I will spare you, Constant Reader, the trials and tribulations of my medical travails; I have to see another specialist, and we’ll leave it at that for now.
I also had to research whether either of these specialists he referred me to actually take my insurance (they do) and then get to hope they can see me at some point before this gets even worse and more difficult to take care of. I spent the rest of the day cleaning and trying to put this bullshit out of my head, because all it did was make me angry all over again and, unless I am putting that anger to productive use, it’s just wasted energy. But I’m glad I’m making progress on this at any rate, and I suspect that a doctor will be the murder victim in a book I will write at some point in the next few years. I also made an appointment on Sunday to get the hearing aids process moving along–it would be so great if I could get them before the trip, wouldn’t it?–and so at least soon I’ll be able to hear again, and in about a month I’ll be able to chew again. Yay!
Always look at the positive. Life doesn’t give you anything you can’t handle; it’s how you handle it that matters.
I took a shower to wash the blech of the day off me–it’s amazing to me how that always seems to work and put me into a better mood. The symbolism of washing the negativity off of me is actually effective and works to somehow reset my brain. I also had a great mail day–picking up the mail on the way home and made groceries, too–in which I got the ARC of the new Margot Douaihy Sister Holiday crime novel (her debut, Scorched Grace, is fantastic) and Duane Swierczynski’s short story collection Lush and Other Tales of Boozy Mayhem, which I am looking forward to digging into. Paul got home rather late last night, but we did have time to watch an episode of Turn of the Tide–but I think I actually have lost the thread of the plot. But it’s entertaining enough, still. I do want to start watching Ahsoka on Disney–I’ll try anything Star Wars; so far Boba Fett is the only Star Wars series we didn’t finish.
I’m still behind on talking about the Alfred Hitchcock Presents stories I’ve read lately; but yesterday at the specialist’s office I started reading Brett Halliday’s story “Pieces of Silver” from Stories to Be Read Late at Night, and it was an interesting tale, if dated, and more than a little bit guilty of racism. I’d not read Halliday before, but I’ve heard of him; I remember seeing his Mike Shayne novels on the wire racks at Zayre’s when I was a kid, and i have one of his books Hard Case Crime reprinted, but haven’t read yet. It’s a very typical tale of its time, though–complete with the colonialist mentality toward the indigenous people of Latin America. The story is set in Mexico, and is about an ugly American-type who has come to the region looking for oil. I will say the ugly American is the villain of the story and every step of the way Halliday is very quick to point out the classism, racism, and toxic masculinity of Thurston, the American–the way he treats the locals he hires to take him up river into the jungle; the way he ogles and wants the teenaged daughter of an American expatriate who married a local girl–but while there is absolutely no question that Thurston wound up getting exactly what he deserved…it’s very hard to be sympathetic to the author’s view of Mexico as a still wild, exotic and extremely primitive place; he certainly doesn’t view the Mexican working class with the same respect as Katherine Anne Porter. (On the other hand, I’ve always been bored by Porter’s Mexico stories–because even in them there’s still an element of the privileged white woman viewing the plight of the poor Mexican working class from her lofty perch at a safe distance.)
Reading this story only served to further emphasize to me how tricky this short story from the past that I am currently trying to revise and finish will be. Originally set in the Yucatan (I wrote it after I visited the Mayan ruins there), it was one of those Alfred Hitchcock Presents/ Tales from the Crypt kind of stories, but in reviewing the story as I wrote it, I fell into the trap Halliday did with his story–making the native people exotic and othered; mysterious and primitive. I am sure there are still poor people living in remote places in Mexico, but this isn’t the way to write about them. I’d been thinking of moving the setting of my story from Latin America (in this revision, I created a fictional country) to the Aegean–like there aren’t plenty of Greek myths to build the story around, make it seem real, and of course I can create a mysterious remote Greek island no one ever visits and no one would blink twice. I just haven’t been there myself, but I need to snap out of the mentality that I can only write about places I’ve been. It does help, of course, but…when you’re creating a fictional place, you’ve never been there. No one has.
And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I will check in with you again tomorrow.
I sometimes wonder how dramatically different my life would be had my parents not migrated to Chicago when I was a child to provide us with a better life than we could expect in Alabama. I’ve always been somewhat grateful to them for this, because I can’t imagine or fathom what growing up in the rural South would have been like for teenaged gay Greg; Kansas was bad enough. But my heart will always have a place in it for the state I was born and where my parents grew up (and will both eventually be buried), and whenever I mine Alabama for fiction, it always comes up roses.
I was enormously pleased and flattered to be asked to participate in the Crippen and Landru anthology School of Hard Knox, and the last thing I was expecting was to get a co-editing credit. Art, Donna, and publisher Jeffrey Marks (a fine writer in his own right; check out his novels and short stories) did the majority of the heavy lifting; my contributions were more along the lines of sending an email cheering the others on or giving a thumbs up/thumbs down to a design question.
The premise of the anthology was that Father Ronald Knox, a scholarly clergymen, had come up with the ten commandments for writing crime fiction during the Golden Age, and each of us could chose a commandment and write a story breaking it. Obviously, it was pretty clear to me that Rule 2 was perfect for me:
All supernatural or preternatural agencies are ruled out as a matter of course.
And I knew precisely which story in the archive I could revise and rework to break this commandment and fit perfectly into the book, “The Ditch.”
I also cannot believe who I am sharing the table of contents with. Check out this talent!
Now THAT’S a table of contents! Not sure what I am doing there with these amazing writers, but I am most pleased to be there.
And this is how my story, “The Ditch,” opens:
I‘d just finished reading my book–The Hardy Boys, The Secret of the Lost Tunnel— and was reaching to turn off my bedside lamp when my phone chirped on my nightstand to let me know I’d gotten a new text message. I frowned. It was just past ten on a weeknight. Sure, it was summer, but Mom and Dad were strict about phone usage after eight o’clock. My orange-and–-blue Auburn Tigers clock, hanging just over my desk, read a few minutes past ten [on a weeknight]. I picked up the phone and looked at the screen. My wallpaper was a photo of me standing on a white sand beach on the Florida gulf coast.
I need your help. Come over! Please! Emergency!!!
It was from my best friend, Zane Tidwell.
I closed my eyes and exhaled. Classic Zane, always sending desperate–sounding text messages expecting me to drop everything and rush right over. Everything was an emergency to Zane, from not getting his homework done to failing a test to not having any clean underwear to having a nightmare of some kind—all of these things qualified as emergencies in Zane’s brain. He worked himself up into quite a state over the stupidest things.
“The boy who cried wolf” was all Mom would say.
The problem being, sometimes it was an emergency, like that time he broke his arm when he was home alone, or when his mother fell and hit her head, or when his dog ate rat poison.
He always counted on me keeping my head on straight and not panicking and solving the problem for him. We’d been best friends ever since we were little boys in Bible study, and things had always been this way.
I was the calm one and Zane–well, Zane was a drama queen.
He knew I wasn’t even supposed to use my phone after eight, let alone leave the house after ten.
I typed out you know I can’t it’s too late to leave the house and if I get caught they’ll take my phone and ground me forever with my thumbs.
Please you have to come I don’t know what to do I am really in big trouble now PLEASE!!!!
I stared at the screen. In big trouble? What did that mean? But if the needle on the Zane drama-meter was going up, he wasn’t above calling me on the landline.
And that would send Mom and Dad over the edge.
I sighed. I was going to have to go over there.
“You’re more trouble than you’re worth, Zane Tidwell,” I whispered, typing out Be there soon and hitting send.
