Category: books i’ve read

Love Me Tomorrow

Saturday morning in the Lost Apartment, and all is well. I went into the office for a meeting and stayed there to get my Monday work done, since I have appointments that morning. It was weird, like the world had tilted on its axis or something; it felt very odd being in the office (and it also freaked out co-workers, too) and while it’s the kind of thing that generally undermines my equilibrium, it was all fine. Today I am going to run to the library sale, pick up the mail, and wash the car before coming home and settling in for some reading and writing with college football on in the background. I also have to run Paul over to Costco to pick up his new glasses, so I need to figure out if there’s anything else we need from there since we will actually be there. (I can always use more K-cups for my Keurig, and since in a couple of weeks my driving will be severely restricted for three weeks, yeah, it’s better to prepare now.)

In a surprising turn of events, yesterday morning I was digging through the closet looking for a shirt I hadn’t worn in years (there are many, and it’s been a few years) when I stumbled across a pair of pants that I used to love. They were so comfortable, but they stopped fitting about twelve years ago–they were transitional pants, a pair I had bought when I realized I needed to go up a size to 32’s, which was concerning at the time, and then they became too small within a couple of years, so I thought, well, if they don’t fit I’ll take them to work to the clothing closet and showered. Lo and behold, they fit comfortably! So I guess I’ve dropped down to that size again, which is delightful, and probably a side effect to the soft food diet. But it’s delightful to be able to comfortably fit into size 32 waist pants again–I didn’t think that would ever happen, and the fact that it did while I still am above my goal weight by eight or nine pounds is very cool.

I got home from work in the mid-afternoon and the construction guys were here again, working on the deck, which meant they were right outside my windows, so there was no way with all that pounding, drilling and other miscellaneous construction noises that I could focus and do some either reading or writing, so instead I focused on chores. I got the laundry done, did some picking up around here, and also did another load of dishes. It’s really quite remarkable how much garbage and dirty laundry and dirty dishes can accumulate around here during a week. But I eventually made it to the chair so Tug could be a purring kitty donut sound asleep in my lap while I doom-scrolled social media and watched history documentaries on Youtube–more about the Byzantine Empire (which really was the Roman Empire; the West made sure they rebranded the Roman Empire while talking about it and erasing it from history–Western Europe saw themselves as the true heirs to the Romans and their civilization, even as it went on in Constantinople for another thousand years after Rome fell. The West even went so far as considering eastern Europeans uncivilized barbarians, hence the Hapsburg hegemony), and some more stuff about the Crusades. There was also an interesting documentary about what city and culture is truly the “third Rome”–was it the Ottomans with Istanbul, the Russians with Moscow, or the Holy Roman Empire with the Pope’s endorsement? (Interestingly enough, the Nazis and their Third Reich was predicated on them being the heirs of Rome and the Holy Roman Empire, with Berlin as the third Rome, so yes, that Roman influence continues on up through the twentieth century.)

I also read some more of The Rival Queens by Nancy Goldstone, the dual biography of the mother-daughter team of Catherine de Medici and her daughter Marguerite de Valois; I’ve always known and have studied up on the French wars of religion before, but I never really understood how it really all came about under Charles IX and his mother’s regency (I always focused more on the reign of Henri III, his younger brother and the end of the Valois dynasty; Henri III was also openly gay, so of course I’ve always been interested in writing about him even though he was hardly a heroic king or a good role model for future gay kings), so it’s interesting to see how Catherine, who had little to no popular support, played the two opposing parties of the Huguenots (led by her son-in-law Henri de Bourbon and his mother, Jeanne d’Albret Queen of Navarre) and the Guises (ostensibly the more popular Catholic leaders) off against each other to maintain her own power and control of the government–which in trying to keep the peace and herself in power and her son on the throne, generally tended to make things worse. She was smart, though–very smart, and she played a very dangerous game but died in power and in her bed. The French, of course, hated her because she wasn’t of Royal blood and felt their royal family had demeaned themselves by allowing her to marry into them. They called her “The Italian Woman” or “Madame Serpent” or “Queen Jezebel”–all of which were used as titles for Jean Plaidy’s romantic biographical trilogy about her life. The general French distaste for Italians also played a part in her demonization by the people, and of course her having truck with the Huguenots didn’t sit well with her Catholic subjects, despite her being the niece of a Pope and cousin to two more. As I have said before, 1559-1594 was a very interesting period in French history, and the religious question/problem also continued through the next century–leading to the fascinating period of the 1620’s, when Dumas set his The Three Musketeers.

Ah, maybe someday. Reading The Rival Queens is certainly whetting my appetite to write some French historical fiction.

We also watched another episode of Karen Pirie last night, which we are both really enjoying, but alas, I was tired and sleepy and fell asleep a couple of times during the episode. (I also had Tug sleeping either next to me or on me, so of course I kept dozing off; if they could somehow get sleeping cat/purring energy into a sleeping pill form, it would sell like crazy. Nothing puts me to sleep like that, nothing. (I also continued my rewatch of Moonlighting, with an episode that featured and centered Miss DiPesto, “North by North DiPesto”–which was cute and sweet and fun, but ultimately a subpar episode. This was when the filming and writing of the show had started falling behind, and they would give the writers a chance to catch up by doing an episode without much David and Maddie–which meant a lot less dialogue and no talking over each other. I’d forgotten they did things like this to try to catch up on their schedule, and it’s also why there were never twenty-two episodes in a season, which was standard back then; I’d also forgotten that the filming of the show–and all its behind-the-scenes trouble–only spurred on more interest in the show; I don’t think backstage drama and production issues on a television program had ever been news before Moonlighting, which tells you how important the show was culturally.)

So I am hoping to get a lot finished today before it’s time for errands and things. I will probably pay more attention to football today than I need to–LSU plays Florida tonight at home, trying for a fifth consecutive win against the Gators; Mississippi is at Georgia in a clash of Top Ten teams; and Tennessee plays Missouri in another top 25 showdown. Alabama is also at Kentucky, Auburn at Arkansas, and Texas A&M at Mississippi State, so yeah, there are some interesting games on today, so it will probably be more than background noise I have on, alas.

And after I get some things done around here in the kitchen this morning, I am going to curl up with Lou Berney’s Dark Ride and give it all my attention.

Have a great Saturday, Constant Reader!

