Category: books i’ve read

Adios Amigo

I’ve been toying with an idea for an essay for a while. It began as a blog post, but as I worked on it I realized it might be too long for a blog entry, were I to cover the entire scope of the issue even in abstract form. I moved it from here into a Word document yesterday, which may or may not mean something bigger in store for it than simply a blog entry. I don’t know. It will probably wind up here at some point as one of those long rambling things I do from time to time when I feel passionately about something. Consider that your warning. I’ve been thinking about masculinity a lot lately–it’s been an albatross hung around my neck since I was a child (“Boys don’t play with dolls! Boys don’t read Nancy Drew!”) and after reading so many bad takes about how “men are in crisis”–which basically boil down to an inability to adapt to cultural and societal change that is so intense that they resist such adaptation violently–I started thinking about masculinity and what it means to be a man; if it means anything, really. It’s probably too important an issue for me to take on in a personal essay, but personal essays are supposed to be revealing, and no one expects me to have an encyclopedic knowledge of everything ever written about American masculinity, and to discuss it; thinking I can’t write something for whatever reason is self-sabotage of the worst kind, and something I am guilty of, over and over, throughout my life and career.

And yes, self-sabotage is 100% a by-product of my anxiety.

I also have Justin Baldoni’s book about masculinity, Man Enough, which is also an exploration of masculinity. Baldoni played the incredibly hot and sexy father of Jane the Virgin’s baby, and so as a gorgeous male actor/sex symbol, he has some gravitas to speak on the subject. I’m looking forward to cycling around to his book, once I finish my reread of a Charlemagne biography I really enjoy. I also spent some more time with Shawn’s All the Sinners Bleed, which I am liking and savoring as I go–and can’t wait to spend some more time with it today. When I finish, Lou Berney’s Dark Ride has preempted everyone and been moved to the top of the TBR pile. It’s so lovely having so many great options of what to read next. I also think once October rolls around I am going to read only horror that month, in honor of the season–so I need to finish Shawn and Lou’s books before the month turns.

It also occurs to me that many of my books–unbeknownst to me–have explored the topic of masculinity in great detail already.

I slept really well last night, and only got up once. Ironically once I did wake up, I thought wow you really slept late and then saw it was quarter past seven on my alarm. I guess how it feels matters more than how long it actually was, and what truly matters is that I woke up feeling rested and relaxed and ready for my coffee this morning. I am debating right now whether I want to take the books to the library sale and the beads to the donor bins as well s make a slight grocery run–but am leaning towards not making the trip outside the house. I don’t really need anything from the store until Monday at the earliest, and the boxes of books and beads are out of the way and not bothering anyone, let alone my need for order and open space in the living room. I also want to work on some writing today before the games, so maybe leaving the house today isn’t in the cards–or am I just being lazy? It’s definitely possible that laziness and procrastination and my tendency to self-sabotage is what is really going on here. It’s possible. I do tend to put things off I consider unpleasant (and by unpleasant, I mean have to put some effort into it)…

LSU plays Arkansas tonight in Death Valley, and tonight we’ll find out two things: basically, how good either time is. It’s hard to say this early in the season how much quality your wins and losses have; the Florida State-Clemson game today will impact how good the LSU loss to the Seminoles was, and of course we aren’t sure how good Mississippi State is, so we don’t know if that was a quality win yet or not. Arkansas lost to BYU last weekend, so there’s also no telling how good they may or may not be, either. The whole conference seems to be down this year, but a tight win for Georgia can be shaken off as meaningless this early, and Alabama may bounce back; a Nick Saban coached Alabama team has never lost more than three games in a season since 2010 and only twice overall; sure, they looked unimpressive against USF and lost badly to Texas in Tuscaloosa, but does that mean Alabama isn’t going to rebound and is destined for a bad season? No, I don’t think so. Love them or hate them, Alabama consistently wins, and an early season loss means nothing to their program. Sure, LSU could run the table, win the West and potentially even the conference title game and make it to the play-offs; but they have to run the table on a schedule filled with landmines, including both Alabama and a rebuilding Auburn as well as the always hated Florida Gators. There are some great games today, which is why I want to spend some time reading Shawn’s book this morning before the games start, and I plan on rereading and revising Jackson Square Jazz during the games today.

And of course, there’s always filing and organizing to be done. I have seriously messed up my filing system so thoroughly and completely that it’s going to require a major overhaul to begin with, but I also have to think about putting together a new and workable system that will be easier to maintain than this haphazard way I’ve been doing things–and of course the computer files are an utter disaster as well. Heavy sigh.

I’ve been doing a lot more research (or rather, falling into research black holes on the web) about New Orleans during the decade of the 1910’s. I am definitely going to write a Sherlock pastiche for the Bouchercon anthology–which of course means I will most likely be rejected. Perhaps a Sherlockian-type character, and if they turn it down I can simply turn him into Sherlock and toss the story into my short story collection? I need to finish the revisions of “Whim of the Wind” and finish a draft of “Parlor Tricks,” which will probably go into that collection as well. What particularly interests me now is “Manila Village,” a settlement of Filipinos on Barataria Bay, settled by native Filipinos who were forced to serve in the Spanish navy and escaped to Louisiana. There’s still a strong Filipino-American community here (which I actually didn’t know before falling into this wormhole of research), and I do feel that Holmes, living in New Orleans in that decade, would probably embrace them and their culture. (I also need to research the Isleños; descendants of the Canary Islanders who settled here.) New Orleans was also dramatically different geographically back then; the New Basin Canal was still there, for one thing, and I am not entirely sure when the Carondelet Canal (also called the Old Basin Canal) was filled in, but it came right up next to Congo Square; the streets in the Quarter were either dirt or cobblestone, and the lower part of the neighborhood had been almost entirely taken over by Italian immigrants.

I’ve also got strong starts of first chapters for another Jem book (sequel to Death Drop) and another Valerie (sequel to A Streetcar Named Murder); so there’s plenty of writing to be done this weekend as well. I’m not feeling overwhelmed by any or all of this writing that must be worked on and done; this morning I literally feel like all I need to do is roll up my sleeves and dive into the word documents head first, which is a great way to feel.

And on that note, it’s spice mine time this morning. Have a great Saturday and I’ll probably check in with you again later.

Sweet Music Man

Thursday and my last day in the office for the week. Yay, I think. I have to get up early and go see my new primary care physician tomorrow morning–I fired the last one for a multitude of reasons I will probably go deeper into in a future post–but I also have to fast for that because I am having blood work done, which means no coffee, no nothing other than maybe water tomorrow morning. I think as long as I sleep well, I’ll not leave a body count behind in my wake on the way to and from the appointment. I am also going to be making a go-cup of coffee that I will be taking with me and you can best bet I’ll be slugging it down once the blood has been drawn.