“The Ditch” is an Alabama story, of course, and has a teenaged protagonist (I’m not sure why I always write about Alabama from a young person’s perspective; probably because most of my memories are from childhood, I suppose) whose name we never really know. The ditch is actually a real place; my main character’s house is based on where my aunt and uncle lived–which is where we would visit–and about twenty or so yards behind the house was this ditch–or rather, what they called ‘the ditch.’ (I’d share a photo from Google Earth, but all it looks like from the air is a line of trees.) We used to spend a lot of time playing down there, and of course to me as a child it seemed enormous, but it’s probably a lot smaller in reality than I remember (everything seemed enormous to me when I was a child). I never knew what created the ditch, or why it was there, but it’s very similar to what I describe in the story, if smaller. There was all kinds of garbage down there–broken bottles, rusting cans, and so forth, so we were never supposed to go down there barefoot. I also remember that when we were in the ditch we weren’t visible to anyone not standing on the edge–which was a bonus for us as kids. The rope swing was also there (and now I think how fucking insane was it that adults let kids play like that? You could break your neck falling off that thing!) and I’ve also included the ditch in another, unfinished longer piece. There was something creepy yet idyllic about the place, and of course whenever I think about it as an adult it’s always what a perfect place to hide a body! What a perfect place for a ghost! and so on.
I wrote “The Ditch” originally for another anthology’s open call, but I knew when I finished it and turned it in it wasn’t going to get selected. (I was right.) I also knew it needed to be revised and the ending changed as well as some other things (minor but important) but had never gotten around to getting the revision done. So when this opportunity presented itself, I was going to use a different story but had some trouble with its ending and then was despairing when it hit me: you know how to fix “The Ditch” you just haven’t done it yet, so stop spinning your wheels with this one and do that instead, so I dug back into it and really had a great time with the revision. I’m very pleased with how it turned out, and I hope you will be, too!
(Ironically, this week the ending to the other story popped into my head, so I will be working on that this week, too.)
Sunday morning in the Lost Apartment, and all is well.
Yesterday started well, but I got very tired in the afternoon after running errands. By the time I had the groceries put away and emptied the dishwasher, I was tired. I repaired to my chair for a bit with a protein shake (I read another Alfred Hitchcock Presents story, “Edward the Conquerer,” which was really a lovely story that turned horrifically dark at the end; I think its author, Roald Dahl, has been found to be problematic in the modern era, and after reading this story, all I can say is good.) and then tried to do some other chores and things around the house while letting ideas cook in my head. I hate this exhaustion that comes and goes ever since COVID last summer; while I am grateful it doesn’t happen all the time, I hate when it does because it’s very derailing. My mind can’t really focus while I am feeling that exhausted, too. I think the heat triggered it yesterday–and more regularly lately, too; I usually am fine when I get off work but just being out and about in the heat? It’s no wonder I’m exhausted when I get home.
Of course I am concerned about all my Southern California friends, who are in the path of a massive Pacific hurricane, which is just insane. I am hoping the colder Pacific water will have a deleterious effect on the size and power of it. And even if it does come ashore as merely a tropical storm…southern California isn’t built to handle a storm like that. There’s going to be so much flooding, and mud slides, and damage to highways and roads and low-lying areas. And what happens when winds that strong come through the desert? Does it pick up sand? Yikes indeed. And instead of laughing at Californians who’ve never experienced tropical weather before and don’t know how to handle it or what to do the way the rest of the country laughs at the South when we have a blizzard, I will send them positive energy and hope everything turns out well for them and they remain safe and unharmed. At least it’s down to a category one now before it hits this afternoon. STAY SAFE CALIFORNIA FRIENDS, PLEASE.
And yes, today is my birthday. Sixty-two, to be exact, which is in and itself a kind of miracle. I slept okay for the most part, and woke up shortly after seven, as per usual. I’ll probably try to get some stuff done this morning–writing wise, writing waits for no man–but will probably take the rest of the day off to read and chill out and relax, overall. I certainly never thought I would make it this long and this far, to be honest. It isn’t bad. I don’t have the energy I once had, I tire out a lot easier than I used to, and my memory is a thing of the past, but it could easily be much worse. I get aches and sores and pains more so than I used to, but that’s part of the price you pay for living longer. We’re in another heat advisory, and I think Mercury is about to go retrograde again (yay). Paul went out with some friends last evening and wasn’t home by the time i went to bed, and I watched Youtube videos while aimlessly trying to find something to watch. I also rewatched an old black-and-white suspense movie on Youtube that I watched and enjoyed as a kid, The Spiral Staircase with Dorothy McGuire, George Brent, and Ethel Barrymore. It was based on the novel Some Must Watch by Ethel Lina White, which I’ve not read but have on my Kindle app, but it wasn’t as good as I remembered…it was actually not very good at all. (Sidebar: I am amazed at how many old movies were based on books…which often turn out to be better than the movies based on them–which is nothing new.)
I read some more stories last night as well: “By the Scruff of the Soul” by Dorothy Salisbury Davis, which was in Stories That Go Bump in the Night and “The Cocoon” by John B. L. Goodman, from Stories for Late at Night. I did enjoy both stories–the Davis in particular–and of course, reading the three stories I read yesterday gave me the answer on how to finish another story of mine that is incomplete and I didn’t know how to finish. I’m actually finding the answers to a lot of my short story problems by reading these marvelous old Alfred Hitchcock Presents anthologies. It’s never too late to learn, after all, and I am itching to get to work on these stories again. I also need to get back to work on the WIP. Sigh. Why is there always so much writing that needs doing? I need to be writing. I did finish my blog about writing Mississippi River Mischief; I do need to finish writing the blog post about the other release I have coming out this fall that I’ve not told you about yet. I also need to do some cooking this morning–I want to try to make meatballs again, so I can take them for lunch this week–and some cleaning and organizing, too. I was terribly lazy yesterday, worn down a bit, as I mentioned already–I did literally nothing for most of the day after completing my errands–but that’s fine; obviously I needed the rest. I also need to unload the dishwasher and make salad (not a euphemism). I think I may even go so far as to treat myself to a cappuccino this morning; I’ve not used those accoutremént in quite some time, and that energy boost would be rather welcomed this morning. I always worry about my sleep, though, and since tomorrow is the start of another work week…heavy heaving sigh. Maybe I can set it up tonight so I can just turn it on tomorrow?
Ah, well, and so it goes.
And on that note, I am going to bring this to a close and head into the spice mines for a while. Have a great Sunday, y’all, and I’ll check in with you later.
And somehow, almost twenty-one years have passed since Scotty Bradley burst forth into the world with Bourbon Street Blues, one of what I hoped was the most unconventional and original amateur sleuths in the history of crime fiction. This is neither the time nor the place to again tell the story of how I created him, or how what was supposed to be a one-off stand alone book became a series spread out over twenty years (!!!); I’ve told those stories endlessly over the last twenty years both here and on panels. But Scotty remains very precious to me all these years later, and I still care about getting him and his life right on the page. I don’t torture him or make his life as miserable as I do Chanse’s (poor, poor Chanse), but he has his own problems and issues that he has to face–but his endless optimism and willingness to face things head on and deal with them, rolling with the punches and always getting back up, has never once wavered in all the years I’ve been writing him. I love him, his family–even the stuffy Bradley side; I love that the unconventional family their son married into pushes every single one of their buttons–and I love his New Orleans.
