Devil Woman

Oddly enough, I wound up not working on the book yesterday.

I did reread Chapter Eight, and it’s actually not bad at all. But it’s good enough for me to have to think about how to revise it and make it stronger; this is one of those situations when writing that I am afraid trying to improve something will actually ruin it–and even the fact that it’s only dreadful possibility–after all, the possibility that I actually will improve it is much more likely, and statistically more probable– is still paralyzingly terrifying. So it bears more thought than simply diving right in–and then, of course, I question that judgment–is this simply a stall tactic?–and yes, here is yet another example of why writers drink.

At least this one, anyway.

I had intended to get up early this morning, rather than allowing myself to wallow in bed until I finally got tired of lying there the way I usually do every Wednesday. The alarm went off, I hit snooze a couple of times, and finally turned it off….and yes, wallowed in bed for longer than I should have simply because I was so relaxed and comfortable. I’m not sorry that I did this, now that I am awake–this no regrets thing I am trying out; part of which is listening to myself and listening to my body; my body needed the rest else I would have been wide awake and willing to hop out of bed at the first sounding of the alarm this morning. My body must have needed to rest, so I rested it. When I was a personal trainer I used to advocate this all the time; listen to your body. The problem of course, for me, is that I’ve been told so often throughout my life that I’m lazy that whenever I’ve taken time to rest (my body or my brain) I’m so conditioned and so convinced that I am lazy that it’s my default: you’re just being lazy and making excuses for yourself to be lazy. This is so ingrained into my subconscious that it’s my immediate default; but be told “you’re lazy” enough times…well, you start to believe it. And then have to spend far too many years trying to unlearn that.

But, as I said above, Chapter Eight was in much better shape than I thought it was, and so I am going to reread it again today (along with Chapter Nine) and start working on it again. I don’t regret not working on the book yesterday–not at all. It wasn’t one of those what’s the point days, or I just don’t feel like it; it was more along the lines of I don’t really know what to do, and the chapter wasn’t terrible, so there was no urgency to fix it, if that makes sense? Had the chapter been horrible from start to finish, it would have triggered me to want to fix it, the need to fix it would have been overwhelming. But it was actually kind of good and complete and creepy and the mood and feeling were exactly what I was going for, and trying to force the revision/rewrite was…as I said above, I was more worried about messing it up more than anything else. But perhaps today–as the caffeine from my first cup of coffee begins to flow through my system and my body comes awake, I am beginning to see a way to revise this chapter…and in fact, at the moment I feel as though I will actually have the energy to not only do it but the next chapter as well.

We shall see how that goes, shan’t we?

But I am now on my second cup of coffee, and I also have to recognize that the weather is also changing again; which always has something to do with my energy levels and how I feel. The heat and humidity are coming back–we’re supposedly getting our first major heat wave next week (it’s only MAY)–and of course, the termites are swarming again. May brings the termite swarms; a plague of Egypt that descends on the city every year  around Mother’s Day.

I continue to read Jamie Mason’s wonderful The Hidden Things, and I am marveling at the way she plays her cards; the slow reveal of information that adds to the story. It opens wonderfully; a young girl coming home from school is victim of a home invasion, defends herself, and the attacker runs away, all captured on security cameras within the house. The police post the video on their social media page, hoping to get community help to identify the attacker; the video goes viral. But there’s an issue here–why did the husband/stepfather not tell his wife and stepdaughter there were security cameras inside the house? Why was the alarm pad not connected to the security company in order for help to come? And why is the father so nervous about the footage going viral? It’s fascinating, as a reader, to become so intrigued and curious, wanting to keep reading; as a fellow writer it’s even more interesting to see how she is constructing her story and creating her characters. Her debut novel, Three Graves Full, was quite marvelous, and this one is quite good as well. We have so many amazing women crime writers these days…

I also need to get to work on that article. Heavy heaving sigh.

So, I suppose it’s time to get back to the spice mines.

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Dream On

Maybe there is something to this say it out loud and name it thing. Yesterday I managed 1600 words–wasn’t expecting that–and it was a lot easier than the 1400 from Sunday. I think printing the chapter out and rereading it, and thinking about it, before I went back to work on it made it a lot easier, frankly; I have this bad habit of just going into the file and starting from the beginning and revising as I go–and sometimes I don’t remember how the chapter ends. Sometimes I will add a paragraph that I think belongs in the chapter…only to come across the same paragraph, slightly differently written, a little while later…which also can be filed under wasting time and not an effective use of time and yeah that’s a step you should cut out.