Sexual Healing

Friday, but I am not working at home this morning. We have a department meeting, and then I am going to stay at the office until around two this afternoon to get things done. I am taking Monday off because all my pre-surgery appointments are that morning, and I don’t know how long that is going to take. As Monday is a paperwork and not-in-the-clinic day, it’s not a big deal as long as I get all of the work I would ordinarily do on Monday to get the clinic ready for the rest of the week done today. I am going to run a couple of errands on the way home, and then I am in for the rest of the day. I will have to run some errands tomorrow–post office, mostly–but hope to spend most of the weekend inside the apartment. I slept well last night, mainly because I had the “Thursday exhaustion” that hits me every Thursday since I started working this schedule, but that’s okay. I came straight home from work yesterday, and didn’t do much of anything once I was there. Oh, sure, I watched another episode of Moonlighting–and their lesser episodes are still charming–and later Paul and I watched the season finale of The Morning Show, which was a lot of fun. I did watch some Youtube documentaries about the Knights Templar and the Fall of Constantinople in 1204–which I never get tired of learning about, and will turn up in one of my books one day, just you wait and see.

I’m also looking forward to this weekend. I am going to get some books pruned to take to the library sale on Saturday, and I think I am also going to get the car washed. I do kind of want to see the Georgia-Mississippi game, and of course I’ll watch LSU play Florida, but that game worries me a bit; there’s always a let-down after losing to Alabama and having the pipe dreams of the season dashed finally, and LSU has beaten Florida four straight years, which is tied for the longest LSU winning streak in the rivalry. I also just remembered that this is the last season of the SEC as it has been since the initial expansion into two divisions thirty years ago; sure other teams have joined since, but the East-West divisions remained intact all this time. I don’t know how I feel about the expansion into a super-conference and the addition of Texas and Oklahoma, and the rotating schedule seems like a pain in the ass, but we’ll see how it works out. I suspect in about another decade realignment will be revisited and some teams may break off from their super-conferences and form a new smaller more manageable one…who knows?

I also want to read Lou Berney’s Dark Ride this weekend, and maybe start reading my next book, which I think is going to be Zig Zag by J. D. O’Brien, who was on my Humor panel at Bouchercon (that was probably one of the best panels I’ve ever moderated, and I want to read all of their books), because both have to do with stoners–Lou’s main character is a stoner, and J. D.’s book is about a dispensary heist, so they’re both what I call stoner noir–so they kind of go together. I also want to get to the new Angie Kim sooner than later, I am volumes behind on Laurie King’s marvelous Mary Russell series, have two Donna Andrews novels on deck as well, and then I want to really start making progress through the stacks and get things read.

I also need to do some writing this weekend. I’ve been really terrible this week about being organized, so there’s more of that to be done this weekend. I think I’ve started working on what submissions will go where, and I’d love to get a stronger handle on all of that by the end of the weekend. I know I want to get one of my stories submitted out again somewhere, not entirely sure where, but the worst thing they can do is reject it, right? And that just means my story isn’t right for them, that’s all, and that is fine. I need to get more zen about rejection, you know? And I also need to be easier on myself emotionally about the whole writing thing. Sure, it would have been great to get a lot more writing done before my surgery. No, I don’t know what the aftermath and recovery is going to look like–I am finding that out Monday at my pre-surgery meeting–so I won’t know for sure until Monday what I am going to be capable of doing in December. I think I’ll probably be back to work right before Christmas, but I also don’t know what I am going to be able to do once I go back. Will I be able to test people? How mobile will the next cast be? (I think I am going from rigid to flexible after the first three weeks.)

Uncertainty is not the friend of anxiety, but I think I am doing a pretty good job of not letting my anxiety take control of my conscious brain, at any rate. And this morning I’ve managed to unload the dishwasher already and start another load–and when I get home from my partial day at the office I’ll get started on the bed linens. I am running an errand on the way home, and then I intend to spend the afternoon mostly reading the new Lou Berney while doing some light picking up and pruning of the books, and maybe even get some writing done. Stranger things have happened.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again later with some blatant self-promotion. Tuesday is the official release date for the new Scotty, which is very cool, and then the next week we go into surgery. WHEE.

Sexy Drag Queen

Today’s blatant self-promotion for Death Drop image is of one of my favorites from the world of Drag Race–Manila Luzon. I fell in love with her during her initial run on the show, and wanted her to win. (She didn’t, alas, but I also like Raja, who did win that season.)

When I was a personal trainer, I always asked new clients what their fitness goals were. Straight women inevitably wanted to lose an average of ten pounds or so; gay men always wanted to look like underwear models or Olympic athletes; and lesbians generally just wanted to be healthier. I tried to educate the women on the fallacy and dangers of “dieting”, and that the best thing to do was restructure and rethink how and what they ate and when. I used to always tell the gays, “can you afford a personal chef and nutritionist, and can you exercise three to four hours a day every day? Because they don’t look like their photos most of the time…they usually maintain their bodies regularly but go on ridiculously limited diets that aren’t healthy and also dehydrate themselves to look more cut for pictures. And it’s also their full time job to look like that. Now, let’s realistically talk about a plan that can make your body fit and toned in a healthy way that will be easier to maintain.”

Jem, my main character in Death Drop, is a professional hair stylist and make-up artist, and also has a good eye for fashion. His job is to make women, as he says, feel beautiful and confident, and as a gay man, he also can see the endless pressures from every direction that are put on women. Part of his issue with Marigny Mercereau, whose fashion show he is hired to work in the book, is that he hates the clothes she designs because the silhouettes are unattractive and they don’t flatter women’s bodies. Add to that the fact that the last time he worked for her, her check bounced, and yeah, she isn’t one of his favorite people. But so much is going on that night of the fashion show that Marigny’s clothes–and his dislike of her–aren’t in the forefront of his mind.

I mean, he does have to do drag for the first time that night–in front of a bunch of wealthy or upper middle class women he would love to have as glam clients. And Jem has stage fright.