I slept well last night, which was lovely because I was definitely running down my batteries by the time I got home last night. By the time I’d done a load of laundry, emptied the dishwasher and reloaded it, I was more than ready to collapse into my easy chair. I did some minor writing last night–a few hundred words or so, nothing much other than to be able to say “I wrote some fiction last night”–but that’s okay. I’m getting back into the saddle again gradually, and soon I’ll be clocking three thousand word days again. We watched this week’s The Morning Show last night, and I have to say, it’s an exceptionally well done show. The ensemble itself is incredibly star-powered, beginning with Jennifer Aniston and Reese Witherspoon as the two primary leads, and the excellent job of the casting director manages to work its way down from the stars all the way down to the bit players–Shari Belafonte Harper is actually a member of the cast, but has very few lines and is rarely on camera, but it’s always nice to see her when she pops up on screen, to be honest. It’s very smart and very well-written, as are most shows on Apple Plus–let’s not forget we wouldn’t have Ted Lasso without Apple Plus.

Ironically, I was also watching shorter and longer videos on Youtube before Paul got home and went down a “Calvin and Hobbes” wormhole of videos about the greatest comic strip of all time. I always loved Calvin and Hobbes, and have all the collections, including the massive coffee-table sized one that contains every strip ever published. I was very sad when Bill Watterson ended the strip on a high note, and I’ve always loved his artistic integrity about not selling out to film or television or merchandising (I would have definitely bought a Hobbes plushy back in the day), as well as his decision to end the strip and take it out on top. (I was also a big fan of “Doonesbury”, “Bloom County”, and of course “The Far Side”.)

Anyway, watching a few documentaries on Youtube about “Calvin and Hobbes” mentioned how much emotional depth the strip had; how it could not only make you laugh but make you think as well as tear up sometimes…and I realized that Ted Lasso, like Schitt’s Creek, was also like that. Calvin and Hobbes were both so fully realized as characters in the strip–as well as his parents, and the other occasional characters that showed up, too–that you cared about them, just as you do the characters on Ted Lasso and Schitt’s Creek, which is why character is so important when it comes to story-telling. People will only care if the characters seem like actual real people to them, and once they care…well, you’ve got them, don’t you?

Maybe I should revisit my massive Calvin and Hobbes collection, too.

There are some good games this weekend in college football, but my primary concern is, as always, the LSU game; they’re hosting Arkansas in Death Valley and we’ll get yet another chance to see how good the Tigers are–but we also don’t know how good either Mississippi State (trounced last weekend) or Arkansas yet are this year; the test will always be how the Tigers do against Auburn, Alabama, and Florida–and there’s also no telling how good Mississippi is this year, either–they play Alabama this weekend, so we’ll get an idea of how the Tide is rebounding and how good the Rebels are. Everyone is writing Alabama off, and maybe it’s simply been burned into my brain throughout the course of a long lifetime of being a college football fan,…but you can never take the Tide for granted or ever completely count them out. They have that “brand” recognition that somehow manages to get them the win in close games; the luck always seems to magically appear every time they need it, only deserting them in the one game they may lose per year. They’re in the same position that LSU is in; already one loss early and therefore cannot lose again if they want to win the conference and the national title. College football is certainly more interesting this year than it has been since 2019, at any rate.

I want to be able to drop books at the library sale this weekend, wash the car and clean out the inside, and hopefully go to the SPCA and get a new cat. I also need to clean the house more–at least try to keep up with it the way I did when Paul was out of town earlier this summer–and get some writing done. I also need to do some reading. I want to finish Shawn’s book because I also just got my copy of the new Lou Berney, Dark Ride, which I am really looking forward to; I’ve been a big Lou Berney fan since we were on a panel together all those years ago at Bouchercon in Raleigh, and his work never disappoints. (That panel in Raleigh was definitely one of the highlights of my paneling career as a crime writer; Katrina Niidas Holm was the moderator; the other panelists were Lou, Lori Roy, and Liz Milliron. Nice, right?)

So, tonight when I get home from work I am going to do some more laundry, unload the dishwasher and clean the kitchen, and then I am going to either write or curl up with Shawn’s book.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again later.

Ain’t It Funny

I was, somehow, on two humor panels at this past Bouchercon. I moderated one of those panels, which was a great time and one of the best experiences I had moderating a panel because of the amazing wit and talent of my panelists, whose work I look forward to reading. I was a last minute step-in, so I didn’t have time to read their books ahead of time or prepare anything; so the entire panel was extemporaneous–which is incredibly hard for a panelist because you literally have to think on your feet–and they rose to the challenge magnificently. However, I couldn’t use those questions as a self-interview, so instead, I will share the questions marvelous Leslie Karst came up with as the fill-in moderator for the Best Humorous Mystery Anthony panel, which I got to share with Ellen Byron, Jennifer J. Chow, Raquel V. Reyes, and Catriona McPherson…and a lovely time was had by all.

(You can only imagine how thrilling it was to be nominated for an award with these oh-so-talented and wickedly witty women. The imposter syndrome was strong in me on that panel.)

But, with a strong and heartfelt thank you to Leslie for these questions, away we go.

Did you set out to write a humorous (whatever that means) book?

I don’t. That would trigger my anxiety, I think, and I’d second-guess myself constantly. I’m not really sure how funny I actually am–and it’s not self-deprecation for me to say that I don’t think I’m being–or trying to be– funny most of the time. But people always have laughed. It took me a long time for me to realize that they weren’t laughing at me, but with me.

I believe humor should come out of the characters and how they react to, and/or see things, around them. New Orleans is a very easy city to write funny about because the daily paper is an endless source of unintentional humor. Our city government is weird and crazy, as is our history. Something that would draw stares and a crowd anywhere else isn’t even blinked at here. I tried mightily to resist, but have to shamefully confess that I, too, have walked to the Walgreens on the corner in pajamas and house shoes. Are the Scotty books camp? I’ve been thinking about that a lot lately, as I have been watching and reading about the camp aesthetic in the queer community, and I think they are, based on all the definitions I’ve seen and heard and read about. Scotty exists in a very close to reality as I can make it world, but the situations he and the other characters find themselves in are often over-the-top and ridiculous but normalized in that world, much as they are in real life. No one bats at an eye at any of it, because it’s normal. I think that makes my Scotty series camp.

The book that was nominated, A Streetcar Named Murder, was one in which I didn’t even think about being funny. I had the over-the-top character of the neighbor/best friend, Lorna, for comic relief, but my main character was supposed to be the one who sees and recognizes the ridiculousness but accepts it as reality. Catriona McPherson tagged me on Facebook because one scene in the book made her laugh for several minutes–which I took as a great compliment, because she is one of the funniest people I know–but I didn’t even think about writing that scene as funny; it’s actually when Valerie discovers a dead body, and the dying woman–wearing a pirate wench costume–says her last words, trying to identify who killed her. I remember making the conscious choice as to what those last words would be and tying it into her costume, but that seemed to me how it had to be, if that makes sense? And of course, when you’re writing a book and revising and reediting and rewriting and copy editing and page proofing…you do get so heartily sick of a book and its characters that it just seems tedious and tired and dull to you. Any humor I may have deliberately thought up and wrote into a manuscript no longer is funny to me by the final pass…which is worrying. I am never sure the book is funny or not.