The other night I was scrolling through Youtube and, just for the hell of it, searched for a song that I’ve been trying to find a digital copy of for my Spotify or Apple Music accounts; Erin Hamilton (Carol Burnett’s daughter) remade Cheap Trick’s “The Flame” as a dance song (she also did the same with that old 1970s classic, “Dream Weaver” and I prefer her versions to the originals), and I love the extended remix. I found the video on Youtube and as I listened to it, it brought back a lot of memories of going out to the gay bars, hitting the dance floor and staying out there all night, getting caught up in the music and just having a great time. I think this song predated the turn of the century, so it’s a late 90’s recording…anyway, it really made me think, put me back into a Scotty place in my mind, and as I listened, sang along, and bopped my head, the next Scotty book started forming in my head….and I realized that’s been part of the disconnection I felt writing the last few Scotty books; sure, I could and can still write him, and sure, I could get back into his head space, but it was much harder for me to do than it used to be. I thought it might be because I don’t go to the Quarter at all anymore, or that I don’t spend any time in gay bars anymore; that I don’t know what it’s like to be a gay man in his forties (almost fifties) today–my own memories are of a completely different world than the one we live in now. But now I know what I was doing wrong–I was listening to the wrong kind of music while writing him. If I want to ease back into Scotty’s mind and world, I need to listen to dance music I used to hear in the gay bars.
And can I say that it’s a real shame that it’s so hard to track down old gay bar dance remixes?
Knowing this means I’ll probably keep going with Scotty for a while longer, at any rate. I love him, I love the character, and I know I’ve been avoiding dealing with some things in that series that will eventually have to be addressed…but it’s absolutely lovely to know that I can slip back easily into his mind-space just by listening to great old gay dance remixes.
“I think we should turn it into a home gym,” I said into the gloom. “I mean, wouldn’t it be great to just have to go downstairs to work out? And we can put in a sauna and a steam room. What do you think, guys?”
It was the Monday night after Mother’s Day, and the termites were swarming.
That was why we were sitting around the living room in the dark. The only illumination in the entire building came from two blasphemy candles, flickering in the center of the coffee table. Modeled after Catholic prayer candles, one had a picture of Drew Brees in his Saints jersey with a halo and heavenly light shining on his head with the words Pray to Breesus around the base. The other was St. Chris Owens of Bourbon Street.
So, yeah—blasphemy candles. They’re very popular here.
Yet even the scant pale light from the teardrop shaped flames was enough to draw an occasional scout termite from the gloom. We wouldn’t see it until it landed on the glass lip of one of the candles, before dive-bombing into the flame. There would be a brief sizzling sound, and then the yellow flame flickered and turning briefly reddish as the termite immolated. Once it was consumed, the flame would be steady and yellow again.
The swarming rarely lasted more than an hour, but that hour seemed to last an eternity.
Termites have always been the bane of New Orleans’s existence. The domestic kind were bad enough. Houses and buildings were tented to get rid of infestations, the bright yellow and red stripes announcing to the world that a termite Armageddon was happening inside. The city’s original termite problem had grown exponentially worse since the particularly vicious Formosan variety had hitched a ride on a freighter to the fertile feeding grounds of our old, mostly wooden city shortly after World War II. The dampness of our climate must have made them feel like they’d arrived at termite Disney World. The little fuckers love wet wood, so the entire city was an all-you-can-eat buffet. They’d killed live oaks that had survived hurricanes, destroyed historic homes, and I’d heard that they could even chew through brick and mortar.
Maybe that was an urban legend, but it wasn’t one I was interested in proving.
Formosan termites swarmed.
The first rule of surviving Formosan termite season was speed. Every source of light had to be turned off the moment you spotted the first scout. They’re drawn to the light, like moths, but unlike moths, they’re drawn to the light in the hundreds of thousands, turning your home into a scene from Cecil B. DeMille’s ultimate cheesefest The Ten Commandments. The big streetlamps along Decatur Street outside drew the swarms, horrifying clouds of little monsters flying around, frantically trying to mate while shedding wings like revoltingly nasty snowflakes.
It is incredibly hard for me to believe that I have written seventeen or so books and countless short stories set in New Orleans and never have once addressed the swarms of Formosan termites we live through every spring. They return after Mother’s Day and haunt us in the evenings, usually between eight and nine pm, until Memorial Day, give or take. They aren’t a nightly occurrence, thank the heavens, but they are usually at their worst on Mondays and Tuesdays. No one had warned Paul and I about them, so the first time we were swarmed we didn’t know what to do. Remembering that horror from the old apartment on Camp Street (we had a massive security light attached to the house right outside our living room, so any light at all inside would draw clouds and clouds of them inside), how was it possible I had never written about the Formosan termite swarms? And with Scotty having bought the building on Decatur Street from Millie and Velma–who I sent into retirement along the Gulf Coast of Florida–and learning about the responsibilities and drawbacks to being a New Orleans home-owner, as well as trying to figure out how to redesign the interior for more functionality as a single-family dwelling? Of course, the question of what to do with the empty retail space on the first floor would be an issue; I wouldn’t want a living space right on the sidewalk of Decatur Street at any time of day or night or month or year. I also wouldn’t want to deal with renters, either, and thus neither would Scotty. But the space can’t just be left vacant, either. So, I thought it would be a great way to open the book with them sitting out the swarms in the dark, with a couple of candles lit, talking about the renovation plans?
After I finished writing Royal Street Reveillon, I was pretty damned pleased with myself. I thought it was perhaps the best Scotty book of the entire series, and reflected my growth as a writer along with Scotty’s growth and development as a character. When I finished it, I had the thought I always have whenever I finish writing a series book: maybe that should be the last one. But I immediately dismissed that thought from my head; I had left something in the personal story of Scotty and the boys hanging with a bit of a cliffhanger, so I knew there had to be one more book at least to tie off that loose end. I was also thinking about a local-ish political scandal of the last decade–the usual, a conservative Christian pro-family politician outed for having an inappropriate relationship with a teenager (who was over seventeen, the age of consent for boys in Louisiana), and a political powerhouse dynasty that had ruled a near-ish parish for generations was dead in the water. I had been thinking a lot also about taking Scotty and the boys outside of New Orleans and the safety of Orleans Parish for an adventure; as my knowledge of Louisiana grew exponentially along with my study of the state’s history, I really wanted to set a book in a part of Louisiana I could fictionalize and have some fun with. I had already created a couple of fictional parishes and towns in previous work; The Orion Mask particularly was set in fictional Redemption Parish–but Redemption wouldn’t work for this one, so I needed another one.
While I was thinking this through, I remembered that two Nancy Drew mysteries were connected to New Orleans–she was only here for a couple of chapters of The Ghost of Blackwood Hall, but most of The Haunted Showboat was set here, or just outside of the metropolitan area (a quick reread showed that “Carolyn Keene’s” Louisiana and New Orleans bore no resemblance whatsoever to the reality…but I knew I had a Nancy Drew Easter egg in Bury Me in Shadows (Blackwood Hall), and I wanted to put one in a Scotty book–so why not a showboat? The ruling dynasty of the invented parish–St. Jeanne d’Arc, for the record–was given the same name as the relatives of Bess and George’s that they and Nancy were visiting in The Haunted Showboat, Haver. I even named the house in Mississippi River Mischief the same name as the Havers’ home in The Haunted Showboat, Sunnymeade.
And yes, the Havers’ showboat/gambling casino was also named the River Princess.
