a queer anthem in the time since. It was used in the original American adaptation of Queer as Folk, and it gets played a lot during Pride Month. I loved the M People; I have one of their CD’s and they were prominent on my dance soundtrack of 1994-1996 (“Sight for Sore Eyes” is still a great song I have on Spotify playlists today), which is also a time I am writing about (sidebar: maybe “Never Kiss a Stranger” is a novel not a novella), so it stays fresh in my head.

Pride is a direct response to shame–because so many of us were forced to live in shame about who we are and just existing for so fucking long, we now choose to come out and be proud rather than ashamed of who and what we are, despite the bigots who continue to try to legalize oppression of us while all we really want is to be left alone to live our lives in peace. I will never be made to feel ashamed of myself for who I am any more. And no, I’m not sorry that my existence bothers some people because you know what? Their existence bothers me-but the primary difference is I am not trying to force them to stop existing or even to like queer people.

Pride is of course one of the seven deadly sins for Christians—Proverbs 16-18: Pride goeth before destruction, And a haughty spirit before a fall. Better it is to be of a lowly spirit with the poor, than to divide the spoil with the proud.

So, the use of the way “pride” for our month of celebration inevitably brings out the faux-christians, screaming about sin and…but as I said, our pride is the opposite of shame, and we are reclaiming ourselves and refusing to be shamed for who we are anymore. And yes, the shaming always comes from christians cishets (I prefer the French pronunciation shah-SHAY)  —you know, the ones who are supposed to love without question? And ultimately, my life and my sins are between me and God—and none of your fucking business.

But this post is for those of you who stubbornly refuse to get it: my sexuality doesn’t impact you AT ALL.

Why do they need a whole month? Veterans only get a day is one of my absolute favorites. First, the use of “they”, while politer and not quite as insulting, is really no different from the ever-popular bigoted “you people”; so I guess props are in order for being slightly more polite (although I suppose if they knew it was politer they’d use you people, or to be grammatically correct, those people)? As for veterans only getting a day while we get a month, well, I don’t seem to recall legislation being passed on any level of government legalizing discrimination against veterans. (Although the way our government treats its veterans is disgraceful–and as always, the war hawks who love to send young men and women to risk their lives, mental health, and limbs for a foreign policy predicated on ensuring corporations make as much money as humanly possible will always vote to cut or eliminate veterans’ benefits while waving Support the troops! banners and flags–because they are nothing if not craven, vile, and completely soulless.) The combined efforts of government and medical science were applied for years to criminalize and stamp out the existence of queer people. Homosexuality was still considered a mental illness (!!!!) until I was twelve years old. How precisely does one grow up well-balanced mentally and emotionally when you are repeatedly told that what you are is actually insane? (And coming from a family where mental health issues are genetic…and knowing that I had my own mental health issues already wasn’t helpful; I thought for a long time the two were connected.)

And for the record, May is Military Appreciation Month, and the fact they don’t know this makes a mockery of their religion, their intelligences, and their feigned concern for the military.

If the cishets had to put up with, for one day–a mere twenty-four hours–what queer people do every day, they’d become homicidal.

And telling people they cannot legally discriminate against a fellow American citizen is not forcing them to accept and/or like queer people; it’s merely telling them they must treat queer people with the same respect they’d treat anyone (oh, the horror). The entire point of this country, from its beginning (although it has often failed to live up to that ideal) is that every citizen is equal in the eyes of the law–regardless of anything that might make them slightly different, especially when the difference is so slight as to not be noticeable. I don’t know why this is so hard for people, I really don’t. (And yes the convictions of Greg Stillson last week affirmed this guiding principle for the nation and his worshippers choosing to not accept that is more example of their utter contempt for this country, period. Some ‘patriots’.)

And if you don’t want to be compared to Nazis, then stop coming for marginalized groups and scapegoating them. Your dishonesty is not only un-Christian, but inhuman. It is not for other humans to judge sin; that is, per your own Holy Book and what you theoretically believe, reserved for a God who is very jealous about what is His and what is not. I believe in Christianity as a game-plan or road map to being a good person and doing good things in my life; I do not believe in talking snakes or trumpets so loud they can make walls collapse or that having heatstroke on the road to Damascus was actually divine intervention. I do not believe Paul had visions of Jesus, so anything written by him in the New Testament is suspect and not gospel.

I am also willing to account for that, if need be, if there ever actually is a Judgment Day. But what I believe is between me and God. To paraphrase Cher, I account to three people: myself, Paul, and God.