What’s the most challenging thing about writing humor?

Being funny! The thing that always gets me about humor is how quickly and easily it’s dismissed when it comes to books–books aren’t supposed to be funny, you know; they’re supposed to be serious–which always puts funny books at a disadvantage, especially when it comes to awards, particularly juried ones. How do you say one book is funnier than another? Do you judge just the humor, or is that just a factor in the overall quality of the book? The odds of five to seven judges all agreeing on the same thing being funny are exponentially greater than the odds of five to seven judges agreeing on something tragic. Humor is harder than tragedy, and it’s even harder when you’re trying to find the humor in a tragedy.

Humor is incredibly subjective, and difficult to agree on. I’m one of the few people who thought Seinfeld went on for too many seasons and had stopped being funny long before they stopped; likewise with any number of other highly popular comedies, from Friends to Modern Family; shows that remain consistently funny for a long run are very rare, and I’ve always appreciated the comedies that went out before the quality began to decline (The Mary Tyler Moore Show, All in the Family, The Bob Newhart Show).

Have you ever gotten the giggles in a highly inappropriate setting, and how did that go?

My grandmother’s funeral. In fairness, my eldest cousin is one of the funniest people I know, and I made the mistake of sitting next to her and she kept whispering to me and I couldn’t help it. It did NOT go over well, and we’ll leave it at that?

Have you ever had to change anything in a book (funny or not) because of pushback from your editor?

Nothing major or significant, really; there was never anything like “this scene! What were you thinking?”

Is writing humor difficult for you, or does it come naturally? Any tips on writing humor for those writers in the audience?

Like I said, I don’t really try, it just happens. So I guess I would have to say it’s easy, with the qualifier being if I am not trying to be. The Scotty books were my first experience with really writing humor, and for me, it was more about him and his reactions to all the crazy things happening around him–which is why I’ve been wondering if the books are camp or not lately. The original idea for the first one did strike me as funny; I just saw one of the dancers working at the Pub during Southern Decadence weekend maneuvering through the big crowd in the street to start his shift. I had a mental flash of a guy wearing only a day-glo lime-green thong being chased through the crowd with bad guys with guns also trying to fight their way through the enormous crowd of scantily clad partying gay men. Likewise, the original idea for Vieux Carre Voodoo came to me when I was walking through the Quarter and passed under a balcony just as they started watering their plants–so got wet. (It’s a regular hazard in the Quarter.) I then had an image flash into my head of the same thing happening to Scotty–only he was wearing a white bikini that became see-through when wet. Why would he be walking through the Quarter in a bikini? Because he’s going to ride in the Gay Easter Parade dressed as a sexy gay bunny–white bikini, cottontail, and bunny ears. There was one scene in Jackson Square Jazz where he finds a dead body, and sighs resignedly and says, “not again.” I wasn’t sure if that would get past my editor, but it did.

I think it’s easier when the humor comes organically out of the characters and the situations they’re in. I don’t write jokes, but I do imagine a scene that I think is amusing and then fit it into something I am working on, if that makes sense?

Humor is hard.

Is there any type of humor that you would deem inappropriate for your books?

No. I’m a sixty-two year old gay man who lived through the 1980s and has been doing HIV/AIDS work for the last twenty years, so my sense of humor is very dark. I’ve been told I have a very dry, caustic wit; but there’s a very fine line between dry wit and being bitchy and cruel. I don’t like to cross that line, but have.

A Streetcar Named Murder was nominated for both the Lefty and Anthony Awards for Best Humorous Mystery. It was a thrill, an enormous compliment, and a complete surprise in both cases. I’m sorry the ride had to end….

Here we are–the Best Humorous Mystery Anthony nominees and our moderator. (And why do I look at myself in this picture and hear Bianca del Rio saying “horizontal stripes are not a good look in your third trimester, sir.”)

Hell is for Children

Years ago, there were things you’d never write about in books for teens and pre-teens. Now, though, many more topics are fair game. BUT are there some things you’d never write about? Because of your own feelings, or because you don’t think your audience is ready for it?

On the panel I said I’d never write about cannibalism, but of course ever since then I can’t stop thinking about cannibalism–and that’s entirely on me. I can’t even imagine writing about that.

I’m not going to say there’s anything I won’t write about because I don’t want to limit myself. If I can think of some way to write about something that isn’t pandering or exploitative or offensive, I will. I was recently reading some of my short stories because I am pulling together another collection and one of the stories–I was like, oh yeah, you can’t publish this without a major revision.

I don’t think I would ever write from the perspective of a person of color or a trans-identified individual because while I know I have a very vivid imagination and am capable of empathy, I am also a sixty-two year white cisgender male. I think I could probably do it, with help from a sensitivity reader and my editor, sure; but we need more trans writers and writers of color, not another old white man writing from their perspective. I will include those characters in my work, but not as point of view characters, because we need to make room for those with the lived experience to write those stories. I may not live long enough to see it, but hopefully in about thirty years we’ll have reached the point where exclusion of non-white non-straight non-cisgender writers will no longer be an issue, and what a wonderful world tht will be.

No offense, but none of you is in your target demographic any longer. What challenges does that present and how do you overcome them? How do you ensure that the language your characters speak is reflective of how teens and pre-teens speak today?

How very dare you! I am still a sprightly young man of…um, sixty-two. Point taken. I try to avoid slang and current language because it becomes dated very quickly; akin to how, when I was a child, I saw books and movies and television shows that tried to appeal to the youth market by trying to use current slang and it never turned out well. I mean, once The Brady Bunch kids are saying “groovy” excitedly every other sentence…it kind of killed the word and I never heard it in real life ever again. The time between when a book is written and when it’s released is long enough for current kids’ language to change. My sister’s grandkids are always saying things I don’t understand…but the next year they are speaking a different language, so I don’t try. It’s hard enough keeping up with technology, which also gets dated very rapidly.

What percentage of your readers do you think are adults? Do you consider these crossover readers when writing?

I honestly don’t know, but I wouldn’t be surprised if mine were primarily adults. I don’t set out to write books for kids, really; I write novels where the characters are teenagers. They get marketed as young adult books, which is something I have no control over. I’d like to think both adults and younger readers can enjoy my books that are so classified. If I think about the audience I am writing for when I am writing, it makes the writing more stressful and harder. I trust my editor to make sure I don’t write anything offensive or way off-base or too adult for a young adult audience–which is where my books would be shelved in the library. No one’s complained about mine yet.

Greg, your book tackles multiple contemporary societal problems. How do you balance writing about such tough topics with ensuring that your work is compelling and hits the right mystery/suspense notes?

