Kissing Asphalt

Reading the stories in this book, in a roundabout way, led me to Spotify, and in an even more roundabout way made me rediscover one of my favorite bands from that period: The Cars. It also enabled me to rediscover how blissfully amazing the Cars’ eponymous first album, The Cars, was.
And the way “You’re All I’ve Got Tonight” leads right into “Bye Bye Love” so seamlessly! Classic. 
I’ve also been listening to Candy-O, and this weekend I’m going to start listening to Heartbeat City, to see how well it holds up.
And the next song/story covered in Murder-a-Go-Go’s is “Kissing Asphalt” by Dharma Kelleher.
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Sitting in the back seat of the Lexus SUV, I racked the slide on my Ruger 9mm, secured the Rossi snub-nosed revolver in my ankle holster, and adjusted the Velcro straps on my Kevlar vest. I tried to convince myself I was ready for action. But I wasn’t.
My body was sore and heavy with fatigue from an all-night session of much-needed sex. Meanwhile, my mind bobbed like a balloon with the giddiness of newfound love. A tiny voice in the back of my brain warned me to get my shit together and quite acting like a twelve-year-old girl with her first crush.
It didn’t work. As I stared out the window at Phoenix’s urban desert whizzing past, a highlights reel of the night before played in my mind, with the Go-Go’s “Our Lips Are Sealed” as the soundtrack.
“Oy! Earth to Jinx Ballou! Are ya with us?” My boss, Conor Doyle, glared at me from the front passenger seat.
Deez, Conor’s second-in-command, chuckled from behind the wheel, “If I didn’t know better, I’d say our girl got some last night.”
“Shut the hell up, Deez,” I playfully punched the back of his seat.
Murph, the guy sitting to my right, screwed up his face. “All the times I ask you out and now you’re fucking some other guy?”
This is my first time reading something by Dharma Kelleher, and it won’t be the last. This tale–about bounty hunters tracking down a bail-jumper–turns what could easily be a tired old same-old same-old story into something fresh and new; which is just another example of showing how diversity, and diverse writers, can breathe new life into a genre that is in danger of becoming tired and stock. Kelleher’s characterizations and voice are fresh and new, the action comes fast and furious, and the personal story interwoven into the case work never feels forced or contrived. I do invite you all to check out some of Kelleher’s work; this story features her series character, Jinx Ballou, and is an excellent teaser for her series.
Get on it, people.

Breakdown Dead Ahead

Friday, and we made it through another week, Constant Reader–and a full week of work at that, on top of the Daylight Saving Change madness. This weekend is St. Patrick’s Day, which means the obligatory parade (and traffic congestion, complete with closed roads) in Uptown, which also means I need to get everything requiring driving finished and out of the way today. Fortunately, today is a half-day and I get off work at one, so I can cruise uptown and do all those errands and hopefully be safely inside my apartment by two-thirty.

My new MacBook Air arrived yesterday, and I’ve already gotten it all set up and taken care of so that it is usable, and I absolutely love it. I still have an issue with connecting it to the cloud, so this afternoon when I get home I’ll go on-line and talk to Apple Support and get that taken care of, after which it will be absolutely good to go. It’s very fast, has a lot more storage than my previous Air, and it’s rose gold–I didn’t specify a color so it defaulted to that, and it’s actually rather pretty.

I also intend to spend the rest of the day–after getting home–laundering the bed linens and devoting the day to finishing reading Alafair Burke’s superb The Better Sister, which hopefully will mean a review over the weekend. I’m also behind on reviewing the stories in Murder-a-Go-Go’s, so I need to get caught up on that as well.

As for my weekend plans, I need to get the Lost Apartment back into some sort of order. The house is being termite-tented later this month (scheduled while we’re staying at the Monteleone for the Festivals, and Scooter will be off to the Cat Practice for boarding and grooming and so forth), and I also intend to spend the weekend rereading the first ten chapters of the WIP and planning out the rest of the book. If the weather is nice–which it probably will be; the last few days have been spectacular–I may take a walk with my camera and take pictures of the Bead Trees of St. Charles. I think we’ll be getting a pizza from That’s Amore for dinner on Sunday as a treat for ourselves, and I do want to get a lot of cleaning and organizing and so forth taken care of this weekend.