What I do know is that if there is a God and such a thing as a heaven, going to church three times a week while acting like a hateful piece of trash the rest of the week ain’t getting your ass into your heaven. You’re literally doing the bare fucking minimum, and those three hours or so you’re spending in church are just a waste of your time because you aren’t learning anything or striving to be better.

And any heaven that welcomes people like Phyllis Schlafly, Anita Bryant, Maggie Gallagher et al is not my idea of heaven; spending eternity with those people would be Hell.

This year, Pride seems all the more important–certainly more than it has in years. I haven’t been to Pride in a very long time–I’ve been to a lot of Prides over the years–and probably won’t attend this year either; it’s too hot for one, and the older I get the less I like being hot, sweating, and tired in crowds.

I hate to break it to the homophobic trash, but nothing you say is original or something we haven’t heard a gazillion times before. I’ve said it before and will say it again: fuck all the way off. Miss me with your concerns about “the children” when you aren’t concerned, for example, about the need to teach kindergartners what to do if there’s an active shooter in their school. Miss me with your concerns about “the children” when the states passing the worst anti-queer laws are the same ones where child beauty pageants are the most popular. Where is the outrage about sexualizing children in that instance, Moms for Liberty? Yes, painting a six-year-old’s face like she’s a streetwalker and dressing her provocatively for a chance at a sash and a trophy is absolutely one-hundred-percent okay with you? These are also the same states that allow underage marriage and have almost complete abortion bans.

Moms for Liberty is just another incarnation of the hate group One Million Moms (who never ever had more than fifty thousand members); which is why I always say queers can never completely trust a lot of straight white women. (Let’s never forget that straight white women gave us President Donald Trump. Ever. This should be their everlasting shame.)

It’s also going to be interesting to see what companies and corporations will be making a play for queer dollars during Pride Month, while donating money to anti-queer politicians and stay silent when all these horrendous laws are being passed. Target? Anheuser Busch? Miss me with the rainbows and pride statements this year. You have a chance to stand up when it mattered and instead you turned into pathetic sniveling cowards waving a white flag–proving that your so-called “commitment” to equality and my community was nothing more than a disgusting, shameless attempt to attract queer dollars and the money of our allies. Shame on you both. I don’t drink beer, but when I did I drank a lot of Bud Light in gay bars because of their support of the queer community. But when they had an opportunity to take a principled stand for equality and against bigotry, they crumbled like a finely aged feta. Same with Target, which was even sadder because they had been so supportive. But I will never step inside another Target and I will never order from their website. My Target credit card will get paid off as quickly as possible so they make as little money from me in the future as possible, and I have already cut it up because I will never support that shitty, backstabbing, cowardly piece of shit company again.

I’ve always kind of had an issue with the corporatization of Pride over the years. Yes, I get it; they are usually non-profit organizations who need to raise money to pay expenses and put the show on. You need donors for that–as every nonprofit does–and so the swing to wooing businesses and multi-billion dollar corporations began…as well as the complaints about the merchandizing of Pride. But Pride was, and always has been, an event to celebrate every color in our rainbow and to show the world that we’re here and we aren’t going anywhere; we are not ashamed nor will we be shamed. We aren’t going back into the closet for anyone. Period.

It’s always amused me to listen to people complain about Pride, with the leathermen and the kink fetishists and the drag queens. “I don’t want my kids to see that!” Then keep your fucking kids at home. Any Pride that turns it back on any part of the community is notPride. I’m tired of being penalized because other people have had children—your children are NOT my responsibility.

I already pay taxes to educate them.

I also hate the shaming of kink; the attempt to remove drag queens and the leathermen and so forth from Pride celebrations because that makes the straights uncomfortable frankly disgusts me. Just because some queers have issues with kink—well, that’s their problem, and if anything, we all should be grateful to them. The leathermen and drag queens were out and proud when a lot of their current critics cowered in their closets, while the kinksters and queens were out fighting for the rights of the cowards, creating a community and a world in which they were free to come out…only to want to drive the people responsible for that freedom and community out of Pride. “I want to bring my kids to Pride but I don’t want them to see that.”

What the fuck, people? Don’t you understand that the only reason you can be queer in public with your kids is because of the very people you don’t want your children to see? It’s bad enough the straight use “the children” to try to take away our rights; it’s even worse when people within our community try the same tactics. I don’t know, maybe reexamine your own internalized homophobia rather than trying to reshape the community?