The objective, for me, when writing about societal problems and issues is to put a human face on them, by making it personal. Societal problems are easily dismissed or ignored when they are simply abstract principles. If my characters are fully rounded, are relatable and seem real to the reader, then the reader will see, through the characters, what it is like to experience and go through these issues; and to develop a sense of empathy, so we aren’t so quick to judge and blame and not try to understand. #shedeservedit was very important to me, because with the Steubenville/St. Marysville rape cases, it made me look back over the course of my own life and remember situations I witnessed or heard about in a completely different light. For example, one of the cheerleaders at a nearby town had an experience similar to what the girls in Steubenville and St. Marysville went through…but in the 1970s, the blame solely went on the girl. When I heard the story she was a willing participant–the story was told to me in hushed whispers by another girl–and all the elements of the modern stories were there: pretty and popular cheerleader; a party with alcohol and football players; the town football team was successful and beloved in the town; and a bitter ex-boyfriend. As the story was told to me, she got drunk and “pulled a train” (a disgusting phrase, really) with five of the football players, including her ex. I was shocked at the time– to think she’d done this willingly, at a party where it was bound to get around (as it obviously did). But now, looking back–how willing was she, really? But that was how things were back then. I’d like to think things are changing, that we are valuing young girls and women as human beings more now…but are we?

Technology changes very rapidly, and teens—and younger children—are often at the forefront of these changes. How do you handle that in your writing?

Like slang, I try to use as little of it as possible. I do realize everyone is addicted to their phones now, and spend most of their lives texting and facetiming and everything else, but while I will use some basic technology–texting, emails, DM’s–I try not to get into the entire app/social media weeds too much because it may change before the book is published and I don’t want to publish a book that’s already dated. I think that if the reader really cares about your characters and the story…they won’t care so much about the slang and tech.

How has your writing evolved since you first got published? If a reader is new to your work, which book would you recommend starting with?

I’d like to think I am a better writer than I was back then. I know I’m a different writer than I was when I started; more life experience, with the concomitant increased empathy, understanding, and sympathy that comes with it. I try to push myself with every new work; it’s the challenge of doing something new and different I really enjoy.

If we’re talking my y/a, I’d started with the first, Sleeping Angel, and go from there. If we’re talking my career in general, I’d say Bourbon Street Blues or Murder in the Rue Dauphine. It’s always good to start at the beginning. If the length of both series is daunting, try either A Streetcar Named Murder or Death Drop (drops October 31!) and then move into the stand alones.

There are a small number of popular writers who spark controversy in their “real” lives. How do you reconcile a great writer with a bad person? Do you read that writer’s work?

Ah, the old “artist vs their work” question. There are writers with enormous talent whose books I’ve loved that social media has exposed as incredibly horrific people with “values” (I have a hard time using that word in reference to such abhorrent beliefs) and I have stopped reading them. I will never have time to read all the books I want to read, and if I’m able to prune my stack by removing racists and homophobes and misogynists and transphobes? Thank you for making my choices easier. I’ve always believed one should be widely read–I used to read nonfiction books about politics and social issues by conservatives because I thought it was important to listen to and evaluate their positions. After we were lied to as a government and a nation to drive popular support for a war we didn’t need to be fighting in order to drive more profits for military suppliers and oil corporations, I no longer needed those perspectives. I don’t need to read excuses and rationalizations for bigotry and prejudice and other indefensible positions for any human being to hold.

The vast majority of my one-star reviews on-line are from conservatives deeply offended by the “politics” of my books. Yes, because a book about gay men by a gay male author is where you should go to get your bigoted world-view validated. If you want that, read Andrew Sullivan. His nonfiction diatribes about social and political issues is some of the best fantasy being published currently.

Who are some of your biggest writing influences?

God, there are so many. I think my y/a is very strongly influenced by Lois Duncan, Christopher Pike, R. L. Stine, Caroline Cooney, and a long forgotten y/a crime writer named Jay Bennett. He won two Edgars for Juvenile, and was nominated a third time. His work is extraordinary; I’ve not read many other writers with that same extremely tight, terse, and taut style. Jay’s books put teenagers in terrible situations where they had to decide what is right and wrong and what to do. They read very quickly, too. I describe him as the y/a James Cain.

As for adults, everyone I read is an influence; even the books or writing styles I don’t care for, because they make me think how would I have done that differently? But definitely John D. Macdonald, James M. Cain, Charlotte Armstrong, Daphne du Maurier, Phyllis A. Whitney, and the old Alfred Hitchcock Presents anthologies, which I am revisiting. The old Three Investigators and Encyclopedia Brown series for kids, too.

Latest trends in Middle Grade and YA fiction?

Diversity, which is fantastic, and hot social issues!

The Anthony nominees panel for Best Children’s/ Young Adult panel at Bouchercon, with moderator Alan Orloff, Fleur Bradley, your humble author, and Lee Matthew Goldberg.

Don’t Throw It All Away

Well, we made it to Hump Day again, which is a lovely thing.

I think I may also be losing my mind? I could have sworn one night in the last two weeks I sat down with my journal and hand-wrote the next five or six hundred words of my story “Parlor Tricks.” Last night after running errands and getting home, I promptly sat down, opened the Word document for the story, pulled out my journal and started flipping through the pages.

Constant Reader, those two or three pages I could have sworn I wrote in my journal? Were not there. I turned page after page, growing more and more confused. How could I have not written it down? I specifically remembered words and phrases I’d used in the scene, describing how my main character’s psychic ability to read someone else’s thoughts sometimes created a psychic bridge between the two, which has just happened. The bad part of it is she read his thoughts and knows he’s planning on killing his wife later that night. I even got into the weeds with the psychic stuff, but no–I must have thought of it all, planned to write it down, and then…just never did. I’ve also somehow lost my belt and my Crescent Care hoodie, too.

Or Paul is gaslighting me. I’d prefer to believe that, of course (who wouldn’t?), but much as I want to believe that, I’d only be gaslighting myself. Heavy heaving sigh.

I was very tired as I ran my errands after work last night–needing more soft food, although I can eat stuff now that isn’t quite as soft; macaroni and ramen and soups and things. But the primary need was for things I could make for lunch at work; microwavable things. I also didn’t eat dinner last night, so this morning I am a bit on the hungry side. Yogurt and oatmeal and protein, oh my! But the end is nigh; next Friday I got get the molds for my new teeth made, and I am hoping that will only take about a week or so for the final to be ready for me to wear and use. (I’m also hoping there will be temporary ones I can use in the meantime, but I rather doubt it. But the thought of being able to swing back Five Guys on the way home next week is almost overwhelming.) I also weighed myself yesterday with shoes and keys and belt and wallet on and came in at 205, which is fine and something I can live with. I’d love to get below 200 again, but I’d rather that happen through diet coupled with exercise once I can go back to the gym.

