It’s Raining Men

The first song I ever danced to in a gay bar was, quite naturally, “It’s Raining Men.”

I never said I wasn’t a stereotype, did I?

I was twenty-one the first time I ever set foot in a gay bar. (If there were gay bars anywhere near me in Kansas, I had no idea) It was in Fresno, California, of all places; where I spent the 80’s and which I often lovingly refer to as “Topeka in the Valley.” It wasn’t much of anything, really; a small building on Blackstone Avenue, I think just past Olive, and near the off-ramp for the new cross-town highway in an attempt to alleviate traffic on the main streets of the city (it may have been further north). The bar was called the Express, and someone I worked with–the first obviously gay man I ever knew, and certainly the first one who was out and proud and not ashamed of it–took me one night after work. I was nervous as hell. I had no idea what I was getting myself into, and I remember it was dark and crowded. There was a bigger front room with the bar, and there was a smaller dance floor further in the back. We arrived–I didn’t recognize the song that was playing–got a beer (he got a vodka and cranberry), and then the next song started up. I didn’t know it, had never heard it before, but he dragged me out onto the dance floor and yes, the song was quite a jam. I loved it, and rather self0-consciously danced my ass off (I always loved to dance). My friend later told me the song was by the Weather Girls, who used to sing back-up for Sylvester, and it was called “It’s Raining Men.” The song was utterly ridiculous–it still is–but those powerhouse vocals, the driving beat, and the absolute joy in the idea that all you had to do was “rip off the roof and stay in bed” so a hot man will drop in from the sky for you? How could gay men not embrace the song? I bought the single at Tower Records a few days later, and every time that song played, I’d be out on the dance floor. Even now, when I hear it, I always think back to that first night I went to a gay bar.

HIV/AIDS was already a thing, but we didn’t know much about it in Fresno; it seemed like something new and scary but maybe no worse than some other new diseases that had been discovered in the 1970’s/early 1980’s. The rare yet terrifying information and reporting on it referred to it as GRID. It eventually claimed that co-worker who took me to my first gay bar, and his roommate, who was the one who told me years later that the co-worker (whose name I cannot recall, I just know it started with a K) was in the hospital, dying. “It’s Raining Men” always reminds me of him; always takes me back to that first time when I so nervously paid my cover charge and flashed my ID and walked into my first ever gay bar. There was another gay bar in Fresno, the Red Lantern, that was in a much shoddier (“dangerous”) part of town. (Gay bars, back in the day, were never in the best neighborhoods. Tracks in Ybor City in the early 90’s–when I lived in Tampa–was also not in the best neighborhood. Ybor City did begin gentrifying before I moved away, but originally? Yeah, not the best neighborhood.) I went there a few times as well–made friends there, made friends in the other bar, too. I lost all those friends, of course, and their names and faces are also gone, more lives lost to the mists of time in my memory. It seems a bit shameful to not be able to remember the names and faces of the first people who knew a part of me I’d never let anyone see before, but they also didn’t know me in that I kept the other part of my life secret from them.

It’s very strange, because I decided to google the gays bars of Fresno while I was writing this and apparently the Express closed in 2013? I don’t think it stayed in the same location–according to the site I found it had also been called “708” before becoming the Express again; who knows what that was all about. But the Red Lantern is still there on Belmont Avenue, in the same location; how wild is that? That’s a pretty long-lived gay bar for a place like Fresno, really. I remember in Houston there was JR’s, and Heaven, and maybe another one there in the Montrose district. But I didn’t start spending a lot of my weekend evenings in gay bars until I moved to Tampa. Tracks in Ybor City and Howard Avenue Station were the two primary gay bars when I lived there; and there was Bedrox on Clearwater Beach–which was the gay section.

And of course, there are gay bars everywhere in New Orleans. I haven’t set foot in one in a number of years, and may never do so again. I’m old; spending the night dancing would end with me in the hospital, or needing days to recover.

I don’t know what gay bars are like now because I’ve not been a part of that culture for a very long time–we haven’t even done condom outreach during special weekends in the bars in years anymore–which is why it’s hard for me to write about Scotty being still a party-boy. His age in the book I just finished and turned in is roughly forty-three or forty-four; after Katrina when I had to actually pick a time for the books to have been set (Katrina couldn’t be ignored), I decided that the Southern Decadence where Scotty met both Frank and Colin was in 2004, Jackson Square Jazz was that Halloween, and Mardi Gras Mambo was Carnival 2005. Scotty had just turned twenty-nine in Bourbon Street Blues, which meant he was roughly born in 1976, which works with the other timelines, making him twelve or thirteen when the Cabildo caught fire the last time. While the other books can be more amorphous, obviously Who Dat Whodunnit was set in January of 2010, right before the Saints won the Super Bowl. With the pandemic starting in 2020–which I will deal with at some point–this one had to take place before the world shut down, so I am thinking it’s May of 2019. I don’t want to skip ahead a year to the pandemic, so Quarter Quarantine Quadrille will be further in the future. I kind of want to do Decadence again in another book–with Scotty older but not much wiser–but am not entirely sure. I also would like to really do a Scotty Halloween book, and maybe even a hurricane evacuation one, I don’t know.

I am, however, very glad that I did write those first three Scotty books, when I was enmeshed in gay bar culture, because I’m glad it’s preserved in fiction. That world is gone now–washed away when the levees failed and the city rebuilt. Someone once told me I was the only person to document that pre-Katrina gay male existence, of going out to bars and being promiscuous and dancing all night long and drinking too much and occasionally dipping into party drugs.

I’m also kind of glad modern gays don’t have to use the weekends and gay bars as a place to let loose and be as free and gay as possible, which they couldn’t do during the week. Friday nights were always a relief, a respite from a cold and unloving world that judged us harshly and wished us harm.

I don’t miss the bright lights, the cigarette smoke (that’s how long it’s been), the stench of male sweat and the smell of poppers in the air as the deejay spins another banger. I mean, I do, but not in a sad kind of way; those memories are lovely and they make me a little wistful for the days when gay bars weren’t clogged with bachelorette parties and obnoxious drunk straight girls. But those weren’t the good old days, really; we had no rights and our sex lives were against the law; the few legal protections we have now were goals back then, something we could strive to achieve sometime in the distant future. I certainly never thought Lawrence would decriminalize my sex life and Obergefell would make it legal for Paul and I to marry; I never thought those things would happen during my lifetime. I didn’t expect to see an openly gay member of the Presidential cabinet; out queer characters as leads in television shows and movies–none of these things seemed possible to that closeted twenty-one year old who walked wide-eyed into the Express and went out to dance to “It’s Raining Men.”