The original Prides were protests, and the original parades were protest marches. Seeing how Pride has, over the years, sold its soul and meaning to corporate sponsors saddens me. Those sponsors are mostly interested in queer dollars only (see: Target and Budweiser) and not in actually supporting the community and our rights (see: Target and Budweiser); you can tell by how quickly they back down when the Christofascists have a problem with their support of our community (see: Target and Budweiser).

That shallow support is unwelcomed and unwanted and very transparent.

Learn your history, queers. It wasn’t that long ago—during my own lifetime—that our sexuality stopped being considered mental illness. We’ve come pretty far in those fifty years, but we have a long way to go and the fight is not over. So, come out to Pride, and celebrate our hard-won freedoms. Be visible; because that visibility might help someone else come out and stop feeling shame. Create and live and love and vote and above all else, maintain queer joy in your life.

Because all of those things? Well, they’re also victories.

A Cowboy’s Work is Never Done

Sunday morning, after a gloomy rainy day (marvelous thunder and downpours off and on all day) where I pretty much just stayed indoors. I walked over to get the dry cleaning in the morning, and by the time I got back it was starting to sprinkle, and shortly after I came inside the floodgates opened. I curled up in my chair and read The Rival Queens for a while, then Paul got up and we finished watching Bodkin, which I enjoyed but didn’t care for the ending too much, after which we watched LSU lose to North Carolina (fourth ranked; LSU is number 24 and was only ranked after the SEC tournament, so no disgrace there, and they play to stay in the regional again today, against Wofford again. After the game we started Anthracite, a new French show on Netflix that is kind of off-kilter and very interesting. I did some writing in my journal, and I did do some chores around the house so it wasn’t a wash of a day, and really, who cares if it was? I really need to stop being so down on myself and recognize that sometimes I need downtime just like everyone else. I do want to do some things today, though–the whole day can’t be downtime, for sure. I also slept really well last night, for ten hours, which is insane. I am sleeping a lot lately and getting very good sleep, which has been lovely.

I have decided to do the occasional Pride blog post, about “things that made me realize I was gay” growing up, or things that I appreciated that probably were indicative of my sexual orientation from a very early age. Revisiting that dark closeted teenage space for this book hasn’t been terrific, but I think it will also help me deal with it, frankly. The 1970s are also an interesting time to go back to, as well, trying to dredge up memories that are long lost in the dark dusty recesses of my brain. I started a couple of said pride posts yesterday–one about The Other and one about Starsky and Hutch (which was really the first modern himbo show; more on that later)–and am thinking about other ones. My favorite gay anthems? I don’t know. But this year it seems very important to celebrate Pride–and shove it down the throats of the MAGA traitors and their evangelical cosplay Christian allies (looking at you, Mike the Self-righteous Johnson). After all, I can’t go anywhere without having a fucking cross shoved in my face.

Hey “christians”–more teaching by example and less demonstration of how Christian you are not, what do you think? Maybe then people will stop deserting your houses of worship, because they see the lies, self-righteousness, and utter hypocrisy that masquerades as faith in your befouled churches of blasphemy and apostasy.

It looks sunny outside this morning, so I think perhaps the rains of the last three days have now passed. That’s good, because I do want to go to the gym today to continue my rehabbing of my left arm. I am going to try this morning to get this and at least one other of the Pride posts done today; some writing and some chores, and when that’s all wrapped up I’ll head over to the gym for some rehab, come home and get cleaned up, and then read some more. I think I may stay away from LSU’s games today; if they beat Wofford again they face North Carolina again at six pm, for two games in one day, which is rough–and much as I love my Tigers, I can’t spend the day watching baseball, either.

And I am excited about writing again. It’s a lovely feeling. I’m not sure entirely what all I want to accomplish at this point other than trying to get the work done, but I definitely can get it all done if I keep my nose to the grindstone and keep working. I’m on my own schedule, so the only person being hurt if I take a day or so off from writing is me.

And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader, and I’ll probably see you again later today.

Bongo Rock

Today is two things–the start of hurricane season and the start of Pride Month. I have a Pride post that I definitely want to finish and post at some point, and I’ve not really decided what kind of entries I want to do–social media and here–to mark the month. I still think the thirty-four convictions of Greg Stillson was the best gift for Pride American queers have ever been given, to be honest, and I still am a little in shock that it happened–trial and verdict. And of course the traitors have all lost their treasonous little minds, too–my personal favorite is “if they can do this to him they can do it to anyone!”

