Category: Carnival

Darkness at the Edge of Town

I’ve kind of slowed down on my blatant self-promotion for A Streetcar Named Murder, mainly because the enormous thrill and rush of Release Day/Release Week has already come and gone. It isn’t like I’ve run out of things to say about New Orleans by any means; I could be here blogging for the rest of my life about New Orleans and never do more than scratching the surface. The depth of my lack of knowledge about New Orleans is bottomless. One thing, for example, that I can never completely wrap my head around is where the train tracks and stations were in the city, back when rail was king and vitally important to the operation of our port. I know there was a station in Storyville; part of the reason it ended up being closed was because so many men went through New Orleans on their way to serve in Europe during World War II, and the Department of War looked askance at the soldiers disembarking in a red light district (can’t say as I blame them, but on the other hand, they were heading off to the miseries of the trenches and what was, at the time, the bloodiest and deadliest conflict in human history, so why not let them get laid and party it up before getting on their troop transport?

I have always considered New Orleans to be a dark city–despite its many charms and enticements–not just because of the history here (which is plenty dark) or even the crime “problem” (which goes back over three hundred years), but because it really gets dark here at night; not quite as the true dark you can get out in the country, but for an urban area? New Orleans is the darkest city where I’ve lived. I’ve never experienced an urban area that gets so dark at night once the sun has set.

It’s like all the lights from houses and street lamps and businesses just \gets somehow sucked into the darkness and vanishes. When I come home after dark and park on my street, it always catches me by surprise when the inside of my car is lit up by one of the street lights. This happens, I think, because the massive live oaks everywhere inevitably block out the lights with their enormous branches. Oddly enough, cloudy nights generally are lighter than cloudless ones–because the cloud cover reflects back the neon of the French Quarter, turning the night sky clouds reddish-pink; it’s a phenomena unique to New Orleans that I really love. And the street lamps here seem to only cast light downward rather than up and out; it’s very hard to read street signs in New Orleans after dark.

See how dark it gets at night? It’s like the light gets eaten by the night.

Then again, that could be my eyes getting worse with age. My sister can’t see hardly at all after dark now, which worries me a little, but not a lot: her eye issues were different than mine. I was horribly near-sighted while she had an astigmatism, but my mother also has trouble seeing at night, too and she never had to wear glasses (she has reading ones now) so that doesn’t bode well, does it?

Another part of the reason it gets so dark here at night also has something to do with how many of our street lights are out, too. New Orleans street lights aren’t the kind that go up and then hang out over the street, either. Ours are the old-fashioned kind, with a bulb and its cover going up in a straight line–I think they were the old gas ones, adapted for electricity; I am not sure one way or the other. But I do like the antique, old timey look to ours. Now that I think about it, we couldn’t have the ones that hang out over the street, either; because of parade clearance! The low hanging branches of the live oaks that line St. Charles are also a problem for the larger floats, too; which is why so many of them are festooned with beads riders accidentally toss into the trees instead of to the outstretched hands of eager parade-goers–it’s going to be Carnival here sooner rather than later.

New Orleans’ haphazard approach to street lights and keeping the city lit up and visible at night also plays, interestingly enough, a role in A Streetcar Named Murder, actually; that darkness has a very strong hand on the finale of the book. When I was driving back from Kentucky after Thanksgiving, I noticed that once you got over the twin spans from Slidell and are back in Orleans Parish the lights on I-10 either don’t work or weren’t on, which gave the busy highway an eerie, almost hypnotically haunted feeling as I arrived in New Orleans East and climbed the bridge over the Industrial Canal. It even feels like the headlight beams of my car also get swallowed up into the darkness.

Is that darkness metaphorical? Maybe.

But I can only imagine how dark it must have been here at night when there wasn’t any electricity or gas, for that matter. And of course, it was very dark here after Katrina when most of the city lay in ruins. That was such a weird time.

I read a great review of Gary Krist’s Empire of Sin yesterday, which pointed out that the book was about a thirty year battle between the city of New Orleans and its brand of lawlessness, debauchery, and sin; which really is spot-on accurate. New Orleans has always been fighting that branding almost from the day the French settled on the high land along the river here. There has never been a time in her history when New Orleans has not drawn in tourists due to the branding with debauchery and sin. Someone was telling me the other day that the primary problem with dating apps in New Orleans is they are always full of tourists looking to get laid and not wanting to pay for it–which made me laugh; it reminded me of the old gay truism about not looking for hook-ups on-line the week before Decadence, Halloween or Carnival–because the chatrooms etc. were full of people coming in for the weekend and looking to make hook-up dates in advance…which was so patently absurd because seriously, back in the day if you couldn’t get laid just by going out during those events…well, you should just hire an escort and be done with it. People come here specifically to have the kind of good time they can’t have at home.

So, yes, the city has always had that kind of reputation and branding, which is why I always roll my eyes when the whites who fled the city for the suburbs and/or the north shore clog up the comments on social media and news articles about crime in New Orleans, clutching their breasts and casting their teary eyes up to the heavens as they bemoan how New Orleans has somehow slid into the gutter and how crime has gotten completely out of control. Fuck off, racists–we know what your dog whistles are because we’ve listened to them ad nauseum, ad infinitum: crime is a stand-in for oh no the black people and don’t pretend like you left New Orleans because of “crime”; you left New Orleans because of desegregation, so fuck all the way off. (The people who were protesting the removal of Confederate monuments in New Orleans were not from New Orleans, either.)

So, yes, there is crime in New Orleans–always has been, always will be–and I don’t know what the answer to reducing it or bringing the numbers down. But you can be the victim of a crime anywhere–the Clutters were murdered in rural Kansas back in the 1950s, after all–and it just means always be aware of your surroundings–which is always good advice for anywhere, really.

Twelfth Night

The other night, as I walked to Lilette to meet my friend Laura for dinner, I walked past this house:

It made me smile, as the New Orleans dedication for decorating for the holidays (any holiday, really) always does.

I posted this picture after taking it, along with a caption along the lines of it’s almost Twelfth Night and the start of Carnival! Someone commented, a bit surprised, “already?” which once again made me realize how different living in New Orleans is from living anywhere else, really, in the country. Nobody outside of Louisiana (unless they’re Catholic) understands how Carnival actually works, which makes sense. If it doesn’t affect you, how would you know? So, I decided explaining Carnival would be an excellent blatant self-promotion post, particularly since A Streetcar Named Murder is built around (sort of) a Carnival krewe and their membership recruitment ball. So, buckle up, Constant Reader, I’m going to give you a sort of primer for New Orleans Carnival.