And yes, I may start doing some research for the next Scotty book. I have an amorphous idea–I want to have the boys hired to investigate two different cases that end up being linked (the old Hardy Boys/Nancy Drew trick), but the trick is how to link the cases. I have a vague idea of how to do it, but am still not completely certain it’ll work, but the title will most likely be Hollywood South Hustle. I really like the idea of a local case juxtaposed against a case involving a film production scandal…

And on that note, ’tis back to the mines of spice before I head to the office. Happy Friday, Constant Reader!

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I Wanna Be Your Lover

So, Facebook was apparently wonky yesterday, and so was Instagram. I rarely go to Instagram–I’m not really sure what the point of it is, and I mostly follow male fitness models because I like to look at pictures of pretty men, feel free to judge me for this–but I did have some things I wanted to post on Facebook yesterday which kept failing on me. But the wonkiness kept me off of there for most of the day, and I have to say it was kind of lovely.

I am loving Alafair Burke’s The Better Sister, as I knew I would. This weekend I am going to have to spend most of my free time reading, because I still have two more books to read to prepare for my panel and time is running out.

Yesterday the box o’books for Survivor’s Guilt and Other Stories arrived, and it looks fantastic. I can’t tell you, Constant Reader, how pleased I am with what Bold Strokes has been doing with the packaging of my books. Great covers, the interior with Janson (my favorite font); they look terrific, and I couldn’t be more pleased. It’s been a while since I got a box o’books; the last Todd Gregory novel came out in January of 2018, and this is the first fiction I’ve published since then (I don’t count anthologies, even though my name is on the spine). Yeah, I know that’s just over a year, but for me that’s a long time.

And no, the feeling of opening up a box o’books with my name on the cover still hasn’t gotten old.

I am really looking forward to getting the box o’books for Royal Street Reveillon.

I had hoped to have the first draft of the WIP finished by the end of this month, but I don’t really see how I can do that while getting the reading done that I need to do for my panel…which means, I suppose, that I’ll have to rejuggle my calendar for the year. Ha ha ha, like I actually have taken the time to make a to-do calendar for the year. I’ve not even been making to-do lists. Maybe this is why I’ve felt so at-sea this year; I should get back on that and get back to normal.

I started watching The Order on Netflix last night, per the recommendation of some of my co-workers, and I kind of enjoyed the first episode. It is a paranormal show of some sort, but it, like True Blood (and the grandmother of all these shows, Dark Shadows), doesn’t take itself seriously and there are some seriously funny moments on the show. I also watched the first episode of Gregg Araki’s new show on Starz, Now Apocalypse, and also am intrigued enough to watch more. American Gods is also apparently back for its second season, which is something else I can watch during these last few weeks pre-Festival while Paul is working around the clock.

My new computer was delivered yesterday–I did wind up ordering a new MacBook Air on-line on Monday (not that there’s anything wrong with the HP Stream; there’s not, but it’s a long story I won’t bore you with and it doesn’t hurt to use it as a back-up in case of other issues AND this way when we travel we won’t have to share a laptop which is always aggravating), and it did arrive and I am picking it up this morning on my way to the office. Today and tomorrow are, of course, my half-days, which is lovely, and so I can come home tonight and get things started on cleaning around here as well as reading, and then tomorrow I can make groceries on the way home and be in for the weekend. This weekend is St. Patrick’s Day, which means parades and day-drunks roaming around the neighborhood, so not leaving the house is optimal.

And on that note, I should return to the spice mines. Happy Thursday, Constant Reader,

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Refugee

Tuesday was yet another night of non-deep sleep; in which again I spent most of the night asleep than half-asleep then awake: lather, rinse, repeat.

I’m holding Daylight Saving Time solely responsible for this horror, I might add, because I was sleeping beautifully before this.