Um yes, that’s precisely how laws and the judicial system work–no one is above the law in the United States.

Period.

I way overslept this morning, but we stayed up super late last night watching Bodkin (we only have two episodes left to go, and it’s really interesting; much more complex and clever than I’d originally given it credit for) but I wound up not getting into bed until midnight, and I didn’t get up until about nine thirty this morning. While I wanted to sleep in, I didn’t want to sleep in that late; I feel discombobulated and like I won’t be able to get the things done this morning I wanted to get done–but that’s just loser talk, methinks, and a way to give myself excuses for not taking the books to the library sale or washing the car or picking up the mail and dry cleaning or go to the gym. But now that my coffee is kicking in, I’m feeling more alive and awake and like fuck yeah I can get that shit done, get out of my way.

Always nice.

Yesterday was a good day. I worked at home, got all that done while laundering the bed linens, and ran my errands, did some cleaning around the house and later in the day we had a massive and marvelous thunderstorm. I grabbed The Rival Queens (my current nonfiction read) and spent some marvelous time with it in my easy chair. I do love that period of time, and I’ve always wanted to write about an adventurous fictional woman who was a member of Catherine de Medici’s Flying Squadron; an accomplished seductress spy, navigating the complicated politics of France during the Wars of Religion and the decline of the Valois dynasty. It was truly a fascinating period, not only in France, but throughout Europe. My next non-fiction read will probably be The King’s Assassin, the book on which Mary & George was based, and that’s another fun period I would like to write about. Someday. There really was nothing like the sixteenth and seventeenth centuries for upheaval and Game of Thrones-like cutthroat politics.

I also watched LSU’s thrilling baseball win over Wofford in the regionals yesterday, and they play again today at 4. GEAUX TIGERS!

I also looked at the submissions call for the story I am working on–thinking the deadline was May 31 only to discover it was actually June 1, which means I can let the story sit a while longer before revising it one more time to see if I can make it stronger. I am very pleased with how it’s going so far, and looking forward to getting some more writing done today. I am a little behind on my schedule thus far (the one I made earlier this week, remember?), but the deadline being later certainly has made that a bit simpler and easier to navigate without feeling pressure.

And on that note, I am going to get another cup of coffee and head into the spice mines. I’ll most likely be back later–that pride entry I want to write–and I also need to think about what kind of entries to do for Pride Month. Anyway, have a lovely Saturday, and I’ll check in with you again later, okay?

In the Mood

Someone really needs to do one of those music-themed crime anthologies built around either big band music, or the music of the Andrews Sisters; and In the Mood would be a great title for it, wouldn’t it? Don’t @ me, I’m not interesting in doing another anthology, thank you very much, praise Jesus and hope the creek don’t rise.

I was right; I got very mentally fatigued yesterday afternoon, and last night after we finished watching the second season of Euphoria, I was basically falling asleep in my chair. I’d swear we watched something else, too; oh yes, a stand-up comic special on Netflix, but I can’t remember the name of the comedian. I feel much more awake and alive today, which is a very good thing. I also feel a little bit behind this morning, and I am–not sure what that is about, but I am a bit off, too, I think, which is weird. But I enjoyed finishing the show–not sure if it’s coming back again or not, but the second season finale definitely wrapped everything up, so if it doesn’t the stories are pretty much finished for the most part. Zendaya was terrific–the whole cast, really; Paul and I were amused that the most level, centered and likable character on the show was Fez the drug dealer. Jacob Elordi is also memorable as sociopath Nate–casting beautiful people as monsters is genius, really.

I also didn’t write yesterday–the brain fatigue thing again, but at least this time it wasn’t the fog, you know? I do think I am starting to get back to normal, or what passes for it at any rate. It’s normal to be tired after not sleeping well. It’s normal to feel off after finally getting a good night’s sleep again. I was very tired when I got home, wasn’t I? I have some errands to run tonight, too–and tomorrow I am taking workout clothes for me to change into at work so I can go to the gym afterwards, see if this theory of changing at work and going directly there afterwards will work–we shall see, shan’t we?