I had no idea what the future held for me or for my community that night. In some ways I wish I could let that kid know everything would be okay and his life would turn out so much better than he ever dared dream…but knowing might change things, and I wouldn’t want to change anything that would take away the life I live now, because I love it.

Garlands

Well, yesterday’s appointment went well. I was home by ten thirty, which was nice, and I have scheduled the first appointment for what I need to be done. I was also right yesterday; I am going to tell you today what is going on. The appointment was with a dentist, and yesterday’s appointment was the first step in the journey to getting my bottom teeth taken care of. I will be going in on the Friday after Bouchercon to get the rest of the bottom teeth removed, the first step in a four appointment process to get a denture plate for the bottom. I am also getting a replacement for the top; they are fifteen years old. I’d hoped to have this done before Bouchercon, but given the length of the process, there wasn’t enough time. So, good news for fans of me looking like a hillbilly from the holler: I will still be missing my front two bottom teeth, which means smiling for pictures with my mouth closed (always fun) and being embarrassed when I remember to be. But this was one of the things I wanted to get taken care of this year–hearing aids being another–and I feel like I am finally adulting properly, if that makes any sense. So, hopefully by the end of the year I will have a new smile and be able to actually hear things. I’m just glad I finally found a dentist who agreed that this was the right step, rather than trying to sell me on upwards of twenty grand’s worth of implants, grafts, caps, bridges and fillings. I mean, there has been no point in my life where I would ever willingly agree to spend that much money on my mouth, let alone had that kind of money to be willing to spend.

Definitely an improvement; you could also call it an upgrade, I suppose. Thank you, health insurance (even though you aren’t covering much more than fifty percent of any of this).

And even more marvelously, after I got home from the dentist and did some chores, I sat down and revised the last two chapters of Mississippi River Mischief and wrote an epilogue. It’s done, until I get the edits back from my editor, and I am very happy. I finished two days earlier than it was due, as well, which made me feel good for beating a deadline for a change. I still have to get some edits and revisions finished on this other book I’ve been toiling over, but it shouldn’t be too difficult. I do need to reread the damned thing before I start trying to fix things, but I’m going to take a couple of well deserved days off from writing and enjoy this two-day turned in early respite from everything. I’m a bit groggy today. I didn’t sleep great Monday night and as such wasn’t really able to get caught up on my sleep last night. I slept well, but not completely awake yet this morning. I am really dependent on my coffee every morning…which is probably not a good thing.

But it feels good to have a good revision done of the book, one that I feel more confident about, at any rate. Maybe that helped me sleep last night, I don’t know. Since my memory is shot, I don’t remember if this is how I feel every time I turn a book in for editing; I would think I would remember this feeling of an enormous weight being lifted off my shoulders? I don’t know, but lately whenever I finish a book I feel like I’ve just run an emotional and intellectual marathon and I’m not only exhausted but also very relieved. I am looking forward to finishing edits on this other one, too, and then being able to dig into something new (well, already in progress but finally able to focus all my attention on them) and will also probably be a little bit disoriented for a couple of days. I cannot, absolutely cannot, allow myself to fall into a malaise like I always do when a book is finished and off my plate because there’s another one I need to finish and get off my plate.

AUGH.

And on that note, I’m heading into the spice mines. Have a lovely Wednesday!

Perhaps Some Other Aeon

Tuesday morning and heading out to Metairie for an appointment. I took the entire day off because I have no idea how long this might take or how I might feel after, so I figured it was better to not have to deal with clients. It’s nothing serious, and perhaps by being vague I am intensifying interest in what my appointment is; I’m just not comfortable talking about it just yet. Who knows? Tomorrow I might be here telling everything and more, always more than you could possibly want to know. Then again, you are here, after all.

I got some great work done on the book last night, and I am feeling most self-satisfied to the point where I can barely stand myself today. I hadn’t planned on using today to finish the revision when I asked for the day off, but how opportune this has turned out to be for me. When I get home, I can do some chores around here and then dive into the final two chapters of the book. Yes, I said the final two chapters. The end is clearly in sight, and the work I did today successfully pulled the story back in from some dead ends and subplots that were not absolutely necessary. I cannot wait to get home and finish it off this afternoon. But…we’ll see how it goes. One never knows when fate is going to throw a monkey wrench into your plans. (And what an odd phrase that is. I wonder what it’s origin was?)

We finished watching The Lake last night and it was quite fun and cute. I really like Justin Gavanis, and Julia Stiles is epic as Maisie the bitch no one likes and everyone fears. We also started watching the new Apple Plus Tom Holland series, The Crowded Room, which seems relatively intense and sad at the same time. But we’re intrigued and will most likely continue with it this evening. I also like Amanda Seyfried, and she’s the female lead.

I didn’t fall into a deep sleep last night but I rested, which is all that matters. I’ll hit a wall at some point this afternoon without doubt; but that’s okay. As long as I can get my work done once I’m back home from this appointment, that would be super great. I can also get some more chores around here done, too. Or I could get back to reading, if my brain isn’t too fried. Funny how reading used to be the thing for me when I was tired, to relax and refresh and reboot my brain, and now that I’m older I can’t focus enough to read when I’m tired. My reading has slowed down a lot this past year or so; the pandemic gave me a lot of time to read, but for the longest time I couldn’t. I did reread a lot of Mary Stewart novels to get me into reading again–I also reread some other marvelous older titles that I love, like Crocodile on the Sandbank by Elizabeth Peters–and that broke through that barrier to reading. Maybe I should do that again, once I get my current book finished reading? But I’ve also got some killer reads to get to–new books by Kelly J. Ford, Eli Cranor, Megan Abbott, and S. A. Cosby, with a new Carol Goodman and Laura Lippman coming later this summer. And then of course there are all the books I’ve got here that I haven’t read, because I am a book hoarder.