I originally planned on the case coming to Scotty through his sort-of-nephew, Frank’s blood nephew Taylor; someone he met in group therapy (which he is doing to help get through what happened to him in the previous book), or possibly even a boyfriend, someone he’s seeing. I could never get it to work right…and finally, I realized it couldn’t come from Taylor. Taylor is going to continue growing as a person and as a character, but this was too soon after his own trauma for him to be trying to help other people. And then I remembered David, Scotty’s best friend, the music teacher. David’s not been in a book since Mardi Gras Mambo, but I’ve never forgotten about him. And it made sense–David has moved on from his old school and now teaches at NOCCA (our local Fame high school), and the kid is one of his students–and David finds out by confiscating the kid’s phone in class. I wanted to create a character based on this absolute sweetheart of a young man I met; I don’t remember how we met, but friends of a mutual friend were in New Orleans, and wanted me to meet them for drinks…and they had a daughter who went to school here. The kid was a friend of hers, absolutely adorable and sweet, and a ballet major at Tulane. After the daughter and her friend left, the parents immediately turned to me and asked me, “is he gay? <The daughter> think so, and so do we.” What I should have said was, “Well, he’ll let people know if and when he’s ready”; what I actually said was “absolutely.” (I did later find out the kid did eventually come out; wherever he is, I hope he is happy and living his best life. He was so sweet and charming and likable…) When I started writing the character, I made him unlikable, arrogant and sure of himself and his own beauty, and the effect it had on other people. That was wrong, and I went back and made him more of a naïve kid, with a strong sense of right and wrong; and the story worked a lot better. It wasn’t like Scotty to be so judgmental about this kid; if anything, especially after what happened to Taylor, he’s be super-protective.
And this tale–the corrupt old politician and the beautiful teenager working at the food court at Lakeside Mall–gave me a chance to dig into something from Scotty’s past that’s never been truly explored: that his first lover was his high school wrestling coach when he was about fifteen/sixteen. This came up in Jackson Square Jazz–which of course has been unavailable for thirteen years–and I always meant to circle back around to it, just never did…but over the years there have been throwaway lines in books about how Scotty has always preferred older men (Frank is fifteen years older; we’re not really sure how old Colin is), and so to bring it up again in this instance? Yes, perfect.
I loved my story about the corrupt politician, the wrecked showboat in St. Jeanne d’Arc Parish, and the teenager, but something was missing.
I realized two things: something very important was missing, and the crimes of the Haver family were just too big and too many to fit into this book, so I chose to focus on only one…and then the Murdaugh case broke. The Murdaughs were a real life Haver family, and their crimes were almost exactly the same! So, I ripped one of their crimes from the headlines and made that the primary focus of the story, and it was the right choice: the book started falling into place and the story began flowing. I was very nervous about the book–slicing out all the other crimes while building up only one was tricky, since they were all woven through the entire manuscript and the new one had to be as well. I also wasn’t sure if the subject matter was handled appropriately; the old/young daddy/boy thing is the gay community is often mistaken for something much worse than it is, and talking about gay teenagers’ sexuality is also kind of a third rail. But I trust my editor, and she loved it.
Saturday morning and my birthday eve. Yes, it’s tomorrow; Gregalicious hits the big 6-2 tomorrow. It’s been a hell of a year since my birthday last rolled around, and to say that I am in a much better place today than I was a year ago on this date would be putting it mildly. I didn’t know, for example, that I’d lose both my mother and my cat before my next birthday. It does seem weird to not have a cat on my birthday; this is my first cat-free birthday since we first got Skittle all those years ago when we lived in the carriage house. At this time last year I was trying to get my shit back together after having long COVID, but other than that I really don’t remember much of what was going on last August, to be honest. I suppose I could go read last year’s entries around these dates, but maybe it’s best not to remember. Who knows?
I did manage to get over to the West Bank Office of Motor Vehicles, and after what seemed like forever, I did finally get my Louisiana Real ID/driver’s license, and the new picture is even worse than the old. (Why do they tell you to lower your chin and look down? Everyone knows that will result in a much worse picture.) But I also made groceries, grabbed Five Guys for lunch, and then came home to finish my work-at-home chores. I managed to get the bed linens laundered and did some picking up around here. I also read some more of the Alfred Hitchcock Presents stories, which was fun. I dipped back into Stories to Be Read Late at Night, originally published in 1962. I read “Evening Primrose” by John Collier, which was interesting and creepy, about ghosts living in a department store, and “The Sound Machine” by Roald Dahl, which was creepy and strange and everything I would have expected from a Dahl story. I’d not read anything by him before, but I know he wrote Charlie and the Chocolate Factory, as well as the short story one of the more famous Alfred Hitchcock Presents episodes was based on–the one where the wife kills her husband with a frozen leg of lamb, which she then cooks and serves to the investigating officers. The story was, as I expected, creepy, macabre, and one of those stories where you aren’t sure if what you’re reading is happening…or if it’s all a product of the narrator’s fevered, slowing disintegrating mind. It was interesting–but both of these stories reminded me yet again of how limited my imagination and creativity is when it comes to writing short stories; why not expand my mind and try things that are different and outside of my comfort zone, and what better place to try experimental writing and experimental creating than in a short story rather than a novel? The key here is to remember that anything is possible and to not either fear trying out new things or limit myself by saying oh you can’t write that.
Because I can write anything.
I do have to go out into the heat today–mail and a few things to pick up at the store–but I’d rather not go out into the heat. Yesterday didn’t seem that terrible–it was in the high nineties but the humidity was lessened, it seemed; although it was hot as fuck, don’t get me wrong, I handled it better yesterday than I have the rest of the summer–which leads me to believe it wasn’t as humid and the heat index not as high. That, or I am getting used to it, and that’s appalling. No one should get used to this.
I also wrote a lengthy entry about the genesis of Mississippi River Mischief, as well as one about the other book I have coming out this fall that I’ve not really talked about; I also worked on my short story revision a bit more last night before collapsing into my easy chair. We watched more Awkwafina is Nora from Queens, which is amazingly funny–she really can do anything–and then retired for the evening. I slept really well again last night, which was wonderful as always; I love when I sleep well, and so hopefully I’ll be able to get a lot done today. I also want to spend some time reading this morning as well–either short stories or getting back into Kelly J. Ford’s The Hunt, which is fantastic; I just haven’t had the bandwidth mentally lately to focus on reading a novel.
It feels very cool in the apartment this morning, which is, as always, a lovely thing. I’ll probably post the entry about the new Scotty book at some point this weekend; at some point this weekend I’ll also finish the entry about the other book I’ve been so mysterious about now for quite some time. I also have a Bible entry I want to finish writing, but I also need to go back and read some appropriate Bible passages to make sure I am remembering correctly; and of course, there’s nothing I want to do less than read some Bible passages.
And on that note, I am heading into the spice mines for the morning. Have a great Saturday, Constant Reader, and I’ll probably check back in with you again later.
Work at home Friday, after I run some errands and take care of some things this morning. I have to go to the OMV to get a real ID (driver’s license expires Sunday), and since I am going over there, I am going to swing by the West Bank Petco to look at kitties (the SPCA has some they’ve farmed out to Petcos). That’s an exciting morning, isn’t it? I am taking Kelly J. Ford’s The Hunt with me, so I won’t be bored and since I have to sit around and wait, I might as well read. It’s been bothering me lately that my attention span just hasn’t been there for novels since the heat wave broke me several weeks ago–which is when I switched over to short stories in the Alfred Hitchcock Presents anthologies–and I’d like to get this book read before I leave for Bouchercon, primarily so I can hopelessly fanboy over her all weekend (I’ll also be fanboying over Margot Douaihy all weekend, too, among many others as I always do at Bouchercon). I’ve already picked out my books to take with me on the trip (the latest S. A. Cosby, Alison Gaylin, and Laura Lippman will be going to San Diego with me, with Donna Andrews batting clean up), and also already know I will probably get no writing done while I am there. I don’t really have anything due–there will be page proofs for Mississippi River Mischief to go over at some point–but everything else is up in the air for now.