That is one of the keys for me with Jem and the whole drag thing: he has stage fright, like I do. I’ve never really written about that much in my fiction–I know I’ve talked about it on here ad nauseum ad infinitum–but despite mining almost every experience I’ve ever had in my life into my fiction at some point, it’s kind of odd that I’ve never written about stage fright. I have it, bad. I am sure it’s a symptom of my anxiety–as everything is–but I have it, and I’ve always had it bad. When I was in plays in high school, it was torture. I liked being in the plays–I used to dream, as a kid, of being in show business, and yes, practiced award acceptance speeches in the mirror while clutching a shampoo bottle–but the actual performances? Absolutely not. I generally shake so much when on panels that I usually try not to use my hands when I talk–which I always do–because I don’t want anyone to see that I’m literally trembling in terror; I am also usually sweating a lot and my heart is racing and there’s a massive adrenaline rush…panels aren’t as bad as moderating one is; but now that I know it’s anxiety I try to handle it. Before I moderated that panel at Bouchercon this past year, I walked around a lot before the panel to burn off the adrenaline and try to get my heart rate down to something passing as normal. Also knowing it was based in anxiety gave me a handle on it; when I know what is going on I can try to cope with it better than what I did before–which was just grit my teeth and get through it.

Jem didn’t have stage fright while walking in the fashion show–and he also knew it was because of the lighting and it being after dark, he couldn’t really see the people in the audience. He knew they were there, but as long as he couldn’t see them it didn’t phase him. His fears of performing, of getting on stage, is going to be something he is going to have to work on in future books–of which I am hoping there will be at least three, if not more. He probably won’t have to deal with it in the second book either–because while he has graduated from drag school and performed in the graduation show, that was for friends and family and not the general public–because the second book takes place at a national drag pageant…which is being protested by a hideous hate group called Moms4Freedom…which I am having a lot of fun with, rest assured.

And on that note, I will bring this to a close–there will be more blatant self-promotion to come!

American Heartbeat

Well, I didn’t get my blatant self-promotion done yesterday, so I will have to work extra hard today to make sure it does get done; cannot go two days without any, after all. I do feel tired this morning, and I am going into the office tomorrow. I have appointments for the surgery all morning on Monday, so I am going to take the day off–which means staying at the office after the department meeting to get all the things done for the next week that I would ordinarily do on Monday. I keep hoping the dentist will call about my dentures; it would be so awesome if I could get them on Friday, but surely they will come in by next week. I know things have slowed down with deliveries to New Orleans thanks to the visibility issues we’re having down here in the mornings. There’s a swamp fire in the East (which is why the whole city smells like burning rubber), and that mixes in with the heavy fog and visibility is relatively non-existent. Yesterday morning every bridge into New Orleans was closed except for the causeway, and there were some bad accidents before the bridges were closed. I-55 still hasn’t recovered from that insane massive pile-up in the same conditions last week, and I think it still closed southbound. As you cannot get into New Orleans from anywhere else in the state (other than Metairie and Kenner) without having to cross a bridge, you can see how closing all the bridges1 could cause delays in deliveries to the city–which is also probably why the grocery stores all look so picked over all the time.

I did manage to do some chores last night when I got home–finished a load of laundry and started another; emptied the dishwasher and reloaded it to run again, with another load waiting to go–and I made groceries on Carrollton before heading uptown to get the mail. My new copy of Chris Wiltz’ The Last Madam2 arrived yesterday, along with shaving accoutrement that I’d ordered, which was lovely. I think I am probably going to come straight home from work today. I’ve picked up the mail every day this week so far, it can wait again until Saturday when I take books to donate to the library sale. I really need to get back to work on the book and some of the other writing I am trying to get done before the surgery knocks me out for a while. I don’t know how much writing I am going to be able to do during the three-week post-operative hard cast to keep the arm immobile period, but in a worst case scenario, I should be able to sit in my easy chair and read and watch movies, right?

I watched a documentary last night on Youtube about how Egypt survived the Bronze Age Collapse (which is a period which really interests me–all the civilizations crumbled around the same time but we don’t really know why), and I also watched another episode of Moonlighting, and it just so happened that my all-time favorite episode was on deck, “Twas the Episode Before Christmas”–which also is one of my favorite series Christmas episodes of all time. This was the episode where the show fully committed to breaking the fourth wall regularly (they’d flirted with it before, with the occasional joke about the run time of the show or the viewers), but this is the episode where Miss DiPesto finds a baby in her apartment right before Christmas, and from thus the mystery was sprung. I also absolutely loved that the three FBI agents looking for the baby were all named King (hence the Three Kings looking for the baby at Christmas), and other little clever touches like that. It’s also an incredibly well-written episode, anchored by a truly beautiful and sensitive performance by Allyce Beasley as Miss DiPesto–who was robbed of an Emmy for this episode. This also, along with getting the new Donna Andrews Christmas mystery (Let It Crow! Let It Crow! Let It Crow!) and David Valdes’ new y/a romance Finding My Elf, had me thinking about Christmas again, and my weird bipolar feelings about the holiday, and also had me thinking about how little I’ve written about Christmas in my vast array of work; as far as I can remember there’s one short story (“The Snow Globe”) and one book (Royal Street Reveillon), but that’s really it. I’ve written other Christmas short stories, but have never shown them to anyone or wrote additional drafts, because they were gushingly sentimental, and I despise cheap sentiment. (Oh yes, years ago I edited an anthology of gay Christmas stories, Upon a Midnight Clear, which has been out of print for at least fifteen years, if not more.) I am going to try to read more Christmas-set books this year during the holiday season, much as I read horror the entire month of Halloween.

I’m also thinking I should write more about Christmas, and another Christmas book isn’t a bad idea, either.

I just wish I could get my mind to focus on something, you know? But I suspect that has to do with the looming surgery. This weekend, LSU plays Florida on Saturday night, and I am not sure I’ll watch much else–I’ll have the games on in the background but fully intend to get shit done around the house, and read, and write. I am not going to be able to do much around the house for at least three weeks, which has me a little concerned about the laundry–but I’ll cross that bridge when I come to it. One nice thing about football season is that once LSU is out of contention for anything, I don’t really have to pay much attention to anything else other than them for the rest of the season. I do love football, but not enough at this point to justify wasting an entire day watching games.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I am going to try to get some more blatant self-promotion out today, too.

  1. Ironically, I talked about how you always have to cross water to get into or out of New Orleans in Mississippi River Mischief; and here we are. ↩︎
  2. More research into gay prostitution and the history of sex work here. ↩︎

Lady Marmalade

He met Marmalade down in old New Or-leenz, strutting her stuff on the street, she said “hello, hey Joe, you want to give it a go?“

That classic song by Labelle came out while I was in high school, during the early to mid-1970’s, and there was a lot of prurient young teenager thrill in knowing that the French lyrics translated to “do you wanna have sex with me tonight?” But the song–essentially about a hooker in New Orleans and a man’s experience with her–was an introduction to another side of New Orleans–one you wouldn’t find in the World Book Encyclopedia.