Carnival begins on Twelfth Night, January 6th, and the season continues until it ends at midnight on Fat Tuesday (Mardi Gras is actually the last day of Carnival, not the entire season; but over the years Mardi Gras has become synonymous with Carnival, but the locals will always correct you when you call it Mardi Gras instead of Carnival; and ‘mardi gras” literally translates from the French to Fat Tuesday), when the bells of St. Louis toll the beginning of Lent and the police clear everyone off the streets of the city (no one is supposed to be out on the streets after midnight; I used to love to stand on the balcony at the Parade watching the mounted police officers slowly making their way down Bourbon Street as the crowds disperse before them–and behind them the street is empty). I’m not going to get into the history of Carnival and how it all began as a “farewell to the flesh” before the religious solemnity and penance of Lent; but that’s the part most people don’t get if you’re not from here or Catholic. Christmas, Carnival, Lent, and Easter are all tied together. Twelfth Night is always a fixed date because Christmas is fixed for December 25th; but since Easter’s date is never the same, neither is the date for Mardi Gras/Fat Tuesday, which is always forty days before Easter.

So, first things first. If you want to know all there is to know about each year’s Carnival, you start by getting a copy of Arthur Hardy’s Mardi Gras Guide, seen below. (You can order it on-line if you’re curious about it.)

(Don’t @ me, I know it should be Carnival Guide, but Mr. Hardy is Mr. Expert on all things Carnival, so we let him get away with it every year.)

The guide is invaluable, even though now there’s a parade tracker app so you always know where the parades are. The parades are what most people associate with New Orleans and Carnival/Mardi Gras; the big ones that shut down St. Charles Avenue and Canal Street aren’t until the last two weekends before Fat Tuesday. I don’t even know how many parades pass by our corner during parade season, but it’s a lot. (I’m hearing that the parade routes are being truncated a bit because of not having enough police officers to pull parade duty, but I don’t pay a lot of attention and just look at the Guide–which I have yet to get a copy of this year.) So, parade season is the two weekends prior to Fat Tuesday. The first weekend is easy, really; there’s parades on Friday night, Saturday afternoon and evening, and Sunday afternoon. Then we get a two day respite before they start in earnest, and there’s always at least two a night beginning the Wednesday before Fat Tuesday. Muses is Thursday night, following two others; there are also three on that Friday. Saturday afternoon is my favorite, Iris, which is followed by Tucks. Endymion is the big parade on Saturday night but it has a different route; it doesn’t come down St. Charles unless rain has caused it to be postponed for a night (when Endymion rolls down St. Charles on a Sunday night it’s a nightmare out there at the corner because Endymion is HUGE). There are parades all day Sunday, culminating with Bacchus Sunday night; Orpheus is the grand finale on Monday night, and of course on Fat Tuesday Rex follows Iris and then come the truck parades. There are also other, smaller, walking parades earlier; Krewe de Vieux, for example, is enormous and is a Saturday night later this month. After Twelfth Night and before Parade Season, there are balls and parties and walking parades and all kinds of celebrations leading up to the parades. The bleachers are already going up at Liberty Circle and all along St. Charles.

So, what does A Streetcar Named Murder, which is set in October, have to do with Carnival, and how is this a blatant self-promotion post?

Because the plot of Streetcar is set around an October costume ball for one of the newer Carnival krewes, the completely fictitious Krewe of Boudicca (it was Athena in earlier drafts, until I realized that I should check to make sure such a krewe doesn’t exist anywhere and sure enough, there is one; either in Metairie or on the north shore), which is also kind of new-member rush for the krewe. Our main character, Valerie, has no interest in belonging to a krewe; as she says, she’s fine “just going to parades and catching throws.” But her neighbor/best friend Lorna wants to join Boudicca, and she is dragging an unwilling Valerie along for the ball. It’s at the ball that the murder takes place; turns out the membership chair for Boudicca is Valerie’s nemesis, and of courea Valerie is the one who finds the victim after she’s stabbed.

And of course, it’s Carnival season again in New Orleans! So more info and blatant self-promotion to come!

19th Nervous Breakdown

Saturday morning and another lovely day in New Orleans–if a bit chilly–has dawned in the Lost Apartment. What a marvelous night’s sleep I had last night. The bed and blankets were so comfortable–not to mention the snoring kitty curled up between Paul and I–that I really didn’t want to get up, but I have far too much to do today to continue to laze in the bed simply because it felt good. So, it was out of the bed for one Gregalicious, and here I sit, swilling my morning coffee and clearing the cobwebs from my brain by trying to write a coherent blog post. (Good luck to me on that, am I right?) Yesterday was a work-at-home day, of data entry and doing quality assurance on testing logs, and yes, it is as tedious as it sounds. But after work I did some great thinking and work on the in-progress story, and am looking forward to getting some quality work done on it this morning/afternoon/however long it takes me to reach the day’s goal, and no matter if it kills me–which it just might do. I also have some errands to do today, but they shouldn’t take long.

Huzzah? Huzzah.

Last night we watched the final episode of Welcome to Chippendale’s, which really dragged on for far too long. There really wasn’t eight episodes of story here, and so it often seemed to drag and drag and drag. It’s a shame, the acting was top-notch and it was a great story, but unless you’re interested in viewing a couple of Emmy-worthy performances, watch the true crime documentary instead. It’s funny to remember how ubiquitous Chippendale’s seemed to be in the 1980’s–I certainly owned a few of their calendars, since they were the first real beefcake calendars produced–and I wished sometimes that I had a stronger memory, at least of the 1980’s, but it was such a dark and brutal decade for me I think I was happy to forget most of it. Paul is going to be gone most of the day today, so I have no excuse not to get a lot of writing and other things completed today. I do want to watch the adaptation of Louis Bayard’s The Pale Blue Eye on Netflix at some point this weekend, and of course we do need to finish watching Sherwood, too. I leave for New York on Wednesday, which is kind of fun–I am really looking forward to having some good Chinese food–and hopefully I’ll be able to get writing done on the road (which never happens, no matter how much I hope that it does).

But this time, it must.

I’m really enjoying all this writing I am doing lately, even though I am lazy and would rather not do anything at all. But it feels good to be pushing my brain and my creativity and trying to come up with fresh and new ways of saying things as well as fresh and new characters and interactions and stories. This first half of the year is going to be hectic and busy for me, but I am developing a plan that should help me get through till the spring. If I can stay motivated and stop being lazy, I should be able to get a lot accomplished before the dog days of summer are upon me. My writing goals for the year are very ambitious, of which I am well aware, but I think it’s better to try to do more and not quite get there than to plan less ambitiously and get even less done. I know I can’t get everything done that I want to get done in 2023 (I don’t think anyone could, to be honest), but I’d rather be overconfident than not, you know?

