Category: Alabama

Shallow Then Halo

Monday morning and heading into the office to start the work week. I have tomorrow off, as I have a dentist’s appointment, and with no idea how long that would take or what they might be doing to me while I am there, I just figured it was easier, much easier, to simply take the day off so as not to worry about coverage and when I can get to the office and so forth. I am very sick of my mouth and very sick of dealing with my teeth; I am very tired of looking like someone from the holler and I’d like to get it all taken care of once and for all. I will spare you my rant about dentists and my teeth, but make no promises for how I may be after the appointment.

Probably safer to take the day off.

I slept well again last night and feel very rested this morning, which is a lovely way to start the week but I am not fully awake yet, I don’t think. Come on, coffee, work your magic. I did get progress made on the revision this weekend, which has me actually back on schedule, which, of course, is absolutely lovely. I shall just keep plugging away at this every day until it’s finished, which will be this week and then I have to do revisions on another book and when that’s finished, I can breathe again. Both of these should have been finished long ago, but then again here we are, you know? I didn’t expect everything to go off the rails the way it did after Thanksgiving (although things were already off the rails and had been for quite some time, frankly, I just refused to accept or admit it), but that also just goes to show you need to be careful when setting incredibly tight deadlines–you can never completely and fully prepare for everything life is going to throw at you, but it definitely appears as though scheduling tight deadlines is kind of asking for it, in a way. You’d think I’d eventually learn, but then again–I am a stubborn-ass kind of fool who never learns when it comes to deadlines.

It was a nice weekend, really. I couldn’t focus on reading non-fiction, so spent some more time with nonfiction, which is nice. I really should make the time to read for an hour every day. I think it would help stimulate my creativity, and reading is always a learning experience for me. I try to shut off the editorial brain when I am reading something for pleasure, but it’s not always easy–nor is the oh, that was a clever way to do that or I wish I had thought of that or what a lovely piece of writing that paragraph was! Nope, that’s just as hard to turn off as the editorial brain. I’ve also been editing a manuscript, and that also has something to do with the editorial brain; I am already in that mode and I was also revising one of my own; not really surprising that I’m not able to consume and enjoy fiction whilst in the middle of doing that. I did get some chores done and I did get some revising done and I also got some rest, which is always important. We finished watching Now and Then on Apple, which was full of surprises, and then moved on to season two of The Lake, a cute little half-hour comedy on Amazon Prime. The stars are Julia Stiles (who plays the uptight bitch stepsister to perfection) and the guy who played Felix on Orphan Black, whose name I can’t think of at the moment…JORDAN GAVARIS. I think he’s an out gay actor (or he’s an actor who primarily plays gay men) who was simply brilliant in Orphan Black (the entire cast was terrific, but it was hard to notice given Tatiana Maslany’s tour-de-force as all the clones), and he is fantastic as a self-absorbed drama queen on this show, which is clever and original and funny. I recommend the show; it’s witty and funny and pretty original–and no one is talking about it, which is a shame.

Of course I am going to spend a week with my dad later this month and hopefully, I won’t have to worry about having anything due or checking emails that week, so I should be able to get a lot of reading done while I am up there. I’ll probably listen to another Carol Goodman on the way up there, but I am also starting to run out of Carol Goodmans (write more, Carol!) but I also suppose I could find another author who’d be fun to listen to in the car. (Another author I was listening to on long drives really pissed me off with her last one I listened to, so won’t be going back to her for a while.) Oooh, Lisa Lutz! Lisa Unger! Jennifer McMahon! There are so many good writers and I have soooo much reading to catch up on, too…

And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader, and I will check in with you again later.

Fotzepolitic

Sunday morning and things went about as well as could be expected yesterday. Friday evening I had some items delivered from Sam’s Club, but hadn’t noticed that one of the items ordered actually had to be shipped; it arrived this morning here at the Lost Apartment. And while I was waiting for my Cox cable technician to arrive (I rearranged the entire morning to accommodate their 10-12 am window), I got a text message at 11:30 informing me that my appointment was cancelled; then came the email stating we know things happen! Reach out and reschedule! I reached out, only to be told that the technician arrived, called, got voicemail, and departed DESPITE MY HAVING GIVEN THE SAME INSTRUCTIONS I ALWAYS GIVE: OUR BUZZER DOESN’T WORK SO YOU HAVE TO CALL OR TEXT WHEN YOU ARRIVE.

Also, I had my phone with me all morning, so I wouldn’t miss the call. No one called, I have no recents, and I have no voicemails.

This obviously threw me off my game yesterday for writing, but I did get some done. I am a bit behind on the schedule I’d given myself, but I think it’s going to go relatively easily from now on. I ran some errands, came home, got cleaned up, and dove into the writing. I wasn’t really able to shake off the mood, so after struggling for a few hours to get the chapter done, I called it a day and repaired to my easy chair. Needing to cleanse my soul, I did a rewatch binge of the first episodes of Ted Lasso, which are even more charming on rewatch because you get to see all the callbacks you might have forgotten about later in the run of the show, like Keeley acknowledging that she “dated a 23 year old footballer when she was seventeen, only now I’m thirty and I’m still dating 23 year old footballers” while talking to Rebecca. You can almost see the light come on in her eyes–what the hell am I doing–which kind of opens the door for her breaking up with Jamie later. Even though they don’t know each other well, she recognizes that it’s time for her to grow-up and start thinking about her own future, while talking to Rebecca–which is the first building block in their close friendship. Then later, when Paul was finished working for the day we watched Bama Rush, which was kind of disappointing. Originally focusing on four girls about to go through sorority rush at the University of Alabama–which I guess is this viral thing on TikTok–it got a bit derailed with the director started seeing similarities in behavior of the girls planning to go through rush as she went through being a lifelong alopecia sufferer…which could have been made a lot more interesting, but I always thought the point of a documentary was the director didn’t make themselves a part of the story? I think the point she was trying to make was valid, but the way the documentary was a edited together simply didn’t work. The focus shifted, and it derailed after that.