It was very important to me, for a variety of reasons, to make Scotty someone who embraced his sexual orientation and sexuality. I wanted to write someone who LOVED having sex, loved beautiful men, and felt no Puritan-American based shame about enjoying sex. Those kinds of characters were few and far between in gay fiction, let alone in gay crime fiction. After writing the typical miserable cynical bitter gay man with Chanse, I didn’t want to do that again. I wanted Scotty was to be the obverse of Chanse in everything, except their mutual love of New Orleans.

(This was, in part, in response to being briefly dropped by Alyson when I signed the Scotty series with Kensington, being told “two mystery series set in New Orleans would be too alike.” I took that personally, as an insult to my talent, ambition, creativity, and abilities…and I think I proved my point. Once Murder in the Rue Dauphine and Bourbon Street Blues were released–and Rue Dauphine sold super well for them and was nominated for a Lammy–Alyson changed their minds. I’m still mad at myself for not asking for more money.)

But while Scotty was highly sexually active, he never got paid for it. He also never did porn–although I did consider that at one point as an option; I thought a murder mystery built around a porn shoot would be interesting and kind of fun. And of course, in this book he mentions that he and the guys have recorded themselves having sex, and have sexted each other.

Scotty always preferred to keep his status amateur–but he was a go-go boy (stripper, exotic dancer, dick dancer, whatever you prefer to call the guys who dance for dollars in gay bars wearing various kinds of male undergarments), and he was certainly someone who was not averse to having a sexual encounter with a handsome stranger. (There’s a joke about this in Mississippi River Mischief where Frank comments after they’ve met someone, “I’ve been with you for almost twenty years. If you think I can’t tell by now that you’ve recognized someone but you’re not sure from where, which means you’ve probably slept with them, think again”–a paraphrase, but you get the gist; Scotty is often running into men who look vaguely familiar, and that usually does mean he slept with them a long time ago.)

New Orleans, despite it’s rather prim-and-proper high society set (on the surface, anyway), with the Pickwick Club and the Boston Club and the mysterious Mystick Krewes of Rex and Comus and so on, has always been a city of loose morals and freewheeling attitudes towards sex and sexuality. We had a zone where prostitution was legal for three decades or so (Storyville) and I wouldn’t be surprised if there were several bordellos operating within the city limits as we speak. There was the arrest of the Canal Street madam; and of course local author Chris Wiltz wrote The Last Madam, a biography of notorious Norma Wallace–the last well-known madam in the city. (Which I need to reread…) Bourbon Street was known for its strippers and vice for decades; there are still strip clubs on the infamous strip running from Canal downtown to Esplanade–and there are usually men in bikinis or something equally scanty on the bars of the gay clubs down down around the St. Ann/Bourbon queer nexus of the Quarter. When I was starting my deep dive into New Orleans/Quarter history, I wasn’t surprised to find out there were “stag” bars down along the riverfront along the levee; and if someone at one of the fancy houses in Storyville had a predilection for the Greek vice that needed scratching, the madam would send one of her bouncers down there to find someone willing to turn a trick, with a fair share going to the house, of course.

I think that’s fascinating, really; and something I want to explore in a story. I’ve started the story (it’s “The Blues Before Dawn” which I’ve mentioned from time to time) but can’t quite nail down the crime part of it. The set-up is great, though, he typed modestly.

I didn’t intend for Scotty to wind up in what is now known as a throuple–a three way couple, or a relationship of three people–on purpose. I wanted to create the dynamic of two men being interested in him at the same time, and have some fun with that in the first book. I absolutely did, and when I sent Colin away at the end of the first one, that was deliberate. I couldn’t decide who Scotty should wind up with, and I wanted Frank to be really who he logically should end up with–but this bad boy with a mysterious background who was so hot and sexy? I couldn’t NOT bring him back, and so I decided I had three books to wrap up the romantic dilemma. I wasn’t certain what the backstory of the dilemma would be, or how it would turn out, or how it would go–but when I was writing Jackson Square Jazz I found the perfect place and perfect way to bring Colin back. That book ended with them deciding to try a throuple to see how it works out. It was going pretty well until Mardi Gras Mambo–and I tried really hard with that book to not end the romantic story the way it ended in that book…and finally decided, since the series was actually turning out to be popular, that I would finish it by the end of the fourth book.

I’ve also not talked about it in the books or on this blog at all, but….they also have an open relationship. (Someone asked me about this at some point after the last book came out.) Nothing else would work for Scotty–he may not take advantage of the opportunities that pop up now the way he used to, but that’s because he has the freedom to make that choice. If he was forbidden from outside sexual relationships, he would cheat–and he doesn’t want to do that because that’s hurtful and wrong. He never wants to hurt Frank or Colin–but both of them are also away from New Orleans for long periods of time; Colin off doing his international agent stuff, while Frank is on the wrestling tour doing shows and promo events; so they are on their own a lot and temptation is always there–after all, all three of them are gorgeous–so while it is unspoken on the page, it’s an open throuple. And usually, Scotty finds outside sex to be kind of dull, unemotional, and not nearly as much fun as it is with one or both of the guys. That’s a character development arc. I also don’t show Scotty going out to clubs or waking up with hangovers with a stranger in his bed anymore, either. He does still go out–he loves dancing–but the gay bar scene has changed since he was younger and he doesn’t find it to be nearly as much fun as he used to.

Though he won’t say no to a hit of Ecstasy during Carnival or Decadence.

How subtle are the changes in Scotty as he has grown, aged and evolved? I think they are miniscule, but a revisit of the first two books in the series has shown a lot of change and growth over the years for him. He is definitely not that same flighty twenty-nine year old who booked a gig dancing at Southern Decadence all those years ago to make rent and wound up kidnapped by neo-Nazis deep in a swamp–I think he’s a little less flighty and a lot more responsible than he used to be…though he’s not as responsible as most people his age. Turning him into a property owner in the Quarter from a renter–and letting Millie and Velma ride off into the sunset in Florida as retirees–has also made him grow up, as now taking care of the property is his responsibility.