I did manage to get the edits taken care of on Mississippi River Mischief and turned it in last night, so other than the afore-mentioned page proofing, it’s effectively finished. Since the other book–I’ll post about it this weekend, no worries–is also finished and now out of my hair, I have nothing pressing at the moment. Woo-hoo! I also picked up the mail and stopped at Fresh Market to lay in supplies for a weekend of not getting into the car at all. I wrote for a while, and came to a realization about this short story I could never get to work that I’ve been revising, so I am going to go into author mode and talk about writing, so bear with me.
This particular story, “Whim of the Wind.” was the story I wrote when I took creative writing again after switching universities after my first horrendous creative writing experience (if I haven’t said it enough, the professor told me I’d never be a published writer). This story was beloved by my class and my professor, who told me I should submit it to literary magazines. I did a few times, it was always rejected, and there was a slight flaw in the story–but no one who read it could ever give me any insight into how to fix the story. It was also my first Alabama story, my first visit to my fictional Corinth county, and so it’s always kind of been precious to me. I never could figure out how to revise it or what to do with it…but as I’ve been revising it (it’s now twice as long as it was, and I’ve not finished), it’s been changing some. I think what everyone was responding to was the voice–I’ve used it again since, and people always respond to that aspect–and really, as long as the voice is intact and preserved, that’s all that really matters. I also realized last night something else–I was having to change the climactic scene in the story, and as such had to come up with a different Civil War legend to build it around–and I realized this story, along with two other, had been written using the same trope, that I have since learned was apocryphal–the evil Yankee deserter. I wrote this story using it, I wrote “Ruins” using it, and I wrote another, “Lilacs in the Rain,” also using it (that story has morphed into a novella renamed “The Scent of Lilacs in the Rain”); so yes, I wrote three short stories based on the same, apocryphal, Civil War urban (rural?) legend. Bury Me in Shadows evolved out of “Ruins,” and I blew up the trope in that book; that was the “Yankee deserter” story I was meant to write. So, the other two need different legends, and I found a good one for “Whim of the Wind”–but again, a delicate subject I’ll need to be very careful with–and now maybe I can make “The Scent of Lilacs in the Rain” actually work, now that I know what I need to do with it. I am also having a lot of fun looking into Alabama history and finding these great legends and stories and folk tales that I should be able to find something to use.
I slept really well last night, and feel pretty good this morning. Don’t feel so great about having to go to the West Bank, but that’s okay; it’s a routine change I can live with, and I can actually do my weekend grocery shopping over there as well–and I can get Five Guys to bring home for lunch. I think after that I will have laid in enough supplies to not have to leave the house for the rest of the weekend–I may go get the mail tomorrow–and I want to clean, organize, read, and write all weekend. Paul got home late last night (another grant) so we didn’t get a chance to watch anything last night–he walked in while I was watching a Youtube documentary about the usurpation of the English throne by the House of Lancaster that set the dangerous precedent (for kings) that incompetent ones could be overthrown and replaced…and eventually led to the Wars of the Roses. I also was watching some videos–someone did a series of the greatest plays in LSU football history, which was very fun to watch and relive (I really should do an in-depth post about my love of LSU football; not that everyone who’s paying attention doesn’t already know about it, of course, but I love football and it’s fun for me to write/talk about it. I also find the fandom interesting, too.)..and they were grouped by stretches of time, eras, if you will (2007 season got its own video)–and also guided by the scarcity of available digitized video from the far distant past. (I was also thinking “don’t the networks that originally aired the games have tape? Can’t it be digitally remastered? I know the SEC Network has done this with some classic games from the past; it’s a project the NCAA should back fully, as it’s the history of the sport.) It’s very fun to revisit past games and my memories–LSU is never boring to watch, ever–and I am very excited about the upcoming season, both for LSU and the Saints. I worry that everyone is over-hyping LSU (something I always worry about) but given the over-performance from last year, it’s kind of understandable, really. LSU came out of nowhere to win ten games, beat Alabama, and beat both Florida and Auburn on the road in the same season for the first time in program history. So, yeah, understandable. I was thinking before last season that it was going to have to be a wash–new coach, rebuilding after two down years, etc.–and that this year would be the one where the Tigers would make a run. I am excited for our new quarterback for the Saints, too–he, like me, also went to Fresno State, so I have even more reason to root for him and like him–and they seem to be doing well in the preseason. GEAUX SAINTS!
I did work on the revision of “Whim of the Wind” yesterday–it’s amazing to me that I’ve taken a story that barely over two thousand words and added another almost three thousand to it, and it still isn’t done–but I am feeling good about the story, now that I’ve recognized my attachment to it that actually was hindering me from revising it. It’ll always exist in that original version, after all, and nothing I do to it in current or future versions are ruining that precious first version that meant so much to me as an aspiring writer. Sentimentality–the very thing I am always trying to guard against when it comes to almost everything in my life–got the best of me with this story. The other story I turned it at the same time, which I’ve also never been able to correct, perhaps now I can fix it, too. I had thought about expanding the other one (which is actually incredibly problematic on many levels by modern standards) into a novel, and perhaps I still will; I’ve started slowly world-building around the panhandle of Florida the same way I have with Corinth County in Alabama, but there’s no crime or mystery or supernatural thing going on in that story; so it would be a coming-of-age romance….but I may know a way (that just came to me) and there were some other ideas about it, too. You never know, right? Why not riff for a while and see what comes up?
I’m kind of getting excited about writing again, can you tell?
And on that note, I should start getting ready for the OMV and get that hellish experience over with once and for all. Have a lovely Friday, Constant Reader and you never know–I may be back later.
Your biweekly Pays the Bills Wednesday had somehow rolled around again, and yes, I have bills to pay before I put my sleepy head to rest tonight. I slept very well last night–didn’t even hear the alarm at first this morning–and certainly didn’t want to get up; the rain, however brief it was last night, apparently dropped the temperature and so it’s actually cold in the apartment this morning; I suspect the coldness overnight inside was part of the reason I slept so deeply and well, only getting up once. (It’s a chilly 79 degrees outside right now; I may need a jacket after this summer’s blistering heat.)
In very exciting news, I got my edits for Mississippi River Mischief yesterday, and my editor loved my book. Cue enormous sigh of relief. I was worried (I worry about everything) that it wasn’t good and that it didn’t do what I wanted it to do, but I can now breathe a sigh of relief. I am starting to feel–partly from all these Alfred Hitchcock Presents short stories–a lot more confident, more brave, and perhaps even more daring about my work and what I try to accomplish with what I am writing. John (Copenhaver, you can check out his books here, thank me later) asked so many smart and insightful questions of us on the Queer Crime Panel (which you can watch right here!) on Sunday afternoon–as well as listening to the brilliant answers given by my oh-so-talented co-panelists (Renee James, Robyn Gigl, Margot Douaihy, and Kelly J. Ford) made me start looking at my work, what I do with it, what I am trying to do with it, and what I can do with it. I’m starting to feel inspired again, which is absolutely lovely, and even if my creative ADHD is really flying off the charts lately, it’s been kind of nice. I’m always afraid I’m going to stop having ideas or being able to write. *shudders at mere thought*
But I ran my errands and got home relatively easily and efficiently, and I beat the short thunderstorm home. It didn’t last near long enough, but maybe it cooled things down a little for a bit, which is all any of us can even dare to dream of at this point in the summer. I got two more Alfred Hitchcock Presents anthologies at the post office: Stories to Be Told With the Lights On and The Master’s Choice. What I am really loving about these stories is they kind of exist in that shadow world between crime and speculative fiction. I should probably turn this into a project, as I tend to do to everything at some point. I am learning from every story I read, and I am also working on my critical skills while I do. What didn’t I like about this story? How could it have been made better? All of these things are subjective, of course, and then I also kind of try to analyze why I didn’t like the things I didn’t like; I think the concept behind every story is a good one–and authors don’t always succeed in pulling off what they are attempting with, and for, the reader.