But one thing about being a writer is that you never stop learning, I guess. And, sometimes if things aren’t going as well as you’d like, it’s not a step backwards to stop for a minute, decide you have to go back in time to try to remember things you used to do, tricks that used to work well for you in the past that somehow you’ve completely forgotten about now.

You know, like keeping a journal. Reading my pages out loud to hear how the words sound together, if there’s a steady rhythm of some kind  or catch where it stumbles a bit here and there, to smooth it out to the right pace and rhythm for the reader, for the words to and syllables to flow correctly so the reader isn’t taken out of the moment by a badly selected word or phrase. I love writing, but the whole process is still a mystery to me, all these years and columns and articles and reviews and essays and blog entries and short stories and novellas and novels later, it somehow still is a mystery to me, and every time I sit down to write a new manuscript, no matter what it is or what it’s about or who it’s for, I seem to have to solve the mystery of how to do this, how to get it done, and how to satisfy myself that I’ve done my best–or even try to figure out how to do my best.

And sometimes it feels like I’ve never completely figured it out, but somehow it just happened.

One of the reasons I loathe being asked where my ideas come from isn’t just that it’s not a question where any answer I might give would shed light into how I write or how I choose what I write; it’s just that ideas are quite literally everywhere. I can have a conversation with someone and during the chat, in my head whatever we’re talking about has triggered several thoughts of oh that would make an interesting starting point for a story or that would be interesting subject to look into and read about and perhaps write an essay about or that would be an interesting character to write about. Headlines give me ideas, and stories on the news, and snippets of conversations overheard; there’s absolutely nothing out there in the world that comes into contact with me that also won’t trigger some kind idea for something, some bit of writing or some piece of fiction or a paragraph or something, you know? Sometimes a paragraph which has absolutely nothing to do with anything I am currently writing will pop into my head, and I will dutifully write it down in my journal, where it will sit until I run across it one day and think I should really write something around this paragraph, it’s quite good, and if I am the right frame of mind the characters and the title will come to me and then the story will start to spin out from there. The short stories I have on hand that aren’t finished, are in some stage of construction, whether it’s an unfinished first draft, a first draft or a second or even a third; there’s something still missing from those that I can’t quite put my finger on; some missing piece that, if clicked into place, will finish the story and it will be done, complete, ready for public consumption. There’s a short story, for example, that I wrote as a first draft for a writing class back in the 1980’s; my professor told me to send it out for publication back in the days of carbon paper and typewriters. I sent it to a couple of places over the years, but it never was accepted anywhere, and I know something is missing from the story to make it complete but I simply cannot put my finger on what precisely that is; I’ve had editors look at it and try to solve the puzzle of “Whim of the Wind” (which is a title I absolutely love), but no one’s ever quite been able to tell me what it needs–they also recognize it needs something, but they don’t know what that something is; I always think to myself welcome to the club and put the story back away. But the voice is charming, and the story has some of the most lovely sentences and paragraphs I’ve ever written; the imagery is beautiful, as is the mood and tone, and it’s actually the first story set in my fictional county in Alabama I’ve revisited in other work over the years, notably “Smalltown Boy” and the book I’m currently writing. But every few years I will pull that story out and read it again, wondering what I can do to complete it, to finally finish it, some twenty-five or more years later, and never can quite get the answer I need.

Maybe there is no answer to that question. Who knows?

I also started writing an article that is due relatively soon that I was asked to write; the trick with the article is I have to be careful not to turn it into a polemic. But it’s slowly starting to come together in my head…we’ll see how that turns out. Which means hopefully soon; I think I need to get it turned in by the end of the week.

Yeah, nothing like pressure.

In other exciting news, I’ve had to start wearing a belt. My weight is now fluctuating between 211 and 207; which is fan-fucking-tastic, and now my pants are all too big. Over the last few months I’d noticed that I was constantly having to pull my pants up; now they are so big they will slide all the way down to my knees after taking three or four steps. This, needless to say, is kind of annoying to have to deal with–especially if your hands are full–so this morning I put on a belt and my pants are staying up just fine…I stopped wearing belts years ago, unless I was dressing up; in which case it served as a unnecessary accessory, but you can’t wear dressy pants without a belt. So I own maybe two belts, total; which is a good thing because now they are necessary.

I still don’t like wearing belts, but like the idea that I need one.