One thing that I’ve been doing lately is submersing myself in the music of the 1970s, to help get myself more into the right space to write this book when I am ready to get started on it, and frankly, Top Forty music of the period–with a few exceptions–was awful and cheesy and terrible. So many novelty songs (“The Streak” by Ray Stevens jumps to mind, and there were so many others), so much cheese (Tony Orlando & Dawn, and so many other offenders), and some frankly terrible recordings surrounding the few gems that I don’t know how I listened to it growing up. But we did; both my sister and I always had our radios tuned into either WLS or WCFL for hours every day. I am trying to get the prologue to this finished this week, as well as revising another short story whose deadline is this weekend, and still really trying to get everything organized and sorted. I put some short story anthology call deadlines on my calendar yesterday, which was a nice start to get better organized, and I think, besides this book I want to finish, I am going to spend a lot of this summer trying to do more short stories. I also want to get the introduction to the short story collection finished by Monday, and a first chapter of the new Scotty done.

But my immersion in music of the early 1970’s–and other pop culture aspects of the time; television was also mostly garbage back then, too; thanks censors–also led me back around to listen to the eponymous first album by Boston in the car over the last two years, and it still holds up. It’s quite excellent, although I suppose it would be considered excessive nowadays; as rock music pushed boundaries in that decade and became more orchestral, especially in the second half of the decade. There’s not a song on that album that’s not a bop (in modern parlance), and it also put me in mind of other favorite albums from throughout my life–and making a list of them. I’ve always had a soundtrack album for my life, and revisiting music always brings back a lot of memories. Listening to the Billboard Top 100 of 1973 (awful as it was) made me remember other things–like Romper Room, Captain Kangaroo, Bozo’s Circus, and Ray Raynor’s show; the Saturday morning cartoons; and the horrible variety shows that were everywhere back then and finally died out in the early 1980’s. I really want this book to be good, and I’m going to have to go to a very dark place to write this book, too, and make it as real as possible…which is why I am immersing myself in the early 1970s. I am also reminding myself I can change things in the suburb to fit my writing needs; it doesn’t have to be exact, just as Bury Me in Shadows didn’t have to be correct about the homeplace. (My mind can be very annoying at times.)

But I feel good this morning, both mentally and physically. After work tonight I need to get the mail and make some groceries (not much, just a replace some things run) and then it’s home to write, possibly make dinner, and finish some chores. I am going to head into the spice mines now, so have a lovely Wednesday, Constant Reader, and I will be back probably later.

Desert Moon

The spice must flow…

I read Dune for the first time when I was in high school. At the time, it was merely a trilogy, and the original was just starting to move from cult classic to widely read accepted classic. In the 1970s, the book was noted primarily for its commentary on ecology and the environment. I had never read anything like that. I’d not been into reading science fiction up until that time, and I didn’t really much care for science fiction movies, either; with their incredibly low budgets and amateurish special effects that always took you out of the story no matter how much you were enjoying it. I used to watch Flash Gordon serials, when some of those afternoon kids’ shows that Chicago’s television stations would run them–and while badly produced on a shoestring, the stories themselves were compelling enough to hold my interest, and Buster Crabbe was certainly good-looking enough to keep me interested.

I digress.

But reading Dune turned me into more of a science fiction fan than I had been already. Like I said, I’d never read anything like it, and while my teenaged self primarily was interested in the space opera elements of the story–prince loses everything to mortal enemies, but gets revenge on everyone, defeats the enemies of his family, and rises to become not only the new emperor but messiah of a new religion that takes over the vast reaches of the empire, and the holy war (jihad) of conversion that followed. One of the things I loved about the way Frank Herbert wrote the book was how it bounced around the galaxy, uncovering the mindsets and other conspiracies going on throughout the empire (politics) in what seemed like disconnected stories that all converged in the end and were resolved…while showing the connections that were there all along. I read the other two books in the original trilogy that year–Dune Messiah and Children of Dune–and I always thought the second was perhaps the weakest of the series. I’ve never reread any of the books–I think the series grew to six or seven before Herbert died and his heirs took over; I’ve not read any not-Frank generated Dune novels–other than the first, and I know the last time I reread Dune, I was really taken aback by the writing, which seemed poor. I would like to revisit Dune Messiah at some point because it’s more political than anything else; and also set up the rest of the series while the original remains as the only book of the series that can be read as a stand-alone.