I am having my first piece of king cake for 2023 with my coffee this morning and it is sublime. It’s kind of hard to believe that Carnival season has rolled around again, and now of course the first part of the year will fly by: New York next week, Alabama the first weekend of February, then Carnival, the one-two punch of Tennessee Williams Festival/Saints and Sinners at the end of March, and then of course it’s practically summer again already, and then the next thing you know it’s football season again. This, for the record, is how your life ends up slipping through your fingers like mercury. Heavy sigh. But I am trying not to look forward to things, if that makes sense? I kind of want to just keep my head down, avoid drama for the most part, and focus on my writing for the year. It seems like writing always takes a back seat to everything else for me, which is ironic since it’s the thing I draw the most pleasure from and being a writer is such an integral part of my self-identity. I don’t see myself as a sexual health counselor, even though that’s my day job and has been for eighteen years. I don’t see myself as Mrs. Saints & Sinners/Tennessee Williams Festival, either–even though that’s been Paul’s job for the last twenty-two years. I see myself, despite all the other identities I take on in my everyday life, first and foremost as a writer; that is the core of my identity and who I am. And yet…it always seems as though my writing in always being shunted to the side or pushed back on the list of things to do because I have so many other things always going on in my life. Writing will be my priority now going forward, and while I still intend to work on volunteer stuff whenever I have time, that isn’t going to be a priority for me and it never should have been, either. I don’t know why the most important aspect of my life is always back-burnered for one reason or another, but it’s not going to be the case anymore. I am going to be even more zealous and jealous of my time and donating it only sparingly, and only when I have time.

I also need to start being realistic about everything I can and cannot do and stop thinking oh I can do everything in the world by all means ask me to do more things. I think it all comes from the fear of being disliked, that goes back to childhood–I don’t think I’ve ever gotten over those scars, truth be told–and I am very aware of the idiocy this implies: oh if I say no to this they won’t like me and won’t ask me again; I have always called this Homecoming Queen Syndrome–the desperate need for approval from other people, the need to be liked and well thought of, the fear of being made fun of, mocked, and disliked. I need to work harder on not giving a fuck, but it’s also part and parcel of being queer and trying to fit into a mainstream culture group, the crime writing community. It’s very strange and off-putting to know that people who’ve never met you, know nothing about you, and never will know you hate you in the abstract; that some people will never like you because they’re homophobic (honestly, when it comes to homophobia I prefer the Westboro Baptist Church version, where they will scream their hatred in your face; at least it’s more honest than people who will smile to your face while voting to strip you of your rights); and those same people will never, no matter what, ever read anything you write. It’s weird knowing that people will find your books on Amazon and one-star you without reading the actual book because you’re a queer and you had the audacity to write a book about queers where they are actually whole, happy people who aren’t suffering at all because of their same-sex attractions. The great irony of this is my own inconsistency; when I actually think about it, I do not give two shits what other people think of me, and haven’t for a long time. Unfortunately, I’ve been conditioned my entire life to care what other people think so I always fall back on that subconsciously; I’m always so flattered to be asked to do anything–which is the sneaky way that insecurity/need to be liked gaslights me into agreeing to do things I may not want to actually do or have the time to get done without something else, something that actually matters more to me, being pushed aside or not getting the full attention it needs and deserves.

A Gregalicious is still a work in progress, apparently–even at sixty-one.

And on that note, this work isn’t going to do itself now, is it? Off to the spice mines with me–and will talk to you later, Constant Reader. Have a fabulous Saturday.

Lady Jane

Ah, elusive sleep, how lovely thou art when you do finally bless me with your grace. Yes, sleep returned after a two-night absence and one Gregalicious at last got some rest last night. I didn’t want to get up this morning, to be honest, and probably could have stayed in bed for at least another hour or two. It feels a bit chilly in the kitchen this morning but the coffee is delicious and hot. Ah, fifty-one degrees. Well, that would do it. I have a lot of work to get done today and some errands to run, but right now I am going to enjoy my coffee as I gradually swim out of the misty fog that is my morning just-woke-up brain.

I was exhausted when I got home yesterday. Two consecutive nights of little to no sleep are not what my doctor (any doctor) ordered, and it had been awhile since i was that tired. (I get tired every afternoon, but that’s a function of having been awake so long already, methinks, and just normality when you’re at your office. Yesterday’s fatigue was different.) I collapsed into my easy chair and watched some history videos (the difference between Creole and Cajun–which I already knew but was curious to see if they got it right and if there was anything new I could glean, and there was not; a couple of videos about French history; a video about what happened to the minor kings of the German Federation when Prussia united them all into the empire of Germany; and of course, it’s always fun to watch the videos captured by the Tulane fans as they won the Cotton Bowl in the closing seconds of the game before Paul got home), thought about doing some reading or writing but my brain was just too tired to focus enough to accomplish much, and so thought some more about the work-in-progress. I need to get a lot of work on it done this weekend and the first two nights of next week, since I am going to New York on Wednesday and won’t be home until Sunday. I’ll have to try to get some work done while I am there, so I am hoping I won’t get struck by the insomnia monster while I am there. (It would be a first, for the record.) But there is nought to do but firmly press nose to grindstone and get motivated while staying motivated. I also need to pick out some books to read while traveling. I can probably finish A Walk on the Wild Side on the trip up; I just need to pick out one or two more to take along for the trip home.

The Lost Apartment is also a mess, so something must be done about that before I leave as well–I hate coming home to a messy house, and Paul doesn’t really make any mess downstairs, so anytime I come home to a mess and get annoyed I also have to take accountability for my own self because if it’s messy I didn’t clean. But there’s no college football this weekend–I am not going to stay up Monday night to see who wins because I can check the score when I get up Tuesday morning–so there are no distractions I can blame for not writing or reading or cleaning this weekend. I do have things to do besides that, of course; I need to make groceries for Paul and get the mail and maybe even clean out and wash the car (stop that crazy talk!)–did I ever tell you I found a marvelous do-it-yourself car wash finally on Louisiana Avenue on the other side of St. Charles? I need to make a point of washing the car every other week–so much grime gets on it just sitting on the street in front of the house, it’s unbelievable–and I also need to remember to get the oil changed before I leave for Alabama at the end of the month.

Sigh.

It never ends, does it? It’s always the minutiae of life that gets to you and gradually wears you down, those minor little tasks you have to do all the time that don’t seem like much but will eventually just grind you down into the dirt because you have no choice but to do them because otherwise they wouldn’t get done and life would be ever so much worse without getting that stuff done. But there’s naught to do but do them; I do always reserve the right to complain even when something is my fault.

It does look beautiful outside. The sun is shining and there are no clouds in our cornflower blue sky. Perhaps later on today I can take my phone with me and take a walk around the neighborhood. It’s been a hot minute and I always enjoy going for walks around the neighborhood, plus it helps me feel more connected to the city, something I’ve been thinking a lot about lately. It’s silly for me to ever think that I don’t feel my usual connection to New Orleans; it’s always there, but it does change and evolve. As I said the other day, I’ve just grown so accustomed to life here that I don’t notice things as peculiar, unusual, or unique anymore; it just is New Orleans and normal now to me. I’ve finally gone completely native, and I can barely remember what it was like to live anywhere else in the country. Traveling has always felt like I was going to another country, ever since we moved here–and that’s really when the difference makes itself known. It’s a little jarring to feel like a foreign tourist when you go somewhere, but New Orleans is just so different from everywhere else in so many little ways that aren’t always apparent until you travel–like the Puritan liquor laws everywhere else. What about my freedom to drink, damn it?