I was also very pleased, by the way, with the writing I’ve been doing lately. Yes, I know I had a bout of impostor syndrome on Sunday, but the reread of the chapter and what I wrote for Chapter Seven pleased me immensely. I probably could have written more, but as I said, I want to read Chapter Eight again before rewriting it–I think this is a chapter where I could make it a lot more creepy than it is already written; it’s a drive through the Alabama countryside late at night in the dark, and for someone who is primarily used to living in a city the size of Chicago–imagine how terrifying it would be to drive down country roads in the dark that you aren’t that familiar with. Over all, the book still needs more atmosphere and needs to be more Gothic, and chilling; that is, I imagine, what the next draft will be for.

I also think I know what I  need to do to make “And The Walls Came Down” creepier, and more ready for submission.

I think this week I am going to send out a couple of stories to markets, and see what happens.

After all, the worst thing they can do to me is say no.

And on that note it’s back to the spice mines.

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Say You Love Me

Good morning, Monday, and a happy start of the work week to you, Constant Reader. I am awake this morning and not groggy; not sure how that bodes for the rest of the day thus far; that remains to be seen. But I survived another weekend, managed to get some writing done, and feel better than I seem to recall feeling on a Monday morning. We’ll see how this all plays out in the end, won’t we?

I do feel better about the WIP this morning; I suspect all the Imposter Syndrome feelings of the weekend had to do with how much trouble I seem to be having getting going on it and working on it every day. Which, to be fair to myself, isn’t really all that surprising–anytime something is more difficult than it should be, one tends to question one’s self–but I am not sure if I have gotten to the root of the entire problem; why is it so difficult for me to get to work on this book? Why is it taking me so long to get it written? Does that mean I shouldn’t be writing it, and should be working on something else? Mayhap, but that also doesn’t help in any way. I don’t feel like I should abandon this book until at least I have a first draft finished, and I was planning on abandoning it for a while after getting the first draft done in the first place, in order to do a final draft of another manuscript that has been languishing in a drawer for several years now (there’s another, even older, one in the same drawer). But if I devote May to getting this finished, then I can spend June and July working on the other and hopefully–hopefully–will get to start my next one before I have to take two months off for another project.

There are also some other things I am working on; half-heartedly and when I have the time and am not in the mood to do anything else–which means they aren’t getting done.

C’est la vie, and all of that.

I’ve got to stop procrastinating, and using my long days at work every week as an excuse to not do anything at all. Everyone is tired, everyone works, everyone has an excuse not to do anything, and not doing my writing isn’t helping make things better, you know? I have goals that I set that I want to accomplish this year, and not doing anything isn’t getting me any closer to achieving those goals. I may not be as driven as I was when I had more energy, but that doesn’t mean I want to just keep spinning my wheels. Taking the time away from writing was lovely, as is not having that horrible pressure of deadlines. But deadlines also kind of drive me, and setting personal ones doesn’t seem to be doing the trick…not sure, I guess I am going to need to see where the rest of this year goes to see if the experiment in pressure-release has actually worked or is actually working.

As for Game of Thrones last night…I am reserving judgment on this season until it’s over. I’ve been disappointed by the show before only to be proven wrong before, but yeah, last night’s episode…it’s hard to continue rooting for people who behave so stupidly, over and over again. At one point, as Dany and Jon were professing their (incestuous) love for each other and she was pleading with him to keep his true identity a secret…it was all very General Hospital, frankly, and when the scene was over Paul and I looked at each other, rolled our eyes, and said at the same time, “Team Cersei.”

They have two episodes left now, in which they have to bring what has been an incredibly thrilling ride to a close. The inevitability of disappointment with the ending has been with us since the very beginning, of course, and people are bound to be disappointed. But I was also disappointed with “The Long Night” episode slightly, until I rewatched it again on Friday night. Maybe this last episode will work better on a rewatch; I don’t know.

And on that note, I have to get ready for work.