I will always be fond of my Scotty, though, and hope to keep writing him till I can no longer type into a computer or speak into a word-to-text app.

my neighborhood is so beautiful at night, isn’t it?

It’s Raining Again

Wednesday and it’s Pay-the-Bills Day again, hurray.

Last night’s sleep wasn’t as good as previous nights, but I do feel awake and rested this morning so that’s a good thing. I am also incredibly excited about my wagon, which i know is weird. I had a straight male co-worker look at it*, and sure enough, he was able to get the wheels attached properly. I stopped on my way home from the office to get the mail and thought, hey I had packages and my hands will be full, so let me use the wagon and it was marvelous. Clearly, I should have bought a wagon a long time ago–and it’s the right size to fit along the narrow walkway alongside the house. It’s actually going to make life so much easier for me now it’s almost scary, and it makes the most sense to actually keep it in the car–it’s out of the way, will always be there when I need it, and if I need it for anything else, well, the car is parked usually out in front of the house so it would be easy to get to. I am most pleased with the wagon, I have to say.

I’m also trying–not always successfully–to stay in control over my anxiety. I have all my pre-surgery appointments on Monday, so that’s when I am going to find out what the recovery is going to look like. I am taking unpaid leave from work (I don’t have near enough sick or vacation time to cover the time I need to be out, so here we are) which is going to be an issue I will deal with when it rolls around; but I do have the process started and I can get the documentation I need for Admin from those visits and turn everything in the following day when I go back to the office.

I wasn’t tired when I got home yesterday, but Tug was feeling lonely and needy, so I had to go give him a lap to sleep in for a while, and after watching another episode of Moonlighting and a documentary about Greek fire and the Byzantine Imperial Navy, I’d lost all motivation and was feeling tired and sleepy. I did nothing for the rest of the evening–nothing. I did go to bed around nine-thirty, and of course woke up just before five again this morning, but I think the body is beginning to adjust somewhat to the time change.

I got an unexpected royalty check (small, but I’ll take it gladly) in the mail yesterday along with my copy of David Valdes’ new Finding My Elf, which looks absolutely adorable, and I can’t wait to give it a read after the surgery. I am two books behind on my Donna Andrews reading, I need to read the new Lou Berney and Angie Kim novels, and there are any number of others I want to get to. I am assuming after the drugged haze of painkillers and so forth dies down afterwards, I’ll have lots of down time to read. I am going to have a rigid cast to keep the arm immobile for at least three weeks, and I am assuming that means limited options for doing things other than reading. I imagine typing one-handed is going to be incredibly frustrating, but it can be done. And during the drug fogs of those early post-surgery days, I can just reread things–like histories or true crime favorites or some Stephen King favorites (it’s been a hot minute since I reread Firestarter, for one, and ‘salem’s Lot and The Stand are always fun to revisit), or some of the other great favorites lying around the house.

I was also very happy to see that Ohio added abortion rights protections to the state Constitution as well as legalizing recreational marijuana–well done, Ohio!–and that Kentucky reelected their Democratic governor. There were some right-wing wins, but the great Blue Wave momentum from 2020 has continued, as well as the reaction to the Supreme Court’s overturning of Roe–congratulations, Federalist Society, your hand-picked Supreme Court majority has effectively destroyed the conservative movement’s electability for a generation. The Democrats needs to hit hard on abortion and the illegitimate Supreme Court–Mitch McConnell’s legacy, by the way, have fun being hated for the rest of American history, douchebag–going forward, and frankly, they need to put Howard Dean–who engineered the historic gains of the 2008 election cycle–back in fucking charge of the DNC.

I always said that abortion rights should be put on the ballot. This is the wedge issue that trumps (couldn’t resist) the Right’s religious zealotry and transphobia and racism.

But of course, they won’t learn the lesson that they’re unpopular and so are their policies and values–they’ll just see this in a paternal way: “clearly the voting public can’t be trusted, so we need to install authoritarianism for their own good.“

Yes, this is the same party that thinks they’ve successfully branded themselves as “true American patriots.” Fucking garbage is what they are.

And on that note, I am heading into the spice mines. Have a great day, Constant Reader, and I’ll be back to check on you with more blatant self-promotion later.

*ah, stereotypes. Alas, we have a lack of butch lesbians in the department now, so had to make do with a straight guy. C’est la vie.

Queen of New Orleans

I am always delighted when people think I capture New Orleans perfectly in my work.

I love New Orleans, and while I, along with everyone else who lives here, reserve the right to be irritated, exasperated, and annoyed with the city–God help you if you talk shit about the city if you don’t live here (“bitch, you live in Metairie”) in front of people who do.

Trust me, it won’t end well.

I fell in love with New Orleans officially when I came here to visit for my thirty-third birthday, which was a lot of fun and probably one of the best birthday weekends of my life, if not the best one pre-Paul (we had yet to meet at that time). I do sometimes wonder when I think back to visiting, and then living, in New Orleans in the 1990’s, if there’s nostalgia involved in my memories. That New Orleans no longer exists; the flood waters from the levee failure after Hurricane Katrina ended that time with a very firm line of demarcation so that everything was thus defined ever after as before and after. There were also the post-flood years in which the city was being rebuilt and rescaled and rethought and repopulated, but it’s never been the same as it was before the flood and it never will go back to that. There was a definite sense before that New Orleans was stuck in time and nothing was going to change anything–something drastic was needed to solve all the problems. It was thought at the time that the one positive was that maybe New Orleans would rise from the ashes like the mythological phoenix; a hard reboot that could fix everything.

It didn’t. Some of the old problems remained, some of them were eliminated, and new ones arose. The streets still collapse into potholes and constantly need repair; the sidewalks still tilt and get broken up by ground subsidence and live oak tree roots. There’s always something for the locals to complain about when it comes to life and living here in New Orleans. When Paul and I first moved here all those years ago, we had no idea what we were in for–but the nice thing was it was the first place I’d ever lived where I felt like I chose it; Mom and Dad chose where I lived for most of my life. I chose Tampa over Houston, but it wasn’t from an overwhelming decision that I desperately wanted to live in Florida (I didn’t; I moved for my job). But New Orleans–New Orleans was the first place I ever visited that I wanted to live. It’s really the only place I’ve ever wanted to live, or had an opinion about, or actually felt anything for; I am a New Orleanian, and a Louisianan by extension.