And I got the notes for the other manuscript I am trying to get finished and out of my hair as well. So, if I can get the last two chapters finished today, and write the epilogue, I can start doing the macro edits. I have a long lovely weekend ahead of me, thanks to the Juneteenth holiday, and of course the week after that I am heading to Alabama and Kentucky to spend some time with my dad. Their anniversary is–was–June 26th, so I am going to meet Dad there in Alabama for their anniversary and then we’ll caravan back up to Kentucky. And then we’re in July–another truncated work week for me–and next thing you know it’s Bouchercon and football season and then the holidays and the year ends and that, my dear Constant Reader, is how you run out of time and how quickly life shoots past.

And on that cheery note, I am going to head into the spice mines and start getting ready for this appointment. Have a lovely Tuesday, Constant Reader, and I’ll check in with you again later.

Shallow Then Halo

Monday morning and heading into the office to start the work week. I have tomorrow off, as I have a dentist’s appointment, and with no idea how long that would take or what they might be doing to me while I am there, I just figured it was easier, much easier, to simply take the day off so as not to worry about coverage and when I can get to the office and so forth. I am very sick of my mouth and very sick of dealing with my teeth; I am very tired of looking like someone from the holler and I’d like to get it all taken care of once and for all. I will spare you my rant about dentists and my teeth, but make no promises for how I may be after the appointment.

Probably safer to take the day off.

I slept well again last night and feel very rested this morning, which is a lovely way to start the week but I am not fully awake yet, I don’t think. Come on, coffee, work your magic. I did get progress made on the revision this weekend, which has me actually back on schedule, which, of course, is absolutely lovely. I shall just keep plugging away at this every day until it’s finished, which will be this week and then I have to do revisions on another book and when that’s finished, I can breathe again. Both of these should have been finished long ago, but then again here we are, you know? I didn’t expect everything to go off the rails the way it did after Thanksgiving (although things were already off the rails and had been for quite some time, frankly, I just refused to accept or admit it), but that also just goes to show you need to be careful when setting incredibly tight deadlines–you can never completely and fully prepare for everything life is going to throw at you, but it definitely appears as though scheduling tight deadlines is kind of asking for it, in a way. You’d think I’d eventually learn, but then again–I am a stubborn-ass kind of fool who never learns when it comes to deadlines.

It was a nice weekend, really. I couldn’t focus on reading non-fiction, so spent some more time with nonfiction, which is nice. I really should make the time to read for an hour every day. I think it would help stimulate my creativity, and reading is always a learning experience for me. I try to shut off the editorial brain when I am reading something for pleasure, but it’s not always easy–nor is the oh, that was a clever way to do that or I wish I had thought of that or what a lovely piece of writing that paragraph was! Nope, that’s just as hard to turn off as the editorial brain. I’ve also been editing a manuscript, and that also has something to do with the editorial brain; I am already in that mode and I was also revising one of my own; not really surprising that I’m not able to consume and enjoy fiction whilst in the middle of doing that. I did get some chores done and I did get some revising done and I also got some rest, which is always important. We finished watching Now and Then on Apple, which was full of surprises, and then moved on to season two of The Lake, a cute little half-hour comedy on Amazon Prime. The stars are Julia Stiles (who plays the uptight bitch stepsister to perfection) and the guy who played Felix on Orphan Black, whose name I can’t think of at the moment…JORDAN GAVARIS. I think he’s an out gay actor (or he’s an actor who primarily plays gay men) who was simply brilliant in Orphan Black (the entire cast was terrific, but it was hard to notice given Tatiana Maslany’s tour-de-force as all the clones), and he is fantastic as a self-absorbed drama queen on this show, which is clever and original and funny. I recommend the show; it’s witty and funny and pretty original–and no one is talking about it, which is a shame.

Of course I am going to spend a week with my dad later this month and hopefully, I won’t have to worry about having anything due or checking emails that week, so I should be able to get a lot of reading done while I am up there. I’ll probably listen to another Carol Goodman on the way up there, but I am also starting to run out of Carol Goodmans (write more, Carol!) but I also suppose I could find another author who’d be fun to listen to in the car. (Another author I was listening to on long drives really pissed me off with her last one I listened to, so won’t be going back to her for a while.) Oooh, Lisa Lutz! Lisa Unger! Jennifer McMahon! There are so many good writers and I have soooo much reading to catch up on, too…

And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader, and I will check in with you again later.

But I’m Not

Sunday and I slept late this morning and i am not a bit ashamed of it, quite frankly. The opportunities to sleep in are rare these days–getting up early so often for so long has adjusted and shifted my body clock in ways I’m getting used to but don’t like, and chief among those ways is the inability to sleep in. Yesterday I was up before eight, for example, but this morning it wasn’t even nine when I got up, and I could have easily stayed in bed longer. But there’s spice to mine today, and while there is still a lot of it to get done, I am feeling very good about things this morning. I actually felt really good about them yesterday if I am going to be completely honest. I got two chapters done and finished editing a manuscript (not my own) and turned it in to the publisher, which felt marvelous to be finished with that. Deadlines and juggling projects is something I’ve always done, but something I’ve noticed since the pandemic shutdown is deadlines are much more stressful and demanding on me, and take a bigger emotional toll than they used to. Probably part and parcel of the long COVID rewiring of my brain, but whereas before, I relished the pressure and it drove me to work harder, now it shuts me down and/or depresses me, which has the exact opposite reaction it used to have with me: instead of driving me, I think oh I’ll never get this all done so why bother and I end up blowing things off completely. Depression is quite the bitch, you know.