Oh, and of course, tonight is Twelfth Night, so I should do a blatant self-promotional post for A Streetcar Named Murder, shouldn’t I?

And on that note I am heading into the spice mines. Have a lovely Friday, Constant Reader.

Homeward Bound

So, when Ellen Byron was preparing to interview me for our live stream event from Murder by the Book, she sent me some questions to prepare myself with. They were good questions, actually, and I thought that taking time to answer them when I can think about the responses would be an excellent BLATANT SELF-PROMOTION post.

So, without further ado, here we go!

What inspired your book? Series premise and the specific story?

That’s an interesting story, actually. I had been toying with the idea of writing a cozy for a long time–I’ve always liked them–but never was sure I could do it; there were rules, after all, and I’m terrible about following rules, always have been. Several friends have been encouraging me for years to do it, but I always hesitated. It was (I thought) outside of my comfort zone, and while I would toy with ideas here and there, none ever came to anything. My partner’s office is near a costume shop, and he’d had to go in there one day for some reason or another, and as is his wont, he struck up a conversation with an employee about the costume business, how they made money, how they stayed open all year, etc etc etc. He’s very curious. Anyway, that night I mentioned to him that someone had yet again suggested I write a cozy, and he wasn’t sure what one was, so I gave him a thumbnail overview, and he said, “Oh, you should do a costume shop” and proceeded to tell me about his conversation with the shop employee. I agreed it was an interesting idea, and stowed it away in the back of my head for future reference, and would think about it now and then, come up with characters and a community for the main character to be a part of, and so on. But at the same time I kept thinking New Orleans wasn’t the right place for a cozy series–basically looking for ways to fail instead of reasons to succeed, which is the underlying theme of my life, really–and so it went. An editor I’ve worked with before was interested in the idea of my writing a cozy series, so I wrote up a proposal and sent it off. They liked it, but couldn’t sign it, and recommended I take it somewhere else, so I did. It evolved from a costume shop to an antique shop during the process of me signing a contract with Crooked Lane; they liked everything about my idea except for the shop itself, so I had to change that. I went down to Magazine Street and walked for a block, writing down every kind of shop I saw, and sent the list in–and we all came to an agreement about the series being structured around an antiques business. As for the story, well, I wanted to talk about and explore the gentrification of New Orleans that has been ongoing almost this entire century, and how real estate has just exploded around here. (It still staggers me that our rent was $450 when we first moved here; the lowest rent I’ve seen advertised in our neighborhood is around $1500 for less than thousand square feet. Our original apartment now rents for $2500 per month now, which is insane.) What happens to Valerie–the fear of a new tax assessment pricing her out of her house–actually happened to a friend of mine; and the prices just seem to keep going up all the time. You can’t even buy a condo in my neighborhood for less than $350, 000 now–the asking prices for houses in the neighborhood are completely insane. Every time I see a new listing in the neighborhood for half a million dollars or more I think, we really should have bought when we moved here–but home-ownership is New Orleans isn’t something Paul or I have ever been terribly interested in. Termites, tornados, hurricanes, floods, black mold–no thanks! But man, what a return on our investment had we bought in 1996!

We both write series set in New Orleans. Why do you find it so inspiring? Especially when you’ve lived in so many other places?

I’ve lived all over the country–we’re from Alabama, and I’ve lived in Chicago on the south side, the suburbs, Kansas, Fresno, Houston, Tampa, Minneapolis and then New Orleans. New Orleans is the only place I’ve ever been to where I felt like I belonged, where I fit in; where I didn’t seem like the eccentric one. New Orleans embraces its eccentrics and doesn’t judge them, and I like that. I knew that first time I came here on my birthday in 1994 that if I moved here all my dreams would come true. And they have, which has been kind of lovely. And no writer could ever exhaust the inspiration New Orleans provides. I’ve written fifteen books set here and countless short stories at this point, and haven’t even scratched the surface. I’ve never written about the music scene here, for one glaring example, or restaurants or the food industry or…you see what I mean? There’s not enough time in my life to write everything I want to about New Orleans.

Tell us about your protagonist. Where did the inspiration for her come from?

My sister never had any interest in going to college or having any kind of career other than being a wife and mother. She was a straight A student and had numerous scholarship offers, but had little to no interest. I used to always think she had wasted her potential, but gradually came to the realization that she has the life she always wanted when she was growing up, and has never missed having a career outside of the home–so rather than feeling bad about her lost potential, I should have been happy that her dreams came true. I started thinking about that more, and thought that would make a great starting place–a woman like my sister who wasn’t really very interested in college but went because it was expected of her…only to fall in love, get married, and drop out when she had twins. I really like the idea of a woman who’s not yet thirty, who wasn’t really sure what she wanted from life and then sidetracked to wife-and-mother, but with her kids now off to college and her husband having died…what do you do for the rest of your life when you’re a widow at thirty-eight and your kids have left for college? And the more I thought about her, the more I liked her and wanted to write about her.

Why did you choose the Irish Channel as the neighborhood?

My Scotty series is set in the French Quarter, and the Chanse series was set in the lower Garden District (where I’ve always lived and always default to it for that very reason), so I wanted to do something different this time out. Before I moved here, I had friends who lived in the Channel and I loved their house and I loved their neighborhood. I had already started writing a novella set in their old house, and I thought, why not use that same house for this series? The Channel did used to be considered a bad part of town, too, when we first moved here (so was the lower Garden District, which we didn’t know), and so I thought the gentrification issue would work better there than in my neighborhood. That part of the Channel is one I used to spend a lot of time in. As my character mentions in the book, I used to hang out at the Rue de la Course coffee shop at the corner of Magazine and Harmony–it was where I would meet friends for coffee. I’m still bitter it closed.

Similarities in our series: both widows, both have family mysteries, both live in the Irish Channel, you have jokes about potholes, I have a plot point about them. Let’s talk about NOLA’s potholes.

Oh, the potholes! Ironically, an active one ate one of my car tires a few weeks ago. Usually, if I am going someplace and have to turn around, there’s usually room for me to make a U-turn or I can turned into a driveway and turn around. This particular day the bar on the corner had reopened after being sold, closed, and renovated for a few months. So, there were cars everywhere, including blocking the driveways, and I thought, fine, I’ll just go around the block, which I hadn’t done in years. Because I hadn’t done that i years, I forgot there’s a massive pothole right when you make the turn so you have to jog left to avoid it. I hit the pothole, hard, and when I did, I thought oh that’s not good and as I continued driving I noticed the car was pulling to the left–which was the tire that hit the pothole. Sure enough, it was flat. It had a nail in it, and I happened to hit the pothole perfectly so that the nail dragged, tearing a hole in the tire. So, yes, New Orleans is a city of potholes–all different shapes, sizes, and depths. When the streets flood the water hides the potholes, and if they are really deep…the one on our street (which is reforming after being filled in and paved over for like the fiftieth time) ate a pick-up truck when that end of the street flooded a few years ago, so our street was blocked until the water went down and a tow truck could get in.