It’s really beautiful here, and I thought so when we moved into this crumbling neighborhood in a decaying city whose best days looked to be past already. In the daylight the city’s scars and wounds and damage is clear; but in the night, with shadows dancing and the light limited, it was still so gorgeous it can steal your breath away–and great apartments were enormous, high-ceilinged, hardwood floored, and cheap.

1996 was a whole different world; Bill Clinton was about to be reelected, gay sex was still a crime, and “don’t ask don’t tell” didn’t solve anything; it just made the realities of being a queer in military service even more difficult. There was still the remains of the Camp Street on-ramp to the Crescent City Connection on the neutral ground on the other side of Martin Luther King Drive; the Coliseum Theater was still there–closed and shuttered, but still existing, and there was this incredibly beautiful old house that was a ruined, crumbling wreck that looked haunted and absolutely fascinated me; I wish I’d taken pictures of it. (It has obviously been renovated.) Paul and I moved into the Lower Garden District right before it’s renaissance and gentrification. We lived on the Square; the park was just outside our front door and down the walk and across the street. Coliseum Square was dark at night then; all the streetlights in the park were either shot out or burned out, and the fountains were dry and rusted. The beautiful, graceful live oaks were there, of course, resting some of their heavy branches on the grass. All the big gorgeous houses around the park were derelict and run down, gorgeous ruins waiting for a buyer with money and a love for old houses. A gay couple bought one of them and spent the next year renovating it; it’s still a stunningly beautiful house. One by one those old houses were bought up and remade–and now Jennifer Coolidge lives in a house fronting the park (she sometimes comes to our corner at St. Charles for parades during Carnival).

I always think of Scotty as kind of a gay personification of New Orleans; the two are always entwined in my brain. Uninhibited, unashamed, unabashed, and always up for a good time–you could say that easily about them both. It’s really funny that back when I created him I didn’t think there was enough story in him to be a series–and here we are, on the eve of the ninth being released. Obviously, people responded to him in the way that I wanted them to; they’ve embraced his weirdness and eccentricity, and that of New Orleans as well. I couldn’t create a character like Scotty who lived anywhere else; anywhere else he wouldn’t work, would be judged harshly and looked down on by people for his hedonistic attempts to suck all the juice out of life as he can.

And I’ll probably still be writing him when I die–which, hopefully, won’t be for a long time yet.

Southern Cross

Monday and back to the office.

The time change is always so weird to me, really. I always understood it had something to do with kids and not catching the bus in the dark in the mornings or something like that, but if they’re all walking home after school in the dark, how does that make sense? I always appreciate the extra hour, but always resent giving it back (or having it taken away?) in the spring. I kept finding clocks I hadn’t reset in the apartment (after thinking, wow, time has flown–wait a minute), and I did do some things. I did manage to make it to the West Bank, but it was really a wasted trip; Sundays are clearly not the day to do shopping over there as almost every place was out of almost everything. I got my wagon but couldn’t get the wheels to lock in place (I am so not handy) and I also got the wrong size blinds–so I get to go back. Hurray. But I did get some things for lunch this week, and I made ravioli last night for dinner for something different (I even managed to eat some bread softened with red gravy), which was nice. I watched the end of the Saints game–which they tried very hard to lose–and then another episode of Moonlighting. I found a much later and much more revised version of one of the novellas, “Fireflies”–which needs a lot of work, but is a very good idea and the kernel of a terrific novellas is there, if I can stick the landing–and also was put in mind of Chlorine yet again by coming across Matt Baume’s Tab Hunter1 documentary on Youtube (another great job, Matt!)–and I had a germ of an idea for how a part of the plot would work–another piece fell into place, as it were, and so I scribbled it down in my journal (huzzah for journals!) to wait for the day and time I can get back to work on it and give it my full attention.

I realized yesterday–once again astonishing myself with my own obtuseness–that part of what’s going on with me lately–the moodiness, the surliness, the self-destructive inability to get anything done, and the anxiety that comes with all of the above–has everything to do with my coming surgery. The compartmentalization doesn’t always work, you see, when something is creating a lot of anxiety for me. I have very little idea of what to expect and what it’s going to be like–or how restricted I am going to be as far as movement and so forth or for how long. I know I shouldn’t consult Dr. Google, but in lieu of any other information that I can recall, what else is there to do? And Dr. Google was right when I looked up the information on the injury when it was finally correctly diagnosed, after all. So I can look at about three weeks out of the office on medical leave, and then possibly some limited mobility after that. It sounds like if I am going to be able to type at all it will be one-handed, which is limiting, so I am hoping that if I am not drugged out to the gills I can spend time getting caught up on my reading as well as doing a lot of editing work on my own stuff. I am not going to be able to lift or carry things, which is going to make the whole grocery situation interesting for a couple of weeks, but I guess I can have things delivered. Probably the best way to compartmentalize all of the concern and anxiety about the surgery would be to start planning and preparing so I can be as ready as I can, right? It’s been a year, really. I suppose my end of the year round-up blog post on New Year’s Day will be a bit morose and melancholy.

I think one tends to be a bit more morose and melancholy as one gets older.

I also started watching A Haunting in Venice and while it was shot beautifully and had a great cast–it didn’t really hold my interest. The Agatha Christie novel it’s loosely based on–and I do mean loosely–is not one of the more better known ones; Halloween Party was a perfectly adequate Christie novel but it wasn’t anything spectacular. I do remember it, and I do have a hardcover book club edition of it, too. It probably belonged to my grandmother, or else I picked it up at a second hand store or a flea market or somewhere like that. I took a break about halfway through and then went back…and kind of dozed a bit through the second half. It’s a shame; I watched because I had Venice on the brain after rereading “Festival of the Redeemer” Saturday afternoon, and rethinking how to rewrite and revise and improve it. But it was beautifully shot, and made me wish I could live, even if for a brief month or so, in Venice for a while. I did go back and finish it–but I found it disappointing. Beautifully shot, yes, and Venice is always beautiful on film, but such a waste of so much remarkable talent.