But last night was good; I slept through the night and feel very rested and very much better this morning. I made it through the rough part of my week and now have the easy, downhill path to my weekend. Being tired, I’ve accomplished little of note this week; I am not even keeping up with my emails…but now that I am past those two days and I’ve slept well, maybe now I can get caught up on everything I’ve tragically fallen behind on.

I do so hate when that happens.

But if I put my head down and just start ploughing through, I should tear through it all in no time. (Famous last works, no?)

But I sent the finished manuscript for Royal Street Reveillon in on Sunday, and I think part of the exhaustion (and not sleeping) comes from the inevitable relaxation and sudden drop of stress resultant from finishing a book. I always forget, from book to book, that there’s always about a week’s worth of resetting my brain that is required, and I rather stumble through that week, zombie-like, as my burnt out mind slowly resets and recovers. Bearing this in mind, I decided that it’s silly to beat myself up over not getting back into the current WIP immediately; I stopped that nonsense yesterday morning when the realization dawned, through my foggy, tired brain, that this is normal. So I’m going to instead spend this week getting focused on resetting everything, reevaluating where I’m at on things, and reading. The festivals are in two weeks, and I’ve got to finish my homework before the panel I’m moderating.

I’ve also got a diversity column to write for the next issue of the Sisters in Crime quarterly newsletter.

So, today I am going to focus simply on reading Alafair Burke’s fabulous The Better Sister, making a to-do list, organizing my bills, and figuring out what I need to get done by the end of the year; I also need to probably go back and figure out what projects I was planning on doing/working on this year.

It’s all about resetting.

And now back to the spice mines.

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Wait for Me

The first Monday after the time change is always the worst, isn’t it?

I was thinking, as I went to bed last night and didn’t feel tired in the least, that I’ve had several weeks running of good sleep, and I wondered if the time change would affect that. Sure enough, it did; I wasn’t deeply asleep ever all night, instead in that miserable half-sleep where you know if you open your eyes you’ll be awake. I fucking hate that, and as such, am feeling really tired and sleepy and frayed this morning; so much so that I even considered calling in sick for a brief moment. It’s currently pitch-black outside–which doesn’t help, and it’s seventy-three degrees, with a high of eighty-four forecast.

Complete and utter madness–which also means my sinuses are also acting up a bit, which probably also has something to do with feeling miserable this morning. But I am also confident I can make it through the week…if I can survive today and tomorrow, that is.

I wrapped up the final copy edit of Royal Street Reveillon yesterday, preparatory to turning it in today, and really feel terrific about it. I honestly believe it’s the best Scotty I’ve done since the original three, and writing it off contract was definitely the smart way to go with the book. I am probably going to spend this week mostly thinking rather than writing; I am going to reread the ten chapters I’ve already got written of the WIP and figure out what tweaks are necessary to those before finishing the second half of the book. I’ve got my main character pretty much figured out now, but there are also some issues with the plot and the pacing I need to get figured out. I also kind of need to figure out how to deal with April’s revision of the old WIP (as opposed to the current WIP) and how precisely I want to make that work.

As I’ve said before, I’ve been trying to force it to work based on an original story idea that has morphed over about thirty years into about five or six different plots and stories…but I’d also forgotten that I’d essentially used all the characters from that original idea for Sara, so yeah, I have to have new characters. The primary theme of that story, I think, is alienation, and that’s key to revising the hell out of it.

Ah, the writing life. Always such a joy.

And now back to the spice mines.

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Fading Fast

When I started looking over the lyrics to the three Go-Go’s songs I was given to choose from as my inspiration for a story–as you well know, I settled on “This Town”–I was amazed, as I have said before in previous entries about these stories in this anthology, at how dark the lyrics actually were when removed from the context of the upbeat music and the cheerful singing voice of Belinda Carlisle.

Needless to say, the songs definitely loaned themselves to serving as inspiration from crime stories.

And Sarah M. Chen wrote perhaps one of the darkest stories I’ve read in a long time, inspired by “Fading Fast.”

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The guttural meow of a feral cat pierced the still night, making Sherry yelp. She stumbled on the gravel road and smacked into Justin, who crept silently in front of her.