But Jesus God in heaven, those sorority houses in Tuscaloosa! The fraternity houses! They’re enormous. I had kind of figured Greek life at universities would be declining, given how old-fashioned and restrictive they can be, especially sororities–and this newer younger generation doesn’t seem as interested as preserving traditions and institutions as previous ones were, but Bama Rush showed me things I didn’t know…that “Rush Consultant” is actually a career, for one thing…and the documentary only briefly touched on the Machine, a supposedly secret society made up of representatives from every fraternity and sorority that controls everything at the University. (I kind of love that shit; I’ve long been an admirer of Pat Conroy’s The Lords of Discipline, which kind of touched on that kind of thing.)

Today I am going to get shit done. Later this morning I am going to make a very brief and short grocery run to the Rouse’s in the CBD, and then I am coming home to spend the rest of the day writing and reading. I didn’t read yesterday, which was a bit disappointing; I’d hoped to finish reading my current book this weekend so I could move along to Megan Abbott’s new one; but anticipation is always lovely, and perhaps I can get along to that next week. One can always hope, can’t one?

But I feel rested and awake this morning. My back and legs are a bit tight and sore, so I think I’m to use that massage roller thing for my back and maybe do some stretching (which I should do every day) to see how it feels. I am planning on getting a chapter finished, maybe doing some reading, and then making my grocery run so I can come back and do more writing. I need to write most of the day, to make up for the last couple of days of irritation and aggravation that kept me out of the proper mindset.

My mind has been all over the place this week, which is weird, but also kind of normal for me. Whenever I am in the weeds with a book my mind goes off in all kinds of directions and produces all manner of thoughts and ideas. I started writing several other entries yesterday, specifically for Pride Month and specifically about being gay–sometimes about being a gay author and what that’s like; I always forget that people never really quite grasp or understand what it’s like to be a queer writer in an intolerant country, of what it feels like to be othered by every community in which you try to find a place where you belong. I’ve never wanted to be THAT gay; the one constantly having to remind people of what is and isn’t homophobia, and is always having to point it out and teach straight people about what it’s like. It’s exhausting, frankly, and sometimes the well-meaning ignorance is highly offensive, but you know they don’t mean it that way so you push down the offense and ignore it while calmly trying to explain to the person why they can’t say or do that…while also not trying to hurt their feelings (although had they put even the tiniest bit of thought into it, would have never said anything offensive in the first place). It’s exhausting having to see trash equate your sexuality with pedophilia and grooming on a daily basis. It’s exhausting having to constantly have to defend your right to exist, having to constantly prove you’re a human being worthy of being treated the same as everyone else…

The mental health of queer people is always under constant assault.

And on that note, I am going to get some more coffee and start working. Either on the book, or on one of these Pride entries. I can’t decide which. We’ll see. Anyway, enjoy your Sunday, Constant Reader, and I’ll check in with you again tomorrow.

You Must Love Me

Many years ago, at a Bouchercon in the far distant past, I was lucky enough to be assigned to a panel with several strangers. It was Raleigh, and I don’t remember what the panel was about–other than none of us on the panel actually wrote what the topic was about–but it ably helmed by Katrina Niidas Holm. That was the weekend where I was lucky enough to meet both her and her husband, Chris. Also on the panel were Liz Milliron, Lou Berney, and Lori Roy. I always intend to read my co-panelist’s work before panels, so I can talk to them intelligently about their books–but it’s not near as pressing as it is when I moderate, and this was one of those years where I was busy and simply didn’t have the time. The panel was marvelous. I had the best time, and I loved everyone on the panel. I have since gone on to read their work and have become a besotted fan of all three of them, really.

My first Lori Roy novel was Bent Road, which won her (deservedly) the Edgar for Best First Novel. I absolutely loved it, and made sure I got the next two as well. (At the Edgars following the Raleigh Bouchercon, both Lou and Lori won Edgars; her second, also making her one of the few authors to win Edgars for Best First and Best Novel.) I’ve read everything she’s published since then, but have never gotten to the second novel (an Edgar Best Novel finalist) or Let Me Die in His Footsteps, her second nomination for Best Novel and her second Edgar win. I don’t remember why I decided to finally read Let Me Die in His Footsteps, but I am very glad I did.

It’s really quite marvelous.

Annie Holleran hears him before she sees him. Even over the drone of the cicadas, she knows it’s Ryce Fulkerson, and he’s pedaling this way. That’s his bike, all right, creaking and whining. He’ll have turned off the main road and will be standing straight up as he uses all his weight, bobbing side to side, to pump those pedals and force that bike up and over the hill. In a few moments, he’ll reach the top where the ground levels out, and that front tire of his will be wobbling and groaning and drawing a crooked line in the soft, dry dirt.