But I am very pleased with the work I got done yesterday and look forward to today’s work. I also did a load of dishes and laundry yesterday, and some cleaning. But after I was finished with work for the day, my brain was too fatigued to read so I watched movies on television, discovered two gems I’ve been wanting to revisit: Cruising and The Last of Sheila. I wanted to watch Cruising because I remember all the controversies about the movie while it was being filmed (yes, even in rural Kansas we heard about the gays being mad about the movie). I eventually watched it in the mid-1990’s. Paul is a huge Al Pacino fan, and when we moved in together he owned almost the entire Pacino filmography on videocassettes, so one night we watched Cruising. I didn’t much care for it when I watched it the first time, but I’ve wanted to watch it again–when I watched I wasn’t yet a published crime writer–because the story itself is interesting to me. A hot young ambitious cop sent undercover into the gay BDSM/leather community to look for a serial killer? The question of identity and sexual confusion that could arise from playing the part, which entailed going out and picking up (or being picked up) by gay men expecting some sex? I mean, you have to admit that’s a great set-up and concept for story. The Oscar winning director William Friedkin (he won for The French Connection but was much better known for directing The Exorcist) failed and ended up with a deeply flawed film. Pacino was also robbed of a far greater performance due to the homophobic cowardice of the either the director or the studio. Rewatching, the film’s flaws are even more apparent, but it’s a shame. It could have been a great film–and it does remain one of the few Hollywood films that actually depicts gay bar culture of the late 1970s the way it was–but I don’t know what went wrong with it, but it’s still a great idea. I also liked seeing New York as dirty and grimy, the way it was during that time period before gentrification came to Manhattan. It’s also fun seeing old movies where people who went on to greater stardom later had bit parts or cameos; Ed O’Neill popped up on screen at one point, as did several others that made me think, hmmmm.

If I had the time or inclination, I would take that basic framework of an idea and turn it into something stronger than the film. There was also a book it was based on, but it’s rare and used copies are insanely expensive. It also reminded me of a gay crime novel I read as a teenager living in Kansas; I may have been in college, I don’t remember, called A Brother’s Touch by Owen Levy. The book was about a brother who comes to New York to look into his estranged brother’s life after he is murdered–they were estranged because the dead brother was openly gay–and begins to question his own sexuality after being enmeshed into the gay community of Manhattan at the time. It was reprinted recently and I got a copy (by recently I mean in the years since Katrina; I have no concept of time and its passage anymore); I should move it closer to the top of the TBR pile. I wish I could still read as voraciously as I used to…something else that has slowed down with getting older.

After watching this I wanted to rewatch a classic old crime film of the old school, The Last of Sheila, which I’ve always loved. Co-written by Stephen Sondheim and Anthony Perkins and directed by Herbert Ross, it’s a whodunit worthy of Christie herself, in which a widowed producer invites some film community members on hard times for a week on his yacht. Everyone invited was at the party a year before where the producer’s wife Sheila wound up being killed by a hit-and-run driver, and the producer, whose known for loving to play games, has come up with a game for his guests to play. Everyone gets a card, and every day they will stop somewhere they will look for clues to the identity of whoever holds the card of the day–the first is a shoplifter, the second is a homosexual–and of course, the game turns dark and ugly when the producer host–played to sadistic asshole perfection by James Coburn, is murdered…and it turns out the game their host was playing had layers none of the guests knew about going in. The cast is a perfect time capsule of early 1970’s stardom: Richard Benjamin, Raquel Welch, Dyan Cannon, James Mason, Joan Hackett, a beautiful young Ian McShane, and of course, Coburn. It has twists and turns and surprises, and is so markedly clever that it’s hard to describe without spoiling anything…and the surprises are what make it such a great and fun film. This was one of our Sunday movie-after-church movies, I think; I do remember seeing it in the theater and being impressed and amazed. One thing I absolutely loved in the rewatch was the books scattered over every set–they are all mystery novels by Agatha Christie, Ngaio Marsh, Ellery Queen, and Erle Stanley Gardner, which should tip the viewer off that you are in for a mystery influenced by the master crime plotters of the time. It’s really a shame the film wasn’t a success, because it would have been amazing if Perkins and Sondheim had collaborated on more scripts like this one. As I was watching, I kept thinking how much I would love to write a puzzle-type mystery like this one; I’ve always feared such a thing was outside of my wheelhouse so I have always been afraid to try. Who knows? Maybe I will.

I feel very rested this morning and I am not dreading diving into the book this morning, which is nice. I don’t think I have the mindspace and bandwidth to work on multiple things all at the same time anymore, if that makes sense. I don’t know if it has to do with the long COVID rewriting of my brain waves or what, but the last few books I’ve written or worked on–going back to Bury Me in Shadows–have been more stressful than fun for me to write. Writing on a deadline is always stressful, and I rarely, if ever, actually make deadlines. But having multiple projects going on at the same time now feels like I am not devoting enough of my time and attention to any of them, let alone all of them, and that makes me feel uncomfortable about the work. Of course, my last three books–and my last anthology–have all gotten a lot of mainstream award attention, which makes it seem weirder. Which, of course, makes me wonder if the stress and the heavy burden pressure of multiple projects going is somehow making me produce somehow better work than before, and do I really want to mess with that at all? It never ceases to amaze me how neurotic I am about being a writer, and how afraid I am that any change or variation means it’s all over for me now.

I do wonder sometimes if other writers have that same secret fear: that the well will eventually run dry or that we’ll forget how to do what we do. People like to call me prolific; I’ve slowly come to the conclusion that I am and that it’s not a bad thing (I always try to figure out if being called something is bad–which goes back to being called a fairy as a child and thinking he was saying ferry and being very confused). John D. MacDonald was prolific; so were Ellery Queen, Agatha Christie, and Erle Stanley Gardner. I think my insecurities came into play when people started calling me prolific; I am so used to being insulted that I assumed it must be an insult as well, like it was something I should be ashamed of or something. I’ve decided to embrace it as a compliment. I am sure there are literary writers who produce one novel every ten years or so who would think it an insult, but I don’t respect them so don’t really care much what they think. And if I am not as prolific as I used to be–which I am not–it’s nothing to be ashamed of; I’ve gotten older, have gone through some things, and I don’t have the energy that I used to have. My imagination still rages out of control at any and all times, of course, but I don’t have the energy to fool myself into thinking every idea I have will turn into a short story, an essay, or a novel. I certainly won’t live long enough to turn all the ideas I already have into longer works of whatever style and kind.

And on that note, I am diving back into the book. I am getting another cup of coffee and putting some bread in the toaster for later, and I may or may not do another Pride month entry later today. Anyway, you have the loveliest Sunday possible, Constant Reader, and I will check in with you again later.