“Jesus, what’s with you?” Justin whispered, spinning around. He held a finger up to his lips as if she needed to be reminded that they were supposed to be “stealth-like.” Jus- tin’s exact words because this was all his plan. He didn’t even want her here, but no way was she letting him do this without her.

“Sorry. Damn cat.” She hated cats. Mostly because that’s how they sounded late at night outside her window. Howling in that creepy, blood-curdling way.

His stern look softened into concern. “It’s not too late to back out, babe. Let me handle it.” His eyes traveled down to her bulging belly.

Sherry instinctively put her hand on her round tummy. She shook her head. “No, this is my thing.”

Their eyes locked in the darkness, illuminated by the full moon and the flickering streetlight behind them.

“It’s our thing.” Justin smiled and grabbed her hand. Gave it a squeeze. She squeezed back, and he motioned to the trailer about twenty feet ahead of them. “Ready?”

She nodded. Their footsteps crunched on the gravel as they closed in on the gray aluminum mobile home with the sagging bottom frame. The chilly night seemed to penetrate her bones, as if she weren’t wearing two sweatshirts and a windbreaker. Or maybe it was her nerves. She shivered.

Justin climbed the creaky steps and tried the front door. It was locked, as Sherry knew it would be. Justin pulled out a flathead screwdriver and went to work. Ernie didn’t bother with the deadbolt. Figured the few neighbors around knew better than to screw with him. Tonight, he was wrong.

The story opens with Justin and Sherry breaking into the trailer of Ernie; she is heavily pregnant, so immediately the mind runs to why would a pregnant woman be doing this? But as the story progresses, Chen deftly shows us precisely why a pregnant woman would take such a monumental risk, and why she is so driven. A powerful story about abuse, the damage that results from it, and how that damage can carry on to another generation unless someone breaks the cycle is handled quite expertly here; and the way the story ends is quite a punch in the mouth. Chen is quite gifted, and this is my first experience with reading her work…and it won’t be the last.

Well done!

Blades

Reading these stories, and revisiting the music, has drawn me into something I rarely do: reminisce and think about the past. I generally try not to think too much about the past; it’s the past and there’s nothing to be done about it, after all. Sometimes, though, when writing, I try to draw on my past and my own experience.

The 1980’s were a difficult decade for me, but one of the things I remember fondly about that decade was always the music. I’ve always had a soft spot for 1980’s music, and it was a weird, transitory time for it. MTV changed everything; exposing Americans and young people to new music and bands and artists they might not have ever heard, and the visual medium of the new “music television” channel also allowed us all to experience music visually, and there’s no question that interesting video presentation helped artists like Culture Club, Cyndi Lauper, Duran Duran, and many others to an even greater success than might have otherwise been possible for them.

The Go-Go’s videos were almost always very simplistic; probably “Vacation” was the most complicated video they ever made. Rewatching their videos recently kind of made me laugh–“Head over Heels”, for example, looks like it cost $20 to produce–and I’m not certain if this was because they didn’t care, or the record company thought they were big enough to not need the push from a terrific video.

The next story up in Murder-a-Go-Go’s is “Blades,” by Steve Weddle.

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He was on his fifth Tequila Sunrise when his head hit the table.

“Everything, guys. Everything.”

We’d talked Nick into coming for drinks because he hadn’t been out of his apartment since twenty-nine days back when he and Laura had called it off. We had to get him out. Even without the wedding, the three of us considered ourselves his groomsmen. Until death do us all part, it seemed. Though another few drinks might take care of that.

The Thursday night crowd at Wingin’ It was worried more about the Cowboys-Eagles game than about the four of us concussing ourselves on a table.

Raphael slid the emptied tumblers away from Nick’s head. “She didn’t take every- thing, man.” Raph was the jokester among us, the one we sent in to cause a scene if we needed it, the one thinking he was just one prank away from going viral. When we’d go to games, he was the one who would sneak us in a diaper bag full of White Russians in baby bottles “You’ve still got your health,” he told Nick, pulling a coaster from the side of Nick’s face. “And that nasty cold sore.”