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Welcome Back

I managed fourteen hundred words today, and then came up blank. I hate when that happens, but I just can’t force the creativity, you know? And those fourteen hundred words were hard to do, frankly. But I printed out the next chapter (Chapter Seven, to be exact) and will reread that at some point before getting to work on it, perhaps later, before Game of Thrones airs. I am planning on making this weird combination Swedish meatball/beef stroganoff dish for dinner (I’ve made both, and then one time when I was making Swedish meatballs later I realized I’d used the stroganoff recipe, but you know what? I also liked it. A lot. And I’ve made it that way ever since) later, and the kitchen is relatively clean already (and my goal is to leave it clean when I finish cooking; the worst thing is to go into my two long days at work with a messy kitchen, knowing it will most likely stay that way, getting worse, until Thursday–unless I somehow have more energy during the week than I usually do). I’ve filed stuff, cleaned the floors, paid the bills, made groceries, mailed things that needed to be mailed, and I wrote fourteen hundred words on the WIP today before running out of steam. Perhaps someday I’ll work my way back up to those halcyon days of three thousand or more I used to do routinely, but having a nice, relaxing weekend where I am actually able to get started writing and get caught up on things and have a clean home is a lovely way to start, don’t you think?

I certainly do.

I’m going to miss Game of Thrones when it ends, and I doubt very seriously I will ever go back and watch the entire series again. It’s a tempting thought, to be honest, to devote several months to rewatching it in full, from episode one to its conclusion, in one massive binge and think about what I am watching, in terms of what I know is going to happen and watching for possible foreshadowing. I’ve always loved history, and that’s part of why I love Game of Thrones so much; it’s kind of like history where you don’t know how it all ends. When I was a kid I used to redraw maps of Europe and create countries and change the way wars ended and try to create my own Eurocentric history of the world; who knew that what I was actually doing wasn’t simply a waste of time but rather an incredibly creative experiment in world building via alternative history. Every so often, when I’ve been caught up in a science fiction or fantasy epic series, I wonder at the world building/universe building creativity of the author and think I could never do that. I’ve always wanted to, but never have; but perhaps that was simply a failing of my own. Of course I could do it, but whether I could do it well would be an entirely different thing.

I don’t read as much science fiction and fantasy as I would like–I’ve always geared more towards crime and horror–but I’ve certainly read and enjoyed the Dune series, The Lord of the Rings, The Belgariad, The Shannara Chronicles, and Azimov’s science fiction novels about the robots and the empire and the Foundation, which wound up in the end all being one great big long series. There are writers out there now that I am looking forward to reading–I am not only diversifying the types of stories I read by race, gender, gender identity, ethnicity, and sexuality, but I am also trying to read more broadly across genres. Reading science fiction, fantasy, romance, even what is condescendingly called “chick lit”, and even some literary fiction will influence me and help make me a better writer in the long run. I read primarily for enjoyment, yes, but I also want to be a better writer, and reading different stories and different perspectives can only serve to make me a better writer.

I guess in reality when the show ends I won’t be saying goodbye completely to Game of Thrones; I still have the books to finish reading, and there will undoubtedly be spin-off shows–but seriously, is anyone at HBO listening? Your next big series should be Anne McCaffrey’s The Dragonriders of Pern. Her dragon books would be fantastic television, and for that matter so would Naomi Norvik’s (which I need to read; I started reading one a long time ago and was completely enthralled; something came up and I never finished and I never got back to it, and I’ve always regretted that).

I am also, in case you haven’t noticed, not only in that stage of writing where I never want to do it, have to force myself to do it, but when I finally do I am not happy with what I have done. I am completely convinced this book isn’t going to be what I want it to be, what I envisioned it to be, and its entirely due to my own various shortcomings as an author. It’s all part and parcel of the same neurosis, really; the endless cycle of Imposter Syndome, where you think you’ve somehow managed to con people for years that you can write but eventually the gig will be up and the marks you’ve been conning all along will finally wise up. This all too frequently translates I need to work today into what’s the point of writing? This book is shit, anyway, and no one is going to want to read it which very easily becomes let me get watch Youtube videos of Game of Thrones fan theories and listicles or highlights of exciting LSU football games or really hot well built muscular professional wrestlers or old music videos or clips from old episodes of All My Children–yes, those downward Youtube spirals can be quite frightening sometimes.

But I did make myself get those fourteen hundred words done today, even though I didn’t want to do it, even though I thought I should do three thousand, even though I currently think the words I wrote are crap and the chapter is crap and the character is two dimensional and I don’t know what I am doing, I FUCKING WROTE THOSE GODDAMNED WORDS TODAY.

And that’s fourteen hundred more words than I did yesterday, or Friday, or Thursday.

And I bet tomorrow I can do more than fourteen hundred.

Watch closely now.

What do I say to the God of Imposter Syndrome? NOT TODAY, MOTHERFUCKER, NOT TODAY.