I kind of was dragging a bit yesterday, and kind of have been all week thus far. I think part of it is the readjustment to Paul being home and my supervisor being back after her unexpected and unforeseen absence, which mirrored his almost exactly. But I am also digging myself out from under the malaise or whatever has been gripping me recently, and I really need to get back to the writing. I wrote a little yesterday, but not nearly enough–fatigue and inability to string a sentence together forced me to give up about one hundred words in. But it was a hundred more words than the day before, and it whetted my appetite a bit. I also did some more mindless research into the historical period I am thinking about setting a book in, which was interesting. It’s not really world-building since the world existed at the time, but rather world-reconstructing. This weekend I am going to try to get more writing done, and hopefully we’ll also be getting a cat (fingers crossed). I think the heat wave is going to be continuing, with a bit of a break; the temperature isn’t supposed to go above 93 today, which means no 120+…and how sad it is that it’s being called by local meteorologists (I think they’re in on the joke, however) a “cold front”?
Bouchercon is nigh, and my birthday is this weekend. I am trying to fit in a lot before San Diego because I am having oral surgery the Friday after I get back (at last) and at some point I’m going to probably have to have surgery to repair my left biceps (sorry if I’ve mentioned this before) so I don’t know how I will be or how long the recovery will be or what I’ll be able to do or deal with during said recovery. This is part and parcel, one supposes, of the decline and decay of my body as I get older, and it’s not like I ever took super good care of it before. Hell, when I was a personal trainer teaching aerobics I smoked cigarettes and spent my weekends drinking in the gay bars. (Facebook memories recently reminded me of how and who I was when I first broke into print with my first novels and short stories…my naïveté was really something. I was always who I was, only now I was a published author and I dressed like, well, like I always did. I rarely wore pants! I was always either in sweats, workout shorts, or shorts; T-shirts and sweatshirts and tank tops. That will be a topic for another time, though.) I’ll be sixty-two this weekend. Sixty-two! Lord, that will be an interesting blog post to write.
I also realized last night that this year the Scotty series turns twenty! I wish I had thought about that ahead of time; I could have done something to celebrate and mark this landmark in the series. Maybe I’ll do a Scotty-centric entry; I should be doing that anyway since Mississippi River Mischief is coming out this November….it was a bit of a jolt to realize it’s been twenty years–over twenty years, actually, since Bourbon Street Blues was a spring release–April 1 or May 1, I am not sure which. Twenty years of Scotty. My God, I can hardly believe it.
The joys of birthdays once you’re past a certain age, I suppose.
And on that note, I am. heading into the spice mines. Have a lovely, lovely Wednesday, Constant Reader, and I’ll check in with you again tomorrow. Or later; one never knows.
Ah, Monday morning and back into the office with me. I slept a little late yesterday, got up feeling very refreshed and rested, then spent the morning doing research, some touch-up chores, and some reading. I also did some writing before my 5 pm EST panel, moderated by the marvelous John Copenhaver and including four of my favorite queer writers: Robyn Gigl, Renee James, Kelly J. Ford, and Margot Douaihy. They were all brilliant, and I was my usual incoherent rambling mess who then proceeds to forget what the actual question was. I should probably prepare for these things, but why start now? After all, no matter how much I prepare, my co-panelists will always be incisive and insightful and intelligent and I will be….Gregalicious.
I did finish reading the remaining short stories in Alfred Hitchcock Presents My Favorites in Suspense, and enjoyed all three–and again, like the others, reminded me the only thing limiting my short stories in what I write about and try to accomplish is my own insecurities as a writer and laziness about doing research. The final three stories (“Treasure Trove” by F. Tennyson Jesse, “The Body of the Crime” by Wilbur Daniel Steele, and “A Nice Touch” by Mann Rubin) were all marvelous, all containing that delightfully nasty twist at the end that is so reminiscent of so much of Hitchcock’s television shows and anthologies. Reading these stories–these old anthologies–has really been quite an education in short story writing–and I’ve also learned a lot about my own limitations when it comes to my creativity and what is possible. I need to, as I said the other day, write precisely the things I don’t think I can, or have the knowledge or skillset to tackle. If it’s a research issue, write the fucking story first if the research is fucking intimidating and make the research part of the editing/revision process. It’s really not as hard as I make it out to be for myself all the fucking time, seriously.
If there’s a way to make it harder I can assure you I will find it.
I also read the first story in Alfred Hitchcock Presents Stories to Be Read With the Door Locked, “Hijack” by Robert L. Fish. Mr. Fish was a prolific short story writer, and his estate endowed Mystery Writers of America to present an award in his honor every year to an outstanding short story by a first time published author every year (Rob Osler won this last year, the first of a lot of award recognition for him; his debut novel Devil’s Chew Toy has turned up on almost every awards short-list for the year). “Hijack” is a story that doesn’t hold up well; airline and airport security measures have amped up in the decades since the World Trade Center was bombed for the first time back in 1993 or 1994; ur could have been 1995. All I know is 1) I was in Manhattan when it happened and 2) I was working at the airport when the new security protocols were put into place. There probably aren’t many of us around who remember the hijacking plague of the late 1960s and early 1970s; it seemed like almost every day a flight to Miami was being hijacked to Cuba. It was so commonplace it became part of popular culture; comedians and movies and television shows constantly making hijacking jokes. But it’s a very good story with, as always, the requisite twist that comes at the end (hilariously, the ransom demand is for $250,000–a lot of money when the story was written but practically nothing in terms of today’s money and wealth) which I wasn’t quite expecting; it’s not a spoiler because the story is at least forty years old so–turns out the crew hijacked the plane themselves and killed a passenger to frame for it. It actually could have worked back then, too–and it made me want to read more of Mr. Fish.
I intended to try to write or edit before the panel yesterday, but as always with something like this, I was too antsy and nervous to focus, so I spent most of the day doing some more research–old New Orleans, Mayan gods, homosexuality in old Hollywood–and cleaning and picking things up. I also ordered some more of these Arctic Air hydration coolers; they really work well, and if you freeze the filter, well, they blow extremely cold air. I have three from several years ago before we got the new a/c system (summer of 2020, it must have been, as we got the new system after Mardi Gras in 2021), but lost the power cord for one of them. I’ve had them going since Paul left and they’ve really helped in the kitchen. I also bought a really powerful if small fan for the living room while making groceries Saturday afternoon, and it is super powerful, too–I also ordered another of those, too. I know I sound like a wimp, but you try cooling down your house when the heat index is 120+ every day for weeks on end–and of course, the kitchen add-on is always so much hotter than the rest of the apartment.