Truth be told, Nick was a bit of a late bloomer. We were all in our late thirties, but he hadn’t even gotten through his first marriage, yet. And with Laura dumping him a month before the wedding, he was even further behind us.

“Look,” Sam said, “if it wasn’t meant to be, it’s best you know now. The two of you can move on, find new people. It’s good news to find out now.”

“We’re still registered,” he said.

Ralph, Sam, and I looked at each other, then back to Nick.

“Sure,” Sam said, “I’m sure she didn’t even think about it. Probably moved on. You should too, man.”

“At Target,” Nick continued, ignoring Sam. “I checked. Target still thinks the wedding is going to happen. On the nineteenth. That’s next weekend.” He’d raised his head, apparently just he could drop it, rattling on the table again. “Next weekend.”

Sam said he’d get the next round, then walked across the room to the bar.

This story is different from the preceding ones in that the crime committed during the course of this story isn’t a felony; and the crime itself, while the driving force behind the story, isn’t really the focus of the story. The story is about friendship, and the things guys do to help out their friends, whether it’s a smart thing or not, and the ending of the story might be a little dark–the story itself is dark, emotionally–but it also leaves the reader with a strong sense of satisfaction; justice, of a sort, has been done, and everyone feels better about things. It’s about male bonding and male friendship, and not done in a way that feels non-relatable to not-straight men.

Quite good, and I loved the change of pace.

And now back to the spice mines.

Sara

Sunday morning, and the time change has me bleary-eyed and irritated. I hate losing an hour, absolutely hate it, and would gladly give up that extra hour of sleep in the fall that makes up for it being taken away now. It’s always disorienting, and it’s been hard enough recovering from the one-two-three punch of the Great Data Disaster of 2018 followed by the weeks of Carnival followed  by the Laptop Death of 2019. Seriously, I am so not in the mood for this.

But I suppose it’s a sign that spring is on its way, with the blasting heat of the summer right behind. I need to get caught up on my homework for the panel I’m moderating–I did have a lovely experience yesterday at the car wash while reading Alafair Burke’s The Better Sister while I waited for them to finish cleaning my car. I spent most of yesterday being a trifle on the lazy side; I was worn out and the rest was kind of necessary, although I probably should have read more. I did do the laundry, ran the errands that needed running, and wound up back home extremely worn out, and made the perhaps not good decision to simply relax and rest for the rest of the day rather than doing anything constructive.

I watched American Graffiti again Friday night for the first time in decades; it’s available on Starz, and as I scrolled through the available options I thought why not? The movie itself, which was a huge deal when released, made a fortune, and got a number of Oscar nominations (including best picture), was one I remembered a bit fondly, and in all the hubbub of George Lucas/Star Wars, people tend to forget American Graffiti was the hit movie  that actually made him, and made Star Wars financing a possibility in the first place. I think he was even nominated for best director? I don’t recall. But American Graffiti was notable to me as a young teenager because it triggered a nostalgia wave for the 1950’s at the time; the soundtrack was hugely successful, and anthology albums of hits from the 1950’s became all the rage. (The irony that the film was actually set in 1962 was lost on everyone.) It’s actually kind of a dark film, really; while it reintroduced Chinese fire drills and cruising and sock hops and the music of the period to teenagers (the Beach Boys also came back to prominence; their double album greatest hits compilation Endless Summer was released during this nostalgia craze) rewatching the film now, the darkness is plain to see. Vietnam is on the horizon, and the ‘innocence’ of these teens, on the brink of adulthood, isn’t all that innocent, really. There wasn’t really a cohesive plot; it was just a mishmash of interconnected characters with their own stories sometimes bisecting others–very Robert Altman-esque in that way.

And as I said earlier, it did lead to a 50’s nostalgia craze, which eventually led to shows like Happy Days and Laverne and Shirley, which also wound up starring Ron Howard and Cindy Williams, as the film did. Richard Dreyfuss also has a lead, and this was before Jaws and his Oscar for The Goodbye Girl and Close Encounters of the Third Kind. The movie kind of launched quite a few careers. It was also one of the first “teen movies” to be quite so dark, a big change from the silliness of the Disney films for teens at the time or the beach movies of the 60’s. An argument could, in fact, be made that American Graffiti set the stage for the 1980’s teen movies that redefined the genre.