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Shannon

Friday night, while dinner was in the oven and the laundry was finishing, I sat down in the easy chair, and rewatched last week’s episode of Game of Thrones. I wanted to watch “The Long Night” again; knowing how it ends, and what is coming, I could pay more attention to what was going on and view it from a story perspective, rather than riveted to the screen, barely able to breathe, watching in nervous apprehension and building tension as literally anything could have happened.

(Aside: While I get why they called it “The Long Night,” I kind of wish they’d called it “Not Today.”)

And I did notice several things, and appreciated the episode much more than I did on first viewing.

I didn’t, for instance, think it was too dark. There were a lot of complaints and commentary that it was shot too dark for anyone to see anything; and yes, there were times when I couldn’t see what was happening. But that was intentional, and it wasn’t all the time. I also thought it worked for the dramatic arc and helped amp up the tension for the viewer. I was aware of who was fighting every time the camera was on them; the action was also moving so quickly it was hard for the eye to ever focus. I did keep mixing up Gendry and Podrick, and am still not entirely certain I was correct every time I saw one or the other.

In some instances the cinematography was so beautiful it was like looking at a painting. Dany and Jon on the dragons, flying in place above the clouds watching for Viserion and the Night King–that was breathtakingly gorgeous. There were so many iconic images–the lighting of the Dothraki scimitars and watching the flames spread across the army in the darkness; the lighting of the fire moat surrounding Winterfell; the battle of the dragons in sight of the Godwood; Drogon surrounding Dany as she wept for Ser Jorah. And the opening three to four minutes are all one continuous shot following first Sam, then Tyrion, through the courtyard of Winterfell as it prepares for the battle. Visually, I thought the entire episode was an extraordinary achievement.

I also was a little disappointed, on first viewing–and actually, when I thought about the season and how the episodes were scheduled to play out, really, since it was announced very early on that the big battle between the living and the dead would air as Episode 3, leaving three episodes to go; it had always seemed as though this was battle, this war, was the actual point of the entire series. I thought the way everyone ignored the imminent danger while they squabbled amongst themselves for wealth and power and yes, the Iron Throne, was a metaphor for how these things occur in reality–the real danger is ignored as it grows until it is too late, or almost too late. But the name of the series is Game of Thrones, and while the book series they are based on is called A Song of Fire and Ice, the show didn’t take that title, rather taking the name of the first book in the series and sticking with it. This show has always been about the struggle for the Iron Throne; the Night King and the Army of the Dead were simply yet another threat, another obstacle, that had to be faced by our heroes before they could focus on the final struggle for the Seven Kingdoms. I’ve also gone back and forth many times while viewing the show about the title A Song of Fire and Ice–originally I assumed it meant the struggle between the dragons and the people of the south–fire–and the Night King and the Army of the Dead–ice. I then began to think Dany was fire and Jon was ice…only to discover, as I wondered deep down, that Jon is actually both fire and ice. The revelation that Jon Snow, the bastard of Winterfell, treated like a second class Stark for most of his life and held down for his illegitimacy, is actual Aegon Targaryen, the rightful heir to the Iron Throne–particularly since Robert’s Rebellion was also based on a lie in the first place–had me convinced that this was simply another retelling of the Arthur story; almost to the point where the world of Westeros was an easy stand in for the Britain of the Arthur tale (I’ve always thought Westeros was shaped like Great Britain; and of course Hadrian’s Wall is there as well), but Westeros is much bigger.

Now, though, after last week–is Game of Thrones Arya’s story?

But the thing about Game of Thrones, and what this latest episode has shown us, is that there is no one hero; Jon Snow would probably come the closest to what would be considered a traditional hero, but he has so many flaws…his sense of honor, and that nobility, often causes him to make bad decisions and get in trouble…rather like his uncle, Ned Stark. The main characters are clearly Jon, Daenarys, Arya, Sansa, Tyrion, Jaime, and Cersei; the question now is which of them will fall in the Last War, which is now coming.

The character arc of Theon Greyjoy also isn’t talked about enough in the aftermath of last week’s episode, and Alfie Allen has, over the years, given a stunning performance in the role. I cried when I originally watched, and did again on the second watch, when Bran grants Theon the absolution he so desperately wants before he tries to take out the Night King and dies.