Free, Gay, and Happy

Probably the first clue that I wasn’t like other guys was that I loved to dance. There’s nothing like that feeling of freedom when you’re out on the dance floor and the deejay is playing one of your favorite songs to dance to, and you’re in a crowd of gay men, all moving to the same music but in vastly different stages of reality diminishment, from total sobriety to tipsy to buzzed to wasted to fried on a drug of some sort (you always could tell the difference between the drunks, those fried on a stimulant, and those on Ecstasy), and many of them with their shirts off and passing around bottles of poppers. Dance floors in gay bars always have a musty smell to them when they’re crowded, as though the man-musk from dozens and dozens of sweaty men has somehow seeped into the walls, the floor, the speakers.

That interesting mix of sweat, musk, cologne, cigarette smoke, and poppers that lets you know you’re in a gay bar, and pheromones are everywhere.

And of course, there’s today’s title, which was a great dance hit back in the mid-90’s; 1995, I think, to be exact?

Click here to hear the song.

God, how I used to love to dance.

I had no idea how to actually dance, of course. All I had was years of watching American Bandstand, Soul Train, and various teams of cheerleaders and pom-pon girls. The first time I went out onto the dance floor was when I was a junior in high school. It was a victory dance after we won a football game, and someone asked me to dance. And oh look, Greg actually can find a backbeat and knew instinctively to move to it–and that your upper body could move differently than your lower body. It was fun, I loved it, and people actually thought I was good at it, which made it even more fun. My junior and senior years of high school saw the rise of disco, and my first few years of college were during the height of the disco era. The little clubs and bars in Kansas I was able to get into, where I could drink beer till I was drunk and the music played and I could dance, weren’t Studio 54 or anything like that, but I could dance, and I would spend the whole night out there on the dance floor, sweating through my shirt and my bangs plastered to my scalp with sweat. I missed dancing, when we moved to California and I was no longer old enough to go out to bars, and when I was, I did want to go out dancing, but the 80’s weren’t a great time for dance music (in straight bars, any way), and the few times I was able to get to a gay bar, the music was much better and the dancing was way more fun…

The dance floor was, for a long time, the only place in a gay bar where I felt comfortable. This remained true even after I came out and merged my two separate lives into a single whole. Coming out was really just the first step towards accepting myself and figuring out who I was. I’d spent most of my life thinking there was something wrong with me, and that manifested itself in incredibly unhealthy ways for me emotionally and mentally. I’d always believed that coming out would solve all of my problems, but it didn’t; instead it created new problems to replace the old. I felt unattractive, overweight and unlovable. Every experience I had with another man only added to that sense of discomfort, that self-loathing that was still there in my head. I used to go to gay bars with co-workers, who would disappear as soon as we got there, out prowling for a cute boy for the night’s comfort while I just stood somewhere in a corner. I had a crush on this really hot bartender at a gay bar in Ybor City, Tracks, which is where we always used to go. He was always so friendly and polite and I naïvely thought he might be interested…which was when I learned all gay bartenders are friendly and nice because they want to get tipped (and I never made that mistake again). The only time I ever felt comfortable or at ease was on the dance floor. I also convinced myself that I was unappealing, which was why no one ever approached me–or it was rare that someone did (I am too shy to ever approach anyone). I had an extremely unpleasant experience the summer I turned thirty-three, and that motivated me to reevaluate everything in my life and start over. I essentially burned myself to the ground and started over.

I still had the same shitty job, but if people thought I was out-of-shape and unattractive, well, I couldn’t change my face but I could change my body. I radically altered my life and started eating healthy and exercising. I even stuck to it. I lost a lot of weight in a very short period of time (which probably wasn’t healthy) and figuring (hilariously) that the possibilities of finding love and a relationship were already gone because I was thirty-three and still single (just goes to show what I know, right?), but everything changed. I also began to realize over the years that followed that I wasn’t ever approached back in the day because I wasn’t attractive but because I was giving off a bad vibe–how can you help but give off a bad vibe when you’re insecure and feel uncomfortable? It’s amazing what a difference a friendly, open smile makes. But it’s hard to look friendly and inviting when you don’t feel friendly or inviting or good about yourself. The on-going struggle with my self-esteem really started in earnest during this time of my life, and while those self-esteem issues have never truly been conquered, I started enjoying my life a lot more. I no longer felt like my life was something that just happened to me. I felt like I was making things happen for myself. And as my self-esteem continued to grow, I also found myself figuring out how to make the big dream–becoming a writer–come true.

And I also managed to find my true love in the process of finding myself.

I do miss dancing, but I don’t think I am capable of staying out late at night to dance. But I remember those days of dancing till dawn fondly, trying to flag down a cab in the cold gray morning light, drenched in sweat and shivering. It would probably take me a week to recover from dancing all night…and let’s face it, dancing all night was the best way for me to get cardio.

Blood Bitch

Saturday morning in the Lost Apartment.

The ZOOM thing I had to do yesterday went well; I am always self-conscious about these things. But I got to read from #shedeservedit, which I hadn’t done before, and it was lovely to be able to say that it was nominated for both Agatha and Anthony Awards. As Constant Reader is obviously aware, I don’t really boast or brag or broadcast about good things that happen to me, but damn it, I’m going to for just a goddamned minute. I can’t say for sure that #shedeservedit was the first queer book to get an Agatha nomination, but I can say for sure it’s one of the few that ever have–and I feel very confident in saying it was definitely the first time a book from a queer press has been nominated. Bury Me in Shadows might not have been the first queer book nominated for an Anthony, but it was certainly the first queer one to be nominated in two different categories. Last year’s Best Paperback Original category for the Anthonys was the first time two queer books by two queer writers from two different queer presses were nominated (shout out to the amazing Cheryl Head, who shared the honor with me!). I am also one of the few authors to be nominated in two different categories at the Anthonys in the same year; this year saw me become of the few authors ever nominated in three different categories in the same year.

When I actually take the time to stop and think about it, it’s actually pretty fucking amazing and groundbreaking. I certainly never saw any of that in my crystal ball, or would have ever dared to dream about that happening. I’ve also been nominated for a Macavity, a Shirley Jackson, a Lefty, an Agatha, and a total of seven nominations from the Anthonys (I did win the first time I was nominated, for Best Anthology for Blood on the Bayou), which is a pretty nice resume, really; I’d be super-impressed by those credentials if they belonged to someone else, so why am I so reluctant, cautious, scared to take pride in my own accomplishments? It’s one thing to be self-deprecatory about your writing and your career, but awards are something you have no control over, so why not take pride in them? If the mentality I was raised with was “be humble and let other people acknowledge your work” why can’t I be proud of myself when other people are acknowledging my work?