I slept okay last night, feel a bit groggy this morning, but hopefully the coffee with work its magic on me and I’ll be wide awake by the time I get to the office this morning. I think we have a busy schedule, my supervisor is back from having COVID (haven’t see her in over a week), and of course, after work today I ordered some things from Sam’s Club to be delivered. Next week I have my meeting with the orthopedic surgeon to see when we can schedule my biceps surgery–assuming I need it, which I am pretty certain I do–and then after the recovery for that I can start exercising again. I have to remember I am older and more frail than I used to be, so getting back into shape in my sixties is going to take far longer and be more painful and slow than it was in my thirties when I did it the first time. I didn’t write anything all weekend (or for most of the week last week, really) so I need to get back on that horse this week as well. Bouchercon is looming on the horizon as well.
And on that note, I am heading into the spice mines and getting another cup of coffee. Have a great Monday and I will check in with you again tomorrow.
Sunday morning and all is well in the Lost Apartment. Yesterday was kind of nice. I slept well again on Friday night, woke up at five, six and seven like every morning with no alarm, and then finally got up around seven thirty to get ready for the day, which was nice. I decided that it made the most sense to run my errands in the morning before the brutal heat of the afternoon; I needed to mail a letter and pick up the mail, as well as drop off Scooter’s leftover food at the Cat Practice and make groceries–and I needed cleaning supplies, so that was crucial to the day; an errand that had to be run. It was brutally hot, but I managed it all. I bought a lot of cleaning supplies, and spent most of the afternoon yesterday cleaning. I did the stairs, the floors in the bedroom, and finally emptied and cleaned out Scooter’s litter box. I was avoiding it because I was afraid doing it would make me sad, but ironically it was just a chore…but writing about it just now made me start to tear up a bit. Sigh. He was such a dear cat. (I also looked at the adoptable cats on the SPCA’s website. I really really want to get this twelve year old ginger boy that no one’s going to want because he’s old..but we’re old. Is it fair to get a baby cat that might outlive either or both of us? Well, that certainly cheered me up a bit. Christ.)
I also did the baseboards and the CD stand…which is something we’re going to have to discuss. We don’t even have a CD player anymore, and yes, it’s terrible to have paid for all that music only to lose it now all these years later but…I haven’t listened to a CD in years. My car has a CD player–maybe I can move some into the car and listen to them instead of the phone? We have all these great gay deejay dance mix CD’s–we used to buy them all the time, the little store across from the Pub used to sell them, and Tower Records–when it existed still–also sold dance remix CDs; I think I got the Debbie Harry dance mix CD single for “I Want That Man” at Tower Records. Anyway, years and years ago Paul had this wooden CD stand custom built. It’s a lovely piece of furniture, and perhaps it can be repurposed for something else–but the CDs are grimy and I cleaned them with a lick and a promise; but…do we really need to hold on to all those CDs? (The stand needs to be repainted white, too–years of nicotine have turned it precancerous–but that will have to wait until the weather calms the fuck down.
But I feel good about the apartment, really. Having the walls finally finished has awakened a nesting instinct in me that’s been dormant for quite some time. As I was finishing the stairs and looking around, I actually thought I wouldn’t mind having someone come by the house now even though it’s still not up to my standard (my work space will never stay tamed, alas), which is something I’ve not even considered in years. It felt good wiping down the walls and baseboards, picking up all that nasty dust and getting rid of it. I also bought a dust mop at the store yesterday (as one of my cleaning purchases) so I can run it over the walls more regularly to keep the dust from accumulating and turning into grime or cobwebs. It’s still very much a work in progress, of course, but I am feeling good about the homestead, and probably am about to do another brutal purge of the books.
I read some short stories yesterday as well–more of the Alfred Hitchcock Presents anthology stories, of course–and I am getting such an education in short stories, as well as having some powerful insights (well, to me anyway; remember, I go through life completely oblivious to everything) about my own stories, what I find myself afraid to do and how limiting my own fears about my abilities and my talents and my creativity have proven to be. One of the stories I read yesterday, “Getting Rid of George” by Robert Arthur, was about a movie star whose carefully hidden past suddenly comes back with a vengeance just as she is about to marry the love of her life and start her own production company with him, making herself quite rich in the process, and it hit me: one of the stories I am struggling with writing right now is about a wealthy gay man and his boy toy looking for a fabled ‘fountain of youth’ in a fictional Latin American country. I’ve had the idea for decades–since visiting the Mayan ruins in the Yucatan and thinking I should write a story about these ruins (and yes, well aware that I have to be incredibly careful and respectful of the Mayan culture and their descendants)…and this is the story set in a foreign locale I was going to try to write for the Malice anthology. I need to recognize self-destructive thinking when it presents myself; and whenever I think you can’t write this for whatever reason my reaction shouldn’t be to shy away from it but to dive into it headfirst and commit to it. (This is also one of those stories that I thought I had already written a draft of; but it is not to be found anywhere, nothing other than pieces of aborted openings–it may have been lost in the Great Data Disaster of 2018….but I just realized where it probably was and THAT’S WHERE IT WAS! Victory!)
And really, one of the two main characters in my story “Don’t Look Down” was a retired former boy band star. So, that was certainly outside my expertise, was it not?
I really enjoyed the Robert Arthur story; Arthur was also the creator of, and wrote, eleven of the first twelve Three Investigators mystery series, which makes him always special to me. He worked for Hitchcock on the literary side of the brand (Hitchcock became a brand like before we thought of creatives in terms of brands and branding and brand marketing), and also “helped” (i.e. “ghost edited”) most of the Alfred Hitchcock Presents anthologies. Arthur was a great writer, “Getting Rid of George” certainly is evidence of his talents, and it’s a shame he isn’t better known or regarded; but the great tragedy of juvenile books is that they rarely survive the test of time–they inevitably are forgotten, as are their authors, unless they win a Newbery medal or something, like Johnny Tremain, but I suspect even that tired old war horse of American revolutionary propaganda isn’t read nearly as much today as it was when I was a kid. There are few–Lois Duncan being one–crime writers for juveniles or young adults to be named Grand Masters by Mystery Writers of America; Arthur certainly deserved to at least be considered, as the creator of the Three Investigators and as a rather successful writer of crime short stories.
I read another story in My Favorites in Suspense, “Island of Fear” by William Sambrot, which I really enjoyed and thought was quite excellent. An Englishman looking for antiques and local art in the Greek islands spots a small island with a massive wall built along its shoreline, and wants to stop there as it is remote and doesn’t, per the captain, get many outside visitors. This is a “be careful what you wish for” tale; because he convinces the captain to let him off on the island, where he spots a gorgeous sculpture through a break in the wall, so exquisite he has to have it and meet whoever the people are who live in the land inside the wall. The island natives are quiet and don’t talk much–not his usual experience with Greeks–and finally convinces a young man to row him around the island to an opening in the walls so he can go ashore, meet the owners, and buy the statue. As I said, it’s a “be careful what you wish for” story, and the ending is quite satisfying as the last few paragraphs make sense of the “mystery” of the island. It may well have been my favorite of the stories thus far in the anthology (at least of the new-to-me material; remember the book opened with “The Birds” by Daphne du Maurier, which quite set the tone for the rest of the stories.