They‘re singing in the trees again today, those cicadas. A week ago, they clawed their way out of the ground, seventeen years’ worth of them, and now their skins hang from the oaks, hardened husks with tiny claws and tiny, round heads. One critter calls out to another and then another until their pulsing songs made Annie press both hands over her ears, tuck her head between her knees, and cry out for them to stop. Stop it now. All these many days, there’s been something in the air, a spark, a crackle, something that’s felt a terrible lot like trouble coming, and it’s much like the weight of those cicadas, thousands upon thousands of them crying out to one another.

Annie has known all morning Ryce would be coming. It’s why she’s been sitting on this step and waiting on him for near an hour. She oftentimes knows a thing is coming before it has come. It’s part of the curse–or blessing, if Grandma is to be believed–of having the know-how.

Let Me Die in His Footsteps is set in rural Kentucky, with a dual timeline–the present in the book is 1952; the past is 1936. Both timelines feature two sisters, one normal and the other with the “know-how.” In the present, Annie is the sister with the know-how while her sister Caroline is normal and pretty and sweet and pretty much beloved. The 1936 section focuses on Caroline’s mother, Sarah, and her sister with the know-how, Juna. It is soon made clear in the present day that something terrible happened back in 1936, something whose repercussions are still being felt to this present day of 1952. Annie isn’t Caroline’s sister, but rather her cousin; Sarah is Caroline’s mother while Juna was Annie’s. Juna also had a bad reputation around the county, having played a pivotal role in the 1936 tragedy. The book opens with Annie reaching her ascension; the halfway mark between sixteen and seventeen, when she is supposed to look down into a well at midnight, where she will see the face of the man she is going to marry. Annie sneaks out of the house late at night to go next door and peer down into the Baine family well; there’s trouble and tension between the two neighboring families…dating back to 1936. All the Baine sons are long gone; the only one left is old Mrs. Baine, who sits out on her porch with a shotgun in case of her worthless sons try to come home. Caroline follows Annie and sees someone in the well; Annie sees no one. But after the look into the well, they discovered Mrs. Baine’s dead body in the yard…and all the secrets and lies from 1936 start to not only unravel but impact 1952.

We’re never really sure what the “know-how” is, or if it’s just an old wives’ tale, a superstition. The rural south in both 1936 and 1952 were dramatically different than modern times; the rural areas weren’t as exposed to television or films or the newspapers, really and the old ways still held sway. I can remember being told about someone with the sight that everyone was supposed to stay away from in rural Alabama when I was a kid; those kinds of superstitions and beliefs still exist in some of these more backward rural areas. But one thing I truly appreciate about Roy–who often writes about poor rural Southern people–is that her writing isn’t what I call “poverty porn”; her characters are very real and this just happens to be their situation. The Hollerans have a lavender farm, having eschewed tobacco in the recent past after Grandpa Holleran died from lung cancer. Lavender infuses the novel almost from the very first page. I love the smell of lavender, although I would imagine fields and drying houses filled with it might be a lot. The story plays out in a slow burn, terrific build to the end, and all kinds of secrets from the past must be dealt with in order for the present-day characters to get on with their lives.

Roy is such a good writer that it almost takes my breath away. She uses a distant third person point of view, one in which we don’t really get inside her character’s heads that much, so the reader has a kind of distant remove from the characters, but it really works. Her work reminds me of Faulkner without the racism, and of other great Southern writers. Her novels are very smart, with a lot of depth and emotional honesty that resonates with the reader, compelling us to keep reading.

Highly recommended; Let Me Die in His Footsteps clearly deserved to win the Edgar for Best Novel.

Hopefully there will be a new Lori Roy soon, because all I have left of her canon is her second novel, Until She Comes Home, which was also an Edgar finalist.

Music

Tuesday morning and it looks like we managed to survive Monday somehow. It was ninety-seven degrees yesterday when I left the office–but the humidity hasn’t started getting super bad yet. After getting the mail and making groceries, I was exhausted by the time i finished unloading the car and putting everything away. And it’s only May. It’s funny how we forget the brutality of summer when it’s not summer her, every single year. It’s always a shock how hot it gets here when the summer heat returns in late spring…and how much it saps the energy right out of you. I did manage to get some work done last night after putting everything away, and then I repaired to the easy chair after a ZOOM meeting to be a kitty bed.

We started watching Shrinking last night on Apple TV, and it is really one of the funniest shows I’ve seen. I believe it’s written by Brett Goldstein, aka Roy Kent on Ted Lasso, and stars Jason Segal and Harrison Ford. Once it hits its stride–the pilot episode was a bit uneven–it becomes absolutely hilarious. I can’t believe more people aren’t talking about this (maybe they are, I am notoriously oblivious, after all) but it’s terrific. Funny–and the humor comes from the characters and who they are, rather than situations, which makes it richer and more human, I think. Jason Segal plays a therapist whose wife passed away about a year before the show opens, and he’s questioning everything about his life, including how he practices therapy with his patients, and decides to be more active, proactive even, in his treatment of them. Sometimes this works, sometimes it doesn’t, but it is always quite clever and funny and enjoyable. He also has an estranged relationship with his daughter–his grief was selfish, and he wasn’t there for her when she lost her mom–and their neighbor, Liz, has kind of taken over taking care of Alice the daughter, so he’s trying to rebuild that relationship as well, while navigating his gratitude to Liz for stepping up–complicated by the fact she won’t let go or step back. Like Ted Lasso, it’s about relationships and learning how to navigate grief–in Ted Lasso, it’s the grief of the failed marriage, in Shrinking, it’s grief over a dead spouse…but the primary takeaway from the show so far is something I’ve noticed, and a friend who lost her spouse about six months ago and I have been talking about, is the lack of conversation and discussion about grief, how to grieve, how long one should grieve, the guilt you feel whenever you have a good moment or something nice happens to you (“I shouldn’t be having a good time!”), and so on.