Heavy heaving sigh.

I slept well again last night. Paul got home late and I spent most of the evening reading nonfiction. I was very tired most of the day yesterday, but got chores done around the work-at-home duties and thus the apartment isn’t a complete and utter disaster area this morning. I do have a load of dishes to put away and have some more things in the sink that need to go into the dishwasher, but overall the kitchen/office is in pretty good shape this morning (the living room is an entirely different story, of course). Today is Gay Pride, and Saints and Sinners has a booth, so Paul will be gone most of the day. Yes, I am not going to Pride again this year, because i have to stay home and get all of this work done, or at least progressed a bit further. It’s going to be hot as hell out there, but I have the entire apartment to myself for almost the entire day, which never happens, so I need to take full advantage of this opportunity. I’d like to get caught up with several chapters revised today; have to look over another manuscript, and I want to get some reading done today. I am probably also going to take some time to answer some emails and try to get the inbox emptied out. I also need to write another Pride post–but I don’t want to write about anything negative, so maybe I’ll go finish one of my “wistful memories about the past” posts; I’ve started several of these and it would be kind of fun to finish them; at least fun for me; I never know if any of my Constant Readers find these entries fun. In a way, it’s kind of like working on my memoirs, and just remembering things the way I remember them–whether I remember correctly or not–is okay for a blog post, methinks. Posts about gay joy are a lot more fun than the ones about what it’s like to be oppressed.

And maybe later I can get caught up on Superman and Lois, which I forgot that I was watching. Whoops! Not sure why this season didn’t grab me the way the previous ones did; the Jonathon Kent recasting kind of threw me off a bit, but that’s really not fair to the replacement actor now, is it? No, not really. And I should spend some time with the book I’m reading today as well, so I can finish it because really great books (the one I am reading is also great, make no mistake) but this is what I have on deck now: Beware the Woman by Megan Abbott; All the Sinners Bleed by S. A. Cosby; The Hunt by Kelly J. Ford; Everybody Knows by Jordan Harper; and Ozark Dogs by Eli Cranor (lots of Southern Gothic there, which is delightful, to say the least) and there’s also these old anthologies I ordered from eBay. I need to write a lot today; I’ll probably did into the next chapter as soon as I finish this and do some filing to clear my mind and get it ready to write fiction.

Writing about my award short-lists had me thinking once again about what to do with my papers. The thought of having to catalogue them myself is unpleasant and means it would never get done (why is there no ebook of Jackson Square Jazz, Greg?), and I had pretty much come around to the point of view that I could easily just throw it all away but thinking about the award recognition made me question that decision all over again. But…while the blog itself only shines a light on a very carefully curated (right?) segment of my life, I also talk about writing and so forth on here, so future scholars (should my post turn of the century career be of any interest to any such future scholars) can always just come here and read to learn about me. My papers are just manuscripts, anyway; marked up and revised and scribbled all over–and I have most of that as a digital record, anyway. So, yes, that makes the most sense, and the project for this summer will be getting rid of all this paper hanging around here and up in the attic and over in the storage place. Besides, I’m not that interesting, really. I don’t think I am an influential voice in queer crime writing, either, and probably within a few years of my mandated-by-will cremation, will be most likely forgotten. I am actually fine with that, to be honest; very few writers from every generation are remembered–probably less than ten percent from every period, really; and whether or not I helped raise the bar for queer crime writers isn’t for me to say.

And besides, the thing I am most likely going to be remembered for is longevity, anyway, and I am fine with that.

Which sounds like a lovely place to segue into the spice mines. Have a lovely Saturday, Constant Reader, and I will be back at some point.

Absolutely Fabulous

I’ve been thinking a lot about my friend Nancy Garden lately.

Nancy was seventy-six when she passed in 2014, and I’m still not used to living in a world without Nancy in it. She was wonderful, and one of the most kind people I’ve ever known. She was a small woman with an enormous heart, and she wrote books for children and young adults. Much to my own shame, I didn’t know anything about Nancy until I reviewed her book The Year They Burned the Books for Impact News here in New Orleans. It was a riveting account of censorious parents gone wild, demanding books be removed from schools and libraries; led by a zealot, they even burned the books in a bonfire, The book was told from the perspective of a group of teenaged friends, some of whom were questioning their sexualities (and gender identities) who were outraged and fought back. The kids triumphed in the end, and the book was nominated for a Lambda Literary Award.

But the thing that came out of this read that was transformational for me was reading in the press release that the book was based on real events…and then I wanted to know more.

What happened was Nancy had written a young adult novel in 1982 called Annie on My Mind, which was one of the first young adult romance novels to focus on two teenaged girls falling in love. Intrigued, I got a copy and read it…and loved it. It’s such a beautiful, heartfelt and emotional story, so gorgeously written…the thought that anyone could have objected to this book was, frankly, offensive to me. I started digging around to find out more. It was a suburban Kansas City school district that banned Annie for obscenity; and yes, the angry parents’ group burned the books. In 1992. (Thirty years later and here we are again.) The students and the ACLU sued to get the book back, and it went to trial. Annie and the First Amendment won that fight, but listening to Nancy tell the story about the trial, and being cross-examined–and the scope the judge allowed in her cross–was horrifying to me. Nancy met and fell in love with her partner when they were in college. They were still together when Nancy passed. A long-term, completely monogamous and loving same sex marriage any straight couple would envy…and she had to answer questions about her morality; her sex life; how many partners had she had during the course of her life; what they did in bed together–intimate, private details that had nothing to do with whether the book was obscene but effectively dehumanized Nancy, her partner, and their relationship for the court record.

I read from Annie on My Mind when I participated in my first ever Banned Books Reading, at the House of Blues in 2006. They’d invited me because I had been banned a few years earlier (hello, Virginia!), and I decided to honor Nancy by reading from her book that was actually burned because the one person and the one thing that kept me sane during that entire Virginia situation was Nancy. When it first happened, Nancy called me immediately as soon as she knew. Being the self-absorbed person that I am (that most authors are), I was freaking out for any number of reasons, but it was personal. Talking to Nancy on the phone made me realize that the principle at stake here wasn’t me or my career, but the kids at the school and the queer kids in the area. I had to remove myself and my personal feelings from the situation and look at it in a more broader sense; ignoring it or doing nothing was cowardly. I never wanted to be an activist, really, but there are times…when you don’t have a choice. (I will write more about that incident at another time.)