But I did manage to get Jackson Square Jazz printed, three-hole punched, and put inside a three ring binder, meaning the editing just got real. I had gone back and forth over it, you know; should I re-edit/revise the book, or just do the basic copy edit? I didn’t have time to do any work with the Chanse book or Bourbon Street Blues before the ebooks went up, and at the time I didn’t know how I felt about redoing the books for republication; it was more along the lines of the old writer’s adage you can keep fixing it forever but sometimes you just have to say “fuck it it’s done” and it didn’t seem right. I wanted the print editions to be available as they were originally published…which seems now like a silly hill to die on. Why wouldn’t/shouldn’t I revise them? Jackson Square Jazz I think is the longest of the Scotty books, and probably has one of the most convoluted plots of the entire series; there was a lot fucking going on in that book. As I was putting the new printed-out pages into the binder, I came across the scene where Scotty is drugged and loopy in the penthouse on top of Jax Brewery when Colin scales the building to rescue him…and I started reading. I got rather caught up in the story–that scene is rather amusing and was a lot of fun to write–before stopping myself and getting back to what I was doing. I did think that was a good sign.

This week I’ve been letting the anxiety control me rather than the other way around. My supervisor is on vacation this week, which amps up the anxiety for me as I have no one to go to for decisions and/or questions; I kind of have to decide for myself and I really don’t like that. I think that was why I had trouble sleeping on Monday night, frankly. And I noticed it Monday night when I got home from work as well as last night. Granted, I was also tired last night, but I got very little done once I got home. Sure, I printed out the manuscripts (frontside and backside), and made groceries and picked up the new Lou Berney novel Dark Ride, which was very quickly moved up to the top of the TBR pile, but once the book was in the binder and the groceries all put away…I just literally did nothing else. I should have worked on “Parlor Tricks” while I still remember the continuation I didn’t write down but is only in my head; I should have read more of Shawn’s book; I should have done the dishes or folded the clothes that are still sitting in the dryer this morning. More to do this evening, I suppose. I am also seeing my new primary care physician this Friday morning, which will be nice, and then of course LSU’s game is Saturday night in Death Valley, which gives me the day free to run errands and clean and write and get things done around here because I don’t much care about the other games, although I’ll probably have them on as I clean and do things. Then again, I just looked at the games this weekend, and Florida State-Clemson, Auburn-Texas A&M, and Alabama-Mississippi are also on Saturday…so I’ll be paying more attention than I was thinking that I would.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again later.

Uncloudy Day

Monday morning and back to the office with me once I’ve woken up, cleaned up, and showered. It was a good weekend for the most part, mostly anticlimactic feeling after the visit with the surgeon on Friday morning; I’d say the best word to describe the weekend would be relief. I slept well last night, and yesterday was a nice, relaxing one. I cleaned and read my own works in progress and made some revising notes; I also started writing the opening of the next Valerie book in my journal, which was kind of fun. There’s a bit of a mess that needs to be cleared up before the book really starts going, but that’s what rewrites are for. At some point this week I’ll need to transcribe what was written into a Word file– I also need to do that with “Parlor Tricks,” a short story I freeform wrote some stuff in my journal for–and I also want to get back to writing again. I’ve been lazy lately–burnout maybe from the back-to-back writing of the most recent two–but I need to start working again.

But it’s always nice to revisit works-in-progress you’ve not progressed on or thought much about in over a year other than the occasional idle thought: oh, I should probably finish that novella or short story or whatever and then make a note or something and promptly forget about it. I’d not realized how far I’d gotten with a Chanse (!) novella until I read it yesterday, and even as i was reading it I was thinking tweak this or this would be a good place to go into this and oh you can restate that paragraph to make it a lot more powerful , which was nice. I also reread the starts of several short stories in progress, several of which I’d forgotten about, like “A Little More Jazz for the Axeman” and “Please Die Soon”–a really fun exploration of gaslighting as well as unreliable narration, and even the main character isn’t sure if she’s being gaslit or if her mind is fucking with her, which is a super-fun concept to work with. I also looked through “Festival of the Redeemer” and “A Holler Full of Kudzu” and “Spellcaster”; all of which have a lot more potential than I remembered or would have thought.

We got caught up on The Morning Show last night–it really is a strong show, kind of like The West Wing about a television network, in some ways, and the cast is simply superb–and then started watching Suspect on Britbox, which I am not sure I am sold on, to be honest. It’s a great concept and has a great cast, but…I’m so tired of “something happens to child of bad/absent father and so angry father must appease feelings of guilt by tracking down killers/rapists/kidnappers/etc. to avenge child they neglected while alive.” I fucking hate this trope because they always portray the dad as some sympathetic hero. Sorry, if you beget children, you need to be a good parent to them and present while they are alive, and “avenging” said child doesn’t make up for it. (I really think S. A. Cosby ended this trope forever with Razorblade Tears; Shawn took a very tired trope, breathed new life into it, and wrote the definitive book on the subject; no one else need bother anymore unless you do better than Shawn…and good luck with that.) Was Liam Neeson not available to play Super-dad in this? Someone needs to do a lengthy critical essay book about the trope of the super-father in fiction, the societal problems they mask, and their unrealism bordering on fantasy to the point of being inadvertent straight male camp. (Which really is what James Bond, Mission: Impossible, and The Fast and the Furious franchises are, just like the Marvel/DC comic book movies are–there’s a dissertation for a PhD in Women’s Studies for someone. You’re welcome.)

I also, in reading the stacks of paper-clipped drafts in one of my stack of inboxes, found another draft of “Whim of the Wind” I’d forgotten about–see what I mean about my shitty memory?–where I’d undertaken a thorough rewrite, and I’m not certain I don’t prefer this opening to the most recent attempt to revise the story. So I am going to compare/contrast the two of them, and see what comes out of it. I also am not certain I like the new ending I came up with, because it doesn’t really work with the tone and voice of the story (it’s also very reminiscent of how I’ve ended a couple of other stories lately, and I don’t like being repetitive, which I find in short stories a lot more frequently than I’d like, to be honest), so I am going to give it yet another old college try to see if I can’t finally whip this damned story into publication strength (after forty years, it’s the least I can do for it). Writing freeform in longhand yesterday in my journal also seemed to unlock something in my mind–the creative stall or whatever you want to call it–but I feel like writing again, and I don’t dread it or even think meh not doing anything today isn’t going to hurt anything, which is incredibly stupid (but one of those lies my brain tells itself to get out of writing).

And on that note I am heading into the spice mines. Have a lovely Monday, everyone, and I’ll check in with you again later.

A Song in the Night

Sunday morning after a satisfactorily relaxing Saturday, in which I watched a lot of college football while doing chores and picking things up and so forth. For those of you keeping track of the soft food diet, last night I tried mashed potatoes as a meal and it was rather filling, yet not satisfying. I was fantasizing yesterday about corn dogs and fish tacos and cheeseburgers and almost every kind of solid food imaginable at some point during the day, only to sigh and get another yogurt or protein shake in a box.