We have a billion dollar industry built around grief–the mortuary business–and yet that’s all about the public display of grief, rather than the intimate experience of it. Ah, capitalism. I’m actually surprised no one has figured out a way to monetize grief, really. Or maybe that’s what the mortuary business is? If so, at least in my case, it’s gone horribly wrong. The service in Alabama at the funeral home was absolutely lovely, don’t get me wrong–but it didn’t provide me with any closure or answers or much of anything other than the ability to share sadness with the rest of the family (and I do pity the relatives who didn’t come or even call or anything; that is something Dad will never forgive. I am a little more understanding, but totally get where he’s coming from and can appreciate and understand it. He worshipped her and he saw that as a slap in her face, right or wrong.), so I don’t know.

I don’t know much about anything, really. Almost every day is a reminder of how little I know and how little I understand. But life really is a learning process; I hope to never stop learning and evolving and growing until the day my heart finally gives out as well.

And on that note, I am heading back into the spice mines. Have a lovely Tuesday, and I will check back in with you again tomorrow.

Flowers on the Wall

I love Carol Goodman’s work.

I don’t remember which of her books I read first; I am thinking it was The Sea of Lost Girls, but that may be wrong (probably is; my memory is for shit these days) but I DO know I first met her in person at the HarperCollins cocktail party at Bouchercon in St. Petersburg, and she’s just as marvelous as a person as she is a writer. Since then I’ve delved into her canon of brilliant books–have yet to come across one that is even slightly disappointing–and each one makes my fandom flame burn even more brightly.

And then in Minneapolis, over lunch with a few friends at that wonderful Irish pub near the hotel, I discovered the clincher: she is also a Dark Shadows fan. She even joked, “I’ve realized that most of my books are really about Barnabas Collins and Maggie Evans”–which made me think even more deeply about how much of an influence the show was on my own writing (Bury Me in Shadows owes a HUGE debt to the show). She has a new book coming out this summer, which is very exciting–I have that weird thing about never wanting to have read everyone’s entire backlist, so there’s always one more book for them to read without me having to wait to get my hands on it–and during my trip to Alabama for the First Sunday in May I listened to The Ghost Orchid, which was so good that when I got home that Sunday night, I grabbed my headphones and listened to the final thirty minutes of the book while unpacking and doing things around the apartment.

I came to Bosco for the quiet.

That’s what it’s famous for.

The silence reigns each day between the hours of nine and five by order of a hundred0year-old decree made by a woman who lies dead beneath the rosebushes–a silence guarded by four hundred acres of wind sifting through white pines with a sound like a mother saying hush. The silence stretches into the still, warm afternoon until it melts into the darkest spot of the garden where spiders spin their tunnel-shaped webs in the box-hedge maze. Just before dusk the wind, released from the pines, blows into the dry pipes of the marble fountain, swirls into the grotto, and creeps up the hill., into the gaping mouths of the satyrs, caressing the breasts of the sphinxes, snaking up the central fountain allée, and onto the terrace, where it exhales its resin- and copper-tinged breath out onto the glasses and crystal decanters laid out on the balustrade.

Even when we come down to drinks on the terrace there’s always a moment, while the ice settles in the silver bowls and we brush the yellow pine needles off the rattan chairs, when it seems like the silence will never be broken. When it seems that the silence might continue to accumulate–like the golden pine needles that pad the paths through the box-hedge maze and the crumbling marble steps and choke the mouths of the satyrs and fill the pipes of the fountain–and finally be too deep to disturb.

Then someone laughs and clinks his glass against another’s, and says…

“Cheers. Here’s to Aurora Latham and Bosco.”

“Here, here,” we all chime into the evening, sending the echoes of our voices rolling down the terraces lawn like brightly colored croquet balls from some long-ago lawn party.

“God, I’ve never gotten so much work done,” Bethesda Graham says, as if testing the air’s capacity to hold a longer sentence or two.

Carol Goodman’s books are, above and beyond anything else you might want to say about them, incredibly literate and smart. She reminds me of Mary Stewart in that way; Stewart’s novels, often dismissed as “romantic suspense” (don’t even get me started on that misogyny), were smart, clever and incredibly literate, with Shakespearean references and quotes and allusions to classical literature. Goodman’s works are also the same; Goodman’s background in classics scholarship is utilized in every one of her books but not in a way that feels intrusive or showing off. It’s all integrated into the story and not only moves the story forward but deepens and enriches the characters as well as the plot, which is not easy to do. Her books are often built around some sort of academic/intellectual backdrop, from boarding schools to small colleges to actual archaeological digs (The Night Villa is absolutely exquisite; superb in every way), and her heroines, aren’t pushovers (as in most “romantic suspense”) but strong and smart and driven, if haunted by their own insecurities and past failures. Goodman is also not afraid to cross the line over into supernatural occurances, either; the previous one I’d read had a touch of the woo-woo, as does The Ghost Orchid, but it’s not intrusive and it actually plays out so honestly and realistically that you don’t question it.