I’ve also always kind of thought that the kids from Graffiti who went off to college became the adults in The Big Chill, but that’s just me. (There was a sequel, More American Graffiti, that was made in 1979, but the less said about that the better.)

I also rewatched Play Misty for Me, which is also available on Starz. Play Misty for Me was the original Fatal Attraction, also was Clint Eastwood’s first film as a director (he also starred), and scared the crap out of me when I was a kid; we saw it as a family at the drive-in, part of a triple feature with another Eastwood film, High Plains Drifter (which I think is his best Western), and a really bad low-budget movie starring country singer Marty Robbins called Guns of a Stranger–which was so laughably bad it became kind of a benchmark/joke for my family for years. I’ve never seen Play Misty for Me again, and so was curious; I remember Jessica Walters played Evelyn Draper, the “Alex Forrest” of the movie, and was absolutely terrifying as the psycho woman obsessed with Clint Eastwood’s Carmel deejay (I also recognized a lot of the locations as the same ones used for Big Little Lies). It doesn’t hold up as well on a rewatch some forty years later, alas; it has a lot of “first director-itis”, and kind of has a “made for TV” feel to it, but it was a pretty adequate little thriller, and was groundbreaking in its way–it was really the first movie to deal with a stalker situation.

I seem to have also developed some kind of a strain in my right calf muscle; I’m not sure what that’s all about, but it’s not incredibly painful or anything; but I am always aware of it when I’m walking. Crazy.

So, I have lots of plans for today now that my coffee is starting to kick in; I’m looking forward to doing some cleaning today, writing some, and of course, reading. Alafair Burke’s The Better Sister is quite good, and I can’t wait to get caught up in it later today when I finish my chores and to-do list.

And on that note, ’tis back to the spice mines with me.

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I Pledge My Love

Good morning, Saturday, how are you doing? I’ve been up for over an hour and am just now finishing my second cup of coffee. I slept really well last night, and feel incredibly rested this morning. This is a good thing; I have a few errands to run later this morning (including getting my filthy filthy car washed) and therefore I need a lot of energy. I am also dropping off several bags worth of beads and throws at the Latter Library drop-off for the ARC of Greater New Orleans (attention locals: if you’re looking to get rid of excess beads and throws, here is a list of the drop-off points.). There are also a few odds and ends I need to get at the grocery store, and of course I always need to get the mail.

Yesterday was a bit of an adventure.

So, Thursday afternoon my MacBook Air started…well, acting a little funky. It was working just fine, no worries on that score, but on the left part of the screen, a series of vertical black lines suddenly appeared. I could still see what was behind them, but there was some flickering and the wall paper just turned into flickering blotches of color. Uh oh, I said to myself, that can’t be good. I spoke to Apple Support on-line, and we determined that yes, it wasn’t software but a hardware issue, which is what I suspected all along. We made an appointment for me to take it to the Genius Bar at the Apple Store in Metairie, the earliest available appointment being for 3:15. Terrific, I thought. I get off work at one, can drive out to Metairie and go shopping at Target–which I need to do anyway–and then head to the mall.

So, I did precisely that; I got off work at one, headed over to 610, and took it to where it merges with I-10 just over the parish line and drove out to Clearview Parkway. I spent far too much money at Target (it’s just like Costco in that way; even with a list I buy more than I intended to–oh, look, I need toothpaste but this deal for two is a dollar cheaper than buying two separately at separate times; oh, coffee is on sale? This is too good a deal to pass up…and so it goes) and loaded everything in the hatch of the car (where there were already all the bags of beads and throws to be donated) and headed to Lakeview Mall. I checked in–an hour early–at the Apple Store, then went to eat at the Smashburger in the food court (good, but a little too expensive; I should have stopped at Atomic Burger, which is also expensive but worth it). I returned to the Apple Store and started checking out the MacBook Airs, just in case the old one wasn’t reparable. I really can’t afford to buy a new one at this time, but was prepared to because I can’t do without a laptop.