And whenever I went to the dark side while all of that was going on, all I ever had to do was email or call Nancy. What she went through was so much worse than what I did; I cannot imagine the horror of seeing your own books being burned by zealots, nor being forced to testify in court about the private, most intimate moments of my life.

And maybe, just maybe, for Pride you might want to give Annie on my Mind a look-see? You can order it here: https://bookshop.org/p/books/annie-on-my-mind-nancy-garden/10375680?ean=9780374400118.

Thanks, Nancy. I wish you were still with us to provide wise counsel and advice to us as we battle the latest wave of homophobic banners and censors. But I’m also glad you didn’t live to see have to fight this tiresome battle yet again. Thanks for everything, my friend. I miss you.

Road, River and Rail

Work at home Friday, and all is well thus far in the Lost Apartment. I did make it through the day somehow–don’t ask me how–but I didn’t feel tired for most of the day and it wasn’t until I headed home that I hit a wall of sorts. I had to pick up the mail–yay for my copy of All The Sinners Bleed!–and then picked up a prescription during a massive thunderstorm, which was kind of fun. I actually love when it rains; I just don’t love that no one in New Orleans seems to know how to drive in rain. One would think that, given how much torrential rain we get here, that–I don’t know–that drivers here would have learned how at some point? (I also got some other buys from eBay in the mail; Alfred Hitchcock Presents Stories to Be Read with the Door Locked, which looks fun, and Mary M. Luke’s A Crown for Elizabeth, which picks up the tale of the Tudor dynasty with the continuation of the story from Catherine the Queen, covering the years 1533 thru 1558. I am excited about both, to be honest.) Paul worked on a grant last night while I watched the last extended gay disco remix episode of the Vanderpump Rules reunion, which was remarkable. I do want to write about reality television, particularly the Bravo flavored kind, but I am also trying to do all these extra Pride entries about not just being a queer crime writer but being a queer American trying to navigate an increasingly hostile world. There’s also been so much coverage of the scandalous last season of this show–along with its mother show, Real Housewives of Beverly Hills–that I don’t really have anything new to add to the discourse, other than to make some observations from a cultural and societal perspective? I think it also might not hurt to unpack why I get so caught up in the (usually) manufactured drama of these shows.

But after I got home and watched, my brain was a bit too fried from the day and the week for the work to be able to make up for the lost time last night and get back on track. It’s getting very close, to the point where I am almost starting to get antsy and have to resist the urge to hurry and finish it as quickly as possible. I am always afraid the endings of my books are rushed because I am so heartily tired of it already and cannot wait to be finished and on to the next thing. I am looking forward to this weekend, primarily for the rest and also for getting things very caught up that have kind of slid this week. I have some chores that have to be done today around the work-at-home duties, and I’d like to finish reading Chris Clarkson’s That Summer Night on Frenchmen Street this weekend, since I now have the latest S. A. Cosby, Megan Abbott, and Christopher Bollen novels to get through. My reading has definitely slid a bid this year, too. I spent some time last night reading the introductions to the Alfred Hitchcock Presents anthology as well as an old MWA one, edited by Robert Fish, that came in Wednesday’s mail, With Malice for All (or something like that). I read the first story in the Fish MWA anthology, and it was very creepy and very short and quite the punch in the face to start off the book.

I really need to get back to the Short Story Project, too.

It was a pleasant week, for the most part. I got a lot of work done this week, which feels great, and I feel pretty confident about moving on and getting this all finished sooner rather than later. I’m looking forward to sleeping in both mornings this weekend, and while I am going to have to leave the house to run errands at some point, at least this morning I can sit here in my chair sipping coffee and thinking I may not have to leave the house all weekend. At one point this week during the office I wandered up to the front desk where some of my co-workers were sitting during the needle exchange (making it Wednesday afternoon, thank you, logic modules in my brain) and they were asking each other icebreaker type questions. When I walked up, the current question was what animal would you want to be so I replied, “My cat, because never leaving the house and sleeping 22 hours a day sounds really appealing.” Scooter has been super-cuddly and affectionate lately, more so than usual, which is saying something because he’s always been super-cuddly and affectionate. I worry about him because we’ve now had him for thirteen years this September, and he was supposedly already two years old when we got him. He’s a sweet boy. I think we’ll probably always have a ginger cat; I suspect when we lose Scooter we may even end up with two of them.

The Strand Critics’ Award nominations came out yesterday, and as always it’s a friend-studded list. Shout out to every finalist. The books nominated that I’ve read are superb, so the choice of a winner isn’t going to be easy–glad the choice didn’t fall into my hands. I am already glad I am not judging any awards this year–I’ve already read so many good books this year that I don’t know that I could chose just the one–and like I said, I’ve not gotten to this year’s releases by some of my favorite authors (and people) and there’s a new Laura Lippman dropping this summer. Woo-hoo! And of course, my TBR pile is already stacked with amazing reads I’d love to make a serious dent in this year.

And on that note, I think I’m going to grab another cup of coffee and put the dishes away and start making a dent in the mess that is the Lost Apartment before I start working for the day. May you have a fabulous Friday, Constant Reader, and I’ll talk to you again later.

Sideshow

One of the fun things you get to deal with when you’re a queer mystery writer is the diversity panel.

What, you may well ask, is a diversity panel?

It’s what used to happen back in the day when well-meaning non-minority people realized they had to do something with non-white non-straight mystery writers coming to mystery conventions. What better way than to wash your hands of working for diversity by throwing all of the non-white non-straight writers at a conference onto a “diversity panel”?

Back when I was getting started and still was doing touring for book store events, I used to joke that signings/readings always made me feel like a sideshow freak hawking snake oil; the mass signings at events like BEA (Book Expo America) were the worst for this. I always wound up sitting next to someone enormously popular or famous (when they’re done alphabetically, I always expect to be seated next to Charlaine Harris, which is quite humbling. The most humbling of all was sitting next to Sharyn McCrumb at the South Carolina Book Festival. Her line literally went out of the room and into the hallway….ao I just started opening the books for her to make it run more smoothly. Might as well be useful since I was just sitting there doing nothing.)