LSU played very well yesterday, winning 41-14 over Mississippi State in Starkville, which meant listening to those fucking cowbells all through the game, but I don’t know what that win means, if anything. Yes, it means LSU is now tied for first place in the West, but what does it mean for how good they are? LSU has been very dominant in its last two games, but Grambling State was very much outmatched and no one really knows how good or bad Mississippi State is, either. They always manage to play better than expected when they play LSU, and there have been some insanely close games as well as the occasional MSU upset win–and by quite a lot. I’m cautiously optimistic about the rest of the season for LSU, but my expectations aren’t high; I’ll be glad for whatever we get that is good this season. It’s nice to beat the Bulldogs in Starkville decisively. Was Florida State just a really good team and LSU played sloppy so had no chance? It’s also possible. Georgia didn’t look invincible yesterday against South Carolina, and neither did Alabama at South Florida. The Florida blowout of Tennessee annihilated any hopes they may have had of winning the East this year–I can’t see how they’ll beat Georgia, and Alabama, which is the only way it’s possible for them now. Another Tennessee loss will be fatal to their hopes for a big season–and they also have to play at Alabama….who also is looking a little shaky this year. I think the SEC is wide open this year, and Georgia is still the favorite, but maybe not as resoundingly as I had thought. Interesting.

So, as I said, the rest of the day was anti-climactic. I continued on my soft food diet, while fantasizing about solid food, and my mouth waters at the thought of what I’ll be able to eat once my mouth has healed. This may also be the last time I’m ever on a liquid/soft food diet, and certainly not for the length of time this is taking for me. That helps me get through the day, believe me–and those are the straws I am grasping at this point. It’s not really been that bad, but I think a diet that is so heavy in protein and fat can’t be that good for me so I am going to force myself to eat more of the baby food, which is dreadful. There’s a weird chemical aftertaste to it that I can’t quite figure out, but it’s nasty. At least the servings are small. I did eat mashed potatoes for dinner last night, which was just weird. Today I think I am going to make chicken noodle soup for lunch; I think I can handle the noodles somewhat, and that will be a good benchmark to see what I can and can’t have in terms of more solid food. I mean, maybe mac-and-cheese could happen at some point, you never know. I do have some things to do that I’ve been (as usual) putting off until the last minute, so there’s no other option than to do them today. It’s fine; there’s no Saints game to distract me or sideline me (they play tomorrow night) and I am conflicted about them; they are my team, but this week I found out our new quarterback is a COVID-denier and anti-vaxxer–at least as far as the COVID vaccine is concerned. I had started following him on Twitter (I refuse to call it X, fuck off, Musk), and then I saw him retweeting something questioning the WHO and the vaccines, etc. and thought, yes, because you got your degree in epidemiology and infectious diseases at Fresno State? I unfollowed and blocked him. This is tough for me, really. I never really felt the same about Drew Brees after he partnered with the homophobic American Family Association to promote “bring your Bible to school day”–which sounds sweet and innocuous….unless you aren’t a Christian. The fact that he and his team failed to do any vetting on AFA before agreeing to work with them was incredibly troubling; his reaction (“I’m not a bully! I support everyone! How dare you criticize me!”) made it worse. There was no humility there, just anger at being doubted or questioned, which belied the “humble act” he’d been playing since signing with the Saints. To me, that failing lessened him in my eyes because I’d admired and liked him as a good person for so long. No doubt, he did a lot for New Orleans and he still has charities and programs here his foundation runs–but the Brees family moved back to Texas shortly after he retired as well.

So much for his lifelong commitment to New Orleans. That also stung a bit. So, yes, while the bloom was off that rose even before he retired, I suppose I could have eventually gotten around to getting past it and excusing the AFA connection–if not for them leaving New Orleans. This city literally gave them everything they have…and once the city had finished giving them everything, they left when there was nothing left to squeeze out of the orange.

I’m petty that way. I love New Orleans, and don’t even think about disrespecting the city unless you live here. Only residents of the city have the right to complain–the rest of you don’t have to come here, and please, feel free to keep your sorry asses at home if you aren’t going to love and appreciate New Orleans for all that she is.

I was also realizing, as I watched the games yesterday (won’t lie, I always pull for upsets except for LSU early in the season; my allegiances and loyalties shift as it progresses as LSU works through its schedule and who LSU needs to win and lose changes every weekend), that I should be taking advantage of this contract-free state in which I find myself to work on other things and maybe get them ready for either submission or publication? I’d like to get my short story collection finished by the end of the year–I think some of my stories that are published might not be available for it, like “The Ditch” and “The Snow Globe,” and if I finish revising “Whim of the Wind” and the anthology I am working on it for takes it, that will also take it out of consideration for the collection. I know “Death and the Handmaidens” will never be picked up for publication outside of one of my own collections, and that’s fine with me. It’s a bit flawed and needs cleaning up, of course, but it’s a good story with a strong foundation that just needs tweaking. I finally have let go of my ridiculous notion that “Whim of the Wind” was perfect as written and only had one small flaw that needed fixing; I am still proud of it as the first story I wrote that a college professor and a writing class thought was good and publishable of mine, so it will always be that landmark story in my writing career, but revising and rewriting and changing it isn’t some incredibly unpardonable sin for me, you know. I also want to revise and finish “The Blues Before Dawn,” “Parlor Tricks,” and “Temple of the Soothsayer.” That should be my goal for this week–as well as starting the revision/re-edit of Jackson Square Jazz–and emptying my email inbox.

And there are other things, too. So much, as always, that one Gregalicious always seems to have on his plate. I also started writing up interview posts, based on panel questions from Bouchercon in San Diego, which is always fun.

And on that note, I am getting another cup of coffee before heading into the spice mines. Have a lovely Sunday, Constant Reader, and I may check in with you again later, if not tomorrow.

The Rains Came

The weather has cooled down (Those Not From Here would scoff at the idea that temperatures ranging from 82-90 during the day signals a “cooling down,” but they can be forgiven because they clearly didn’t live through what was the hottest summer in New Orleans history. We broke records for everything. It was so hot and it hadn’t rained for so long we were in a wildfire alert, being cautioned not to cook outside–although why anyone would want to if they had another choice is beyond me. But yesterday morning when I left the house I thought, ah, this is lovely as I walked out to the car. As I indicated, the appointment went well, and now I know the backside of Tulane’s campus as well as where the football stadium is. I probably should explore that part of town more. I had an idea for (yet) another mystery series that would be set in the University area, or at least anchored there, but I am not as familiar with that part of town as I should be. I am very neighborhood limited here in New Orleans, but my own neighborhood and the one right next to it are so interesting and fun to explore that it’s hard to get out of my own neighborhood. Now that the weather’s nicer I think I might start taking walks after work when I get home. It’s Halloween season, after all, and New Orleans does like to decorate.