I also read a story from Stories That Scared Even Me, “Two Spinsters”, which falls into the category of “the unfortunate traveler,” which several stories in both anthologies fall into. It’s not bad, the main character being a police detective who gets lost on unknown backroads and can’t find the town he’s looking for, and is eventually forced to seek refuge at a strange house with two identical, if silent, spinsters–and there’s a lot more going on in that strange house than the weary traveler suspects at first. This story was written by E. Phillips Oppenheim, yet another writer I’ve never heard of or his work before. Oppenheim, however, was quite the big deal in his time; he wrote and published over a hundred novels and even more short stories; John Buchan (a Golden Age crime writer not as well known today as perhaps he should be) called him his primary inspiration when launching his own career in 1913.
Interestingly enough, the next story up in Stories That Scared Even Me is by Robert Arthur. There are only three stories left in My Favorites in Suspense, and the book closes with a short novel, The Blank Wall by Elisabeth Sanxay Holding, a classic from that post-war era that I’ve always wanted to read (it was common in those days to close a short story collection by including a short novel, and most crime novels in those days were rather short). I’ll probably finish reading those short stories today, but really need to get back to reading novels–maybe I’ll read a bit more into The Hunt by Kelly J. Ford, which is fantastic; taking so long to finish should not be seen as an indictment of Ford’s work. The book is fantastic and she is one of the great new voices in queer crime fiction–and I’ll be doing a crime panel with her later today for Outwrite DC.
I slept really well last night–it’s lovely having Paul home, really–and so today I hope to get some reading and writing done. I am about to adjourn to my chair to finish this Hitchcock anthology, and then I am going to work on getting some writing done while cleaning up the kitchen and my workspace. I feel very well rested this morning–I could have easily slept much later–so hopefully it will be a great day of getting things done.
Or not. Since Paul’s home now we can finish watching Gotham Knights, Hijack, and back to other shows we’re watching, and of course Paul needs to watch Season Two of Heartstopper, which means I can finally talk about it. I may check in with you again later, Constant Reader, and if not, I certainly will do so tomorrow.
Saturday morning and Paul comes home today! Huzzah! Huzzah! I of course literally have no idea what time he will be arriving–he never tells me these things and I never think to ask–but it’s fine. Yesterday was a good work-at-home day. Sam the handyman came by in the morning to finish touching things up and clean everything up, which was marvelous, and now the apartment sort of looks like our apartment again. It’s great, and it makes me want to clean, which is something I’d forgotten that I enjoyed so much. I’ve really let the housework slide since the pandemic started (sure, let’s blame it on that, shall we?) but a lot of it had to do with the walls in the living room. tl;dr= we had some leaks, and water damage to the walls in the living room. The leaks were repaired, but the plaster and paint somehow never got finished and we’d been living with that for a while….and when you have places where the bare wall is showing…the apartment, even clean and sparkling from ceiling to floor, would look deranged and damaged and sloppy. I think I felt a little defeated, to be honest.
I’ve felt defeated a lot over the last few years, if I’m going to be honest. But I’ve been feeling oddly better lately about things lately, even optimistic at times. I know, right? It’s kind of scary. It’s like I don’t even know who I am anymore, but I have full faith in the universe to deliver yet another blow the way it always does when I start feeling like this again–a sense of contentment and peace. I’m sleeping better, getting better rest, and I am getting things done rather than sitting in my easy chair every night scrolling through social media while Youtube videos stream endlessly on continual play. Ironically, I remember feeling this way on another hot August Friday in New Orleans, two weeks before Hurricane Katrina. I had just finished Mardi Gras Mambo at long last and turned it in, and that Friday I had met with the Admissions office at UNO to see about finishing my degree in English and pursuing a master’s, and even potentially eventually a PhD. Yes, I had ambitions. The meeting had gone incredibly well. We scheduled a meeting with the chair of the English department, and it looked fortuitous and very good; I’d have to pay for the semester required to get the English degree, but it looked like I’d get the master’s not only without having to pay, but I’d also get an on-campus part-time job. I don’t reflect back very often, but sometimes I remember that last optimistic August before Katrina and wonder how different my life would look now had Katrina never happened…or at least had the levees held. I’ve always felt the lack of educational degree and study keenly; I was far too young when I started school and majored in English to really appreciate the in-depth examination of classic literature and other forms. None of what little I learned stuck, either. I have also always been made to feel that the books I actually did read and appreciate were lowbrow; on par for someone as uneducated and unserious like me. I’ve not read much of the classic writers, for example; I’ve never read Edith Wharton or Jane Austen or much of Henry James; I may give Hemingway another try at some point but I was unimpressed with both A Farewell to Arms and The Old Man and the Sea. Fitzgerald wrote beautifully about horrible people I’m not interested in; I love Faulkner but he’s a lot of work to read (but I will go to my grave loving “A Rose for Emily” and wishing I had written one thing that perfect), so I’m not going to read Faulkner for pleasure–even though I take great pleasure in the voice and the rhythm of the words and so forth, I’m still looking for characterization and story.
Hell, there are any number of classic mystery writers I’ve never read, for that matter. I had never read Ross Macdonald until I was on a panel with Christopher Rice who sang his praises highly enough for me to get a couple of his books…and have always been delighted that I did. I think I’ve read one Rex Stout novel, but I can’t remember anything about it and I think I am thinking of a television adaptation with William Conrad and Timothy Hutton? Or did I imagine that, too? One of the things I am loving about reading the short stories in these marvelous old Alfred Hitchcock Presents anthologies is getting to read authors I’ve heard of that I’ve not read. Yesterday night I read “Curious Adventure of Mr. Bond” by Nugent Barker, from Stories That Scared Even Me; “Four O’Clock” by Rice Day, “Of Missing Persons” by Jack Finney, and Paul Eiden’s “Too Many Coincidences”, from My Favorites in Suspense. I enjoyed them all, but the Barker was my least favorite of the four. It’s written in Ye Olde Timey Style, and it goes on for far too long, and it’s big twist I saw coming. I also didn’t much care for Mr. Bond. The Day story was one of those macabre little tales of irony with the kind of ending that Daphne du Maurier mastered and I’ve always loved–and aspire to write. (The trick is the ending has to be earned.) The Finney story was also one of those, but a bit more melancholic than macabre.
I also spent some more time with Superman last night. First I watched a documentary called Look Up In The Sky! The Amazing Story of Superman, which I followed with this week’s episode of My Adventures with Superman. I was very pleased to see Jimmy Olsen talked about in the documentary, and the actor from the television series, Jack Larson, was openly gay and was in a very long term relationship that lasted until he died in 2015, as someone very kindly reminded me on Twitter the other day in response to my talking about Jimmy on here. I am really intrigued at the idea of writing a Jimmy Olsen story…although I’m not exactly sure what I would do with such a thing, and I’m equally sure publishing it would be a trademark/copyright violation of some sort. I’ll make a note and keep chewing on it, though.
I also worked on the book some last night (at last) which felt marvelous and overdue. It was so hot yesterday–even with the air conditioner on full blast and desperately trying to keep up, you could tell inside that everything outside was roasting. I am quite pleased to have gotten past the revision of Chapter Five at long last and I have to say, I am most happy with what I did. Of course, Chapter Six is from scratch, which is going to be an enormous pain in my ass, naturally; writing anything where nothing other than a thought exists at the moment is always harder than revising. Revising can be either tedious or a lot of fun; it’s when your making the book better written and deepening characters and cleaning up shit and building on the ideas you’ve already gotten down but didn’t express particularly well as you were just madly trying to get words on the page and the story advanced and all of that.
Whew. Breathe.
I also woke up to a marvelous email–I just checked–from my editor on Mississippi River Mischief letting me know when the edits would come and included…”This book is fabulous, btw.”
Whew,
And on that marvelous note, off to the spice mines with me!
Queer and Loathing in America 