You have a Nolier than thou joke – I have OhNo!LA, an app that’s a runner in the book.

I wish I could claim credit for that joke, but I stole it from Bill Loefhelm, another New Orleans crime writer when we were on a panel together talking about writing about New Orleans and the need to get things right. He responded to a question about accuracy by saying something like “Yes, you really don’t want to set off the Nolier-Than-Thou people” and it still makes me laugh whenever I think about it because it’s so true! In all honesty, I am one of those people–nothing is more infuriating to me than reading something set in New Orleans that doesn’t get it right–but I’ve loosened up some as I’ve gotten older. I was even wondering if that was still a thing while I was writing this book…but since it’s come out I’ve seen any number of locals posting reviews and comments about “how (he) got New Orleans right” so it is still a thing. (And I’m glad and grateful people think I get ir right.)

How would you say your past experiences and jobs in life inform your writing?

I always say that life is material, as is every experience you’ve had. I’ve had so many jobs over the years and have been fired so many times I can’t keep track of them all anymore. But I also had a huge variety of jobs–fast food to retail to food service to banking to insurance to an airline to being a personal trainer to managing a health club to being a magazine editor to my present job working in an STI clinic as a sexual health counselor. Whenever I am creating a character and need a job for them, I inevitably fall back on one of my experiences. The main character in The Orion Mask worked at an airport–I’ve written a lot of characters who work for airlines–and so I try to get away from my own experiences once I catch myself doing it again. I have always had jobs that required interaction with other humans, so I’ve gotten to observe a lot of human behavior. I’ve written about high school students in Kansas (where I went to high school). I’ve written about fraternities because I was in one (hard as it is to believe now). I played football in high school, I’ve written about football players in high school. The only places I’ve lived that I’ve not written about are Chicago, Houston, and Tampa (I have written about Florida, but just the panhandle, where I spent of time as a kid).

I read a blog post where you talked about your relationship with the city. How has it morphed over the years and where does it stand now? It sounded like doing promotion and writing about the city reignited your love for it. What’s your writing process? You write in different genres. Is the process different?

As sad as it is to admit, it’s very easy when you live here to start taking New Orleans for granted. As I said before, I usually am so focused on what I am doing–work, writing, errands, chores, etc.–that I don’t pay much attention to my surroundings as I should (I think we are all guilty of this to some degree). About a year before the pandemic, my day job moved. I had worked in our office on Frenchmen Street for well over ten years–right across the street from Mona’s, in that block between Decatur and Chartres, so I was a block outside the Quarter five days a week, and we also used to do a lot of testing in the French Quarter gay bars and passing out condoms during Carnival, Southern Decadence, and Halloween. So I used to spend a lot of time in and around the Quarter. It was lovely–I could go to the Walgreens or the Rouse’s on Royal and there was a bank branch on Chartres Street, too, by the Supreme Court building. Anytime I didn’t have anything in the house to pack for lunch I could just walk into the Quarter and get something not only amazing but inexpensive. I used to walk past where Scotty lives all the time. After we moved into our new building in the 7th Ward, I don’t go into the Quarter much anymore. So I was starting to feel a bit disconnected from New Orleans already before the pandemic shut everything down. But I realized when I started doing promo for this book that I am not disconnected from New Orleans. I’ve just lived here so long that I don’t take as much note of the unusual or the weird as I used to–it’s become normalized to me. I’ve acclimated. It’s still just as weird and wild and crazy here as it always has been, it just doesn’t strike me as weird and wild and crazy the way it used to. I need to take more walks and spend more time exploring the city and checking things out. I don’t know if all the hidden places I used to take friends to eat in the Quarter are still there, either. Maybe after Mardi Gras…

Tell Me

Friday and a work-at-home day, except for the morning department meeting I have to attend in person, which means I didn’t get to just roll out of bed, wash my face, brush my teeth, throw on some sweats, and get a cup of coffee just before nine…no, I have to be there at nine. I’ll run a couple of errands on my way home, which spares me from having to leave the house on Saturday; I may order groceries for pick-up on Sunday, but I don’t need to decide that right now.

This week wore me down and wore me out. I didn’t sleep terrific all week long to begin with, then of course it was one thing after another to have to deal with. But it’s Friday and I am relatively unscathed, methinks; I slept really well last night and think that could again be the case tonight. I was completely worn out when I got home from work last night, so I collapsed into my easy chair and watched a lengthy James Somerton video on Youtube called “What Ever Happened to Good Taste?”, which was about camp classic films, beginning with All About Eve before cycling through Whatever Happened to Baby Jane?, Mommie Dearest, and the drag queen road movies of the early 90s, The Adventures of Priscilla Queen of the Desert and To Wong Foo, Thanks For Everything, Julie Newmar. (I must confess to being enormously disappointed that Showgirls didn’t make the documentary; it is, after all, an all-time classic.) Paul got home shortly after I finished watching (it was two hours long) and we watched another episode of Welcome to Chippendales, which could have been just a movie and not a series I think; there’s a lot of padding out of the story to stretch it out into a mini-series. I have a lot to do this weekend; one of my tasks for today is of course a to-do list for the weekend. I need to get caught up on the book, I need to get caught up on a lot of things, and I want to finish reading Wanda Morris’ marvelous latest work. Perhaps after I get home from the meeting at the office this morning and get through my work-at-home chores today, I can spend some time with Wanda’s book and finish it. I am going to run some errands on my way home from work today, too–hoping that I won’t have to leave the house much this weekend so I can get things done.

My arm continues to get better every day, so I think it is something that didn’t necessarily require the emergency room costs or a forced-onto-the-schedule doctor’s appointment. It means I won’t be able to start back to the gym this weekend as I’d planned–I like to start going again before the new year when everyone’s resolutions crowd the place to within an inch of its life come January–but I cannot lift weights with this arm, which pretty much eliminates every upper body exercise. I could, I suppose, go a couple of times a week and simply focus on legs–but the weight plates would be a problem, too, you see. So, that’s going to have to go back on hold until my arm feels better.