Timothée Chalamet as Paul Atreides, the reluctant messiah

Star Wars was released the summer before my senior year in high school, and it changed special effects, and science fiction films, forever. So when the David Lynch film was released in the early 1980;s, I went into it expecting it to be more than it turned out to be. I had wondered how all the internal monologues would be handled, as well as the entire backstory that was necessary for the film to make sense to people who’ve not read the book. It was a big film, to be sure, but the effects weren’t great–and the choice to hear the internal thoughts as whispers, which meant almost fifty percent of the picture was whispered–weakened it. And really, most of the real action of the story takes place in the second half–and basically the Lynch film condensed the second half of the book to a quick transitional jump, and it wrapped up very quickly. (Having Paul bring rain to Arrakis in the final scene was also a bad choice, which negated everything about Dune’s ecology and the secret of the worms.) But I did like it, if parts (mostly Harkonnens) were over the top. But I was kind of excited to hear Denis Villeneuve was shooting it in two parts. I enjoyed the first part, but the second? Exceptional, and proved that Villeneuve’s vision for the property was the right one.

Dune Part 2 follows the book far more closely than any other adaptation has, which usually seems to run out of steam and time by the time Paul and his mother flee into the desert to seek safety with the Fremen. I also really liked how reluctant Paul was to assume leadership, or to launch his “religion”–because he IS the fulfillment of the Bene Gesserit “prophecy,” which was really just propaganda spread by Sisterhood missionaries centuries, if not millennia, before. He can see the possible futures as well as the entire past, and he knows his holy war will kill millions, if not billions, and he doesn’t want to be responsible for that. Dune Part 2 plays like a galactic Game of Thrones, and I appreciated all the politics on top of the action. I feel like this Villeneuve version of the story is the closest to what Herbert wrote and created. It’s an epic film, shot on an epic scale, with stunning visuals and strong performances–Austin Butler’s Feyd-Rautha makes you forget all about Sting’s bizarre performance in the Lynch version–and I do look forward to the next chapter in this sprawling saga.

Highly recommended.

Don’t Fear the Reaper

Ah, the Von Erich curse.

I’ve always been interested in wrestling. I wanted to go out for the wrestling team in high school, but enough people were already bullying me and calling me a fag, and as painful as those words were, they were made worse by the knowledge they were true–and absolutely godawful knowing I wasn’t entirely sure what it meant….but I knew by their faces and the tone of voice it was spoken in that it wasn’t a good thing. The last thing in the world I wanted was to wear one of those skintight singlets and get aroused for the world to see (although I learned, much later, that it was so common no one ever said anything about it; but even now I am not certain I would have been given that same grace as a sexual suspect); that would be the end of the world as I knew it…so going out for the team wasn’t an option for me, and I kind of regret that fear kept me from something I’d enjoy.

But as I was figuring out my sexuality and trying to figure out what all was entailed by being an object of scorn and disgust by everyone, I started being drawn to professional wrestling. The heyday of pro wrestling was long in the past in the late 1960’s and 1970s, and the WWE boom was yet to make it mainstream once again. But the body contact and domination/submission aspects were the closest thing I could actually find on television that was sort of like a male/male sexual experience–which made my liking for pro wrestling even more suspect and something I couldn’t really talk about with anyone because of course he likes pro wrestling, the fag.

So, I was closeted in that way, too.

But one day when I was a teenager I was in a store–a Walgreens or something–and I saw a professional wrestling magazine with a cover story on Kevin Von Erich, and he was like nothing I’d ever seen before–a tall, long, lean and muscular body in white trunks and barefoot, and handsome in a rugged kind of way. I bought the magazine, and became a fan of the entire Von Erich family…and also was aware of how tragedy haunted the family. When I first heard about this movie, I had to see it…although I wasn’t sure how telling this story would have a beginning, a middle, and an end.

But…I did enjoy it. A lot.

It’s actually very well done, but it’s also kind of sad to watch almost from the very beginning. The movie also cut out one of the brothers, but seriously, another death in this grim film might have been too much for any viewer to handle or take.

The film is very well done, and the story is sad–one about toxic masculinity, distant and emotionally unavailable parents, and how the dream, the drive, of being at the top of the wrestling game caused so much damage. Afraid to admit weakness, not really able to ask anyone else for help when struggling emotionally, the suicides make complete sense. The Von Erich brothers were so tightly bonded they didn’t have room for much else in their lives–friendship, love, etc.–other than the grind of training and wrestling and tightening the bond with each other. The cast is brilliant–great casting, but ultimately flawed in the physical side of things; the Von Erichs were taller than the actors playing them, and of course Kevin was never as jacked as Zac Efron; those kinds of bodies were extremely rare during those decades. Kerry was big and muscular and defined, but he’d also been an Olympic wannabe in discus and javelin.