I went to bed early–it was a struggle staying up until ten, which felt like eleven, and slept really well. I feel rested enough to actually face the day and potentially be productive–crazy, I know–but I generally feel well rested on Monday; it’s the rest of the week when my ass starts dragging. I also have to keep pushing forward on some things, too–progress must always be made, even when I don’t feel like making progress on anything. (Watching Tug get used to having his nails trimmed and not being able to use thing to climb–me, in particular–has been rather cute, but then again he is world’s most adorable kitten.) I didn’t read very much this weekend, either, more’s the pity; but I am thinking I’ll be doing a lot of reading once the surgery has taken place and I am no longer living on pain medications–maybe I can even read while on painkillers; I know they are going to give me oxycontin or some version or derivative of it, which makes watching all those movies and documentaries and mini-series based on the crimes of the Sackler family against the American public perhaps not as smart as it seemed at the time; I am terrified of becoming addicted to a pain medication–but that’s also an excellent time to wean myself off the Xanax, too.2

And on that note I am heading into the spice mines for the morning. Have a great Monday, Constant Reader, and I’ll be back to check in on you again later with undoubtedly more blatant self-promotion.

  1. I actually met Tab Hunter, which is something that amazes me to this very day; I actually met him and his husband several times. How cool is my life, really? ↩︎
  2. While I’ve been taking it to control mood swings all these years, it’s really not something you’re supposed to take on a daily basis but rather as needed; now that I know it’s anxiety I can treat it appropriately. Most of my medications are now wrong, and need to be changed. ↩︎

Cover Girl

Drag is a part of queer culture I’ve always known about but has also been something primarily on the periphery of my gay life and world; I’ve only occasionally ever thought about perhaps doing it–as a gag or as a costume at some point; a very dear friend has always wanted to dress me up as Joan Crawford (narrow waist, big shoulders, enormous eyebrows), which is something I would consider doing if it wasn’t so much work–I am way too lazy to ever do drag properly and respectfully. I did a very poor attempt at drag many years ago, for a Showgirls themed birthday party for a friend; the result was far from pretty. I did sometimes used to use mascara and eye liner when I would go out; it emphasized my enormous and expressive eyes which most people have always considered my best feature (although aging has deprived me of my eyelashes). Drag was just another part of the community and culture, like leathermen, bears, and gym queens–another patch on the quilt that makes up our queer world.

My primary interest in drag has always been historical and cultural; drag culture has always been a part of the gay bar scene, since time immemorial, it seems. I have always been interested in every aspect of gay culture since coming to terms with my own sexuality and recognizing that not coming to terms with it meant a lifetime of guaranteed misery, and shouldn’t I really take a chance on being happy? There was always a lot, for me, of misunderstanding about drag culture and its place in the gay community; but that also primarily came from people outside of the community and therefore didn’t have the slightest grasp of it–i.e. ignorant slurs that all gay men dressed like women whenever they had the chance, you know–not “real men.”

But seriously, who wants to buy into the cult of toxic masculinity? No fucking thanks.

I don’t know the history of drag, but I did know–from the very beginning–that there was a significant difference between drag and the trans experience; there’s definitely crossover, but the Venn diagram of drag and trans is not a complete circle. I understood this always, even when I knew very little of either. This was always the issue I had with To Wong Foo Thanks for Everything Julie Newmar–the queens in the movie didn’t just do drag for performance or pageants, but dressed as women in their everyday life…which made them transwomen who also did drag. The failure of that film to define the difference between the two, I think and believe, has a lot to do with the current-day conflation by the Right of drag queens with transwomen. Likewise, was the Nathan Lane character from The Birdcage (and the French original) a transwoman or a drag queen?

And the fact that I, knowing as little about gay life and culture as I did in 1994, knew that the Wong Foo movie was conflating two completely different things as the same certainly means that other, better-educated people should have, as well.

But it’s also important to remember that the movie wasn’t made for the queer community–no Hollywood studio film with queer characters is intended for a queer audience, and thus there’s a falseness to them that rings hollow to me (don’t even get me started on Philadelphia); what Sarah Schulman once (paraphrasing) described as “the creation of a fake public homosexuality that will play in Peoria.”

There’s an essay in that, methinks.

The first time I went to a gay bar in Houston is my first true memory of seeing someone in drag performing on the bar in person. She was doing Liza as Sally Bowles from Cabaret, and as I walked in the door with some co-workers from That Airline, the first thing I saw was her up on the bar, with a musclebound dancer on either side of her in bikinis or thongs, and I can remember thinking wow this is decadent like Isherwood’s Berlin–but I liked it. I felt at home there, in a way I never did in gay bars in Fresno (or anywhere else I was able to sneak away and visit one), and felt like that night was when my gay life actually began: I was with co-workers, I was going to a gay bar openly, and the co-workers knew I was gay but had never really experienced being gay as anything but misery and depression and a curse. I don’t remember the name of the queen, but ever since then, “Mein Herr” always brings a nostalgic smile to my face.

But again, I didn’t go out much or do much during those two years in Houston as I still wasn’t completely comfortable being totally out. I moved to Tampa in 1991 and started living as an out gay man…and started spending more time in gay bars. A popular night for airline employees as Tuesday Nights at Tracks, where cocktails were only fifty cents and no cover before ten. There was also a drag show at midnight, with an actual stage in a show room, and that was my first real experience watching drag queens perform. There was a gay paper there–I cannot remember what it was called to save my life; I know the one in Texas was This Week in Texas, called TWIT by everyone–but it often had information about performances and other night life ads and so forth. I began to get a better understanding of drag, its place in the community, and its importance to gay culture, period.

And of course, once I moved to New Orleans, there was Bianca del Rio.

The mainstreaming of drag actually began in the early 1990’s, with RuPaul having a surprise hit record out of nowhere, “Supermodel (You Better Work)”, which started exposing more people to drag who ordinarily would have never seen one. RuPaul was everywhere in the early 1990’s, and even had her own talk show on MTV for a while. The Adventures of Priscilla Queen of the Desert and its homogenized American version To Wong Foo, Thanks for Everything, Julie Newmar were both incredibly popular. (I enjoyed Priscilla, and I’ve already touched on my issues with Julie Newmar–which will probably become an essay at another time.)

There were, of course, other successful queens out there before RuPaul’s big breakthrough and later, comeback with Drag Race, but few had as large a profile in the culture as RuPaul. Lady Bunny, Miss Coco Peru, Miss Richfield 1998, and Varla Jean Merman were all making a pretty decent living as performers before the drag explosion that followed the launch of Drag Race.