I was very surprised and pleased yesterday to see that a couple of Instagram users did “reels” talking about A Streetcar Named Murder, and I have to confess this week–shitty as it was personally–has been a really terrific week for me professionally. It certainly was a good one for my writer’s ego, for sure. The outpouring of support and appreciation for my book from the cozy reading and writing community has been quite nice, rather unexpected, and I am enormously appreciative and grateful for it all. In some ways, it’s kind of validating; over the past few months I’ve really come to understand that I have an enormous chip on my shoulder when it comes to my own writing, and have tried unpacking that a bit. (I’ve spent quite a bit of time since turning sixty in the wake of a global pandemic unpacking my behaviors and the events that occurred that shaped those behaviors.) How different would my life have been had I gotten support and encouragement when I was younger? Had people taken my ambitions and desire to write seriously rather than dismissively? I honestly don’t know, can never know, will never know–the great pleasure of human life is you can never do anything more than speculate about how differently a shift in something, even a very small minor one, can alter the course of a life and a career.

The other night, before my Murder by the Book event with the marvelous John McDougall and my very dear Ellen Byron, John asked me “Now that I’ve read your book, Greg, I have to ask–why did it take you so long to write a cozy? Why haven’t you been doing this all along?” and my answer was “I really don’t know.” It absolutely gave me pause, and has lived rent-free in my brain ever since Tuesday. Why did it take me so long to write a cozy? I still don’t have an answer that makes any kind of sense. Let me see, I’ve always read them, always appreciated them, and have always done my best to fight the stigma attached to them by some elitists who need to feel better about themselves by looking down on a subset of other writers. I hate that, particularly because I know how it feels to not be taken seriously or be respected by your peers (there’s that enormous chip on my shoulder again).

But despite all the difficulties encountered during the time of its writing, I really enjoyed writing A Streetcar Named Murder. Sure, it was hard, and sure, I had to make myself do it (like always), but when I finally held the finished copies in my hands, I was incredibly proud of it. I have always said that I want to always be challenged by what I am writing, that I don’t ever want to fall into a familiar pattern of writing that feels like painting by the numbers (which is why I ended the Chanse series), which is incredibly easy to do. Writing a cozy presented me with a challenge, and yes, it was hard and yes, it was outside of my comfort zone. But I created likable, believable characters and an interesting story, with new situations and paradigm/life shifts that all played out throughout the course of the story. Now that it’s out in the world, it is an interesting question as to why I never tried to write one before, or even why I believed that I couldn’t write one in the first place.

And in some ways, it’s almost like starting my career over again. I am finding a new audience. I didn’t center queer characters and stories. I just wrote about New Orleans again but from an entirely different perspective, and it was enjoyable.

And I am proud of the book, and of myself. It feels weird to say that, but at the same time it also feels good to say it.

And on that note, tis back to the spice mines with me. Have a lovely Friday, Constant Reader, and I’ll check in with you again tomorrow.

Beads, Booze, and Bourbon Street

Inevitably, whenever New Orleans is mentioned, the first thing most People Not From Here are going to think about it is one of the three things in the title of this post (beads = Carnival, as I was going for alliteration; this title is reminiscent of one I used on a failed short story I turned in to a Creative Writing course in college; it had its moments, but overall the story failed and I’ve never bothered going back to it because there’s really no point, but it just now occurred to me how to make it work…see how my mind works?).

But…there is so much more to New Orleans than those three things. Yes, those three things are a part of the patchwork quilt that is life and culture here but it’s also not everything. It’s easy when you don’t live here to view New Orleans through that particular lens, because it is what everyone knows about the city. But that irritates the locals to no end. It isn’t Carnival all year, after all, and Bourbon Street, while a mecca for people looking for a good time, isn’t really all there is to New Orleans, either.

People immediately defaulting to “MARDI GRAS!!!!” when they think of New Orleans isn’t different than thinking of Disney when you hear Orlando; it’s probably the thing we’re known for the most. It doesn’t irritate me the way it used to. I’ve become resigned to it and now I just smile and say, “yes, Mardi Gras.” I do love it myself, despite the irritations of living inside the box and having to plan my life around a parade schedule for two weeks. The last couple of years haven’t been great for Carnival in New Orleans; I didn’t go to many parades last year and neither did Paul–the crowds, the persistence of the coronavirus, and the weather wasn’t good all played a part in our decisions to not really spend a lot of time out at the corner this last year (everything was cancelled the year before.) Even the 2020 Carnival, right before the shutdown, was cold and damp and had a bad energy to it, as though the gods of Carnival knew what was coming. The pandemic virus was already here by then, of course; the parades that year were certainly super-spreaders. The weather was bad–cold and damp–and the energy was off. Part of that was because the parade route had to be shifted because of the Hard Rock hotel collapse (remember that? Seems like a million years ago) and two people were killed at parades that year; Nyx and Endymion, I believe? I don’t remember which parade had the second death, but it really cast a pall over the entire experience. (I have been meaning to write a short story about a killer during Carnival who was shoving people under moving floats to kill them ever since…soon, soon…)

One of the things I’ve always loved about New Orleans is how distinctive the different neighborhoods are (hence the old where’d you go to high school? question asked when a local meets another local for the first time). Uptown is not the Quarter is not the Marigny is not Holy Cross is not Gentilly is not the Black Pearl and on and on and on. New Orleanians always complain about how the city is seen by People Not From Here, who always default to Carnival and Bourbon Street–but even Carnival is different in different parts of the city. (All that “show me your tits” shit only happens when the parades get to Canal Street–and even then, it’s rare. Rather it’s people on balconies in the Quarter, especially the ones on Bourbon Street, who’ve made that Carnival activity a trope that is loathed by New Orleanians–and for the record, it’s almost always tourists.) In my neighborhood, it’s mostly families. There are kids everywhere running around and playing; and toddlers generally wind up being pimped out by adults for throws. (There really is no prouder New Orleans tradition than pimping your child for throws at a parade.)

So, yes, there is more–way more–to New Orleans than Carnival and Bourbon Street. There’s a great music and club scene down on Frenchmen Street in the Faubourg Marigny; the Bywater and St. Claude corridor have lots of fun places to have a cocktail or grab something to eat, as does the Carrollton corridor in Mid-city/ Bayou St. John–really, you can’t go anywhere in New Orleans without finding a great bar or place to eat–and of course, there’s Magazine Street in my neighborhood, the Garden District, and Uptown. The CBD used to be a ghost town at night, but now it’s become a residential neighborhood as well with clubs and restaurants open late–it still trips me out a bit to drive through the CBD late at night and see people and cars everywhere. (When I used to drive home around midnight after bar testing events, I’d swear there were tumbleweeds blowing down Poydras.)

And of course there are the cemeteries, too.

Don’t get me wrong–I love Carnival and look forward to it every year (my dread inevitably gives way to excitement the moment I hear the first marching band down at the corner), and I am fond of Bourbon Street as well; and of course who isn’t a fan of booze? You can come to New Orleans just for Carnival every year and hang out on Bourbon Street afterwards and always have a great time–but I always tell everyone to pick a neighborhood and explore it on top of your French Quarter experience.

You won’t be sorry.