And seriously, shouldn’t we have known all along that the obvious choices for killing the Night King–Jon and his sword, Dany and her dragons–wouldn’t be where the show went? The chills I got when Arya’s flying form appeared through the murk behind the Night King; the gasp as he grabbed her by the throat, the instant thought when she dropped the knife (no no no no!) and the sudden realization that the drop was deliberate as it fell into her right hand…on first watch the elimination of the threat seemed too sudden after all the misery and horror of the entire episode (as I said to a co-worker the next day, “Classic storytelling; make everything look as desperate and hopeless as possible and then at the very last second good triumphs–think the Death Star, Starkiller Base, etc.”) but on a rewatch–knowing it was coming–you can see how it was foreshadowed throughout the entire episode; so many things, so many small touches in an epic episode full of them that it’s easy to forget them as the action moves on; Melisandre looking up to the castle walls as she rides in at the beginning and locks eyes with Arya; Arya taking out a wight about to kill the Hound with an arrow fired from the wall and their eyes meeting; Jamie and Brienne fighting back to back like the true equals they’ve always been and finally are; Sam, shivering in fear as he lies on his back on a pile of the dead killing everything that comes near him despite his quite obvious terror; and finally, the amazing epic filming of the collapse of the Army of the Dead.

Simply extraordinary.

Tonight is the aftermath of the battle, and the beginning of the final arc of the show, and then it’s goodbye to a cultural event like few this country ever sees.

It’s going to be hard to wait until Thanksgiving week to read Book Two.

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Fooled Around and Fell in Love

It’s Sunday morning in New Orleans and I am already awake and swilling coffee. It looks kind of gray outside my windows this morning. The sun is trying to come out from behind the cloud cover so I don’t think today is going to be one of those rainy days like yesterday, but it’s kind of nice. The humidity has returned–Friday was miserable–and it’s only May. The true dog days are yet to be upon us. Heavy heaving sigh.

Yesterday I was moving stuff around, trying to lessen the appearance of clutter as well as to figure out where to put all the extra paper towels (thank you, Costco!) and put the things I was moving into places that I would remember when I discovered a copy of the first anthology I ever published a short story in, released way back in August of 2000: Men for All Seasons, edited by Jesse Grant, and from Alyson Books. It’s an erotic story, of course; my first two published short stories were erotica an d I don’t think I published a story that wasn’t erotica until “Smalltown Boy” in Rebel Yell 2, several years later. It was also interesting to look at the table of contents and see that my original by-line for fiction was Gregory Herren, not Greg; I do think I switched to Greg for the second story that was published that same month in Men magazine. Going through the list of contributors, I was struck by how many of those writers are no longer writing–or if they are, they aren’t using their “erotica” pen names anymore.

Back in the day, if you worked really hard you could make a lovely little income writing gay erotica. I was paid $300 for the story in Men; I published a second story there a few years later for the same pay. I think I got $75 for the story in Men for All Seasons. I started writing erotica primarily as a lark; Alyson’s publicist advised me to start writing short fiction for their anthologies, primarily for the publication credits and the money, as well as to make my name better known and more familiar to the Alyson editorial staff. He was right; Alyson wound up buying my first novel Murder in the Rue Dauphine, and I stayed with Alyson for the first five Chanse books, as well as several erotica anthologies I edited for them. I always called myself “an accidental pornographer” because it wasn’t anything I’d ever wanted to do, but the money was nice and the books actually did very well. But now…now there’s no market for actual gay erotica. Anthologies don’t sell and so no one is doing them anymore; the only market for erotica is novels, and reality is most of those are written now by straight women for other straight women, and that’s not the kind of erotica I write. (This is not to say straight women cannot write gay erotica geared toward gay men; in my editing days I worked with a lot of straight women who wrote horny, nasty, raunchy men on men erotica and you’d never know the author was a woman.) But the women who like to read the m/m stuff don’t like the erotica I write, and so I don’t really write it anymore.  I don’t miss it, to be honest–there are only so many ways to write about male on male sex originally, only so many words–and I even at one time wrote a column for the Erotica Writers Association on how to write good porn. I think my favorite column title was “Sometimes A Cock Is Just A Cock.”