I’ve met numerous drag queens on the local scene both in and out of drag–I’ve always been fond of Princess Stephaney and Blanche Debris (who is retired now), and the drag community of New Orleans was always incredibly supportive of the NO/AIDS Task Force. I met Bianca out of drag a couple of times, but I doubt he remembers me…but Drag Bingo at Oz on Sundays with Bianca and Blanche (I just realized their first names both translate into English as white) was always a blast–and I made a point of never trying to get Bianca’s attention because she was always quick and that tongue was sharp as a scalpel always.

I also work with several co-workers who either did drag or have started doing it while I’ve known them, which indirectly helped me with the writing of Death Drop and my original story for a drag queen. Jem is sort of patterned in some ways on one of my former co-workers who actually went to a drag school here in New Orleans–and eventually quit his full-time job to do drag full-time. He’s been in Queer as Folk and numerous other shows filmed here, and has been booking gigs all over the country–check out his Instagram, isn’t he fucking gorgeous? So that gave me the idea to make the first book with Jem his drag origin story.

Learning about drag to write this book–and its sequel–has been an enjoyable learning experience for me. At some point I know I am going to have to do a transformation; I need to know how it feels to have the make-up and the padding and the wig and the dress and shoes on. I can imagine it all from doing theater in high school, but it’s not the same.

And yes, I will share the pictures when and if it does happen.

Born on the Bayou

Whenever I am writing or creating a character, the first step I need to accomplish in order to keep going with them is that I need to know what they look like in my head before I can start. The first step is for me to know what they look like. I generally use real people are models for a starting point for my characters–but they do evolve from that initial “how they look” base and extrapolate the rest of their appearance from there. I also don’t base characters on real people, for the record–because you can’t. You can never base a character completely on someone else because you can’t get inside their head or know all of their life experiences and the things that shaped who they are and why they do the things they do.

This is the base-line physical model for Scotty I used when creating him. Scotty’s evolved since then.

This wasn’t the base model for Frank, but you get the idea; he’s pretty close to what I pictured.
And this is where I started from with Colin.

I don’t base characters on real people because it’s impossible to do–you can only base a character on your perceptions of who that person is; you cannot know every experience they’ve had, every trauma, every event that occurred that shaped and changed and evolved them into who they are. This is why people–even ones you think you know really well–will always surprise you at some point. I’ve lived with Paul for twenty-seven years and he still surprises me. I didn’t know any of these men–all models for BGEast.com–at the time and of the three of them, the one I actually know is the one whom I didn’t actually use as the physical model for one of the three, and I didn’t meet him until the first three books were already in print and available.

But when I was creating Scotty, I wanted the readers to have fun with the books. I didn’t want to write anything dark or tragic or heavy; I already had the Chanse series to do that with. Chanse was a six foot four two hundred and twenty pound mass of neuroses, insecurities, cynicism, and bitterness; I really didn’t want to do that again because what would be the point of doing two series that were exactly the same? I wanted them both to capture the feel and spirit of New Orleans, but from very different perspectives. Chanse wasn’t happy about being a gay man; he was still struggling with it in the first book and slowly became resigned to it, rather than embracing it. Once Scotty told his parents and came out to them, he never looked back and started looking for his joy. Scotty’s family loved and embraced him as he was, and other than both sets of grandparents cutting off his access to his trust funds when he flunked out of college–which has nothing to do with him being gay; that was an attempt to get him to go back to school. The trusts were originally set up to become his when he turned thirty anyway, so he never really had to worry about the future–which is an incredible privilege. Even working as a personal trainer and some-time go-go boy for the money wasn’t that big of a deal; his landladies were family friends who’d never evict him in the first place and his parents would always come through for him anyway.

I also made his siblings the same as Chanse’s–I don’t know if that was intentional or not, but while Scotty is the youngest with an older brother and sister, Chanse was the eldest with a younger brother and sister he isn’t close to. Scotty’s family was tight, while Chanse’s was not. Chanse’s sister is married to an accountant for an oil company and lives in Houston; his brother still lives in their hellhole of a small city, Cottonwood Wells (small city, large town; I am never sure which is the right one) and I broached their relationship in the short story “My Brother’s Keeper.”

And I had Scotty live in the French Quarter as opposed to Chanse’s apartment on Coliseum Square; Scotty is that rarity in New Orleans–someone born and raised in the Quarter. Chanse was an import from Texas who moved to New Orleans after graduating from LSU; Scotty has always been here other than the two failed years in Nashville at Vanderbilt.

I wanted him to have absolutely no hang-ups or issues about being a gay man. I wanted him to embrace his sexuality and enjoy his sex life and have that Auntie Mame mentality of “life’s a banquet and most poor suckers are starving to death”; Scotty wants to have fun and enjoy his life. He doesn’t think he’s ever destined to find a boyfriend or life partner in the first book–he’s too unabashed a slut1 who loves getting laid and doesn’t want to tie himself down, plus most men he meets tend to be too serious for him. Scotty has no hang-ups or issues about his body, either. As a wrestler in junior high and high school his body became strong, muscular and lean; he never says whether he thinks he’s attractive or not–he says other people seem to find him irresistible in the first book, and he admits he doesn’t see what others see but they see it so okay. He’s become more serious as he’s gotten older and as he’s dealt with bad things–but he doesn’t go into a depressive state or withdraw from the world when bad things happen; he faces them head-on, and his motto (life doesn’t give you anything you can’t handle–it’s how you handle it that matters) is one we could all aspire to, really.

While taping Susan’s show last week I did say that Scotty was the idealized version of myself and the life I would love to have–sans the murders and kidnappings and shootings, of course–and naturally a lot of his traits have come from within my own mind; but while I find his mentality and life view aspirational, I often fall short. Scotty has a genuine kindness to him as his inner core that I don’t always default to, much as I wish I could and did. I am a lot more like Chanse than Scotty, even if they are kind of different aspects of my personality and who I am.

It’s sometimes hard for me to wrap my mind around the fact that I’ve been writing Scotty now for twenty years. Bourbon Street Blues came out on May 1, 2003. Twenty years of Scotty books, but only nine–like one every other year rather than every year.

And I also sometimes wonder if my subconscious somehow keeps track of Scotty, because I keep discovering things about him that I wrote years ago that were just kind of throwaways that now I can circle back to and create story arcs for these character traits and personal histories for the newer books.

  1. There’s also a scene in Bourbon Street Blues where he proudly states he doesn’t have sex for money because he “prefers to keep (my) amateur status.” ↩︎