Meet Me Half Way

LSU won last night, 58-37, over Mississippi at Vaught-Hemingway Stadium in Oxford; but the defense gave up a lot in the second half–yards and touchdowns–and at times had me wondering if this would indeed turn into a trap game. A couple of offensive mistakes that the Rebels capitalized on, and suddenly they had pulled back within two touchdowns to 44-30 before the Tigers scored twice more to effectively ice the game. I may have sworn at the television a few times, as LSU’s pristine, well-oiled precision in the first half got sloppy in the second.

I suppose it is a measure of LSU’s success this season that a 21 point win in a rivalry game on the road felt disappointing; I guess this is what it means to become a member of an incredibly spoiled fan base. 58 points and over 700 yards on offense–and I was swearing at the television. Lord.

But the defense is going to have to play better than this if LSU is going to win the SEC title game against Georgia, who clinched the East by beating Auburn yesterday.

Yesterday was a good day on many fronts. I cleaned and organized, which of course always makes me happy; I didn’t get to the floors yesterday, but everything else is cleaned and organized, with a few more things to finish off this morning before I get back to work. I did have a relatively good day yesterday–cleaning and organizing capped by an LSU game is always the best Saturday possible for me. I also managed to read some more of The Ferguson Affair, and making notes on it. It’s not one of the stronger MacDonald novels–definitely not as good as some Lew Archers I’ve read–but it’s an interesting story, and I do like how the entire case begins with the main character, an attorney, being called in to represent a young woman accused of stealing, or rather, being part of a burglary gang robbing wealthy residents of the small city–and how it unrolls from there. I also made some notes on my current work-in-progress; dissecting why the story isn’t playing well in my head and realizing that it’s my own stubbornness and refusal to change things–even when they aren’t working. I always try to  make it work somehow before recognizing finally that it’s not working and must be changed; I have to go back and redo the first chapters of the book–which I’ve already kind of done. Part of the reluctance to see things clearly is because I don’t want to redo work I’ve already done—but if the work doesn’t work, accept that the time was wasted and redo it, for fuck’s sake. And so that is the task that lies before me today. I am going to go ahead and finish redoing chapter 13, because I’ve been in the middle of it for quite some time now–not finishing because deep down I knew I was going to have to go back and rework the earlier stuff, and why keep going when you know you’re going to have to revise and edit and rewrite what you are currently revising and editing and rewriting? Not an effective use of time or energy…and sometimes you have to just accept that you’ve wasted the time and be done with it. But I do believe I have now solved the key problem with my story, and it will now work going forward.

The other day I talked about the Stephen King short story “The Raft” (filmed as part of Creepshow 2), primarily in the terms of a book idea inspired by the trope of the story–essentially, four (or more) young people go somewhere no one knows they are, and something bad happens to them there–and they know rescue isn’t coming because no one knows where they are, and even if they did, it would take a while before anyone figured out they needed help–and wouldn’t know where to find them. Because of this, I kept thinking about “The Raft,” and finally at one point yesterday I got down my copy of Skeleton Crew and reread the story.

It’s extraordinary, really, and a good reminder of why Stephen King is one of my favorite writers.

It was forty miles from Horlicks University in Pittsburgh to Cascade Lake, and although dark comes early to that part of the world in October and although they didn’t get going until six o’clock, there was still a little light in the sky when they got there. They had come in Deke’s Camaro. Deke didn’t waste any time when he was sober. After a couple of beers, he made that Camaro walk and talk.

He had hardly brought the car to a stop at the pole fence between the parking lot and the beach before he was out and pulling off his shirt. His eyes were scanning the water for the raft. Randy got out of the shotgun seat, a little reluctantly. This had been his idea, true enough, but he had never expected Deke to take it seriously. The girls were moving around in the back seat, getting ready to get out.

Deke’s eyes scanned the water restlessly, side to side (sniper’s eyes, Randy thought uncomfortably) and then fixed on a point.

“It’s there!” he shouted, slapping the hood of the Camaro. “Just like you said, Randy! Hot damn! Last one in’s a rotten egg!”

“The Raft” is a terrifying story, and one that is all too easy to relate to. Randy is the main character of the story, and we see it all through his point of view. Deke is his best friend and roommate, on a football scholarship, handsome and well-built and holding the world in the palm of his hands; things come easily to him, especially women. The two girls with them on this adventure are Rachel, Deke’s current girlfriend, and LaVerne–who, as it turns out, isn’t a particularly nice girl in how we tend to define that sort of thing. Randy likes Rachel but really is into LaVerne; one of the dynamics of the story is that Deke and Rachel’s relationship is ending (but she isn’t aware) and LaVerne is poised to move in on Deke–and it happens during the course of the story. Randy loves Deke, Deke is his best friend and he admires him and would do anything for him; but he also harbors a bit of resentment for his beloved best friend–for whom everything seems to be easy, and women willing to crawl into his bed are easy to find; he also resents that women don’t seem to notice him when Deke is around. This is excellent character building by King; this makes Randy relatable.

(When I first read this story in the mid-1980’s, I had already become accustomed to being the “friend no one notices”; I always had male friends who were good looking and well-built and a lot of fun to be around, so I always felt eclipsed and that no one noticed me. This continued for many years, even after I came out in every aspect of my life–that weird mixture of love and resentment one can have for a friend who is always the center of attention who doesn’t even try to be; it just happens. It also reminds me of the dynamic at the root of A Separate Peace, which I read as a teenager; I need to go back at some point and reread that book to get a better sense of the novel and the queer undertones that even I–a closeted and terrified thirteen year old–was able to pick up on.)

The building of suspense–and the terror that comes when they realize the weird little oil slick on the water not only has intelligence but is a predator–is phenomenal, and yet another example of King’s story-telling genius.

I also could relate to the story because when I was a teenager in Kansas, there was a nearby lake we often went to, for swimming and so forth; it was out in the middle of nowhere, and it, too, had a raft you could swim out to and sunbathe on. (I used that lake in my novel Sara; in what I think is probably the best, most frightening horror I have ever written–that chapter at the lake is absolutely terrifying–or at least I think so, at any rate.)

But remembering–and rereading–“The Raft” also reminds me of the Short Story Project from last year, which I hadn’t intended to stop doing, but I got sidetracked with this year’s Diversity Project, among other things. But it’s time for me to get back to work on everything this morning, and so, Constant Reader, I bid you adieu as I head back into the spice mines.

aussiebum

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