The main character of the book is a young woman named Ellis Brooks. Ellis is a young author-to-be who is working on a novel based on what is called “the Blackwell Affair.” She had already written and published a short story based on an old pamphlet she found; the book research makes her a natural to be chosen for a residency at Bosco, an old estate in upstate New York that has become an artist’s colony, sort of like Breadloaf, but for a much more extended stay and for fewer artists. “The Blackwell Affair” actually took place at Bosco, when the original mistress of the estate, Aurora Latham, brought an experienced medium named Corinth Blackwell to Bosco to hold seances to try to reach the spirits of her dead children–any number of whom were either stillbirths or died shortly after being born; she had four children who lived but lost three of them to a diphtheria outbreak the year before. Corinth Blackwell and the only surviving Latham child disappeared one night after a seance; hence “the Blackwell Affair.” As Ellis does her research and gets to know her fellow artists better, she becomes more and more aware that the past at Bosco doesn’t rest, and the untold stories of the past must be unearthed before everyone at Bosco can be safe.

Goodman is also a master of the dueling timeline; one in the past and one in the present, and weaves the stories together so intricately that I marveled at the mastery, as the present day characters wonder about something and then we get the answer in the past. There are so many secrets, so many lies, so many spirits; but as always with the best ghost stories, the past is finally laid to rest when the truth is exposed.

I loved this book, and it reminded me not only of Dark Shadows (knowing she’s a fan I’ll always see it in her work now) but also of Barbara Michaels’ best along with Mary Stewart. Can’t wait to dig into another Goodman novel!

Drowned World/Substitute for Love

Saturday morning in the Lost Apartment and I finally slept well last night, and I even slept in for an extra two hours this morning. I could have easily (and gladly) stayed in bed for even longer, but I have too much to get done this weekend to allow myself to slovenly lay in bed for the entire morning, so once Scooter’s outrage about not being fed at six a.m. manifested itself into non-stop yowling, I got up and fed him. I feel very rested today, which is lovely. I was tired and dragging all day yesterday, and when I finished work I had things to get done. Paul and I ran out to Costco for a restocking (I hate that sometimes they have stuff and sometimes they don’t; they didn’t have several key things I always get when I go) and then I picked up the mail and a prescription. I need to get gas this weekend as well as make groceries, and the tires need to be aired up as well (the low pressure light came on in Alabama last weekend, but only one tire was low and it wasn’t officially low; it was simply lower than the other three tires), and there’s all kinds of other things I need to get done this weekend. I am editing a manuscript which needs to get finished this weekend; I’d like to do a little more work on my own manuscript; and I would absolutely love to finish reading Lori Roy’s brilliant Let Me Die in His Footsteps this weekend as well. It’s seem rather daunting when it’s put that way, but I am confident that not only can I get all of it completed but without driving myself insane, either.

Always a plus!

We watched The Boston Strangler film on Hulu last night (after an episode of Somebody Somewhere, which I am really growing fond of), and it was quite good. It focused on the two women reporters who figured out there was an actual serial killer and did all the pursuing of the case, all the while tweaking the police who were falling down on the job and forcing them to actually do their work. I wasn’t old enough when the killings were actually happening, but my dad had a copy of Gerold Frank’s The Boston Strangler and I did read that, as well as watched the Tony Curtis film version of the story when it was released to the television networks after its theatrical run. I don’t really remember much of reading the book, other than one landlady who was certain one of her tenants was the Strangler, and the story kept coming back to her and her suspicions. That always stayed with me over the years (what if your tenant/neighbor was a serial killer and you started to suspect? which became my story “The Carriage House”–yes, Virginia, that story gestated in my head for nearly fifty years before I wrote it) and to this day I still remember how chilling that was and how much I worried for the landlady. (It’s also the plot of the ancient Hitchcock film The Lodger, in which the landlady suspected her tenant was Jack the Ripper.)

I was thinking yesterday about the entry I wrote yesterday morning and the way I was/have been feeling for quite some time, and I realized that I’ve been a very passive participant in life; I’ve been kind of letting it happen to me for a while now rather than living my life actively. I don’t know if it’s exhaustion, both physical and emotional, or a reaction to trauma; or maybe, perhaps, even both. The last few years have been rough on everyone; I don’t think we’ll ever know the full extent of the trauma we all experienced as a result of that paradigm shift back in March of 2020; the shutdown, the battles over what was responsible and what was irresponsible; the insanity of the anti-vaxxer movement and everything else that was just plain wrong over the last few years. I suppose for some of us the trauma goes back even further, to the 2016 election. But it’s kind of true. I think I was very active in my own life and the pursuance of goals before 2016, and ever since 2016 I’ve just been kind of coasting along, letting things happen instead of making them. As a general rule I don’t like coasting through life; it was the recognition that was what I was doing in my early thirties that led to the big changes in my life, which was followed by the achieving goals I had always dreamed about, since I was a little boy.

But roadblocks and speed bumps encountered aside, I think had I been able to look ahead twenty-one years when my first book was released to see where I am today, I’d have been pleased and thrilled and more than a little bit smug about what I’d accomplished. A character trait I’ve never wanted to have is arrogance, and I am always afraid of sounding arrogant when talking about myself and my career. I never want to sound arrogant or smug (well, unless I am dealing with haters, in which case I love giving rein to smug condescending arrogance), but over forty novels? Over twenty anthologies? Over fifty short stories? Fifteen Lambda nominations, and seven Anthonys in total? Nominations for the Macavity, the Shirley Jackson, the Lefty, and the Agatha? How could I not be satisfied and proud of myself?