Come On

Yesterday was World AIDS Day, something I didn’t mention on yesterday’s blog because well, it was early in the morning and I literally forgot about it until I got to work yesterday morning (I probably should have prepared a post ahead of time to memorialize and commemorate those we lost; next year–I will put it on my calendar so I won’t forget).

To be fair, I was also all aglow from that terrific review Oline Cogdill gave A Streetcar Named Murder (you can still preorder! Release date is 12/6!). And this morning, I am the guest blogger over at The Wickeds, talking about orange cones and a particularly vexing New Orleans problem, the perennial and pesky potholes.

I slept really well last night, not alighting from the arms of Morpheus until seven thirty this morning. I felt absolutely like a lag-a-bed, a lazy swine, for sleeping so late when my eyes opened to see the red digital numbers glowing in the morning light. I’ve been getting up at five or five thirty all week, so was kind of wondering whether or not I’d sleep late this morning. (I did wake up at three, but went back to sleep almost immediately.) Today I am working from home. I do have some errands I must do at some point, and there’s data to enter and so forth, and oddly enough I feel rested this morning. Usually on Fridays I am a bit worn down from the week, low energy and so forth (which makes the data entry perfect as a job duty for the day), but I don’t feel that way this morning. I don’t feel like I can conquer the world, but I do feel like I can get some things accomplished today. The sink is filled with dirty dishes and of course, there’s always laundry (it never ceases to amaze me how much clothing Paul and I can dirty up all week). I was also very tired when I got home from work last night. Paul didn’t come home until after I groggily climbed the stairs around ten to go to bed, so I spent much of the evening with Scooter purring in my lap while I watched some documentaries on Youtube. James Somerton has a great new one about gay body culture and its origins in Nazi Germany (!), and how the ubermensch Nazi culture of the perfect body was brought home by GI’s after the war. It was fascinating–and it’s been something that’s been on my mind a lot lately (well, over the last few years since the pandemic started) as I’ve looked into gay history and have thought about writing historical gay noirs set throughout the twentieth century (Chlorine, Peplum, Obscenity, Indecency). Watching the Somerton documentary reminded me of Michelangelo Signorile’s Life Outside, which spent some time examining gay body culture, and 2001’s The Adonis Complex, which was a look at the development of male body culture that couldn’t be taken seriously as they erased the gay male experience completely (by not mentioning or acknowledging its existence) which completely invalidated almost everything they wrote about in the book; you cannot talk about male physical perfectionism and only talk about straight men. As Somerton points out in his video–being in good physical condition as a male after your teens used to be a tell about not being straight, as I also mentioned recently on here (when I was talking about using pictures other than of shirtless men).

I don’t always agree with Somerton, but I always enjoy his videos. They make me think, even when I agree with him, and I do enjoy hearing different perspectives.

Progress on the book is being made. It’s been slow going this week, but I am hopeful to make all kinds of progress this weekend. I do have some errands that must be done this weekend, not the least of which is making groceries, and of course I’ll have to watch the SEC Championship game since LSU is playing Georgia, but the loss last week took most of the urgency out of this game, so I can just watch and not mind how it turns out. As I said the other day, finishing the regular season at 8-3 with a trip to the conference championship was something I couldn’t have imagined in August or September–so it’s wonderful to see LSU relevant again after the tragedies that were the last two seasons. Who knows what the future may hold for the Tigers? But it’s nice to be competitive again with the big boys. Like I said, last summer I would have never believed LSU would beat Auburn, Florida, and Alabama this season, yet here we are. GEAUX TIGERS!

I need to get my act together today. It’s been nice (seriously) getting up this week when I wake up; I’ve loved having that extra hour (or half hour, depending on which day it was) to get things done before heading for work. And while I was tired in the evenings when I got home, realistically I was able to get some things done in the evening as well. I need to check my to-do list and clean some, as already mentioned; I also have errands to do and I want to get some work on the book done as well as some more Blatant Self-Promotion posts. The book comes out on Tuesday officially, which is terribly exciting.

And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader!

Friends and Neighbors

Ah, community.

What is a cozy mystery without one? I don’t know because I’ve never read one that didn’t have a strong sense of community in it, but for me, the depictions of community is one of the primary draws of cozies.

As I have mentioned before, the vast majority of cozies are generally set in small towns, small communities where everyone always seems to come together, everyone knows everyone, and there’s an undercurrent of caring about others that makes them cozy and comfortable to read. I was worried at first about setting one in New Orleans, to be honest; New Orleans is many things to many different people, but I’ve kind of always seen New Orleans as a darker city than most, and that darkness that is always out there on the periphery of the bright sunshine, no matter how cheerful you might be or how lovely of a day it is. Part of it is the history here–New Orleans was a center of the slave trade, after all, and you don’t get much darker than human trafficking–and of course, the city has always been a major port…and ports aren’t exactly known as sedate places. There has always been a lot of crime here, and you really can’t go anywhere in New Orleans without overhearing people talking about the “crime problem” and shaking their heads at the decline of Western civilization as we know it down here by the riverside.

So, how can I write a light, breezy novel about a city that is so dark?

The key was community, of course. New Orleans is a city, but it’s also a city of neighborhoods, and always has been. Generations of families passed homes and property down to their children and their children and so on. “Where’d you go to high school?” was a question asked because the answer told the asker lots of things. Private school or public? What neighborhood did you grow up in? And as I thought more about it, I realized my lonely block in the lower Garden District has that sense of community to it. Neighbors look out for neighbors. We’ve lived in the same place since either 2002 or 2003; I’m never really sure I can remember when we moved onto the property; those years between moving back here in 2001 and Katrina are kind of blurry for me. But we’ve gotten to know our landlady pretty well as well as some of our neighbors; others have come and gone over the years but we always all end up down at the corner for parades during Carnival, catching throws and hanging out and having a good time.

And I realized I could do the same for Valerie.

In A Streetcar Named Murder I only introduced the reader to a few members of Valerie’s community in the Irish Channel: her best friend and neighbor Lorna; the gay couple next door in one side of a double and one’s mother, Mrs. Domenico, on the other side; and her friend Stacia who lives further down the street. I also mentioned there were a couple of houses being used as Air BnB’s, which may play a part in a book should the series get picked up. I had learned my lesson from the failed Paige spin-off series years ago; the mouthy, brash and snarky best friend cannot be the main character, but the book/community needed someone like that in the book. The main character has to be kind–but there’s always a more colorful secondary character necessary to say the funny and borderline mean things in place of the main character.

This is where Lorna comes in.

Lorna is very colorful indeed, and was a lot of fun to create. She’s married to an airline pilot who is often gone for long stretches of time (his name is Jack Farrow; since he’s a pilot she calls him Captain Jack Farrow). She’s British, speaks multiple languages, is fiercely intelligent and doggedly loyal. She also writes lusty romance novels that are huge bestsellers under the name Felicity Deveraux. Lorna is a great best friend who is also always up for anything, and naturally, she has a huge imagination and a big personality. Interesting and fun as Lorna is, I don’t think I would ever write about her as the main character because, like Paige, she would need to be toned down and I don’t really want to do that to her.