I was tired yesterday when I finished my work-at-home duties, and curled up in my chair while watching a gay critique of Barbie and the camp aesthetic by James Somerton before falling into a mindless wormhole of football highlights, reaction videos, and the occasional news clip. I am very tired of these times in which I find myself living this last third of my life. I did not have the potential collapse of American democracy and society on my life BIngo card; I’m not sure anyone really did. I think part of the reason I was so tired yesterday was the release of the inner tension and stress I was experiencing leading up the appointment. I was doing a pretty good job of handling the anxiety, I thought, refusing to let my conscious mind spiral (the curse of having a very fertile mind and a tendency toward pessimism is just how convincing the absolute worst I can imagine happening can truly be), but I also forget that the subconscious is also affected, and I’m not sure I can learn how to control that part of my mind, or if that’s even possible. Anyway, the reassurance that I am in very good hands and he has done the procedure many times successfully released all that stress and tension, and I think it left me drained and exhausted.

I was able to read more of Shawn’s book at the appointment while I was waiting to be seen (a book is such a better diversion than doom-scrolling social media on your phone) and my initial fear about the direction the book was taking–a mass school shooting–were unfounded. Shawn’s writing style is so rich and vibrant, too. I can almost hearing him reading the text aloud in my head as I read along, and I am very interested to see where the book is going to go. Shawn is one of those authors whose books I like to go into knowing nothing; all I know is who the author is and the title of the book. I don’t read reviews, I don’t read the jacket copy, I don’t read anything. (There are a handful of these writers; I also only have to know they are the author to buy it as well.) I hope to spend some more time with it this weekend. The LSU game is on at the ridiculous hour of eleven in the morning, which is the absolute worst time for an LSU game for me. I hate when they play early; if they play poorly it casts a pall over the rest of the day, and even if they do win, the rest of the day always feels anti-climactic. Anyway. So, maybe I will get to spend the rest of the day reading; stranger things have happened.

Tomorrow I have to spend doing some work; I’m not even going to try to pretend that I am going to get anything written or revised or edited today after the LSU game. I did manage to launder all the bed linen yesterday, and I also unloaded the dishwasher and cleaned the kitchen last night, too. So that’s something, right? If the game is at a decent hour next Saturday I’ll take these surplus beads to the donation bin, drop off all these boxes of books at the library sale, and maybe I’ll be able to eat something a bit more solid by then? I’m worried about losing weight because I’m afraid I’ll lose weight after the surgery too. Never thought I’d be worried about losing weight, but I also never thought I’d make it to my sixties, either. I have to eat something besides protein shakes and ice cream, so tomorrow I am going to try baby food again, and maybe mashed potatoes. It’s so exciting to be me these days, isn’t it?

But the kitchen and workspace area looks better organized this morning, which is pleasing to me, and I have another load of dishes ready to go in the dishwasher. I also figured out how to end two in-progress short stories that have stalled, so I call that a win, too. And on that note, I am going to head into the spice mines.

Judy in Disguise

Judy Bolton was never quite as popular as Nancy Drew, but she has some very loyal and very partisan fans. Unlike Nancy Drew and the Hardy Boys (and perhaps some other Stratemeyer Syndicate series), there was only one writer for the entire length of the series, Margaret Sutton, and she wrote about her native Pennsylvania–the state is never mentioned in the series, but it’s close enough to New York for a short train ride to take you into the city, and it was pretty clear she had set the series in a fictional town in her native state. The series was also unique amongst kids’ series in that Judy aged–she was fifteen or sixteen in the first book, The Vanishing Shadow, eventually graduated from high school, and got married. The grandmother she is staying with at the farm in Dry Brook Hollow in that first book eventually passes away and leaves the farm to Judy, who moves into the old farmhouse with her husband and former high school boyfriend, Peter Dobbs.

I discovered Judy Bolton at Bargaintown USA, which eventually became Toys R Us. Their book wall, which was the back wall of the store, had every kids’ series in print at the time. I just stared at the wall in wonder, wondering how I would ever choose just one book out of the vast array of choices. I liked the title The Vanishing Shadow, and my parents–eager to get me to read about boys instead of girls–didn’t notice it was a “girls” book because the spine was green–Nancy Drew was a very bright yellow, and they’d trained themselves to watch out for those telltale yellow spines in time to negate the purchase. Like most kids’ series, the Judy Bolton books had never been revised or updated; they weren’t Stratemeyer Syndicate books and had a single author, for one (Sutton always felt Grosset & Dunlap “favored” Nancy Drew in marketing over Judy Bolton; and that her series would have been just as successful with the same marketing Nancy got), and so this initial book, originally published in 1932 (!!!) seemed a bit old-fashioned. I was also a bit surprised because Judy was kind of unpleasant and unlikable. She was especially mean and vicious to her younger brother Horace–who was timid, shy, and weak; dismissed as a coward by everyone including his sister–and she was incredibly bored, staying at her grandmother’s–which I could also related to as I often was bored when I spending the summer at my grandmother’s. Judy and her family actually lived nearby in the small city of Roulsville, which sat in the shadow of an enormous dam and reservoir. Judy overhears some suspicious characters talking about a weakness in the dam–and so she entertains herself trying to figure out what’s going on. There’s a very exciting climax where the dam itself does rupture, and Horace rides a horse into town to warn everyone to flee for safety, becoming in the process the hero of the Roulsville Flood. This surprising act of heroism for the formerly “cowardly” Horace has a strong effect on him, and he becomes a completely different person from then on–strong, confident, courageous. Judy also solves her mystery, involving shoddy construction of the dam and corruption, and all’s well that ends well–except the Boltons are now homeless.

My junior high school had a lot of the kids’ series in its library, and I checked out and read as many as I could–not just Judy Bolton, but other series like Biff Brewster and Ken Holt, that I also enjoyed (more on them later)–and in the second book of the series, The Haunted Attic, the Boltons move into an old but beautiful, reputedly haunted mansion in the nearby, much bigger than Roulsville city of Farringdon. Judy’s transition from her old high school to the new one in Farringdon brought its own set of challenges; her adventures in the first book also made Judy grow up some and become a little less self-centered and more concerned about helping other people, with a strong sense of right and wrong. The Judy Bolton series was kind of amazing and vastly different from the others in that Judy not only grew and evolved, but so did her friends. The books also tackled social issues, like class and snobbery and mean girls, while Judy also solved mysteries. She became friends with a group of kids, with both wealthy Arthur Farringdon-Pett and Peter Dobbs interested in her; Arthur’s sister Lois became Judy’s friend, but Lois’ other best friend Lorraine Lee was a bitch who was extremely jealous of Judy–but rather than dragging her for the filth she is, Judy feels more sorry for her than anything else, and is always kind to her.