As I was making room for the Costco purchases once we got home, I was putting some things up in the storage attic and needed to move a box, so I looked inside of it to see what it was. Clippings and things from my career, it turned out–once I carried the box down the ladder to the laundry room I could see I’d written Career Memorabilia on it in Sharpie–and inside was all kinds of things. Back issues of Lambda Book Report from the days when I was either its editor or did some writing for them (or when they were reviewing my work), and back issues of Gay and Lesbian Review Worldwide, too, along with Insightoutbook catalogues (what a serious blast from the past). Of course I had to bring that box down and keep it for sorting through and scanning purposes (I am serious about cleaning shit out of the storage attic this year), and hilariously found the September 2000 issue of Lambda Book Report, with Michael Thomas Ford on the cover. (Peering inside, I saw that Paul actually was the one who interviewed him!) Scanning all of this stuff will be a huge undertaking, and I do actually hate the thought of throwing it all out once it’s done; I don’t know if Lambda ever archived the back issues or not, so this may be all that’s left of it out there. Same with Insightoutbooks; it was very important and crucial to queer publishing between 2000 and when it went under sometime around 2009 or 2010 (that may be wrong; I also found an issue of LBR from 2008 or 2009, and I would have sworn under oath that LBR stopped publishing a print edition long before that. (You see why I no longer trust my memory? Mnemosyne no longer comes to my aid anymore these days, which is most unfortunate–and yes, the reason the goddess of memory comes to mind is because of Carol Goodman’s marvelous The Ghost Orchid–more to come on that score.)

But I also did some cleaning up and filing around here while I was making dinner (ravioli) last night, so this morning the office doesn’t look as bad as it usually does on Saturday morning; the sink is filled with dirty dishes and there’s a load in the dishwasher to put away, but more of the things I generally wind up doing Saturday morning are already done, so there’s no excuse for me not to be highly productive today other than malaise and laziness.

And on that note, I am going to get these minor chores handled while I keep drinking coffee and my mind finishes awakenening.

Ray of Light

The cemetery where Mom rests is small. I remember it as being much bigger, of course, but everything there is smaller than I remember. But most of my memories of Alabama predate my adulthood, so things that seemed enormous to a child don’t seem quite so large to an adult.

I’ve written about it before, just as I’ve written plenty of stories (and even a book! Or two!) set in the county of my birth, where my people are from as we say in the South, and where my people are buried. Before Mom died, I hadn’t been to this cemetery since we laid my paternal grandfather to rest in those blurry years between the turn of the century and Hurricane Katrina. But I’ve written about this cemetery in an unpublished short story I originally wrote in 1983, called “Whim of the Wind” that opens When I was young and spending the summers in Alabama, the graveyard at White’s Chapel held a peculiar fascination for me. When I wrote those words, I was living in California and hadn’t been back to Alabama in at least two or three years; it would be another eight before I returned for my last visit pre-funerals. That story was loved and appreciated not only by my professor but by the class as well. I tried several times to get it published, but to no avail; there’s something missing from the story itself that makes it incomplete, but no editor whose ever read it has been able to put their finger on it. (I do recall having solved the problem after reading Art Taylor’s brilliant story “The Boy Detective and the Summer of 1974”, but of course didn’t write it down and don’t remember what it was. (I shall reread Art’s story at some point to see if it triggers my memory; it really is upsetting that I didn’t write it down–which I always do)

And yes, it’s called White’s Chapel. I always assumed it was called that because it was “whites only”; Dad told me over the weekend of the funeral that it was built by someone named White, which is how it got its name. Hurray for it not being racist in origin? Small victories. But when I was there that time, we drove around the county and through the little town/village which was really where all the Blacks in the county were forced to live, which is no longer the case but was when my parents were children. Lovely, right? I still don’t remember ever seeing any Black people during my childhood visits, which seems hardly possible, does it?

I am both of Alabama and not of Alabama. Dad and I talked about that this weekend, too–I don’t think my sister feels the same tug from Alabama that I do. It’s weird for him to go back there, too–there’s hardly anyone left that he knows; even my aunt commented that she didn’t know a lot of people in the county anymore, and thats kind of sad. The land my grandmother’s house sat on has been sold and the house itself–uninhabitable for years–will be torn down and that part of my history, that part of my life story, will be gone forever. My grandfather’s house, where Dad grew up, is long gone and I think my eldest cousin’s son is going to build a house there. The small, battered old houses I remember from when I was a kid are also all gone; enormous McMansions of brick and mortar with columns and muli-car garages dot the landscape now, so it doesn’t seem as poor down there as it used to.

We started the day at the cemetery where my maternal grandparents rest alongside my youngest uncle, thrown from a rolling car when he was eighteen and the car rolled over him; I remember the funeral but never knowing much more than he died in a wreck (the driver was drunk; the other two riders escaped with minor injuries). There are lots of relatives and ancestors at Studdard’s Crossroads cemetery, which is also well off the paved county road on an incredibly narrow red dirt road. We stayed there for a few hours, and then headed over to see where my mother’s grandparents were buried; another where my other uncle is buried, and finished off at White’s Chapel, with Mom and my paternal two uncles (one died when he was two). It’s so beautiful there, and so different than what I remembered and have written about–which is actually a good thing; I completely fictionalized the present-day county predicated on my childhood memories–but yes the pine forests and the red dirt, the incredibly blue sky, and fall away drops alongside the roads (not near as steep and deep as I remembered).