There’s a particularly moving scene towards the end of the film where Kevin finally breaks down from how overwhelming all the tragedies have been and the toll on his soul and psyche, and his young sons come to comfort him…and he tells them how much he misses his brothers and misses being a brother; the boys tell him they’ll be his brothers, and he apologizes to them because “men aren’t supposed to cry.”

Maybe if the Von Erich brothers had been raised to not believe in toxic masculinity and the narrow definition of what a man is, and allowed themselves to be vulnerable and get help for their demons, the story may not have been as tragic.

Kevin’s sons now wrestle professionally, and Kevin himself doesn’t believe in a curse on the family–though he did for a number of years, but he’s made peace with the past and focuses on his family.

I really enjoyed the movie, but it’s depressing. Four out of five stars.

Three of the actual Von Erichs, with Kevin in the center

I Will Follow You Into the Dark

I’ve always thought that my favorite two literary genres–crime and horror–were flip sides of the same coin. I sometimes reduce my theory to the barest of bones–both are about death but in crime the monsters are human. Horror novels always have elements of mystery and suspense woven into the story–there are always characters trying to figure out what is actually going on, and usually suspecting humans, only to find out it is not–and there’s also a lot of death. You have to figure out what is causing those deaths, and the best horror novels seem like straight-up mysteries until you find out otherwise. I didn’t really start reading horror until Stephen King and Peter Straub, and much as I love the genre, my first love will always be mysteries…but reading the kids’ series, with all their phony ghosts and hauntings and phantoms and spirits, got me really interested in the concept of ghosts–something that stays with me to this very day. (I mostly write about ghosts when I try horror; because Gothic is my absolute favorite and that runs across both genres.)

This is one of the reasons I fell in love with Michael Koryta’s novels. The first I read was So Cold the River, which was more of a ghost story/mystery about a haunted and cursed resort hotel in Indiana, which was a wild ride and great fun to read. He’s also written some other crime novels that crossed over into the supernatural; The Ridge was another favorite. I also wondered how he was writing both straight up crime fiction and sometimes supernatural styled mysteries; I was always told you couldn’t write in two genres like that under the same name.

And then he started releasing those types of novels under the name Scott Carson, so maybe there is something to that old publishing truism? I don’t know why he rebranded those books under a different name and it’s none of my business other than to satisfy idle curiosity. But I did recently finish one of his Scott Carson novels, and Where They Wait is an excellent illustration of the blurred line between horror and crime.

I was never a dreamer.

I mean that in the most literal sense. Figuratively speaking, I absolutely consider myself a dreamer. Aspirational, at least. Optimistic? To a point, although my profession–journalism–mandates a certain cynicism. When I say I was never a dreamer, I mean at night, in the depths of sleep.

No dreams. Just didn’t have ’em. Not good, bad, happy, or sad.

Slept well, though. I slept well. That’s hard to believe these days, but I know that it was true once.

People talk about their dreams all the time. I dated a woman for a few years who would wake up and recite the bizarre and vivid stories that had accompanied her through the night. Sometimes, I’d be tempted to pretend that I could share the experience. Dreaming sounds normal, right? Seems like something that should happen to all of us. And yet we don’t know much about the mechanisms of dreams, for all of our scientific research and psychological theorizing. We believe dreaming is tied to memory, that REM sleep is an archival process. We believe dreams are indicative of repressed emotions, or perhaps harbingers of maladies that haven’t yet offered physical symptoms. Warnings. Messages from the dead. From God. We believe all of these things and more, but what we know is this: dreams are still not fully understood after all these years. They come and they go.

For most people, at least.

I have always been interested in dreams, and what they say about our psyches and consciences. I’ve never studied the psychology of dreams–what little I did read was all supposition and theory, as there is no real answer to what dreams mean–is it just our brains doing freestyle, like a jazz singer bopping up and down the scales using their voice as an instrument, or are they the key to who we are, our hopes and dreams and traumas? I like to play around with dreams a lot in my work, since there is no real consensus on why some people do and some people don’t, why some remember their dreams and why others don’t; do people not remember their dreams because there’s nothing to remember, and on and on from there.