And long story short, no they couldn’t repair it because it was too old. I bought the Air in 2011–eight years old, and eight years of it working brilliantly whenever I needed it to.

So, I decided to go ahead and get the least expensive one, which was actually very similar to mine. Except…

..they had none in stock, it had to be ordered, and the earliest I could get it would be April 1st.

Um, no. They did have the more expensive models in stock, of course.

But there was no way I was taking that financial hit and then having to wait four weeks to actually get the damned thing, all the while hoping that the current one would continue to work.

But this happened before, I remembered, with my current iPad–the store told me it would take five weeks to get it on back order, then I came home, went on-line, ordered it from Apple.com and had it within a week. So, I decided to come home and do the same thing–order it on-line and see what happened.

But as I was leaving the mall and turning around to head back to New Orleans, I saw there was a Best Buy on my right. What the hell, I thought, and pulled into their parking lot. Long story short, I bought a HP Stream for $251 total and it didn’t cost me any cash out of pocket; the cashier signed me up for Best Buy credit and if I pay it off in six months there’s no interest…which means even if it is a cheap piece of shit and breaks down or turns out to be useless, it should give me at least another year of use while I save up to buy a proper Apple laptop. And I may not even go with the Air next time and might get a MacBook Pro.

This HP Stream also looks just like my old iBook, which I loved and used for six years or so before its motherboard went out. It’ll take some getting used to, of course, but this all kind of worked out really well for me and I am most pleased.

And when I got home, there were no places to park on my street–remember, hatch was full of bags from shopping at Target–but as I drove down the street, resigned to having to lug everything two blocks in the heavy humidity we get before a rain, someone pulled out of a spot right in front of my house.

Seriously.

So, today I am going to run my errands and come back home to clean. I also plan on doing one last copy edit of Scotty before I send it in to my editor, and also get back to work on the WIP. I also need to read some more of Alafair Burke’s The Better Sister, in preparation for our panel later this month at the Tennessee Williams Festival.

And I hope you have a lovely, lovely day, Constant Reader.

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Song of the South

I am a son of the South; Alabama born and bred. Southerners like to think, or believe, that they are different from other Americans; they also believe they are the most patriotic Americans, despite the prevalence of Confederate flags and dedication to preserving memorials to traitors. I was born and grew up during the height of the Civil Rights movement. I remember the day Dr. King was murdered. I grew up amidst racism and segregation–there were no black children in my elementary school in Chicago, and the story was our principal would tell black families trying to enroll their children that the school was at capacity–but would then enroll the children of the next white family to come along. That racism at our school didn’t extend to Hispanics/Latinx; I shared classrooms with kids who were born in Mexico or Central America, whose families had come to the United States and Chicago–where my family moved when I was two–to escape war and poverty. Several of my teachers liked to call attention to the immigrant children in my classes, as examples of the American melting pot, how the country was a country of immigrants, and how our nation’s strength came from the combination of cultures and national identities.

Race has always been an issue in this country since the day the first slave ships arrived; the deadly seeds of poison and discord planted in a nation as yet unborn in the notion that some people are less than others, that owning human beings as though they were cattle was a legitimate enterprise. Slavery almost split the country in two; it took a rebellion and a bloody war to put an end to it…but that war didn’t solve the ultimate problem of slavery because it was never addressed: white supremacy and the belief that the US was a country of white people exclusively for white people. If you weren’t white, you could benefit from being an American but never as much as white Americans. I remember hearing, during the Civil Rights era, that Americans of color should be grateful they were Americans because they were better off as Americans than they would be anywhere else.

Even as a child, this begged the question, but isn’t the point of being American the idea that the next generation is better off than the previous? That the reason our country is great is because we all strive to do better than our parents? Isn’t that what people of color are trying to do?

Race issues in America has always been complex and complicated and nuanced.