One of the other things I really liked about this series–besides Judy aging and growing and changing from a teenager to an adult married woman over its run–was often Judy’s mysteries involved reuniting long lost children with their families. The Haunted Attic put her squarely in the sights of a criminal gang, who had a sad teenaged daughter Judy took pity on and befriended…eventually discovering she was actually Peter Dobbs’ sister, who everyone thought had died at birth. Judy and Peter eventually married, and they wound up living in her grandmother’s house in Dry Brook Hollow, which she inherited when her grandmother dies (off camera). Another thing I liked about the series was its careful attention to continuity–many of Judy’s later adventures were tied to the Roulsville Flood, or have long-running characters like Holly Potter who eventually have a mystery that needs clearing up by Judy; she and Peter also took in a little girl named Roberta who lived with them for several volumes before Judy finds out the truth about Roberta’s past and reunites her with her parents (The Clue of the Stone Lantern). Judy even deals with racism against Muslim-Americans in The Search for the Glowing Hand––which was pretty fucking far ahead of its time for the 1960s, don’t you think?

As you can see, advertising played up the fact that Sutton based her stories on real places and real events.

The last Bolton case written by Sutton herself was The Secret of the Sand Castle, which, of all things, takes Judy to FIRE ISLAND to solve a mystery. I know, right? When I finally got a copy of it (in very good condition, and far cheaper than I would have ever guessed it would be) I wasn’t surprised to read that Judy encountered no partying gay men, never wandered into the Pines at night by mistake, and so on. It was also set in the off-season, so there was no one else–or not many people, at any rate–out there on the barrier island with her.

I also liked that Peter, Judy’s husband, became an FBI agent after they were married, and sometimes Judy inadvertently got involved in one of his cases. Her cat Blackberry, originally gifted to her as a kitten in volume one, is “loaned” to Congress to catch mice in the basements of the Capital when she and Peter are living in Washington briefly because of his work–The Whispered Watchword involves a conspiracy against the US by a foreign enemy–before they return back to Dry Brook Hollow. Peter is also often away (gosh, sounds like Frank and Colin, doesn’t he?) so Judy is usually on her own when a mystery comes across her path. I also liked that Judy didn’t just become a wife when she married; she continued having adventures, even if she is a bit more deferential to Peter than I would have liked, but marriage neither changes her nor makes her settle down into domesticity, the way an actual baby would have; that was my biggest fear reading the series…that Sutton would eventually make her a mother. But that wouldn’t have flown with the audience or the publisher, I suppose (SEX! OMG JUDY AND PETER HAVE SEX!), so that’s why Roberta came along–to give Judy that “normal” look of having a child to look after now that she’s a wife.

Fans completed some of Sutton’s unfinished manuscripts after she died; while I am sure they are marvelous stories, maybe someday I’ll have an interest in reading either of them. But it’s hard for me to read someone else’s take on a long-running series; it just feels wrong to me, somehow and I know it’s irrational. I did like Ace Atkins’ take on Spenser, and I am going to read Alison Gaylin’s take on Parker’s Sunny Randall. (I also used to not like watching movies that were subtitled, either, so…change is possible.)

It would be very cool if someone could update this series, but I’m not sure if it can be done. The first book came out almost a hundred years ago (!), and times have changed dramatically since then. I always thought if I wrote a girl detective, she’d be a cross between Judy Bolton and Trixie Belden.

Married, But Not To Each Other

There’s really nothing like a country adultery song, is there?

The stitches in my gums are starting to dissolve, which means healing is happening. I don’t know if and when I can eat something a little more solid–like bananas and watermelon–but trust me when I say I cannot wait to eat something I can gum a bit. That really doesn’t sound appealing, does it? But much as I love protein shakes and ice cream (please note the lack of mentioning baby food), I really want something else. I really want Five Guys, to the point where I’d buy one and puree it if I wasn’t aware enough to know that it would be disgusting and still inedible for me.

In a little bit I’ll be heading to the Tulane Institute of Sports Medicine where I am finally meeting with the kind of specialist who can potentially work on my left arm injury. It’s a very long and tragic story, how I got here at any rate, and I’ll probably go into more at another time, but it’s not something I feel like talking about at the moment. The primary problem is I don’t remember if I’ve talked about it here already or not? The joys of getting older and having a much more slippery memory than I used to have, I suppose. I slept really well last night–certainly could have slept longer, so I think this weekend will entail a lot of sleeping in, quite frankly. I don’t feel tired and worn out the way that I remember feeling before on Friday mornings, so I guess that’s a good sign. I’ll run some errands on the way home and hopefully won’t have to go out much this weekend. I also need to get back to writing something other than emails and blogs, to be honest. I was thinking about this last night, and since I’ll take Shawn’s book with me this morning to read in the waiting room, hopefully that will crack the trouble I am having reading since coming home and I think the answer to cracking the writing issue is to start the actual editing of Jackson Square Jazz. Why not? It needs to be done and it’s just been sitting there waiting for me to do it for years now. I also think I’m going to pull that short story collection I’ve been wanting to get into print, and see how close it is to being finished and what unpublished stories there are on hand that need more work on them. I think those are both valid projects for me to make some progress on this weekend around cleaning and watching football games, I think.

We got caught up on both Ahsoka and Only Murders in the Building last night, which was nice. I was tired when I got home from work last night–very tired–and was actually able to come straight home from work for once. I finished a load of laundry–still sitting in the dryer, actually–and a load of dishes that need to be unloaded once I get the kitchen back into some kind of decent shape.

As I sat in my chair last night waiting for Paul to come home while watching a documentary on Youtube about the final collapse of the Hapsburg dynasty, I wondered if my ability to now recognize anxiety for what it actually is as it starts (I just always thought everyone’s brain worked that way before) and fend it off had anything to do with with my not writing? I think I may have burned myself out a little bit with all the writing work I’ve done this year; juggling two new novels at the same time wasn’t the smartest move I’ve made in my career–but I had no way of knowing what my life situation was going to be like last fall, winter and spring either. I also think if I can get over the reading hump, the writing hump will melt away like nothing before my very eyes. It’s a lovely thing to believe (we tell ourselves lies in order to live), and it may very well be true–reading always inspires me and makes me want to get back into my chair at the keyboard and working away at something. I also just checked and my new glasses are scheduled to arrive on Monday, which is great, as my prescription has grown stronger but I am still wearing my old ones. This is, if you will recall, the year of getting things done–hence the hearing aids, the mouth surgery, and following up on getting my arm taken care of. I am looking forward to being able to see properly again, and chew again, to go along with my new ability to hear, which is lovely and something to which I’m still adapting.

So my big plans for this weekend involve cleaning the house (as always), revising and reediting Jackson Square Jazz, and reading All the Sinners Bleed, which has a very strong and powerful opening. I may do other things–I do have a hefty to-do list to take care of this weekend, but nothing I can’t really handle–and of course I’ll be watching the LSU game tomorrow morning as well; using the nervous energy LSU games always give me to clean the living room. If it weren’t for the early start time of that game, I’d take some boxes of books to donate to the library sale, but that will have to wait until next weekend, alas. (They’ve been in the living room since Labor Day, and I’ve not pruned the books again since because, well, there’s already too many boxes in the living room.)

And on that note, I’m going to get another cup of coffee and head into the spice mines to start getting ready to head uptown for the doctor’s office. Wish me luck, Constant Reader, and I will chat at you some more probably later on. Have a great Friday!