But dreams are at the heart of this chilling and masterful suspense novel, which is really more about tech horror than anything else. Our main character is a journalist who reported on the Afghanistan war, has recently been laid off from his job, and gets a call from an old buddy from the area where he grew up to write a puff piece on a local tech company and it’s newest development; a wellness relaxation app which sounds like every other relaxation app–other than it’s not. Given the latest version of the app to experiment with and write about, it starts affecting him in dreams–scary nightmares about an a shipwreck, and ghosts coming to visit him ,and the dreams are so incredibly vivid that he’s not entirely sure whether they were dreams or not. And as he discovers more, he finds that everything to do with the app is connected to him in some way, as his dreams become more vivid and sometimes waking; to the point he’s not sure if things are actually happening or he’s losing his mind.

This book was fantastic: the story is great, the pacing fantastic, the characters absolutely real–and the horror is terrifying, absolutely terrifying. Carson knows how to build suspense and suck the reader in along for the ride.

Highly recommended.

Endlessly

Monday morning and it’s back to work for one Gregalicious. Memorial Day is this coming weekend, which means a lovely three day weekend for me, which will be lovely, and is even more lovely to contemplate. I didn’t get a lot done this weekend, which is NOT a good thing, but I can live with it. I feel rested and ready to go this morning, which is the most important thing to come out of a weekend in my humble opinion. It’s nice not to beat myself up over taking down time, you know?

I finished reading Where They Wait by Scott Carson, and loved it (more on that later), so I don’t consider the weekend a complete wash. We also started watching Euphoria yesterday. I’m not sure why we never watched in the first place, but damn–I thought Gossip Girl was over the top, but Euphoria is a whole other ball of wax, isn’t it? But I also love the way they tell the story, with Zendaya’s character narrating the story and filling in gaps about the other characters in the story, to give the viewers a better understanding of who they are. But whew–all the drugs and sex and drinking and porn watching and so forth–things are a lot different now than when I was in high school–although I do think this show might just take things to extremes.

It does kind of give me pause, though–my books about teenagers are nothing like this. I’m not even sure I could even write something like this, to be honest. But then again I always tend to come down on the side of innocence when it comes to teenagers…even if I do depict high school as an endless hell for the students. As I am not a high school student, my grandnieces and nephews are very religious so this wouldn’t be them, and I don’t know any high school students to ask, I will simply have to continue wondering. But I am sure that kids with access to money and so forth probably party a lot harder than we did when I was in high school (for the record, I had only had alcohol once before graduation–yeah I was one of those kids; incredibly innocent and even more naive; Dad still regrets letting me skip a grade to this day), and I sort of touched on that with #shedeservedit, but I think my next book with teens will go into more detail.

I didn’t write at all this weekend; the motivation was simply not there, which is actually shameful. It is AMAZING the excuses I can some up with to not write; I’m also beginning to think talking about plans to write instead of talking about having written is perhaps not the ideal way to go. I do feel good this morning; I don’t feel like I slept all that well last night, in all honesty, but somehow I am alert and have energy–that will undoubtedly flag a bit this afternoon before I go home. But I do hold out hope for a good week, as always.

We also tried Manhunt, the Apple series about the hunt for John Wilkes Booth and his accomplices after the Lincoln assassination; the first episode was a bit slow, but I do love Tobias Menzies and we’ll probably go back to it once we’ve finished Euphoria. I’m still not sure what the deal is with the rest of the episodes of After the Flood, but for whatever annoying reason, we only have access to the first two episodes, despite a Britbox subscription. (Note to self: see what all we are subscribed to, and cut the cord on the ones we never watch; in some cases it might be easier and cheaper to simply buy or rent the shows we want to watch.)

As you can tell, this weekend wasn’t much. Not much done, not much accomplished, and I pretty much just laid around the whole weekend, other than running to the grocery store (twice) and picking up the mail twice. I also don’t feel in the least bit sorry about it, either. I know I need to get back to writing and making some breakthroughs on things, which might engage the writing muscles again and get me back to writing, but I am really not feeling all that motivated anymore. I think a lot of it has to do with the overall inability to ever get caught up on the house. Sparky of course is no help whatsoever; he always seems to be wanting attention when I am doing anything, and he’s just too cute to ignore–even when he is attacking me with fangs and claws unsheathed. Especially then, really? But I really need to get back to writing every day, even if it’s nothing more than a couple of hundred words here and there. Every word written brings things closer to being finished, and if I have to work on multiple things at the same time, so be it; I’ve done it before and it worked, so it would work again–at least in theory.

And so on that note I am heading into the spices mines, trying to get everything onto a to-do list, which may help in some ways. I may be back later, you never know; there’s lots of blog drafts that need finishing.