I’m glad I went. Seeing Dad again, seeing that he’s okay, lifted an enormous weight from my shoulders–I was terribly worried and hated being almost eight hundred miles away–but also being able to talk to him about Mom, and their shared histories, as well as more family histories on both sides that I didn’t know, was a big help. I by no means think I am over the hump or well on the way to recovery; I know from my own bitter experience that you can have a good day after a trauma and thus think with relief, oh good now I can get on with everything only to have one of the dark days immediately after. It takes time to heal, and I am never going to stop missing my mother. I just have to get used to not having her anymore.

(I had originally intended to post this yesterday, but then I got the Anthony news and that kind of sidetracked the day for me.)

The Power of Goodbye

I got home last night around eight o’clock. I am very glad I went up there this weekend; it meant a lot to Dad and it was kind of helpful for me as well. I am still kind of in shock that I was able to sleep in the motel room on Saturday night; I actually slept better that night than I did at home on Sunday, but here we are. I am composing an entry about the First Sunday in May; I started writing it last night when I got home but don’t want to finish it while I’m sleepy or foggy from sleep. It needs a clearer head, to be certain. It was hot and humid yesterday, and I have a bit of a sunburn on my scalp from the incredibly bright hot sun as we went from cemetery to cemetery.

I am very tired this morning, but am really glad I went this weekend. I feel like some of the darkness has receded–perhaps not for good, make that most likely–I have long since learned to know that once the constant darkness starts to recede that there are still going to be bad days in the weeks and months to come, but that first wave of grief that I’ve been living with seems to be over. Stay tuned, and keep your seatbelt fastened; there’s still more turbulence to come.

I didn’t finish listening to Carol Goodman’s marvelous The Ghost Orchid in the car, but I can finish listening while doing some chores around the office that always need to be done. It’s really fantastic; with DNA from Dark Shadows, Mary Stewart, and Elizabeth Peters; another one of those books that make you think why do I even bother? But Carol’s one of my favorite writers (and favorite people) so I prefer to enjoy her work than beat myself up over not being able to write books as well–there’s no point in that kind of thinking in the first place.

I do feel like the cathartic feel from this weekend might help me buckle down and get back on top of everything. I am so behind on everything that it’s not even funny. I do have an eye appointment this Saturday–just getting my prescription checked; will order new glasses from Zenni if they are needed (and I suspect they are)–and hopefully I will be able to get deeper into the book this week and maybe–just maybe–get all caught up by the end of this coming weekend. I need to go over my to-do list and come up with a new one; I won’t be able to take books to the library sale because of the eye appointment but I should take a box down from the attic this week to get started on the ultimate purge, and hopefully think ahead and plan as much as I can while this good feeling lasts.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again later.

Another Suitcase, Another Hall

Well, hello there, Constant Reader! Gregalicious checking in on you from the road, from a motel in Jasper, Alabama. It’s a bit surreal being back in this part of the world, once again seeing for the second time this year the part of the country from which I sprang, as it were. I got up yesterday morning and headed north in a brutal thunderstorm; got Whataburger in Tuscaloosa (and it’s right off Highway 59! I can get it on all trips north from now on!!! Huzzah!), and then cut over to Highway 69 North and found myself driving through the backroads and back ways of where we are from; and before I knew it, I was at Fowler’s Crossroads (which appears in Bury Me in Shadows) and heading through the twisting back roads to meet Dad at Mom’s grave. A second cousin was also at the graveyard visiting her parents (she might be a first cousin once removed, or something. Her mother and my father were first cousins; I don’t know how all that degrees of cousin works, figure it out if you want for yourself), and then my aunt showed up to keep us company. Dad was tending the grave, and he and my aunt got some lovely flowers for the graves (her husband, my father’s brother, passed in either October or November). Afterwards, we drove back over to Jasper where I checked in and hung out with my dad for the rest of the day. I’m glad I made this trip. I am really glad I got to see my father this weekend, and we started thinking about my next trip up north to visit him (and stay in Mom’s house).

I also think that I’ll be able to get back to living my life once I get back home, too. Coming here, being here, has lifted a weight off my chest and off my subconscious mind; in fact, on the way here I was thinking about the book instead of giving as much of my attention to Carol Goodman’s The Ghost Orchid, which of course is fan-fucking-tastic, as all Goodman novels are. (I am hoping to finish it on the way back to New Orleans tomorrow–it has everything I love, including a dual time-line! EEEE!) This trip has been cathartic for me in ways I didn’t think possible, and of course, tomorrow I’ll be spending the late morning/early afternoon visiting graves, and remembering my so-far-distant past. I get it now–the whole graveyard visit thing, which I had always thought before was morbid and part of our weird American cult of death. Now I understand why visiting the graves matters; it’s a way to feel close to our lost departed ones, to remember loving them and being loved by them (Dad said something poignantly beautiful to me today–“she was the first person who loved you” which is both beautiful yet horrible at the same time: beautiful because it was true, yet horrible at the same time for not understanding and recognizing that when she was alive so I could be more appreciative. I saw Andrew Garfield the other day on a Youtube clip from a talk show, where he talked about grief being “all the unexpressed love you have for the person you lost” and that he hoped that the grief would never completely go away, because the pain, no matter how bad it is, is a reminder of that love. Maybe someday I will have something profoundly beautiful to say about grief and loss; I am simply not there yet. Dad also had copies made of some photographs of her–when she was FFA Sweetheart in high school; a “glamour shot” photo she had done for my dad when they were in their fifties; and a candid photo he took of her on a beach in San Diego when they lived there briefly. Mom aged really well, I have to say; in the candid shot she was at least fifty-seven but could have easily passed for her thirties. She had gorgeous skin that was luminous when she was younger; in that FFA Sweetheart photo when she was only fifteen–if she wasn’t wearing the FFA Sweetheart jacket it could have easily been a classic Hollywood glamour shot from Hurrell. Her skin literally glows, the way Ingrid Bergman’s did in black and white. I was very lucky to have a beautiful mother and a handsome father; how their genes and DNA somehow mixed and came up with me is a mystery for the ages.