I sometimes have wondered if I have failed as a writer by not dealing with issues of race in my books. I told a friend the other day that I will have to go back and reread all of my books to see if I allowed any racist ideas or sentiments to creep into it; even if it’s as little a thing as describing a person of color by their color, and if I fell into the horrific racist tropes of using food or drink to indicate the color of their skin–mocha, chocolate, cinnamon, etc.

Getting inside the head of racists…and people who are involved in the Klan…is something that is difficult for a lot of Americans. The rise of social media and the most recent elections have exposed a lot of people to shocking discoveries about relatives and friends, who harbor racist or at the very least, borderline racist ideologies. I’ve been pushing myself to deal with race and in particular how prevalent in can be in the rural south lately, so I am reading a lot more about it.

Lori Roy, on the other hand, decided to write a novel about it.

gone too long

The truck driving toward our house is black. Lots of cars drive past our house because there’s a good turnaround spot just down the road and the interstate is the other way. Most every car driving past wants to go the other way, and usually they’re in a hurry, but not this truck. It drives slow and it glitters when the sun hits it and the tailgate rattles like pennies in a mason jar. I hear it even though all the windows and doors are closed and locked, have to be. That’s the rule when Mama’s at work and I’m home alone.

The driver, he is a man. One of his arms hangs out the window, and something dangles from his hand. I don’t know what it is, but then he keeps slowing down, almost rolls to a stop, and as soon as he flings that something, I know. It has happened before. If Mama comes home and finds it, she’ll be angry and maybe even cancel her going-out plans for tonight. And if going-out plans are canceled, Julie Anna won’t come.

I wait until the truck rolls past before I slide off the sofa. Making sure no one will hear, I touch my feet down real soft, don’t jump like I sometimes do, and tiptoe to the front door. The lock is stiff and I have to use both hands to turn it. Mama’s big enough, it only takes her one hand to open the door, and someday, that’ll be me. The lock makes a loud click and I freeze. I tru to be quiet because I’m doing wrong and I know it. Someone is always watching, that’s what Mama likes to say, so I guess I’m sneaking so the someone, whoever that someone is, won’t see.

Lori Roy is one of our top crime writers publishing today–she has, over the course of four novels, won two Edgar Awards from the Mystery Writers of America and been nominated for a third. Gone Too Long is her fifth novel, and it, too, is an impressive achievement.

The book opens with the afore-mentioned first person characterization of a young girl named Beth, and the horrific thing that happens to her. She is kidnapped and held hostage in a basement somewhere, after witnessing the murder of her babysitter, Julie Anna. As if that isn’t horrific enough, we also know that it takes place seven years earlier, and that the action of the story is going to flash back and forth in time between the present and the recent past. The modern day character is a damaged young woman with red hair named Imogene, still recovering–through the use of alcohol and meaningless sexual experiences with men selected when she’s drunk–from the deaths of her husband and son in a car accident several years earlier.

Imogene just also happens to be the daughter of a recently deceased high-ranking member of the local chapter of the Ku Klux Klan. In the present day, her father has just been buried, and her mother has found a strange wire…and asks Imogene to follow where it leads from their house. She does, comes upon an older house on their property that has been abandoned for years, and finds, in a basement similar to the one where Beth was taken, a young boy who would be about the age her son would be had he not been killed. The discovery of this child–and the discovery that the new Klan leader’s son’s girlfriend has tried to sell two incredibly expensive watches–triggers a series of events and revelations that expose the ugliness of the Klan, the ugliness of human nature, and the ugliness of life in general when your family has been devoted to the Klan for generations.

Gone Too Long is a brilliant read, immense in its scope of human emotions and the nuances of how people can rationalize the irrational, and how that irrationality can lead to the self-justification  of doing the most horrible things to other human beings; yes I know it’s wrong but I didn’t have a choice.

This is an incredibly powerful novel, and I can’t recommend it highly enough. Alas, it won’t be available until its actual publication date on June 25th, but it can be pre-ordered, both on-line and from your local independent. Do so; pre-order it now so you can experience what is definitely going to be one of the top crime novels of 2019.

Stunning. Just stunning.