But that was years before I was ever put on a diversity panel. Ah, the well-meaning diversity panel. Make no mistake, it’s always meant well–the path to hell and all that–but inevitably these panels would devolve into let me teach you nice straight white cisgender people about homophobia/racism/misogyny. The problem was always not the intention, which was good (inclusivity is never a bad thing), but the mentality that you could throw everyone outside the straight white cisgender class onto that type of panel and not worry about actually putting those authors onto other panels wasn’t the best. Conference diversity was the goal, and tossing out a “diversity panel’ to check off that box…yeah, no thanks.

As if having your entire writing career reduced to, in my case, who I fuck isn’t a bit disheartening, to say the least. It also very clearly sends the message that the only benefit any audience would ever get out of listening to me speak would be my ability to teach them about what it’s like to be a GAY writer. Not a mystery writer, not a writer, but a GAY writer. When I taught the character/stereotype class for SinC into Good Writing at New Orleans Bouchercon, I opened with “I don’t get up in the morning and shut off my gay alarm and go down my gay staircase and make myself a gay cup of coffee. I shut off my alarm, go downstairs and make a cup of coffee like everyone else does.”

I’m a gay man, and I write (mostly) about gay men. I’ve written and centered characters who were gay men before, and will probably do so again. My driving passion, though, is to write about my community and people like me. I long ago accepted I’d never get rich doing so, but I write what interests me and the concerns and plights of gay men are usually at the top of that list. I bristled whenever I was assigned to a queer panel or a diversity panel at a mainstream community event, but I also felt obligated to do the work–and I’ve always (wrongly) believed that complaining sounds like ingratitude. (Ah, that Christian brainwashing!) If I do sit on the panel and talk about the history of queer crime fiction, writers from the past who influenced me but are out of print today, and talk about why I write what I write, maybe some hearts and minds can be changed, or at least influenced to do some reflection and processing that can lead to effective change.

But…I can also talk about writing, and inspiration, and plotting and character development and dialogue and the mechanics of novel/story construction. I can talk about suspense and cliff-hangers, and how to keep the reader turning the page. I can talk about setting and place, scene and mood and voice, first person v. third or present v. past tense. I mean, I get it. If you want someone to talk about gay crime writing, you should get a gay crime writer; every writer can speak to those things, but not every writer can talk about being a gay crime writer. But it’s so nice when I can talk about something else, you know?

The diversity panel all too often would also be the only panel we “others” would get assigned to, because clearly the only interesting thing about us and our work was it didn’t center straight white cisgender people. They were always scheduled at terrible times–either super-early in the morning or late in the afternoon; and inevitably, there would be panels scheduled against packed with superstars everyone wants to hear. If having your work and career distilled down into simply being about you fuck is disheartening, imagine being assigned to a panel at 4 in the afternoon on Friday to talk about how who you fuck makes you different from the majority of authors to the six or seven people who show up for it (if you were lucky).

If signings or readings made me feel like a sideshow freak hawking snake oil, diversity panels tend to make me feel like some exotic creature behind glass in a zoo somewhere. (There is, however, a defense for these panels, in that they do make marginalized writers easier to find for marginalized readers, but that’s an argument for another day.) I made the conscious decision to start refusing to do them quite a while ago, probably after the St. Petersburg Bouchercon. I did agree to do one at Bouchercon in Toronto, and I only agreed to do that one because Kristopher Zgorski was moderating and he pulled the panel together.

But I will say this: the diversity panel in Toronto was very well attended, and I met not only some writers and readers that were new to me, but those folks have become friends in the time since. I was pleasantly surprised that we had a full room; which I took as an incredible sign because it wasn’t an all-encompassing diversity panel but restricted to queer people, and that many people showed up. (I suspect a lot of that had to do with Kristopher’s blog readership more than any of us who were actually on the panel.) I believe the panel was–and forgive me if my faulty memory leaves someone out–Owen Laukkanen, Stephanie Gayle, John Copenhaver, Jessie Chandler, and me. It was great. We had an amazing conversation, I got to meet Stephanie and John for the first time, and it’s always fun hanging with Owen and Jessie. Kristopher asked great questions. When it was over, I was pleasantly surprised. The audience was receptive and also asked great questions.

When I was helping do the program for Dallas Bouchercon, the local committee really wanted a diversity panel. I agreed to put one together on two conditions: 1, that I would be the moderator so could control the topics under discussion* and 2. it would not be the only panel the participants would be assigned to. I made sure that was the case since I was helping write the program, and knowing I had the power to ensure that happened was the only reason I agreed to organize it. I also asked everyone who was on the Dallas panel if they minded being on the panel, and guaranteed them another panel while asking. I also assured them refusing the diversity panel would not affect any decisions about other panels, either–because you have to worry about that, too! I called it “Not a Diversity Panel” and I had planned on not talking about any of us being writers from the perspective of being marginalized, but at most, how being “on the margins” impacted how, what, and who we chose to write about.

Ironically, I wound up not going to Dallas after all; an inner ear infection kept me in New Orleans.

Diversity panels have come a long way from what they used to be, but that danger is still there. I would urge conference programmers to think long and hard before deciding to put together a diversity panel, and why you think it’s necessary to have one. If you do decide that it’s something needed for the program, remember that the authors on it should have a chance to be on a panel where they can be an author, not just a diverse author. Diversity issues and concerns should be discussed, and diversity panels are often the place for those conversations that are so important and necessary to happen. But they can easily can go down the path to the dark side, very easily, in which the panelists are made to feel like zoo animals being poked, prodded, and observed. It’s great that people will show up in droves to these panels now–but that’s why sensitivity and a moderator who has experience with marginalization is essential, to bar a repeat of that horrible diversity panel where a well-respected and lauded editor, about three quarters of the way through the panel where a very great discussion was being had decided to opine, But it has to be about the writing! The writing has to be good!

Because of course diversity is pushing bad work forward? Because work from non-white non-straight writers usually doesn’t measure up? I was horrified, and lost any respect I had for the editor along with any desire to ever work with said editor.

I will forever feel ashamed for not calling out that comment in the moment, but I was so stunned and shocked I didn’t know what to say.