She certainly aged better than I have. I look like Uncle Fester now but she was beautiful till the moment her heart stopped.

I suppose it’s normal when you lose someone that you love that there are things you wish you could have back, that you have one more chance to talk to them. I wish I could go back to the Friday after Thanksgiving, which was the last time I was able to talk to my mother, and hold her and hug her and kiss her and tell her that I love her, instead of sitting there at the kitchen table, drinking coffee and feeling tired and dreading that twelve hour drive. The coffee was starting to make me feel nauseous because I hadn’t slept well and I realized you’re wasting time sitting here and the more coffee you drink the worse you’re going to feel so I abruptly announced I was going to just go ahead and go. I startled both Mom and Dad, and I know she didn’t walk out with me. I gave her a hug and a kiss at the top of the stairs and told her I loved her and went down the stairs, got into my car, and drove back to New Orleans at ninety miles per hour most of the way so I could get home as fast as I possibly could. Had I known that I wouldn’t see my mother again when she would know who I was? I would have stayed another day at least, or could have stayed another hour that morning, or something. I comfort myself slightly by reminding myself that of course she knew I loved her, that she always knew, even when I wasn’t the most lovable or best son–I was far from being a good child to either of my parents, really–but listening to my dad recite his litany of what he considers his failures as a husband and a father last night made me understand the futility of allowing myself to go down that path.

The first person who loved you.

That’s just wrecking, seriously.

I do think I am slowly starting to heal. I will never not miss my mother, but I think I am beginning to learn how to live with the loss.

Rain

In a little bit I’ll be loading up the car and driving north.

We watched more of The Diplomat last night, and I must say, what a terrific show. Keri Russell is fantastic, the writing and production values are top natch, and the cast? Chef’s kiss, really. I also managed to get some work done on the book last evening, as well as doing some chores around the house on breaks from work-at-home duties. I laundered the bed linens, forgot to pick up my dry cleaning, and noted that the humidity has returned–the Formosan termite swarms won’t be far behind, either. There have already been sightings reported on social media, and yet it’s not yet Mother’s Day, which was usually the demarcation line of swarm season. The work on the house next door also looks like it may be winding down at long last, and while the house looks lovely, I still miss my crepe myrtles.

I slept very well last night, so we’ll see how I feel sleeping in a motel tonight. I don’t have much to do to get ready for the drive; my Carol Goodman audiobook is downloaded to my phone, and I just need to pack my shaving kit and a change of clothes to be ready to go, after showering and shaving. I also need to queue up the directions on my phone, too. It should be, all in all, a lovely drive. Mississippi, despite everything, is quite beautiful to drive through, as is Alabama (the entire South is beautiful, more’s the pity), and of course, I’ll probably be working through plot points in my own book while I listen to Carol’s read beautifully through my speakers.

I am not sure what time I will get back here tomorrow, but I assume it will be late, so I will be tired going into my work week. Maybe I should have taken Monday off? But even if I am tired, I should be able to drag my ass to the office. It’s my get-caught-up-on-things day at the office; and I generally am never there for eight hours. Since I am not client-facing on Mondays I am thinking I could probably manage the day despite being tired…and maybe being tired on Monday will help me sleep the rest of the week. I mean, I can dream, can’t I? And Lord, I am behind on everything. Hopefully getting this weekend out of the way will remove the cloud from my subconscious and I can move on ahead without the depressive lows or out-of-nowhere emotional collapses. Again, I can dream, can’t I?

So, when I get back tomorrow night I need to remember to make a list of everything that needs doing in the meantime–there’s a lot I have to do and get done, so I need to make certain that everything that needs doing is written down so I can remember to get to it. I have an eye appointment next Saturday, and I also need to figure out some things about getting the hearing aids and so forth. Heavy heaving sigh. It also looks kind of gray out there this morning; perhaps I should check the weather between here and there before I leave this morning. A thought, to be sure. Looks like rain both today and tomorrow–all the way there and all the way back, as well as here too. Yay, he typed in sarcasm font. That’ll make the drive ever so much easier.

But I don’t mind these lengthy drives, although I’d prefer to teleport wherever I need to be rather than drive or fly. It’s also unusual for me to be gone two consecutive weekends–although of course, after I went to the library events in Birmingham and Wetumpka I had to go to Kentucky the next weekend, and back to Alabama the next–three weekends in a row with me not home. The discovery of audiobooks for the drives changed everything, really. I also worked on cleaning up the piles of books, but haven’t bothered pruning much because I can’t get to the library sale to drop off books before next weekend at the earliest.

I don’t know if there will be an entry tomorrow morning or if it will have to wait until I get home, or Monday morning, one or the other. (And I just realized of course it’s raining today; it’s Jazzfest and it always rains on one of those weekends.)

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader–not sure when I’ll be back. SO hang in there, okay? You got this.