I didn’t do much writing yesterday–actual physical writing–but I did do a lot of thinking and rehashing and going over my notes for the WIP. I doubt very seriously I will get as caught up as I had wanted to get this weekend, but you know, that’s just how it goes sometimes. Today is May the 5th, and I am going to dig into Chapter Six again in just a moment, with the hopes that Chapters 7, 8 and 9 will fall into place as I go…and then maybe I can start with Chapter Ten. I got so far off track with this WIP that I don’t really remember the story I was trying to tell in the first place, which is terrible–my memory, once so incredibly dependable I didn’t really need to take notes, in now completely unreliable. Part of the reason I decided to go back and redo the chapters I’d already written was to get myself immersed back into the story, get a feel for the characters, and maybe find the flaws and mistakes and holes in the plot. I’ve managed some of that, of course, which makes it all worthwhile, and I did find the outline for Chapter Ten in my journal (which I’d completely forgotten I’d written down), so yes, not actually spending time at the keyboard yesterday while actually simply reviewing notes and rereading things was a pretty smart thing to do.

Going through the current and previous journal also reminded me of some short story ideas I’d had that had somehow slipped, unbidden, from my memory. I also managed to page through The Gulf by Jack E. Davis yesterday, and I believe it will be a rich source of ideas and materials for me to write another book–my spring break murders novel, Where the Boys Die–and many others. Nonfiction is a great source of material for fiction, in case you were wondering.

And now I am going to sign off with this entry as I have another, Game of Thrones specific one I started yesterday that I would like to finish this morning.

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Lowdown

I woke up to a major thunderstorm around seven this morning, and quite frankly, curled up under my blankets even more and went back to sleep. I didn’t wind up getting out of bed until after nine, which felt lovely and now I feel wide awake while well rested at the same time, which is actually quite nice. I need to run to the UPS Store today, pick up the mail and a prescription, stop by the bank, and make groceries at some point, but ugh, how horrible to do this in the rain. It’s supposed to rain here all day, alas. But that will certainly encourage me to get them done as quickly as possible so I can get home.

Today I need to also do some more cleaning around the house, and at some point I am going to close the browsers so I can focus on writing. I want to push through these revisions of these chapters of the WIP, and I’d also like to push through and get a strong revision of “And the Walls Came Down” done, so I can submit it to some markets this week. My short story for next week will be the “The Problem with Autofill,” which is a strong story but the ending needs to be altered and changed somewhat. I still like the concept of the story–it’s kind of a Sorry Wrong Number thing, only with email–but I’m still not sure how to make it work completely.  But I still persist in trying to make it work. I also would like to work some more on “Please Die Soon,” which I think is a terrific idea for a story, and I’ve done the requisite research to make it work, methinks. I really want to stick to this goal of either revising a short story or finishing an incomplete first draft of one every week.

Goals. Must stick to goals.

I survived Costco yesterday, my checking account less scathed than usual–although it easily could have become Sherman’s March to the Sea. Yet I was able to resist, and came very close to staying within the budget I set for the trip–and had I not bought two books off the book table (Where the Crawdads Sing by Delia Owens, and The Gulf: The Making of an American Sea by Jack E. Davis; the Owens was nominated for an Edgar while the Davis won the Pulitzer Prize) I would have stayed under budget.

The book table is always my downfall.

And while I didn’t accomplish near as much as I probably should have yesterday, I did manage to get some chores done, some of them loathsome, so that’s a win for the end of the week, methinks. The key is what I can get done today and tomorrow…and my primary focus has to be on writing. Once I get the writing gears dusted off and oiled, I am hoping I will be able to get the first draft of the WIP finished by the end of May (there’s a three day holiday this month as well, which I am really looking forward to enjoying).

The Gulf itself looks interesting. Most American histories, of course, focus on the Atlantic colonies and the spread westward from there; there really isn’t anything taught about the history of the Gulf of Mexico–which, once Florida, Louisiana and Texas passed into American hands, basically became an enormous American lake–and I am very interested in becoming better acquainted with this history. It can, after all, only help, since most of my fiction work is focused on the Gulf states. The more Louisiana history I know, and read, the better I feel my fiction will become.

I think once I finish Jamie Mason’s The Hidden Things my next book will be either Rachel Howzell Hall’s All the Way Down or Joseph Olshan’s Lambda nominated mystery, Black Diamond Fall. I’m greatly enjoying the Mason novel, and perhaps at some point today, once I’ve run the errands and done the cleaning and written all I need to write today, I might curl up in the easy chair with The Hidden Things and make some serious headway on it. I also have an article to write and another column to start planning for. And yes, it does all seem a bit overwhelming, but what I need to do is make a list and just start checking off boxes.

And on that note, tis back to the spice mines. Have a lovely Saturday, Constant Reader.

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