It is Lorna’s ambition to join a Mardi Gras krewe that actually puts Valerie at the scene of the crime in the book. See how that works?

But her neighborhood isn’t her only community, either; there’s a community around Rare Things, the antiques store she inherits–Randall Charpentier, her new boss; Dee, her co-worker; and of course the people who are in and out of the shop–the hot guy from an outer parish who repairs and refinishes furniture, for one–on a regular basis. If it becomes a series, I can flit the cases back and forth from her neighborhood to the store and vice versa; there are all kinds of plots and stories I can tell that could come from both.

And there’s still another community that Valerie belongs to that was only touched on in the first book–the parents’ group at Loyola High (it doesn’t exist in real life, folks, but it’s based on Jesuit), the Cardirents. This is how Valerie knew the victim in this book; they were both in the group, with a fraught history (which is more fraught than Valerie ever knew).

So, yes, it is possible to create the sense of community a cozy mystery requires in New Orleans; New Orleans, in fact, is ripe for it.

And on that note, I will sign off here. More blatant self-promotion to come, no worries on that score!

Bleed to Love Her

Monday morning and all is well in the Lost Apartment as I swill coffee and brace myself for the day (and week) ahead.

I returned from Kentucky on Friday. Both the voyage up and back–despite their great length and the brittle stiffness of my aging body–didn’t seem quite so bad or to take as long as they usually do. I did make great time in both directions, while listening to two audiobooks (Ruth Ware’s The Woman in Cabin 10 on the way up, Carol Goodman’s The Disinvited Guest on the way back; both are superb and highly recommended) but of course once I got home on Friday night I was quite exhausted. I spent Saturday trying to get caught up on the apartment itself while football games played in the background (more on that later). I did a lot of laundry, a lot of dishes, ran errands and made groceries, before finally settling in to watch the LSU/Texas A&M game, which was disappointing (more on that later). Yesterday I got up early (I’ve been getting up early a lot lately) and chose to stay off-line for the most part. I did clean out the junk out of my inbox, wrote up the books I read while on my trip for blog entries, and wrote another blatant self-promotion post for A Streetcar Named Murder while also trying to get a handle on everything I need to get done for this coming week. I felt very well-rested yesterday at long last. I didn’t have as much trouble sleeping while I was away as I usually do, which was cool–I found another sleep-aid that seems to be working very nicely–but Friday night I didn’t sleep as well as I thought I would, given how worn out I was from the drive. Saturday night’s sleep, however, was quite marvelous.

Ah, the Insomnia Chronicles. How I long for the day when my sleep isn’t of concern (or at least as not as much interest) to me.

The weather was also kind of terrible when I got back–raining and humid, but cool; the kind where you aren’t sure if you need to turn on the heat or the air, and yesterday there were tornadoes and high winds in the river and bayou parishes outside of New Orleans. Yesterday however was beautiful; sunny with blue skies with the low in the mid-sixties and the high in the mid-seventies. Not bad for Christmas season, is it? It’s also hard to wrap my mind around the idea that it’s Christmas already, to be honest. I got a great Kindle deal on a collection of Christmas crime short stories, which I am really looking forward to digging into–perhaps a story a day for the season? The Christmas Murder Mystery project? (You know I love me some projects to work on.) It’s also weird that it’s the holiday season again, which means Carnival is also right around the block. YIKES. This also means I need to start planning around the parade schedule and when I need to leave work and so forth. Ugh, much as I love Carnival, it’s always stressful and exhausting, if fun and delightful.

It was an interesting weekend of college football. The Mississippi-Mississippi State game on Thanksgiving was a lot of fun, right up to its crazy end; South Carolina somehow managed to beat Clemson; and of course, Michigan blew out Ohio State in Columbus. This kind of set the stage for the LSU game on Saturday night–I had a very queasy feeling about the game, partly because it seemed as though everyone was looking ahead to next week’s SEC title game with Georgia and the possibility of a play-off berth for the Tigers; but Texas A&M always plays LSU hard, no matter how bad their record is, and for some reason they’ve decided LSU is their big rivalry in the conference. The game looked awful; LSU was playing very sloppy on both sides of the ball and my heart and spirit continued to flag with each missed tackle and each missed opportunity. It was disappointing, to be sure, but on the other hand, I am thrilled to death with how the season went. No one gave LSU a shot at having a winning record, let alone beating Alabama and winning the West division, so I am choosing to be grateful for a wonderful winning season after two seasons of mediocrity and looking forward to an even better, more glittering future for the Tigers. I have faith in Coach Kelly, I have faith in what he is building there, and who knows? In a year or two we may win it all again. GEAUX TIGERS!

In other blatant self-promotional news, I also appeared recently on Alexia Gordon’s The Cozy Corner, which was a lot of fun, and I also appeared on Dru’s Book Musing, and how lovely that she gave me such a wonderful view. Thanks to both Dru and Alexia, both being lovely people who have gone out of their way to be kind to me and A Streetcar Named Murder, for which I will always be eternally grateful. It’s hard to believe the book is going to be published soon! And don’t worry, there will be plenty more blatant self-promotion to come.

PLENTY.

I also spent some good time with the book yesterday and it’s not nearly as bad as I thought it might be, as I feared it would be. Yes, the first half needs some work, but not nearly as much as I had thought and I also went through and made a character list as well as outlined the first half. Tomorrow I am going to work on the edits and finishing the outline for the rest of the book; and I am also going to write in and ask for more time. I never finish on time, do I? But the book is good, there’s lots of material for the second half, and I am kind of excited about getting this one completely under control at long last. Huzzah!

We also binged 1899 yesterday; it’s from the same people who did the superlative German series Dark, and had the added bonus of having one of our favorite actors from Elité, Miguel Bernardeau, in the cast as well. It’s delightfully creepy and strange, and you never have a very good sense of what is going on (like Dark), so of course we were glued to the set the entire time. It’s quite good, actually; I’m not sure how I feel yet about the final episode other than curiosity about how that is going to lead into a second season–because the finale raised more questions than it answered (like a good finale), but I’ll be happy to continue watching.

I feel rested this morning, though, which is lovely. I am sure by the middle of the week I’ll be tired and short of temper again, but for now, for this morning, I am going to just enjoy myself feeling rested and relaxed in the meantime. I have, as always, an insane amount of work to get done this week, but right now I am going to enjoy the peace and quiet of this morning before I have to start getting ready to leave for work; I even got up earlier than I usually do on Mondays.

And on that note, I am heading headfirst into the spice mines. Have a lovely Monday morning, Constant Reader, and I’ll chat at you again tomorrow morning.